Database Tips & Tricks: Linking Google Scholar with Duke Libraries

Have you ever found an article on Google Scholar and when you tried to view it, it asked you to pay?

You want to pass your assignment but at $42 for one article, you’re starting to debate if it’s worth it…

But don’t give up yet!

Linking your Google Scholar account with Duke University Libraries will save you time, money, and from feelings of despair.

  • First you’ll want to sign into your Google Account  and then head on over to Google Scholar‘s home page.
  • Next select the menu bar in the top left  ()  and choose settings.
  • Under settings, choose library links, search for Duke University, choose all that apply, press save and log in using your Duke login.

Now you’re linked! Now when you find an article on Google Scholar on the right there will be a Get It at Duke link () that will let you bypass that paywall!

But wait! One more thing (it’s optional)…

Under settings, go to account, and check “Signed-in off-campus access links”, now for 30 days if you revisit an article that you visited on campus originally, it will automatically re-provide access.

Get linking and happy researching, friend!

For more Google Scholar Tips & Tricks check out https://blogs.library.duke.edu/blog/2019/10/31/database-tips-tricks-google-scholar/.

Meet Lilly’s Class of 2020: Jessica

What is a Vital Lilly Library Resource?

Lilly’s Senior Student Assistants

One of Lilly’s Class of 2020 – Jessica

Lilly is at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community, during what used to be a normal semester, Lilly Library remains open for 129 hours each week! Our student assistants are an essential element in maintaining a high level of service, and we want to introduce you to one of our “Class of 2020” – seniors who have worked in Lilly Library throughout their Duke careers. Get to know our seniors in these profiles, and you’ll appreciate them as much we do.

If you’ve been in Lilly Library over the past four years, chances are you’ve seen our seniors: Jess, Sarah, Esha, Toni, and Noelle. Jessica is one of our seniors who worked at Lilly Library since she arrived as wide-eyed First-Year student on East Campus way back in August of 2016.
Commencement 2020 may be virtual, but our regard for our student assistants is very real and enduring.

Take this opportunity to acquaint yourselves with Jessica, one of our treasured Lilly Library Class of 2020.

Senior  Jessica

Student with 3D Scanner
A model student: Jessica demos a 3D Scanner for a Lilly Library Facebook post
  • Hometown: Glen Rock, NJ
  • Family/siblings/pets: I have one younger brother
  • Academic major: Statistics and Computer Science
  • Activities on campus: Marching & Pep Band
  • Favorite on-campus activity, besides working at Lilly: Playing with the band at basketball games
  • Favorite off-campus activity: Used to be going for cheese and chocolate fondue at the Little Dipper on Ladies’ Night (it’s now closed though)
  • Favorite campus eatery: Div Cafe
  • Favorite off-campus eatery: Sushi Love

Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why?
A: I would say the armchairs in the Thomas Reading Room. It has a very pleasant, relaxing atmosphere, and I’m pretty sure I’ve already taken accidental naps there while doing homework.

Q: What’s the most interesting book you’ve come across in Lilly?
A: The most interesting book I came across at Lilly was a photography book about Jim Marshall. Someone had just returned it and I flipped through all the photos before putting it in the bin of Perkins books.

Q: What is your favorite part about working at Lilly? Least favorite?
A: I loved having time to put down the rest of my schoolwork and thinking about something else for at least a short while. I always found the tasks at Lilly like shelving books and processing holds to be quite satisfying. I don’t think I had a least favorite part!

Q: Why have you worked at Lilly Library ever since your first year?
A: I thought about switching to Perkins after freshman year, but then I wouldn’t get to see Yunyi every week!

Q: What is one memory from Lilly that you will never forget?
A: It’s not one specific memory, but because I’m in the band, a lot of the staff would chat with me about Duke football and basketball with me, especially Yunyi. I always knew that if the basketball team lost, I would get a chance to vent and complain about the team at my next shift. I will never forget how excited the staff always was for me when I got to travel with the teams for tournament games.

Q: What is the craziest thing you’ve ever done in Lilly?
A: It’s not super crazy, but the few times I had to shelve books or straighten the stacks on the 4th level and no one was around, I would listen to music and dance to myself as I worked.

Q: How will your time at Lilly help you in your future pursuits?
A: Lilly provided the first customer service-related job I’ve ever had, and my time at Lilly certainly helped me develop skills in that area, especially with continuing to be polite even when patrons were not (although that was quite rare to encounter). It also helped me with organization, multitasking, and adaptability, skills translatable into all kinds of fields.

Q: What will you miss most about Lilly when you graduate?
A: I will definitely miss Yunyi and the other librarians/staff members the most.

Q: What are your plans for after graduation?
A: I will be working as a Data Scientist for a start-up in New York City.

Q: What is your spirit animal? … well, you don’t expect all the questions to be about Lilly, did you?
A: Always a tough question, but I guess a cat?

Student
Lilly Senior Jessica

Graduation in May means Lilly Library will say farewell to Jessica and our other seniors, treasured members of our Lilly “family”. We appreciate her stellar work and dedication to Lilly and wish her all the best!

National Poetry Month 2020

It’s currently National Poetry Month, and I feel like I need poetry now more than ever as a source of comfort. In fact Poets.org is running a #ShelterInPoems campaign right now. It’s quite lovely and worth checking out. In a similar vein, Professor Faulkner Fox is featuring a  Poem of the Day on the Hart Leadership Program page, and we in the libraries will be featuring lines from poems on Instagram this month.

If you are looking to read some poetry, I’m happy to say that we do have poetry you can read online in our collection. You can search our catalog for ebooks that we have. I have also had good luck finding poetry in literary magazines in Humanities International Complete. Plus I’ve recently been purchasing some poetry on Overdrive. Try out some of these titles:

Delphi Complete Works of Paul Laurence Dunbar

Delphi Complete Works of Emily Dickinson

Delphi Works of Robert Frost

Delphi Complete Works of W. B. Yeats

Delphi Complete Works of Walt Whitman

And let me leave you with two fun poetry related things. I was recently introduced to this tinyletter newsletter called Pome that sends a poem to your inbox everyday. Finally Sir Patrick Stewart has been posting #ASonnetADay on his Twitter. I personally can’t think of anything more lovely than that!

 

Good News for Those with Their Nose in a Book

One of the things people always say they love about libraries is the smell of old books. There’s nothing quite so comforting as the slightly musty aroma of stacks upon stacks of so much accumulated knowledge. Of all the things our students and faculty tell us they miss most during this extended period of home isolation, that ineffable library smell is up there at the top.

Now, thanks to recent advances in digital publishing, we’re excited to pilot a new feature in selected library e-books that lets you recapture that odoriferous experience virtually.


Screenshot of Scratch n Sniff e-Book
Look for the green “Scratch-n-Sniff” button in selected library e-books.

The next time you check out an e-book through our library catalog, look for the green “Scratch-n-Sniff” button in the online interface. Clicking the button will activate a feature that artificially simulates the olfactory experience of reading text on vintage, yellowed paper. Just gently scratch your display as you read to be transported back to your favorite reading nook in the library.

The first time you use the “Scratch-n-Sniff” feature, you may need to lean in close to your monitor and breathe deeply to get the full effect. The application isn’t compatible with all browsers. But if your operating system is up-to-date, you should be able adjust the display settings in the control panel of your PC or mobile device to strengthen the smell.

Library users are also advised to scratch carefully, as sharp fingernails and aggressive scratching may damage your monitor and cause the “Scratch-n-Sniff” function not to work properly.

“Over the years, e-books have represented a larger and larger percentage of library collections, even as some researchers—particularly those in the humanities—continue to turn their nose up at them,” said Jeff Kosokoff, Assistant University Librarian for Collection Strategy. “We understand. Nothing quite compares to the age-old experience of immersing yourself in a physical book. But now that digital is the only option for a while, we’re doing everything we can to replicate the experience Duke’s world-class students and faculty are accustomed to.”

“We had to pay through the nose for this add-on feature,” Kosokoff added, “but it’s worth it to keep our Duke community feeling connected to their library.”

Fans of the classics will be particularly pleased to know that the earlier a book’s original publication date, the mustier it smells. For instance, clicking the “Scratch-n-Sniff” button while reading an electronic copy of David Copperfield (which happens to be our next selection for the Low Maintenance Book Club, by the way) is like holding a real first-edition Dickens up to your nose.

The “Scratch-n-Sniff” e-book feature is available for a limited time for selected e-books in our library catalog and works with most PCs, laptops, Apple and Android devices, and e-readers, including Amazon Kindle, Kobo Libra, and Barnes and Noble Nook. It does not work with Internet Explorer, however.

Library user sniffing ebook screen
Is this fragrant feature for real? Unfortunately it snot. Happy April Fools’ Day, Dukies. Smell ya later!

Meet Lilly’s Class of 2020 – Sarah

What is a Vital Lilly Library Resource?

Lilly’s Senior  Student Assistants

woman looking at stacks of books
Many “happy” book returns greet Lilly Senior Sarah

Lilly is at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community, during what used to be a “normal” semester, Lilly Library remains open for 129 hours each week! Our student assistants are an essential element in maintaining a high level of service, and we want to introduce you to one of our “Class of 2020” – seniors who have worked in Lilly Library throughout their Duke careers. Get to know our seniors in these profiles, and you’ll appreciate them as much we do.

If you’ve been in Lilly Library over the past four years, chances are you’ve seen our seniors: Jessica, Sarah, Esha, Toni, and Noelle. Sarah is one of our seniors who worked at Lilly Library since she arrived as wide-eyed First-Year student on East Campus way back in August of 2016.

Commencement 2020 may be virtual, but our regard for our student assistants is very real and enduring. Take this opportunity to acquaint yourselves with Sarah, one of our treasured Lilly Library Class of 2020.

Senior Sarah

Woman sitting in front of pumpkins
Sarah at the North Carolina State Fair
  • Hometown: Flower Mound, Texas (north of Dallas)
  • Family/siblings/pets: Mom, Dad, younger sister (in her first year of college)
  • Academic major: Biomedical Engineering
  • Activities on campus: Club Swimming, Sport Clubs Executive Board, RA (in Neighborhood 1 on East, then in Crowell/Wannamaker), former FYLAB / UAB member
  • Favorite on-campus activity (besides working at Lilly): Swimming with Club Swim!
  • Favorite off-campus activity: I love going to sporting events, and my favorite annual event to attend since I have moved here for college is the North Carolina State Fair.
  • Favorite campus eatery: Pitchforks (nothing beats 24-hour service)
  • Favorite off-campus eatery: The Pit (BBQ)

Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why?
A: Probably the Thomas Room, because it has really comfy chairs and the doors on both ends lock so I would feel safer…

Q: What’s the strangest/most interesting book or movie you’ve come across in Lilly?
A: I can’t think of a specific strange example right now, but a special DVD to me is DVD 30,000 (The Princess Bride) which the class of 2020 got to pick!

Q: What is your favorite part about working at Lilly? Least favorite?
A: My favorite part is all the librarians that have been so kind and supportive to me during my time working at Lilly. I always feel so welcome in the library and it became a sort of safe haven for me during my time at Duke. My least favorite part is walking through the library at closing time, because it’s dark and I keep thinking someone will jump out at me and scare me. Also, having to drive back to west campus at 4am.

Q: Why have you worked at Lilly Library ever since your first year?
A: Because of the librarians! I started working at Lilly my first year because I really loved libraries and reading throughout my childhood and had volunteered at my public library in high school. I chose to stay throughout the years (even during the time I spent living on West Campus) because of the friendships I made with the people I worked with and because of the increased trust that everyone placed in me.

Q: What is one memory from Lilly that you will never forget?
A: The little things the staff did for the student workers to make us feel appreciated – candy for every Halloween and Valentine’s Day, and student worker lunches at the end of every semester during Finals week. Even though after my first year I knew these things were coming, they were still always a nice surprise.

Q: What is the craziest thing you’ve ever done in Lilly? A: I don’t know how crazy this is, but I’ve definitely fallen asleep at the desk while working the late night shift a few times more than I’d like to admit…

Q: What was closing, or opening an empty (or at least, it was supposed to be empty) Lilly like? Eerily empty, people reluctant to leave, unexpected people?
A: I worked a closing shift every week for the last three years I worked at Lilly, and most of the time people filtered out on their own within five minutes of closing time (even if they didn’t want to). I did sometimes get some interesting people that would filter through the building or have strange requests of me (for example, one time I got a call from a father who wanted me to find his daughter in the building and give her a message – but didn’t even know if she was actually at Lilly). Most of the time, though, the only spooky part was walking through the library alone and hoping no one was staking out to scare me. I only worked opening shifts at Lilly every once in a while, but it was always nice to come into an empty, quiet building and get to watch the early risers trickle in!

Q: How will your time at Lilly help you in your future pursuits?
A: Lilly has taught me a lot of lessons about how to serve others and how to be a go-getter. Working behind the desk in particular has built a lot of confidence for me in talking to people I don’t know and helping to serve them. As an engineer, I might not always be in a customer-facing position, but having that experience will certainly give me a boost over those who are not as comfortable working in service roles.

Q: What will you miss most about Lilly when you graduate?
A: Both the librarians, who have always been so nice to me, and the space as I remember it in my head. I know with renovations coming to Lilly in the future that when I come to visit as an alum, I might no longer be able to walk around the space knowing exactly where everything is. I will miss that feeling of knowing a place so well.

Q: What are your plans for after graduation?
A: This summer I will be interning at Garmin International in Cary, NC to complete my internship requirement for the Master of Engineering program at Duke, and then I will graduate from Duke again in May of 2021!

Q: What is your spirit animal? … well, you don’t expect all the questions to be about Lilly, did you?
A: My favorite animal is a monkey so I will go with that!

Sarah and her Club Swim teammates

Graduation in May means Lilly Library will say farewell to Sarah and our other seniors, treasured members of our Lilly “family”. We hope to see Sarah while she continues her graduate studies at Duke next year, even if she no longer works with us. We appreciate her stellar work and dedication to Lilly and wish her all the best!

Welcome to the Abode of Happiness!

Istanbul, also known as Der Saadet (Abode of Happiness), is a city unlike many others. Its very name evokes a mythical image of earthly paradise. And for those fortunate to have visited the Turkish cultural capital, whether for business (as I did during a book-buying trip) or pleasure, there are plenty of reasons why this is the case. Situated between the Black and Mediterranean seas, Istanbul has always been a picturesque city, brimming with diverse cultures, languages, ideas, and technologies.  A collection of 174 Turkish postcards and photos from the late 1890s to the 1930s, recently digitized by Duke University Library, allows us to get a glimpse of this happy abode at the turn of the twentieth century, immediately before things went very badly.

Most of the images in the Istanbul postcards collection depict everyday life in Üsküdar, a historic neighborhood on the Asian side of Istanbul that was once home to thriving communities of Turks, Greeks, Armenians, Jews, and other ethnic groups.  Considering Üsküdar’s cultural and linguistic diversity, it is not surprising that this neighborhood was also commonly known as Scutari (in English and Italian), likely a diminutive of the Greek Skoutàrion (Σκουτάριον), the original name of the area.

The Istanbul postcards collection contains striking images that document everyday life, historic buildings and ports, various architectural features, and other topics that may be of interest to students and researchers of late-nineteenth and early twentieth-century Istanbul.

Perhaps one of the more iconic landmarks in Istanbul is the Kız kulesi (Maiden’s Tower)–also known as Leander’s Tower (after the Greek myth of Hero and Leander)–a lighthouse situated in the Bosphorus straits, between the European and Asian sides of the city. There have been several towers over the centuries, with the original wood construction dating back to 1110 CE. The one depicted in this postcard was restored only in 1725.  Here the Tower is festooned with lights to celebrate the ten-year anniversary since the founding of the Republic of Turkey (1923), a vivid example of the government’s attempt to appropriate historical sites of memory for contemporary political purposes.

On the banks of the Bosphorus lies the impressive Beylerbeyi Sarayı (Palace), the historic building depicted in the postcard below. Completed in 1865, the palace was the summer home of Sultan Abdülaziz (1830-1876), the first Ottoman Sultan to travel to Western Europe. After Greek nationalist forces defeated the Ottomans in Selanik in 1912, Sultan Abdülhamid (who had previously been confined to the Villa Allatini) would be forced to move to this palatial residence.  The embossed stamp (reading “Constantinople,” rather than Istanbul) on the bottom left corner of the postcard suggests, however, that the creators of this souvenir sought to emphasize the building’s status as a European-style architectural landmark, rather than its role as a place of political exile.The influence of France, and in particular the French language, was pervasive throughout the Ottoman Empire in the nineteenth-century, especially among the literary elite. That is why, for example, many Ottoman-language journals (like the ones included in the recently launched digital project on the French Press in the Ottoman Empire), would often include a French translation or sub-title. To meet this growing demand, French educational entrepreneurs began opening schools in Istanbul.  One of these schools, the Fransız Sainte Marie Okulu, is pictured in the postcard below.  Note that although the writing on the back of the postcard is from 1933, the image of the school itself likely dates to the late nineteenth-century . Today, the historic building in which the school was once housed is part of a larger restoration project (Bağlarbaşı ilköğretim ve İş Okulu Restorasyonu).Another historic building depicted in the Turkish postcard collection is the Üsküdar Haydarpaşa Sultan tıbbiye mektebi (Üsküdar Haydarpaşa Sultan neighbourhood and Medical School). Built in 1827 as a military academy for the study of modern medicine, the school employed European and Ottoman doctors, who taught their students in French.  The field of medicine was yet another example of the wide circulation of French (and, more broadly, European) ideas and practices in late Ottoman culture.  You can learn more about the school and its place in Ottoman and European intellectual history with this recent publication.Another postcard on the theme of medicine and society is the one that portrays the Üsküdar miskinler tekkesi ve sebili (Üsküdar Leprosy house and water kiosk), the public health institution to which individuals suffering from this stigmatized infectious disease were confined and where they received such medical care as was available at the time. Although the term for this institution could also be translated as “lodges for the poor, helpless, wretched”—in addition to leper, the word miskinler, which is of Arabic origin with a Turkish suffix, also means poor, helpless, wretched; while tekke,  a word borrowed from Persian but of Arabic origin, means lodge) —the miskinler tekkesi were colloquially known as tembelhâne, meaning “lazy houses.” Indeed, it is fair to say that rather than being sent for professional medical treatment, lepers were banished from society to live in miskinler tekkesi. For further information on Ottoman laws and debates about such matters see Studies in old Ottoman criminal law. And for further information about Ottoman disability studies, see Disability in the Ottoman Arab World, 1500-1800.A few images in the newly-digitized Istanbul postcard collection depict a very dark period of Turkish history, known as İşgal (the period of foreign occupation). After its defeat in World War I (1918), the Ottoman Empire was dismembered by the victorious military powers.  As a direct result, British, French, Italian, and Greek troops moved into the former Abode of Happiness and took over the administration of the city.  Istanbul and its residents were kept under strict watch, not least by means of naval vessels, such as the two steamships depicted, in the postcard below, patrolling the waters off Ortaköy with Üsküdar in the foreground. This tumultuous period witnessed the rise of Mustafa Kemal Ataturk and ended only with the founding of the Republic of Turkey in 1923 (a defining political event that was celebrated as a national holiday in the abovementioned postcard of the Maiden’s Tower, and that continues to be celebrated today).Finally, I will end this short blog entry on Duke’s newly-digitized collection of Istanbul postcards with this fantastic image of an old pier in the Kandilli neighbourhood of Üsküdar. The steamship and other boats (depicted on the left and center of the postcard) illustrate the importance that piers and the Bosphorus have played in Istanbul’s centuries-long history, while also giving us a glimpse (on the right-hand side of the image) of the traditional yalılar (waterfront residences and mansions), which dot the Bosphorus coast.  This is a reassuring image, which suggests that whatever political and name changes the city may yet to undergo, the Abode of Happiness will remain, first and foremost, a strategically located sea port in the very heart of Eurasia.Like the previously digitized Selanik/Salonica/Thessaloniki postcard collection, the Istanbul postcards collection adds depth to Duke University Library’s holdings on the Middle East and offers yet another electronic resource for scholars of many disciplines to use for research and teaching.

Please feel free to explore the digitized Istanbul Photographs and Postcards Collection, 1890s-1930s, and see what you can discover for yourself.  The images are free to download and use for research, but please cite Duke University Libraries.

Should you have questions, please contact Sean Swanick, Librarian for Middle East and Islamic Studies at Duke University.

 

 

You Count! The 2020 Census

Happy census day! Just like Duke Libraries, the census is for everyone. Our primer below will help make sure you are included in the 2020 census. For more information, you can go to the official census website.

Census Overview

  • What is the census?
    • A count of all people living in the United States as well as 2 commonwealths (Puerto Rico and the Northern Marianas Islands) and 3 territories (Guam, American Samoa, and the U.S. Virgin Islands).
  • When does it happen?
      • Every 10 years since 1790, as mandated by the U.S. Constitution in Article 1, Section 2.
  • Why is it important?
      • Determines the allocation of over $800 billion for essential programs in
        • Education
        • Healthcare
        • Infrastructure
        • Employment and Training
      • Decides the number of seats each state has in the House of Representatives
      • Used to draw congressional and state legislative districts
  • What questions are on the census?
      • The Census Bureau has posted a slideshow of all questions asked on the 2020 census and why they are asking them.
  • Is my information private?
      • The Census Bureau is bound by Title 13 of the U.S. Code to keep your information confidential. 
      • The answers you provide are used only to produce aggregate statistics; you are kept anonymous.
  • Do I have to participate in the census?
      • Yes, residents of the United States are legally required to be counted
  • How can I complete the census?

College Students, the census, and COVID-19

  • Do I need to complete the census?
    • If you normally live on campus, no. There is a designated “residence administrator” who will submit the questionnaire directly to the Census Bureau.
    • If you live off campus, yes.
  • I live off campus but am currently living elsewhere because of COVID-19. Where do I count?
    • You count at the place you live and sleep most of the time. Even if you are currently at home because of COVID-19, you need to complete the census for your off-campus living quarters.
  • I can’t access my mail. How do I complete the census? 
    • You can complete the census online or by phone. There is an online option to enter your address if you don’t have the Census ID that is included on mailed materials.

Remember, you count!

For more information on the census visit https://2020census.gov/en.html

Overdrive and Libby are always open!

Maybe you’re finding yourself with more free time now that all of of your social events and entertainment/shows have been canceled. Maybe you just need a break from it all. Either way now might be a great time to pick up a good book, and we still have you covered with Overdrive.

Overdrive at Duke

We have ebooks and audiobooks on a variety of subjects and genres, including graphic novels, humor, and fantasy. You just need your netID. You can borrow titles for 21 days, and you can download to  all major computers and devices, including iPhones®, iPads®, Nooks®, Android™ phones and tablets, and Kindles®.

Overdrive at Your Public Library

It’s quite possible that the public library in your area has Overdrive, so take a look there too. Our friends at the Durham County Public Library has a wonderful collection that is worth checking out!

Libby

Duke Libraries is now available on the Libby app, which allows you to consolidate your checkouts across multiple libraries onto a single digital shelf. The app works with both smartphones and tablets. If you like to switch between reading on your phone and tablet, the app will sync your bookmarks and notes between devices so you won’t be left wondering where you last stopped reading. Libby also works with audiobooks!

Database Tips & Tricks: Nexis Uni

What do business, criminal justice, political science, company dossiers, and patents all have in common?

All of these can all be found onNexis Uni Image!

Nexis Uni is a database containing over 15,000 credible news, legal  and business sources. Need US Treaties? They have it. Need company profiles? They have it. Need news in general? They have it.

NexisUni is a great resource and it’s relatively easy to use so let’s get started!

Of course, you’ll want to sign up/sign in.

This allows you to:

  • Create, share, & have folders shared with you
  • Create alerts
  • Customize display & document settings and search filters
  • View search history, document history, Shepard’s history,  & a Research map
You’re signed in, you’re set up, so let’s get searching!

Enter terms, phrases, companies, questions, whatever you like and it’ll bring you to the results page.

The Results Page

  • Above the results, you’ll find options to save the results to a folder, print, email, download the list or individual docs, send to google drive or dropbox, export citations, and sort.
  •  On the left is the category (news, law reviews, cases, etc) you’re currently viewing.

Document Page

The document page has different sections depending on the document type, but each page has an “About” and “Notes” section.

  • The about section will have the source information, related content, and the Shepard’s Signal if it’s a legal document.
  • The notes section allows you to annotate, copy, highlight, add to a search or folder your selected text.

Other Helpful Tips

  • If you need help reading the style of their documents:
    1. Go to advanced search from the home page
    2. Choose the tab that applies (All, Legal, Business, or News) and the content you’re looking for under the specific tab
    3. On the right you’ll see a section called, “Search Field Examples,” select to enlarge, and it is a helpful guide on how to read the document in that category.
  • If you see glasses , you’ve viewed the item before.
  • More Helpful Features
  • How to Customize Your Settings

And there you have it! You’ve got the basics of how to use Nexis Uni!

Happy Researching, Friends!

Greetings from Selanik/Salonica/Thessaloniki!

International and area studies librarians facilitate research not only about different parts of the globe, but also about different eras in time.  A prime example of this historical orientation is the recently-acquired and-digitized Selanik/Salonica/Thessaloniki postcard collection.  This new addition to Duke University Library’s already extensive International Postcard Collection consists of 208 images documenting the famous Aegean Sea port-city from the late 19th to the early 20th-centuries.

Thanks to its favourable location and its large and natural seaport, this ancient city hosted merchants from near and far. In part because of its function as an international trading post, the city’s population was a mix of cultures (Armenian, Jewish, Greek, Arab, and Turk) and religions (Christianity, Judaism, and Islam). During the 20th-century, however, the formation of nation-states with regulated borders, the eruption of major wars in the region, and the consequent displacement of populations through both natural and forced migration, effectively destroyed the diversity of this multi-ethnic metropolis. The Selanik/Salonica/Thessaloniki postcard collection allows us to get a fleeting—and, therefore, all the more special—glimpse of the world that was lost as a result of war and genocide.

“What’s in a name?”

The Aegean port-city was founded in 315 BC and named after Thessaloniki (Greek: Θεσσαλονίκη), the wife of King Cassander of Macedonia and half-sister of Alexander the Great.  When the Byzantine Empire – the Christianized successor to Alexander’s empire – fell to the Ottoman Turks in 1423, Thessaloniki’s days as a Greek city were numbered.  In fact, just seven years later, the Ottomans captured the Aegean port city and changed its name to Selanik (Ottoman Turkish: سلانیك‎). The city would officially retain this name from 1430 until 1912, when Greek nationalist forces defeated the Ottomans and changed its name back to Thessaloniki.

During the long period of Ottoman rule, the city was also informally known as Salonica (Ladino: סאלוניקו). This toponym was the Ladino, or Judeo-Spanish variant of the Ottoman Turkish name for the city. Like the city itself, Ladino was a mix of cultural influences: “based in Spanish and other Iberian languages, with a strong Hebrew Aramaic component,” but also incorporating “many elements from the languages of the Mediterranean world, including Turkish, Greek, Italian, French, and Arabic.”  The widespread use of the name Salonica is a reminder of the once sizable Jewish community of the Aegean port city.  The Jewish population came to call Salonica home after the Reconquista and the Edict of Expulsion from Spain in 1492. However, in World War II the Jews of Salonica suffered dramatically during the Nazi occupation, which all but erased their physical presence and their role in the city’s history, save for some architectural achievements.

Wish you were here!

As the following selection of greeting cards from the digitized Selanik/Salonica/Thessaloniki postcard collection demonstrates, the creators of the images were very cognizant of the way they wished to portray their city and, therefore, very deliberate in their choice of subject matter.  Everything was meant to leave the tourist who bought and sent the postcard with a positive memory of his or her visit to the city and the addressee who received it with a desire to visit it for him or herself.

The colourful postcard below, for example, displays a tranquil street scene from the usually bustling and crowded business district of Selanik.  The street in question is not just any street, but the “Grand rue de la Banque Ottoman.”  The influential Ottoman Bank (seen on the right) was built in 1903 by the Turkish architects Barouh and Amar with an eye to synthesizing local and European architectural aesthetics of the time.  This attempt to appeal to multiple constituencies at one and the same time may explain why the title of the card is printed in both French and Ottoman.

Near the Ottoman Bank and its busy shops was the Allatini brick factory, which now sits abandoned. The brick factory was named after the family who founded it. The Allatini family was of Iberian Jewish heritage and had settled in Salonica in the early 16th century. The family would also open the Allatini flour mill, which is still in operation to this day, though now located in Sindos, a suburb of Thessaloniki. The Allatini family also owned the Villa Allatini, which is a historic building not merely because it was the family’s country estate, but also because it came to play a role in one of the most dramatic events in the history of modern Turkey. In 1908, a nationalist group called the Young Turks led a successful revolution to dethrone the Sultan of the Ottoman Empire and restore the Constitution.  The Sultan was forced to abdicate and was later put under house arrest at the Villa Allatini (depicted in the black-and-white postcard below).

Other building-related postcards in the digitized collection offer views, frequently only in passing, of architectural features that are no longer a regular part of the everyday modern life. One example are the images of the sahnisi (σαχνισί), or traditional protruding balconies, which were meant to allow sunlight into a specific space of a home (as seen on the right hand side of the next image):

Among other topics, the digitized Selanik/Salonica/Thessaloniki postcard collection offers images that depict vestiges of Thessaloniki’s Turkish heritage, for example this Deniz hamamı (traditional Ottoman-Turkish bathhouse):

And this image of a sünnet bayramı (circumcision festival), a ceremony regularly held and often documented in manuscripts known as Surname-i Hümayun.

The collection ends in 1917, the year Thessaloniki was ravaged by a tremendous fire. From the dramatic image on the following postcard, it is possible to get a sense of both the magnitude of the fire as well as the terror that must have overcome the locals. The Great Fire, as it came to be known, drastically transformed the layout of the city, adding yet another layer to the palimpsest that is the history of Selanik/Salonica/Thessaloniki.

Please feel free to explore the digitized Selanik/Salonica/Thessaloniki postcard collection, and see what you can discover for yourself.  The images are free to download and use for research, but please cite Duke University Libraries.

Should you have questions, please contact Sean Swanick, Librarian for Middle East and Islamic Studies at Duke University.

Collection Spotlight: March Madness

March Madness, the NCAA Division I Basketball Tournament, is one of the most famous annual sporting events in the United States.

During the course of the month millions of Americans are glued to the screens, many fill out a bracket, there’s an increase in the number of sick days used, extended lunch breaks are taken, and even conference calls are rescheduled to allow for more tournament watching.

Duke has won 5 NCAA Championships, participated in 11 Championship Games (third all-time) and 16 Final Fours (fourth all-time), and has an NCAA-best .755 NCAA tournament winning percentage.

Duke’s continuous success in the tournament has raised the profile of the university, and one can spot Duke shirts all over the US and the world. This year both the men’s and the women’s basketball teams have high expectations and are poised to make their mark.

The Libraries have an extensive collection, covering March Madness, the Duke basketball teams (men and women), and the sport of basketball in general, a sample of which can be seen in the March Collection Spotlight, located near our Perkins Library Service Desk on the first floor of Perkins.

You can find interesting basketball facts and answers to the questions on everyone’s minds like:

…Who was the first basketball coach at Trinity?

…How many of the players on Trinity’s first team had ever played basketball?

…When Mike Krzyzewski, Coach K, was named the Duke men’s basketball coach?

the first African American player to integrate the Men’s Basketball program at Duke

…Who is the leading scorer in Duke history?

…What is the “Miracle Minute”?

…How many times have Duke and UNC met post-season?

This month’s spotlight was co-created by Tzvetan Benov (Evening Service Desk Assistant), Stephanie Ford (Evening Research Services Librarian), and Annette Tillery (Overnight Circulation Desk Assistant)!

Duke University Libraries Summer Research Grants for LIFE Students

  • Do you have a cool project idea that uses extensive library resources, such as archival materials or foreign language books?
  • Are you a first generation and/or low income undergraduate student?
  • Would having up to $4500 assist with your project idea?

If you answered yes to all three, then consider applying for the Duke University Libraries Summer Research Grants (DULSRG)! We welcome applications from students with all levels of prior experience using library materials.

DULSRG are awarded to first-generation and/or low-income undergraduate students to support original library research either at Duke or at another library or cultural institution with a library. Awards are granted up to a maximum of $4500 to cover expenses such as campus housing, transportation, lodging, and meals while conducting research. Because research expenses can vary depending on the field of research and the duration of the project, students are able to pool grant funding with other awards.

You can find out more details about the award, including how to apply, here: https://library.duke.edu/research/grants

Deadline: March 27th, 2020

Contact Arianne Hartsell-Gundy, Librarian for Literature and Theater Studies, at arianne.hartsell.gundy@duke.edu, if you have questions.

What to Read this Month

As Black History Month leads into Women’s History Month, I’ve selected a handful of books from the list 48 Books By Women and Nonbinary Authors of Color to read in 2019.
For more books to enjoy or mull over during spring break, check out our Overdrive, New and Noteworthy, and Current Literature collections.


Shapes of Native Nonfiction: Collected Essays by Contemporary Writers edited by Elissa Washuta and Theresa Warburton.

Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket.

Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.


The Memory Police by Yoko Ogawa, translated from the Japanese by Stephen Snyder.

A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor.

On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses–until things become much more serious. Most of the island’s inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.

When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.

A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

Yoko Ogawa was profiled in the New York Times in an article titled “Yoko Ogawa Conjures Spirits in Hiding: ‘I Just Peeked Into Their World and Took Notes’.”


The Pretty One: On Life, Pop Culture, Disability, and Other Reasons to Fall in Love with Me by Keah Brown.

From the disability rights advocate and creator of the #DisabledAndCute viral campaign, a thoughtful, inspiring, and charming collection of essays exploring what it means to be black and disabled in a mostly able-bodied white America.

Keah Brown loves herself, but that hadn’t always been the case. Born with cerebral palsy, her greatest desire used to be normalcy and refuge from the steady stream of self-hate society strengthened inside her. But after years of introspection and reaching out to others in her community, she has reclaimed herself and changed her perspective.

In The Pretty One, Brown gives a contemporary and relatable voice to the disabled–so often portrayed as mute, weak, or isolated. With clear, fresh, and light-hearted prose, these essays explore everything from her relationship with her able-bodied identical twin (called “the pretty one” by friends) to navigating romance; her deep affinity for all things pop culture–and her disappointment with the media’s distorted view of disability; and her declaration of self-love with the viral hashtag #DisabledAndCute.

By “smashing stigmas, empowering her community, and celebrating herself” ( Teen Vogue ), Brown aims to expand the conversation about disability and inspire self-love for people of all backgrounds. You can see an interview with Brown and read more of her work by visiting her website.


Sabrina & Corina by Kali Fajardo-Anstine.

Kali Fajardo-Anstine’s magnetic debut story collection breathes life into her Indigenous Latina characters and the land they inhabit. Set against the remarkable backdrop of Denver, Colorado – a place that is as fierce as it is exquisite – these women navigate the land the way they navigate their lives: with caution, grace, and quiet force.

In “Sugar Babies,” ancestry and heritage are hidden inside the earth, but have the tendency to ascend during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman returns home from prison, finding herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual.

Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.

Kali Fajardo-Anstine is a National Book Award Finalist, a finalist for the PEN/Bingham Prize and The Story Prize, and longlisted for the Aspen Words Literary Prize. Fajardo-Anstine is the 2019 recipient of the Denver Mayor’s Award for Global Impact in the Arts. Her fiction and essays have appeared in GAY Magazine, The American Scholar, Boston Review, Bellevue Literary Review, The Idaho Review, Southwestern American Literature, and elsewhere. Kali has been awarded fellowships from Yaddo, MacDowell Colony, and Hedgebrook. She has an MFA from the University of Wyoming and is from Denver, Colorado.


The Ungrateful Refugee: What Immigrants Never Tell You by Dina Nayeri.

Aged eight, Dina Nayeri fled Iran along with her mother and brother and lived in the crumbling shell of an Italian hotel-turned-refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton University. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. In these pages, a couple fall in love over the phone, and women gather to prepare the noodles that remind them of home. A closeted queer man tries to make his case truthfully as he seeks asylum, and a translator attempts to help new arrivals present their stories to officials.

Nayeri confronts notions like “the swarm,” and, on the other hand, “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. With surprising and provocative questions, The Ungrateful Refugee challenges us to rethink how we talk about the refugee crisis.

In 2017, Nayeri wrote an essay by the same title. A 2019 Columbia Institute for Ideas and Imagination Fellow, winner of the 2018 UNESCO City of Literature Paul Engle Prize, a National Endowment for the Arts literature grant (2015), O. Henry Prize (2015), Best American Short Stories (2018), and fellowships from the McDowell Colony, Bogliasco Foundation, and Yaddo, her stories and essays have been published by the New York Times, New York Times Magazine, The Guardian, Los Angeles Times, New Yorker, Granta New Voices, the Wall Street Journal, and many others. Her debut novel, A Teaspoon of Earth and Sea (2013) was translated into 14 languages. Her second novel, Refuge (2017) was a New York Times editor’s choice.

 


$1,500 Prize for Book Collecting

NOTE: Due to changes in the university’s operations in light of COVID-19, the Nadelle Prize for Book Collecting has been postponed.

Attention, student bibliophiles!

The Duke University Libraries are proud to present the 2020 Andrew T. Nadell Prize for Book Collecting. The contest is open to all students enrolled in an undergraduate or graduate/professional degree program at Duke, and the winners will receive cash prizes!

First Prize

Undergraduate division: $1,500
Graduate division: $1,500

Second Prize

Undergraduate division: $750
Graduate division: $750

Winners of the contest will receive any in-print Grolier Club book of their choice, as well as a three-year membership in the Bibliographical Society of America.

Winners will also be eligible to enter the National Collegiate Book Collecting Contest, where they will compete for a $2,500 prize and an invitation to the awards ceremony in Washington, D.C., at the Library of Congress.

You don’t have to be a “book collector” to enter the contest. Past collections have varied in interest areas and included a number of different types of materials. Collections are judged on adherence to a clearly defined unifying theme, not rarity or monetary value.

Interested in entering? Visit our website for more information and read winning entries from past years. Contact Kurt Cumiskey at kurt.cumiskey@duke.edu with any questions.

Entries must be received by March 30, 2020.

Part 2: How can Librarians Teach with Materials in German Script?

This post is contributed by Heidi Madden, Librarian for Western European and Medieval/Renaissance Studies.

The Rubenstein Rare Book and Manuscript Library holds  the papers of Oskar Morgenstern, whose diaries span the years 1917-1977. The diaries were digitized, a few years ago, in a collaboration between the Rubenstein Library  and  the University of Graz, Austria, and can be seen at the Oskar Morgenstern Website.  This 50-year-long personal archive of a renowned scientist is an ideal Open Educational Resource for teaching with primary sources. How can librarians help students use this wonderful material in courses at Duke and at other institutions?

An understanding of  the historic development of German Script will show why the Morgenstern Papers are very approachable, even though they look difficult to decipher at first.  The older, pre-1900 versions of German Script allowed for many individual and regional variations for forming letters. The chart below shows the many ways in which an individual writer might have shaped their letters in the18th and 19th century:

The reason why 20th century Script is easier to read is because, between 1910 and 1915, several regional German-language  school systems simplified German Script to make it easier for students to learn. Ludwig Sütterlin, a graphic artist working in Berlin, designed a script for the Prussian educational ministry that became popular very quickly. This script was known as the Sütterlin Script (Sütterlinschrift), and became the handwriting taught in most German schools until 1941, including the ones attended by the young Oskar Morgenstern.

Taking a closer look at Morgenstern’s handwriting, it is interesting to compare the cover page inscription with the first page of the diary.  It is immediately clear that the loose leaf inscription was added later, when Morgenstern’s handwriting had become more modernized.  It would be totally possible for students to learn to decipher Morgenstern’ s hand (with some human help and some charts) during a session with these materials. Furthermore, as the team at the University of Graz continues their transcription, students can use the website to improve their German reading skills by comparing the scans of the original pages with the transcription, and they can copy and paste the plain text into a translating tool like DeepL.

German Script and Blackletter have an ideological association with nationalism in 1871 (see “Antiqua-Fraktur debate”) and a visual association with fascist propaganda under Hitler. It is understandable that American students associate Blackletter with fascism.  In fact, today Germans themselves recoil whenever populists and rightwing groups use Blackletter in their event publicity. However, Nazi Germany did not invent these styles. The historical  irony is that the Nazi government first embraced  German Script and Blackletter typeface as “German” and then outlawed the styles in 1941 as “Jewish.”  That is why it is important to teach reading German Script and Blackletter with circumspection and as an auxiliary tool of historical research.

While the styles have that tainted heritage, students should not forget that these styles were also used by diverse German-language communities across the centuries. Rubenstein Library has an amazing collection of German Studies materials and interdisciplinary materials in the German language  across several of the Rubenstein Centers serve to prove this point. Outstanding collections in German Studies are German Americana, the Harold Jantz Collection, German Judaica and Religion, Alchemy, Science, and Medicine, World War II and National Socialism, and collections for the study of Germany in the 19th and 20th Centuries, including important literary editions, and editions that illustrate the history of printing.  Other examples of German-language materials across the disciplines are the Heschel Collection, the J. Walter Thompson archives in advertising, and the Viennese Economists’ Archives. In fact, a search for German-language materials in the Rubenstein Collections comes up with over 300,000 hits. Our teaching with Rubenstein Library materials ensures that these archival collections never become a  Library of  the Unreadable. The Morgenstern example shows just what efforts and resources are needed for transcription and translation, as well as what treasures may be uncovered in the process.

What follows are some resources for learning to read  and write German Script. The  Geist Institute  in Winston Salem, NC, offers a week long Script course every year. The course draws researchers and genealogists from across the country, as well as staff and volunteer researchers from the Moravian Archives in Winston-Salem, an archive for the local community of Moravians, founded by German protestants (the Herrnhuters) in 1753.  Other German Script workshops in the US are held at the Moravian Archives in Bethlehem, PA. , and at the Center for Family History & Genealogy and Department of History at Brigham Young University, Utah, which also offers a thorough online tutorial, the German Script Tutorial.

The  Geist Institute in Winston-Salem, NC will hold the workshop again this year, from July 25 to August 1, 2020. The workshop leader, Julie Tomberlin, Ph.D., recommends the following key resources to prepare and deepen the study of  German Script:

  • Dearden, Fay, and Leland K. Meitzler, 2013, Deciphering Gothic records: useful hints for helping you read “Old German” script!, provides tables of Old German Script alphabet variations.
  • Digitale Schriftkunde, Bavarian State Archives, provides examples and transcription by century, and is a good addition to the the German Script Tutorial from the Center for Family History & Genealogy and Department of History at Brigham Young University, Utah.
  • Minert, Roger P. 2013, Deciphering handwriting in German documents: analyzing German, Latin, and French in historical manuscripts, provides a history of German Script, and gives many tips on best practices in reading German Script, including reference works.
  • Schober, Katherine, 2018, Tips and tricks of deciphering German handwriting: a translator’s tricks of the trade for transcribing German genealogy documents, provides a good starting point for understanding strategies for working on German Script documents efficiently. For example, a reader can start by looking at how a particular writer forms the common words like articles and question words, they can look for distinctly formed letters across several documents by the same writer, and build a register of how particular letters are formed.
  • Süß, Harald. 1991. Deutsche Schreibschrift Lesen und Schreiben lernen (2 volumes: Lehrbuch and Übungsbuch)  Augsburg: Augustus-Verl., is a highly visual introduction to German Script together with many examples and detailed notes on stroke order. Learning the stroke order for each letter helps trace older more varied forms of handwriting when working with original documents.
  • Verdenhalven, Fritz, 1994, Die deutsche Schrift: ein Übungsbuch = The German script. Frankfurt/M.: Verl. f. Standesamtswesen, offers many examples of script and transcription side by side, which is very helpful in training the eye of the reader.

Digital Tools for reading Script are emerging. For example, the archive for German Colonial History has developed a reading tool called  Old German Script-Typewriter (Kurrent-Schreibmaschine). You type in the letters you can decipher, and the tool looks in various historical dictionaries for a term that might fit.  Another tool, Alte Deutsche Schrift allows you to enter words in plain text, and see the Script version underneath; this makes it possible to double check a transcription, by mapping every transcribed letter back to what the word should look like in Script. The site also helps to train the eye; enter your name in the text field and and click through results in several styles:

For more information about Script resources, especially more detail about the Geist Institute Script course in Winston-Salem, NC, contact Heidi Madden.

 

 

Part 1: A Library of the Unreadable?

This post is contributed by Heidi Madden, Librarian for Western European and Medieval/Renaissance Studies. 

Documents in German Script (cursive handwriting) and books and pamphlets  printed in Blackletter typeface (Fraktur) represent the lives of many diverse German-language communities from the 15th to the 20th century. However, as many scholars can attest, these Scripts are notoriously difficult to read. So how can libraries and librarians help students and researchers learn paleography?

Rubenstein Library (RL) has a very active instruction  program and  I frequently collaborate with Rubenstein librarian Elizabeth Dunn on teaching with materials in old handwriting, both in English and German. We work with faculty to  “literally”  help students read the Script and Blackletter.  In fact, Elizabeth began building  a small library of transcriptions that she sets up alongside the original documents. Students are always fascinated by the idea of immersing themselves in these unique materials, especially pieces of correspondence recounting private lives, which make the past come alive.

While brainstorming ideas about possible materials for a recent RL session, Elizabeth and I  decided that making the  Oskar Morgenstern papers more approachable could be a wonderful pedagogical project. Oskar Morgenstern was a German-born economist, university professor, and author in Austria and the United States. Together with John von Neumann, he founded the mathematical field of game theory and its application to the field of economics. The Rubenstein collection includes Morgenstern’s handwritten diaries, spanning the years 1917-1977. The diaries were digitized,  a few years ago, in a collaboration between Rubenstein Library  and  the University of Graz, Austria, and can be seen at the Oskar Morgenstern Website.

German Script and Blackletter are notoriously resistant to machine reading, i.e. scanning with Optical Character Recognition (OCR) software.  This means that all  of the Morgenstern documents have had to be transcribed manually, word by word and letter by letter. A team of researchers at University of Graz has already transcribed entries from the late 1930s to 1976; they have also built an index of Morgenstern’s  network of collaborators. However, the published results of their labor have appeared only in German.  Nevertheless, this combination of unique , local, manuscript holdings and an active, freely accessible,  digital project presented an ideal opportunity for creating a meaningful and memorable Rubenstein Library session.

Assuming that college students would  relate particularly well to documents from the author’s early years,  I decided to transcribe the inscription on the cover sheet and the very first page of the diary, dated March 14, 1917, and  written when Oskar Morgenstern was just 15 years old. Here is an image of the inside cover page of Oskar’s diary:

Image Label: Oskar Morgenstern Diary entry from March 14, 1917.

After transcribing the diary entry, I translated it as follows:

March 14, 1917 

“So, you shall be my diary, you shall hear all that is important to me and be a trustworthy keeper! On Monday the 12th my father brought home Gloy: Train your Memory. And I am very grateful to him. It is excellent, and I need to work through it. Tomorrow we have a Latin test. Schmitzi thinks it will be “child’s play,” but he says that about everything that he can translate. I have no confidence when it comes to this, and I just need to study so much harder, because I must get a C (3= Genügend).  The German Emperor is right when he calls exams in Latin inane nonsense. Yesterday we were in the chemistry laboratory because the academic High School building saw a case of Scarlet fever, and the classrooms had to be disinfected. Today we were once again in the usual classroom.The idea of auto suggestion from Gloy is excellent. I must adhere to all instructions. I convinced myself that I would succeed in the Latin exam. Will that be of any use?

 Thank God that the cursed exam is over. Of course Feldman is right again. I maintain that it is “patiaris” and he says “passiusis”. Wechs says I am right. But he won’t concede the point, stupid games. Tomorrow we will probably get back the math exam. How will it turn out? Let’s hope for the best. In Petersburg a revolution broke out, hopefully the French will imitate this, and hang all the crooked ones!!
I am going to train my left hand. I have to be able to write as well with the left as with the right hand, that will double the power of my brain. Why should I ignore that possibility, and not use it to my advantage? Enough for today, especially since I have nothing else to report, and I want to go to bed. I will wake up at 6 am. Auto suggestion.”

This is just the first entry in a diary spanning 50 years. Yet even this single entry shows how many questions one might pursue when working with students in a session on the use of primary (archival) sources. Putting aside young Oskar’s laudatory reference to the Russian Revolution of 1917, it may be best to focus on something smaller and closer to home.  For example, the reference to training your memory is to Hans Gloy, Gedächtnis-Ausbildung, 1913. Gloy (born in 1888) was a German merchant, who also wrote advice pieces for trade journals.  The table of contents of the Gloy volume shows that the book is a training manual, organized into daily exercises, spaced over the course of seven weeks.  The training, however, is not physical, but intellectual.  Indeed, Gloy’s manual is part of a long tradition of practical memory training (also known as  mnemonics, memory sports, mental discipline, study skills, or cognitive learning,–) an area of study that is curiously located between Greek philosophy and self-help books.  And now, thanks to our transcription and translation of Oskar’s first diary entry, we know that such mental gymnastics also informed the ideas of the man who invented game theory.

Image Label; Cover of the book by Hans Gloy Gedächtnis-Ausbilding. 1913, and biographical entry in Degeners Wer ist’s? 1935

In Part 2 “How Can Librarians Teach with Materials in German Script?” We will discuss the digitized Oskar Morgenstern diaries as an Open Educational Resource, and will offer some resources for teaching German Script for students and teachers at Duke and beyond. For questions, contact Heidi Madden

Low Maintenance Book Club reads “Broad Band”

This spring, the Low Maintenance Book Club will be reading selections from Claire L. Evan’s Broad Band: The Untold Story of the Women Who Made the Internet over three meetings. Spanning decades, this book profiles key figures who made advances in programming and technology that led to the online world of today.

Each meeting will feature stand-alone selections from this book, so attendance at each meeting is not necessary to following along.  At the upcoming meeting on March 4th, we’ll discuss Chapter 6: “The Longest Cave” (p. 83-94) and Chapter 10: “Hypertext” (p.153-174).

Multiple copies of this book are available at Duke University Libraries & Durham County Library.

Spring 2020 meeting schedule:

  • January 22, 5:30pm: Introduction (p. 1-5) and Chapter 2: “Amazing Grace” (p. 27-53)
  • March 4, 5:30pm : Chapter 6: “The Longest Cave” (p. 83-94) and Chapter 10: “Hypertext” (p.153-174).
  • April 7, 5:30pm: Chapter 13: “The Girl Gamers” (p. 222-236) and the Epilogue (p. 237-242).

Light snacks will be served.  We’ll be meeting in Bostock 127 (The Edge Workshop Room). Please RSVP here if you plan to join us at the March discussion!  If you have any questions, you can contact Arianne Hartsell-Gundy at aah39@duke.edu.

Nominations Open for Undergraduate Research Talks

Nominations are now open for a new undergraduate invited speaker event featuring students who have shown excellence in using the Libraries’ materials as part of their coursework, honors thesis, or other capstone project. Nominated students may be invited to present about the process of conducting their research at the event “Research as Process: An Undergraduate Research Showcase.”

Participants will be selected from a variety of disciplines, featuring research conducted on varied topics and with different methods (from data visualization to papers to websites), all of which have unique processes for research.

Nominees must have conducted their research between the Spring 2019 and Spring 2020 semesters for consideration.

To nominate a student, faculty must submit a letter of support on the student’s behalf.

Additional information and the nomination form may be found here:
https://duke.qualtrics.com/jfe/form/SV_8kssGkDfILK3DN3

Important Dates & Deadlines

  • March 15: Nominations must be submitted by the end of the day
  • April 1: Invited participants will be notified

The event is scheduled for Monday, April 20, at 11:00 a.m. in The Edge Workshop Room (Bostock 127).

For Questions and Additional Info

Please contact Ciara Healy (ciara.healy@duke.edu).

The Big Book in Lilly Library

THE BIG BOOK

by Lee Sorensen
Librarian for Visual Studies and Dance, Lilly Library

Photographs from the Collection of the Gilman Paper Company / Featured plate: Eugene Atget Rue de la Montagne-Sainte-Genevieve [PC: Metropolitan Museum of Art: Gilman Collection, Purchase, Mr. and Mrs. Henry R. Kravis Gift, 2005]
What is that “big book” on display in the lobby of Lilly Library? Its proper title is  Photographs from the Collection of the Gilman Paper Company. This book is a gift to Duke University Libraries from the Nasher Museum of Art, and will remain in Lilly through the spring semester.

With the rise of e-books and readers, one of the most uncommon and increasingly rare printed formats is the folio book, defined by one student as, “too damn large to carry.” In the days before book criteria included portability, giant books were produced to contain actual-size documents such as building plans and engravings, detailed scientific renderings and later, photography.

 

man with big book
Librarian Lee Sorensen with the book Photographs from the Collection of the Gilman Paper Company

The “big book” on display is a modern edition of photographs from the Gilman Paper Company, New York. The firm had one of the best private collections of photographs in the world,  which was acquired by New York’s Metropolitan Museum of Art in 2005 . This magisterial book contains reprinted photographs of photographers such as Robert Frank, Diane Arbus, Fox Talbot, Eugene Atget and Edward S. Curtis.  The edition was curated by Pierre Apraxine, with plates created  by renowned photographer and printer Richard Benson (who was also the Dean of Yale School of Art), and notes contributed by photography consultant Lee Marks. This volume, printed by Stamperia Valdonega in Verona, Italy, and half-bound in leather, is the only one in North Carolina outside of the Mint Museum, Charlotte.

Pages are turned periodically to show new images. 47 cm in length, the volume  consists of 480 pages with 199 offset lithographs plus an offset lithographic frontispiece.


Contributor: Carol Smolka Terry
Lilly Library

Find Article PDFs Faster with This Browser Plugin

Guest post by Amanda Rizki, Cary Gentry, and Sujeit Llanes, practicum students in our Assessment and User Experience Department.


Are you one of the many students who prefer to browse the web for scholarly articles? 

Do you use Wikipedia as your starting point for research? 

Do you do most of your research before you come to the library’s website?

Maybe you are frustrated by having to relocate each article you find cited on scholarly websites within the Duke Libraries’ databases? 

Nomad Plug-In for Chrome is the tool for you! Nomad is a browser plugin for Google Chrome that helps you find journal article PDFs quickly and easily. Nomad connects your Duke Libraries access to articles found while browsing in Wikipedia, PubMed, or directly on publishers’ websites. 

Once you install the plugin, it will scan the sites you read online for journal article identifiers. When it sees an article that is available through Duke, it provides easy PDF or link access with a consistent, easy-to-find button. Links bring you to a fully accessible article page – no further login required. PDFs can be downloaded directly to your computer. 

Nomad was created by Third Iron, the same company that makes LibKey and BrowZine. The plug-in does not collect any information about you, so the tool is safe to use with your personal information and Duke log-in. While Nomad reads web pages for articles that Duke Library provides access to, it is still your Duke credentials that allow the link or download to move forward. 

An example of Nomad at work in a Wikipedia article about cardiovascular disease.

 

Nomad provides one-click access to articles in PubMed search results.

 

Get Nomad for Chrome today!


Need more assistance setting up this plug-in?  Keep reading!

Plug-ins are extra bits of software that you can add to your internet browser – in this case, to Google Chrome. Google organizes all of the plug-ins available for their browser on a site called Chrome Web Store. This plug-in, Nomad, is free, but some plug-ins must be purchased. 

1. Open Google Chrome. If you have not already installed it, Chrome is available via Google. 

2. In Chrome, type “Chrome libkey nomad” in the address bar and choose the first result. Or open this link.

3. Click the “Add to Chrome” button in the upper right corner of the page:

4. A small popup window will appear. The browser will ask for you to verify that you want to add the plug-in (called the extension) to your computer. 


5. After the plug-in installs, it will prompt you to select your institution.  Choose “Duke University” from the dropdown menu. 

6. The plugin is now ready to use. You can close the window and proceed to browse normally. 

Dr. Kristina Troost is the inaugural recipient of the CEAL Distinguished Service Award

Dr. Kristina Troost, Duke University Library’s own Japanese studies librarian and the head of its East Asian Collections, is the inaugural recipient of the Council of East Asian Libraries (CEAL) Distinguished Service Award. This prestigious award honors an individual who has made significant contributions to East Asian libraries/East Asian Studies and to CEAL. Please see the official announcement: https://www.eastasianlib.org/newsite/kristina-troost-is-inaugural-ceal-distinguished-service-award-recipient/

Duke University Library’s collection of materials on East Asia began with a gift from James A. Thomas in the late 1920s. In the 1930s, when Duke faculty first started teaching courses on East Asia , the library systematically began to build an East Asian collection in English only. The postwar growth of area studies served as the initial impetus for acquiring materials in Japanese and Chinese languages. In 1981, the Asian/Pacific Studies Institute (APSI) was founded at Duke, and new faculty were hired to teach additional courses on the region. To meet the growing needs of APSI faculty and students, Dr. Kristina Troost was hired in 1990, first as Japanese studies bibliographer, and then, in 1992, as the East Asian librarian responsible for building collections in Japanese, Chinese, and Korean. In 1996, Dr. Troost invited an external consultant to review the Chinese collection, which resulted in the hiring of the first full-time Chinese studies librarian at Duke in 2000.  Duke’s Korean studies program expanded as well, and in 2006, Dr. Troost invited an external review of the Korean collection, as a result of which Duke hired its first Korean studies librarian in 2007. Under Dr. Troost’s leadership, Duke‘s East Asian collection has grown rapidly. Today, Duke University Library’s East Asian Collection is one of the major East Asian Collections in North America.

Digital Scholarship Open House, Feb. 13

2020 Digital Scholarship Open House
Thursday, February 13, 12:00-1:00 PM
The Edge Workshop Room (Bostock Library 127)
Register: https://duke.libcal.com/event/6403682

At its annual open house Duke University Libraries’ Digital Scholarship & Publishing Services department showcases some of its work over the past year. This year’s slate of speakers and projects offers a view into what it means to create public-oriented digital scholarship — from considering the interests of collaborators in how the scholarship is shared, to ensuring the scholarship reaches audiences most likely to benefit from it, to using audience feedback and needs to drive future work.

Whether you are just interested in learning more about digital scholarship, publishing, and public scholarship, or planning to start your own publishing project, join us for lunch and conversation with this cross-disciplinary panel as they discuss the motivations behind their projects, the people and work involved in realizing it, and the insights and skills gained along the way.

  • Joella Bitter (Doctoral candidate in Cultural Anthropology, Department of Cultural Anthropology)
  • David Johnston (Associate Professor of the Practice of Marine Conservation Ecology, Nicholas School of the Environment)
  • Elizabeth Schrader (Doctoral candidate in Early Christianity, Department of Religion)
  • Nicholas Smolenski (Doctoral student in Musicology and Medieval and Renaissance Studies, Department of Music)

Sponsored by Duke University Libraries’ Digital Scholarship and Publishing Services, with special thanks to the Office of Copyright and Scholarly Communications and ScholarWorks: A Center for Scholarly Publishing at Duke University Libraries.

What to Read this Month: January 2020

For more exciting reads, check out our Overdrive, New and Noteworthy, and Current Literature collections.


Our Biometric Future: Facial Recognition Technology and the Culture of Surveillance by Kelly A. Gates (online; physical copy requestable).

Facial Recognition Technology has been a hot topic lately, as Facebook just settled a facial recognition dispute, the EU is debating a 5-year ban on facial recognition technology in public areas, and China introduces facial recognition in pharmacies for people buying controlled medicines.

Since the 1960s, a significant effort has been underway to program computers to “see” the human face – to develop automated systems for identifying faces and distinguishing them from one another – commonly known as Facial Recognition Technology (FRT). While computer scientists are developing FRT in order to design more intelligent and interactive machines, businesses and state agencies view the technology as uniquely suited for “smart” surveillance – systems that automate the labor of monitoring in order to increase their efficacy and spread their reach.

Tracking this technological pursuit, Our Biometric Future identifies FRT as a prime example of the failed technocratic approach to governance, where new technologies are pursued as shortsighted solutions to complex social problems. Culling news stories, press releases, policy statements, PR kits, and other materials, Kelly Gates provides evidence that – instead of providing more security for more people – the pursuit of FRT is being driven by the priorities of corporations, law enforcement, and state security agencies – all convinced of the technology’s necessity and unhindered by its complicated and potentially destructive social consequences. By focusing on the politics of developing and deploying these technologies, Our Biometric Future argues not for the inevitability of a particular technological future, but for its profound contingency and contestability.


My Penguin Year: Living with the Emperors by Lindsay McCrae.

In 2018, the BBC Natural History Unit broadcast the nature documentary series Dynasties, narrated by David Attenborough. Dynasties follows individual lions, hunting dogs, chimpanzees, tigers, and emperor penguins “at the most critical period in their lives. Each is a ruler…determined to hold on to power and protect their family, their territory, and their dynasty.”

For the episode on emperor penguins, award-winning wildlife cameraman Lindsay McCrae intimately followed 11,000 emperor penguins for 337 days amid the singular beauty of Antarctica. My Penguin Year is his masterful chronicle of one penguin colony’s astonishing journey of life, death, and rebirth – and of the extraordinary human experience of living amongst them in the planet’s harshest environment, including 32 pages of exclusive photography.

A miracle occurs each winter in Antarctica. As temperatures plummet 60° below zero and the sea around the remote southern continent freezes, emperors – the largest of all penguins – begin marching up to 100 miles over solid ice to reach their breeding grounds. They are the only animals to breed in the depths of this, the worst winter on the planet; and in an unusual role reversal, the males incubate the eggs, fasting for over 100 days to ensure they introduce their chicks safely into their new frozen world.

My Penguin Year recounts McCrae’s remarkable adventure to the end of the Earth. He observed every aspect of a breeding emperor’s life, facing the inevitable sacrifices that came with living his childhood dream, and grappling with the personal obstacles that, being over 15,000km away from the comforts of home, almost proved too much. Out of that experience, he has written an unprecedented portrait of Antarctica’s most extraordinary residents.

We also have the 2006 animated musical comedy about emperor penguins, Happy Feet.


Gender: A Graphic Guide by Meg-John Barker, illustrated by Jules Scheele.

If you’re interested in gender and like graphic novels, look no further. Join the creators of Queer: A Graphic History on an illustrated journey of gender exploration.

From the authors:

“We’ll look at how gender has been ‘done’ differently – from patriarchal societies to trans communities – and how it has been viewed differently – from biological arguments for sex difference to cultural arguments about received gender norms. We’ll dive into complex and shifting ideas about masculinity and femininity, look at non-binary, trans and fluid genders, and examine the intersection of experiences of gender with people’s race, sexuality, class, disability and more.

“Tackling current debates and tensions, which can divide communities and even cost lives, we’ll look to the past and the future to ask how might we approach gender differently, in more socially constructive, caring ways.”


The Blind Earthworm in the Labyrinth by Veeraporn Nitiprapha, translated from the Thai by Kong Rithdee.

From the Asian Review of Books:

“Some authors capture a time and place effortlessly. They draw upon aspects of popular culture and spin them into a literary tale that is more powerful and longer-lasting than the milieu from which they sprang. Veeraporn Nitiprapha is such a writer. But as her work has only appeared in Thai, she has been beyond the reach of most of the world.”

On the day Chareeya is born, her mother discovers her father having an affair with a traditional Thai dancer. From then on, Chareeya’s life is fated to carry the weight of her parents’ disappointments. She and her sister grow up in a lush riverside town near the Thai capital, Bangkok, captivated by trashy romance novels, classical music, and games of make-believe. When the laconic orphan, Pran, enters their world, he unwittingly lures the sisters into a labyrinth of their own making as they each try to escape their intertwined fates. The original Thai language edition of The Blind Earthworm in the Labyrinth won the prestigious South East Asian Writers (“S.E.A. Write”) Award for fiction and was a best-seller in Thailand. It is translated into English by Thai film critic and recipient of France’s Chevalier dans l’Ordre des Arts et des Lettres, Kong Rithdee. Attuned to the addictive rhythms of a Thai soap opera and written with the consuming intensity of a fever dream, this novel opens an insightful and truly compelling window onto the Thai heart.


Unbinding The Pillow Book: The Many Lives of a Japanese Classic by Gergana Ivanova.

An eleventh-century classic, The Pillow Book of Sei Shōnagon is frequently paired with The Tale of Genji as one of the most important works in the Japanese canon. Yet it has also been marginalized within Japanese literature for reasons including the gender of its author, the work’s complex textual history, and its thematic and stylistic depth. In Unbinding The Pillow Book, Gergana Ivanova offers a reception history of The Pillow Book and its author from the seventeenth century to the present that shows how various ideologies have influenced the text and shaped interactions among its different versions.

Ivanova examines how and why The Pillow Book has been read over the centuries, placing it in the multiple contexts in which it has been rewritten, including women’s education, literary scholarship, popular culture, “pleasure quarters,” and the formation of the modern nation-state. Drawing on scholarly commentaries, erotic parodies, instruction manuals for women, high school textbooks, and comic books, she considers its outsized role in ideas about Japanese women writers. Ultimately, Ivanova argues for engaging the work’s plurality in order to achieve a clearer understanding of The Pillow Book and the importance it has held for generations of readers, rather than limiting it to a definitive version or singular meaning. The first book-length study in English of the reception history of Sei Shōnagon, Unbinding The Pillow Book sheds new light on the construction of gender and sexuality, how women’s writing has been used to create readerships, and why ancient texts continue to play vibrant roles in contemporary cultural production.

We have English translations of The Pillow Book as well as the
Shinpen Nihon koten bungaku zenshû volume in our East Asian Collection.


The Hong Kong Book Fair

The Hong Kong publishing market may be smaller than that of mainland China or Taiwan, but its annual book fair— which is organized by the Hong Kong Trade Development Council and held every summer at the Hong Kong Convention and Exhibition Center—is definitely a must-see travel destination.  And not just for the East Asian library specialist.  Book lovers of any subject can find something of interest at this yearly event.

I first started attending the Hong Kong book fair out of a sense of  professional necessity.  For several years, political events in Hong Kong had been having serious repercussions on the book trade (and, thereby, on Duke University Libraries’ acquisitions of Chinese books published in Hong Kong).   Following the 2014 “Umbrella Movement” – so named because the protesters who occupied the city for 79 days while calling for electoral reform had used umbrellas to protect themselves from the pepper spray employed against them by the police – it became increasingly more difficult for bookstores to conduct business as usual.  In 2015, one of the Hong Kong-based book vendors with whom Duke Libraries had worked for a long time was forced to close its doors. Later that same year came the shocking news of the disappearance of the manager of Causeway Bay Books, an upstairs bookstore in Hong Kong that is famous for selling works on topics considered politically-sensitive (and therefore banned) in mainland China. It was later confirmed that the manager, along with four other staff members from the same bookstore, were being held in police custody in Guangdong, China. The Library has another book vendor in Hong Kong, but after evaluating their catalogs for one year, I was concerned that many books that we would have liked to purchase for our Chinese collection were not included in their list of offerings. I felt that I needed to be on the ground in order to see how I could rectify the situation.

Selected books acquired from the fair on display on top of EAC microfilm cabinet
East Asian Collection, second floor of Bostock Library

During my first visit to the Hong Kong book fair, in 2017, I made contact with publishers with whom I was barely familiar or did not know at all and asked for their catalogs. It was mostly a study trip and I purchased only a small number of books. I also visited a few upstairs or “second floor” bookstores: smaller shops, packed with shelf-after-shelf of books, from floor to ceiling, and usually located on the second or third floor of a building, where the rent is much cheaper.

In 2018, I visited the fair in the company of the Assistant Fung Ping Shan Library Librarian for Collections of the University of Hong Kong Libraries (UHKL), who attends the Hong Kong book fair every year and regularly acquires books there. With the guidance of this local expert, I gained more knowledge about the publishers and vendors at the fair. I also learned that for many independent and/or small publishers, the fair is the most important place to distribute their books, which are often printed in small numbers and difficult to acquire outside the fair.

My latest trip to the Hong Kong book fair occurred in the summer of 2019.  That year’s event was especially festive because it marked the 30th anniversary of the Hong Kong book fair. The theme of this fair was “Sci-Fi and Mystery”, but the tagline “Reading the World” http://hkbookfair.hktdc.com/tc/About-Book-Fair/Previous-Fair/Theme-Of-The-Year.html, pointed to more global aspirations.  There were a total of 686 exhibitors and close to one million visitors.  Besides the usual plethora of seminars by local and international authors and scholars, the fair had its own Art Gallery, which exhibited photos from the archives of past fairs. Other highlights included the distribution of limited-edition bookmarks created for Hong Kong author Xi Xi’s The Teddy Bear Chronicles; and photographs of Louis Cha, one of the giants of martial arts literature, visiting the Book Fair. I managed to purchase a good number of books (that we would never have acquired otherwise) at the fair. I also visited a mini fair organized by several independent bookstores outside the grounds of the convention center, and held on two floors of an old, narrow building in Wai Chai,  Hong Kong. The building’s small and shaky elevator could only take about three to four people up at a time. There was a good number of people at each of the two floors and payment was by cash only.  And yet, the sense of being at an exclusive book store, one not frequented by many Chinese booklovers, much less other US-based East Asian library specialists, was priceless.

An Indie Bookstore Poster

To get some sense of the variety of books purchased at the 2019 Hong Kong book fair, check out selected items on display on top of the microfilm cabinet at the East Asian Collection on the second floor of Bostock library. As the brief annotations written by me and two of my Chinese-speaking student assistants show, these books encompass numerous topics, themes, and media.  This sample display demonstrates the vibrancy of the Hong Kong book market and the value of collecting materials from this part of the world.

Hundred Year of Colonial Impressions

A Hundred Years of Colonial Impressions by Otto C.C. Lam. 300 black and white photographs documenting Hong Kong from 1860 to 1960 in 13 chapters. The baby on the cover is Ian Kreft, 18 months old, at Southampton, England, waiting for the ship to take him and his mother to Hong Kong to reunite with his father, who served at Royal Engineers.

Umbrella Movement

Umbrella Chronicle by Simon Chow: 248 black and white drawings documenting and chronologizing incidents in the “Umbrella Movement.”

Wakened by 1989 Tiananmen Square Incident

Awakened by 1989 Tiananmen Square Protests by Liu Ruishao. As a witness of June 4th Incident and a Hong Kong citizen in the face of impending pressure from the Mainland, the author shares his immersive experience of the turning point in Modern China’s history. This book offers an opportunity to look into the dynamics of democratic movement and political struggles across 30 years in Greater China from Hong Kong’s perspective.”

No Trump No New China (US-China) Trade War
Xi Dada

Dark Soy Sauce China by Zunzi. Bo Yang a Chinese historian and poet, describes Chinese culture as a “soy sauce vat”—in contrast to the organic fluidity of a river, with thousands of years of precipitation, China, and especially Chinese politics, has become as dark and stinky as a soy sauce vat. The book’s author, Zun Zi, one of the most famous comic artists in Hong Kong, ironically names his two newly published comic books as Dark Soy Sauce China and Soy Sauce Hong Kong to unveil the genealogy of Chinese politics.

Students: Take Our Survey. You Could Win a $150 Amazon Gift Card!

Happiness meter
Your feedback matters! We use data from this survey to make service enhancements, expenditures, and other library improvements. See the list of examples below for changes we’ve made in response to previous user surveys.

Here in the Libraries, we’re always trying to up our game. That’s why every two years we invite Duke students to take part in a brief user survey to help us better understand their experiences and thoughts on library spaces, collections, and services.

The survey takes no more than 5 minutes to complete and will remain open between now and February 12, 2020.

As a special thank you for participating, all student respondents will be entered into a raffle for a $150 Amazon gift card.

When libraries and students work together, everybody wins. Take a look at some of the improvements we’ve made over the last four years as a direct result of our user surveys.

Changes We Made in Response to Our 2016 and 2018 User Surveys

  • Oasis Perkins: You asked for a space to relax and de-stress. We worked with DuWell to develop Oasis Perkins on the fourth floor of the library.
  • Prayer & Meditation Room: You asked for a private place to pray and meditate while in the library. We converted a study room into a space for quiet reflection.
  • Hot/cold water dispensers: You asked for access to hot filtered water 24/7. We added two hot/cold water dispensers to Bostock (floor 3) and Perkins (floor 4).
  • Increased textbook lending: You asked for more textbooks to be available from the library. We purchased textbooks for the 100 highest enrollment classes at Duke and made them available for three-hour checkout at the library.
  • Coffee vending machine: You asked for access to coffee 24/7. We added a coffee and hot beverage vending machine to the lounge in The Edge.
  • Office supplies vending machine: You asked for easy access to important supplies like whiteboard markers and charging cables. We stocked a vending machine in The Edge with school supplies.
  • Better signage for reservable study rooms: You asked for clearer policies so you know when to reserve a room and when you can drop in without advance planning. We revamped our room reservation policy and added eye-catching signage to study rooms.
  • Clearer policies for study spaces: You asked for noise norms so you know where to go when you need to get work done. We added colorful signage to indicate which floors are for gabbing and which are for stuff done.
  • E-newsletter: You asked for more info about library events and research tools. We developed a regular e-newsletter, chock full of handy tips and interesting tidbits about library exhibits, programs, collections.
  • Inclusive spaces statement and signage: You asked for visible confirmation that Duke Libraries are open to everyone. We worked with students to develop an Inclusive Spaces Statement and created “Libraries are for everyone” buttons for staff to wear and posted signs in Lower Level 2.
  • Quiet study zones, food-free spaces: You asked for quiet study zones and spaces where food is not permitted. We designated distraction-free spaces and added signage.
  • Lower Level 2 improvements: You asked for a better vibe in Perkins Lower Level 2. We replaced the carpet, changed the paint color, and added brighter lighting.
  • Better WiFi access on the patio: You asked for more study spaces with natural light. We enhanced WiFi access on the patio outside Perkins & Bostock so you can study in the sunshine.

Feedback is what helps the Libraries grow, and the more input we get, the better we’ll be able to renovate, rethink, and improve.

So please, take a couple minutes of your time to complete the 2020 survey—and thank you for your help in making the Duke University Libraries a better place.

New Murthy Digital Scholarship Fellow: Sandra Luksic

This spring the Duke Libraries welcome the latest Harsha Murthy Fellow in Digital Scholarship, Sandra Luksic. As a member of the Digital Scholarship and Publishing Services team and working closely with ScholarWorks: A Center for Scholarly Publishing at Duke University Libraries,  Sandra will be helping to raise the visibility of programs, services, and resources that support open and innovative forms of digital research, publishing, and pedagogy. The Harsha Murthy Fellow in Digital Scholarship is a position created with funding from Harsha Murthy (T‘81), a longtime member of our Library Advisory Board. The Murthy Fellow helps to raise awareness of and engagement in digital scholarship at Duke, primarily by promoting activities and programs in the Murthy Digital Studio in The Edge.

Located on the western corner of The/EDGE (Bostock Library 121) and overlooking Telecom Drive, the Murthy Digital Studio is a light-filled, comfortable space for a range of digital activities, from hands-on workshops and research talks, to discussion groups and project work.

Sandra is already helping to promote and facilitate several programs — and will even be giving a talk at this spring’s first Digital Brown Bag event, January 15 — but gamely took a few minutes to answer some questions that would help us get to know them and their aspirations for this work.

Tell us a little about yourself, what you are doing at Duke and what brought you to the digital humanities.

I’m a senior studying philosophy and political science and very interested in how technology is related to ethics, race, and gender. I’m currently working on my honors thesis on the philosophy of Natural Language Processing. I just love how interdisciplinary the digital humanities is. It has felt very liberating and creative.

What was it about the Murthy Fellowship in Digital Scholarship that appealed to you?

I’m very excited about the breadth of projects I get to work with. Because ScholarWorks is a kind of support service, there are so many different subject matters this role will expose me to, which really satisfies my sporadic curiosity. The opportunity to better understand open source initiatives is also really appealing to me. Some technologists debate whether open source work will improve transparency and accountability or prevent scholars from claiming rights to their work to prevent nefarious uses – I hope to help make it the former!

What do you think will be some of the major challenges in this new role?

I think there is a tendency in “new” “interdisciplinary” fields, such as the digital humanities, to overlook the work of Black, Indigenous, and scholars of color who have already developed “alternate” ways of making their work accessible and meaningful for their intended audiences. If the goal of initiatives like ScholarWorks and the Murthy Fellowship is to open up academia and connect with the public, then I can’t forget the people who have been doing exactly that for centuries.

On another note, I have a lot to learn about the publishing and copyright world. Navigating the logistics of event organizing and drawing people to ScholarWorks will be another interesting challenge. That being said, I’m grateful that the previous Murthy fellows have done a diligent job of creating resources and documenting what they have learned.

Look for more updates from Sandra soon, as they spread the word about what’s happening in the Studio this spring and promote ScholarWorks (and help us all think more critically about what it means to be open)! You can follow their tweets @DScholarWorks or subscribe directly to the Digital announcement list — https://lists.duke.edu/sympa/subscribe/digital.

New Exhibit: Tobaccoland

Tobaccoland
On display January 10 – June 20, 2020
Mary Duke Biddle Room, Rubenstein Library, Duke West Campus (Click for map)

Please check our website for current library hours.


About the Exhibit

Explore the history of cigarettes in the United States, from their initial unpopularity, to their emergence as a ubiquitous element of American life, to rise of vaping today. Tobaccoland examines the role that tobacco marketing, branding, and nicotine addiction have played in twentieth-century American history. The National Cancer Institute estimates that by the 1950s, as many as 67 percent of young adult men smoked cigarettes. But as smoking rates spiked, so did illnesses associated with cigarettes. In the past sixty years, anti-smoking campaigns, lawsuits, regulations, and public smoking bans (like Duke’s pledge to be smoke-free by July 2020) have led to a drastic reduction in the numbers of Americans who smoke. Still, cigarette smoking remains the leading cause of preventable disease and death in the United States.

Image of 1950s tobacco advertisements
Following World War II, the number of smokers in the U.S. reached unprecedented levels. The 1950s saw a boom in tobacco advertising. Ads featuring film and television stars and athletes became commonplace alongside tobacco-sponsored television programming and advertising at sporting events.

The exhibit is divided into several sections, including early cigarette marketing innovations, moral opposition to tobacco, targeted marketing to women and youth, the U.S. Surgeon General’s 1964 report linking cigarette smoking and cancer, the search for new markets, government regulation and industry response, e-cigarettes, quitting and prevention, and the complicated legacy of tobacco in building the Duke family fortune and, ultimately, Duke University.

Image of exhibit case
Tobacco was the foundation of the Duke family fortune. And the foundation of Duke University is inextricably tied up with the Dukes’ tobacco wealth.

Tobaccoland was curated by Joshua Larkin Rowley (Hartman Center Reference Archivist), Meghan Lyon (Head, Rubenstein Library Technical Services), and Amy McDonald (Assistant University Archivist).


Exhibit Book Talk: Please Join Us!

Date: Friday, February 7
Time: 3:00 p.m.
Location: Holsti-Anderson Family Assembly Room (Rubenstein Library 153)

Dr. Sarah Milov, Professor of History at University of Virginia, will discuss her recently published book, The Cigarette: A Political History (Harvard University Press, 2019), in conjunction with the exhibit.

Free and open to the public.

What to Read This Month – Holiday Edition

Happy holidays! For those of you who have left campus, don’t forget that you can take the library home with you! All the titles listed below – a mix of ebooks and audiobooks – are currently available to borrow immediately from our Overdrive collection.

If you’re on campus, come relax and browse our New and Noteworthy and Current Literature collections, borrow movies from Lilly, and borrow CDs from the Music Library.


Holidays on Ice by David Sedaris. E-book.

David Sedaris’s beloved holiday collection is new again with six more pieces, including a never before published story. Along with such favoritesas the diaries of a Macy’s elf and the annals of two very competitive families, are Sedaris’s tales of tardy trick-or-treaters (“Us and Them”); the difficulties of explaining the Easter Bunny to the French (“Jesus Shaves”); what to do when you’ve been locked out in a snowstorm (“Let It Snow”); the puzzling Christmas traditions of other nations (“Six to Eight Black Men”); what Halloween at the medical examiner’s looks like (“The Monster Mash”); and a barnyard secret Santa scheme gone awry (“Cow and Turkey”).


Billion Dollar Whale: The Man Who Fooled Wall Sreet, Hollywood, and the World by Tom Wright and Bradley Hope. E-book.

In 2009, a chubby, mild-mannered graduate of the University of Pennsylvania’s Wharton School of Business named Jho Low set in motion a fraud of unprecedented gall and magnitude—one that would come to symbolize the next great threat to the global financial system. Over a decade, Low, with the aid of Goldman Sachs and others, siphoned billions of dollars from an investment fund—right under the nose of global financial industry watchdogs. Low used the money to finance elections, purchase luxury real estate, throw champagne-drenched parties, and even to finance Hollywood films like The Wolf of Wall Street.

By early 2019, with his yacht and private jet reportedly seized by authorities and facing criminal charges in Malaysia and in the United States, Low had become an international fugitive, even as the U.S. Department of Justice continued its investigation.


This Will Only Hurt a Little by Busy Philipps. Audiobook.

There’s no stopping Busy Philipps. From the time she was two and “aced out in her nudes” to explore the neighborhood (as her mom famously described her toddler jailbreak), Busy has always been headstrong, defiant, and determined not to miss out on all the fun. These qualities led her to leave Scottsdale, Arizona, at the age of nineteen to pursue her passion for acting in Hollywood. But much like her painful and painfully funny teenage years, chasing her dreams wasn’t always easy and sometimes hurt more than a little.

In a memoir “that often reads like a Real World confessional or an open diary” (Kirkus Reviews), Busy opens up about chafing against a sexist system rife with on-set bullying and body shaming, being there when friends face shattering loss, enduring devastating personal and professional betrayals from those she loved best, and struggling with postpartum anxiety and the challenges of motherhood.


I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer by Michelle McNamara. Audiobook.

For more than ten years, a mysterious and violent predator committed fifty sexual assaults in Northern California before moving south, where he perpetrated ten sadistic murders. Then he disappeared, eluding capture by multiple police forces and some of the best detectives in the area.

Three decades later, Michelle McNamara, a true crime journalist who created the popular website TrueCrimeDiary.com, was determined to find the violent psychopath she called “the Golden State Killer.” Michelle pored over police reports, interviewed victims, and embedded herself in the online communities that were as obsessed with the case as she was.

I’ll Be Gone in the Dark — the masterpiece McNamara was writing at the time of her sudden death — offers an atmospheric snapshot of a moment in American history and a chilling account of a criminal mastermind and the wreckage he left behind. It is also a portrait of a woman’s obsession and her unflagging pursuit of the truth. Utterly original and compelling, it is destined to become a true crime classic — and may at last unmask the Golden State Killer. Soon to be an HBO® Documentary Series.


Brief Answers to the Big Questions by Stephen Hawking. Audiobook.

Stephen Hawking was the most renowned scientist since Einstein, known both for his groundbreaking work in physics and cosmology and for his mischievous sense of humor. He educated millions of readers about the origins of the universe and the nature of black holes, and inspired millions more by defying a terrifying early prognosis of ALS, which originally gave him only two years to live. In later life he could communicate only by using a few facial muscles, but he continued to advance his field and serve as a revered voice on social and humanitarian issues.

Hawking not only unraveled some of the universe’s greatest mysteries but also believed science plays a critical role in fixing problems here on Earth. Now, as we face immense challenges on our planet—including climate change, the threat of nuclear war, and the development of artificial intelligence—he turns his attention to the most urgent issues facing us.

Will humanity survive? Should we colonize space? Does God exist? ​​These are just a few of the questions Hawking addresses in this wide-ranging, passionately argued final book from one of the greatest minds in history.


Then She Was Gone by Lisa Jewell. E-book.

Ellie Mack was the perfect daughter. She was fifteen, the youngest of three. She was beloved by her parents, friends, and teachers. She and her boyfriend made a teenaged golden couple. She was days away from an idyllic post-exams summer vacation, with her whole life ahead of her.

And then she was gone.

Now, her mother Laurel Mack is trying to put her life back together. It’s been ten years since her daughter disappeared, seven years since her marriage ended, and only months since the last clue in Ellie’s case was unearthed. So when she meets an unexpectedly charming man in a café, no one is more surprised than Laurel at how quickly their flirtation develops into something deeper. Before she knows it, she’s meeting Floyd’s daughters — and his youngest, Poppy, takes Laurel’s breath away.

Because looking at Poppy is like looking at Ellie. And now, the unanswered questions she’s tried so hard to put to rest begin to haunt Laurel anew. Where did Ellie go? Did she really run away from home, as the police have long suspected, or was there a more sinister reason for her disappearance? Who is Floyd, really? And why does his daughter remind Laurel so viscerally of her own missing girl?


The Unhoneymooners by Christina Lauren. E-book.

Olive Torres is used to being the unlucky twin: from inexplicable mishaps to a recent layoff, her life seems to be almost comically jinxed. By contrast, her sister Ami is an eternal champion…she even managed to finance her entire wedding by winning a slew of contests. Unfortunately for Olive, the only thing worse than constant bad luck is having to spend the wedding day with the best man (and her nemesis), Ethan Thomas.

Olive braces herself for wedding hell, determined to put on a brave face, but when the entire wedding party gets food poisoning, the only people who aren’t affected are Olive and Ethan. Suddenly there’s a free honeymoon up for grabs, and Olive will be damned if Ethan gets to enjoy paradise solo.

Agreeing to a temporary truce, the pair head for Maui. After all, ten days of bliss is worth having to assume the role of loving newlyweds, right? But the weird thing is…Olive doesn’t mind playing pretend. In fact, the more she pretends to be the luckiest woman alive, the more it feels like she might be.


We Were the Lucky Ones by Georgia Hunter. E-book.

It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family Seder table is of new babies and budding romance, not of the increasing hardships threatening Jews in their hometown of Radom, Poland. But soon the horrors overtaking Europe will become inescapable and the Kurcs will be flung to the far corners of the world, each desperately trying to navigate his or her own path to safety.

As one sibling is forced into exile, another attempts to flee the continent, while others struggle to escape certain death, either by working grueling hours on empty stomachs in the factories of the ghetto or by hiding as gentiles in plain sight. Driven by an unwavering will to survive and by the fear that they may never see one another again, the Kurcs must rely on hope, ingenuity, and inner strength to persevere.

An extraordinary, propulsive novel, We Were the Lucky Ones demonstrates how in the face of the twentieth century’s darkest moment, the human spirit can endure and even thrive.


The Last Black Unicorn by Tiffany Haddish. Audiobook.

Growing up in one of the poorest neighborhoods of South Central Los Angeles, Tiffany learned to survive by making people laugh. If she could do that, then her classmates would let her copy their homework, the other foster kids she lived with wouldn’t beat her up, and she might even get a boyfriend. Or at least she could make enough money — as the paid school mascot and in-demand Bar Mitzvah hype woman — to get her hair and nails done, so then she might get a boyfriend.

None of that worked (and she’s still single), but it allowed Tiffany to imagine a place for herself where she could do something she loved for a living: comedy.

Tiffany can’t avoid being funny — it’s just who she is, whether she’s plotting shocking, jaw-dropping revenge on an ex-boyfriend or learning how to handle her newfound fame despite still having a broke person’s mind-set. Finally poised to become a household name, she recounts with heart and humor how she came from nothing and nowhere to achieve her dreams by owning, sharing, and using her pain to heal others.

By turns hilarious, filthy, and brutally honest, The Last Black Unicorn shows the world who Tiffany Haddish really is – humble, grateful, down-to-earth, and funny as hell. And now, she’s ready to inspire others through the power of laughter.


Daisy Jones & The Six by Taylor Jenkins Reid. Audiobook.

Everyone knows Daisy Jones & The Six, but nobody knows the reason behind their split at the absolute height of their popularity…until now.

Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ‘n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.

Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.

Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.

The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.

Includes a PDF of song lyrics from the book.

 


Happy Birthday, Jane!

Every year I like to celebrate Jane Austen’s birthday with a blog post!  Since 2020 will bring two new adaptations (Sanditon and Emma), I thought I would focus this year on film adaptations and these two works in order to get you ready!

Sanditon

Fragment of a Novel Written by Jane Austen, January-March 1817 : Now First Printed from the Manuscript.

Sanditon by Jane Austen.   An ebook version.

Sanditon by Jane Austen.  New edition currently on order.

The Cambridge Companion to Jane Austen edited by Edward Copeland and Juliet McMaster.  Chapter six covers Sanditon along with “Lady Susan” and “The Watsons.”

Jane Austen and the Fiction of her Time by Mary Waldron.  See chapter seven.

Unfinished Masterpieces from BBC Worldwide.   You can find the section about Sanditon in segment six.

Emma

Emma by Jane Austen.

Emma: An Authoritative Text, Backgrounds, Reviews and Criticism edited by Stephen M. Parrish.

Emma.  2010 film.

Emma. 1999 film.

Clueless.  1995 film.

Jane Austen’s Emma: A Casebook edited by Fiona Stafford.

Cambridge Companion to Emma edited by Peter Sabor

Jane Austen’s Emma: Philosophical Perspectives by E.M. Dadlez

Adaptations

The Genius of Jane Austen: Her Love of Theatre and Why She Works in Hollywood by Paula Byrne.

The Cinematic Jane Austen: Essays on the Filmic Sensibility of the Novels by David Monaghan, Ariane Hudelet, and John Wiltshire.

Jane Austen on Screen edited by Gina Macdonald and Andrew Macdonald.

Jane Austen on Film and Television: A Critical Study of the Adaptations by Sue Parrill.

Jane Austen in Hollywood edited by Linda Troost and Sayre Greenfield.

Jane Austen and Performance by Marina Cano.

Welcome to the VUCA World! The Frankfurt International Book Fair 2019. Part 2

This post is by Heidi Madden, Librarian for Western European and Medieval/Renaissance Studies, and Sarah How, European Studies Librarian at Cornell University. 

The Frankfurt International Book Fair is a trade event that attracts professionals from many countries and nearly all segments of the publishing and information science worlds.  This includes academic librarians from the US. Every year members of the  European Studies Section of the American Library Association (ALA) team up to get as much out of the Frankfurt Book Fair events as possible; they spend evenings pouring over the programs, and record what they want to report back to colleagues at the next ALA conference, including recommended readings published during the fair. For 2019, the responsibility for this task was assumed by Heidi Madden (Duke) and Sarah How (Cornell), both of whom attended the 2019 Frankfurt Book Fair and who have collaborated on the writing of this blog post.

Trade publications issued around the fair provide excellent reading for librarians. Expert White Papers  (free, but registration is required for download) help visitors familiarize themselves with issues and trends before the Fair. What follows below are a few examples of our required reading for 2019.

As is apparent from this list, digital publishing was one of the overarching themes of the 2019 Frankfurt Book Fair.  Those fairgoers who attended the sessions on publishing in the digital age were invited to enter the “VUCA World.” The VUCA world is not some happy, imaginary planet, but rather the confusing information landscape in which we all currently find ourselves: the letters of the acronym stand for Volatility, Uncertainty, Complexity, and Ambiguity. Visitors to the 2019 Fair had many opportunities to hear international experts speak on issues connected to this theme, which ran like a red (read) thread through many of the presentations. For this blog post, we have decided to focus on two of the more substantial “hot topics”: the availability of new subscription models for journals and e-books and the concept of e-books as an accessible digital ecosystem.

Library administrators and researchers from across Europe presented on Plan S, an initiative launched by Science Europe in September 2018 for making open-access science publishing a foundational principle of the scientific enterprise. There was also discussion of Project DEAL, an initiative by a consortium of German university libraries and research institutes to re-negotiate large contracts (“deals”) with the major publishing houses of e-journals, which are usually the biggest line item in any research library’s acquisitions budget. In another forum, e-book vendors approvingly noted that newspaper publishers have created innovative business models that work on the Internet by devising formulas for offering just enough free content to trigger a sale of premium content. These vendors suggested that e-books, both fiction and nonfiction, could potentially be marketed using the same sort of model, that is, by offering a preview on the Internet extensive enough to trigger either a sale of an entire volume or a “subscription” to individual chapters, one chapter at a time.

Just when publishers appear to have figured out how to monetize premium content based on the free content that appears in an Internet search, legislation triggered by the new European Union Directive on Copyright in the Digital Single Market appears to complicate matters once again. Certain aspects of the EU directive are popularly referred to as the “link-tax,” because they effectively mean that the makers of search engines can be fined for showing too much free content in the result list under a link to a content provider, especially for news content. The link tax issue is playing out in real time in France, where legislation based on the European Directive has already been introduced, and where a fierce debate between Internet giants (like Google, Apple, Facebook, and Amazon) and legislators will influence how the EU Directive is incorporated into the cyber-laws of other EU countries.

One of the most discussed topics at this year’s fair was the implementation of the European Accessibility Act, which was written on the basis of a directive by the World Intellectual Property Organization (WIPO). WIPO has 192 member states, and administers 26 international treaties, including the “Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired or Otherwise Print Disabled,” which was adopted in 2013. The European Union signed the European Accessibility Act in March 13, 2019. This act directs EU member countries to incorporate WIPO’s accessibility requirements into their national laws, and to be compliant by 2025. The European Accessibility Act applies to a suite of digital services, like computer hardware and operating systems, payment terminals, websites, and e-readers. In the context of accessibility, e-books are considered a service, and the act requires that the entire publishing chain, i.e. content producers, digital distributors, catalogs for searching, and e-readers participate in making content available to Print Impaired People (PiPs). In effect, the Accessibility Act creates a vision of e-books as part of a larger and more accessible digital ecosystem.

Exemptions are planned for art books, comic books, children’s books, and smaller companies with under 2 million Euros in revenue. The print segment of the market will continue to exist, but it must align with a digital edition. For this reason, there is a provision for third party “authorized entities” to produce accessible-format copies of non-compliant publications on a non-profit basis. The work of these entities will be instrumental for foreign publishers who market materials in Europe. Organizations like Fondazione LIA, the Daisy Consortium, the World Wide Web Consortium (W3C), EDRLab, and EDItEur  are working to understand the implications of this act for the publishing industry and for libraries in Europe, and are helping to develop standards for born accessible publications and for converting non-compliant publications and back files.

Fondatione LIA presented their research at the 7th International Convention of International University Presses at the Frankfurt Book Fair 2019. The full report, co-authored by Gregorio Pellegrino, Cristina Mussinelli, and Elisa Molinari:  “E-BOOKS FOR ALL.Towards an accessible digital publishing ecosystem,” can be downloaded (with free registration) at the LIA website.

In sum, although we continue to live in VUCA world, the Accessibility Act, along with advances in digital publishing, search and discovery (e.g. Artificial Intelligence, algorithms, complex metadata, voice search) promise to make electronic and audio books more accessible and more functional for every reader. And American research libraries are actively helping their patrons to navigate through this changing publishing landscape. The creation of digital publishing services departments, such as the recently-founded Scholarworks at Duke or Scholarly Communications and Open Access at Cornell, is one way of engaging with the general trends and developments in the new digital publishing ecosystem. Another is to anticipate these changes by incorporating some of the proposed solutions into libraries’ strategic plans, as has been done, for example, in “Engage, Discover, Transform: Duke University Libraries,” 2016-2021. Last, but not least, is support for librarians’ attendance at international library fairs (like the one in Frankfurt), which allow librarians to stay informed about the latest developments, learn about the looming challenges, and discover innovative ways to overcome them, and inspire practical applications in their institutions.

Many organizations publish informative white papers around the time of the book fair. Pictured is the cover of ”The Universe of Books,” published by the Börsenverein des Deutschen Buchhandels in the “The Frankfurt Magazine. German Stories, 2019,” which captures the global book market.

About the authors:

Heidi Madden is the Librarian for Western European and Medieval Renaissance Studies at Duke University; she serves as Chair of the European Studies Section of the Association for College and Research Libraries.

Sarah How is the European Studies Librarian at Cornell University, and serves as the Chair of the Collaborative Initiative for French Language Collections in North American Libraries (CIFNAL), a Global Resources Project of the Center for Research Libraries (CRL), in Chicago, IL. Sarah and Heidi are happy to help colleagues prepare for their first international book fair visit; send us an email or find us at the ALA Annual convention in Chicago 2020.

The Frankfurt International Book Fair 2019. Part 1

This post is by Heidi Madden, Librarian for Western European and Medieval/Renaissance Studies, and Sarah How, European Studies Librarian at Cornell University. 

International book fairs provide great opportunities for librarians to discover new books and other media; learn of new trends in publishing, translation, design, and book production; and build personal connections that directly benefit both their own work and that of their home institutions. Being abroad, being there in person, immersed in the language and culture of another place, is in itself of significant benefit, although one that is difficult to quantify. That is why we are grateful for the opportunity afforded by this library blog to write about our experiences at the 2019 Frankfurt Book Fair, and thereby to describe some of those benefits.

For international and area studies librarians, book fair visits are an essential component not only of professional development but also of collection development.  That serious research libraries need materials that would not — could not, economically — be provided by our standard commercial supply channels is accepted wisdom in the profession. Book fair visits are an efficient way to address this need, since they make it possible to interact with many publishers at once, in a single exhibition space. In addition, cultural and linguistic immersion at international fairs strengthens the skills and knowledge that support research services and give academic librarians “street cred” with international students and faculty, as well as researchers engaged in foreign-language humanities, social sciences, and area studies. Visits to specialized bookstores, meetings with local librarians, and visits to local libraries and cultural institutions can be squeezed-in around a busy fair schedule for additional benefit.  This is especially true for those librarians who are able to attend an international book fair in a place as rich in resources as Frankfurt, Germany.

The logo of the 2019 Frankfurt Book Fair

The Frankfurt Book Fair (Frankfurter Buchmesse), an annual international event for the publishing trade community, is the world’s largest book fair.  This Fair is fundamentally a commercial event, focused as it is on the business of publishing and related industries. It is the place, for example, where publishers, agents, authors, illustrators, film makers, translators, printers, authors, media specialists, book distributors, and libraries negotiate and license rights for distribution, publishing, translation, and film and media versions of the items on display. However, the Frankfurt Book Fair is also the occasion for substantial programming related to contemporary literature and, as we shall see, can even serve as a forum for robust cultural and political debates. Similarly-designed book fairs, more regional in scope, are held in Paris (Salon du livre), Bologna (Bologna Children’s Book Fair), Madrid (Liber), Guadalajara (International Book Fair), Beijing (International Book Fair), Hong Kong (Book Fair), and Moscow (International Book Fair), to name just a few.

According to established tradition, the Frankfurt Book Fair lasts for 5 days, from Wednesday to Sunday. The first three days are usually focused on exhibiting books. On those days, a European Studies librarian can, for example, peruse the publishing program of dozens and dozens of publishers from every European country, including small, independent presses. On the weekend, the fair is open to the public, and books are sold directly to individuals. On those days the sections of the fair devoted to publishers of graphic novels, cookbooks, travel literature, zines, and German language fiction are jammed with people and cosplay participants. In October 2019, 302,267 individuals from 100 countries visited the Frankfurt Book Fair. There, they were met by 7,500 exhibitors and encountered 400,000 individual books, maps, manuscripts, visual materials, and digital media objects (audio and e-books).

The special exhibit of the guest country Norway combined nature imagery, mirrors, and book tables designed to represent poems in spatial dimensions. Norway also celebrated 500 years of the printed book (Nidaros Missal and the Nidaros Breviary, from 1519) in the exhibit.

Each year, Frankfurt hosts a “Guest of Honor” country: Norway was the 2019 Guest. The guiding theme for the Norwegian events and exhibits was “The Dream We Carry.” The theme title was inspired by the famous Norwegian poet Olav H. Hauge, and his poem “It is that Dream.”  Norway sponsored prominent Norwegian writers, who spoke and schmoozed with the attendees, while fair organizers produced a free bibliography of new publications from Norway in German translation to promote writers and publishers to the German reading public. Karl Ove Knausgård, a Norwegian author who has been described as one of the 21st century’s greatest literary sensations, spoke in several different settings, both about his own work and about his recent experience curating an exhibit on Norwegian painter Edvard Munch, whose best known work, The Scream, has become one of the most iconic images of world art. In other interviews, contemporary Norwegian authors Erik Fosnes Hansen and Erika Fatland covered a diversity of topics, from the Oslo cultural scene to food science, which is at the heart of Hansen’s novel Et Hummerliv (“A Lobster’s Life”). Maja Lunde spoke about her forthcoming book The End of the Ocean, while Jo Nesbø was interviewed about Knife, the next installment in his Harry Hole series of crime novels.  More highlights and full listing of authors can be found in the online program.

Karl Ove Knausgård amd Jurgen Boos (CEO of the Frankfurt Book Fair)

Norwegian literature was represented by many authors reading from their work.

In addition to lectures and authors’ talks, the Frankfurt Book Fair also hosts special celebrations for the winners of the Nobel Prize, the German Book Prize, and the Peace Prize of the German Book Trade. Overall, ninety-three prizes were awarded by various organizations during the book fair in 2019. Polish-born 2018 Nobel Laureate Olga Tokarczuk (awarded in 2019) spoke at the opening session of the Fair. Oddly, Austrian-born Peter Handke, the 2019 Nobel Laureate, was not present in person, and was only represented by his publisher’s special display. Handke’s absence did not prevent him from becoming the subject of intense controversy. Saša Stanišić, the winner of the 2019 German Book Prize, who fled to Germany with his Bosnian mother and Serbian father in 1992, was the most prominent voice at the book fair, taking Handke to task for his sympathetic attitude toward former Serbian president Slobodan Milošević, the first sitting head of state to be charged with war crimes.

World newspapers, including The Guardian, chronicled the Handke debate.  One of its articles, entitled “A troubling choice: authors criticise Peter Handke’s controversial Nobel win. reported on the views of famous international writers, such as Salman Rushdie, Hari Kunzru and Slavoj Žižek who opined that the 2019 Nobel laureate “‘combines great insight with shocking ethical blindness’.” Another article, entitled “Peter Handke’s Nobel prize dishonours the victims of genocide,” referenced the Austrian writer’s stance on the Yugoslav Wars in the 1990s, which has been characterized by some critics as genocide apologism. At some point during October 2019, Peter Handke announced that he would no longer speak to journalists, so for now the debate will continue in literary circles, and will most likely re-emerge around the December 10, 2019 Nobel Prize Award Ceremony.

The 2019 Peace Prize of the German Book Trade was awarded to Sebastião Salgado, the first ever photographer to receive this prize.  During the course of several interviews, the Brazilian social documentary photographer and photojournalist introduced his book Gold, which showcases haunting images of Amazonia taken in the 1980s. As with his other work, Gold highlights environmental and human rights issues by investigating habitats and communities with his camera.

Cultural events inspired by Norway as the Guest of Honor were only a fraction of the international author events and talks at the Fair and in the city of Frankfurt. The gala of literary stars included Margaret Atwood, Maja Lunde, Elif Shafak, Colson Whitehead, Ken Follett, and Jo Nesbø (video Highlights can be seen on the Fair’s website). More media outlets broadcast from the book fair than can be mentioned here. The two outlets with the most video content are ARD Mediathek and  ZDF Mediathek, especially the venue “Das Blaue Sofa,” which gives access to 90 interviews with authors from the Frankfurt 2019 fair alone.  Social media followed along under #fmb19, and have already transitioned to the hashtag for the 2020 fair, #fbm20, as planning for the next fair gets underway. Canada will be the Guest of Honor at the 2020 Frankfurt Book Fair.

On Saturday and Sunday, while the public floods into the fairgrounds, specialized, ticketed, professional events are held at the Frankfurt Book Fair.  The two that we attended this year were the 7th International Convention of University Presses 2019, which focused on the European Accessibility Act, and an event for non-fiction editors. The non-fiction publishing event “Non-fiction Publishing: It’s a Women’s World,” consisted of a panel and discussion with female publishers from Morocco, Turkey, India, and Norway, who spoke about their experiences with producing important works documenting and giving voice to issues and experiences which might not find a home with large commercial publishers.

Look for more on Frankfurt hot topics in the next blog post on Welcome to the VUCA World! The Frankfurt International Book Fair 2019. Part 2

Frankfurt Book Fair 2019 publisher displays

On Saturday, cosplay fans come dressed as their favorite characters.

“Stellt das Buch her / Make the book”: three containers stacked on top of each other, with exhibits on each level in the courtyard of the book fair.

 

Donate Children’s Books to Book Harvest

In honor of Martin Luther King’s vision and in support of our local community, the Duke University Libraries are running a children’s book drive through January 10, 2020.

The books we collect will be donated to Book Harvest, a North Carolina nonprofit that believes in the power of books to change children’s lives and works to ensure that all children can grow up in book-rich homes. Since it was launched in 2011, Book Harvest has provided more than one million donated books to children throughout North Carolina.

We need new and gently used books for children of all ages, especially board books and picture books for the youngest readers, as well as Spanish and bilingual books, and books with diverse characters and story lines. Even one book can make a difference in a child’s life.

Look for the book collection bins in the following locations, and please help us fill them!

  • Perkins Library, in the lobby across from the von der Heyden Pavilion
  • Perkins Library, Shipping and Receiving (near the Link)
  • Rubenstein Library, Library Administration Suite (2nd Floor)
  • Lilly Library, main lobby
  • Smith Warehouse, Bay 10, Shipping and Receiving

Don’t have books but want to donate? Visit Book Harvest’s Amazon wish list. You are also invited to volunteer for the MLK “Dream Big” community drive and to attend the 2020 celebration!

Learn more about Book Harvest on their website.

Database Tips & Tricks: PubMed

Another day another research paper, am I right?

And your professor said you could use any sources within biomedical or life sciences, as long as the sources are peer-reviewed.

Well we have the database for you!

PubMed is a database full of peer-reviewed articles focused around biomedical and life sciences and here’s how you get to it: https://pubmed.ncbi.nlm.nih.gov/.

So first let’s and that can be found at the top right.

After selecting Log in, choose Duke as your university and then it’ll prompt you to either create an account with your Duke email or sign into an account you already have, choose whichever is appropriate.

Some benefits of logging in:

  • View Recent Activity
  • Create/Manage Bibliographies
  • Create/Manage Collections
  • Create Custom Filters
Results Page

And after you’ve logged in and started searching, the results page gives you a helpful bar that look like:

 

More options for each sections looks like:
 

But it should be noted that the when choosing “Save” or “Email” you’re saving/emailing  citations and not the search or its results.

Helpful hints:

  • Clipboard expires 8 hours after being added
  • You can save all the search results to your Collection

 

On the left is a column containing your filters and if you’re looking to get more specific in your search use this!

Article Page

On this page you’ll find some of the same features listed from the results page, but you’ll also be able to:

  • Download citations to RIS file
  • Add articles to favorites
  • A link to the full text (but beware, some of the links don’t always work)

The bottom of this page also gives you similar articles, a list of articles that cited the one you’re viewing, and a list of MeSH terms to aid you in your search.

And congratulations, you now have the tools you need to start or finish your paper!

Happy researching, friend!

And if you have more questions, feel free to reach out to a librarian at https://library.duke.edu/research/ask

Collection Spotlight: Chocolate, Enough Said

This month’s Collection Spotlight is all about chocolate!  We have titles covering a diverse range of themes, including history, romance, food, feminism, and even some movies.  Here are some examples of what you can find:

Chocolate: A Global History

Chocolat: A Novel

Chocolate, Women and Empire: A Social and Cultural History

Chocolate Wars: The 150-year Rivalry between the World’s Greatest Chocolate Makers

Willy Wonka & the Chocolate Factory

Do you suddenly find yourself craving chocolate?  Then take a look at the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins!  We’ll even have chocolate out most of the time, so you can really satisfy that sweet tooth!

 

 

 

 

 

 

My Duke Library: Andrea Kolarova’s Perspective

Hello! My name is Andrea Kolarova and I am graduating with a B.S. in Environmental Science (2020). During my three and a half years at Duke thus far, I have traveled all around the world, meeting new people and exploring unique ecosystems.

My main areas of interest are within ecology and conservation science. I am an avid reader, rock climber, and music lover. No matter where I have gone or where my interests have taken me, the Duke library system has followed me, supporting all my adventures!

How has the library impaDuke senior Andie Kolarovacted your Duke experience?

The libraries at Duke have been an integral part of my experience at Duke. During my four years, I’ve used the libraries in a variety of ways: there are study spaces for group projects or focused reading, textbooks on reserve, movies to rent, and seemingly limitless books. The librarians have also been an important part of my education — they’ve assisted me in getting the resources I need for my research projects, even when I was living way out in Beaufort!

What’s something you’ve discovered in the library or library’s collections?

The Duke Archives are such an interesting corner of the library system! My freshman year, I found out that we have a large collection of third wave feminist zines. It’s incredible to see and feel the original creations of folks from an era that excites my interest and admiration.

What’s a favorite space or service? And why?

Even though I’m now a senior, I sometimes return to Lilly Library to study with my little sister. I enjoy coming back to where my Duke journey began, especially in the big rooms with long tables and desk lamps.

Andie’s library pro tip:

Get to know your librarians! They are friendly, knowledgeable, and here to help you! They can assist you in using the inter-library loan system or familiarize you with the databases the university is subscribed to. Being a part of the Duke library system opens you up to an incredible breadth of material — take advantage of it!

My Duke Library is a project of the Research and Instructional Services department

Take the Library Home with You

handout

As you are preparing for your much needed break, I hope you remember that the library will still be here for you!  Maybe you already know that you can access many of our online resources from home or that you can check out books to take home with you.  We also have movies and music that you can stream and some e-books that you can download to your devices.  Here are some of the resources we have to do this!

Streaming Videos

Alexander Street Video Collection: Find and watch streaming video across multiple Alexander Street Press video collections on diverse topics that include newsreels, documentaries, field recordings, interviews and lectures.

Docuseek2 Collection: Find and watch streaming video of documentary and social issues films.

Films on Demand: Find and watch streaming video with academic, vocational, and life-skills content.

Kanopy: Watch thousands of award-winning documentaries and feature films including titles from the Criterion Collection.

SWANK Digital Campus: Feature films from major Hollywood studios.

Go to bit.ly/dukevideos to access these video collections.

Streaming Music

Contemporary World Music: Listen to music from around the world, including reggae, Bollywood, fado, American folk music, and more.

Jazz Music Library:  Access a wide range of recordings from jazz classics to contemporary jazz.

Medici.tv: Browse an online collection of classical music, operas and ballets.

Metropolitan Opera on Demand:  For opera fans, a large selection of opera videos from the stage of the Metropolitan Opera.

Naxos Music Library:  Huge selection of classical music recordings—over 1,925,000 tracks!

Smithsonian Global Sound: Find and listen to streaming folk and related music

All of these streaming music sources can be accessed at library.duke.edu/music/resources/listening-online

Overdrive Books

Go to duke.overdrive.com to access downloadable eBooks and audiobooks that can be enjoyed on all major computers and devices, including iPhones®, iPads®, Nooks®, Android™ phones and tablets, and Kindles®.

Get Ready for Finals with the Stampede of Love at Lilly!

The Stampede of Love Returns to Lilly

8 people and one miniature horse
Kiwi and Librarians in 2018

Have you heard about the “mane” event at Lilly Library?

Where did Fall Semester go? December is here, and with it, exams await all Duke Students. Because the First-Year students live on East Campus, the staff at Lilly Library does its best to offer support and relieve the stress of the fall semester for our “neighbors” experiencing their first finals at Duke. Extending our hours to a 24/7 schedule during exams, offering a study break with refreshments, and a room reserved as a relaxation station are longstanding Lilly traditions.

The end of Fall Semester 2019 is different, a horse of a different color, so to speak! On Saturday, December 7th from noon until 2pm, we are hosting our second visit with the Stampede of Love, miniature therapy horses whose tiny hooves will bring smiles to stressed students (and maybe a librarian or two!). If you decide to trot over to East Campus, here is a list of useful dates and events:

Lilly Library Finals Week Events

  • Saturday, December 7th at noon until 2pm: Stampede of Love
    Lilly Library event details HERE
  • Saturday, December 7th:
    Beginning at 9am, Lilly expands its schedule to 24/7 through the examination period, ending at 7pm on Monday, December 16th.
    Details at Duke Library Hours
  • Monday, December 9th at 8pm:
    Lilly Study Break for Students Details here
  • Wednesday, December 11th at 8am  throughout finals:
    Relaxation Station in Lilly opens for students

Best of luck to everyone during Finals!

Kiwi of the Stampede of Love

Straight from the horse’s mouth:

It’s been a great Fall Semester, and here’s to a very Happy 2020!

Library Gift Ideas for the Holiday Season

The Most Wonderful Time of the Year is here! We are so excited for the holiday season but know how hard it is to brainstorm gift ideas. Luckily, the Duke University Libraries have two programs that provide the perfect opportunity for a thoughtful and unique present.

Adopt-A-Book

Game of Thrones
A few noteworthy first editions from the recently acquired Locus Science Fiction Foundation collection, all available for adoption.

That best friend who has seen every episode of Game of Thrones? Get them the perfect holiday gift by adopting the first book in the series, signed by George R. R. Martin himself! As part of our Adopt-a-Book Program, you can choose from a number of books and help fund their preservation in honor of someone else.

We have many titles across a variety of subjects, so you can find the perfect title that truly creates a gift like none other. An electronic bookplate with the name of the donor or honoree is added to the item’s catalog record, and they are also listed on the library website as a contributor. Gifts to the program help conserve a book and keep it available for current and future faculty, scholars, and students. 

Some lovely first-editions currently available for adoption are Philip K. Dick’s Man in the High Castle (1962), Edith Wharton’s Old New York (1924), Gertrude Jekyll’s Children and Gardens (1933), Theodore Dreiser’s An American Tragedy (1925) and John James Audubon’s Birds of America (1827). Find many more at our Adopt-a-Book website.


Adopt-A-Digital-Collection

Thumbnail
Duke football player Ken Abbott (c. 1933), from the Duke Sports Information Office Photographic Negatives Collection.

Maybe you have an uncle who loves Duke athletics but already has ten basketball jerseys? You can still give him the perfect holiday gift by adopting Photographic Negatives from the Duke Sports Information Office, a digital collection relating to all things Duke sports. Every year, we digitize thousands of items in our collections. These digital assets must be carefully managed to preserve them for generations of students and researchers to come. This work requires storage space, the specialized expertise of our talented staff, and you! Our Adopt-a-Digital-Collection program allows you to support the long-term preservation of these important cultural and scholarly resources, keeping them safe and accessible indefinitely. Each digital collection available for adoption is unique, allowing you to specialize your holiday gift to someone’s interests.  

Some collections currently available to be preserved include the African American Soldier’s Korean War photo album, the Isaac Leroy Shavers Papers that include his sermons and missionary work, and Italian Cultural Posters. Find those and more at our Adopt-a-Digital Collection website

 

Got Library Fines? Give Food and We’ll Waive Them

Looking for an easy way to help people this holiday season?

From November 15 – December 15, you can exchange “Food for Fines” at the Duke library nearest you.

For every unopened, unexpired, non-perishable food item you donate, we will waive $1 of your library fines (up to $50 max).

All libraries on East and West Campus are participating except for the Duke Law Library, and it doesn’t matter which library you owe fines to. You can drop off your donation at the library of your choice, and we’ll apply it to any library fines at any Duke library.

Donations will be collected and distributed by the Food Bank of Central and Eastern NC. The Food Bank serves a network of more than 800 agencies across 34 counties in Central and Eastern North Carolina, including soup kitchens, food pantries, shelters, and programs for children and adults.

You can also donate non-food essentials for infants, kids, and seniors, such as diapers, wipes, cleaning products, and paper towels. The chart below lists the items currently needed most.

No library fines? No problem! You can still donate and help North Carolinians in need.


The fine print

  • Limit $50 in forgiven fines per person.
  • Any fines already paid or transferred to the bursar cannot be waived.
  • No expired food items or glass containers, please.
  • Waived fines only apply to late fees. Charges for damaged or lost books cannot be waived.
  • All Duke libraries will waive fines for other Duke libraries (except the Duke Law Library). For example, if you owe $5 to the Divinity Library, you are not required to drop off your donation at the Divinity Library. You can visit any library on East or West Campus and your Divinity Library fines will be waived.

 

Low Maintenance Book Club Explores Nature

Our next book club will be on Wednesday November, 20th at 5:30 in Bostock 127 (The Edge Workshop Room) The Edge.

It’s that time when signs of the transitioning season are all around us, from the shortening days to changing leaves and shivers in the morning. As we move closer to winter, the Low Maintenance Book Club will be reading and discussing two short essays by Helen Macdonald on the cyclical movement of nature’s patterns: “The Human Flock” and “Sex, Death and Mushrooms.” Macdonald, author of the award-winning H is for Hawk, published these two essays as part of her regular “On Nature” column for The New York Times.

Both essays were published in The New York Times and are available on the NYT site:

They can also be found searching by essay title in The New York Times database collection.

Light snacks will be served. Please RSVP if you plan to attend. If you have any questions, you can contact Arianne Hartsell-Gundy at aah39@duke.edu.

Been All Around This World: Lessons Learned from the International Partnership between the American Library Association (ALA) and the German Library & Information Association (BID).

European Studies librarians in North America build collections from multiple countries in a variety of languages. How can they become acquainted with the networks of libraries, publishers, and vendors necessary to develop these collections, and to provide research support effectively? Studying the bibliographical guides to European Studies librarianship are, of course, an excellent first step. There is the classic text by Dan Hazen and James Henry Spohrer, Building area studies collections, from 2007, and the Suddenly Selector Series  will include practice-based guides for European Studies in the future. A more general recent introduction is provided by Lesley Pitman in Supporting Research in Area Studies (2015), and the collaboration of area studies administrators on International and Area Studies Collections In the 21st Century, addresses mutual concerns in all area studies such as training, recruitment, digital content and finances.

Professional associations offer opportunities to learn from peers. The European Studies Section of the Association for College and Research Libraries (ACRL) of the American Library Association (ALA) provides a forum and a resource page for five hundred thirty three North American European Studies librarians. In addition to that, ALA hosts several international initiatives within the International Relations Round Table  (IRRT), and brings many international speakers to ALA conferences.

European Studies librarians also work with the Center for Research Libraries (CRL), where the Germanic collectors organize in the German-North American Resources Partnership (GNARP), the French & Francophone collectors organize in the Collaborative Initiative for French Language Collections in North American Libraries (CIFNAL), and Eastern European collectors collaborate in the  Slavic and East European Materials Project (SEEMP).

Library and cultural heritage organizations nationally and internationally use acronyms as short hand for pointing to projects, standards and organizations. Outlining the basic organization of European Studies associations illustrates what a challenge it is to develop a deep understanding of each organization, its mission, and its audiences

All theory is gray, my friend. But forever green is the tree of life.” Johann Wolfgang von Goethe. Faust. 1808.

The American Library Association and the German equivalent, Bibliothek & Information Deutschland (BID) e.V, decided to embark on an extended information exchange to provide the “tree of life” kind of learning needed for getting to know how our respective information and cultural heritage organizations operate. ALA and BID signed an agreement for the collaboration in 2014, and the exchange was set up to help a large number of subject librarians build a professional network both on the national and international level over three years, from 2016 to 2019. The many projects, meetings, and activities that resulted from the initiative demonstrate what it takes to explore issues and trends in librarianship in just one country, Germany, and can serve as a model for learning about other countries.

The article describing the exchange: “The American Library Association and German Library & Information Association Partnership: A Celebration,” was co-authored by Sharon Bostick (Illinois Institute of Technology, Chicago, IL), Fred Gitner (Illinois Institute of Technology, Chicago, IL), Hella Klauser (Internationale Kooperation, Deutscher Bibliotheksverband e.V. (dbv); Kompetenznetzwerk für Bibliotheken (knb), and Heidi Madden (Duke University).

The article appeared simultaneously in two venues, in the O-Bib, Das Offene Bibliotheksportal (Open Access Library Platform, Germany) and in International Leads (A Publication of the International Relations Round Table of the American Library Association).

If you want further information about the behind-the-scenes work in writing the article or European librarianship, email Heidi.

 

 

Collection Spotlight: Native Americans: A Present-Tense People

We acknowledge that this space and greater university gathers on land that has long served as the site of meeting and exchange amongst a number of Indigenous peoples, historically the Shakori (sha-core-ee) and Catawba (kuh-taa-buh) people. 

It is also important to recognize the 8 tribes that currently reside in North Carolina, these include the Coharie (co-HAIR-ee), Lumbee, Meherrin (ma-HAIR-in), Occaneechi Band of the Saponi Nation, Haliwa Saponi (HA-lih-WAH suh-PONY), Waccamaw Siouan (WOK-uh-ma Soo-uhn), Sappony, and the Eastern Band of Cherokee. We honor and respect the diverse Indigenous peoples connected to this territory on which we gather.

In honor of National Native American Heritage Month, Duke University Libraries is co-sponsoring with the Native American Student Alliance (NASA) a Collection Spotlight this month called “Native Americans: A Present-Tense People.”

We took part of the inspiration for this spotlight from this year’s Summer Reading book There There by Tommy Orange“We’ve been fighting for decades to be recognized as a present-tense people, modern and relevant, alive.”  The fiction included in the spotlight are all by modern Native American authors, and the non-fiction books focus on modern history and culture.   Examples of some of the titles included are:

Conflict Resolution for Holy Beings: Poems by Joy Harjo

Lumbee Indians in the Jim Crow South: Race, Identity, and the Making of a Nation by Malinda Maynor Lowery

Heart Berries: A Memoir by Terese Marie Mailhot

Native Voices: indigenous American Poetry, Craft and Conversations edited by CMarie Fuhrman and Dean Rader

Where the Dead Sit Talking by Brandon Hobson

Indians on the Move: Native American Mobility and Urbanization in the Twentieth Century by Douglas K. Miller

Bad Indians: A Tribal Memoir by Deborah A. Miranda

Unsettling America: The Uses of Indianness in the 21st century by C. Richard King

The Round House by Louise Erdrich

“All the real Indians died off”: And 20 Other Myths about Native Americans by Roxanne Dunbar-Ortiz and Dina Gilio-Whitaker

Please check out the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins!

You might also be interested in the current Nasher exhibit Art for a New Understanding: Native Voices, 1950’s to Now running until January 12th, 2020.  It is the first exhibition to chart the development of contemporary Indigenous art in the United States and Canada.  Check out the podcast “Native Voices: Darien Herndon” to learn more.  Darien Herndon is the current president of NASA.  There’s also a wonderful companion book by the curators Mindy N. Besaw, Candice Hopkins, and Manuela Well-Off-Man.

Finally please consider attending some of the upcoming events sponsored by NASA to celebrate Native American Heritage Month!

Database Tips & Tricks: Google Scholar

 

So you received a topic for your paper and you don’t know where to start? Google it!
But wait…what if you Google Scholar it instead?

Google Scholar is basically Google but with scholarly sources. How do you get to it?

scholar.google.com – super easy, super simple.

Before you start your search there’s two things you’re going to want to do to make your research easier.

  • First go into the settings (under this button on the top left), and choose library links. You’re going to search for Duke University and choose the “Duke University Libraries – Get it at Duke and then save. This makes it so that any article found on Google Scholar that Duke has access to you’ll be able to go straight to that article. You’ll know it worked when you search an article and see this in the right column.
  • Secondly, you’ll want to go back into the savings option and make sure that you’re signed into an account so you’ll be able to save your articles into your library.

Now you’re all set to do your research! But just a few more things to make note of:

  • The star button will save the article to your library
  • The quotation button will give you the citation for that article in MLA, APA, etc and also allows you to link to several citation management tools (they’re sometimes slightly incorrect so double check your citation!)
  • The “Cited By” shows how many people have cited that article via Google Scholar
  • Advanced search is found under the menu option

And that is it! You are prepared to do Grade A research, friend!

If you have more questions, feel free to reach out to a librarian at https://library.duke.edu/research/ask

Or join us in the lobby of Perkins for our 5 Minutes to becoming a Google Scholar Power User on any of these dates:

  • Nov 6, 2019: 11a – 12p
  • Nov 12, 2019: 1:30p – 2:30p
  • Nov 22, 2019: 11a – 12p

What to Read this Month: October 2019

Happy Halloween! Don’t forget to set your clock back this Sunday, November 2. As always, for more exciting reads, check out our Overdrive, New and Noteworthy, and Current Literature collections.


Cover of Beneath the Mountain Beneath the Mountain by Luca D’Andrea; translated from the Italian by Howard Curtis.

In Luca D’Andrea’s atmospheric and brilliant thriller, set in a small mountain community in the majestic Italian Dolomites, an outsider must uncover the truth about a triple murder that has gone unsolved for thirty years.

New York City native Jeremiah Salinger is one half of a hot-shot documentary-making team. He and his partner, Mike, made a reality show about roadies that skyrocketed them to fame. But now Salinger’s left that all behind, to move with his wife, Annelise, and young daughter, Clara, to the remote part of Italy where Annelise grew up – the Alto Adige.

Nestled in the Dolomites, this breathtaking, rural region that was once part of the Austro-Hungarian Empire remains more Austro than Italian. Locals speak a strange, ancient dialect – Ladino – and root for Germany (against Italy) in the world cup. Annelise’s small town – Siebenhoch – is close-knit to say the least and does not take kindly to out-of-towners. When Salinger decides to make a documentary about the mountain rescue group, the mission goes horribly awry, leaving him the only survivor. He blames himself, and so, it seems, does everyone else in Siebenhoch. Spiraling into a deep depression, he begins having terrible, recurrent nightmares. Only his little girl Clara can put a smile on his face.

But when he takes Clara to the Bletterbach Gorge – a canyon rich in fossil remains – he accidentally overhears a conversation that gives his life renewed focus. In 1985, three students were murdered there, their bodies savaged, limbs severed and strewn by a killer who was never found. Although Salinger knows this is a tightlipped community, one where he is definitely persona non grata, he becomes obsessed with solving this mystery and is convinced it is all that can keep him sane. And as Salinger unearths the long kept secrets of this small town, one by one, the terrifying truth is eventually revealed about the horrifying crime that marked an entire village.

Completely engrossing and deeply atmospheric, Beneath The Mountain is a thriller par excellence.


Cover of Antisemitism: Here and Now Antisemitism: Here and Now by Deborah E. Lipstadt.

The award-winning author of The Eichmann Trial and Denial: Holocaust History on Trial gives us a penetrating and provocative analysis of the hate that will not die, focusing on its current, virulent incarnations on both the political right and left: from white supremacist demonstrators in Charlottesville, Virginia, to mainstream enablers of antisemitism such as Donald Trump and Jeremy Corbyn, to a gay pride march in Chicago that expelled a group of women for carrying a Star of David banner.

Over the last decade there has been a noticeable uptick in antisemitic rhetoric and incidents by left-wing groups targeting Jewish students and Jewish organizations on American college campuses. And the reemergence of the white nationalist movement in America, complete with Nazi slogans and imagery, has been reminiscent of the horrific fascist displays of the 1930s. Throughout Europe, Jews have been attacked by terrorists, and some have been murdered.

Where is all this hatred coming from? Is there any significant difference between left-wing and right-wing antisemitism? What role has the anti-Zionist movement played? And what can be done to combat the latest manifestations of an ancient hatred? In a series of letters to an imagined college student and imagined colleague, both of whom are perplexed by this resurgence, acclaimed historian Deborah Lipstadt gives us her own superbly reasoned, brilliantly argued, and certain to be controversial responses to these troubling questions.


Cover of Midwestern Strange Midwestern Strange: Hunting Monsters, Martians, and the Weird in Flyover Country by B.J. Hollars.

Midwestern Strange chronicles B.J. Hollars’s exploration of the mythic, lesser-known oddities of flyover country. The mysteries, ranging from bipedal wolf sightings to run-ins with pancake-flipping space aliens to a lumberjack-inspired “Hodag hoax,” make this book a little bit X-Files, a little bit Ghostbusters, and a whole lot of Sherlock Holmes . Hollars’s quest is not to confirm or debunk these mysteries but rather to seek out these unexplained phenomena to understand how they complicate our worldview and to discover what truths might be gleaned by reexamining the facts in our “post-truth” era.

Part memoir and part journalism, Midwestern Strange offers a fascinating, funny, and quirky account of flyover folklore that also contends with the ways such oddities retain cultural footholds. Hollars shows how grappling with such subjects might fortify us against the glut of misinformation now inundating our lives. By confronting monsters, Martians, and a cabinet of curiosities, we challenge ourselves to look beyond our presumptions and acknowledge that just because something is weird, doesn’t mean it is wrong.


Cover for Ageing and Contemporary Female Musicians Ageing and Contemporary Female Musicians by Abigail Gardner.

Ageing and Contemporary Female Musicians focuses on ageing within contemporary popular music. It argues that context, genres, memoirs, racial politics and place all contribute to how women are ‘aged’ in popular music.

Framing contemporary female musicians as canonical grandmothers, Rude Girls, neo-Afrofuturist and memoirists settling accounts, the book gives us some respite from a decline or denial narrative and introduces a dynamism into ageing. Female rock memoirs are age-appropriate survival stories that reframe the histories of punk and independent rock music. Old age has a functional and canonical ‘place’ in the work of Shirley Collins and Calypso Rose.

Janelle Monáe, Christine and the Queens, and Anohni perform ‘queer’ age, specifically a kind of ‘going beyond’ both corporeal and temporal borders. Genres age, and the book introduces the idea of the time-crunch; an encounter between an embodied, represented age and a genre-age, which is, itself, produced through historicity and aesthetics. Lastly the book goes behind the scenes to draw on interviews and questionnaires with 19 women involved in the contemporary British and American popular music industry; DIY and ex-musicians, producers, music publishers, music journalists and audio engineers.

Ageing and Contemporary Female Musicians is a vital intergenerational feminist viewpoint for researchers and students in gender studies, popular music, popular culture, media studies, cultural studies and ageing studies.


Cover for The Genius Within The Genius Within: Unlocking Our Brain’s Potential by David Adam.

What if you have more intelligence than you realize? What if there is a genius inside you, just waiting to be released? And what if the route to better brain power is not hard work or thousands of hours of practice but to simply swallow a pill? In The Genius Within, David Adam explores the groundbreaking neuroscience of cognitive enhancement that is changing the way the brain and the mind works – to make it better, sharper, more focused and, yes, more intelligent. He considers how we measure and judge intelligence, taking us on a fascinating tour of the history of brain science and medicine, from gentlemen scientist brain autopsy clubs to case studies of mental health patients with extraordinary savant abilities. In addition to reporting on the latest research and fascinating case studies, David also goes on his own personal journey to investigate the possibilities of neuroenhancement, using himself as a guinea pig for smart pills and electrical brain stimulation in order to improve his IQ scores and cheat his way into MENSA. Getting to the heart of how we think about intelligence and mental ability, The Genius Within plunges into deep ethical, neuroscientific, and historical pools of enquiry about the science of brain function, untapping potential, and what it means for all of us. The Genius Within asks difficult questions about the science that could rank and define us, and inevitably shape our future.

 


Been All Around This World: Open Access resources for Middle East & Islamic Studies

As this week is Open Access week, I thought it would be good to write a short post about OA resources for Middle East and Islamic Studies. Like many other disciplines, there are copious amounts of resources available in different formats from interviews to journals and ebooks.

Before listing those resources, I would like to draw your attention to this informative post from our friends at the University of Toronto: OA 2019: THE HIDDEN COST OF DOING RESEARCH. Yayo Umetsudo, Scholarly Communications & Liaison Librarian provides details of some UoT subscription costs.

For Middle East and Islamic Studies, there are a number of tremendous resources. Perhaps the most important is AMIR (Access to Middle East and Islamic Resources) which has been collecting OA materials since its founding by Charles Jones and Peter Magierski in 2010.

A relatively new OA digital resource is provided by the University of Bonn’s Digital Translatio project. The resource provides free access to rare or hard to find journals in Arabic, Persian, and Ottoman. Check it out here. In a similar vein, أرشيف المجلات الأدبية والثقافية العربية, which translates roughly as the Archive of Arab literary and cultural magazines, provides terrific access to a large collection of Arabic journals. Check it out here. Announced yesterday, the important Istanbul Kadı sicilleri (Court records) is now freely accessible online in Turkish transcription from the original Ottoman. Check it our here.

A highly valuable lecture series is the History of Philosophy (HoP) podcasts from King’s College, London. HoP covers the Classical age, Later Antiquity and the Islamic World striving to seamless illustrate the evolution of ideas in different eras, epochs and religious vantage points. The Islamic World covers the idea of falsafah (philosophy) before moving on to some of the great proponents of philosophy in the Islamic World, e.g. al-Kindī, al-Fārābī and others. Each episode lasts for about 20-30 minutes and offers a bibliography of core texts.

Many such podcasts have recently developed. Perhaps the largest is the New Books network, which includes a specific section on Islamic Studies and Middle East Studies. Also, do not forget Ottoman History podcast. Moreover, for those who love maps: The Afternoon Map.

Yale University has a number of series and lectures freely available. Included amongst these are some 20 lectures pertaining to different aspects of the Islamicate, Islam or the Middle East. Each one of these lectures is roughly 40-45 minutes and includes an assignment and often a mini-syllabus.

iTunes U offers a many freely accessible resources.  One has to register with iTunes U but after that a number of valuable resources are available. A particularly delightful feature of iTunesU are the language courses, check out the Arabic one. These are great for the multi-tasker in you!

Finally, a very general resource of OA materials spanning multiple disciplines is Open Culture. There are countless resources available to the researcher from language classes to ebooks to short essays of interesting facts such as the last, known, hand-written newspaper Musalman.

Finally, I would be remiss if I did not mention the Ivy Plus web collecting project of which a number of DUL colleagues are active participants. See the list of projects here.

This list is not meant to be exhaustive but rather to peek your interest in some of the freely available resources. Happy OA week.

 

Congratulations to Our 2019 Library Writing and Research Award Winners!

Gothic Reading Room

Every year the Duke University Libraries run a series of essay contests recognizing the original research of Duke students and encouraging the use of library resources. We are pleased to announce the winners of our 2018-2019 library writing and research awards.

Lowell Aptman Prize

Recognizing excellence in undergraduate research using sources from the Libraries’ general collections.

  • First/Second-Year Prize: Veronica Niamba for “The Day Man Stood Still,” nominated by Gray Kidd
  • Third/Fourth-Year Prize: Jess Chen for “Post-Modern Folk Chronicler,” nominated by Dr. Paul Jaskot
  • Honor Thesis Prize: Jack Bradford for “Errand into the Water Closet,” nominated by Dr. Tom Ferraro

Chester P. Middlesworth Award

Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.

  • Undergraduate Prize: Sierra Lorenzini for “Fair Haired: Considering Blonde Women in Film and Advertising,” nominated by Dr. Kristine Stiles
  • Graduate Prize: Michael Freeman for “P. Duke Inv. 664R: A Fragmentary Alchemical Handbook,” nominated by Dr. Jennifer Knust

Ole R. Holsti Prize

Recognizing excellence in undergraduate research using primary sources for political science or public policy.

  • Amanda Sear for “To Smoke or to Vape? E-cigarette Regulation in the US, the UK, and Canada,” nominated by Dr. Ed Balleisen
  • Yue Zhou for “Learning Languages in Cyberspace: A Case Study of World Languages Courses in State Virtual Public Schools,” nominated by Dr. Leslie Babinski

Rudolph William Rosati Creative Writing Award

Recognizing outstanding undergraduate creative writing.

  • Valerie Muensterman for “Did You Forget Your Name?”
  • Caroline Waring for “The Roof”
  • Blaire Zhang for “Sapiens”

Join Us at the Awards Reception!

We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend.  All are invited to join us for refreshments and the opportunity to honor the recipients.

Date: Friday, October 25
Time: 4:00-5:00 p.m.
Location: Rubenstein Library 349 (Breedlove Conference Room)

Low Maintenance Book Club Reads Kelly Link’s Pretty Monsters

Our next book club will be on Tuesday October 29th at 5:30 in Bostock 127 (The Edge Workshop Room) The Edge.

Get in the Halloween spirit with October’s meeting of Duke University Library’s Low Maintenance Book Club! We’ll be reading two spooky selections from award-winning author Kelly Link’s Pretty Monsters: “The Wrong Grave” and “Magic For Beginners.” Both titles are freely available online:

Hard copies of the book can also be found at Duke University Libraries and the Durham County Library. Halloween-themed snacks will be served.

Please RSVP if you plan to attend. If you have any questions, you can contact Arianne Hartsell-Gundy at aah39@duke.edu.

My Duke Library: Boyang Zhang’s Perspective

Boyang Zhang, who is from a small city in Northern China, is a Ph.D. student in the Department of Civil and Environmental Engineering at the Pratt School of Engineering. His research interests are in the safe guidance and control of multiple agents, such as autonomous ground vehicles and unmanned quadrotor aerial vehicles, in dynamic and uncertain environments.


How has the library impacted your Duke experience?

I have found that Duke University Libraries offer many useful resources and tools to assist me in my research. They also provide a friendly and welcoming environment, and I thoroughly enjoy studying and researching there.

Boyang stands in front of the writings of one of his favorite authors, Jin Yong
Boyang stands in front of the writings of one of his favorite authors, Jin Yong (金庸)

What’s something you’ve discovered in the library or library’s collections?

I’ve had many pleasant experiences in the library, including its free access to numerous online research databases, notably IEEE, Web of Science, and Science Direct, that I can search and from which I can instantly download relevant articles. Moreover, it offers a variety of interesting and helpful workshops such as how to use the citation management software EndNote and how to find suitable journals to publish my research work. I’ve also enjoyed participating in advanced lectures on machine learning and data visualization in The Edge.

What’s a favorite space or service? And why?

I greatly appreciate the document delivery and interlibrary loan services. The libraries locate books and articles I request and deliver them directly to me in a timely manner. 

Boyang’s library pro tip:

Don’t hesitate to ask for help! The librarians are friendly and supportive, and are always willing to help.

My Duke Library is a project of the Research and Instructional Services department.

Mellon Grant Continues Support of Triangle Scholarly Communications Institute

Part research retreat, part idea incubator, the institute provides time and space for project teams to develop ideas and refine plans in ways that are difficult to do in most work contexts. (Photo from the 2017 Triangle SCI.)

The Duke University Libraries have a received a grant of $360,000 from The Andrew W. Mellon Foundation to continue support of the Triangle Scholarly Communication Institute (TriangleSCI).

Every year, the TriangleSCI brings together teams of scholars, information scientists, librarians, publishers, technologists, and others from both inside and outside academia to discuss needs and opportunities in the domain of scholarly communications.

Each annual institute is organized under a broad theme (this year’s theme is “Equity in Scholarly Communication”), and proposals are invited for projects that fit with that theme.

The grant covers program administration, as well as expenses for approximately 30 participants from around the world to convene in the Research Triangle region for four days each fall.

Part research retreat, part idea incubator, the institute provides time and space for project teams to develop ideas and refine plans in ways that are difficult to do in most work contexts. The goal is to provide a combination of structured and unstructured time to brainstorm, organize, and jump-start ideas in an informal but highly productive environment.

The Scholarly Communication Institute began in 2003 as a Mellon-funded initiative at the University of Virginia and was based there for nine years. In 2014, it moved to the Research Triangle where it has been hosted ever since by Duke, working in close collaboration with partners at the University of North Carolina at Chapel Hill, North Carolina State University, North Carolina Central University, and an advisory board from these partners and other universities and organizations across the country.

“We could not realize our most ambitious goals without The Mellon Foundation’s continued generosity,” said Deborah Jakubs, Rita DiGiallonardo Holloway University Librarian and Vice Provost for Library Affairs. “Their ongoing support has made it possible for nearly 200 people to participate in the TriangleSCI over the past six years, and to return to their usual work energized and ready to create positive and pragmatic change in the world of scholarly communications.”

TriangleSCI participants have come from more than two dozen countries, representing a variety of languages, cultures, and contexts. Teams have included senior administrators as well as undergraduate students, researchers and teaching faculty, librarians, publishers, software developers, musicians, storytellers, journalists, and more.

To learn more about the TriangleSCI, and to see the types of projects represented at each year’s program, visit the institute’s website or find them on Twitter.

What to Read this Month: September 2019

Happy fall! While it might be too soon to curl up with a blanket, you can always curl up with a good book. For more exciting reads, check out our Overdrive, New and Noteworthy, and Current Literature collections.


Boy Swallows Universe by Trent Dalton.

Eli Bell’s life is complicated. His father is lost, his mother is in jail, and his stepdad is a heroin dealer. The most steadfast adult in Eli’s life is Slim – a notorious felon and national record-holder for successful prison escapes – who watches over Eli and August, his silent genius of an older brother.

Exiled far from the rest of the world in Darra, a neglected suburb populated by Polish and Vietnamese refugees, this twelve-year-old boy with an old soul and an adult mind is just trying to follow his heart, learn what it takes to be a good man, and train for a glamorous career in journalism. Life, however, insists on throwing obstacles in Eli’s path – most notably Tytus Broz, Brisbane’s legendary drug dealer.

But the real trouble lies ahead. Eli is about to fall in love, face off against truly bad guys, and fight to save his mother from a certain doom – all before starting high school.

A story of brotherhood, true love, family, and the most unlikely of friendships, Boy Swallows Universe is the tale of an adolescent boy on the cusp of discovering the man he will be. Powerful and kinetic, Trent Dalton’s debut is sure to be one of the most heartbreaking, joyous and exhilarating novels you will experience.


The Mosquito: A Human History of Our Deadliest Predator by Timothy C. Winegard.

A pioneering and groundbreaking work of narrative nonfiction that offers a dramatic new perspective on the history of humankind, showing how through millennia, the mosquito has been the single most powerful force in determining humanity’s fate.

Why was gin and tonic the cocktail of choice for British colonists in India and Africa? What does Starbucks have to thank for its global domination? What has protected the lives of popes for millennia? Why did Scotland surrender its sovereignty to England? What was George Washington’s secret weapon during the American Revolution?

The answer to all these questions, and many more, is the mosquito.

Across our planet since the dawn of humankind, this nefarious pest, roughly the size and weight of a grape seed, has been at the frontlines of history as the grim reaper, the harvester of human populations, and the ultimate agent of historical change. As the mosquito transformed the landscapes of civilization, humans were unwittingly required to respond to its piercing impact and universal projection of power.

The mosquito has determined the fates of empires and nations, razed and crippled economies, and decided the outcome of pivotal wars, killing nearly half of humanity along the way. She (only females bite) has dispatched an estimated 52 billion people from a total of 108 billion throughout our relatively brief existence. As the greatest purveyor of extermination we have ever known, she has played a greater role in shaping our human story than any other living thing with which we share our global village.

Imagine for a moment a world without deadly mosquitoes, or any mosquitoes, for that matter? Our history and the world we know, or think we know, would be completely unrecognizable.

Driven by surprising insights and fast-paced storytelling, The Mosquito is the extraordinary untold story of the mosquito’s reign through human history and her indelible impact on our modern world order.


The Last Equation of Isaac Severy: A Novel in Clues by Nova Jacobs.

The Family Fang meets The Storied Life of A.J. Fikry in this literary mystery about a struggling bookseller whose recently deceased grandfather, a famed mathematician, left behind a dangerous equation for her to track down – and protect – before others can get their hands on it.

Just days after mathematician and family patriarch Isaac Severy dies of an apparent suicide, his adopted granddaughter Hazel, owner of a struggling Seattle bookstore, receives a letter from him by mail. In it, Isaac alludes to a secretive organization that is after his final bombshell equation, and he charges Hazel with safely delivering it to a trusted colleague. But first, she must find where the equation is hidden.

While in Los Angeles for Isaac’s funeral, Hazel realizes she’s not the only one searching for his life’s work, and that the equation’s implications have potentially disastrous consequences for the extended Severy family, a group of dysfunctional geniuses unmoored by the sudden death of their patriarch.

As agents of an enigmatic company shadow Isaac’s favorite son – a theoretical physicist – and a long-lost cousin mysteriously reappears in Los Angeles, the equation slips further from Hazel’s grasp. She must unravel a series of maddening clues hidden by Isaac inside one of her favorite novels, drawing her ever closer to his mathematical treasure. But when her efforts fall short, she is forced to enlist the help of those with questionable motives.


Brave New Arctic: The Untold Story of the Melting North by Mark C. Serreze.

An insider account of how researchers unraveled the mystery of the thawing Arctic.

In the 1990s, researchers in the Arctic noticed that floating summer sea ice had begun receding. This was accompanied by shifts in ocean circulation and unexpected changes in weather patterns throughout the world. The Arctic’s perennially frozen ground, known as permafrost, was warming, and treeless tundra was being overtaken by shrubs. What was going on? Brave New Arctic is Mark Serreze’s riveting firsthand account of how scientists from around the globe came together to find answers.

In a sweeping tale of discovery spanning three decades, Serreze describes how puzzlement turned to concern and astonishment as researchers came to understand that the Arctic of old was quickly disappearing – with potentially devastating implications for the entire planet. Serreze is a world-renowned Arctic geographer and climatologist who has conducted fieldwork on ice caps, glaciers, sea ice, and tundra in the Canadian and Alaskan Arctic. In this must-read book, he blends invaluable insights from his own career with those of other pioneering scientists who, together, ushered in an exciting new age of Arctic exploration. Along the way, he accessibly describes the cutting-edge science that led to the alarming conclusion that the Arctic is rapidly thawing due to climate change, that humans are to blame, and that the global consequences are immense.

A gripping scientific adventure story, Brave New Arctic shows how the Arctic’s extraordinary transformation serves as a harbinger of things to come if we fail to meet the challenge posed by a warming Earth.


The Light Brigade by Kameron Hurley.

From the Hugo Award­winning author of The Stars Are Legion comes a brand-new science fiction thriller about a futuristic war during which soldiers are broken down into light in order to get them to the front lines on Mars.

They said the war would turn us into light.
I wanted to be counted among the heroes who gave us this better world.

The Light Brigade: it’s what soldiers fighting the war against Mars call the ones who come back…different. Grunts in the corporate corps get busted down into light to travel to and from interplanetary battlefronts. Everyone is changed by what the corps must do in order to break them down into light. Those who survive learn to stick to the mission brief – no matter what actually happens during combat.

Dietz, a fresh recruit in the infantry, begins to experience combat drops that don’t sync up with the platoon’s. And Dietz’s bad drops tell a story of the war that’s not at all what the corporate brass want the soldiers to think is going on.

Is Dietz really experiencing the war differently, or is it combat madness? Trying to untangle memory from mission brief and survive with sanity intact, Dietz is ready to become a hero – or maybe a villain; in war it’s hard to tell the difference.

A worthy successor to classic stories like Downbelow Station, Starship Troopers, and The Forever War, The Light Brigade is award-winning author Kameron Hurley’s gritty time-bending take on the future of war.

 


The Memory Project: Showcasing a digital collection with a website

Katie Odhner was an intern in the International and Area Studies Department in the Duke Libraries. She has a B.A. in Chinese Studies and History from the University of Pennsylvania. She recently graduated from the University of North Carolina, Chapel Hill with a Master’s of Science in Library Science. The following post is written by her.

Over the course of this summer, I have been working with Luo Zhou, Duke’s Chinese Studies Librarian, and Will Shaw, our Digital Humanities Consultant, to create on a website showcasing the Memory Project digital collection, which went up on the Duke Digital Repository in July. Launched in 2010 by documentary filmmaker Wu Wenguang, the ongoing project has collected hundreds of oral history interviews from elderly Chinese villagers. The initiative was originally intended to document individual stories of the Great Famine, which caused the death of 20 to 43 million people between 1958 and 1961. It has since expanded to cover other movements in the early history of the People’s Republic of China, including the Great Leap Forward of 1958-1960, the Land Reform and the Collectivization of 1949-1953, and the Cultural Revolution of 1966-1976.

We had a number of reasons for wanting to create a website to feature this collection. Firstly, a website can provide additional context. Luo used TimelineJS, an interactive, open-source software to create a visual timeline of the period covered in the interviews. This allows users of the collection to examine the events and policies that underpin the personal experiences found in the oral histories.

                Secondly, the website helps promote the collection. With more than 200 interviews, it can be difficult to find an entry point. We asked students and filmmakers who had worked on the collection to recommend one or two of their favorites. I created a tile lay-out on our WordPress page to feature these interviews, along with comments from the recommenders. One of my favorite parts of working on this project was looking through the featured interviews. They contain many tales of devastating tragedy and incredible courage that bring the bleak events in history books to vivid life. The website also provides a platform for advertising events about the project. Stay tuned for the visit of a number of the filmmakers in October!

Finally, the website provides new access points for the collection and a way of quantitatively visualizing the interviews via a map. The map was the most challenging element of the website to design. There is an abundance of mapping tools, both free and proprietary, so part of the difficulty was selecting the one that fit our needs best. Once this was accomplished, it took a great deal of time just to understand the capabilities of our chosen tool (ArcGIS Web Maps). Shout-out to Drew Keener and Mark Thomas, members of the library’s Data and Visualization Services Department who gave great GIS tips along the way. It was a fun design challenge to come up with a method that could allow the user to filter the interviews by topic, as well as link out to interviews for a given village in the Digital Repository.

After reflecting on the overall experience of building the website, here are some of my major take-aways for future digital humanities endeavors:

  • Decide on your priorities. I found that the tools I was using could not always achieve what I envisioned. Sometimes finding a solution was just around the corner, and sometimes it could mean getting sucked down the rabbit-hole for hours. Having an understanding of what is important in the long-run helps prevent wasted time.
  • Consult with colleagues. The excellent members of the Digital Scholarship and Data Visualization Departments provided lots of good advice and saved me from wandering around in the aforementioned rabbit-hole on several occasions.
  • Give yourself time to play around. I discovered some of the cooler mapping features just through experimenting with ArcGIS. Sometimes no amount of guide-reading can replace trying things out for yourself.

Working with digital tools was great, but the best part of the project for me was the opportunity to reflect on the aspects of the collection that are most valuable and how best to highlight them. The tools stand in service to providing alternative means of access to the collection, visualizing its scope, and bringing the human stories contained in it to a broader audience.

Changes to Kanopy Streaming Service


Effective September 20, 2019, the Duke University Libraries have transitioned to a title-by-title access model for Kanopy, a popular library of streaming video titles. This change comes as a result of the unsustainable increase in cost of providing unlimited access through an automatic licensing model.

Kanopy’s pricing for libraries under our previous model was based on views per title. Once a title was viewed three times for longer than 30 seconds, we were charged a licensing fee of $135 for one year of access.

Under the new model, users will still be able to watch and stream all of our currently licensed films in Kanopy (of which there are more than 800). New titles may still be requested by members of the Duke community, but they will not be accessible automatically.

We understand and respect how popular streaming media has become. It is an invaluable instructional resource and a gateway for lifelong learning. We regret having to make this change. But we could neither justify nor sustain Kanopy’s skyrocketing price tag.

Duke is not alone in having made this difficult choice. The libraries at Stanford and Harvard have also had to limit their use of Kanopy, and the New York Public Library system recently canceled their subscription to the service due to the unsustainable cost.

Here’s a summary of what’s changing:

  • We will only subscribe to Media Education Foundation titles on Kanopy.
  • Already-licensed films can still be found on Kanopy and are listed individually in our online library catalog.
  • All other titles may be requested via the Kanopy platform or through a course reserve request.
  • We will continue to accept faculty requests for Kanopy films and videos assigned in courses. If you are a faculty member, use our Place Items on Reserve form for these titles. If you are using a film for a class and are concerned about the expiration date of our license for it, use the same form to ensure access.

Other options for streaming and viewing video

We have a number of other streaming video platforms available to members of the Duke community. For a complete list, please refer to our Streaming Video guide.

We also encourage you to explore our extensive DVD and Blu-ray holdings, which you can find in our online catalog and have delivered to the Duke library of your choice.

For more info

For additional questions about Kanopy or about our film streaming options, please contact:

Danette Pachtner
Librarian for Film, Video & Digital Media
danettep@duke.edu

 

 

My Duke Library: Zhuoyu Li’s Perspective

Zhuoyu Li is a first year master’s student in the Electrical & Computer Engineering program at Pratt. She came from Taiyuan, China a month ago to study at Duke. She instantly connected to the Duke University Libraries because of her love of libraries and books.


Zhuoyu enjoys a jigsaw puzzle at the Oasis on the fourth floor of Perkins Library.

How has the library impacted your Duke experience?
I’ve been at Duke for only a few weeks, but I’ve already found that the Perkins and Bostock Libraries are amazing places to study and get help with research. I am glad that I came to Duke.

What’s something you’ve discovered in the library?
I’ve realized that the library isn’t limited to self-study space. The Libraries provide so much more than just study space and books. I’ve found exhibit galleries, the OIT service desk, multimedia project studio, group study rooms, and meditation rooms, places where I can meet, study, and take a break from studying.

What’s a favorite space or service? Why?
It is challenging to pick only one. I love Oasis! It is a space on the fourth floor of the Perkins Library where I can relax from studying and enjoy puzzles.

Zhuoyu’s Pro Tip
Enjoy the sunshine and warmth in a comfy chair on the bridge between the Perkins and Bostock Libraries.

My Duke Library is a project of the Research and Instructional Services department.

2019 Banned Books Week

This week (September 22nd-28th) is Banned Books Week, which is an annual event celebrating the freedom to read. Inspired by an article I read this year (More than half of banned books challenged for LGBTQ content), I want to highlight some LGBTQ related titles that have been challenged or banned to make us more aware of the need to include a variety of voices.  I hope that you will enjoy exploring these titles for yourself.

Angels in America by Tony Kushner.  Angels in America was challenged at Deerfield High School in Deerfield, Massachusetts after protests from a community member who objected to its sexual, religious and racial content, and public attacks made by a local organization that called the play ‘pornography.’ However, after a major outcry from students and other community members, including a student who wrote an op-ed, it was decided that the book would still be taught in the Deerfield AP English class.

Annie on My Mind by Nancy Garden.  It was published first in 1982 amidst controversy because of its positive portrayal of the story’s gay protagonists. There have been several attacks on the book because it centers on two 17 year old girls exploring their sexual orientation, though there are no explicit sexual encounters in the novel. The book was also reportedly banned in some Kansas City schools.  The book was at the center of a high-profile 1995 case in which US District Court Justice Thomas Van Bebber ruled that the novel must be returned to high school libraries where it had been removed because it was educationally suitable.

Coming Out in College: The Struggle for a Queer Identity by Robert A. Rhoads.  It was one of 55 books that parents in Fayetteville, Arkansas petitioned to have removed from school libraries. The parents formed Parents Protecting the Minds of Children and objected to the profane language and depictions of sexuality in the book. They also accused librarians and other opponents of their efforts of promoting a homosexual agenda. PPMC objects to this book because it promotes gay pride and a rejection of heterosexism.

Fun Home: A Family Tragicomic by Alison Bechdel.  Alison Bechdel’s Fun Home is a graphic novel memoir of the author’s childhood, particularly focused on her relationship with her closeted gay father Bruce. As Alison grows older and realizes that she is a lesbian, she and Bruce are both forced to confront how his repression may have affected her own self-image and the way that she dealt with her sexuality. Time magazine named it the best book of 2006, describing it as “a masterpiece about two people who live in the same house but different worlds, and their mysterious debts to each other.” The musical adaptation of Fun Home won the 2015 Tony Award for Best Musical. In 2018, two New Jersey parents requested that it be removed from the 12th grade honors curriculum because of its “sexually explicit nature.”

Gays/Justice: A Study of Ethics, Society and Law by Richard D. Mohr.  Gays/Justice was one of 55 books that parents in Fayetteville, Arkansas petitioned to have removed from school libraries. The parents formed Parents Protecting the Minds of Children and objected to the profane language and depictions of sexuality in the book. They also accused librarians and other opponents of their efforts of promoting a homosexual agenda. PPMC objects to this book because it endorses stronger civil rights for gay people and opposes organized religion.

Geography Club by Brent Hartinger.  It has recently become one of the most banned and challenged books in the United States. It was banned in the author’s hometown of Tacoma, Washington. More recently, the book has come under fire in West Bend, Wisconsin, where community members object to its presence in the local library because of its ‘immoral’ gay content. Click here for the Kids’ Right to Read Project interview with Brent Hartinger.

George by Alex Gino tells the story a child who is born male and known to all as George, but identifies as female and prefers the name Melissa. The book details how Melissa comes out to her best friend, and eventually to others, through the help of a school play. Five elementary schools in eastern Oregon withdrew from an annual statewide ‘Battle of the Books’ competition because of the inclusion of George in the reading list. The book carries an age recommendation of grades 3-7 and the schools’ principals argued it was not appropriate for their third-to-fifth grade students who would be participating in the competition.

Lost Prophet: The Life and Times of Bayard Rustin by John D’Emilio.  In May 2005, the Oklahoma House of Representatives passed a resolution calling on public libraries to remove children’s books with references to gay characters or families. In response, gay and lesbian civil rights groups in Oklahoma donated copies of Lost Prophet: The Life of Bayard Rustin and Stonewall: The Riot that Sparked the Gay Revolution to local high schools. The donation was met with conservative outcry but the Oklahoma City school board voted to permit the donation.

New Joy of Gay Sex by Charles Silverstein.  The New Joy of Gay Sex met various challenges including its being challenged at a Clifton, New Jersey library where the board voted to limit access to the book, keeping it hidden behind the circulation desk and requiring that patrons ask for it specifically by name. Additionally, a York Township woman in Medina County, Ohio quit her job as a librarian in protest over children being able to check out adult-oriented materials like The New Joy of Gay Sex. The library took no action maintaining that its policy was a parental responsibility to monitor which books children checked out.

Stuck Rubber Baby by Howard Cruse is a graphic novel about a young man coming to terms with his homosexuality in the Civil Rights era American south. Themes include homophobia, racism and gay identity. The novel was attacked by the Library Patrons of Texas, who objected to its inclusion in local libraries. They forced the reclassification of the book from Young Adult to Adult, but the book was not removed.

The National Coalition Against Censorship has even more titles on their website.

Collection Spotlight: Migration in a Divided World

In conjunction with the 2019 Provost Forum: Immigration in a Divided World, our current collection spotlight focuses on the complex issue of immigration, including books by many of the participants.  The titles are a mix of points of view and include public policy texts, political books, histories, memoirs, and novels.  Here are some highlights from the display:

The Rise and Fall of Anglo-America by Eric Kaufmann

Dear America: Notes of an Undocumented Citizen by Jose Antonio Vargas

The Death of Politics: How to Heal our Frayed Republic after Trump by Peter Wehner

Cast Away: Stories of Survival from Europe’s Refugee Crisis by Charlotte McDonald-Gibson

The Virtue of Nationalism by Yoram Hazony

Brother, I’m Dying by Edwidge Danticat

Debating Immigration edited by Carol M. Swain

Challenging the Borders of Justice in the Age of Migrations by Juan Carlos Velasco and MariaCaterina La Barbara

The Body Papers: A Memoir by Grace Talusan

Immigration Wars: Forging an American Solution by Jeb Bush and Clint Bolick

Understanding Immigration: Issues and Challenges in an Era of Mass Population Movement by Marilyn Hoskin

The Other Americans by Laila Lalami

Please check out the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins in preparation for the Forum taking place between October 16th-17th, 2019.

Been All Around This World: A Trip to Turkey

This post was contributed by Sean Swanick, the Librarian for Middle East and Islamic Studies at Duke.

This past summer I was fortunate to visit Turkey and Morocco. In my previous blog post, I documented some of my experiences sleuthing for books in the Maghreb. This post concerns my time in Turkey, where I was again on the lookout for books, ephemera, and related materials to enhance Duke University Library’s growing Middle East and Islamic Studies Collections.

Turkey is a remarkably diverse country with a population of some 85 million people. My purpose was to find (elusive) books, make new contacts, and to continue expanding my knowledge of Turkey, Turkish, Ottoman, and related matters to better help students and researchers.

In Turkey, I spent time wandering the many delightful sahaf çarşılar (second-hand book markets) of Istanbul, the country’s cultural capital city.  This was followed by visits to Diyarbakır and Mardin, two smaller cities in the south.

When I arrived in Istanbul, a second mayoral election was in full swing.. There were lots of posters, booklets, and related ephemera for the major political parties. I personally was able to collect some of these materials, which will be added to our growing Turkish political ephemera collection.

Spray painted official ephemera for Mayoral candidate, Ekrem İmamoğlu. Mr. İmamoğlu would eventually win the election. This was his campaign slogan and reads: Everything will be fine.

Besides visiting numerous sahaflar, I also went to a number of museums in Istanbul, such as the Pera Museum, Istanbul Modern, Sakıp Sabancı Museum, Museum of Innocence, Istanbul Photography Museum, Istanbul Research Institute, and the recently opened Yapı Kredi Vedat Nedim Tor Museum. At the Yapı Kredi there were two excellent exhibitions. The first concerned photographs of Ataturk called Hoş Geldin Gazi: Atatürk’ün İstanbul Günleri (1927-1938) (the catalogue will soon be at Duke Library for you to explore further). This was the first image of the exhibition:

It reads: Yaşasın Reis-i Cumhurumuz (Hooray for the President of our Republic.)

The other exhibition displayed the archive of Turhan Selçuk, aptly called Turhan Selçuk Retrospektifi. Turhan was a famous and influential caricaturist, who had a knack for finding humour or satire in most subject matter. We have many satirical journals for you to peruse, and two years ago I led the curation of Yasak/Banned, a Duke University library exhibit highlighting these collections. The Turhan exhibition had many highlights, including the following:

Istanbul is a city known as Der Saadet, an Ottoman-Turkish combination of an Arabic word (saadet) and a Persian word (der) together meaning the “Abode of Happiness.” Certainly, anyone who has visited Istanbul would agree. The city offers everything a curious traveler might want: books, diversity, museums, restaurants, spectacular views, incredible history…in short everything that is the abode of happiness.

So-called ‘umbrella-street’ in Beyoğlu, Istanbul.

From Istanbul, I flew to Diyarbakır in southern Turkey. Diyarbakır has witnessed inhabitation since at least the 1300 BC, during the time of the Assyrian kingdom. In its current conception, there are two cities: yeni ve eski (old and new). The old city contains the historic walls dating back to the 4th century, when the Romans colonized the city, while the new city contains shops, new housing, military barracks, and government offices. Diyarbakır is home to a wide variety of people, languages, foods, and traditions.

While the city structure, architecture, food (especially ciğer/ceger, or liver), and people are incredibly generous, thoughtful, and helpful, for me it is always about the books. There are several terrific bookstores in Diyarbakır, in both the new and old cities. In the old city, I spent several hours in bookstores while also taking-in some of the cultural activities, like visiting the Diyarbakır Dengbej Evi, Dengbej is a traditional form of story-telling. Two bookstores were of particular interest. Ensar Kitapevi holds an enormous collection in Turkish, Kurdish (Soranî and Kurmancî), Arabic, Persian and a few English titles. Subjects are as diverse as the languages represented: history, literature, cultural studies, language manuals, etc. But even more, the building was awe-inspiring with many reading nooks to sit and read at one’s leisure while also being offered local teas and coffees. Here’s a photo to entice you:

The other noteworthy bookstore in Diyarbakır, and the one with which Duke will be working closely to acquire Kurdish and Turkish materials is Pirtukakurdi. Based in the new city, the shop opened a few years ago. I spent most of a day with these bibliophiles as we discussed issues related to Kurdish languages and books. Here’s a photo from their warehouse:

From Diyarbakır, I hired a taxi to Mardin, a trip that should normally take one hour; my trip took a bit longer, since we stopped a few times to take-in the views and to help a fellow with a flat tire. A gorgeous drive through Mesopotamia on a new highway was enriched by conversation with the taxi driver and the radio playing Selda Bağcan.

Mardin is another city that divides the new from the old. The new city contains the famous state-run university, Mardin Artuklu University. The old city is built on a hill, a mountain really, overlooking the vast expanse of Mesopotamia and its farmland. Mardin is famous for a number of reasons, including its diversity, its Churches, Mosques, and formerly Synagogues. Süryani (Syriac language) is still spoken and taught here; in fact, the people of Mardin speak Süryani, Kurdish, Turkish, and Arabic, sometimes in the same sentence: a truly remarkable experience of linguistic diversity. There is certainly some truth in the Turkish proverb: Dil bilmek, bilgeliğe açılan kapıdır, which translates as “knowledge of languages is the doorway to wisdom.”

In addition to the cultural sites mentioned above, the Sakıp Sabancı Mardin Kent Müzesi museum is a tremendous resource, offering exhibitions of its permanent collections, Mardin city history, as well as travelling exhibitions, such as the one on modern photography, to which I was treated during my stay in Mardin.

Mardin is also near the Syrian border. Prior to 2011 and the pain and devastation that has been inflicted on the locals by so many domestic, national, and international actors, the border was open with more-or-less free passage, especially for the trading, bartering, and buying of goods and services. Those days are now long gone, replaced with a heavy military presence and ubiquitous checkpoints. Shortly after I visited the border town of Nusaybin, for example, a Church in neighbouring Qamishli, Syria was bombed. The ramifications of these actions are felt by many people, not just the victims.

On my last night in Mardin, I was able to meet with Engin Emre Değer, an incredible person, originally from Istanbul, who moved to Mardin a few years ago. Engin works with a theater troupe, whose main purpose is to help the many Syrian refugees living in Turkey, particularly children. Listening to his stories of the encounters he has had and the joy he hasbrought to so many was remarkable. One of Engin’s projects is the Flying Carpet Mardin Children’s Music Festival: https://muzikhane.org/fcf. The festival takes place over a few days with free music and a circus-like atmosphere.

This summer’s book buying excursion was full of remarkable experiences. The books Duke University Library is acquiring continues to enhance the reputation of the Library, as well as the scholars for whom it primarily serves. Over the coming months, I will highlight some of these collections while also providing suggestions and ideas on how to make the most of these unique materials.

All photos were taken by Sean Swanick.

Low Maintenance Book Club Reads Fleabag!

Our next book club will be on Tuesday September 24th at 5:30 in Bostock 121 (Murthy Digital Studio) The Edge.

If you enjoyed the series, check out the play! Duke University Libraries’ Low Maintenance Book Club kicks off the fall semester reading Fleabag, Phoebe Waller-Bridges’ play upon which the hit show was based.

From the play’s synopsis: “With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.” We hope you’ll join us on this wild ride!

Light refreshments will be served, and we’ll have small prizes for attendees.  Copies of this book are available through the Duke Libraries.

Please RSVP if you plan to attend. If you have any questions, you can contact Arianne Hartsell-Gundy at aah39@duke.edu.

Announcing the 2019 Archival Expeditions Fellows

The Archival Expeditions introduces Duke graduate students to teaching with digital and physical primary sources. Each student partners with a Duke faculty sponsor to design an undergraduate course module that incorporates primary source material tailored to a specific class.  The Archival Expeditions Fellows spend 70-75 hours during a semester consulting with their faculty sponsor, library staff and other experts and researching, developing and testing the module.  A module can take a variety of shapes and be adjusted to fit different courses, disciplines, and goals of the faculty sponsor.  This year’s cohorts consists of three graduate students.

Kimberley DimitriadisKimberley Dimitriadis

Kimberley is a third year graduate student in the English department.  Her research interests include Victorian literature and culture, the history of science and mathematics, and novel theory.  She will be working with Dr. Charlotte Sussman on the course “Doctors’ Stories,” an undergraduate course that investigates fiction and theory written about doctors and the discipline of medicine from the eighteenth century to the present day. It explores stories doctors tell about themselves, and the stories that have been told about them.  She plans to use historical objects, manuscripts, and advertisements to help students understand how the fictions they’ve encountered in the classroom are supported by the physical instruments and documentation in circulation prior to or at the time of writing.


Jonathan HornrighausenJonathan Hornrighausen

Jonathan is a second year graduate student in Religious Studies.  His research interests include Scripture, art, and interreligious dialogue.  He will be working with Dr. Marc Brettler on the course “The Old Testament/Hebrew Bible,” an introduction to the Hebrew Bible from a non-confessional, historical-critical perspective.  His module aims to help students in the course understand the impact of the Hebrew language’s structure and writing system on how the Hebrew Bible has changed over time as a text and a material artifact.  One major aim will be for students to engage in transcription exercises based on the practices used by the Dead Sea scribes, the Masoretes, and contemporary Jewish scribes.


Joseph MulliganJoseph Mulligan

Joseph is a fourth year graduate student in Romance Studies.  His research engages with late nineteenth- and twentieth-century literatures of Hispanic America and explores the proliferation of allegory in modernist aesthetics. He will be working with Dr. José María Rodríguez García on the course “Introduction to Spanish Literature II,” a survey of major writers and movements of the Spanish literary tradition in the eighteenth, nineteenth, and twentieth centuries.  He will be drawing materials from digital archives, such as Biblioteca Digital Hispánica (Biblioteca Nacional de España), Biblioteca Digital de Castilla y León, and HathiTrust, as well as holdings from the Rubenstein, Perkins, and Lily Libraries at Duke.  Focusing on pedagogical missions, this module will highlight the challenges of modernization which the government of the Second Spanish Republic addressed in 1931 with the creation of the Board of Pedagogical Missions led by Manuel Bartolomé Cossío,

 

Applications will be available on our website in the spring for the fall 2020 cohort. Funding has been provided by the Provost’s Office and Duke’s Versatile Humanist NEH grant.

Lilly Collection Spotlight – Native Voices: the Duke Common Experience and Beyond

Native Americans in the Arts

by Ira King

Book There,There
There There – The Duke Common Experience

Need some new reading material or are you just interested in seeing what’s in the Lilly Library’s collections that you might not know about? Check out Lilly’s Collection Spotlight!

To accompany the Duke Common Experience Reading Program selection of Tommy Orange’s There There, our spotlight highlights books and films that center Native American voices and perspectives. Orange, a member of the Cheyenne and Arapaho tribes of Oklahoma, writes in his debut novel about a dozen Native Americans travelling to a powwow in Oakland, California. There There focuses on urban Native Americans, exploring the beauty and despair these characters experience as they navigate life in the United States.

Our collections include books on Native American art, novels by Native Americans, memoirs of native experiences, films and documentaries, and historical accounts. Here are a few highlights from our collection:

Hearts of Our People: Native Women Artists

Book Cover
Hearts of Our People: Exhibit at the Minneapolis Museum of Art

This exhibition catalog from the Minneapolis Institute of Art highlights a broad spectrum of art created by Native American women. Work explored ranges from textiles to painting to photography and video, and covers antiquity to contemporary work. If you’re interested in checking out some Native art in person, the Nasher Museum’s exhibit, Art for a New Understanding: Native Voices, 1950s to Now, opens on August 29th.

Book Cover
Future Home of the Living God

Future Home of the Living God by Louise Erdrich Louise Erdrich, an acclaimed writer and member of the Turtle Mountain Chippewa Tribe, experiments with a dystopian setting in this novel. The novel follows Cedar Hawk Songmaker, four months pregnant, as she ventures out of Minneapolis and seeks out her Ojibwe birth mother against the backdrop of a security state cracking down on pregnant women. Check out Erdrich’s bookstore if you are ever in the Twin Cities.

Everything You Know About Indians is Wrong by Paul Chaat Smith Smith, an associate curator at the Smithsonian’s Museum of the American Indian, challenges mainstream assumptions about native peoples and cultures in this essay collection. This book blends memoir and cultural commentary to paint a more nuanced picture of native life.

Smoke Signals Based on a Sherman Alexie short story, this film follows two young Native Americans, Victor and Thomas, on a road trip to pick up Victor’s father’s remains. Smoke Signals is notable for having a Native American writer and director, as well as an almost entirely native cast and crew.

 

 

 

What to Read this Month: August 2019

Welcome / welcome back to Duke and the start of another school year! In an effort to encourage reading for pleasure while in college – really, it’s possible – here are some suggestions from our New and Noteworthy collection, located on the first floor of Perkins across from the bathrooms. You can also check out our Current Literature and Devil DVDS at Lilly, CDs at the Music Library on East Campus, and our Overdrive collection. Don’t worry if your computer doesn’t have a disc drive; you can borrow those at Lilly! And if you need help finding a book, you can learn about how we organize our books in this course guide or come to the service desk – we’re happy to help!


Strangers and Cousins by Leah Hager Cohen.

In the seemingly idyllic town of Rundle Junction, Bennie and Walter are preparing to host the wedding of their eldest daughter Clem. A marriage ceremony at their beloved, rambling home should be the happiest of occasions, but Walter and Bennie have a secret. A new community has moved to Rundle Junction, threatening the social order and forcing Bennie and Walter to confront uncomfortable truths about the lengths they would go to to maintain harmony.

Meanwhile, Aunt Glad, the oldest member of the family, arrives for the wedding plagued by long-buried memories of a scarring event that occurred when she was a girl in Rundle Junction. As she uncovers details about her role in this event, the family begins to realize that Clem’s wedding may not be exactly what it seemed. Clever, passionate, artistic Clem has her own agenda. What she doesn’t know is that by the end, everyone will have roles to play in this richly imagined ceremony of familial connection-a brood of quirky relatives, effervescent college friends, ghosts emerging from the past, a determined little mouse, and even the very group of new neighbors whose presence has shaken Rundle Junction to its core.

With Strangers and Cousins, Leah Hager Cohen delivers a story of pageantry and performance, hopefulness and growth, and introduces a winsome, unforgettable cast of characters whose lives are forever changed by events that unfold and reverberate across generations.

Cohen writes both fiction and nonfiction, including her 2013 book, I Don’t Know: In Praise of Admitting Ignorance and Doubt (Except When You Shouldn’t).


Only as the Day is Long: New and Selected Poems by Dorianne Laux.

Only as the Day Is Long represents a brilliant, daring body of work from one of our boldest contemporary poets, known to bear compassionate and ruthless witness to the quotidian. Drawn from Dorianne Laux’s five expansive volumes, including her confident debut Awake, National Book Critics Circle Finalist What We Carry, and Paterson Prize-winning The Book of Men, the poems in this collection have been “brought to the hard edge of meaning” (B. H. Fairchild) and praised for their “enormous precision and beauty” (Philip Levine). Twenty new odes pay homage to Laux’s mother, an ordinary and extraordinary woman of the Depression era.The wealth of her life experience finds expression in Laux’s earthy and lyrical depictions of working-class America, full of the dirt and mess of real life. From the opening poem, “Two Pictures of My Sister,” to the last, “Letter to My Dead Mother,” she writes, in her words, of “living gristle” with a perceptive frankness that is luminous in its specificity and universal in its appeal. Exploring experiences of survival and healing, of sexual love and celebration, Only as the Day Is Long shows Laux at the height of her powers.

You can watch Laux read her poetry.


The End of the Beginning: Cancer, Immunity, and the Future of a Cure by Michael S. Kinch.

For the first time since a 5th century Greek physician gave the name “cancer” (karkinos, in Greek) to a deadly disease first described in Egyptian Papyri, the medical world is near a breakthrough that could allow even the most conservative doctors and pragmatic patients to use the other “c word” – cure – in the same sentence as cancer. A remarkable series of events has brought us to this point, thanks in large part to a new ability to more efficiently harness the extraordinary power of the human immune system.

The End of the Beginning is a remarkable history of cancer treatment and the evolution of our understanding of its dynamic interplay with the immune system. Through Michael Kinch’s personal experience as a cancer researcher at Washington University and the head of the oncology program at a leading biotechnology company, we witness the incredible accumulation of breakthrough science and its rapid translation into life-saving technologies that have begun to dramatically increase the quality and quantity of life for cancer patients.

According to Kinch’s website,

“Michael S. Kinch, Ph.D. is Associate Vice Chancellor at Washington University in St Louis, where he helps lead entrepreneurship activities as well as research on innovation in biopharmaceutical research and development. Michael founded and leads the Centers for Research Innovation in Biotechnology (CRIB) and Drug Development (CDD).

“Dr. Kinch’s scientific background includes the development of new medicines for cancer, immunological and infectious diseases. His current work is primarily focused upon understanding the blend of science, medicine, business and law needed to support the development of new medicines.”


The Business of Changing the World: How Billionaires, Tech Disrupters, and Social Entrepreneurs are Transforming the Global Aid Industry by Raj Kumar.

Today, entrepreneurs, Silicon Valley start-ups, and celebrity activists are the driving force in a radical shift in the way we think about lifting people out of poverty. In this new era of data-driven, results-oriented global aid, it’s no longer enough to be a well-intentioned do-gooder or for the wealthy to donate an infinitesimal part of their assets to people without a home or basic nutrition. What matter now in the world of aid are measurable improvements and demonstrable, long-term change.

Drawing on two decades of research and his own experiences as an expert in global development, Raj Kumar, founder and President of Devex, explores the successes and failures of non-traditional models of philanthropy. According to Kumar, a new billionaire boom is fundamentally changing the landscape of how we give, from well-established charitable organizations like the Chan Zuckerberg Initiative and The Bill and Melinda Gates Foundation, to Starbucks and other businesses that see themselves as social enterprises, to entrepreneurial start-ups like Hello Tractor, a farm equipment-sharing app for farmers in Nigeria, and Give Directly, an app that allows individuals to send money straight to the mobile phone of someone in need. The result is a more sustainable philosophy of aid that elevates the voices of people in need as neighbors, partners, and customers.

Refreshing and accessibly written, The Business of Changing the World sets forth a bold vision for how businesses, policymakers, civil society organizations, and individuals can turn well-intentioned charity into effective advocacy to transform our world for good.

For a different perspective, see Winners Take All: The Elite Charade of Changing the World by Anand Giridharadas.


Operatic by Kyo Maclear, illustrated by Byron Eggenschwiler.

Somewhere in the universe, there is the perfect tune for you.

It’s almost the end of middle school, and Charlie has to find her perfect song for a music class assignment. The class learns about a different style of music each day, from hip-hop to metal to disco, but it’s hard for Charlie to concentrate when she can’t stop noticing her classmate Emile, or wondering about Luka, who hasn’t been to school in weeks. On top of everything, she has been talked into participating in an end-of-year performance with her best friends.

Then, the class learns about opera, and Charlie discovers the music of Maria Callas. The more she learns about Maria’s life, the more Charlie admires her passion for singing and her ability to express herself fully through her music. Can Charlie follow the example of the ultimate diva, Maria Callas, when it comes to her own life?

This evocatively illustrated graphic novel brilliantly captures the high drama of middle school by focusing on the desire of its finely drawn characters to sing and be heard.

The Music Library has a variety of CD and Vinyl records featuring Maria Callas.

 


An Interview with Prof. Rachel Chrane

 

Each year the UNC/Duke Consortium for Latin American &Caribbean Studies offers competitive fellowships for scholars who want to use our library resources. Priority goes to researchers from officially recognized Historically Black Colleges and Universities, Predominately Black Institutions, Minority Serving Institutions, and community colleges. Holly Ackerman talked with the two fellows selected by the Duke Libraries for 2019-2020. Below is the interview with Prof. Rachel Chrane. See the interview with Dr. Shearon Roberts at https://blogs.library.duke.edu/blog/2019/08/22/a-interview-with-shearon-roberts/

Prof. Chrane (L) and Cong. Norma Torres (D-CA 35th District), Washington, D.C., July 2019

Tell us a little bit about yourself. Walk us through your CV.

I grew up in Texas, but I’ve spent most of my adult life teaching Spanish and English as a Second Language at Lees-McRae College in the mountains of North Carolina. I lived in Paris, France for a year, thanks to a Rotary International Scholarship that allowed me to study French literature, culture and language at the Sorbonne. I also taught Spanish at The Hebrew Academy of Greater Washington, DC, an Orthodox Jewish prep school. I enjoy learning languages and connecting with other cultures, and I believe the United States is a stronger nation because of our diversity.

When I see the people from Central America in the migrant caravan walking to the United States, I see people who will make our country stronger and more vibrant. But, when I see how they are treated at the border and portrayed on the news, I realize that it’s time for me to get out of my comfort zone and discuss the United States’ role in creating the caravan crisis.

As I shared my uncomfortable research with my Spanish students last year, we realized that we had to share this information with anyone who would listen. In March, I took students to the bipartisan Unrig Summit in Nashville, where we made a presentation about U.S. Involvement in the Caravan Crisis. People in the audience were shocked by the information we shared and they wondered why this information isn’t discussed on the news. It is sometimes difficult to believe information that doesn’t match the version of reality that is portrayed on television. The quote attributed to Mark Twain is often true: “It’s easier to fool someone than to convince them that they have been fooled.”

Prof. Chrane with students from her Spanish class at the Unrig Summit

What was your research project this summer?

My research project focuses on U.S. involvement in the Northern Triangle: Guatemala, El Salvador and Honduras. I want to know as much as I can about why the people in the migrant caravan are willing to leave their homes, their culture and their ancestral burial grounds to walk more than two thousand miles to the United States. And, now that so many Central American people are here seeking asylum, I want information on what we should be doing to honor the asylum process?

How will the information you gathered at the Duke Libraries be used?

The information I am gathering at the Duke Libraries will be the basis for a spring course at Lees-McRae College: Spanish for Social Justice. In this course, we will spend the first half of the semester looking at the Central American Free Trade Agreement (CAFTA) and U.S. involvement in Guatemala, El Salvador and Honduras.

We won’t be content to learn about the Central American crisis simply for knowledge’s sake. So the second half of the semester will focus on getting involved in our communities to help spread a deeper understanding of the crisis in Central America.

I cannot thank The Consortium enough for their generous research grant and the opportunity to consult with scholars at Duke University and at UNC Chapel Hill. I am truly humbled by this amazing opportunity.

What interested you most during your stay?

I was most interested in the people I met and how genuinely kind and helpful they are. Dr. Corin Zaragoza Estrera started working with me before I arrived; helping me navigate the wealth of resources at Duke and UNC Chapel Hill. Dr. Holly Ackerman has helped me tremendously as I explored Duke’s vast library, and she continues to help me find valuable resources for my research.

I also had the honor of talking with the former Ambassador to Venezuela, Patrick Duddy, who is the Director of the Duke Center for Latin American and Caribbean Studies. Natalie Hartman, the Associate Director, and Ambassador Duddy made it possible for me to attend the First Annual Conference on Security, Migration, and Rule of Law in the Northern Triangle of Central America while I was in Washington, D.C. in June. At the conference, I met Norma Torres (D-California) and I was grateful to get to ask her questions about her perspective on CAFTA.

The experience has simply been amazing, and it is not over! I look forward to returning September 19 to hear the Conversation with the UN High Commissioner for Refugees, Filippo Grandi.

 

An Interview with Shearon Roberts

Each year the UNC/Duke Consortium for Latin American & Caribbean Studies offers competitive fellowships for scholars who want to use our library resources. Priority goes to researchers from officially recognized Historically Black Colleges and Universities, Predominately Black Institutions, Minority Serving Institutions, and community colleges. Holly Ackerman talked with the two fellows selected by the Duke Libraries for 2019-2020. The conversations will be published in two parts starting with the exchange below with Professor Shearon Roberts.

Photo: Shearon Roberts, Ph.D. Summer 2019

Tell us a little bit about yourself. Walk us through your CV.

I teach both Mass Communication and African American/Diaspora Studies courses at Xavier University of Louisiana, a historically black university in New Orleans. I earned my doctorate from Tulane University’s Roger Thayer Stone Center in Latin American Studies where I studied Caribbean media, specifically Haitian media. Prior to academia, I worked as a reporter covering Latin America and the Caribbean. I research Caribbean and Latin American media, media discourse from the region, and media discourse on race and gender.

What was your research project this summer?

It is titled, “Learning the Black Diaspora through Latin American & Caribbean Media.” After leading four years of grant-supported student field visits to Latin America and the Caribbean, the number one feedback from participating students is how much people of the region consume media about African American culture and experiences, and how little access African American students have to media about communities of color in the Americas. I want to change that through my courses and through use of materials such as those at Duke.

For example, Duke University’s Robert Hill collection provided me with a wealth of teaching resources for African American students to discover how vast and how interconnected Black Diaspora movements were. Hill’s collection dates back to Marcus Garvey and the UNIA (founded in 1914), and he is also the executor for C.L.R. James’ (1901-1989) work. It was fascinating to see how closely Black movements in the Caribbean were intricately connected to African American movements and African movements. Hill also dedicated himself to the teaching of the Black Diaspora and within his collection are both his and his contemporaries’ syllabi –  a valuable find for re-introducing materials out of print or that have been ignored in the teaching of the Black Diaspora in the Americas. Below are two sample teaching guides/syllabi I found in the Robert Hill collection at the Rubenstein that I will use for teaching my courses:

Source Citation: Hill Personal Box 14, Robert A. Hill Collection, David M. Rubenstein Rare Book & Manuscript Library, Duke University.

For my own research, Hill’s collection was invaluable in laying out Caribbean intellectual thought and movements and how Caribbean intellects connected to media and to the public. I originally applied for the College Educators Research Fellowship (CERF) to research the Radio Haiti Archive’s non-digitized records and I was not disappointed. The archive is not just a Haitian one, but a Caribbean one, and it provided a window on many of the movements taking place around the region. The Radio Haiti archives are impeccably well-cataloged, a nod to the archivist Laura Wagner’s hard work. Because of the archives’ detailed descriptions, I located a little-known dissertation from the eighties, well at least little-known to me, documenting press history in Haiti. I also discovered through this archive how regional in scope many important media outlets in the Caribbean were during this time.

 

Source Citation: Radio Haiti Box 14: Aux Origines De La Presse Folder, Radio Haiti Papers, David M. Rubenstein Rare Book & Manuscript Library, Duke University.

Both staff at the Rubenstein and the UNC-Duke Consortium in Latin American and Caribbean studies were extremely helpful in shaping a successful visit to Durham this summer. Patrick Stawski pointed me in the direction of the Ecumenical Program on Central America and the Caribbean (EPICA) records and helped me to conceptualize a project from this collection that I had not conceived of prior to my time at the Rubenstein. Sara Seten Berghausen helped me navigate digital collections and took time to send me documents from digital collections for course teaching. Corin Zaragoza Esterra helped me think through the connections of my research projects and find my away around Durham during my stay. Natalie Hartman made sure that my access to Duke’s resources were seamless. I thank all the staff at the Rubenstein who worked with lightning speed to ensure I had access to every rare material requested during my stay. Finally, I am extremely grateful to Holly Ackerman for getting me to think across the collections and starting me off in the right scholarly directions before and during my stay.

How will the info you gathered at the Duke Libraries be used?

I have updated my coursework and course lectures to include materials I researched at the Rubenstein. I have incorporated materials from digital collections for course unit assignments. These range from sections of constitutions from the region to photographs showing civic activism in the region, and music and films from the region. My research, both current and those in development stages have been greatly enhanced by documents located in these collections. The manuscripts I am writing about Haitian media, Caribbean media and Caribbean movements will include documents from the collections of the Rubenstein.

 

Announcement: Eastern Europe and Former Soviet Union Web Archive

Ernest (“Erik”) Zitser is the Librarian for Slavic and East European Studies, library liaison to the International Comparative Studies (ICS) Program, and Adjunct Assistant Professor in the Department of Slavic and Eurasian Studies at Duke University.

The newly launched Eastern Europe and Former Soviet Union Web Archive is a collaborative effort to build a curated, thematic collection of freely available, but at-risk, web content in order to support research about this area of the world.

In recent years, this turbulent region has produced a significant volume of websites likely to be of value to contemporary and future humanities, social science, and history projects, and the archive was established as an attempt to identify, capture, and preserve this material.

The thematic and generic scope of the archive is deliberately broad, and includes websites published by political parties, non-governmental organizations and activist groups, artists and cultural collectives, as well as individual historians, philosophers, and other intellectuals.

Campaign Against Homophobia (Poland)

Memorial Society (Russia)

Party of United Democrats (Macedonia)

The Archive represents an effort to preserve research-valuable web content from Eastern Europe and the territories of the Former Soviet Union by a group of research librarians responsible for that part of the world. This cooperative collecting initiative was developed, and is being curated by Russian and East European Studies librarians at Columbia, Princeton, Yale, New York and Duke Universities, as well as the New York Public Library, as part of the Web Resources Collection Program of the Ivy Plus Libraries Confederation.

Know of an endangered website from the region? Please use this online form to nominate a website for inclusion in the Eastern Europe and Former Soviet Union Web Archive.

 

August 2019 Collection Spotlight: Microhistories

microhistory sign

This month’s Collection Spotlight is featuring microhistories.  In order to create what we hope is a far ranging and interesting selection of titles for people to browse, we decided to approach microhistory both from the academic and popular side of things.  We hope you will forgive us if in our enthusiasm we stray into some titles that might not meet the strict definition!

Here is a selection of some of the titles that we are showcasing:

A Midwife’s Tale: The Life of Martha Ballard, Based on Her Diary, 1785-1812 by Laurel Thatcher Ulrich

To Free a Family: The journey of Mary Walker by Sydney Nathans

Color: A Natural History of the Palette by Victoria Finlay

Poverty and Piety in an English Village by Keith Wrightson and David Levine

The Glass Universe: How the Ladies of the Harvard Observatory Took the Measure of the Stars by Dava Sobel

The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary by Simon Winchester

If some of these titles spark your interest, consider getting involved with Duke’s own MicroWorlds Lab this year!  They even have a section called “What is Microhistory” if you want to explore further what this method of study means.

Please check out the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins to find your next read!

microhistory book covers

Join Our Student Advisory Boards!

Help us improve the library experience at Duke and make your voice heard by joining one of our student advisory boards.

The Duke University Libraries are now accepting applications for membership on the 2019-2020 student library advisory boards.

Members of these advisory boards will help improve the learning and research environment for Duke University students and advise the Libraries on topics such as study spaces, research resources, integrating library services into academic courses, and marketing library services to students.

The boards will typically meet three times a semester to discuss all aspects of Duke Libraries and provide feedback to library staff. This is an amazing opportunity for students to serve on the advisory board of a large, nationally recognized non-profit organization.

All three advisory boards are now taking applications or nominations.  Application deadlines are:

Members  of the Graduate and Professional Student Advisory Board and the Undergraduate Advisory Board will be selected and notified by mid-September, and groups will begin to meet in late September. More information is available on the advisory board website, where you will also find links to the online applications forms.

For more information or questions about these opportunities, please contact:

Graduate and Professional Student Advisory Board
and Undergraduate Advisory Board

Angela Zoss
Assessment & Data Visualization Analyst
angela.zoss@duke.edu
919-684-8186

 

 

First-Year Advisory Board

Ira King
Evening Reference Librarian and Supervisor, Lilly Library
ira.king@duke.edu
919-660-9465

 

Duke 2023 – When in Doubt, Go to the Library

When in Doubt, Go to the Library!

How can you make the most of your first-year?  We have the answer: Jump into the First-Year Library Experience. On August 20th, the newest Blue Devils, the Class of Duke 2023, will arrive on East Campus for Orientation.

What will Duke 2023 find in their new neighborhood? Two libraries are on East Campus, Lilly Library and Duke Music Library  which can introduce the First-Year “Dukies” to the powerful resources of all the Duke Libraries. While Lilly Library is home to the film collection, as well as a range of other materials, the specialized Music  Library plays a different tune. Both libraries offer research support as well as study space for our new East Campus neighbors.

Cast your eyes upon our exciting schedule of events for Orientation 2019:

Movie poster of Spider-Man into the Spider-Verse with three figures
Enjoy Spider-Man into the Spider-Verse on Wednesday August 21st

Orientation Week

  • Blue Devil Delivery in Lilly:
    pre-ordered textbooks & computers
    When: Tuesday, August 20th 9am to 4:30pm
  • Movie on the Quad:
    Spider-Man: Into the Spider-Verse

    co-sponsored by Duke University Student Affairs
    When: Wednesday, August 21st at 10 pm
    Where: East Campus Quad between Lilly & the Union

First Big Week on East Campus

Overwhelmed at the beginning of the semester? Lilly and Music will host a Harry Potter Open House the first week of class. We’ll get you “sorted” out! Duke 2023 will be captivated by our powerful library services: our research wizards, 3D labs, streaming media, study spaces – No Restricted Sections, please – as well as enjoying free food, prizes, and MORE!

Library Open House for Duke 2023

Even in Hogwarts, research is magical!

When: Tuesday, August 27th at 7pm
Where: Lilly Library
Fun: the Blue Devil, Duke Quidditch Club, food, and more

That’s Not All!

The East Campus Libraries — Lilly and Music — invite the Class of 2023 to conjure up library magic with the Duke University Libraries in these ways:

• Follow us on  Lilly Facebook, Lilly Instagram, Lilly Twitter, and Duke Music Library Facebook
• Join the First-Year Library Advisory Board  – Duke 2023 only!
Residence Hall Librarians – Yes, your East Campus dorms have librarians! We may not live in your dorm, but we’re ready to help you. Check your email for important library events, tips, and insider info from us.
• Work in the Libraries – Work/Study Students

Here’s to a spell-binding start of
the fantastic adventure of your education
as a Duke Blue Devil!

RCR Days! A Fall Break Program

The Duke University Libraries will be offering a suite of RCR workshops for graduate students over Fall Break, October 7-8, 2019, including:

Monday, October 7

Shaping Your Professional Identity Online
10:00 a.m. – 12:00 p.m.
This workshop is designed to help you consider the best ways to navigate how you want to present yourself online.  We will discuss topics such as what to share and how to share, the ethical issues involved, and how to maintain the right balance of privacy.  We will also examine some steps you can take, such as creating a profile on Google Scholar, creating a Google alert for your name, creating an ORCID ID, interacting professionally on Twitter, and creating an online portfolio.

More information and registration

Project Management for Academics
10:00 a.m. -12:00 p.m.
The skills of project management are valuable skills for academics at any stage in their career and for a range of activities. This workshop will present basic principles for managing goals, time, and people, including how these can be applied to work with project teams. Activities and discussions will enable participants to begin formulating their own strategies for project management and help them build a toolkit of ideas and approaches that they can use in their academic life.
More information and registration

Copyright in Online Environments and International Collaborations
1:00 p.m. -3:00 p.m.
International collaboration in research, teaching, and publishing requires gathering and sharing archival materials, digital primary sources, and academic publications. What copyright laws apply when sharing materials in learning management systems, digital publishing projects, open educational resources, or academic publications, including the thesis and dissertation? How can scholars be confident in Fair Use analysis? Come learn from a wide-ranging consideration of copyright issues in international online environments.
More information and registration

Tuesday, October 8

Project Management for Academics
10:00 a.m. -12:00 p.m.
The skills of project management are valuable skills for academics at any stage in their career and for a range of activities. This workshop will present basic principles for managing goals, time, and people, including how these can be applied to work with project teams. Activities and discussions will enable participants to begin formulating their own strategies for project management and help them build a toolkit of ideas and approaches that they can use in their academic life.
More information and registration

The Empowered Author: Evaluating Publishers, Negotiating Contracts, and Navigating the Scholarly Publishing Ecosystem 10:00 am. – 12:00 p.m.
This is a workshop about the process of being an author, about getting published and getting the rewards of being published, while sharing the benefits of your research with as broad an audience as possible. Through a mix of lecture and hands-on activities you will learn about methods to:
– evaluate publishers, avoiding “predatory” journals and scams,
– analyze and negotiate publication contracts, and
– increase the reach of your work outside of traditional publications.
More information and registration

Digital Text Analysis
10:00 a.m. – 12:00 p.m.
This session provides an overview of text analysis methods that are useful in humanities scholarship.  Participants will learn about the kinds of textual analysis that are possible using various techniques and concepts, including collocates, measures of distinctiveness and similarity (e.g., term frequency-inverse document frequency), collocates, topic modeling, and document classification. Using Voyant Tools for hands-on exploration, participants will learn how to apply these techniques to sample corpora and to their own research questions.
More information and registration

Ethics and Visualization
1:00 p.m. – 3:00 p.m.
Data visualization is an increasingly important skill for researchers in all disciplines, but it is easy to focus more on the mechanics of creating visualizations than on how visualizations relate to ethics. This session introduces participants to core ideas in the ethics of visualization – designing to avoid distortion, designing ethically for broad user communities, developing empathy for people represented within the data, and using reproducibility to increase the transparency of design.
More information and registration

Finding a Home For Your Data: An Introduction to Archives and Repositories
1:00 p.m. – 3:00 p.m.
Publishing and preserving research data within a trusted repository helps researchers comply with funder and journal data sharing policies, supports the discovery of and access to data, and can result in more visibility and higher impact for research projects. This workshop will provide an overview of the different types of repositories, including Duke’s own Research Data Repository, and the overall role of repositories within the data sharing landscape. Key repositories in various disciplines will be explored and attendees will learn strategies for locating and assessing repositories. Attendees will also have an opportunity to explore potential repositories for their own research.
More information and registration

Digital Publishing 101:  The Audiences of Digital Publishing
1:00 p.m. – 3:00 p.m.
Who are the intended users of a digital publication? How can scholars reach new audiences and keep existing audiences actively engaged? We’ll learn about some of the ways successful projects connect with their users and promote their work to potential audiences and how you can incorporate these into your own publication planning. We’ll also consider how to effectively and ethically involve and credit audience involvement in one’s research. Participants will leave this session with an understanding of how to engage audiences and incorporate audience involvement into digital publication practices.
More information and registration

Been All Around This World: A Trip to Morocco

This post was contributed by Sean Swanick, the Librarian for Middle East and Islamic Studies at Duke.

This past summer I was fortunate to visit Turkey and Morocco. I was on the lookout for books, ephemera and related materials to enhance Duke University Library’s growing Middle East and Islamic Studies Collections. This post concerns my two weeks in Morocco. A second post in the coming weeks will detail my adventures in Turkey.

Egyptians make the claim Masr Umm al-duniyā (مصر أم الدنيا), Egypt is the Mother of the World. Moroccans have come to accept this but with a sense of humour add Masr Umm al-duniyā wa al-Maghrib abūhā (مصر أم الدنيا والمغرب أبوها), Egypt is the mother of the world and Morocco is the father.

While in Morocco I visited Casablanca, Rabat, Fes, and Tangier. I was able to meet with colleagues, visit some incredible museums, make a pilgrimage to the tomb of the famous world traveller Ibn Battuta and, of course peruse many, many bookstores.

Morocco’s book publishing industry is thriving with reportedly 6,000 books published in 2018. Books are published in Arabic followed by French, Amazigh and Spanish. For further reading about the Morocco’s book culture, Anouk Cohen published Fabriquer le livre au Maroc that explores many of these aspects. Duke’s collection though young contains approximately 3,000 titles from Morocco mostly in Arabic and French though we are working to acquire some works in Amazigh, especially language manuals. Amazigh is the language spoken by the Berber population of Morocco, which is approximately 10-12 million or 40% of Morocco’s total population. As the Librarian for Middle East and Islamic Studies, I strive to collect the documented heritage of all peoples who live within these boundaries.

My first stop was Casablanca, the capital. A visit to the Hassan II Mosque (cf. Elleh, Nnamdi. 2003. Architecture and power in Africa. Westport, CT: Praeger), the largest in Africa, is compulsory. Photos cannot translate its magnitude, though I have attached one that I took. It is set on the seaside with the calm sounds of the waves of the Atlantic Ocean crashing into the shore. The mosque fits some 100,000 worshipers, 25,000 of whom will be inside the mosque while the rest will be in the large adjacent courtyard. This is the only mosque in Morocco that non-Muslims are permitted to enter.

A large concentration of Casablanca’s bookshops is located in the Habous neighbourhood. Habous has an interesting history as Henri Prost, the famed French architect, redesigned it during the French Protectorate (1912-1956). Hosting suqs (Arabic for market or commercial place within an inhabited area) and cafes, Habous is also home to some 20 bookstores including the important Arab Cultural Center.

Casablanca also has the only Jewish museum in Arab majority countries. A terrific museum hosting a wide variety of cultural artifacts dedicated to preserving the history of Moroccan Jews. There remain approximately 2,000 Jews living in Morocco.

The next stop was Fes, founded at least in the 9th century during Idrisid Rule (788-974). Fes remains the intellectual capital of Morocco, with many schools, writers, and scholars calling it home. While all cities will contain a suq, Fes’s suq is a UNESCO heritage site. It is an amazing tour de force and nothing short of a labyrinth. Small alleys and corridors with high walls help the beginner become confused and even lost. Navigating the suq is best done by trial and error. After a few confusing moments, one learns the routes without the help of the local ‘guides.’ The suq is designed in such a way as to minimize direct sunlight – Fes in summer averages in the 40s Celsius (110s Fahrenheit).  However, the reward of adventuring is an incredible array of crafts, arts, carpets, leather works, cafes, restaurants and historic sites like the University of al-Qarawiyyin (جامعة القرويين), considered the oldest center of learning. The traditional arts of mosaic tilework and leather production in the tanneries are ubiquitous.

While in Fes, I was also fortunate to meet up with fellow Blue Devils Profs. Mona Hassan and Mustafa Tuna and their family for a late afternoon lunch in the Rcif neighborhood.

From Fes I travelled by train to Tangier, the famous port-city that has been a point of cultural diffusion and trade since Phoenician times.  Tangier is also home to the world traveler Ibn Batutah. Batutah traveled around not just Muslim majority countries but also to China and beyond. Unfortunately, his tomb in Tangier pales in comparison to his contribution to literature and knowledge. There are four tremendous bookstores in Tangier: Librairie des Colonnes, Les Insolites, ARTingis, and Librairie Papeterie Marocaine (المكتبة المغربية). Librairie des Colonnes was founded in 1949 and became the literary culture center with such characters as Jane and Paul Bowles, Samuel Becket, Jean Genet, Juan Goytisolo, Tennessee Williams, and Truman Capote as well as others who frequented, if not entrenched themselves in this beautiful landmark building. Les Insolites and ARTingis are relatively new stores with a nice variety of new, old, and popular works in French, Arabic, Amazigh, and English. Librairie Papeterie Marocaine is the largest of the stores containing almost exclusively Arabic publications from Morocco.

Finally, I would be remiss if I did not mention the historic and important Cinema Rif, perhaps the most important movie theater in Morocco. Its history is documented in this recent publication: Album cinématheque de Tanger by Azoury, Philippe, Yto Barrada et al., soon to be at your favorite research library.

My last stop was Rabat, which was hosting a small book festival with some 15 publishers and vendors displaying their materials in tents on Avenue Mohammed V and Rue Gaza au centre ville. There are three very important bookstores in Rabat: Dar al-Amane, Kalilah wa Dimna, and Librairie Livre Services. Dar al-Amane offers a terrific array of Arabic books on religion, philosophy, traditions of Islam, law, etc. while the other two shops offer books in Arabic and French on a wide variety of topics including literature, poetry, popular culture, photography, etc. Rabat also contains a variety of historic sites and a lovely suq, which is decorated in street art like this incredible mural.

There is much more I could say about this trip; Morocco offers a unique experience with its diverse population, climate, foods, and, of course, books. I would like to thank the Duke University Libraries for this opportunity. A special thanks to our esteemed Arabic cataloger, Fouzia el-Gargouri.

Remembering Toni Morrison

Toni Morrison

Toni Morrison passed away yesterday at the age of 88. You can find a lot of really wonderful tributes and reflections online explaining just why she is a literary giant. Here are a few that you might find interesting:

Toni Morrison’s Song of America (written by Tracy K. Smith, former poet laureate)

How Toni Morrison Made Us See Black Women

The Generosity Of Toni Morrison

Toni Morrison Taught Me How to Think

Toni Morrison Taught Me How to Really Read

TONI MORRISON REMEMBERED AS A ‘WRITER FOR THIS AGE’: Recalling the Nobel laureate and the times her life touched Duke.

If you want to (re)read her work, we of course have you covered! Here are some highlights (including fiction, non-fiction, and works she edited):

The Bluest Eye

Home

Tar Baby

God Help the Child

Song of Solomon

Beloved

Beloved (ebook version)

The Source of Self-Regard: Selected Essays, Speeches, and Meditations

Playing in the Dark: Whiteness and the Literary Imagination

The Black Book

Burn this Book: PEN Writers Speak out on the Power of the Word

You might also be interested in reading interviews, such as Toni Morrison: Conversations and Conversations with Toni Morrison.

If you have a chance to go see the new documentary on her, Toni Morrison: The Pieces I Am, you should definitely do so. I saw it at the Full Frame Documentary Festival this year, and I really enjoyed it. Eventually we’ll have a copy of the dvd in our library, but in the meantime you might enjoy these two films:

Beloved

“Sheer Good Fortune”: Celebrating Toni Morrison

Toni Morrison quote

International and Area Studies Exhibit: Anti-Americanism: A Visual History

Come see a new exhibit from the International and Area Studies Department which displays anti-American materials spanning 130 years and four continents. Inspired by the recent acquisition of a Cold War-era comic collection from the People’s Republic of China, the exhibit expands to capture a broad range of responses to America’s presence on the world stage throughout the 20th and 21st centuries.

The earliest materials on display date from the time of the Spanish-American War at the turn of the 20th century. These include famous critiques of American imperialism by Latin American thinkers like José Enrique Rodó and José Martí, as well as political cartoons from the period which reveal both Cuban responses to the war and dissenting voices from within the United States.

Moving through the 20th century, the exhibit features reproductions of Italian World War II propaganda posters which can be found in the Rubenstein Library’s Broadsides and Ephemera Collection. The bulk of the materials focus on the Cold War and the anti-American sentiment invoked by lingering U.S. military presence in East Asia. Highlights include the allusion-rich and satirically humorous Chinese comics from the 1950s and 1960s, as well as published photograph collections documenting anti-American protests in Korea and Japan.

From archival posters to reproductions found in secondary sources, the Duke Libraries’ collections provide a wealth of visual anti-American material to research and explore. Come to the second floor of Bostock Library by the Nicholas Family International Reading Room to view the highlights, and learn about the complex and competing narratives which have shaped international perceptions of the United States through the years.

Special thanks to Yoon Kim and to the Exhibit Services Department for their kind help in providing resources for the exhibit.

What to Read this Month: July 2019

For additional summer reads, check out our Overdrive, New and Noteworthy, and Current Literature collections.


Zero Sum Game by S.L. Huang

I devoured this book in half a day. It was amazing, and probably rates with some of my favorite sci-fi books like In Conquest Born by C.S. Friedman. The main character – Cas – is brilliant, compelling, a survivor, and a killer. And then she winds up in situations where she has to view the world beyond the lens of the axioms that fill her brain and literally surround her in daily life. Cas is also placed in a position where her actions affect the fate of millions (which brings to mind Dragon Age: Inquisition). Cas’s character in many ways reminds me of Clariel from Clariel by Garth Nix and Cat in Catharsis by D. Andrew Campbell.

Even better, apparently there’s a second book in the series that just came out!

Description:

A blockbuster, near-future science fiction thriller, S.L. Huang’s Zero Sum Game introduces a math-genius mercenary who finds herself being manipulated by someone possessing unimaginable power …

Cas Russell is good at math. Scary good. The vector calculus blazing through her head lets her smash through armed men twice her size and dodge every bullet in a gunfight, and she’ll take any job for the right price.

As far as Cas knows, she’s the only person around with a superpower…until she discovers someone with a power even more dangerous than her own. Someone who can reach directly into people’s minds and twist their brains into Moebius strips. Someone intent on becoming the world’s puppet master.

Cas should run, like she usually does, but for once she’s involved. There’s only one problem…

She doesn’t know which of her thoughts are her own anymore.


Thick: And Other Essays by Tressie McMillan Cottom

A few pages into this book, I set it down. I knew I would want to read it in one sitting, and also hear the author’s voice before reading more. So I went to listen to the first few minutes of her book presentation at Red Emma’s Bookstore Coffeehouse. Two hours later, I had watched the entire presentation. And then I finally got around to reading the book. There’s so much to reflect on and absorb that I’m getting my own copy so I can underline to my heart’s content. Very approachable, compelling, and a wonderful author; I came to her from reading Lower Ed: The Troubling Rise of For-Profit Colleges in the New Economy, which I also recommend.

Corroborating Reviews:

As featured by The Daily Show, NPR, PBS, CBC, Time, VIBE, Entertainment Weekly, Well-Read Black Girl, and Chris Hayes, “incisive, witty, and provocative essays” (Publishers Weekly) by one of the “most bracing thinkers on race, gender, and capitalism of our time” (Rebecca Traister)

“Thick is sure to become a classic.” –The New York Times Book Review

In eight highly praised treatises on beauty, media, money, and more, Tressie McMillan Cottom–award-winning professor and acclaimed author of Lower Ed – is unapologetically “thick”: deemed “thick where I should have been thin, more where I should have been less,” McMillan Cottom refuses to shy away from blending the personal with the political, from bringing her full self and voice to the fore of her analytical work. Thick “transforms narrative moments into analyses of whiteness, black misogyny, and status-signaling as means of survival for black women” (Los Angeles Review of Books) with “writing that is as deft as it is amusing” (Darnell L. Moore).

This “transgressive, provocative, and brilliant” (Roxane Gay) collection cements McMillan Cottom’s position as a public thinker capable of shedding new light on what the “personal essay” can do. She turns her chosen form into a showcase for her critical dexterity, investigating everything from Saturday Night Live, LinkedIn, and BBQ Becky to sexual violence, infant mortality, and Trump rallies.

Collected in an indispensable volume that speaks to the everywoman and the erudite alike, these unforgettable essays never fail to be “painfully honest and gloriously affirming” and hold “a mirror to your soul and to that of America” (Dorothy Roberts).


Filling the Void: Emotion, Capitalism and Social Media by Marcus Gilroy-Ware

This extremely thought-provoking book explores the sociocultural dimensions of technology in general and social media in particular. Gilroy-Ware links the emotional distress that social media feeds and profits from to the culture of capitalism that developed from capitalism as an economic system. He describes it: “The ‘capitalism’ that must be addressed in relation to social media is therefore one that operates at a far broader scale – that of society itself” (99).

Description:

Why is everyone staring at their phones on the train? Why do online videos of kittens get so many views? Why is the internet full of misinformation? Why are depression and anxiety amongst the most treated health conditions?

Platforms such as Facebook and Instagram have come to be an integral part of the lives of billions of people across the world. But are they simply another source of information and entertainment, or a far more ominous symptom of capitalism’s excesses?

Written by Marcus Gilroy-Ware, this book is an essential inquiry into why we really use social media, and what this means for our understanding of culture, politics and capitalism itself.


Anti-Social Media: How Facebook Disconnects Us and Undermines Democracy by Siva Vaidhyanathan

I picked this book up after reading The Googlization of Everything: (And Why We Should Worry) and learning a lot from it. Anti-Social Media did not dissapoint. It is timely, thoughtful, and compelling as it queries the unintended effects of a culture intertwined with the Internet.

Description:

One of the signal developments in democratic culture around the world in the past half-decade has been the increasing power of social media to both spread information and shape opinions. More and more of our social, political, and religious activities revolve around the Internet. Within this context, Facebook has emerged as one of the most powerful companies in the world.

If you wanted to build a machine that would distribute propaganda to millions of people, distract them from important issues, energize hatred and bigotry, erode social trust, undermine respectable journalism, foster doubts about science, and engage in massive surveillance all at once, you would make something a lot like Facebook. Of course, none of that was part of the plan. In Antisocial Media, Siva Vaidhyanathan explains how Facebook devolved from an innocent social site hacked together by Harvard students into a force that, while it may make personal life just a little more pleasurable, makes democracy a lot more challenging. It’s an account of the hubris of good intentions, a missionary spirit, and an ideology that sees computer code as the universal solvent for all human problems. And it’s an indictment of how “social media” has fostered the deterioration of democratic culture around the world, from facilitating Russian meddling in support of Trump’s election to the exploitation of the platform by murderous authoritarians in Burma and the Philippines. Both authoritative and trenchant, Antisocial Media shows how Facebook’s mission went so wrong.


The Rise of the Meritocracy by Michael Dunlop Young

Contemporary discourse surrounding meritocracy glorifies it as an American ideal. However, the origins of the term are more akin to Jonathan Swift’s modest proposal of eating babies. Young coined the term in his 1958 dystopian satire The Rise of the Meritocracy. From the year 2034, he tracks the history of British education, projecting the triumph of an IQ-based education system and the perils of a meritocracy come to fruition. The philosophical success of meritocracy is a bitter disappointment to Young, who wrote a Guardian article in 2001 titled “Down with Meritocracy.”

This should be required reading for any serious contemporary discussion of merit and its role in higher education.

Description:

Michael Young has christened the oligarchy of the future “Meritocracy.” Indeed, the word is now part of the English language. It would appear that the formula IQ + Effort = Merit may well constitute the basic belief of the ruling class in the twenty-first century. Projecting himself from 1958 into the year 2034, the author of this sociological satire shows how present decisions and practices may remold our society.

It is widespread knowledge that it is insufficient to be somebody’s nephew to obtain a responsible post in business, government, teaching, or science. Experts in education and selection apply scientific principles to sift out the leaders of tomorrow. You need intelligence rating, qualification, experience, application, and a certain caliber to achieve status. In a word, one must show merit to advance in the new society of tomorrow.

 


Been All Around This World: A Trip to Japan

This post was contributed by Kristina Troost, the Japanese Studies Librarian at Duke.

In my job as Japanese Studies librarian, I often visit Japan. I do this largely to build ties to other librarians or vendors. There are many things that can be accomplished one-on-one that cannot be done remotely. These ties also stand me in good stead when I need to request favors. I think this is true everywhere, but personal connections matter a lot in East Asia. I also visit museums, temples and universities to deepen my knowledge of areas in which I support faculty and students.  Personal conversations allow me to understand what is going on in Japan in ways not possible to achieve in the US. 

My first day in Tokyo, I visited Waseda University library since my main contacts have retired, and we have relied on them in the past for special favors.  Afterwards, I visited the Gender and Sexuality Center, the first such center set up to provide support and information to LGBT students and their allies at a Japanese university.  It has several fully trained professional staff as well as a cadre of student volunteers. 

The next day, I visited the National Women’s Education Center (NWEC). Established in 1977, it is dedicated to promoting gender equality. It has an extensive library of books and ephemera on women worldwide, as well as lodging for researchers if they wish to stay to use the material.  While I have known about it for some time, since Women’s Studies has been a focus of our collection and the faculty I support, I had no idea of its size or the variety of its activities. Known for the databases they have created of their holdings and the digital versions of their ephemera, they also create exhibitions using those materials. The exhibit I saw was on Beate Sirota Gordon, who compiled the human rights clauses, particularly those concerning women, for the Japanese postwar constitution. I was struck by Article 23 and its emphasis on the equality of the sexes.

The study of modern Japanese art is a significant focus of the East Asian Studies program that I have supported for many years.  This trip provided me an opportunity to visit several museums devoted to it. In Tokyo, I went to The Tokyo Opera City Art Gallery and 21-21 Design Sight.  The Tokyo Opera City Art Gallery had a special exhibit, “Tom Sachs Tea Ceremony” as well as selections from their permanent collection given by Mr. Terada. The Terada collection contains some 3,700 artworks with a focus on postwar Japanese art and is relatively accessible.  The Tom Sachs tea ceremony, however, took me some time. He has been reinterpreting ‘chanoyu’ — traditional Japanese tea ceremony — since 2012 through contemporary elements, materials, tools, and techniques. After seeing the film that was part of the exhibit, it made more sense. 21_21 Design Sight has a wonderful exhibit called Sense of Humor.  One of the posters I liked best could not be photographed, but many of the exhibits had me laughing out loud. 

My final exploration of contemporary Japanese art was on the island of Naoshima in the Inland Sea.  In the face of declining population in rural areas of Japan and in the Inland Sea in particular, one industrialist purchased part of Naoshima and has established a number of art museums which hold art by both Japanese and Western artists.  These museums have been designed by Tadao Ando to maximize the impact of the art. 

For example, one museum has several of Monet’s paintings of water lilies. The number of people allowed in the room at one time is limited, and you remove your shoes before entering.  The floor is made from tiny white tiles. There are paintings of water lilies on all four sides. As one of only two or three people in the room, I could appreciate them in a new way. In addition, there are a number of what I would call “installations”.  Together they are known as the Art House project. Artists have taken empty houses and turned the spaces themselves into works of art, each of which are in separate locations and all of which are effective.  One, Minamidera, entails walking into a darkened temple, holding onto a wall and then sitting very still. Eventually, as your eyes grow accustomed to the darkness, you can see something across the room. I recommend, however, having younger eyes than mine. In another installation, the artist added a glass staircase to a shrine that was being renovated; it links the main building to an underground stone chamber, uniting the worlds above and below.

Each time I visit Japan, I try to explore new areas and go to museums and libraries I have not visited before.  Both NWEC and Naoshima have been on my list of places to visit for some time and both exceeded my expectations.  Tokyo Opera City Art Gallery and 21-21 Design Sight were recommended this summer by a faculty member I work with. While my primary goal is to deepen my knowledge and extend my connections in ways that I know will support the students and faculty I work with, I usually find that I use the knowledge I gain in unanticipated ways.  

Author Agreement for a DH Project — Is That a Thing?

This post by Liz Crisenbery, 2018-2019 Project Manager for Project Vox, is part of a series on graduate students’ “Intern Experience” at Duke University Libraries. 

Author agreements — contractual documents provided by the publisher to the author, explaining the terms of publication — are foundational to many print and digital publications. Yet this stock element of publishing is not frequently discussed in relation to DH projects. Open access is a hallmark of digital humanities — making content available to anyone with an internet connection and thereby challenging the paywall approach to scholarly publishing. While open access also pushes against the overuse of copyright protections, it doesn’t oppose or necessarily undermine the rights of authors. How might digital humanities projects use author agreements to help acknowledge and protect the labor of people who develop content while also ensuring the resulting works can have broad access and use?

Communicate the role of the author agreement as a contract
Why might an established DH project consider creating author agreements?

Enter Project Vox, an open-access digital-humanities project that seeks to amplify the voices of early modern female philosophers, challenge the canon, and provide access to teaching materials and research guides. It is chiefly a collaborative effort, dependent upon a team of individuals who research, write, edit, and stage biographical and bibliographical entries on women philosophers.

Project Vox itself is an open educational resource, yet not all the content that appears on the site is created by the team. As the range of content types published by Project Vox has expanded, we have realized the need to better communicate protections and access for works published on our site.

For instance, Project Vox recently published the first English translation of Émilie Du Châtelet’s essay on optics (the complete version of which was itself only recently discovered and transcribed). As project manager I worked with Liz Milewicz (co-director of Project Vox and Head of Duke Libraries’ Digital Scholarship Services) to create an author agreement that could be used for this translation and also future Project Vox publications. We wanted the translation to be easily accessible to a wide audience and to be available for use in research and instruction; we also wanted to protect the translator, Bryce Gessell, from having his work published in other forms without his consent.

Fortunately, we were able to consult with Duke Libraries’ Office of Copyright and Scholarly Communications, specifically Arnetta Girardeau (Duke Libraries’ Copyright & Information Policy Consultant) and Dave Hansen (Associate University Librarian for Research, Collections, and Scholarly Communication), to create a template author agreement for Project Vox publications. Suffice it to say, we would not have created such a document without their expertise and guidance. This is the resulting template for Project Vox author agreements: Project Vox Author Agreement – Master Template.

The process of creating this agreement highlighted for us how author agreements can be challenging for DH publications and yet necessary if we truly hope to protect and honor the work of content creators while also making that content freely available. While some of the information included in the author agreement is relatively mundane (e.g., the name of the author, the name of the work, information used to create a citation, etc.), much of the document establishes legal relationships between different parties. In the process of creating our author agreement, we realized our long-held assumption that Project Vox was the “publisher” of content needed to be reevaluated. Rather, because Project Vox is hosted by Duke University Libraries, and because the Libraries provide a more stable partner for entering into agreements, the Libraries are named as the publisher. Increasingly, academic libraries are acting as publishers, challenging the nature of publishing and creating new models. (Maria Bonn and Mike Furlough edited an essay collection on this very subject, which is itself available via open access.)

illustrate what a Creative Commons license looks like
Creative Commons licenses provide digital projects and publications legal protections while promoting open access.

Additionally, the author in our agreement is tasked with choosing the type of Creative Commons license for their work and then to apply for that license. As stated on the Creative Commons organization’s website, “The Creative Commons copyright licenses and tools forge a balance inside the traditional ‘all rights reserved’ setting that copyright law creates. Our tools give everyone from individual creators to large companies and institutions a simple, standardized way to grant copyright permissions to their creative work. The combination of our tools and our users is a vast and growing digital commons, a pool of content that can be copied, distributed, edited, remixed, and built upon, all within the boundaries of copyright law.”[1] These licenses allow copyright holders the ability to qualify how their work can be re-used while prioritizing greater access to the work.

Through creating this template and publishing the first work on Project Vox with a signed author agreement, I’ve gained insight into parts of DH publishing that I never previously considered, particularly related to process and documentation from the standpoint of a publisher. As DH projects continue to partner with libraries to facilitate hosting and digital publication, I hope to have more conversations about how different projects handle publication, if they have author agreements, and what processes they follow to make content accessible.

[1] https://creativecommons.org/licenses/

Liz Crisenbery is a PhD Candidate in musicology who studies early twentieth-century Italian opera, exploring the intersection of gender, politics, and music. Her dissertation examines masculine identities of fascist composers and reception of their operas during the height of Italian fascism. Other research interests include digital humanities, opera and media, and riot grrrl. During the 2018-19 academic year, Liz worked as project manager for Project Vox with the support of Bass Connections.

What to Read this Month: June 2019

Happy Pride Month! In addition to these books, check out our Overdrive, New and Noteworthy, and Current Literature collections. If you’re looking for something good to watch or listen to, explore Lilly’s Devil DVDs and the Music Library’s CD collection.


Paul Takes the Form of a Mortal Girl: A Novel by Andrea Lawlor (they/them).

It’s 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco – a journey through the deep queer archives of struggle and pleasure.

Andrea Lawlor’s debut novel offers a speculative history of early ’90s identity politics during the heyday of ACT UP and Queer Nation. Paul Takes the Form of a Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections.

Andrea Lawlor recently appeared on the podcast Against Everyone with Connor Habib, in an episode titled Andrea Lawlor or Queer Non-Binary Sex Revolution Now!


Born Both: An Intersex Life by Hida Viloria (s/he, he/r).

From one of the world’s foremost intersex activists, a candid, provocative, and eye-opening memoir of gender identity, self-acceptance, and love.

My name is Hida Viloria. I was raised as a girl but discovered at a young age that my body looked different. Having endured an often turbulent home life as a kid, there were many times when I felt scared and alone, especially given my attraction to girls. But unlike most people in the first world who are born intersex – meaning they have genitals, reproductive organs, hormones, and/or chromosomal patterns that do not fit standard definitions of male or female – I grew up in the body I was born with because my parents did not have my sex characteristics surgically altered at birth.

It wasn’t until I was twenty-six and encountered the term intersex in a San Francisco newspaper that I finally had a name for my difference. That’s when I began to explore what it means to live in the space between genders – to be both and neither. I tried living as a feminine woman, an androgynous person, and even for a brief period of time as a man. Good friends would not recognize me, and gay men would hit on me. My gender fluidity was exciting, and in many ways freeing – but it could also be isolating.

I had to know if there were other intersex people like me, but when I finally found an intersex community to connect with I was shocked, and then deeply upset, to learn that most of the people I met had been scarred, both physically and psychologically, by infant surgeries and hormone treatments meant to “correct” their bodies. Realizing that the invisibility of intersex people in society facilitated these practices, I made it my mission to bring an end to it – and became one of the first people to voluntarily come out as intersex at a national and then international level.

Born Both is the story of my lifelong journey toward finding love and embracing my authentic identity in a world that insists on categorizing people into either/or, and of my decades-long fight for human rights and equality for intersex people everywhere.

Hida Viloria is a writer, author, and vanguard intersex and non-binary activist. S/he has spoken about intersex human rights at the United Nations and as a frequent television and radio guest (Oprah, Aljazeera, 20/20, NPR, BBC…), consultant (Lambda Legal, UN, Williams Institute…) and op-ed contributor (NewNowNext, The Daily Beast, The Huffington Post, The Advocate, Ms., CNN.com…).


¡Cuéntamelo! : Oral Histories by LGBT Latino immigrants by Juliana Delgado Lopera (she/her), illustrated by Laura Cerón Melo, edited by Shadia Savo and Santiago Acosta.

¡Cuéntamelo! began as a cover story for SF Weekly. It is “[a] stunning collection of bilingual oral histories and illustrations by LGBT Latinx immigrants who arrived in the U.S. during the 80s and 90s. Stories of repression in underground Havana in the 60s; coming out trans in Catholic Puerto Rico in the 80s; Scarface, female impersonators, Miami and the ‘boat people’; San Francisco’s underground Latinx scene during the 90s and more.”

Juliana Delgado Lopera is an award-winning Colombian writer, historian, speaker and storyteller based in San Francisco. She’s the creative director of RADAR Productions, a queer literary non-profit in San Francisco. Her debut novel Fiebre Tropical, which won the 2014 Jackson Literary Award, will be out Spring 2020 from The Feminist Press.


Lives of Great Men: Living and Loving as an African Gay Man: A Memoir by Chiké Frankie Edozien (he/him).

From Victoria Island, Lagos to Brooklyn, U.S.A. to Accra, Ghana to Paris, France; from across the Diaspora to the heart of the African continent, in this memoir Nigerian journalist Chiké Frankie Edozien offers a highly personal series of contemporary snapshots of same gender loving Africans, unsung Great Men living their lives, triumphing and finding joy in the face of great adversity. On his travels and sojourns Edozien explores the worsening legal climate for gay men and women on the continent; the impact homophobic evangelical American pastors are having in many countries, and its toxic intersection with political populism; and experiences the pressures placed on those living under harshly oppressive laws that are themselves the legacy of colonial rule – pressures that sometimes lead to seeking asylum in the West. Yet he remains hopeful, and this memoir, which is pacy, romantic, and funny by turns, is also a love-letter to Africa, above all to Nigeria and the megalopolis that is Lagos.

Chiké Frankie Edozien is an award-winning reporter whose work has appeared in the New York Times, The Times (UK), Quartz, Vibe magazine, Time Magazine, and more.

He was a New York Post political reporter for over a decade. His work has been featured on numerous new broadcasts. He co-founded The AFRican magazine in 2001 to tell often overlooked, African stories.


Trans Figured: My Journey from Boy to Girl to Woman to Man by Brian Belovitch (he/him).

Imagine experiencing life not as the gender dictated by birth but as one of your own design. In Trans Figured, Brian Belovitch shares his true story of life as a gender outlier and his dramatic journey through the jungle of gender identity.

Brian has the rare distinction of coming out three times: first as a queer teenager; second as a glamorous transgender woman named Tish, and later, Natalia Gervais; and finally as an HIV-positive gay man surviving the AIDS crisis in the 1980s. From growing up in a barely-working-class first-generation immigrant family in Fall River, Massachusetts, to spinning across the disco dance floor of Studio 54 in New York City; from falling into military lock-step as the Army wife of a domineering GI in Germany to having a brush with fame as Natalia, high-flying downtown darling of the boozy and druggy pre-Giuliani New York nightclub scene, Brian escaped many near-death experiences.

Trans Figured chronicles a life lived on the edge with an unforgettable cast of characters during a dangerous and chaotic era. Rich with drama and excitement, this no-holds-barred memoir tells it all. Most importantly, Brian’s candid and poignant story of recovery shines a light on the perseverance of the human spirit.

In 2016, Brian created Queer Stages an LGBTQ playreading group whose mission is to preserve and present LGBTQ themed plays and playwrights for current and future generations. Recently he was Alice, First Lady of Earth in Charles Ludlam’s Conquest of the Universe or When Queens Collide at LaMama to commemorate the 50th Anniversary of the Ridiculous Theatre. In film and television, Brian has appeared in The Irishman, Nor’easter, Silent Prey, Q&A, The Deuce, Homeland, and The Americans.

 


Upcoming International and Area Studies Exhibit

Stayed tuned for our upcoming exhibit of anti-American materials from around the world! The display will feature historic Chinese comics from a recently-acquired collection. These visual propaganda pieces were published in the People’s Republic of China in the 1950s and 1960s, when the Cold War drove tensions between the two nations to new heights. The exhibit will also highlight materials from Europe, Latin America and the United States itself. Take a look below to get a sneak peek at two items which will feature.

Entitled “Be Clear about the Nature of American Imperialism,” this comic illustrates American hypocrisy. A serene President Kennedy poses like the Buddha. On his right, arms reading “The Peace Corps” offer gifts of harmony and prosperity, including a sack labeled “Food for Peace.” On his right, arms reading “Preparing for war against Cuba and Lumumba” wield tools of violence.

This comic,  “Thus Is America,” vividly depicts the perceived vices of the United States, including the oppression of workers, the Ku Klux Klan, loose morals and international aggression. Can you spot General George MacArthur?

The exhibit will be displayed on the second floor of Bostock Library next to the East Asian Magazine Reading Room starting in July.

The Photographs of Lt. Col. Sir Percy Sykes: Engaging with the History of Muslim Communities in Xinjiang

The photographs in Sir Percy Molesworth Sykes’ recently-acquired 1915 album capture a pivotal moment in what was then known as Chinese Turkestan (modern-day Xinjiang Uyghur Autonomous Region in China). China’s Qing dynasty had collapsed only a few years earlier. It was an era of warlords, weak central government and competing external influences as Ottoman Turks, Russians, Han Chinese, the British and the region’s Muslim ethnic groups jockeyed for power in a complex geopolitical landscape. Lieutenant Colonel Sykes was dispatched to temporarily assume the role of Consular-General in Kashgar. He was stepping in for Sir George Macartney, a relation to the statesman of the same name who led the first British diplomatic mission to China in 1793. Sykes was accompanied by his sister Ella Constance Sykes, a prolific travel writer who may also have taken some of the photographs which appear in the album.

This Dungan general sits framed by banners in Chinese which prominently display his surname, Ma, along with information about his regiment.

In a region where history is intertwined with political legitimacy, the preservation and documentation of these photographs and others like them have an important role to play. Today as Muslim minorities in Xinjiang suffer under government-sanctioned suppression of their religious freedom and identity, Percy Sykes’ album affords us a further opportunity to study, appreciate, and critically engage with the rich heritage of the native peoples of this region.

To see the full digitized collection, check out the Duke Libraries’ Digital Repository. More information about the photographs can also be found in the collection guide. The album is available for viewing in the Rubenstein Library reading room.

Uyghur boys in Kashgar recite from the Quran.

Sources

Forbes, Andrew D. W. Warlords and Muslims in Chinese Central Asia: a political history of Republican Sinkiang 1911-1949. Cambridge: Cambridge University Press, 1986.

Sykes, Percy and Ella. Through Deserts and Oases of Central Asia. London: Macmillan and Co., 1920.

Williams, Victoria. Weird Sports and Wacky Games Around the World: From Buzkashi to Zorbing. ABC-CLIO, LLC, 2015. Proquest Ebook Central, https://ebookcentral.proquest.com/lib/duke/detail.action?docID=2007444.

The Art of Writing Letters: A Q&A with Joanna Murdoch

“Working with the Library” is an occasional series of stories highlighting collaborations between librarians and the people around campus whose teaching and research we support.

Joanna Murdoch is a Ph.D. Candidate in the English Department. She taught a Thompson Writing Program first-year writing seminar called “The Art of Writing Letters” in the spring of 2018. Arianne Hartsell-Gundy, Head of the Humanities Section and Librarian for Literature and Theater Studies, served as the course librarian for this class. She had the pleasure of asking Joanna a couple of questions about how the library has supported her teaching and research.


What were your primary goals for your students in working with letter writing in this course?

Teaching for the Thompson Writing Program’s first-year writing seminar, I wanted to foreground the tangible longevity of academic writing. The claims we make and the words we use in essays, exhibits, or online forums can last a long time. Against the odds, a lot of written material survives! The assignments in my course ask students to think about their writing and research as taking part in conversations with long histories and long futures, too.

Letter writing, it turns out, is a good tool for cultivating the blend of voice, personhood, and responsibility that is crucial for compelling academic work but isn’t always explicitly handled in writing instruction. In almost any century, letters open with an address to a named person and close with the writer’s signoff. Between those extremities, letters and their composers do everything they can to try to reach their readers. For their part, the letter’s recipients face literal response-ability: they have to decide whether and how they are able to respond. Writing and reading in this view are intimate, implicating activities: words can’t convey ideas unless two human beings have already agreed to connect.

It’s easy to forget this interpersonal grounding when composing a college essay. But even the strictest cautions surrounding intellectual property and the respect and defense of human rights require us to acknowledge the voices of others. That’s why my students have been practicing discerning and responding to the historically situated human voice in other people’s writing over three major assignments—a close-reading analysis of a single letter, a research project on a letter exchange held at the Rubenstein or in Perkins’ collections or databases, and a letter to a public figure, exhibited on the Campus Club Wall for three weeks in April of 2018. 

How has the library supported your teaching?

In so many ways! Duke’s subscription to databases like North American Immigrant Letters, Diaries, and Oral Histories provided rich exploratory ground for my students in all stages of their writing projects. The library’s collections of World War I letters available in book form in the stacks gave students who stumbled across them the foundation they needed for their research on soldiers’ letters in the Rubenstein’s holdings. Then, in April, the Campus Club Wall in Perkins became a live part of our writing and learning space when students received permission to exhibit some visually enhanced selections from their letters to public figures.

But it was the library’s gifted specialists who really brought Perkins and Rubenstein to life for my class. Our designated Perkins librarian Arianne Hartsell-Gundy very graciously showed us how to use the library guide she had designed especially for our course, and she supported students with exercises for crafting a focused research question and building an annotated bibliography with reputable sources. I’ll always remember Perkins 118 as the place where Arianne showed us the lines from Alexander Hamilton’s letter-esque The Farmer Refuted (1775) that live on in Lin-Manuel Miranda’s Hamilton (2015).

A major highlight of the semester was when Rubenstein’s Elizabeth Dunn and Mandy Cooper introduced us to the historical letters and letter-writing guides they had hand-picked to match the students’ research interests. The hours these librarians spent selecting, transcribing, arranging, and expertly talking us through the materials were a huge gift to the class. Thank you, Perkins and Rubenstein!

How about your research?

For my research on medieval religious lyric poems, I lean heavily on Duke Libraries and their Borrow Direct and Interlibrary Loan relationships. My carrel is overflowing with Perkins, Divinity, and Lilly titles, plus others shipped in from Yale, the University of Chicago, or even our basketball competitor down the road. Thanks to the bases covered by Duke and these other library collections, this spring I was free to buy only the works I knew I would return to, rather than every single title on my comprehensive exams’ reading lists. The best part was when Perkins bought a collection of essays on Chaucer’s poetics at my request! I’d better go check it out, now that it’s on the shelves . . .

Another enormously helpful tool has been the library’s subscription to Oxford Bibliographies Online. Since I’m still in an early stage of dissertation research, I need all the overviews I can get of major contours in scholarly publishing. OBO is a great place to start.

What are three things you think that undergraduates should know about using information and the library?

I) You’re responsible for sniffing out the stories and scholarly drama behind the materials you see. If you do a lot of reading around for a project, you’ll start to see the same names and references to the same group of 10–30 major academic works. Then it’s like you’re pulling a necklace up out of the sand, revealing the links of a single, if complicated, structure. It’s one of the best feelings early on in graduate school, being not-at-the-mercy of the infinite-seeming database search results.

II) I said above that written material lasts longer than we think it will. But that doesn’t mean you’ll be able to actually use it once you’ve consigned it to your files. You may have terabytes of notes and essays on your computer or in the cloud, but you’ll never find any of it again unless you’ve tagged it all thoroughly or you like to spend your free time randomly clicking through old files. Some people love reference management software like RefWorks or Zotero. I can’t stand the way those services look, so I build massive searchable folders in an awesome writing program called Scrivener. Whatever you decide, leave yourself a lot of breadcrumbs. Don’t be like me and spend years searching for a half-remembered, haunting line that turned out to be from Leonard Cohen’s song “Anthem“: “There is a crack in everything / That’s how the light gets in”—I spent so long searching for the note I had made about it back before I learned to cite cite cite even passing references in journal-type notes. The best breadcrumb of all is a full bibliographic citation, including the date you found and read/listened to the material, plus a quick personal note on what you thought about it. The “find” function on your computer will do the rest.

III) If you need part-time work during a heavy course-load year, reshelving books for the library is a fantastic way to find a meditative groove while filling your muscle memory with clues about the way information is structured and accessed in a major university library—which boils down to the shape of academic discourse itself. That’s how it went for me, at least, in the basement stacks of the Yale music library. Maybe Duke will even let you listen to Hamilton or Leonard Cohen while you set some Perkins shelves to rights!

Data Lost, but not Forgotten

Intern Experience: Kaylee Alexander (Data & Visualization Services)

This post by Kaylee Alexander, 2019 Humanities Unbounded Graduate Assistant, is part of a series on graduate students’ “Intern Experience” at Duke University Libraries. 

With the growing popularity of digital humanities projects, the question of how humanists should manage data, and specifically missing data and data limitations, is of increasing importance. Often the glittering possibilities of integrating technology and data-driven research methods into historical analysis makes us forget that we are still dealing with imperfect information, albeit processed in new and meaningful ways. In my own research on 19th-century funerary monuments in Paris, the issue of survival bias has been pervasive, as very few tombs—only the most expensive—have survived into the present day.

Survival bias occurs when we focus on people or things that have passed through a selection process and overlooking those that haven’t. In 1943, for example, damaged bomber planes returning from combat were being studied to identify areas that needed additional reinforcements. However, these planes had survived. What about those that didn’t? Where had they sustained damage? This was the question posed by statistician Abraham Wald, who argued that damage to returned planes represented not where improvements were needed, but rather where planes could sustain damage and could still return safely. It was the undamaged areas that were more telling.

Diagram showing areas of damage to returned WWII bomber planes (red) and recommended areas for reinforcement based on Wald’s analysis.

Historical studies are, not surprisingly, prone to such survival biases. Objects and documents get lost or damaged; others are not deemed worthy of being kept. Some information is just never recorded. But, just like Wald’s returned bomber planes, what does survive can be used to consider what we’ve lost. This is a concept that I work with all of the time, and a bias that my work specifically tries to overcome through data-driven practices. However, it is not something that I had yet considered in the context of inherited datasets.

As a Humanities Unbounded Graduate Assistant with Duke Libraries’ Data and Visualization Services, I began working with members of the Representing Migration Humanities Lab in preparation for their Data+ project, “Remembering the Middle Passage.” Led by English professor Charlotte Sussman, one of the original goals of the project was to use data representing nearly 36,000 transatlantic slave voyages to see if it would be possible to map a reasonable location for a deep-sea memorial to the transatlantic slave trade. Data on these voyages had been compiled and made openly accessible online by a team of researchers working with the Emory Center for Digital Scholarship (among others). The promises of these data were great; we just had to figure out how to use them.

My primary task was getting to know the data and providing support in preparation for the upcoming Data+ session. So, I began with the Slave Voyages website.

Home page for the Slave Voyages website: https://www.slavevoyages.org/

The landing page for the database boasts that “this digital memorial raises questions about the largest slave trades in history and offers access to the documentation available to answer them.” Here, you can view and download data on these voyages as well as access summary tables and interactive data visualizations, timelines, and maps, allowing users to easily interact with a wealth of information. Clearly labeled columns, filled with rows of data, project an image of endless research possibilities with all the data you could ever need.

Web-based interface to voyages data in the Trans-Atlantic Slave Trade Database.

However, the online interactive database only represents about half of the variables included in the full version of the database, which can be downloaded, but certainly isn’t as user-friendly as the front-facing version. One of the most glaring things I noticed when I first opened this file was all of the empty cells.

Excel sheet showing the full version of the Trans-Atlantic Slave Trade Database downloaded from https://slavevoyages.org/voyage/downloads.

It soon became clear that the online version only included a selection of the most complete variables (many of which were estimates based on original sources).

One of the first things I do when working with a new dataset in my own work is to create an overview of all of my variables and the percentage of records that have each variable. This provides me with useful insights into how complete my data are, and also how reliable certain variables will be for the types of questions I want to ask. I find this to be particularly useful when working with data that I have not compiled myself, even when a codebook already exists, as it helps you to get really quickly familiar with exactly what you have and what might be possible. More often than not, I end up revising my research questions as a result of this process. So, I wondered how this might help the Data+ team set their goals.

While the original questions of the project had been formed around mortality and how to map the experiences of enslaved people on board these voyages, a reconsideration of the data showed how the answers to these questions would only be attainable for a fraction of the voyages in the database—and nothing of any voyages that hadn’t been accounted for.

The question of all this missing data then became an essential part of the research project. How could all these gaps inform us about what isn’t there? Why were data missing, and how could we use this to think more broadly about erasure in the context of the slave trade? If our goal was to memorialize lives lost, how could we best and most appropriately accomplish this given the data we didn’t have?

There is still much work to be done before we can even begin answering these questions, and I leave that in the capable hands of the Data+ team and the Representing Migration Lab. But until then, my take away is this: missing data should not become forgotten data. Knowing what we’re working with, whether it be inherited data or data we’ve constructed, and being aware of the data we’re missing, allows us to reformulate our research objectives in new and more meaningful ways.

Kaylee P. Alexander is a Ph.D. Candidate in the Department of Art, Art History & Visual Studies, where she is also a research assistant with the Duke Art, Law & Markets Initiative (DALMI). Her dissertation research focuses on the visual culture of the cemetery and the market for funerary monuments in nineteenth-century Paris. In the spring of 2019, she served as a Humanities Unbounded graduate assistant with Data and Visualization Services at Duke University Libraries. Follow her on Twitter @kpalex91

Happy Birthday, Walt Whitman!

Today is the 200th anniversary of Walt Whitman’s birthday!  We recently celebrated Whitman’s birthday with our Whitman Sampler event at the end of April, which featured President Emeritus Richard Brodhead reading from Whitman’s poetry and discussing his impact.

If you want to explore the life and work of Whitman, we have one of the best collections in the country in our Rubenstein Rare Books & Manuscript Library.  You can see original editions, the many drafts of his works that he created, correspondence, clippings, portraits, and scrapbooks in this collection.  We even have a lock of his hair!

If you want to read some of his work, of course we have many of his books that you can check out and read at home.  You might also enjoy reading a selection from the Academy of American Poets.  The New York Public Library has a great page outlining some good places to start reading.

If you’re looking for something different, check out the Manly Health and Training, written by Walt Whitman under the pseudonym Mose Velsor.  You can read about the discovery of this work here.

Finally I wrote a series of blog posts to highlight the “I Sing the Body Electric: Walt Whitman and the Body” exhibit that I had the great privilege of curating in 2017.  You can find blog posts about Whitman and Popular CultureWhitman and the Body, Whitman and the Civil War, and Reading Walt Whitman.

 

 

Low Maintenance Book Club Reads There There

For the summer meeting of the Low Maintenance Book Club, we’ll be discussing the 2019 Duke Summer Reads selection There There. It tells a powerful story of urban Native Americans confronting alcoholism, depression and unemployment amidst the historical backdrop of U.S. subjugation.

Copies of this book are available through the Duke Libraries (printonline and  e-audiobook) and from the Durham County Library (printlarge format printebook e-audiobook and audiobook on CD).

We’ll have light snacks (savory and sweet), and you’re welcome to bring your lunch. Please RSVP if you plan to attend.

**Please note a change in meeting location: Bostock 121, the Murthy Digital Studio

Date: Thursday June 27th, 2019

Time: noon-1:00 pm

Location: Bostock 121 (Murthy Digital Studio)

If you have any questions, you can contact Arianne Hartsell-Gundy at aah39@duke.edu.

Last Chance to See Exhibit: Graphic Narratives from Around the World

Come explore the truly global popularity of graphic novels at the International and Area Studies exhibit on the second floor of Bostock Library, next to the East Asian Magazine Reading Room. The exhibit will be up through next Tuesday.

Since ancient times, human beings all over the globe have been bringing text and images together to tell stories. In this selection of graphic novels and cartoons from Duke’s collection, you will see retellings of classics and tales of adventure that have gained massive popularity in Japan and China. You will see stories of revolution and bold political movements from Russia, India, South Africa, and Colombia. You will see tales of atrocities, survival, and redemption in Germany and Israel. You will see humor, both lighthearted and political, in Turkey, Portugal and Spain, and everyday life in Korea and Côte d’Ivoire. This variety demonstrates the power of graphic narratives to reflect and lend new visual interpretations to all aspects of the human experience. We welcome you to explore one of the world’s most popular modes of storytelling in the Duke collection.

 

What to Read this Month: May 2019

We’re kicking off May with a short list of magical reads to celebrate the start of summer.
For more exciting reads, check out our Overdrive, New and Noteworthy, and Current Literature collections.


Enchantée by Gita Trelease.

A compellingly beautiful tale of magic, intrigue and deception, set against the backdrop of eighteenth-century Paris on the cusp of revolution.

Paris is a labyrinth of twisted streets filled with beggars and thieves, revolutionaries and magicians. Camille Durbonne is one of them. She wishes she weren’t…

When smallpox kills her parents, Camille must find a way to provide for her younger sister while managing her volatile brother. Relying on magic, Camille painstakingly transforms scraps of metal into money to buy food and medicine they need. But when the coins won’t hold their shape and her brother disappears with the family’s savings, Camille pursues a richer, more dangerous mark: the glittering court of Louis XVI and Marie Antoinette.

Using dark magic forbidden by her mother, Camille transforms herself into a baroness and is swept up into life at the Palace of Versailles, where aristocrats both fear and hunger for magic. As she struggles to reconcile her resentment of the rich with the allure of glamour and excess, Camille meets a handsome young inventor, and begins to believe that love and liberty may both be possible.

But magic has its costs, and soon Camille loses control of her secrets. And when revolution erupts, Camille must choose – love or loyalty, democracy or aristocracy, reality or magic – before Paris burns.

For similar books, check out Blood Rose Rebellion by Rosalyn Eves, Caraval by Stephanie Garber, Rebel of the Sands by Alwyn Hamilton, An Enchantment of Ravens by Margaret Rogerson, and Ash Princess by Laura Sebastian.


City of Crows by Chris Womersley.

Set in seventeenth-century France – a country in the thrall of dark magic, its social fabric weakened by years of plague – Chris Womersley’s City of Crows is a richly imagined and engrossing tour de force. Inspired by real-life events, it tells the story of Charlotte Picot, a young woman from the country forced to venture to the fearsome city of Paris in search of her only remaining son, Nicolas. Fate (or coincidence) places the quick-witted charlatan Adam Lesage in her path. Lesage is newly released from the prison galleys and on the hunt for treasure, but, believing him to be a spirit she has summoned from the underworld, Charlotte enlists his help in finding her child.

Charlotte and Lesage – comically ill-matched but nevertheless essential to one another – journey to Paris, then known as the City of Crows: Charlotte in search of Nicolas, and Lesage seeking a fresh start.

Dazzlingly told, with humor and flair, City of Crows is a novel for readers who like their fiction atmospheric, adventurous, spine-tingling, and beautifully written. Pre-revolutionary France, with all its ribaldry, superstition, and intrigue is mesmerizing, and Charlotte Picot’s story – the story of a mother in search of her lost son – holds universal appeal.

Chris Womersley has also written The Low Road, Bereft, and Cairo. A collection of his short stories, A Lovely and Terrible Thing will be released in Australia this month.


Half-Witch by John Schoffstall.

In the world in which Lizbet Lenz lives, the sun still goes around the earth, God speaks directly to his worshippers, goblins haunt every cellar, and witches lurk in the forests. Disaster strikes when Lizbet’s father Gerhard, a charming scoundrel, is thrown into a dungeon by the tyrant Hengest Wolftrow. To free him, Lizbet must cross the Montagnes du Monde, globe-girdling mountains that reach to the sky, a journey no one has ever survived, and retrieve a mysterious book.Lizbet is desperate, and the only one who can help her is the unpleasant and sarcastic witch girl Strix. As the two girls journey through the mountains and into the lands of wonder beyond, on the run from goblins, powerful witches, and human criminals, Lizbet discovers, to her horror, that Strix’s magic is turning Lizbet into a witch, too. Meanwhile, a revolution in Heaven is brewing.

Half-Witch was named one of NPR’s Best Books of 2018. Check out NPR’s Sci Fi, Fantasy, and Speculative Fiction and Young Adult lists.


Foundryside by Robert Jackson Bennett.

In a city that runs on industrialized magic, a secret war will be fought to overwrite reality itself – the first in a dazzling new series from City of Stairs author Robert Jackson Bennett.

Sancia Grado is a thief, and a damn good one. And her latest target, a heavily guarded warehouse on Tevanne’s docks, is nothing her unique abilities can’t handle.

But unbeknownst to her, Sancia’s been sent to steal an artifact of unimaginable power, an object that could revolutionize the magical technology known as scriving. The Merchant Houses who control this magic – the art of using coded commands to imbue everyday objects with sentience – have already used it to transform Tevanne into a vast, remorseless capitalist machine. But if they can unlock the artifact’s secrets, they will rewrite the world itself to suit their aims.

Now someone in those Houses wants Sancia dead, and the artifact for themselves. And in the city of Tevanne, there’s nobody with the power to stop them.

To have a chance at surviving–and at stopping the deadly transformation that’s under way–Sancia will have to marshal unlikely allies, learn to harness the artifact’s power for herself, and undergo her own transformation, one that will turn her into something she could never have imagined.

One of my favorite authors, Tamora Pierce, remarks that Foundryside has “Complex characters, magic that is tech and vice versa, a world bound by warring trade dynasties: Bennett will leave you in awe once you remember to breathe!”


The Red Threads of Fortune by JY Yang.

Fallen prophet, master of the elements, and daughter of the supreme Protector, Sanao Mokoya has abandoned the life that once bound her. Once her visions shaped the lives of citizens across the land, but no matter what tragedy Mokoya foresaw, she could never reshape the future. Broken by the loss of her young daughter, she now hunts deadly, sky-obscuring naga in the harsh outer reaches of the kingdom with packs of dinosaurs at her side, far from everything she used to love.

On the trail of a massive naga that threatens the rebellious mining city of Bataanar, Mokoya meets the mysterious and alluring Rider. But all is not as it seems: the beast they both hunt harbors a secret that could ignite war throughout the Protectorate. As she is drawn into a conspiracy of magic and betrayal, Mokoya must come to terms with her extraordinary and dangerous gifts, or risk losing the little she has left to hold dear.

The Red Threads of Fortune is one of a pair of standalone introductions to JY Yang’s Tensorate Series, which Kate Elliott calls “effortlessly fascinating.” We have its twin novella, The Black Tides of Heaven.

 


May 2019 Collection Spotlight: Southern Food

This month’s Collection Spotlight in Perkins Library explores foodways of the southeastern United States. People come to Duke from all over the world, and while they’re here, they will undoubtedly eat. We invite you to reflect on the cultural importance of food in this region, whether you’re here for life or just a little while.

We’re featuring books that explore the intersections of food with race and class and gender. We’ve tried to represent some of the regional diversity in southern food, from Appalachia to the Piedmont, the Low Country to the Gulf Coast, and some of the diverse cultures that contribute to southern food today. We’re thinking about politics and history and personal stories. And we hope there’s something for everyone, whether you’re interested in food studies theory and methods, a recipe for your evening meal, or even poetry.

Of course, some of the hottest titles are perpetually checked out, and for those you’re invited to submit an interlibrary request (tip: you can just use the green “Request” button when you search for a book and it will populate the form). Of course, we also have many eBooks you won’t see on display, so don’t forget to check the catalog.

Come take a peek next to the Perkins Library Service Desk, though we can’t promise you won’t leave hungry.

Database Tips and Tricks

 

It’s a familiar feeling: you only need one more scholarly source for your paper due at 8:30 the next morning. It may also just so happen to be 2:30 am, and at a certain point, there’s only so much caffeine in the world. However, by knowing how to utilize the number of databases available at Duke, one can seek relief. Even better, utilizing databases will grant you access to full-text scholarly articles, popular sources, and a multitude of additional resources (all without having to leave your dorm room and trek across campus). In this blog series, procrastinators and planners alike will find recommendations, tips, and tricks on how to navigate the amazing range of databases Duke Libraries have to offer- without wanting to tear your hair out.

There are two primary categories of databases you will find in academic libraries: general databases and specialized databases. If you are just beginning to explore your research topic, a general database, such as Academic Search Complete or JSTOR, can help guide your initial research. These databases are multidisciplinary and draw from a wide range of journals. However, once you have started the research process, you may find that general databases no longer offer the content you need. For example, April is Sexual Assault Awareness Month; if you had a research assignment related to the history of sexual assault in the United States, you may want to first use a general database such as Academic Search Complete to help guide your research before delving into specialized databases. However, after you have discovered some possibly relevant sources that could help guide your keyword search, you may then want to pursue sources in specialized databases- for this example, specialized databases in History or Women’s & Sexuality Studies.

On Duke Libraries Research Database guide, the most popular general databases are directly linked at the top of the guide. One of those, and indeed one of the most popular general databases in academic libraries, is Academic Search Complete. Academic Search Complete is hosted by EBSCO. Note that EBSCO itself is not a database; rather, EBSCO hosts a multitude of databases, including both general and specialized varieties, and across a variety of disciplines. As discussed above, Academic Search Complete would be an ideal database with which to begin the research process for many of your classes. Through Duke Libraries’ subscription to Academic Search Complete, you can access full-text scholarly articles, popular sources, as well as The New York Times and Wall Street Journal.

There are a variety of factors you may consider when choosing a database- among them should be exactly what type of source you are looking for. If a database only offers abstracts, but you require a full-text journal article as a source, it would not be an appropriate database option. Finding the right database for your research is not necessarily always a seamless process; however, Duke Libraries have many resources available in order to help you conduct your research and access the best articles and journals.

Quick tip: Know what citation style your professor wants/requires before beginning your research. Many databases will provide formatted citations based on the style needed (MLA, APA, etc), While you should double-check the citation provided in order to ensure it is formatted correctly, using that citation as a foundation should save you some time.

Additional resources:

  • Be sure to check out Duke Libraries’ Research Guides. These guides, created by Duke University librarians, offer specialized tips centered around your area of research.
  • As always, if you are ever stumped by navigating databases or wondering where to go next in your research, Duke’s librarians are here to help. Here is a quick link to get help via chat, email, or phone: https://library.duke.edu/research/ask

Lilly Collection Spotlight: Dear Duke

The Art of Writing / The Writer’s Art

Jane Austen book, Epicurus book, Letter from Birmingham Jail book covers
Collection Spotlight on Letters

Dear Duke,

When was the last time you wrote a letter or received a card in a real mailbox?
Before the Digital Age – and there was such a time – people wrote letters on paper and sent cards to each other. The latest Lilly Collection Spotlight shines on the disappearing art of letter writing, featuring a selection of books and films in which letters or ongoing correspondence play an integral role. Authors include literary and political figures such as Epicurus, Jane Austen, Dr. Martin Luther King, and Samuel Beckett.

3 DVD covers
Films about letter writing

The role letter writing plays in film, whether just as a plot device or as narration and explication helped us choose a few films from our collections. Relationships built through intimate correspondence, letters never received, mis-delivered or rediscovered frame many film narratives.  Steal a Pencil for Me, Mary and Max, Letters to Juliet and P.S. I Love You are among the films featured.

Accompanying our Collection Spotlight are two exhibit cases featuring artists’ correspondence. Displayed in the lobby case are volumes of Vincent van Gogh’s letters. He was a prolific letter writer whose writings provide insight into his work, his art, and his struggles.  Van Gogh often adorned his letters with drawings and sketches. The exhibit case in the foyer highlights  letters written by other artists including Georgia O’Keeffe, Albert Eisenstadt, and Henry Ossawa Tanner.

Notecard with written advice to Duke student
Duke Class of 2019 Notes to Duke 2022

p.s. 

In addition to the Collection Spotlight, browse the nearby interactive exhibit of handwritten notes from Duke Seniors, Class of 2019, to the First-Year members of Duke’s Class of 2022.

Feel free to pull out the notes from the board and read them. There is a bit of advice, personal observations, and even a little bit of wisdom on display!

Locus Collection Tracks the Stars and Universe of Sci-Fi

The Locus collection includes some 16,000 rare and noteworthy monuments of science fiction and fantasy, many in their original dust jackets.

The David M. Rubenstein Rare Book & Manuscript Library at Duke University has acquired the archives of the Locus Science Fiction Foundation, publisher of Locus, the preeminent trade magazine for the science fiction and fantasy publishing field.

The massive collection—which arrived in almost a thousand boxes—includes first editions of numerous landmarks of science fiction and fantasy, along with correspondence from some of the genre’s best-known practitioners, including Isaac Asimov, Arthur C. Clarke, Ursula K. Le Guin, Harlan Ellison, Octavia E. Butler, James Tiptree, Jr. (Alice Sheldon), Dean Koontz, Robert A. Heinlein, and hundreds more.

Locus started out in 1968 as a one-sheet science fiction and fantasy fanzine. Since then, it has evolved into the most trusted news magazine in science fiction and fantasy publishing, with in-depth reviews, author interviews, forthcoming book announcements, convention coverage, and comprehensive listings of all science fiction books published in English. It also administers the prestigious annual Locus Awards, first presented in 1971, which recognize excellence in science fiction and fantasy.

Over the course of five decades in print, the magazine’s editors and staff have collected and saved correspondence, clippings, and books by and about science fiction, fantasy, and horror writers. What emerges from this trove of material is a tapestry of a diverse and thriving community of writers, publishers, and editors, all working to create new and modern genres of speculative literature.

This rare advanced reader’s copy of the first edition of Game of Thrones has a distinctly different look and feel from the popular HBO series.

Of the magazine’s original three co-founders—Charles N. Brown, Ed Meskys, and Dave Vanderwerf—only Brown remained after the magazine’s first year. He would continue to edit the publication until his death in 2009, earning the magazine some thirty Hugo Awards in the process and becoming a colorful and influential figure in the publishing world. A tireless advocate for speculative fiction, Brown was also a voluminous correspondent and friend to many of the writers featured in the magazine. Many of them wrote to him over the years to share personal and professional news, or to quibble about inaccuracies and suggest corrections. The letters are often friendly, personal, humorous, and occasionally sassy.

Reacting to a recent issue of Locus that featured one of her short stories, the science fiction writer Octavia E. Butler wrote, “I am Octavia E. Butler in all my stories, novels, and letters. How is it that I’ve lost my E in three places in Locus #292? Three places! You owe me three E’s. That’s a scream, isn’t it?”

One also finds frequent remembrances and retrospectives of departed members of the Locus community, such as Ursula K. Le Guin’s poignant reflections on the passing of Philip K. Dick. After Brown’s own death, the magazine continued publication under the auspices of the Locus Science Fiction Foundation, a registered nonprofit. The magazine launched a digital edition in January 2011 and has published both in print and online ever since.

In addition to the correspondence, story drafts, and other manuscript material (which has now been processed), the collection includes some 16,000 rare and noteworthy monuments of science fiction and fantasy from Brown’s extensive personal library, such as first editions of Isaac Asimov’s I, Robot, Ray Bradbury’s The Martian Chronicles, Robert E. Howard’s Conan the Barbarian, J. R. R. Tolkein’s Lord of the Rings trilogy, Frank Herbert’s Dune, and hundreds more.

“Historical literary treasures abound in the Locus collection, from full runs of the pulps to vintage first editions to contemporary works,” said Liza Groen Trombi, Publisher and Editor-in-Chief of Locus Magazine. “And its preservation is deeply important. It is the product of decades of collecting and curating, starting in the 1940s, the Golden Age of science fiction, when Locus’s founding publisher Charles N. Brown was an avid reader with a deep love of genre, through his time working within the science fiction field, and up to the present day under the current Locus staff. Housing those core works in an institution where they’ll be both accessible to scholars and researchers at the same time as they are carefully preserved is a goal that I and the Locus Science Fiction Foundation board of directors had long had. I am very happy to see them in the dedicated care of the curators and librarians at Duke.”

In its new home in the Rubenstein Library, the Locus collection complements existing collection strengths in the areas of science fiction and popular literature, including the Glenn R. Negley Collection of Utopian Literature, and the Edwin and Terry Murray Collection of Pulp Culture.

“The opportunity to acquire the Locus Foundation library is a tremendous one for Duke,” said Sara Seten Berghausen, Associate Curator of Collections in the Rubenstein Library. “Because it’s a carefully curated collection of the most important and influential works of science fiction of the last several decades—most in their original dust jackets, with fantastic artwork—it complements perfectly our existing collection of utopian literature from the early modern period through the mid-twentieth century.”

Locus started out as a one-sheet science fiction and fantasy fanzine and grew into the most trusted news magazine in science fiction and fantasy publishing.

Berghausen notes that Brown and Locus created not only this collection, but a community of writers, and those relationships are documented throughout the archival collection as well. “The research and teaching possibilities are almost unlimited,” she said. “From political theory to history, art, anthropology and gender studies, there are materials in the collection that could enrich the study of so many topics.”

The collection is already being used in courses at Duke. This semester, English professor Michael D’Alessandro brought his class on utopias and dystopias in American literature to the Rubenstein Library to examine some of the Locus materials first-hand.

“It’s a curious strength Duke has that I didn’t expect,” said D’Alessandro. “I taught this course previously at Harvard, and even the archives there didn’t have anything like this collection, which adds a whole new breadth and depth to the class.”

Publishing Tips for New Engineering Students

Victoria Nneji
Victoria Nneji is a Ph.D. student in Mechanical Engineering and Materials Science.

Guest post by Sarah Park, Librarian for Engineering and Computer Science, and Ciara Healy, Librarian for Psychology & Neuroscience, Mathematics, and Physics.

This spring, the Duke Libraries’ Natural Science and Engineering Group worked with the Department of Electrical & Computer Engineering to invite Ruth Wolfish to give a presentation for Duke students. Wolfish is a trainer from IEEE, the world’s largest professional association in Electrical Engineering, Electronics, and Computer Engineering. Her presentation was titled, “How to Write a Technical Paper for Publication with IEEE.” The event aimed to answer questions such as:

  • How to select an appropriate IEEE periodical or conference, organize your manuscript, and work through peer review
  • How to structure quality work to improve their chances of being accepted
  • How to avoid common mistakes and ethical lapse that will prevent your manuscript from being accepted

The information was eye-opening for many of the students in attendance. Ms. Wolfish offered tips on how to scope a research paper submission, as well as emphasizing how to demonstrate “significant difference” between posters, conference papers, and journal articles. Students and faculty engaged in lively discussions and shared their own research publishing experiences.

Following the events, we visited workshop attendee Victoria Nneji, a Ph.D. student in Mechanical Engineering and Materials Science. Victoria is a Durham native and was a member of the Duke Libraries Graduate Student Advisory Board. She graduated from the North Carolina School of Science and Mathematics in Durham and finished her undergraduate work at Columbia University in New York City before earning her masters degrees and joining Duke’s Ph.D. program. During our tour of the Duke Robotics Lab, Victoria talked about her life-long love of libraries. Libraries have also been instrumental to her research accomplishments.

Speaking of her own publishing experience, Victoria explained that her first manuscript to an IEEE journal took over a year from the submission to acceptance. Victoria emphasizes the need for reaching out and proactively communicating with the journal and incorporating reviewer comments.

We asked if she had advice for incoming engineering graduate students, and she did. Here’s what Victoria advised: work with a team to publish; connect with your research advisor, a postdoc or a professor and learn to collaborate by writing drafts; and receive feedback and take ownership of your work. Given that faculty and postdocs are often busy and have little time for carrying the paper forward, students should expect to take the initiative, even following up with your contact at the journal.

In addition, Victoria suggests:

  • Learn how to receive feedback (maybe come back to it in a day or two) and integrate the reviewer’s comments to improve revisions.
  • Communicate in a way that is accessible to those who are not as close to your research as you are — this grows your potential audience of people from different fields around the world.
  • Publish early and often — this gives you a sense of how your research fits into the broader, ever-developing science community. It also helps others develop their research.

Victoria successfully defended her dissertation and is graduating this May. She will stay connected to Duke Libraries as an alum and is looking forward to the Durham Public Library’s downtown branch, where she began volunteering in 2002, reopening in the summer of 2020.

Project Vox publishes du Châtelet’s “Essay on Optics”

Project Vox, a collaboration between Duke University Libraries and the Department of Philosophy, recently announced the publication of the first English translation of Émilie Du Châtelet’s Essai sur l’Optique, or “essay on optics.” Duke doctoral student Bryce Gessell played a pivotal role in making this translation—and the transcription that preceded it—publicly available and accessible to scholars, instructors, and students worldwide. You can read more about Bryce’s work on the translation on the Duke Graduate School’s website.

Image shows handwritten text from the original manuscript
Excerpts of Emilie du Châtelet’s handwritten “Essai sur l’Optique” that were used to construct the translation. (Images courtesy of Project Vox)

Scholars have known about Du Châtelet’s Essai sur l’Optique for many years, but until recently the text has been unavailable because all copies were thought to be lost. In 1947 Ira O. Wade published the first known edition of the Essai’s fourth chapter, which was held among Voltaire’s papers in Russia. Sixty years later, Fritz Nagel, Director of the Basel Research Center of the Bernoulli Edition, discovered the first complete copy of the Essai in the Bernoulli archives in Basel. Two other complete copies, which had previously gone unnoticed, were then discovered among Du Châtelet’s surviving manuscript material.

Working with Nagel and with Duke Philosophy professor Andrew Janiak, Gessell helped produce and publish a transcription of du Châtelet’s Essai on Project Vox in 2017. The translation, more accessible to undergraduate philosophy students, helps the next generation of scholars recognize and follow the development of Châtelet’s ideas about natural philosophy.

Project Vox seeks to transform the discipline of philosophy by making the lives, works, and ideas of early modern women philosophers available for research and classroom use. Since its inception in 2014, this open educational resource has been produced by a cross-professional, cross-disciplinary, and cross-institutional team made up mostly of students, with review and advisement from philosophers worldwide. Learn more about how Duke University Libraries increase access to scholarship at ScholarWorks.duke.edu.

My Duke Library: Christine Wei’s Perspective

Christine Wei is majoring in Public Policy with a minor in Education. About her Duke experience she says, “Duke’s been a big part of my life since 2013; I was originally in the Class of 2017 and had to take two years off because I went through a mid-college-career crisis. Since then, I’ve shifted my priorities to put health first ahead of everything else and found myself happier and healthier than before. The only project I’ve been working on is a kindness and happiness-based one. I try to look for one to three positive moments in each day and document those to focus more on the positive rather than the negative, particularly in a world dominated by tragic news.”


How has the library impacted your Duke experience?

Librarians have helped me with my research in almost every class. I’ve needed to access databases and refine searches for peer-reviewed articles and more. Duke Libraries also offered employment through my work-study, and that’s been helpful beyond words.

Duke student Christine Wei in Perkins Library

What’s something you’ve discovered in the library?

I’ve rediscovered my innate curiosity for the way things work and why things are the way they are. For instance, I haven’t taken many natural science courses since high school, so learning more about popular science can be eye-opening.

What’s a favorite space or service? And why?

I love talking to librarians by the Perkins Service Desk. Doing so reminds me I’m always a part of something more and that collaboration trumps competition every time.

Christine’s library pro tip:

Don’t be afraid to ask for help! You’ll often find more than you expected.

My Duke Library is a project of the Research and Instructional Services department.

What to Read this Month: April 2019

April is Arab American Heritage Month and National Poetry Month, so this month’s books are all Arab-American fiction, bilingual poetry, or poetry influenced by the Middle East. For more exciting reads, check out our Overdrive, New and Noteworthy, and Current Literature collections.


Dinarzad’s Children: An Anthology of Contemporary Arab American Fiction edited by Pauline Kaldas and Khaled Mattawa.

The first edition of Dinarzad’s Children was a groundbreaking and popular anthology that brought to light the growing body of short fiction being written by Arab Americans. This expanded edition includes sixteen new stories – thirty in all – and new voices and is now organized into sections that invite readers to enter the stories from a variety of directions. Here are stories that reveal the initial adjustments of immigrants, the challenges of forming relationships, the political nuances of being Arab American, the vision directed towards homeland, and the ongoing search for balance and identity.

The contributors are D. H. Melhem, Mohja Khaf, Rabih Alameddine, Rawi Hage, Laila Halaby, Patricia Sarrafian Ward, Alia Yunis, Diana Abu Jaber, Susan Muaddi Darraj, Samia Serageldin, Alia Yunis, Joseph Geha, May Monsoor Munn, Frances Khirallah Nobel, Nabeel Abraham, Yussef El Guindi, Hedy Habra, Randa Jarrar, Zahie El Kouri, Amal Masri, Sahar Mustafah, Evelyn Shakir, David Williams, Pauline Kaldas, and Khaled Mattawa.


The Situe Stories by Frances Khirallah Noble.

The situe, or Arabic grandmother, moves in and out of this collection of stories as they seek to capture the integration of Christian Arab women into American culture. The tales contain elements of magic and stoicism, presenting characters rich in independence and creativity.

Frances Khirallah Noble also wrote The New Belly Dancer of the Galaxy: A Novel about a middle-aged Syrian American optician who experiences a series of misadventures involving myth, magical realism, and the realities of Arab American life in a post-9/11 world.


Talking Through the Door: An Anthology of Contemporary Middle Eastern American Writing edited by Susan Atefat-Peckham with a foreword by Lisa Suhair Majaj.

The writers included here are descendants of multiple cultural heritages and reflect the perspectives of various ethnic and cultural backgrounds: Egyptian, Iranian, Iraqi, Jordanian, Lebanese, Libyan, Palestinian, Syrian. They are from diverse socioeconomic classes and spiritual sensibilities: Jewish, Muslim, Christian, and atheist, among others. Yet they coexist in this volume as simply American voices.

Atefat-Peckham gathered poetry and prose from sixteen accomplished writers whose works concern a variety of themes: from the familial cross-cultural misunderstandings and conflicts in the works of Iranian American writers Nahid Rachlin and Roger Sedarat to the mysticism of Khaled Mattawa’s poems; from the superstitions that govern characters in Diana Abu-Jaber’s prose to the devastating homesickness in Pauline Kaldas’ characters. Filled with emotion and keen observations, this collection showcases these writers’ vital contributions to contemporary American literature.


The World is One Place: Native American Poets Visit the Middle East edited by Diane Glancy and Linda Rodriguez.

This anthology explores how the Middle East has captured the imaginations of a significant group of Native American poets, most of whom have traveled to the Middle East (broadly defined to include the Arab world, Israel, Turkey, Afghanistan). What qualities of the region drew them there? What did they see? How did their cultural perspectives as Native Americans inform their reactions and insights? Three thematic sections – Place, People, Spirit – feature poems and notes inspired by the poets’ experiences of Middle Eastern cultures.

Contributors include Jim Barnes, Kimberly Blaeser, Trevino L. Brings Plenty, Natalie Diaz, Diane Glancy, Joy Harjo, Allison Hedge Coke, Travis Hedge Coke, Linda Hogan, LeAnne Howe, Bojan Louis, Craig Santos Perez, Linda Rodriguez, Kim Shuck, and James Thomas Stevens.


Armenian-American Poets: A Bilingual Anthology compiled and translated by Garig Basmadjian.

A beautiful anthology of poetry written in English by Armenian-American poets, along with their translations into Armenian by author Garig Basmadjian.

This book was published by the Armenian General Benevolent Union, which was founded in 1906 and is dedicated to upholding Armenian heritage worldwide.


Beautiful Words: Kasuundze’ Kenaege’ by John Elvis Smelcer.

A literary landmark, this bilingual collection of poems represents the only literature of the Ahtna culture in existence. Ahtna is one of twenty indigenous languages of Alaska and had no written form until the last thirty years. Here John Smelcer renders these poems in his native tongue with English translations.

To learn more about the Ahtna culture, visit the Ahtna Heritage Foundation’s website.


Arabic Poems: A Bilingual Edition edited by Marlé Hammond.

Arabic poetry is as vast as it is deep, encompassing all manner of poetic expression from Morocco to Iraq and spanning more than fifteen centuries. In its early stages it formed part of an oral tradition, and there were systematic and collective efforts to transmit it to later generations. Poetry not only entertained and delighted, it also served to memorialize individuals, communities, and events. Even today, it has pride of place in the public domain, engaging the elites and the masses in equal measure, albeit in different registers. This anthology attempts to capture the breadth and depth of the Arabic poetic legacy through its inclusion of pieces composed from pre-Islamic times through to the twenty-first century.

Check out our catalog for other translated collections of Arabic poetry.

 


Treat Yourself – with Pups! Puppies in Perkins Apr. 30

Classes are ending, food points are running out, and the weather is getting especially lovely. You might be saying, “I’m so over this semester” or find yourself in need of some extra cuddles. Well, we’re here to tell you we’ve got one last treat for you before you dig into finals week.

Did somebody say treat?

Do you hear that? It’s the sound of collars jingling, tails wagging, and all of your stresses floating away.

That’s right. It’s doggo time. Puppies in Perkins is back!

Finals? What finals?

Come join the Libraries and Duke PAWS in the Korman Assembly Room (Perkins 217) on Wednesday, April 30th for some quality time with Student’s Best Friend. From 1:00-3:00 pm, therapy dogs will be visiting the library to provide you with the study break —and snuggles— you need to finish this semester strong. There will also be fun, finals-themed button-making! Because who doesn’t love buttons?

We look furward to seeing you there!

Is it summer yet?

Richard Brodhead Returns to Duke with a “Whitman Sampler”


WHEN: Thursday, April 25, 4:00 – 6:00 p.m.
(Reception at 4:00, with program starting at 4:30 p.m.)

WHERE: Korman Assembly Room (Perkins Library Room 217), Perkins Library 2nd Floor, Duke West Campus (Click for map)


Walt Whitman, who was born 200 years ago this spring, once wrote:

Shut not your doors to me, proud libraries,
For that which was lacking among you all, yet needed most, I bring.

He was probably not talking about chocolate. But that won’t stop this proud library from bringing some to his birthday party!

Join us on April 25 as we celebrate Whitman’s bicentennial, with readings and remarks by Richard H. Brodhead, Duke’s ninth president, on why he loves the “Good Gray Poet” and you should, too. If you’ve ever wanted to know more about America’s most famous bard, now is your chance to take a short course (with no grades or quizzes!) from one of the foremost experts on the subject.

Guests will also be invited to view original Whitman manuscripts and materials from the David M. Rubenstein Rare Book & Manuscript Library, which holds one of the largest and most important Whitman collections in the world, right here at Duke.

Free and open to the public. And yes, there will be chocolate.


About Richard H. Brodhead

Richard H. Brodhead served as President of Duke University from 2004 to 2017. As President, he advanced an integrative, engaged model of undergraduate education and strengthened Duke’s commitment to access and opportunity, raising nearly $1 billion for financial aid endowment.  Under his leadership, Duke established many of its best-known international programs, including the Duke Global Health Institute, DukeEngage, and Duke Kunshan University. Closer to home, Duke completed major renovations to its historic campus and played a crucial role in the revitalization of downtown Durham.

Brodhead received his B.A. and Ph.D. from Yale University, where he had a 32-year career as a faculty member before coming to Duke, including eleven years as Dean of Yale College. A scholar of American literature and culture, he has written and edited more than a dozen books, including on Hawthorne, Melville, and Whitman.  He was elected to the American Academy of Arts and Sciences in 2004, and he was named the Co-Chair of its Commission on the Humanities and Social Sciences and co-authored its 2013 report, “The Heart of the Matter.” He has been a trustee of the Andrew W. Mellon Foundation since 2013.

Brodhead’s writings about higher education have been collected in two books, The Good of this Place (2004) and Speaking of Duke (2017). For his national role in higher education, Brodhead was given the Academic Leadership Award by the Carnegie Corporation of New York. He is currently the William Preston Few Professor of English at Duke.

My Duke Library: Elizabeth Smithwick’s Perspective

Hello! My name is Elizabeth Smithwick and I’m from Jacksonville, Florida. I am a senior at Duke studying chemistry. My undergraduate thesis focuses on calculating the redox potentials of iron-sulfur proteins. After graduation, I will be pursuing my Ph.D. in chemistry at the University of Minnesota. Outside of school I enjoy hiking, painting, and reading science fiction. My favorite book currently is The Dispossessed by Ursula K. LeGuin.


How has the library impacted your Duke experience?  

For me, the libraries have always been a place to connect with other people while also tackling my courses at Duke. In contrast to being in my room studying all the time, I feel a sense of camaraderie with my peers in the library that I don’t always feel in other spaces at Duke. I am reminded that everyone here at Duke is working hard to do their very best.

Duke senior Elizabeth Smithwick

What’s something you’ve discovered in the library? 

My sophomore year I was enrolled in an Italian Renaissance art history class and as a research project, we were assigned to investigate an obscure Italian painter. For the painter I received, Marco Basaiti, the amount of information online was sparse, and I was unsure where to go next. Thankfully I was able to find a few physical books on art in the Renaissance that made brief mention to Marco Basaiti in the collection at Lilly library which opened a few more avenues of investigation. Specifically it was a book of drawings by old masters that led me to a few of his more well-known contemporaries that allowed me to find more material on Basaiti himself. Most of the research I had done in the past had mainly been in the form of online journal articles so exploring the stacks in Lilly was a novel experience and gave me a much greater appreciation for the large collection Duke already possesses.

What’s a favorite space or service? And why?

My favorite service of the library is the Document Delivery Service. The ability to access almost any scientific article reasonably quickly and easily is an extremely powerful tool and one I wouldn’t know what to do without.

Elizabeth’s library pro tip: 

Reach out to the librarians for research help with class projects and independent studies. Odds are they know of something that will help make research easier or more efficient. I know my life was forever changed as soon as I learned about EndNote which is a way to manage references for papers.

My Duke Library is a project of the Research and Instructional Services department.

Grammy Nominees – and Winners! – in the Music Library

Grammys at the ML
Grammy Awards Collection Spotlight

The 61st Annual Grammy Awards wrapped up in February, and now is your chance to catch up with some of the critically-acclaimed recordings that you may have heard about but haven’t had a chance to audition yourself. The Duke Music Library is pleased to unveil a new collection spotlight of recordings nominated for the 2019 Grammy awards, featuring more than 80 albums from just about every category you’ve heard of – and some you might not have!

In addition to some of the finest recordings from the last year in Opera, Musical Theatre, and Classical, this collection spotlight includes Cardi B, Ariana Grande, Kacey Musgraves, Beck, Fred Hersch, Drake, Joshua Redman, Kurt Elling, Buddy Guy, High on Fire, and many more.


Check out our very own “staff picks”:

Philippe Jaroussky and Artaserse, The Handel Album

French countertenor Philippe Jaroussky is among the most famous countertenors in the world right now, and it’s a voice range that has attracted growing interest in recent years. The high range of the countertenor voice and the manner in which its unusual qualities are produced results in a sound that has often been described as unearthly – it’s also a powerful and flexible voice type, able to handle music of stunning virtuosity and highly expressive pathos. All of these qualities are beautifully demonstrated in this album of arias selected by Jaroussky from among lesser-known Handel operas, highlighting pieces which he says “reveal a more intimate, tender side of Handel.”

Preview an incredible aria from the album, “Sussurrate, onde vezzose” from Handel’s Amadigi di Gaula, which evokes the limpid and gentle murmuring of waves. Jaroussky begins with an almost impossibly hushed suspended note on the word “whispering.”

-Laura Williams, Head Librarian, Music Library

 

Fred Hersch Trio, Live in Europe

Fred Hersch and company continue to find new and innovative modes of expression within the jazz piano trio context. Featuring new Hersch originals alongside fresh interpretations of a few standard tunes, this album really shines, both in recording quality and inspired live performance.

-Jamie Keesecker,  Stacks Manager and Student Supervisor, Music Library

 

High on Fire, Electric Messiah

Metal lifer Matt Pike gets the big nod after a year in which this release was not even the best thing he put out (that distinction would go to his other band Sleep’s album ‘The Sciences’). It was also a year in which he had a public struggle with diabetes that cost him a toe and grounded a large part of the tour for ‘Electric Messiah’. That said, when the award was announced early in the Grammy ceremony, the cameras spent many long seconds scanning back and forth looking for the winners in a mostly-deserted theater. Finally, from way in the back, Pike hobbled forward with the help of a cane, and accompanied by his metal peers, to accept his shiny statue. “We never really need an award for doing what we love…” was part of Pike’s on-stage comment, but the commendation was very cool all the same.  

– Stephen Conrad, Order Specialist for Music and Film and Team Lead for Western Languages, Monographic Acquisitions

 

James Ehnes, Violin Concertos by James Newton Howard and Aaron Jay Kernis

The new Kernis Concerto was written for Canadian violinist James Ehnes, and it really serves as a showcase for Ehnes’ strengths. He comes across as such an intelligent musician, really playing with (not just in front of) the other members of the orchestra – Kernis gives them some great moments of interplay here. This work also balances Ehnes’ ability to deliver beautifully straightforward, unfussy lines one minute and astoundingly virtuosic cadenzas the next. Oh, and apparently he watched his Grammy win on a live stream in his neighborhood grocery store parking lot. How much more Canadian and unpretentious can you get?

-Sarah Griffin, Public Services Coordinator, Music Library (and, yes, a violinist)

 


Come over to East Campus to see these and browse through many more on our display of CDs. Don’t have a CD drive on your laptop anymore? No, neither do we! Borrow a portable DVD/CD drive while you’re here.

Fans of accompanying visual materials may find these albums to be of particular interest:

  • Wayne Shorter’s immersive Emanon, packaged with its accompanying graphic novel by comic book artist Randy DuBurke.
  • The Berliner Philharmoniker’s 6-disc box set (4 CDs and 2 Blu-ray discs), The John Adams Edition, featuring the music of legendary minimalist composer John Adams, with photographic artwork by Wolfgang Tillmans. Recorded during the orchestra’s 2016/2017 season during which Adams served as Composer in Residence.
  • At the Louisiana Hayride Tonight, a massive 20-CD box set with 224-page hardcover book documenting the storied radio program broadcast live from the Municipal Auditorium in Shreveport, Louisiana between 1948 and 1960. Includes a previously unreleased recording by Hank Williams, as well as rare gems from Johnny Cash, Kitty Wells, Elvis Presley, and many more.
  • Battleground Korea: Songs and Sounds of America’s Forgotten War brings together an assortment of songs, news reports, public service announcements, and other spoken-word audio (including a plea for blood donations from Howdy Doody) on four CDs, accompanied by a full-color hardcover book featuring song and artist information, record covers, advertisements, propaganda posters, and rarely-seen photographs from the war.
Battleground Korea and Louisiana Hayride

April 2019 Collection Spotlight: Graphic Novels and Comics

This month’s Collection Spotlight shines a light on graphic novels and comics.  You will find a variety of graphic novels and comics from across our libraries on display.  Here are some examples:

Ms. Marvel, writer, G. Willow Wilson ; color artist, Ian Herring ; letterer, VC’s Joe Caramagna

 

 

 

I Kill Giants, [written by] Joe Kelly ; [art & design by] JM Ken Niimura

 

 

 

 

The Annotated Sandman,  by Neil Gaiman ; edited, with an introduction and notes by Leslie S. Klinger ; featuring characters created by Neil Gaiman, Sam Kieth and Mike Dringenberg

 

 

Aya of Yop City, Marguerite Abouet & Clément Oubrerie

 

 

 

 

Wandering Son, [Shimura Takako ; translation, Matt Thorn]

 

 

 

 

French Milk, Lucy Knisley

 

 

 

 

If you are interested in finding out more details about finding graphic novels and comics in our collections, read on!

Comics and Graphic Novels in the Stacks

You can check out comics and graphic novels from our circulating collections.  We have comics and graphic novels scattered throughout our libraries, with most of them housed at Lilly Library on East campus.  You’ll find everything from The Walking Dead to Persepolis.

There are several ways to identify titles.  If you want to browse, relevant call number sections include PN6700-6790 and NC1300-1766.  You can do a title search in our library catalog for specific titles.  You can also use the subject headings Comic books, strips, etc. and graphic novels to discover more titles.

Manga

We have manga in the East Asian collection on the second floor of Bostock.  We hold about 600 titles in Japanese and 150 titles translated into English just in PN6790.J3 – PN6790.J34.  You can also find Korean manhwa in PN6790 K6 – PN6790.K64.  Popular titles held at Duke include One Piece, Dragon ballNarutoAstro Boy, as well as the complete works of Tezuka Osamu.

The Underground and Independent Comics Database

The Underground and Independent Comics database is the first-ever scholarly online collection for researchers and students of adult comic books and graphic novels. It features the comics themselves along with interviews, commentary, and criticism. Includes artists such as Jessica Abel, Jaime Hernandez, Jason, Harvey Pekar, Dave Sim, and many more. There are comics from around the world, including Canada, France, Italy, Spain, England, Sweden, Norway, Australia, Korea, Japan.

Overdrive

We have just recently begun purchasing some comics for Overdrive!  More titles to come!

Rare and Original Issues at the Rubenstein Library

The Rubenstein’s comic collection spans many decades, publishers, and styles: from Golden Age Batman to modern graphic novels, and everything in between.

Edwin and Terry Murray Comic Book Collection

With more than 67,000 comic books from the 1930s to the 2000s, this is our largest collection.  All of the comic book titles are in the process of being added to the library catalog, so you will be able to search the catalog for your favorite superhero!   The titles currently available can also be found in the catalog by searching for “Edwin and Terry Murray Collection (David M. Rubenstein Rare Book & Manuscript Library).”   You can try searching by genres, such as “Detective and mystery comics” and  “Underground comics,” as well.

Comic Book and Graphic Novel Collection

Contains thousands of additional comics and graphic novels with rich materials in international comics, especially Argentina and France, and comics created by women.  Find them in the Guide to the Comic Book and Graphic Novel Collection, 1938-2012.

 

In the meantime, check out the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins to find your next read!

From Shipping Crate to Exhibit Case: The Lisa Unger Baskin Collection

Please join us for an event celebrating the Lisa Unger Baskin Collection and the work of our amazing staff!

Phillis Wheatley's Poems on Various Subjects, Religious and Moral.
Phillis Wheatly, Poems on Various Subjects, Religious and Moral. Lisa Unger Baskin Collection.

Date: Friday, April 12
Time: 11:00-11:45 am
Location: Holsti-Anderson Family Assembly Room, Rubenstein 153

In April 2015, the Lisa Unger Baskin Collection arrived at the David M. Rubenstein Rare Book & Manuscript Library at Duke University. Comprising over 11,000 rare books and thousands of manuscripts, journals, ephemera, and artifacts, the Baskin Collection includes many well-known monuments of women’s history and arts as well as lesser-known works produced by female scholars, printers, publishers, laborers, scientists, authors, artists, and political activists. “From Shipping Crate to Exhibit Case” looks at the comprehensive work of libraries, including how we organize, conserve, describe, and exhibit, through the lens of this unique collection.

“Five Hundred Years of Women’s Work: The Lisa Unger Baskin Collection” will be available for viewing after the program, in the Mary Duke Biddle Room.

This event is free and open to the public.

 

Celebrate National Poetry Month (and Walt Whitman)

April is National Poetry Month!   There are many ways to celebrate, including signing up for a poem-a-day or participating in Poem in Your Pocket Day on April 18th.

If you want to read poetry, we have  a lot of titles in our collection to choose from.  You can explore here.  You might also enjoy exploring Columbia Granger’s World of Poetry.  You can find some full text of poems and citations to collections of poetry to help track down a particular poem.  It’s especially helpful when you know the first or last line of a poem.

Another way to observe National Poetry Month is to help us celebrate the 200th anniversary of Walt Whitman.  We’ll be celebrating tomorrow (April 5th) with a pop up outside of Vondy from 11:00-1.  Join us to make a button and do a mad lib!

We’ll also have an event on April 25th at 4:00 pm in the Korman Assembly Room (Perkins 217) called “A Whitman Sampler: A Bicentennial Celebration.”  Here are the details:

with Richard H. Brodhead
President Emeritus of Duke University and
William Preston Few Professor Emeritus of English

Join us as we celebrate Walt Whitman’s 200th birthday with readings and remarks by Duke’s ninth president on why he loves the “Good Gray Poet” and you should, too. Also featuring original Whitman manuscripts and materials from one of the most significant Whitman collections in the world, right here in Duke’s Rubenstein Library.

Lilly Library March Movie Madness The Conquering Hero

Hail the Conquering Hero

This just in from the DYNAMIC DUO news desk…

All Hail the Conquering (super) Hero: Black Panther

From your friendly Lilly Library Bracketologist:

Nathaniel Brown Media & Reserves Coordinator, Lilly Library
Bracketologist Nathaniel Brown

Vibrationally speaking,  in the  final matchup, The Black Panther quivered and pounded The Incredibles into submission as it came out on top as the Best Superhero Movie, 80-59!

I must give credit where credit is due…The Incredibles had an incredible run to the finals toppling giants and proving they can run with the big dogs.

But this year’s bracket (and box office) belongs to The King of Wakanda! All Hail T’Challa!

This year’s Superhero Edition of March Movie Madness proved to be a Marvel, and an Incredible adventure. Thank you to all the students and university staff who participated.

As for the hopes of the vanquished,
just wait until next year!

Contributors:
Nathaniel Brown, Lilly Library Media and Reserves Coordinator
Carol Terry, Lilly Library Collection Services & Communications Coordinator

 

 

My Duke Library: Tyler Chery’s Perspective

Tyler Chery is a junior studying Mechanical Engineering and Religion.


How has the library impacted your Duke experience?

Ironically, I have never thought of myself as a “library person.”  I always appreciated the “college feel” that university libraries provide, but I never truly believed that I would identify with such a stressful and business-oriented establishment.  This all changed when I first discovered the wonders of The Link during the second semester of my freshman year.

Duke student Tyler Chery

Every Monday and Wednesday after my 8:30 am EGR 121 lecture I would commandeer group study room 11, grab a huge bean bag, and sleep like a baby until my next class. I still remember the awkward looks I would get as people walked into the study room only to find me sprawled on the floor knocked out. On Fridays I would return and crank out hours of homework before the weekend began. The Link became my productivity secret. 

As sophomore year rolled around I challenged myself to find all the nooks and crannies of Perkins and Rubenstein. Now, as a junior I consider myself to be an expert at finding study (and sleep) spaces in Perkins, Rubenstein, Bostock, and even Lilly on East Campus. In addition, I have had the pleasure of meeting a lot of the library staff now that I have a work-study job in the collections department of Perkins. I practically spend half of my time in the library these days.

What’s something you’ve discovered in the library?

RESERVE TEXTBOOKS! I literally checked out a reserve textbook 20 minutes before taking one of the rare open-book examinations in all of my time here at Duke. I still remember reading off a few exam answers word for word in the text.

Also, I highly recommend going on the Duke Libraries website and taking the time to search for online resources and databases before wasting your time on Google when writing essays. I have found some serious gems for my religious studies papers just by searching the online catalog.

What’s a favorite space or service? And why?

The Link!  Naps, vending machines, technology support; it has everything you need to complete an abundance of work over the course of one day. I have spent hundreds of hours in there.

Tyler’s library pro tip:

If you are someone who supposedly can only study in your room, or where no one else is watching, I challenge you to try any of the above locations that I have mentioned. You may feel uncomfortable for the first 30 minutes but eventually you will realize that you cannot afford to watch an hour of YouTube videos if everyone else around you is doing actual work.

My Duke Library is a project of the Research and Instructional Services department.

Introducing a New Library Space: The ZZZone


When it comes to college, sleep schedules can be a real nightmare. It’s no surprise to see Duke students catching some extra z’s whenever and wherever they can, especially here in the library.

We get it. We respect “the grind” and understand that sometimes a mid-morning nap can help you restart your day with a fresh “Good morning, let’s get this bread!” attitude.

That’s why we’ve teamed up with Duke Wellness to make one of our “absolute quiet zones” even quieter. We’re happy to announce our newest makeover of library space: The ZZZone.

Sleep masks will be available for your catatonic convenience.

We’re transforming the 4th floor of Perkins Library into a cozy, peaceful sleep space guaranteed to make every Duke student’s dreams come true. Renovations are scheduled to begin in June 2019.

The ZZZone will build on the popularity of the Oasis, a dedicated meditation and mindfulness space in Perkins Library that is also a collaboration with Duke Wellness. Approximately 10,000 square feet of book shelving throughout the floor will be converted into bunk-beds. Additional enhancements will include ergonomic recliners, drool-proof pillows, and a vending machine for sleep essentials: eye masks, ear plugs, lavender essential oil spray, sleepy-time teas, and more! Blankets and a selection of stuffed animals will be available at the Perkins Library Service Desk and can be checked out for up to three hours at a time.

Snoozers won’t be losers in The ZZZone!

The ZZZone will be staffed by librarians available to quietly read excerpts from your textbooks until you drop off to slumberland, as well as to gently shush any snorers or sleep-talkers. Special arrangements are being made to convert group study rooms into solo sleeping quarters for somnambulists, who can rest assured they won’t wander far.

All you need to enter The ZZZone is your Duke ID and a spare hour or two.

Floorplan of the 4th floor of Perkins and Bostock Libraries, showing the location of The ZZZone.

“Our hope is that The ZZZone will be a place where students can hit the hay in between hitting the books,” said University Librarian Deborah Jakubs, stifling a yawn. “We will be assessing usage statistics carefully, and if this new service proves popular with our users, we may consider expanding it to other floors, perhaps even the entire building.”

The ZZZone is set to open for students at the start of the fall 2019 semester, said Jakubs. “Until then, we’re counting the sheep—I mean days!”

Prepare yourself–naps are coming.

Like these photos? They’re courtesy of @devilswhonap. Check them out on Instagram for all kinds of dormant Blue Devils across campus (more than a few in the library).

Like this post? Sadly, it’s all been just a dream. For now, you’ll just have to settle for our regular yawn-inducing tables and chairs. Happy April Fools’ Day!

News, Events, and Exhibits from Duke University Libraries