In the words of Duke President, Vincent Price, “In recognition of Juneteenth’s message of liberation from oppression, and out of respect for the anger, sadness, exhaustion, and courage of our Black friends and neighbors, this Friday, June 19, will be a day of reflection for the entire Duke community.”
To facilitate this collective action, the Duke University Libraries offers access to streaming videos that reflect the African-American experience. The list here is not exhaustive, but rather provides a window into the many resources available to the Duke community for us to self-enrich and grow as lifelong learners.
bell hooks: Cultural Criticism & Transformation (MEF documentary in Kanopy) bell hooks is one of America’s most accessible public intellectuals. In this two-part video, extensively illustrated with many of the images under analysis, she makes a compelling argument for the transformative power of cultural criticism.
Ethnic Notions (California Newsreel documentary in AVON and FOD)
Directed by Marlon Riggs, this Emmy award-winning documentary analyzes the deep-rooted stereotypes which have shaped the evolution of racial consciousness in America.
Killer of Sheep (feature film in AVON)
Charles Burnett’s Killer of Sheep was one of the first 50 films to be selected for the Library of Congress’ National Film Registry and was chosen by the National Society of Film Critics as one of the 100 Essential Films. The protagonist, employed at the slaughterhouse, is suffering from the emotional side effects of his bloody occupation to such a degree that his entire life unhinges.
Through a Lens Darkly (First Run Features documentary in AVONand FOD)
The first documentary to explore the American family photo album through the eyes of black photographers, Through a Lens Darkly probes the recesses of American history to discover images that have been suppressed, forgotten and lost.
Traffic Stop (HBO documentary in FOD)
This haunting and compelling Academy Award®-nominated, 30-minute, documentary short tells the story of Breaion King, a 26-year-old African-American school teacher from Austin, Texas, who was stopped in 2015 for a routine traffic violation-an encounter that escalated into a dramatic and violent arrest.
Unnatural Causes: Is Inequality Making Us Sick?(PBS documentary in AVON and FOD) This series offers an overview of the ways that racial and economic inequality are not abstract concepts but hospitalize and kill even more people each year than cigarettes. The segment on the impact of racism on African American infant mortality is particularly compelling.
The Loving Story (HBO documentary in Docuseek)
Oscar-shortlist selection THE LOVING STORY, the debut feature by Full Frame Documentary Film Festival founder Nancy Buirski, is the definitive account of Loving v. Virginia-the landmark 1967 Supreme Court decision that legalized interracial marriage.
Compiled by Danette Pachtner Librarian for Film, Video, & Digital Media and Women’s Studies
When Spring Break 2020 (remember all the way back to March?) morphed into a covid19 quarantine, closing our Lilly Library building did not mean we left our library resources “remaining in place”. Digitizing course material, consulting with students and faculty, while expanding online collections and streaming databases are a few ways all of us in the Duke Libraries connect with our users.
Being off campus has us thinking of Lilly Library and missing all of our wonderful assets, headlined by our knowledgeable colleagues. One way to stay connected is with our new series of virtual pop-ups, Lilly Looks.
Lilly Looks is a collage of insider glimpses and highlights of our collections of resources, films, books, and beyond, presented in short video posts. Some may be scholarly while some may definitely go “beyond” with lighthearted and fresh perspectives!
Edited by Ernest Zitser, Ph.D., Librarian for Slavic, Eurasian, and East European Studies, library liaison to the International Comparative Studies Program, and Adjunct Assistant Professor in the Department of Slavic and Eurasian Studies at Duke University.
This is the second in a series of blog posts on global pandemics by the staff of and/or subject specialists directly affiliated with Duke Libraries’ International and Area Studies Department. As is the case with the first installment of the series, the librarians who contributed the following entries seek to offer suggestions for further reading, not a comprehensive bibliography on the topic. For additional resources (visual or textual, analog or digital) on plagues/infectious diseases/moral panics from around the world, please contact the appropriate IAS librarian. And if you have any recommendations of your own, please “reply” to this blog post below.
Unless you are a die-hard fan of the genre, it may be too soon in our experience of COVID-19 to seek out movies featuring infectious diseases that inspire moral panic or plagues that end the world. And even hardcore fans might want to take a break from perennial favorites, such as The Andromeda Strain(dir. Robert Wise, 1971, U.S), 28 Days Later(dir. Danny Boyle, 2002, U.K.), Children of Men(dir. Alfonso Cuarón, 2006, U.S. & U.K.), Contagion (dir. Stephen Soderbergh, 2011, U.S.), or the cult classic (and my personal favorite) 12 Monkeys(dir. Terry Gilliam, 1995, U.S.).
However, as Duke’s Librarian for Film, Video, & Digital Media, it is my job to challenge patrons’ expectations of what/when/who is watchable by exposing them to visual resources that they might otherwise not know about or simply choose to ignore. That is why I have compiled a short list of lesser known, but no-less-provocative foreign films that are all available, with English subtitles, in the Duke Libraries’ film collection. Precisely because of their variety of approaches—from bucolic (Wondrous Boccaccio ) to philosophical (The Seventh Seal) to apocalyptic (The Flu)—these films demonstrate that there are as many cinematic responses to pandemics as there are international movie makers and audiences. And these responses are as unique and culturally-mediated as the cinematic experience itself.
Wondrous Boccaccio (dirs. Paolo and Vittorio Taviani, 2015, Italy) consumer streaming platforms | Lilly DVD 29001 | streaming in the Libraries [access requires Duke netid/password | licensed through 9-30-2020]
Based on Giovanni Boccaccio’s Renaissance classic, The Decameron, this film follows the lives of ten young people who flee plague-ridden Florence in the mid-14th century, at the height of a pandemic that would ultimately kill over 30 million people, alter the European social structure, and influence the ideologies of those who survived. The Taviani brothers use Renaissance painting as a source of inspiration in their film. The cinematography evokes the vibrant colors of artists such as Botticelli in his scenes from The Decameron, as well as those of Masaccio and Giotto, moving from dark blacks in the plague-ridden city to vibrant colors of the countryside. The characters find refuge in an abandoned villa in the Tuscan hills and pass the time by telling each other tales of love, which range from the erotic to the tragic.
Blindness (dir. Fernando Meirelles, 2008, Brazil & Canada) consumer streaming platforms |Ford DVD #4943
Based on the bestselling novel by Nobel-Prize-winning Portuguese author, José Saramago, a city is ravaged by an epidemic of instant white blindness. Filmed on location in Brazil, Canada, and Uruguay—although “the city” is never specifically identified—the story focuses on the behavior of people who are losing their sight and are forced to survive in a sea of whiteness. The film depicts the ugliest side of human nature in a crisis; it offers a devastating portrait of institutional failure and government betrayal. The viewer can recognize chilling parallels with our current COVID-19 crisis, from the opportunism of corrupt governments to the neglect of the health-care system. Blindness is an end-of-civilization fable which is thought-provoking and topical in its indictment of declining social mores.
The Hole (dir. Tsai Ming-liang, 1998, Taiwan)Lilly DVD 366
At the cusp of the 21st century, Taiwan experiences a torrential rain that brings with it a mysterious virus of epic proportions. Symptoms of “Taiwan Fever” include high fever and an acute sensitivity to light. Sections of the city are quarantined with essential services cut off by the government. The film is set in an apartment block in a quarantine zone where residents remain, against quarantine regulations. A plumber comes to fix a leak and instead leaves a gaping hole through which a tenant can see into his neighbor’s apartment below, and they develop a connection. The Hole presents a remarkable blend of aesthetic elements of science fiction, absurdism, and romantic fantasy, with musical sequences to boot. The film does not travel beyond the bounds of the apartment block. It explores the inward-looking aspects of an outbreak—the isolation it causes and how interactions with others become intensified.
The Seventh Seal (dir. Ingmar Bergman, 1957, Sweden)consumer streaming platforms |Lilly DVD 14846
Exhausted and embittered after a decade of battling in the Crusades, a knight returns home to a land ravaged by bubonic plague. He encounters Death on a desolate beach and challenges him to a fateful game of chess. Focusing on issues of man’s relationships with death, life and God, Bergman’s story transcends simple metaphor in this now classic work rich in philosophical allegory that remains especially relevant today.
The Flu (dir. Kim Sung-su, 2013, S. Korea) consumer streaming platforms | Lilly DVD 26447
This South Korean medical disaster film tells the story of panic, despair, and the desperate struggle for survival in a city that has been quarantined after the outbreak of a deadly virus. The virus in this scenario is H5N1 influenza (commonly known as the ‘bird flu’) introduced by illegal immigrants from Hong Kong, arriving in a shipping container. In order to prevent the spread of the virus worldwide, the government issues a national disaster and orders a city-wide lockdown. Citizens stock up on daily necessities, starting riots as mistrust of each other builds. In the meantime, politicians’ quarrels, powerless governments, and unwelcome U.S. involvement force the viewer to consider eventualities that might be even more frightening than a virus attack. Sound familiar?
Aside from scientific articles in medical journals about the most recent outbreaks of new strains of influenza and coronavirus, the issue of pandemics on the Korean peninsula has only recently attracted the attention from the English-speaking scholarly community. That is why most of the publications on the topic are currently in the form of scholarly journal articles, dissertations, and theses, rather than academic monographs.
For example, in 2011, Chaisung Lim, then Assistant Professor at the Institute for Japanese Studies at Korea’s Seoul National University, published an article on “The Pandemic of the Spanish Influenza in Colonial Korea” in the Korea Journal, a quarterly academic publication founded in 1961 with the goal of promoting Korean Studies around the world. By examining the Spanish influenza, which was widespread during 1918-1921, Lim sought “to elucidate the structural aspect of disease and death in colonial Korea” and to “explor[e] its socioeconomic effects.” The author focused on the public health policies adopted by the Government-General of Korea (GGK)—the Japanese colonial ruling organ from 1910 to 1945—and the degree to which these measures contributed to the mortality of the general population. He further probed how GGK’s policies were differentiated by ethnic group (ethnic Koreans and Japanese), as well as how much access each ethnic group had to measures for medical treatment. His research revealed a significant difference in the fatality rates between the two ethnic groups—a conclusion that reminds me of the differential effects of COVID-19 on the health of racial and ethnic minority groups in the US. Interestingly, Lim’s study also posited that the social frustration caused by the pandemic and the ensuing economic hardships served as a source for the so-called March First Independence Movement in 1919, one of the earliest public displays of Korean resistance to Japanese colonial rule.
Another example of English-language research on the same topic comes from somewhere even closer to home. Two years ago, a Duke undergraduate student named Alan Ko asked me, in my capacity as the Korean Studies Librarian, to assist him with his research on the Spanish flu during the colonial period in Korea. He was then in the process of working on an honors thesis in the History Department and was looking for Korean-language primary sources. Among other things, I suggested that he take a look at contemporary Korean newspapers, such as those made available in e-format by several different Korean newspaper archives. He used those sources to examine how Western missionaries in colonial Korea perceived disease among the local populace and how public health efforts correlated with certain preconceived cultural and social factors. Needless to say, it was very gratifying to learn that Alan not only went to graduate with honors, but that his honors thesis, “Pathogens from the Pulpit: Missionary Perceptions of Disease in Colonial Korea (1910-1940),” was deposited in DukeSpace—Duke Libraries’ online repository—thereby making the results of his research freely-available to other scholars. It was also nice to see that the author publicly acknowledged the support that he received from Duke’s librarians, who not only helped him to locate “appropriate Korean language sources,” but also cheered him on with tea and pistachios, while he edited his thesis, during “work-study shifts” at Perkins library.
Plagues/infectious diseases/moral panics have also been a feature in Korean popular culture, appearing in several famous films, dramas, and novels. One of the most recent films on the topic (The Flu) has already been mentioned above, in Danette Pachtner’s post on pandemics in international cinema. Here, I would like to draw attention to another movie: “The Host,” a feature film directed by Bong Joon-ho—the Academy Award-winning director of The Parasite (2019). Both The Host (2006) and The Flu (2013) were inspired by the SARS (Severe Acute Respiratory Syndrome) epidemic of 2002-2004, which was caused by a different, but related strain of coronavirus than COVID-19. Both films describe virus-related epidemic/pandemic situations and deal with the interplay between political and environmental issues. But only The Host has an American villain who is even more evil than the virus-spewing monster that he inadvertently unleashes upon the world.
The plot of The Host begins in a laboratory on an American military base in South Korea. An American scientist working with dangerous chemicals orders his Korean colleague to dump them into the Han River, saying “who cares” and “it can’t really hurt anyone.” Of course, turns out it can. The movie goes on to trace the havoc wreaked on Korea by a river-dwelling mutant created by the illegal dumping of chemical waste, as that monster begins to spread a deadly new virus, which can be transmitted (SARS-like) to humans through animals.
Despite its fantastic premise, this mash-up of medical disaster and monster movies actually has a basis in reality. In fact, the film was inspired by an incident from 2000 in which a Korean mortician working for the U.S. military in Seoul was ordered to dump a large amount of formaldehyde down the drain. And, unfortunately, scenes from the movie have become an all-too-real part of our daily routine in the age of COVID-19. In an eerie foreshadowing of the paranoia and anti-Asian racism that has attended the outbreak of the latest coronavirus pandemic, the movie depicts a world in which people who wear facemasks are so afraid of viral transmission that they come to suspect one another of deliberately, if not maliciously, hiding symptoms of the disease. The movie also highlights, if only by negative example, the critical role that the government can play during a national health crisis, portraying the South Korean government as bureaucratic, inept, and essentially uncaring. Surely, there is no country in the world today where the government can be described in such unflattering terms. Now that is pure fantasy!
Just in time for LDOC (that’s Last Day of Class for you non-students), Lilly’s Animated April has drawn to a close. The final match between The Lion King and Mulan was fiercely fought. Bracketologist Nathaniel takes you inside the battle , with his final wrap up of this year’s contest. You can watch his commentary on Lilly’s Facebook page.
Ladies and gentlemen, we have a winner!!! It was a close and grueling affair. At one point during the contest, just three votes separated the two combatants.
However, pulling it out at the very end with a 169 – 162 victory is…THE LION KING! Drawing strength, determination, and grit from Mufasa and his other ancestors, Simba “remembered who he was” and defeated the mighty warrior and worthy adversary, Mulan.
We thank you for your participation in this event. We understand the unique and tough times we are experiencing currently as humankind with the COVID crisis. We hope we have provided a bit of levity and fun in an uncertain and scary time. Thanks to you, during this final round we received the most votes we have ever received in the 3 years of these themed brackets . Thank you so much for your participation!
Thanks, too, for your suggestions for future brackets.
Docuseek, a streaming video platform of high quality documentary films, is showing its support for continuing education during the COVID-19 crisis by offering 12 films for free online streaming starting today through May 1. The theme of all 12 titles is sustainability centered around the 50th Anniversary of Earth Day and includes new films as well as popular classics.
The first documentary film to be screened is How to Let Go of the World and Love All the Things Climate Can’t Change by Josh Fox. Traveling to 12 countries on 6 continents, the film acknowledges that it may be too late to stop some of the worst consequences and asks, what is it that climate change can’t destroy? What is so deep within us that no calamity can take it away?
Don’t worry if you miss a date, you will be able to access films released on previous days until May 1st. For more online viewing, check out the Duke Libraries’ streaming video* offerings of subscription and licensed films.
*Note: access to these titles are limited to current Duke students, staff and faculty.
So much for our Pixar versus Disney match-up; Disney stands alone in the championship round with a match-up between The Lion King and Mulan. Lilly’s resident Bracketologist Nathaniel recaps the penultimate round and looks at the championship match below.
Welcome back! Watch my recap on Lilly Library’s Facebook page.
Who will go on to the Perfect Pair? In the battle of the Number One seeds, The Lion King “stampeded” Toy Story in a rout! And on the other side of the bracket, Finding Nemo has “gone fishing” after Mulan sent it packing! To quote an esteemed colleague, “So much for Pixar, Disney took them all out!”
This sets up an all Disney final. Two grizzled veterans are squaring off for the championship, proving that oldies can indeed be goodies! In one corner, we have the 1998 film, Mulan. Mulan used the “fire dragon out of water” to bury every “Hun” adversary that has come along. She toppled Wall-E, Frozen, and Finding Nemo – all seeds higher than her own. Can she “stay true to her heart” and “bring honor to us all” by defeating one more adversary in the Lion King? Will her “reflection” finally show the champion she is inside?
In the other corner, we have the 1994 film, The Lion King. Simba mauled his way through the competition. He thrashed all his opponents comfortably along the way, defeating Monsters, Inc., The Incredibles, and Toy Story. Has Simba “waited long enough to be king?” Can he complete the “circle of life” to bring home the championship?
The brackets are now open until 4/21/20 at 8PM!
Please cast your vote to crown this year’s champion!
Enchanted no more?
It’s down to the Favorite Four!
The voting for the Enchanted Eight in Round Two is over, and the Favorite Four remain. Lilly’s resident (or shall we say currently remote) analyst Nathaniel offers his take on the results of the latest Disney versus Pixar match.
Welcome back, ladies and gentlemen! Round Three results of the Enchanted Eight are in…
Representing the FIRE region, the Lion King slashed the Incredibles! In the ICE bracket, Mulan thawed the number one seed Frozen in a rout! In the EARTH region, Toy Story made its way back to the winner’s circle by defeating Beauty and the Beast. And representing the UNDER THE SEA bracket, Finding Nemo “UP”ends Up!
The Fave Four match-ups are set! Who will continue their path to the championship? We have two number one seeds squaring off for a place at the championship table:
Representing FIRE, we have The Lion King and representing EARTH, we have Toy Story. Can Simba continue to wear his “big cub pants” and rip the championship hopes of Woody and company to shreds, proving that he is indeed king of the jungle, FIRE, and EARTH? Or will Woody put fear in the heart of young Simba with a “snake” and his “boot” and send the cub back to the desert of outcasts scouring for grub?
On the other side of the bracket, we have no number one seeds remaining. What we do have are two scrappy films that have demonstrated dominance in their own way. With a number three seed representing the ICE region, we have Mulan. And with a number two seed representing UNDER THE SEA, we have Finding Nemo. Already taking down a number two seed (WALL-E) and a number one seed (Frozen), can Shang “make a man” out of Mulan as she dons the old armor to not only snatch the helpless fish, but also snatch the championship wishes and title dreams? Or will Nemo prove he is not just “the little clownfish from the reef,” and that these are not just “fishing grounds,” but that he can be a “shark” in his own right? Will Dory take Mulan “down” under to 42 Wallaby Way?
Stay tuned to see who goes on to be the Perfect Pair!
While Round One is over, and some of our stars may have fallen, we still have an Enchanted Eight remaining. Lilly’s resident (or shall we say currently remote) analyst Nathaniel offers his take on the results of the first round voting.
In the Fire Region, The Lion King‘s Simba took Rafiki’s stick and made sure Monsters Inc. did not “feel the love tonight” by trouncing them in the first round! The Incredibles, once again proving their “glory days” are here again, defeated Aladdin!
In the Ice Region, Frozen almost had a “meltdown,” but pulled out the victory over Coco by 2 votes! Meanwhile, Mulan unleashed the “dragon” and easily disposed of Wall-E.
In the Earth Region, Toy Story showed Cinderella she did not have a “friend in them” by taking her glass slippers, ushering in the midnight hour, and dispatching the would-be princess. In a touch and go affair, Belle managed to revive the downtrodden Beast and restore their championship hopes as the Beauty and the Beast rallied to defeat that pesky Ratatouille by just 2 votes!
Lastly, Under the Sea, Finding Nemo defeated Moana and in the surprise of the tournament, Up “rose to the occasion” and desiccated the Little Mermaid in a rout, not even close with a margin of victory greater than two to one!
Welcome to this year’s special Bracketology: Lilly Library’s Animated April featuring Lilly Library’s resident (despite working remotely), Bracketologist, Nathaniel Brown:
We have a stacked bracket this year full of favorites and some underdogs.
In the FIRE region The Lion King takes on Monsters Inc. In this first round match Simba “can’t wait to be king” so let’s see if he and Naila will “be prepared” to defeat Sullivan and Mike. Or will Sully intimidate and scare the young pup? In the other First Round match, Aladdin squares off with The Incredibles. Aladdin has the street smarts to woo Princess Jasmine and defeat Jafar, but does he possess the “magic” to dethrone The Incredibles, the family of superheroes who finished in the Final Four in last year’s tourney, losing to the eventual finalist, Spider-Man: Into the Spider-verse.
In the ICE region we have Frozen vs. Coco. Will Elsa and company put the freeze on Miguel and Hector? Or will Miguel remember the game plan and force Elsa to let it (her chance at a championship) go? The second match-up features Mulan vs. Wall-E. Can Mulan reflect her true passion to take out the trash? Or will Wall-E dispose of the determined and courageous warrior?
In the EARTH region, Beauty and the Beast takes on Cinderella. Can the spirited and headstrong Belle sacrifice enough to overcome the oppressed and ragged Cinderella and turn her championship dreams into pumpkins at midnight? Or will Cinderella embody the phrase ball is life royally and take out Belle?
Next we have Ratatouille vs. Toy Story. Will Remy make the championship his new object of affection, subjecting Woody and company to their greatest fear, the lonely shelf in the dark closet never to be heard from again? Or will Woody and Buzz destroy Remy’s illusions of grandeur and instill in him that rats belong down in the dumps?
Last but certainly not least in the UNDER THE SEA region, we have the Little Mermaid vs. Up. Can Ariel, Flounder, and Sebastian deflate the hopes of Carl and Russell and attempt to be a part of that championship world? Or will Carl, Russell, and Dug kiss the girl (Ariel) goodbye in the first round? Finally, we have Moana vs. Finding Nemo. Can Nemo and Dory forget his deficiencies and find a way to continue along their path to championship glory? Or will Moana and Maui find the heart to set sail toward a championship victory?
Do you like Looney Tunes, the quirkiness of Wallace and Gromit, anime like Spirited Away, French comedies like The Triplets of Belleville? Are you all about Disney classics or the latest offerings from Pixar?
Lilly Library has 100s of animated films. In fact, we have so many animated films, it’s time for you to “toon” in and enjoy our very own Lilly Library Animated April challenge: Pixar versus Disney.
If it’s animated, Disney and Pixar are the dominant players, so we’re highlighting eight films from each studio to face off in a special edition of our Animated April challenge starting Monday, April 13th. Join in the fun, pick your favorites, and maybe win a prize!
Vote when you visit our Lilly Library Animated April cast of characters HERE.
Make your selections and vote for your choice of hot titles in Bracket Fire versus films that landed in Bracket Earth to eventually face the coolest films in Bracket Ice, which challenge the animated gems making waves in Bracket Under the Sea.
Round 4: Perfect Pair VOTE HERE Voting opens Monday, April 20 9am
Voting closes Tuesday, April 21 8pm
Champion Crowned: Wednesday April 22nd
*Did someone say PRIZES?
Participants who provide their Duke NetID and vote for the animated movie “champion” will be entered into drawings for virtual prizes, as well as special prizes for Duke students.
Be sure to make your picks of your favorites – Pixar or Disney!
This month’s Collection Spotlight is all about chocolate! We have titles covering a diverse range of themes, including history, romance, food, feminism, and even some movies. Here are some examples of what you can find:
Do you suddenly find yourself craving chocolate? Then take a look at the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins! We’ll even have chocolate out most of the time, so you can really satisfy that sweet tooth!
As you are preparing for your much needed break, I hope you remember that the library will still be here for you! Maybe you already know that you can access many of our online resources from home or that you can check out books to take home with you. We also have movies and music that you can stream and some e-books that you can download to your devices. Here are some of the resources we have to do this!
Alexander Street Video Collection: Find and watch streaming video across multiple Alexander Street Press video collections on diverse topics that include newsreels, documentaries, field recordings, interviews and lectures.
Go to duke.overdrive.com to access downloadable eBooks and audiobooks that can be enjoyed on all major computers and devices, including iPhones®, iPads®, Nooks®, Android™ phones and tablets, and Kindles®.
Effective September 20, 2019, the Duke University Libraries have transitioned to a title-by-title access model for Kanopy, a popular library of streaming video titles. This change comes as a result of the unsustainable increase in cost of providing unlimited access through an automatic licensing model.
Kanopy’s pricing for libraries under our previous model was based on views per title. Once a title was viewed three times for longer than 30 seconds, we were charged a licensing fee of $135 for one year of access.
Under the new model, users will still be able to watch and stream all of our currently licensed films in Kanopy (of which there are more than 800). New titles may still be requested by members of the Duke community, but they will not be accessible automatically.
We understand and respect how popular streaming media has become. It is an invaluable instructional resource and a gateway for lifelong learning. We regret having to make this change. But we could neither justify nor sustain Kanopy’s skyrocketing price tag.
Duke is not alone in having made this difficult choice. The libraries at Stanford and Harvard have also had to limit their use of Kanopy, and the New York Public Library system recently canceled their subscription to the service due to the unsustainable cost.
Here’s a summary of what’s changing:
We will only subscribe to Media Education Foundation titles on Kanopy.
Already-licensed films can still be found on Kanopy and are listed individually in our online library catalog.
We will continue to accept faculty requests for Kanopy films and videos assigned in courses. If you are a faculty member, use our “Place Items on Reserve” form for these titles. If you are using a film for a class and are concerned about the expiration date of our license for it, use the same form to ensure access.
Other options for streaming and viewing video
We have a number of other streaming video platforms available to members of the Duke community. For a complete list, please refer to our Streaming Video guide.
We also encourage you to explore our extensive DVD and Blu-ray holdings, which you can find in our online catalogand have delivered to the Duke library of your choice.
For more info
For additional questions about Kanopy or about our film streaming options, please contact:
Need some new reading material or are you just interested in seeing what’s in the Lilly Library’s collections that you might not know about? Check out Lilly’s Collection Spotlight!
To accompany the Duke Common Experience Reading Program selection of Tommy Orange’s There There, our spotlight highlights books and films that center Native American voices and perspectives. Orange, a member of the Cheyenne and Arapaho tribes of Oklahoma, writes in his debut novel about a dozen Native Americans travelling to a powwow in Oakland, California. There There focuses on urban Native Americans, exploring the beauty and despair these characters experience as they navigate life in the United States.
Our collections include books on Native American art, novels by Native Americans, memoirs of native experiences, films and documentaries, and historical accounts. Here are a few highlights from our collection:
This exhibition catalog from the Minneapolis Institute of Art highlights a broad spectrum of art created by Native American women. Work explored ranges from textiles to painting to photography and video, and covers antiquity to contemporary work. If you’re interested in checking out some Native art in person, the Nasher Museum’s exhibit, Art for a New Understanding: Native Voices, 1950s to Now, opens on August 29th.
Future Home of the Living Godby Louise Erdrich Louise Erdrich, an acclaimed writer and member of the Turtle Mountain Chippewa Tribe, experiments with a dystopian setting in this novel. The novel follows Cedar Hawk Songmaker, four months pregnant, as she ventures out of Minneapolis and seeks out her Ojibwe birth mother against the backdrop of a security state cracking down on pregnant women. Check out Erdrich’s bookstore if you are ever in the Twin Cities.
Everything You Know About Indians is Wrongby Paul ChaatSmith Smith, an associate curator at the Smithsonian’s Museum of the American Indian, challenges mainstream assumptions about native peoples and cultures in this essay collection. This book blends memoir and cultural commentary to paint a more nuanced picture of native life.
Smoke Signals Based on a Sherman Alexie short story, this film follows two young Native Americans, Victor and Thomas, on a road trip to pick up Victor’s father’s remains. Smoke Signals is notable for having a Native American writer and director, as well as an almost entirely native cast and crew.
How can you make the most of your first-year? We have the answer: Jump into the First-Year Library Experience. On August 20th, the newest Blue Devils, the Class of Duke 2023, will arrive on East Campus for Orientation.
What will Duke 2023 find in their new neighborhood? Two libraries are on East Campus, Lilly Library and Duke Music Library which can introduce the First-Year “Dukies” to the powerful resources of all the Duke Libraries. While Lilly Library is home to the film collection, as well as a range of other materials, the specialized Music Library plays a different tune. Both libraries offer research support as well as study space for our new East Campus neighbors.
Cast your eyes upon our exciting schedule of events for Orientation 2019:
Movie on the Quad: Spider-Man: Into the Spider-Verse
co-sponsored by Duke University Student Affairs When: Wednesday, August 21st at 10 pm Where: East Campus Quad between Lilly & the Union
First Big Week on East Campus
Overwhelmed at the beginning of the semester? Lilly and Music will host a Harry Potter Open House the first week of class. We’ll get you “sorted” out! Duke 2023 will be captivated by our powerful library services: our research wizards, 3D labs, streaming media, study spaces – No Restricted Sections, please – as well as enjoying free food, prizes, and MORE!
When was the last time you wrote a letter or received a card in a real mailbox?
Before the Digital Age – and there was such a time – people wrote letters on paper and sent cards to each other. The latest Lilly Collection Spotlight shines on the disappearing art of letter writing, featuring a selection of books and films in which letters or ongoing correspondence play an integral role. Authors include literary and political figures such as Epicurus, Jane Austen, Dr. Martin Luther King, and Samuel Beckett.
The role letter writing plays in film, whether just as a plot device or as narration and explication helped us choose a few films from our collections. Relationships built through intimate correspondence, letters never received, mis-delivered or rediscovered frame many film narratives. Steal a Pencil for Me, Mary and Max, Letters to Juliet and P.S. I Love You are among the films featured.
Accompanying our Collection Spotlight are two exhibit cases featuring artists’ correspondence. Displayed in the lobby case are volumes of Vincent van Gogh’s letters. He was a prolific letter writer whose writings provide insight into his work, his art, and his struggles. Van Gogh often adorned his letters with drawings and sketches. The exhibit case in the foyer highlights letters written by other artists including Georgia O’Keeffe, Albert Eisenstadt, and Henry Ossawa Tanner.
In addition to the Collection Spotlight, browse the nearby interactive exhibit of handwritten notes from Duke Seniors, Class of 2019, to the First-Year members of Duke’s Class of 2022.
Feel free to pull out the notes from the board and read them. There is a bit of advice, personal observations, and even a little bit of wisdom on display!
After three rounds of voting, the brackets are cleared, and just two Superhero movies remain standing – our Dynamic Duo of Black Panther and the family known as The Incredibles.
Are you surprised?
Lilly’s expert bracketologist, the man with super-vision and powers of prognostication isn’t … and, yet, he is also “incredibly” surprised:
This just in from the FANTASTIC FOUR news desk…
The Black Panther continues its meteoric path through the brackets, mowing down Thor: Ragnarok 95-40!
And in a complete shocker, The Incredibles, proving that blood runs thicker than water and that no one can take them out, squeak by Spiderman Into the Spider-verse, 70-65! I, your expert, for one did not see this happening! Stay tuned for the DYNAMIC DUO Champion Round:
Survive and advance – that should resonate with our Duke Crazies! Did your superhero Movie advance to the Fantastic Four?
Take that Fantastic Four to a Dynamic Duo – Vote HERE now!
Lilly’s March Movie Madness Expert Bracketologist, Nathaniel Brown, offers a recap of the epic battle waged between the remaining Exteme Eight Films:
In the Metropolis region, although Captain America did upset the hometown boy in the first round, he couldn’t handle the family of animated heroes! Jack-Jack, who’s really coming into his powers, overwhelmed the First Avenger and helped his Incredible family destroy Captain America: Civil War116-48!
The Black Panther continued to take care of Wakanda business as he thrashed all five of the Guardians with the tally of 108-56!
Spider-Man: into the Spider-Verse overtook Wonder Woman and dethroned the first-born child of the Paradise Isle, defeating her 90-74!
And in a shocker, Thor’s mighty hammer, Mjolnir, struck a fatal blow and edged the Dark Knight out of Gotham—and out of the Extreme Eight round— 84-80!
Reminder: Round 3 voting
ends Thursday March 28th at noon.
Did your superhero Movie advance to the Extreme Eight?
Vote HERE now to take that Extreme Eight to a Fantastic Four!
Need some advice? You may want to check in with Lilly Library’s resident Bracketologist, Nathaniel Brown, as he offers insights and expert March Movie Madness opinions :
After Round 1, my brackets are still intact. What about yours? As predicted, the Dark Knight protected Gotham in the first round by blasting his Lego counterpart 128-30. The God of Thunder Thor brought the thunder against Aquaman, stunning him and washing him away 134-24.
The Black Panther closed ranks and pounced Spidey right out of Wakanda 143-15. Meanwhile,, The Guardians of the Galaxy blasted the Justice League 142-16.
In a stunning upset, Superman Classic got defeated by the First Avenger in Metropolis! Cap takes it 122-36. The Incredibles proved too much for the X-Men United tossing them from the first round 144-14.
And on the Paradise Island, Wonder Woman edged out the wisecracking Deadpool, 87-71, preserving home field. Spidey and his multiverse surprised Tony Stark upending him 102-56.
Reminder: Round 2 voting runs through Sunday the 24th
Who is the best superhero or superhero faction? Does the Marvel Universe or DC Comics reign supreme? The decision is entirely in your hands if you enter Lilly Library’s March Movie Madness! While the battles for the rounds of 64 and 32 occurred on Knowhere and Xandar respectively, we announce that Super Sixteencombatants remain. Now the war has arrived on Earth (or, at least, Lilly Library) and it’s time to crown our champion!
This year’s Lilly Library March Movie Madness begins Monday, March 18th. It’s YOUR turn to enter into the fray and vote in the evolving brackets to help decide our ultimate superhero! And, yes – there are prizes!
BRACKETOLOGY by Nathaniel Brown
In the Gotham bracket, will the hometown advantage aid the Caped Crusader to pull out the victory and advance to the Fantastic Four? Which version of the Dark Knight will advance – the sarcastic and brooding Lego version, or the equally brooding, looking to retire Christian Bale version? Will the God of Thunder electrify Gotham instead? Or will the King of Atlantis flood the city?
In the Metropolis bracket, will the animated family of the Incredibles overtake the Xavier led group of mutants? Will the Man of Steel preserve home field and annihilate the First Avenger?
In the majestic bracket of Paradise Island, will Wonder Woman continue her blockbuster success and dethrone the wisecracking Deadpool? Will the Spider multiverse pelt the suit of the Man in a Tin Can with his web shooters?
Lastly, in the Wakandabracket, will the all-powerful Justice League defeat the Guardians of the Galaxy (who always seem to have their own personal agendas but come together when it counts)? Or will the King of Wakanda pounce and maul the opposition provided by the Web-slinger?
Lilly’s collections include books on philosophy and ethics, graphic novels, art and visual studies, and film. To commemorate the 200th anniversary of the publication of Mary Wollstonecraft Shelley’s enduring tale, Frankenstein; or the Modern Prometheus, both Lilly and Perkins are highlighting their titles on the subject. At Lilly we’ve thrown in additional scary movies to add to the horror. Enjoy the holiday chills!
It probably won’t surprise you to hear that there have been a lot of adaptations and works inspired by Frankenstein. In today’s blog post I’m going to share some film and novel adaptations that you might be interested in taking a look at.
Let’s start with some of the film titles! The titles that I am sharing with you can be found at our Lilly Library. In fact most of them are currently on display in their collection spotlight!
Young Frankenstein: A finely tuned parody of the old Frankenstein movies, in which Gene Wilder returns to the old country to clear his family name. This classic comedy was directed by Mel Brooks and has a screenplay by Gene Wilder and Mel Brooks.
Frankenstein: Still regarded as the definitive film version of Mary Shelley’s classic tale of tragedy and horror, Frankenstein made unknown character actor Boris Karloff a star and created a new icon of terror. Along with the highly successful Dracula, released earlier the same year, it launched Universal Studio’s golden age of 1930s horror movies. The film’s greatness stems less from its script than from the stark but moody atmosphere created by director James Whale.
Mary Shelley’s Frankenstein: This 1994 version is a more faithful adaptation than some of the older versions, though it still takes some liberties with the plot. It was directed by and starred Kenneth Branagh. It also features Robert De Niro and Helena Bonham Carter.
I, Frankenstein: Set in a dystopic present where vigilant gargoyles and ferocious demons rage in a battle for ultimate power, Victor Frankenstein’s creation Adam finds himself caught in the middle as both sides race to discover the secret to his immortality.
In addition to films, Frankenstein’s monster has inspired directly and indirectly many authors.
A Monster’s Notes by Laurie Sheck. What if Mary Shelley had not invented Frankenstein’s monster but had met him when she was a girl of eight, sitting by her mother’s grave, and he came to her unbidden? What if their secret bond left her forever changed, obsessed with the strange being whom she had discovered at a time of need? What if he were still alive in the twenty-first century? This bold, genre-defying book brings us the “monster” in his own words.
Frankenstein Unbound by Brian W. Aldiss. Joe Bodenland, a 21st century American, passes through a timeslip and finds himself with Byron and Shelley in the famous villa on the shore of Lake Geneva. More fantastically, he finds himself face to face with a real Frankenstein, a doppelganger inhabiting a complex world.
Frankenstein in Baghdad by Ahmed Saadawi. From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi–a scavenger and an oddball fixture at a local café–collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. This book was a Man Booker International Prize finalist!
Destroyer by Victor LaValle. The legacy of Frankenstein’s monster collides with the sociopolitical tensions of the present-day United States. Mary Shelley’s Frankenstein beseeched his creator for love and companionship, but in 2017, the monster has long discarded any notions of peace or inclusion. He has become the Destroyer, his only goal to eliminate the scourge of humanity from the planet. In this goal, he initially finds a willing partner in Dr. Baker, a descendant of the Frankenstein family who has lost her teenage son after an encounter with the police. While two scientists, Percy and Byron, initially believe they’re brought to protect Dr. Baker from the monster, they soon realize they may have to protect the world from the monster and Dr. Baker’s wrath.
The dark descent of Elizabeth Frankenstein by Kiersten White. Elizabeth Lavenza hasn’t had a proper meal in weeks. Her thin arms are covered with bruises from her “caregiver,” and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything–except a friend. Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable–and it works. But her new life comes at a price. As the years pass, Elizabeth’s survival depends on managing Victor’s dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness.
Welcome to East Campus
for Your First-Year Library Experience
On August 21st, the newest Blue Devils, the Class of Duke 2022, will arrive on East Campus for Orientation, also known as Big-O Week. Numerous events, workshops and programs are presented to ease the transition to life as an undergraduate.
The two libraries on East Campus, Lilly Library and Duke Music Library welcome our newest neighbors and do our part to introduce the newest “Dukies” to the powerful research resources of the Duke Libraries. On Move-In Day exclusively, Lilly is the pick up site for Blue Devil Delivery for pre-ordered textbooks and computers. Lilly is home to the film collection as well as a range of other material, and Music … is self-explanatory.
Where: East Campus Quad between Lilly and the East Union
In addition to the Movie on the Quad, Lilly and Music will host a Superheroes Open House the first week of class. Duke 2022 can explore our powerful library services : experts in research, 3D labs, streaming media, Residence Hall Librarians, study spaces – and enjoy food and win prizes!
The American Dance Festival kicked off its 41st year in Durham this June 2018. Lilly Libraryis celebrating with an exhibit and collection spotlight highlighting our diverse range of books and films related to dance.
Duke University Libraries house the ADF Archives, including its Moving Images Collection of approximately 2,000 films and videos from 1930 to the present. These videos capture dance classes, panels, performances, discussions, showings, interviews and special events. Many can be viewed on-site in Lilly. Stop by and check us out!
Saturdays in June and July, view Movies By Movers, at the Nasher Museum of Art and White Lecture Hall on Duke’s East Campus. This ADF series is a bi-annual festival dedicated to the celebration of body and the camera. A full screening schedule can be found here.
Our Lilly Collection Spotlight shines on talented Duke Alumni including authors, broadcasters, researchers, as well as many who are accomplished in popular entertainment – both on screen and behind the scenes. Their studies while at Duke are varied, and for many, their majors were not directly related to their career. The featured books encompass a range of genres and styles – from sociological research to critically acclaimed fiction to sports journalism. Duke alumni working in film and television produce and appear in a variety of films including comedies, drama and thoughtful documentaries. Actors, directors, writers – they experience success both in front of the camera and behind. What they all have in common is their “Duke experience”.
Check out the entire list of books in the Lilly Collection Spotlightand visit Lilly Library to view the exhibit Duke Alumni on the Screen and Behind the Scenes.
Pulitzer Prize winner and American master Anne Tyler’s inspired, witty and irresistible contemporary take on one of Shakespeare’s most beloved comedies. Tyler graduated from Duke in 1961.
The Legends Club : Dean Smith, Mike Krzyzewski, Jim Valvano, and an epic college basketball rivalry
In the skillful hands of John Feinstein (Duke 1977), this extraordinary rivalry–and the men behind it–comes to life in a unique, intimate way. The Legends Club is a sports book that captures an era in American sport and culture, documenting the inside view of a decade of absolutely incredible competition.
Dollars and sense : how we misthink money and how to spend smarter Bestselling author (Predictably Irrational) and behavioral economist Dan Ariely (PhD Business 1998) teams up with financial comedian and writer Jeff Kreisler to challenge many of our most basic assumptions about the precarious relationship between our brains and our money.
The Gaza Kitchen: a Palestinian culinary journey
This is a richly illustrated and researched cookbook that explores the distinctive cuisine of the area known prior to 1948 as the Gaza District–and that of the many refugees who came to Gaza in 1948 and have been forced to stay there ever since. In summer 2010, Laila El-Haddad (Duke 2000) and Maggie Schmitt traveled throughout the Gaza Strip to collect the recipes and shoot the stunning photographs presented in the book.
Forever Duke: On the Screen and Behind the Scenes
Accompanying the books in the Collection Spotlight, the current exhibit in the Lilly Library foyer is Forever Duke: On the Screen and Behind the Scenes. The works of Duke alumni filmmakers, writers and actors featured include films and series found in the Lilly Library collections. A few of the more well known titles or personalities:
We Were Soldiers Directed by Randall Wallace (’72) Wallace wrote and directed We Were Soldiers. Nominated for an Oscar as screenwriter for Braveheart, he also worked on films such as Pearl Harbor and The Man in the Iron Mask.
Community and The Hangover
Ken Jeong (’90) was a premed student at Duke. A licensed physician, Jeong found fame in comic roles in both television and film.
Other Duke luminaries include actress and Baldwin Scholar Annabeth Gish (’93) who stars in the current X-Files, Martin Kratt (’89), the co-creator of the beloved children’s series Zoboomafoo and Wild Kratts, Oscar and BAFTA nominee cinematographer Robert Yeoman (’73) , film editor Alisa Lepselter who has worked on Woody Allen films such as Midnight in Paris and Match Point, and documentary filmmakers Ryan White (’04) and Rossana Lacayo (’79).
The Duke campus and Durham have also been featured in film and television; productions include Bull Durham, The Handmaid’s Tale (the film), The Program, Main Street, Iron Man 3, Kiss the Girls, Brainstorm and the late 1990’s coming-of-age television series Dawson’s Creek. Whether it’s American Pie 2, Mystic Pizza, The Squid and the Whale or Parks and Recreation, you will find a Blue Devil!
This month’s collection spotlight is “From Page to Screen,” where we are featuring books that have been turned into films or television shows in the last couple of years. You can check out this display at the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins. Here’s a brief selection of the titles you will find there:
I Am Not Your Negro is an interesting case because while the text is from James Baldwin, it was compiled and edited together by the filmmaker Raoul Peck. He worked with Baldwin’s published and unpublished work, selecting passages from his books, essays, letters, notes, and interviews to piece together the fulfillment of an idea of a book that Baldwin had envisioned about Medgar Evers, Malcolm X, and Martin Luther King. The resulting documentary was a powerful examination of race in American and garnered a nomination for the Academy Award for Best Documentary.
Thank You for Your Service by David Finkel was adapted into a 2017 film. David Finkel is a MacArthur Fellow and Pultizer Prize winning reporter who embedded with the men of 2-16 after their deployment ended as a continuation of his work in the 2009 book The Good Soldiers.
Black Panther tells the story of T’Challa (real name), king and protector of the fictional African nation of Wakanda. T’Challa possesses enhanced abilities garnered through ancient Wakandan rituals of drinking the heart-shaped herb. He also utilizes his proficiency in science, rigorous physical training, hand-to-hand combat skills, and access to wealth and advanced technology (through vibranium) to combat his enemies. The character was created in 1966 by Stan Lee and Jack Kirby when Kirby realized he had no blacks in his comic strip. “I came up with the Black Panther because I realized I had no blacks in my strip. I’d never drawn a black,” Kirby told the Comics Journal. “I needed a black. I suddenly discovered that I had a lot of black readers. My first friend was a black! And here I was ignoring them because I was associating with everybody else.” Kirby, though far from eloquent in his word choice, gets at an essential idea—representation and its importance in a reader’s view. They should be able to see themselves in the work.
Black Panther opened on February 16, 2018 to much fanfare and high expectations. It was the first standalone movie for the character in the Marvel cinematic universe, which includes Iron Man, Thor, Spiderman, and dozens of other superheroes. All of these prior characters’ movies have had success, but what distinguishes Black Panther is that it featured an almost entirely African-American cast—including Lupita Nyong’o, Daniel Kaluuya, Michael B. Jordan, and Angela Bassett, and a black director—Ryan Coogler (whose credits include Fruitvale Station and Creed). The storyline dives into topics of race, highlights the strengths of black women (as they are depicted as warriors, queens, and scientists in the film), and the roles and depictions of families and communities deviate from depictions in the mainstream media. These differences are particularly important as it debunks conventional wisdoms that black films and black filmmakers are unprofitable and impossible. A study done by USC concluded African Americans represented 13.6% of characters in major film projects, compared to 70.8% of white characters in 2017. Behind the camera numbers were worse, 5.6% were directors compared to their peers for the same year.
Black Panther took the box office by storm! At the time of this writing, it had smashed many previous box office records on its way to becoming the top grossing superhero film of all time in the U.S. as it passed fellow Marvel title, The Avengers. It grossed $623.4 million in 2012. To date, Black Panther has grossed $630.9 million domestic and $1.237 billion worldwide. So, why did it do so well? There are plenty of factors. Notwithstanding the outstanding cast, critically acclaimed director, and core audience of Marvel devotees, Black Panther benefited from a surge of people who don’t typically make a point to see Marvel movies. 37% of the audience were African American, followed by 35% white, and 18% Hispanic. Typically only 15% of the audience is comprised of African Americans for the Marvel movie demographic. Far and wide, African Americans treated the Black Panther premiere as a holiday. Many moviegoers dressed in traditional African attire, themed events with African drum ensembles, Afro-futuristic themed parties, and academic panel discussions sponsored by universities and churches popped up in many cities. Black Panther also benefitted from group ticket sales to schools and churches.
For some of these first-timers this was a one-off, whether it was for the political nature of the film in our current time and the hopeful agenda it could lead to, or just pure curiosity. For many, though, this could lead to a kinship to the MCU (especially since the Black Panther and company will return for future Marvel movies!). So one may ask, how can I catch up with the storyline? AMC Theaters are advertising a 31-hour epic Marvel marathon that will include 12 MCU films leading into the next venture: Avengers: Infinity War. The full list of movies that will be screened:
Why sit sleep-deprived in a dark theater paying high prices for concessions, when you can comfortably sit at home eating food you already paid for and watch at your own pace? GUESS WHAT? We own all of these movies listed above (except The Incredible Hulk), in addition to some notable absentees:
… ’cause all I wanna do is go the distance – Rocky Balboa
Say what you will about Philadelphia (and a lot of people have), it looks a great sports season for the City of Brotherly Love – first the Eagles, then Villanova, and now The Italian Stallion! Rocky took down a worthy challenger, The Karate Kid to become the champion of Lilly’s inaugural March Movie Madness. Our brackets began with an interesting range of sports films, from the iconic to the obscure. There were a few upsets, but it is interesting to note that our final contenders classify as classics!
How about a stress free March Madness bracket and Final Game?
The results from the Final Four of March Movie Madness @ Lilly leave two classic films standing. It’s The Italian Stallion, Rocky, facing Daniel The Karate Kid, in the Championship!
Pick your favorite to win our sports movie brackets, and if you provide your netID, you’ll be entered into a drawing for a CRAZIE prize!
New voters are welcome – submit your pick for the Championship HERE and enjoy the final game!
Here is a look at the path our two title contenders took to reach the Finals:
Our original brackets featured a wide range of sports films, but Lilly Library has many more titles available. From the iconic to the obscure, check out On The Bench
Stay tuned: the Winner will be announced on Wednesday, April 4th!
There is No Crying in Baseball –
Three of the Elite Eight are Baseball movies!
A League of Their Own turned off the Friday Night Lights for good, and Moneyball and 42 continued to score on the field. Alas, local favorite Bull Durham discovered that it is all “sunshine” as Remember the Titans piled on. Rocky may have knocked out When We Were Kings, but he’ll soon to have face the GOAT Michael Jordan and teammates when it is game time in Space Jam! Can the youngsters Karate Kid and Creed prevail?
There was lots of action in the 1st Round of Lilly Library’s March Movie Madness brackets. Looks like “The Dude” was “Blind Side-d”, Caddyshack may have what it takes to be a Cinderella story, the Karate Kid “waxed off” Hoosiers, and Talladega Nights did a “Shake’n Bake” all over the Field of Dreams.
March Movie Madness @ Lilly begins Monday, March 19th.
Lilly Library has 100s of sports films – ranging from iconic classics such as Rocky to quirky films like Shaolin Soccer to searing dramas such as Creed. In fact, we have so many sports films, we decided to select just 64 (sound familiar?) for our very own Lilly Library version of March Madness. You may not agree with our title selections (does that also sound familiar?), but don’t let that stop you from joining in the fun and having a chance to win a Crazie great PRIZE!*
To vote, visit our 64-team Lilly Library March Movie Madness online field. Round two is now open for votinghere!
To record your selections, vote for your choice of Heavy Hitters in Bracket A versus films that Go the Distance in Bracket B to eventually face those films that are Down to the Wire in Bracket C opposite the Full Court Press of Bracket D. Voting dates are listed below and on the contest page.
Updates will be posted in Lilly Library’s lobby and on Lilly’s Facebook, Instagram and Twitter accounts in addition to our blog, Latest@Lilly.
There was lots of action in the 1st Round of Lilly Library’s March Movie Madness brackets. Looks like “The Dude” was “Blind Side-d”, Caddyshack may have what it takes to be a Cinderella story, the Karate Kid “waxed off” Hoosiers, and TalladegaNights did a “Shake’n Bake” all over the Field of Dreams.
Winner announced: Wednesday, April 4th!
Bonus: Extra Innings? Overtime? Want MORE sports movies?
Some movies are so iconic that they are more suitable for the Hall of Fame. If you are wondering what great movies (and maybe not so great) did NOT make the field, check out the bench-warmers here at March Madness – On the Bench.
At Lilly Library, now that it’s time for The Big Dance –
we hope you join in!
To celebrate Women’s History Month 2018, Lilly Library is shining a spotlight on Women in Sport. Books and movies that feature women athletes are “teeming” in our collections. Come to East Campus and check out this month’s Lilly Collection Spotlight. Click here for the complete line-up.
While you’re at Lilly, visit the exhibit in the foyer, On the Field, the Courts and Beyond: Women in Sports – TITLE IX, that complements our Lilly Collection Spotlight.
Based on the Instagram account @TheUnsungHeroines, a celebration of the pioneering, forgotten female athletes of the twentieth century that features rarely seen photos and new interviews with past and present game changers including Abby Wambach and Cari Champion.
There’s a battle being fought. It’s raging on the sports fields, in the newsrooms and behind the scenes at every major broadcaster. Women in sport are fighting for equality with more vigour than ever, but are they breaking down the barriers that stand in their way? Sarah Shephard looks behind the headlines to see whether progress is really being made and tells the stories that can no longer be ignored. It’s time for women to switch their focus from the battlefield to the sports field, once and for all.
Beginning with the Williams sisters, the authors examine the foundation of their development as tennis phenoms during the 1990s and the prophetic yet unabashed approach of their coach, father, and sports psychologist, Richard Williams, in crafting a world within which they would be groomed to be successful. a compelling examination of the impact of African Americans on the world of professional tennis and the various challenges and outcomes of that involvement.
An overview of films about women in sport and a timely critical analysis of their role in shaping perceptions of female athletic ability. It examines themes of aggression, beauty, class, ethnicity, physical feminism, sexuality, synaesthesia and technology in relation to mainstream and arthouse cinematic depictions of sportswomen from Pumping Iron 2 to Bend it Like Beckham.
50 years ago when Gibson and Buxton were two of the top women’s tennis players in the world. Coming from widely divergent backgrounds (Gibson from a poor black family in Harlem, Buxton from a well-to-do Jewish family in London), the two hooked up in the mid-1950s and became tennis partners and lifelong friends.
Offers a wide-reaching overview of current academic research on women’s participation in combat sports within a wide range of different national and trans-national contexts, detailing many of the struggles and opportunities experienced by women at various levels of engagement within sports such as boxing, wrestling and mixed martial arts.
During the 2006 Iran-Bahrain match, the Tehran soccer stadium roars with 100,000 cheering men and, officially, no women. According to Islamic custom, women are not permitted to watch or participate in men’s sports. Many of the ambitious young female fans who manage to sneak into the arena are caught and sent to a holding pen, guarded by male soldiers their own age. Duty makes these young men and women adversaries, but duty can’t overcome their shared dreams, their mutual attraction, and ultimately their overriding sense of national pride and humanity.
Examines the post Title IX media environment in terms of the representation of female athletes. It demonstrates that while men’s identities in sports are equated with deeply held values of courage, strength and endurance, the accomplishments of female athletes are framed very differently and in much more stereotypical ways.
A promising hurdler, played by Mariel Hemingway, finds needed emotional and athletic seasoning with a caring mentor. After the two fall in love, their relationship is threatened as both vie for a spot on the U.S. Olympic team.
Members of the Cuban National Women’s Baseball Team discuss their passion for the sport and hardships they faced in Cuba’s society filled with machismo, prejudice and daily hardships.
The story of the surviving members of the Viennese Hakoah sports club women’s swim team, a world-dominating competitor in the 1930s. The club was eventually shut down during Hitler’s reign, though all the women managed to escape capture. Combines historical footage and contemporary interviews to reconnect the women’s lives and memories.
The new man in town has just accepted a position as an English professor on a reservation in Utah. Finding it hard to fit in with the Native American community, he decides to take on the challenge of coaching the girls’ basketball team.
Bliss Cavender is a small-town teenager looking for her own path. Tired of following in her family’s footsteps, she discovers a way to put her life on the fast track–literally. She lands a spot on a roller derby team and becomes “Babe Ruthless.” Co-starring Drew Barrymore in her feature film directorial debut.
Contributors: Carol Terry, Danette Pachtner and Ira King
Winter Olympics and Sport
Tired of cold wintry weather? Don’t be snowboard – curlup with interesting reading, or peakat these films … what do you have to luge? (Are we skatingon thin ice here?)
If you are ready for vicarious international adventures in spectacular snow and ice, Lilly Library’s collections will transport you. Our latest Collection Spotlight shines on winter sports, Olympic history and snowy landscapes inspired by the upcoming Winter Olympics in PyeongChang, South Korea. Some winning titles are featured below, but judge for yourself and see the full list in Best in Snow.
The Price of Gold (2014, dir. Nanette Burstein) ESPN 30 for 30
The world couldn’t keep its eyes off two athletes at the 1994 Winter Games in Lillehammer – Nancy Kerrigan, the elegant brunette and Tonya Harding, the feisty blonde who would stop at nothing to get on the Olympic podium.
Sister (2012, dir. Ursula Meir)
A drama set at a Swiss ski resort and centered on a boy who supports his sister by stealing from wealthy guests.
Curling (2010, dir. Denis Côté)
On the fringe of society in a remote part of the French-Canadian countryside, the fragile relationship and unusual private life of a father and daughter is jeopardized by dreary, unforeseen circumstances.
Of Miracles and Men (2009, dir. Jonathan Hock) ESPN 30 for 30
The story of one of the greatest upsets in sports history has been told. Or has it? On a Friday evening in Lake Placid, a plucky band of American collegians stunned the vaunted Soviet national team, 4-3 in the medal round of the 1980 Winter Olympic hockey competition. Americans couldn’t help but believe in miracles that night, and when the members of Team USA won the gold medal two days later, they became one for the ages. But there was another, unchronicled side to the “Miracle On Ice.”
Blades of Glory (2007, dirs. Josh Gordon and Will Speck)
In 2002, two rival Olympic ice skaters were stripped of their gold medals and permanently banned from men’s single competition. Presently, however, they’ve found a loophole that will allow them to qualify as a pairs team.
Cool Runnings (1998, dir. Jon Turteltaub)When a Jamaican sprinter is disqualified from the Olympic Games,he enlists the help of a dishonored coach to start the first Jamaican Bobsled Team.
In the 1930s, as the world hurtled towards terrible global conflict, speed was all the rage. Exotic, exciting and above all dangerous, it was by far the most popular event at the Lake Placid Winter Olympics. It required an abundance of skill and bravery. And the four men who triumphed at those Games lived the most extraordinary lives.
Artistic Impressions: Figure Skating, Masculinity, and the Limits of Sport by Mary Louise Adams
In contemporary North America, figure skating ranks among the most ‘feminine’ of sports and few boys take it up for fear of being labelled effeminate or gay. Yet figure skating was once an exclusively male pastime – women did not skate in significant numbers until the late 1800s, at least a century after the founding of the first skating club. Only in the 1930s did figure skating begin to acquire its feminine image.
Roland Huntford’s brilliant history begins 20,000 years ago in the last ice age on the icy tundra of an unformed earth. Man is a travelling animal, and on these icy slopes skiing began as a means of survival. In polar exploration, skiing changed the course of history. Elsewhere, in war and peace, it has done so too.
So many more books and films examine the Olympics from a range of perspectives – from pure sport and Olympic ideals to international political and social concerns and controversies. Explore further in our Collection Spotlight, and visit Best in Snow.
The end of fall semester is near, and finals exams are even closer. If you feel the need for a little winter holiday cheer or diversion, our librarians can help. With over 30,000 films in our collections, our staff selected 100 holiday-themed films for December’s Lilly Collection Spotlight. There are traditional titles in the list such as A Charlie Brown Christmas, It’s a Wonderful Life, and Home Alone as well as other winter holiday films such as Eight Crazy Nights, Tokyo Godfathers, and Black Candle. Animated classics, international gems, and a few offbeat films such as Bad Santa and A Junky’s Christmas are waiting for you!
With the advent of the smartphone and social media platforms like Instagram, photography has suffused our daily lives. You may shoot a pic of the Duke Chapel on the way to an early morning class, take a photo of your lunch at West Union, and get a snapchat vista from your friend on vacation in the mountains. If you’re obsessed with images, we’ve got you covered with this month’s Collection Spotlight at Lilly Library! Check out the wide range of photography books and films on display.
Ansel Adams: 400 Photographs
Adams, whose work was recently featured in an exhibit at the North Carolina Museum of Art, was one of the most celebrated landscape photographers of the Twentieth Century, renowned for his black and white depictions of the stunning scenery of the American West. This book collects photographs from across his multi-decade career. Recommended if you’re craving a reminder of the sublime beauty of the outdoors.
Toy Stories by Gabriele Galimberti
In this unique collection, photographer Gabriele Galimberti traveled around the world photographing children and their toys, spending thirty months on the road and visiting fifty-eight different countries. These striking photographs are fun, but also illuminate the social, economic, and gender issues that surround what toys children grow up with. Recommended if you’re missing your childhood room.
The Beautiful Smile by Nan Goldin
This collection, released on the occasion of Goldin’s 2007 Hasselblad Award, features intimate, diaristic photographs and portraits. Rising to fame as a member and chronicler of the LGBTQ subculture in 1980s and 1990s New York City, Goldin includes both photos from that era and newer works in this book. Recommended if you’re looking for photography that captures both the beauty and fragility of life.
Chromes: 1969-1974 by William Eggleston
One of our personal favorite photographers, Eggleston photographed “ordinary” objects and people around the South and his hometown of Memphis, Tennessee. Eggleston’s work in color helped legitimize the form in a field that was previously dominated by black and white photography. Recommended if you’re a Big Star fan and/or enjoy photos of old gas stations.
And don’t forget that Lilly has a great collection of films you can borrow.
La Jetee (1962)
Since its release in 1962, Chris Marker’s La Jetée has emerged as one of the foundational texts of postwar European cinema. With its rhythmic editing, nostalgic voiceover and parade of black-and-white images, La Jetée exercises a hypnotic effect on its viewers. This short, experimental ‘photo-roman’ stays with you long after its 29 minutes are over.
John Waters’ film about a budding Baltimore photographer. Pecker (he got the nickname for pecking at his food as a child) photographs the mundane sights of his Baltimore neighborhood: the hamburger joint where he works, rats making love in the alley behind the diner, the oddball characters in his family, and the dancers in the local lesbian strip club.
City of God (2002)
This movie takes place in the favelas or slums of Rio de Janeiro created to isolate the poor people from the city center. They have grown into places teeming with life, color, music and excitement–and with danger. One of the characters, Rocket, obtains a stolen camera that he treasures and takes pictures from his privileged position as a kid on the streets.
Through a lens darkly: black photographers and the emergence of a people (2014)
Filmmaker Thomas Allen Harris offers what he calls a “family memoir” via historical images of African Americans initially through popular and disturbing stereotypes such as those portrayed in D.W. Griffith’s classic 1915 film Birth of a Nation to more realistic and poignant photographs. Using a series of narrative images by African American photographic artists including Anthony Barboza, Hank Willis Thomas, Lorna Simpson, and Gordon Parks, among others, Harris sheds light on a seldom-told aspect of our culture.
As you can see, Lilly Library offers a wide range of books and film about the art, science and history of photography which we hope you will enjoy.
Cuban-Americans, the Duke Common Experience and Beyond
Need some new reading material or just interested in seeing what’s in Lilly Library’s collection that you might not know about? Check out Lilly’s Collection Spotlight!
In honor of National Hispanic Heritage Month and the Duke Common Experience Reading Program selection of Richard Blanco’s The Prince of Los Cocuyos, our spotlight shines on books and films relevant to his and the Cuban-American experience. Blanco, the inaugural poet for Barack Obama in 2012, writes in his memoir of his childhood growing up in Miami as a son of Cuban immigrants. The memoir finds Blanco grappling with both his place in America and his sexuality, striving to discover his identity.
Our collections include books on Cuban Art, the Cuban-American immigrant experience in the United States, LGBTQ communities in Hispanic culture, and several books of Blanco’s poetry. Here are a few highlights from our Lilly Collection Spotlight:
Adios Utopia — Art in Cuba Since 1950
This exhibition catalog covers Cuban art from 1950 to the present viewed through the particular lenses of the Cuban Revolution, utopian ideals, and subsequent Cuban history. The collection covered in this book will be on display at the Walker Art Center in Minneapolis starting in November.
In this book, scholar Frederick Luis Aldama interviews 29 Latinx comic book creators, ranging from the legendary Jaime Hernandez of Love and Rockets fame to lesser known up and coming writers/illustrators.
This bilingual chapbook contains a poem Blanco wrote and read for the reopening of the US Embassy in Havana in 2015. Blanco writes in the opening lines, “The sea doesn’t matter, what matters is this: we all belong to the sea between us, all of us.”
CubAmerican (2012) DVD 28418
Exploring the causes leading to the exile of millions of Cubans from communist Cuba by depicting the journey of illustrious Cuban-Americans to their new life in the United States
Finally the sea (2007) DVD 12185
“The wreckage of an empty Cuban raft is the catalyst for Tony, a successful Cuban-American businessman, who files from Wall Street to Cuba to discover his roots. His journey develops into a striking love story where politics and romance collide
Mambo Kings (1992) DVD 27116
Musician brothers, Cesar and Nestor, leave Cuba for America (NYC) in the 1950s, with the hopes of making it to the top of the Latin music scene. Cesar is the older brother who serves as the business manager and is a consummate ladies’ man. Nestor is the brooding songwriter, who cannot forget the woman in Cuba who broke his heart. This is an unrated version of the film, with one restored scene.
Visit our Collection Spotlight shelf, in the lobby to the left of the Lilly desk. There are many more titles available to you, and if you want more suggestions – just ask us. Stay tuned – We will highlight our diverse and varied holdings at Lilly with a different theme each month.
Each spring since 1998, Durham has hosted international filmmakers and film lovers who flock to the Full Frame Documentary Film Festival. Festival goers revel in the latest in documentary, or non-fiction, films which are presented in venues throughout historic downtown Durham.
Because it is the 20th anniversary, this year’s festival’s thematic program is a cinematic retrospective of the twenty years of Full Frame. Curated by Artistic Director Sadie Tillery, notable films, filmmakers, and special moments that have distinguished Full Frame since it was founded in 1998 are to be highlighted this year.
Do you know that Duke University is a major supporter of Full Frame?
Of special note, because of his support and commitment to the arts, Duke University President Richard Brodhead will be honored with the Full Frame 2017 Advocate Award. In addition, the Duke University Libraries support and highlight films from past festivals. If you don’t attend the festival, consider the Libraries’ collections. A major resource is the Rubenstein Library’s Full Frame Archive Film Collection, that includes festival winners from 1998 through 2012. In addition, the film and video collection at Lilly Library on East Campus contains a selection of Full Frame titles available to the Duke community.
Counting what, you may ask? 30,000 DVDs in the Lilly Library!
Lilly Library celebrates the acquisition of our 30,000th DVD
Lilly Library has a deep and rich collection of films, and as the films are continually ordered and catalogued, we became aware that we were nearing a milestone of 30,000 DVDs on our shelves. The very first DVD cataloged for Lilly Library was the French film, The Last Metro, and it marked the beginning of a highly regarded collection brimming with classic films, international and global films, serious documentaries and ever popular animated films.
Why The Princess Bride?
The inspiration on what to select as our 30,000th film came from our First-Year Library Advisory Board Group which suggested a “fun” film from 30 years ago. Films from 1987 such as Predator, Rain Man, Full Metal Jacket and Fatal Attraction didn’t quite “fit the bill”, but The Princess Bride emerged as a favorite, and most importantly – F U N!
To mark the acquisition of the 30,000th DVD in our collection, Lilly Library is sponsoring the following events:
Cake! Enjoy a special Twue Wuv Cake
Meet the people behind the scenes, the catalogers & staff involved in bringing this film, and other films to our library users.
Wednesday, March 29th at 10 a.m.
Where: Lilly Library Lobby For Duke Students: If your slice has the “Miracle Max Pill”, you win a prize!
Movie! The Princess Bride
When: Friday, March 31st at 8 p.m.
Where: Trinity Café, East Campus Union Refreshments provided – while they last
Sponsored by the East Campus Libraries – Lilly and Music –
and Devils After Dark
In case you can’t get enough of politics in this election cycle, Lilly Library’s exhibit Reel Politics: Focus on Elections highlights the wide range of political or politically themed films in our collections. Duke students, staff and faculty can “write-in” their favorite film or choose from some of the titles represented.
The American political process and environment are explored, celebrated and, yes, deplored in all genres of film and television programs: romances, satires, and searing dramas, cynical and sometimes insightful documentaries. Films available in the Lilly Library collections include classics such as Mr. Smith Goes to Washington or its cynical counterpart, The Candidate, idealized romances such as The American President, comedies such as Election, and documentaries such as Weiner or The War Room. Television series also portray the American political scene in a variety of ways – what starker contrast in depictions of the Presidency can be found than between that of The West Wing and the recent series, House of Cards?
What are the bestfilms , documentaries and television series about American elections? The films and television series in the exhibit represent just a very few of the hundreds of films and series about American elections and politics that the library offers. Explore the possibilities with a search of our library catalogue, peruse the Lilly Video Spotlight on Political Documentaries, and remember, just like the candidates, films have their champions and detractors.
In keeping with the season, perhaps you can conduct your own poll!
Reel Politics: Focus on Elections Exhibit on display through October Lilly Library foyer
News, Events, and Exhibits from Duke University Libraries