As Black History Month leads into Women’s History Month, I’ve selected a handful of books from the list 48 Books By Women and Nonbinary Authors of Color to read in 2019.
For more books to enjoy or mull over during spring break, check out our Overdrive, New and Noteworthy, and Current Literature collections.
Shapes of Native Nonfiction: Collected Essays by Contemporary Writers edited by Elissa Washuta and Theresa Warburton.
Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket.
Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.
The Memory Police by Yoko Ogawa, translated from the Japanese by Stephen Snyder.
A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor.
On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses–until things become much more serious. Most of the island’s inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.
When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.
A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.
Yoko Ogawa was profiled in the New York Times in an article titled “Yoko Ogawa Conjures Spirits in Hiding: ‘I Just Peeked Into Their World and Took Notes’.”
From the disability rights advocate and creator of the #DisabledAndCute viral campaign, a thoughtful, inspiring, and charming collection of essays exploring what it means to be black and disabled in a mostly able-bodied white America.
Keah Brown loves herself, but that hadn’t always been the case. Born with cerebral palsy, her greatest desire used to be normalcy and refuge from the steady stream of self-hate society strengthened inside her. But after years of introspection and reaching out to others in her community, she has reclaimed herself and changed her perspective.
In The Pretty One, Brown gives a contemporary and relatable voice to the disabled–so often portrayed as mute, weak, or isolated. With clear, fresh, and light-hearted prose, these essays explore everything from her relationship with her able-bodied identical twin (called “the pretty one” by friends) to navigating romance; her deep affinity for all things pop culture–and her disappointment with the media’s distorted view of disability; and her declaration of self-love with the viral hashtag #DisabledAndCute.
By “smashing stigmas, empowering her community, and celebrating herself” ( Teen Vogue ), Brown aims to expand the conversation about disability and inspire self-love for people of all backgrounds. You can see an interview with Brown and read more of her work by visiting her website.
Sabrina & Corina by Kali Fajardo-Anstine.
Kali Fajardo-Anstine’s magnetic debut story collection breathes life into her Indigenous Latina characters and the land they inhabit. Set against the remarkable backdrop of Denver, Colorado – a place that is as fierce as it is exquisite – these women navigate the land the way they navigate their lives: with caution, grace, and quiet force.
In “Sugar Babies,” ancestry and heritage are hidden inside the earth, but have the tendency to ascend during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman returns home from prison, finding herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual.
Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.
Kali Fajardo-Anstine is a National Book Award Finalist, a finalist for the PEN/Bingham Prize and The Story Prize, and longlisted for the Aspen Words Literary Prize. Fajardo-Anstine is the 2019 recipient of the Denver Mayor’s Award for Global Impact in the Arts. Her fiction and essays have appeared in GAY Magazine, The American Scholar, Boston Review, Bellevue Literary Review, The Idaho Review, Southwestern American Literature, and elsewhere. Kali has been awarded fellowships from Yaddo, MacDowell Colony, and Hedgebrook. She has an MFA from the University of Wyoming and is from Denver, Colorado.
The Ungrateful Refugee: What Immigrants Never Tell You by Dina Nayeri.
Aged eight, Dina Nayeri fled Iran along with her mother and brother and lived in the crumbling shell of an Italian hotel-turned-refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton University. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. In these pages, a couple fall in love over the phone, and women gather to prepare the noodles that remind them of home. A closeted queer man tries to make his case truthfully as he seeks asylum, and a translator attempts to help new arrivals present their stories to officials.
Nayeri confronts notions like “the swarm,” and, on the other hand, “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. With surprising and provocative questions, The Ungrateful Refugee challenges us to rethink how we talk about the refugee crisis.
In 2017, Nayeri wrote an essay by the same title. A 2019 Columbia Institute for Ideas and Imagination Fellow, winner of the 2018 UNESCO City of Literature Paul Engle Prize, a National Endowment for the Arts literature grant (2015), O. Henry Prize (2015), Best American Short Stories (2018), and fellowships from the McDowell Colony, Bogliasco Foundation, and Yaddo, her stories and essays have been published by the New York Times, New York Times Magazine, The Guardian, Los Angeles Times, New Yorker, Granta New Voices, the Wall Street Journal, and many others. Her debut novel, A Teaspoon of Earth and Sea (2013) was translated into 14 languages. Her second novel, Refuge (2017) was a New York Times editor’s choice.