Category Archives: Duke researchers

Exploring the Cost of Course Materials for Undergraduates: Toward an Affordable, Equitable Duke Education

Post by Ella Young, Research and Public Services InternCartoon illustration of people's hands holding up books, notebooks, and other printed materials.


In order to explore the true cost of a Duke undergraduate education, the Duke University Libraries are conducting a survey of teaching faculty to assess course materials costs for undergraduate students. By soliciting faculty responses, we seek to understand what types of materials are assigned in undergraduate courses across disciplines and their costs for students. The price of traditional textbooks and single-use online codes for homework has been rising for over 20 years, and students across the U.S. have reported struggling to afford their course materials alongside daily expenses. At Duke, if every undergraduate purchased every assigned textbook for their classes, they would cumulatively pay upwards of $1.4 million per academic year.

The Libraries plan to use data from the survey to assess how we can better support student access to course materials and to gauge interest in Open Educational Resources as a cost-effective alternative to traditional textbooks.  Surveying faculty about their interest in OERs moves Duke one step closer to implementing affordability initiatives and expanding OER availability on campus.

Have you taught an undergraduate course within the past 5 years? Click here to complete the survey!

What are Open Educational Resources (OERs)?

Open Educational Resources (OERs) are “openly-licensed, freely available educational materials that can be modified and redistributed by users” (The OER Starter Kit). This includes textbooks, searchable repositories, images, artwork, and even online college courses.

OERs benefit students by reducing college costs, and instructors can tailor OER to fit their needs. People who otherwise would not have access to college-level materials also can gain an education with open access materials.

How do OERs work?

Creative Commons (CC) licenses are copyright licenses that give users permission to reuse, distribute, remix, adapt, or build upon someone’s original material. All OERs are made available under some type of open license. There are six levels of license types with varying permissions, which you can explore here.

Learn more about OERs

To get started using Open Educational Resources, Duke Libraries has a guide to OERs with introductory information and links to open resources for instructors. For questions about OERs or how to make your courses accessible and affordable, contact Haley Walton, Librarian for Education and Open Scholarship, at the Duke University Libraries.

Open Education Week, a worldwide event for celebrating and promoting OERs, will take place this year the week of March 4th—8th. During OER Week, organizers across the globe will be hosting in-person and virtual events to showcase and discuss open education initiatives. A calendar of events can be found here.

We invite teaching faculty at Duke to click here to complete the survey!

All responses are anonymous.

Unraveling the Mysteries of the Renaissance: My Unexpected Journey in the Medieval/Renaissance FOCUS Cluster

Guest post by Gabe Cooper, a first-year student from Columbia, SC. He intends to major in Economics with maybe a French minor and an Innovation & Entrepreneurship Certificate.


18th-century illustration of a caiman holding a false coral snake in its mouth.
A dynamic scene of a caiman holding a false coral snake in its mouth, from Maria Sibylla Merian’s Surinam Album.

What drew you to sign up for Scientific Revolutions: Music, Medicine, and Literature the Renaissance FOCUS program? And specifically Professor Tom Robisheaux’s class “Renaissance Doctors, Engineers, and Scientists”?

I discovered this FOCUS cluster almost completely by accident. I came up to Duke to visit during Blue Devil Days and chose to attend a lecture about unraveling the secrets of Leonardo da Vinci, knowing I had enjoyed learning about the Renaissance in the past but also not really knowing what I was getting myself into. When I walked into the lecture room, I was greeted by an eccentric, wise person; the epitome of a college history professor—this is when I met Professor Robisheaux.

Gabe Cooper

I was expecting the mini lecture to be simple—a lecture where Professor Robisheaux talked to us about Leonardo da Vinci. Instead, he tasked the class of newly accepted Duke students to unravel the mystery of Leonardo ourselves. How was the world connected for Leonardo da Vinci? What did his artwork, architectural designs, and a piece of music have in common? All these questions Professor Robisheaux asked us, and all that we had to answer were primary materials and each other. Suddenly, I was in the position to be the one who investigated and be the historian; Professor Robisheaux was just a guide.

This experience during Blue Devil Days drew me to sign up for this MedRen FOCUS cluster because Professor Robisheaux’s teaching style was unlike anything I had ever experienced before, and the lecture made me rethink everything I knew about Leonardo da Vinci and the Renaissance. I wanted to explore this cluster further, and I am so glad I did.

As a student interested in the sciences, what did studying the Renaissance in a humanities program like the MedRen Focus teach you?

The MedRen FOCUS taught me that the distinctions we make today between different subjects in the sciences and the humanities are not as strong as I previously believed. Almost all the figures we studied with Professor Robisheaux were polymaths: Leonardo da Vinci was an artist, scientist, engineer, and courtier; Maria Sibylla Merian was an artist, biologist, and explorer; Paracelsus was a physician who understood medicine and the human body through art and his religious beliefs. Everything was interconnected during the Renaissance, and by studying this period in history, I’ve been better able to see the interconnectedness of the world around me.

18th-century illustration of spiders crawling on plant branches
A busy scene of Huntsman spiders, pink toe tarantulas, leaf-cutter ants, and a ruby-topaz hummingbird, from Maria Sibylla Merian’s Insects of Suriname.

What was it like encountering early printed books from the Renaissance for the first time?

It was stupefying to encounter early printed books because time seemed to have collapsed. These books were a physical representation of time—they had survived centuries before me and would likely survive centuries after me. But at the same time, the books were just books. They looked ordinary and you could still understand their pictures and sometimes even what they were saying. It was a weird dichotomy between awe and ordinariness, and I would highly encourage anyone to explore the Rubenstein Library’s collection.

What was your topic for the final paper in Professor Robisheaux’s class? What did you choose to write about and why?

My topic for my final paper in Professor Robisheaux’s class was centered around the question “How did art become the pinnacle of subjectivity that we know today?” I came up with this question because throughout Professor Robisheaux’s course, a key theme that emerged in our discussions was the fact that art was viewed as mainly objective during the Renaissance, with very set guidelines and procedures. However, while looking at De europische insecten at the Rubenstein Library during class one day, Maria Sibylla Merian seemed to stand out as an outlier. All of her work had very little commentary, a sense of chaos, and focused on the subjective, individual experience of nature.

And perhaps the most exemplary in accomplishing this switch to subjectivity is Merian’s Surinam Album, which masterfully displaying the wildlife of Surinam in the eighteenth century. This album, full of vibrant colors, intricate details, and dynamic scenes, gives the impression that Merian is tasking the viewer with making sense of what these scenes in nature mean, as if she is rendering them the scientist. I wanted to dive deeper into these themes in my final paper, using everything I had learned throughout the course to try to become a historian.

18th-century illustration of butterflies and caterpillar
Two Menelaus Blue Morpho butterflies fluttering around its caterpillar form on a Barbados Cherry, from Maria Sibylla Merian’s Insects of Suriname.

Any other things you would like others (especially future students!) to know about the FOCUS program or the Libraries?

One of the most valuable aspects of FOCUS is the relationships you make with fellow classmates and your professors. Meeting with Professor Robisheaux, Professor Kate Driscoll, Professor Roseen Giles, Dr. Heidi Madden, Ms. Rachel Ingold, and all of your classmates every week for dinner and field trips allows you to really get to know everyone in your FOCUS program. This is truly invaluable because when you take FOCUS as a first semester freshman, you are dealing with a lot of uncertainty. Who will be your friends? Are you going to achieve the same amount of success you did in high school? How do you deal with being on your own? Having a tightly-knit community that is provided by FOCUS makes the entire college transition much easier because you have professors and librarians that want to help you succeed and classmates who are going through the same challenges you are.

Congratulations to Our Research and Writing Award Winners!

We are pleased to announce the winners of our 2022-2023 library writing and research awards. Every year the Duke University Libraries run a series of essay contests recognizing the original research and writing of Duke students and encouraging the use of library resources. Congratulations to this year’s winners!

Lowell Aptman Prize

Recognizing excellence in undergraduate research using sources from the Libraries’ general collections.

  • Honors Thesis Winner: Alexandra (Bailey) Griffen for “The ‘Last Midwife’ that Never Was: Gender Race and Birth in Durham’s Medical Establishment, 1900-1989,” nominated by Dr. Sarah Deutsch. 
  • Third/ Fourth Year Winner:  Angela Wu for “Ncosi, The Story of South Africa’s AIDs HIV Poster Child,” nominated by Dr. Karin Shapiro. 
  • First/Second Year Winner: Rhiannon Camarillo for “Abortion Liberalization in West Germany: A Lasting Legacy of Conservatism,” nominated by Dr. James Chappell. 

Chester P. Middlesworth Award

Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.

  • Zoe Kolenovsky for “Cancer Alley, Louisiana: A Case Study in Race- and Class-Based Discrimination as Drivers of Environmental Injustice,” nominated by Dr. Nancy MacLean 

Ole R. Holsti Prize

Recognizing excellence in undergraduate research using primary sources for political science or public policy.

  • Axelle Miel for “Concentrix in the Philippines: The Political Risk of Remote Work,” nominated by Dr. Edmund Malesky
  • Kulsoom Rizavi for “Intra-Party Polarization – Characterizing its Nature and Extent through r/Democrats and r/Republican,” nominated by Dr. Christopher Bail 

Rudolph William Rosati Creative Writing Award

Recognizing outstanding creative writing by first year students and sophomores.

  • Camden Chin for “The Value of a Dollar”
  • Erin Lee for “Chuncheon”
  • Kulsoom Rizavi for “Sound of Otherness”

The William Styron Creative Writing Award

Recognizing outstanding creative writing by juniors and seniors.

  • Ruby Wang for “2001: An Ode to Mother”
  • Sophie Zhu for “White Fox”

Join Us at the Awards Reception!

We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend. All are invited to join us for refreshments and the opportunity to honor the recipients.

Date: Friday, November 3
Time: 3:00 – 4:00 p.m.
Location: Breedlove Conference Room (Rubenstein Library 349)

Duke Engineering Exposition at Rubenstein Library, Sept. 27

Are you curious about the history of Duke’s Engineering School? Would you like to hold an amputation saw from the 16th century as you contemplate the evolution of surgical tools? Do you want to know how a lipstick tester would work and how it came to Duke?

Join us for a special open house especially for students, faculty, and staff from the Pratt School of Engineering!

Date: Wednesday, September 27
Time: 12:00 – 3:00 p.m.
Location: Holsti-Anderson Family Assembly Room (Rubenstein Library 153)

Artifacts on display will highlight:

  • University Archives materials
  • medical instruments
  • other artifacts that reflect technological changes

This informal open house will feature numerous items from the David M. Rubenstein Rare Book & Manuscript Library on Duke’s West campus.

Attendees will have a chance to browse materials and talk with library staff about our collections. Plus enter a raffle to win fabulous library swag! Hope to see you there!

Understanding the Experiences and Needs of International Students at Duke

Post by Joyce Chapman, Assessment Analyst and Consultant; Sarah Park, Librarian for Engineering and Computer Science; and Matthew Hayes, Librarian for Japanese Studies and Asian American Studies


Duke students enjoy Holi, the Hindu holiday also known as the Festival of Colors. Photo by Jared Lazarus/University Communications.

How can the Duke Libraries better support the needs of international students at Duke? A team of library staff conducted qualitative research with international students over the past year in order to answer this question. This research was part of a multi-year effort at the Libraries to better understand the experiences and needs of various populations at Duke, including first-generation college students, and Black students. 

Our final report discusses the full research process and our findings in more detail than that provided below, including a full list of recommendations resulting from the study. 

We began by reading existing research on university and academic libraries’ support of international students and speaking with key stakeholders on campus. In fall of 2022 and spring of 2023, we conducted a series of discussion groups with both graduate and undergraduate international students. We also surveyed international students to better understand their library and campus experiences at Duke.  

On the whole, participants express high satisfaction both with the Libraries and Duke University. In the 2023 Libraries Student Survey, international student respondents were more likely to report feeling welcomed at the Libraries and that the library is an important part of their Duke experience than domestic students. When asked in discussion groups what helps them feel welcome, international students discussed how the Libraries’ wide array of exhibits and events with international focus, as well as visible print materials in non-English languages, make the Libraries a welcoming space for them.  Numerous students mentioned the positive impact of the Duke International Student Center (DISC) and a range of orientational programs, such as campus wide, program specific, and international student specific orientations, in fostering a sense of belonging and welcome at Duke. For undergraduates specifically, peers play an important role in making them feel welcome.  

Studying for finals in Lilly Library on Duke’s East Campus. Photo by Bill Snead/University Communications.

Participants were also asked which people, services, and spaces feel supportive and safe at Duke University. For undergraduates, examples include Counseling and Psychological Services; Duke LIFE (Lower Income, First-Generation Engagement); the campus farm; Resident Advisor supervisors; advisors; fellow Duke students; professors and Teaching Assistants; the Career Resource Center; campus events; Duke health insurance; student clubs; and the campus gyms. For graduate students, supportive services primarily revolve around departments and programs, including departmental staff such as program administrators, Directors of Graduate Studies and Director of Graduate Studies Assistants, program advisors, career services teams within schools, and department coordinators. Graduate students also discussed fellow international students, upperclass students within their programs, instructors, and lab mates as sources of support. 

Overall, international students at Duke feel welcome and supported by both fellow students and faculty. Participants also discussed aspects of Duke that have felt unwelcoming, including the additional stress of administrative requirements around acquiring healthcare, visas, driver’s licenses, social security numbers, and housing. Both graduate and undergraduate participants discussed how cultural differences can make students feel out of place. A few students shared their experiences of encountering microaggressions from some fellow students and faculty. These microaggressions often stem from assumptions made by the microaggressor based on the students’ nationality or from the microaggressor’s own U.S.-centric worldview, even in academic situations where a global perspective is expected. A theme among undergraduate students was the unwelcoming exclusivity of social groups and some clubs, which was described as a cause of social anxiety. For graduate students in particular, the cost of living, feeling unsafe off campus, and transportation are three of the least welcoming aspects of life at Duke. Some students additionally brought up the stress caused by the pervasive nature of academic elitism at Duke, an issue that would not be unique to international students. 

Participants were asked who they turn to when they have questions. Undergraduates often turn to friends, upperclass students, advisors, student support offices, and even large chat groups used by their cohorts. Graduate students tend to rely more on formal entities such as advisors, graduate program offices, and faculty, though they also consult lab mates, upperclass students, friends, and their extended networks. 

Duke students and alumni celebrate Homecoming Weekend on the Bryan Center Plaza. Photo by Jared Lazarus/University Communications.

Students reflected on what was most challenging for them when they first arrived in Durham or on campus. Literature reviews discussing the challenges international students face while studying abroad often emphasize language and communication barriers. However, challenges identified at Duke centered more on cultural and social interactions, with little mention of basic communication issues. Students expressed feelings of being overwhelmed with a bewildering variety of resources and facing challenges in navigating through available options. While such overwhelming feelings are not unique to international students, it is notable that their American counterparts are often guided by relatives who have experience with the U.S. education system. Additionally, many undergraduate students talked about differences in education systems and pedagogical approaches between their home countries and Duke. 

We also asked participants how they use the Libraries at Duke and what works well for them. The overall attitude toward the Libraries is very positive. International students use and value the Libraries for its variety of study spaces, online resources, textbook loans program, interlibrary loan services, and research support. When asked what works well in the Libraries, the majority of comments focused on the ease-of-use of library facilities and spaces, as well as on the accessibility of library materials. Many students also appreciate the ability to use the Libraries as a place to relax and unwind throughout the day. Students praised the volume of Duke’s holdings, its networked relationship to other lending institutions, the ease of finding online resources, and the savvy work of librarians in assisting students during research consultations. 

International students also identified several areas of the library that do not work well for them. Among these, students described their limited awareness of library services and librarian subject expertise. Many also commented on the crowded nature of study spaces, and the frustrating waitlist for carrels. While study rooms are highly valued by international and domestic students, we found that they are also one of the Libraries’ services for which students express frustrations and a greater need. We found that many undergraduate international students were unaware of the ability to receive personalized help from library staff, and that the Libraries’ support role is known only to small cross-sections of the international student population. When students learn of personalized assistance from librarians they often do not do so through the Libraries, but from professors and other students. Students praised information provided by librarians in their Writing 101 and English for International Students classes, but requested that the Libraries provide more outreach and information sessions extended over a longer portion of the student’s academic career at Duke. Some students expressed a strong interest in having tour opportunities, more library orientations, and greater awareness of the general services offered by U.S. academic libraries, with which many international students may be unfamiliar.  

When asked what services and programs the Libraries could offer to further support international students, participants had several ideas. The overarching theme was a desire for enhanced communication and promotion of library services and resources. This could include promotion through the DISC newsletter and international student orientations. It could also include channels not specific to international students, such as professors, programs, program orientations, and increasing advertising about the Libraries on campus but outside the library buildings themselves. Students were also interested in the Libraries increasing its offerings of workshops and tours. Echoing findings from the Libraries’ 2023 Student Survey, a recurring request from international students in discussion groups was for increased foreign language materials, and in particular, leisure reading materials and current newspapers. Other ideas from students include increasing collaboration with DISC and other campus offices, and providing popular games from students’ home countries in a leisure area of the Libraries. 

Getting ready for final exams in the Link at Perkins Library. Photo by Jared Lazarus/University Communications.

What’s Next?

These findings became the basis of 29 recommendations outlined in the Research Team’s full report. The Research Team will present this study at the Libraries’ all-staff meeting, and will share it widely with other units on Duke’s campus over the summer of 2023. We will also share the report within the library community to encourage other libraries to consider these questions and undertake similar work at their own institutions. 

One of the report’s recommendations is that the Libraries’ charge an International Student Study Implementation Team in fall 2023 that will prioritize and coordinate the implementation of recommendations from the study.  

For more information on this study, contact Joyce Chapman, Assessment Analyst and Consultant, at joyce.chapman@duke.edu. 

How to Use Interlibrary Loan


Post by Michael Edwards, Resource Sharing Librarian; Alex Konecky, Access and Library Services Assistant; and Sarah Park, Librarian for Engineering and Computer Science

Interlibrary Loan (ILL) is Duke University Libraries’ system for obtaining materials that are not available at Duke. This service is available to current Duke University faculty, staff, and students. Eligible users can submit an ILL request on the library homepage.

Go to the library homepage and click “Interlibrary Request” on the quick links menu. Then, click the “Request a Title” button to login, and fill out the form. If you haven’t used the service before, you may need to register for an account.

Alternatively, if you don’t want to fill out the form yourself, you can request an article through Google Scholar and avoid filling out the form. To do so, go to Scholar.Google.Com and search for the article you need.

Before you search, make sure that Google knows that you are affiliated with Duke. If you are on campus, Google already knows that you are affiliated with Duke. But if you are off campus, go to the settings under the three bars, clicking “Library Links,” and searching for Duke in the search box. Select Duke and press the “Save” button. A shortcut to the “Library Links” is https://scholar.google.com/scholar_settings?#2.

Once you have set up the library links, you will notice that search results show a “Get it at Duke” link next to the title whether you are on or off campus.

If you come across an article that doesn’t have the “Get it at Duke” link, like “Closed-loop insulin delivery: current status of diabetes technologies and future prospects,” don’t worry. You can still access it by clicking the double arrow at the bottom of the article. This will reveal the “Get it @ Duke” link. Click on it to proceed.

Next, click on “Request – University users” and make sure all the information is correctly filled out before submitting the request. You will receive a link via email, so you can access a PDF of the article.

If you have any questions about this or any other interlibrary loan services, please contact ILL department at Interlibraryrequests@duke.edu.

Students: We Need Your Input! Earn a $20 Gift Card!


The Duke University Libraries are undertaking a strategic planning process in order to define a clear sense of direction and identify priorities for the next five years. Griffin Reames and Ashley Garcia from Guideline Consulting are helping to support us in this important work.

We would very much appreciate your participation in a 1-hour focus group with Guideline Consulting to share your feedback and reflections on the biggest strategic issues impacting the library’s future. Focus groups will be conducted virtually via Zoom.

Please indicate your availability here no later than Friday, April 14 and someone from Guideline will reach out to confirm a final date and time. Discussion prompts will be shared by Guideline prior to the focus group, though no advance preparation is required.

Attendees will receive a $20 gift card via email. We hope to hear from you!

ChatGPT and Fake Citations

Post by Hannah Rozear, Librarian for Biological Sciences and Global Health, and Sarah Park, Librarian for Engineering and Computer Science


Unless you’ve been living under a rock, you’ve heard the buzz about ChatGPT. It can write papers! Debug code! Do your laundry! Create websites from thin air! While it is an exciting tech development with enormous possibilities for applications, understanding what’s under the hood and what it does well/not-so-well is critically important. 

ChatGPT is an Artificial Intelligence Chatbot developed by OpenAI and launched for public use in November 2022. While other AI chatbots are also in development by tech giants such as Google, Apple, and Microsoft, OpenAI’s early rollout has eclipsed the others for now – with the site reaching more than 100 million users in 2 months. For some perspective, this is faster widespread adoption than TikTok, Instagram, and many other popular apps.

What you may not know about ChatGPT is that it has significant limitations as a reliable research assistant.  One such limitation is that it has been known to fabricate or “hallucinate” (in machine learning terms) citations. These citations may sound legitimate and scholarly, but they are not real. It is important to note that AI can confidently generate responses without backing data much like a person under the influence of hallucinations can speak confidently without proper reasoning. If you try to find these sources through Google or the library—you will turn up NOTHING. 

Why does it do this? ChatGPT is built on a Large Language Model and has been trained on a huge dataset of internet sources. It can quickly and simply generate easy-to-understand responses to any question you throw at it. But the responses are only as good as the quality of input data it has been trained on. Its core strength lies in recognizing language patterns—not in reading and analyzing lengthy scholarly texts. Given that, it may not be the most reliable source for in-depth research. The following is a shortlist of what we’ve observed ChatGPT is good for and not good for.

What It’s Good For

  • Generating ideas for related concepts, terms, and words about a particular topic. I asked ChatGPT, what are some keywords for the topic of AI literacy? It replied with: Artificial Intelligence (AI), Machine Learning (ML), Deep Learning, Neural Networks, Natural Language Processing (NLP), Robotics, Data Science, Big Data, Predictive Analytics, Ethics of AI, Bias in AI, Explainable AI, Human-AI Interaction, Cognitive Computing… These are all great leads for terms I might use to look for articles and books on this topic. 
  • Suggestions for databases where I could find literature on the topic. I asked ChatGPT, What are some good library databases I could search to find more information about the topic of AI literacy? ChatGPT replied with: IEEE Xplore, ACM Digital Library, ScienceDirect, JSTOR, Proquest, arXiv, and Web of Science. It also suggested checking with my library to see what’s available. A more direct route to this type of question would be consulting the Duke Libraries Research Guides and/or connecting with the Subject Specialist at Duke who is familiar with the resources we have available on any given topic. 
  • Suggestions for improving writing. As ChatGPT has been trained on a large corpus of text, it has accumulated a range of dictions and writing variations within context. I have found it particularly useful for checking grammar and sentence structure in American English, as well as for suggesting alternative phrasing, synonyms, or quick translations of my writing into another language. Additionally, I have experimented with asking ChatGPT to rewrite my paragraph, but if it produced an unexpected response, it may indicate that my writing contains parts that do not make sense in that particular language. Nonetheless, it is important to thoroughly review the text and ensure that it meets your criteria before taking it. 

What It’s NOT Good For 

  • DO NOT ask ChatGPT for a list of sources on a particular topic! ChatGPT is based on a Large Language Model and does not have the ability to match relevant sources to any given topic. It may do OK with some topics or sources, but it may also fabricate sources that don’t exist. 
  • Be wary of asking ChatGPT to summarize a particular source, or write your literature review.  It may be tempting to ask ChatGPT to summarize the main points of the dense and technical 10-page article you have to read for class, or to write a literature review synthesizing a field of research. Depending on the topic and availability of data it has on that topic, it may summarize the wrong source or provide inaccurate summaries of specific articles—sometimes making up details and conclusions.
  • Do not expect ChatGPT to know current events or predict the future. ChatGPT’s “knowledge” is based on the dataset that was available before September 2021, and therefore, it may not be able to provide up-to-date information on current events or predict the future. For instance, when I asked about the latest book published by Haruki Murakami in the US, ChatGPT responded with First Person Singular, which was published in April 2021. However, the correct answer is Novelist as a Vocation, which was released in November 2022. Additionally, ChatGPT did not seem aware of any recent developments beyond September 2021. It’s worth noting that Murakami’s new novel is expected to be released in April 2023. 

AI chat technology is rapidly evolving and it’s exciting to see where this will go. Much like Google and Wikipedia helped accelerate our access to information in their heyday, the existence of these new AI-based tools requires their users to think about how to carefully and ethically incorporate them into their own research and writing. If you have any doubts or questions, ask real human experts, such as the library’s Ask a Librarian chat, or schedule a one-on-one consultation with a librarian for help.

Resources

Tackling the Law of Text and Data Mining for Computational Research

Guest post by Dave Hansen, Executive Director of the Authors Alliance (and a former Duke Library staff) and co-PI of “Text and Data Mining: Demonstrating Fair Use,” a project supported by the Mellon Foundation. 


Over the last several years, Duke, like many other institutions, has made a significant investment in computational research, recognizing that such research techniques can have wide-ranging benefits from translational research in the biomedical sciences to the digital humanities, this work can and has been transformative.  Much of this work is reliant on researchers being able to engage in text and data-mining (TDM) to produce the data-sets necessary for large-scale computational analysis. For the sciences, this can range from compiling research data across a whole series of research projects, to collecting large numbers of research articles for computer-aided systematic reviews. For the humanities, it may mean assembling a corpus of digitized books, DVDs, music, or images for analysis into how language, literary themes, or depictions have changed over time. 

The Law of Text and Data Mining

The techniques and tools for text and data-mining have advanced rapidly, but one constant for TDM researchers has been a fear of legal risk. For data-sets composed of copyrighted works, the risk of liability can seem staggering. With copyright’s statutory damages set as high as $150,000 per work infringed, a corpus of several hundred works can cause real concern. 

However, the risks of just avoiding copyrighted works are also high. Given the extensive reach of copyright law, avoiding protected or unlicensed works can mean narrowing research to focus on extremely limited datasets, which can in turn  lead to biased and incomplete results. For example, avoiding copyright for many researchers means using very old,  public domain sources materials, which skews their scholarship to focus on works written by authors that do not represent the diverse voices found in modern publications. 

Thankfully, there is a legal pathway forward for TDM researchers.  Unlike the situation in most other nations, where text and data-mining has benefited from special enabling legislation,  the United States has instead relied on fair use, the flexible copyright doctrine that has been key to US innovation policy. While fair use has the reputation of being nebulous  and confusing (you might recall hearing it described as the  “right to hire a lawyer”) there are good reasons to believe that with appropriate safeguards, non-commerical academic research is reliably protected by fair use.  Only a handful of recent efforts have focused on helping researchers better understand the scope of these fair use rights for TDM research. For example, UC Berkeley spearheaded an NEH-funded project to build legal literacies for text and data mining in 2020. I’m happy to say that Authors Alliance, a nonprofit that supports authors who research and write for the public benefit,  is working to further advance understanding of fair use as applied to TDM research through new resources and direct consultation with researchers under a new Mellon Foundation supported project titled “Text and Data Mining: Demonstrating Fair Use.” 

Unfortunately, fair use isn’t the only legal barrier to text and data-mining research. For researchers who seek to use modern digital works–for example, ebooks available only in ePub format, or movies only available on DVDs–a whole series of other laws can stand in the way. In particular,  under the Digital Millennium Copyright Act (the “DMCA,” a creature of late-90s copyright and information policy), Congress created a special set of restrictions on users of digital materials, seeking to give copyright owners the right to place digital locks on their works, such as DRM, to prevent online piracy. The DMCA imposes significant liability for users of copyrighted works who circumvent technical protection measures (e.g., content scramble for DVDs) unless those users comply with a series of complex exemptions promulgated by the U.S. Copyright Office. 

In 2021, Authors Alliance, the Association of Research Libraries, and the American Association of University Professors joined together to successfully petition the US Copyright Office for such a DMCA exemption for text and data mining in support of academic research. That exemption now allows researchers to circumvent technological protection measures that restrict access to literary works and motion pictures. Like other exemptions, it is complicated, containing requirements such as the implementation of strict security measures. But, it is not impenetrable, especially with clear guidance. 

An Invitation to Learn with Us About Legal Issues in Text and Data Mining

To that end, I’m pleased that Duke University Libraries, the Franklin Humanities Institute, and others units at Duke are working with Authors Alliance to take the lead in supporting researchers to overcome legal obstacles to TDM. Together, this spring we will host a series of workshops for faculty, librarians, and others at Duke as well as other Triangle area universities. On March 23, we’ll host a workshop focused on legal issues in TDM using textual materials, and then on April 4, another workshop on TDM with visual and audio-visual materials. Each workshop will give an overview of the state of law as applied to TDM – practical tips and guidance, as well as substantial hands-on discussion about how to address particular challenges. We also plan to use these workshops to gather feedback: about where the law is confusing,  or in its current state, inadequate for researchers. That work is done with an eye toward identifying ways to improve the law to make computational research using TDM techniques more accessible and efficient. 

All are invited to join. You can register for these workshops below.

Legal Issues in Text and Data Mining: Literature and Text-Based Works

Thursday, March 23
12:00 – 1:00 p.m. (Lunch Provided)
The Edge Workshop Room (Bostock Library 127)
Register to attend

Legal Issues in Computational Research Using Images and Audiovisual Works

Tuesday, April 4
2:00 – 3:00 p.m.
Ahmadieh Family Lecture Hall (Smith Warehouse, Bay 4, C105)
Register to attend

Ivy Plus Libraries Support Open Access to Federally Funded Research

The following letter was sent to the White House Office of Science & Technology Policy on behalf of the Ivy Plus Libraries Confederation.


On behalf of all 13 Ivy Plus libraries, we write to express our strong support for the updated policy guidance issued by the White House Office of Science & Technology Policy (OSTP) that will make funded research immediately available to the public to freely access and fully use.

At higher education institutions across the world, libraries play a critical role in supporting our scholars in finding and using research, and in sharing the research they produce—all in support of institutional missions to leverage our research and teaching in service of creating a better and more equitable world for future generations. It is in that spirit that we want to highlight the dangers of allowing the interests of commercial publishers to dictate the paths available to implementing this bold new guidance on open scholarship. We refer here to the pay-to-publish model of open access to research publications, as exemplified by individual APC (article processing charge) fees charged directly to authors, and/or institutional Read and Publish agreements where libraries pay bulk APCs on behalf of their scholars and unlock institutional access to read pay-walled content.

Some might argue that well-resourced institutions like ours can afford to pay for both the right to access research and the right to publish and participate in research, but such investment detracts from our core mission of open access and more specifically our ability to comply with the proposed policy changes that we so overwhelmingly support. Implementing the Nelson memo via an APC model is antithetical to the equity goals so clearly articulated in the guidance memo and the values of our institutions.

Locking in a norm where an author, funder, and/or institution must pay an opaque and often costly fee for the right to publish an article risks locking out scholars from less resourced institutions and less well funded disciplines. The equity issue in the APC model extends globally for authors and researchers in lower-income countries who must navigate publishers’ convoluted and demeaning APC waiver procedures that may result in denial of the waiver or discounted APC fees that are still unaffordable. Equitable opportunity to contribute to scholarly literature is as important for the integrity and usefulness of scholarship globally as is the open accessibility to read. As representatives of some of the most well-resourced libraries in the country, we are committed to using our resources to promote public access to all research, not just the research our scholars produce. If public access to research outputs is achieved via a pay-to-publish model, we will have squandered an opportunity to promote equity in scholarly communication by simply substituting economic barriers to access to research for economic barriers to contributing to research.

This policy guidance is the culmination of many years of steady progress towards making research more openly available. It provides a much-needed update to strengthen U.S. policy that will bring our country to equal footing with governments across the world that have established strong open access policies to promote their national innovation agendas. We hope to be a partner to the administration to support and implement this important policy guidance.

We both applaud this policy change and are aware that it may result in significant additional costs related to publication, repositories, data management, and staffing which we anticipate will be shouldered by individual researchers and institutions. We urge you to work with the research community to identify appropriate financial support to these additional burdens in future spending bills. Investing in infrastructure and services that are directly aligned with the research mission will be critical to laying the foundation for a more open and equitable system of research that will result in better, faster answers to the problems of our time.

Joseph S. Meisel
Joukowsky Family University Librarian
Brown University

Torsten Reimer
University Librarian and Dean of the University Library
University of Chicago

Ann Thornton
Vice Provost and University Librarian
Columbia University

Elaine L. Westbrooks
Carl A. Kroch University Librarian
Cornell University

Susanne Mehrer
Dean of Libraries
Dartmouth College

Joseph Salem
Rita DiGiallonardo Holloway University Librarian and Vice Provost for Library Affairs
Duke University

Martha Whitehead
Vice President for the Harvard Library and University Librarian
Harvard University

Elisabeth M. Long
Sheridan Dean of University Libraries, Archives, and Museums
Johns Hopkins University

Chris Bourg
Director of Libraries
MIT

Constantia Constantinou
H. Carton Rogers III Vice Provost and Director of Libraries
University of Pennsylvania

Anne Jarvis
Dean of Libraries and Robert H. Taylor 1930 University Librarian
Princeton University

Barbara Rockenbach
Stephen F. Gates ‘68 University Librarian
Yale University

Michael A. Keller
Vice Provost & University Librarian
Director of Academic Information Resources
Stanford University

RESCHEDULED: Environmental Peacebuilding: A Conversation with Dr. Erika Weinthal


Guest post by Haley Walton, Librarian for Education and Open Scholarship

NOTE: This event was originally scheduled for October 25 but has been rescheduled to November 10.

As part of the Duke Libraries’ annual celebration of International Open Access Week 2022, Bostock Library will host Dr. Erika Weinthal, Professor of Environmental Policy and Public Policy at the Nicholas School for the Environment, to speak on her research into environmental peacebuilding.

Dr. Erika Weinthal, Professor of Environmental Policy and Public Policy

Defined in Dr. Weinthal’s co-authored 2021 paper (published openly in the journal International Affairs), environment peacebuilding is “the multiple approaches and pathways by which the management of environmental issues is integrated in and can support conflict prevention, mitigation, resolution and recovery.” In a world where armed conflicts continue to rage and the environmental crisis is worsening, Dr. Weinthal’s research emphasizes the critical need for collaboration to resolve those conflicts in keeping with principles of environmental consciousness.

Join us in the Bostock Library Workshop Room (127) on Thursday, November 10, 2022 from 4:30-5:30pm for Dr. Weinthal’s talk.

A link to the event on the Libraries’ calendar can be found here.

For more Open Access Week events, visit this site.

Congratulations to Our Research and Writing Award Winners!

We are pleased to announce the winners of our 2021-2022 library writing and research awards. Every year the Duke University Libraries run a series of essay contests recognizing the original research and writing of Duke students and encouraging the use of library resources. Congratulations to this year’s winners!

Lowell Aptman Prize

Recognizing excellence in undergraduate research using sources from the Libraries’ general collections.

  • First/Second Year Winner: Laura Boyle for “Pop Prophet: King Princess’ Subversion of Dominant Desire,” nominated by Dr. Matthew Valnes
  • Third/Fourth Year Winner: Darren Janz for “Somlandela: Julius Malema and the Rise of a New South African Populism,” nominated by Dr. Karin Shapiro
  • Honors Thesis Winner: Caroline Petronis for “Blurring Contagion in the Information Age: How COVID-19 Troubles the Boundaries of the Biomedical and Socioinformatic,” nominated by Dr. Nima Bassiri

Chester P. Middlesworth Award

Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.

  • Undergraduate Award: Adrianna DeLorenzo for “To What Extent Did British Prisoners of War During World War One Feel Ashamed as a Result of Captivity?” Nominated by Dr. Kristen Neuschel
  • Graduate Award:  Mariko Azuma for “The Lure towards Comfōto: Japan’s Early Hotels of the 20th Century.” Nominated by Dr. Gennifer Weisenfeld

Ole R. Holsti Prize

Recognizing excellence in undergraduate research using primary sources for political science or public policy.

  • Ana Herndon for “The Historical Merit of Ethnic Studies: A Study on the Importance of Diverse Higher Education on Social Change.” Nominated by Dr. Cecilia Márquez

Rudolph William Rosati Creative Writing Award

Recognizing outstanding undergraduate creative writing.

  • Jocelyn Chin for “Waiting at the Well: Essays”
  • Thang Lian for “Kan i ton than lai (We will meet again): A Lai Mi Family Oral History”
  • Tina Xia for “Waiting to be seen”

Join Us at the Awards Reception!

We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend.  All are invited to join us for refreshments and the opportunity to honor the recipients.

Date: Friday, October 14
Time: 3:00-4:00 p.m.
Location: Carpenter Conference Room (Rubenstein Library 249)

Open Access Fee Fund COPE Set to Conclude in Summer 2022

Post by Haley Walton, Librarian for Education and Open Scholarship

For over a decade, the Duke University Libraries have been invested in open access to scholarly literature: the sharing of research outputs freely on the internet with no paywalls. In 2010, the faculty adopted an Open Access Policy to enable Duke authors to share their research papers in an open repository, DukeSpace, maintained by the Libraries. At the same time, the university signed onto the Compact for Open Access Publishing Equity (COPE), a program that aimed to remove disincentives to publishing in open access journals by helping authors pay article processing charges (APCs).

Our COPE Fund’s founding mission was to support “pure” open access publishers operating entirely on APCs rather than subscriptions—this in order to promote equity among subscription-based publishers and APC-based open access, which was, at the time, an innovative publishing model. COPE was designed to encourage the overall creation and sustainability of fully open publishing, as well as lower the cost barrier of APCs for Duke authors. Our goal was to endorse the open exchange of scholarship produced at the university.

With funding from the Duke University Libraries, the School of Medicine, the School of Nursing, and the Office of the Provost, COPE helped defray publication costs for our authors continuously for the subsequent 12 years. This included funding the publication of nearly 500 articles by 470 individual Duke authors (faculty, graduate students, postdocs, and undergraduates). However, in June 2022, the COPE program will be coming to an end as the Libraries pivot to open access initiatives that are more relevant in today’s publishing landscape. (See our list of Duke-supported open access initiatives for more information.) This does not mean we are less dedicated to supporting OA at the university, but that the Libraries are choosing to invest in more contemporary models of openness, and ones that will have broader benefit in the Duke community and beyond.

As administrator of the fund for the last 6 years, I have enjoyed thoughtful correspondence with authors whose concerns about the publishing ecosystem are considerable. Openness is encouraged as demands for citations and numerous publications grow for students and faculty. But in the time since COPE’s creation, APC-based open access has matured into a mainstream part of the scholarly publishing ecosystem (rather than being the innovative model it was in 2010). Market-dominant, for-profit publishers and university presses have seen the benefits and popularity of open access, subsequently making modifications to their own models to include OA options (e.g. pay-for-OA in closed-access journals and/or entirely open journals started by “traditional” publishing houses).

As a consequence, there is less delineation between “pure” OA and a hybrid model of open options and subscriptions. This has made it difficult for our COPE Fund to operate effectively using the principles upon which it was founded, namely that we had to restrict the journals and publishers we could fund, excluding any journals that had been purchased or launched by publishers such as Wiley, Nature, or Elsevier. This led to frustration for both authors and for the Libraries as the open access publishing landscape became more convoluted. The technicalities of balancing COPE’s mission with the changing norms in OA publishing necessitated long-form communication with applicants and limitations on the fund that were more problematic than helpful for the Duke community. The Libraries assessed the dwindling ability of the fund to cover more than 20-40 article APCs per year (and often not the entire fee, as costs have been going up) and concluded that we could reinvest the COPE funds in other publishing activities that would benefit a greater number of authors on campus (such as the read and publish deal with Cambridge University Press that started in January 2022).

In my time working with Duke authors who were utilizing the COPE Fund, I had the privilege of seeing the groundbreaking research happening at the university and of having in-depth discussions about our community’s needs as academia grows and changes into the 21st century. I worked with authors across disciplines, from medicine and psychology to the social sciences and math. These are people dedicated to their work and determined to share knowledge with their colleagues and the general public. While COPE’s footprint on campus grew smaller with each passing year—limited funding and rising APC costs—I was still glad to keep a finger on the pulse of publishing on campus through the program. The Libraries (myself included) fully intend to continue to advocate for openness in scholarly publishing and for the interests of Duke authors in an ever-evolving world of openness in research, albeit without the COPE Fund.

It’s a bittersweet farewell I say to the program, but encourage all Duke faculty, students, and other researchers to keep an open dialog with the Libraries about what you need when it comes to resources to publish openly in your discipline. We are determined to invest library resources in an open infrastructure that supports our authors and their scholarly endeavors into the future.

For questions and to offer feedback, please reach out to ScholarWorks, a Center for Scholarly Publishing at the Duke University Libraries: scholarworks@duke.edu.

New Opportunities to Make Your Publications Open Access

Cambridge Open Access

Guest post by Paolo Mangiafico, Scholarly Communications Strategist and Co-Director, ScholarWorks Center for Scholarly Publishing; Haley Walton, Librarian for Education and Open Scholarship; and Elena Feinstein, Head of Collection Strategy and Development


In keeping with our long-held goal of putting knowledge in service to society, Duke University has been an early and strong proponent of open access publishing. So many scholarly journals and books remain behind subscription paywalls—while members of the Duke community can get access to many of them through Duke Libraries, researchers at less privileged institutions or in other countries, independent researchers, policymakers, and the general public often can’t. This is where open access comes in—through a variety of funding and publishing models, researchers can increasingly make their publications and data and other research outputs freely available to anyone to read and use, resulting in increased reach and impact for Duke research, and benefits to the world at large.

Duke’s Academic Council adopted an open access policy in 2010, making it possible for Duke faculty to share their own scholarly articles via an open access repository supported by Duke Libraries, and link them from their Scholars@Duke profiles and lab, department, school, and institute web sites. This is sometimes known as “green open access”—referring to authors making their own articles available via preprint servers or other other repositories, in addition to publishing them in a traditional journal. Some journals also make it possible for publications to be made open access directly from the journal—known as “gold open access”—either by publishing the journal through volunteer labor of scholars themselves, or by institutions and foundations sponsoring the journal’s publishing costs, or by publishers charging authors an article processing charge (APC) when their article is accepted for publication. Duke has provided support for all of these models over the years, encouraging more researchers and more journals to make their work openly available, and providing financial and in-kind support to help do so.


“Duke Libraries have recently entered into a new agreement with Cambridge University Press (CUP) that will both provide subscription access to Cambridge journals for the Duke community as well as cover open access article fees for Duke authors publishing in CUP journals.”


Starting in January, a new opportunity to publish open access became available to Duke authors. Duke Libraries have recently entered into a new agreement with Cambridge University Press (CUP) that will both provide subscription access to Cambridge journals for the Duke community as well as cover open access article fees for Duke authors publishing in CUP journals. This program applies to all 380 journals that Cambridge University Press publishes as either fully open access or hybrid (the journal itself is subscription access, but individual articles may be made open access)—you can find the full list of applicable journals here. If you submitted your article to one of these journals after January 1, 2022, and the corresponding author has a Duke email address, CUP will waive open access fees. CUP open access fees average $3,945 per article, so this agreement will result in a significant savings for Duke authors, help make more Duke research openly available to anyone to read, and increase the potential readership and impact for Duke researchers. The program includes authors affiliated with Duke University (including the professional schools), School of Medicine, and Duke Kunshan University, but not Duke University Health System.

These kinds of arrangements are called “transformative agreements” because they aim to begin the shift from institutions paying for limited access subscriptions toward paying for open access publishing, with the ultimate result of a transformed scholarly publishing landscape, with neither readers nor authors having to pay for publishing or access. These kinds of programs are a welcome transition away from a purely subscription landscape toward greater access, but they have the potential to further establish a different kind of inequity by privileging authors who are at institutions like Duke that can afford to enter in this kind of arrangement, and privileging large publishers who can afford to experiment with new funding models and make large-scale deals.

As a key player in the shifting scholarly publishing landscape, Duke Libraries will continue to experiment with a variety of models, and monitor the costs and benefits to the Duke community and effects on the broader research community, aiming to keep moving toward models that promote greater access and equity, and that align with our institution’s values.


“So at the end of this fiscal year… the COPE fund will wind down as we pivot to new models like the Cambridge program… and others that build partnerships between publishers and libraries to collectively fund journals and books so neither authors nor readers need to cover the costs.”


One experiment we began more than a decade ago is now winding down, as the landscape has changed significantly over those years. In 2010 Duke became a signatory to the Compact for Open Access Publishing Equity (COPE), a program that aimed to remove disincentives for researchers to publish in open access journals, by helping cover some of the article processing charges (APCs) open access journals were starting to charge to cover their costs. With financial support from the Provost, Duke Libraries, the School of Medicine, and School of Nursing, a fund was established to cover some open access fees for Duke authors. Over the years this program has funded open access publication of nearly 500 articles, supporting 470 Duke authors, including faculty, graduate students, postdocs and even undergraduates. The journal publishing landscape has changed over the time this program was active—APC-funded publishing is now well-established, sponsors of funded research now generally allow inclusion of these costs in grant budgets, and new models have emerged that can provide broader benefit a lower cost. So at the end of this fiscal year (in June) the COPE fund will wind down as we pivot to new models like the Cambridge program described above (which provide benefit to all Duke authors, not just those who applied for and were awarded reimbursement from COPE) and others that build partnerships between publishers and libraries to collectively fund journals and books so neither authors nor readers need to cover the costs. Duke University Press is establishing itself as a leader in this area with the innovative model it has established for the Demography journal. UNC Press, MIT Press, the University of Michigan Press, and many others are also building sustainable open access funding models, and Duke is partnering with them to help build more open access for Duke researchers and readers everywhere.

To learn more about other programs supported by Duke Libraries to help increase open access to Duke research and promote a more equitable scholarly publishing ecosystem more broadly, and how you can use them when you publish, see this page, talk with your librarian, or email open-access@duke.edu.

Congratulations to Our Research and Writing Award Winners!

We are pleased to announce the winners of our 2020-2021 library writing and research awards. Every year the Duke University Libraries run a series of essay contests recognizing the original research and writing of Duke students and encouraging the use of library resources. Congratulations to this year’s winners!

Lowell Aptman Prize

Recognizing excellence in undergraduate research using sources from the Libraries’ general collections.

  • Honors Thesis Winner: Caroline Petronis for “Blurring Contagion in the Information Age: How COVID-19 Troubles the Boundaries of the Biomedical and Socioinformatic,” nominated by Dr. Nima Bassiri.
  • First/ Second Year Winner: Eric Zhou for “History of Decriminalization of Capoeira in the 1930s,” nominated by Dr. Sarah Town.  

Chester P. Middlesworth Award

Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.

  • Undergraduate Winner: Mary Helen Wood for “‘The Very Reality of God:’ Jimmy Creech, The United Methodist Church, and the Fight for LGBTQ+ Acceptance in North Carolina,” nominated by Dr. Nancy MacLean.
  • Graduate: Jacqueline Allain for “Maria Griffin, et al.: Slavery’s Intimate World,” nominated by Dr. Trudi Abel.

Ole R. Holsti Prize

Recognizing excellence in undergraduate research using primary sources for political science or public policy.

  • Chitra Balakrishnan tor “Creating Response Networks to Address Victims of Incel Activity.”
  • Savannah Norman for “Assessing the Evaluation Methods of the Millennium Challenge Corporation’s Latin American Compact Projects.”

Rudolph William Rosati Creative Writing Award

Recognizing outstanding undergraduate creative writing.

Take Our Survey. You Could Win a $50 Amazon Gift Card!

We’re interested in feedback about your experience using Perkins & Bostock, Rubenstein Library study spaces, von der Heyden study spaces, and Lilly Library this fall. Please complete this SHORT (2-min!) survey, and be entered in a drawing for a $50 Amazon gift card.

Your responses are confidential and will help us improve library services and spaces. Thanks in advance for your valuable input!

7 Back-to-School Library Pro Tips (You Won’t Believe Number 6!)

 


Okay, that headline was total clickbait. We admit it. We’ll stoop pretty low in order to seize a teachable moment. But now that we have your attention, we really do want to convey some important info about using the library this semester. Things are getting back to nearly normal, and the more you know ahead of time, the smarter you’ll look in front of all your friends. (Depending on your friends.) So here we go.

1. No more Library Takeout. Book stacks are open!

Despite the funkalicious earworm it inspired, Library Takeout is history. You no longer need to request books online and schedule a time to pick them up. That’s so 2020. Library stacks are open again, so help yourself and browse all you like. Duke faculty and grad students can still have books delivered to the library of their choice by clicking the green “Request” button in the catalog.

2. Our hours have changed.

In pre-COVID times, certain Duke libraries used to be open 24 hours during the week. This semester we’ve had to scale back, due to pandemic-related budget cuts. Our busiest libraries (Perkins, Bostock, and Lilly) will still be open until midnight most days. And if you really want to keep burning the midnight oil, we’ll have study spaces available in the von der Heyden Pavilion and Rubenstein Library. See our posted hours online for the most up-to-date info.

3. You can still reserve a seat (but you don’t have to).

Last year, if you wanted to study in the library, you had to book a seat in advance. Not any more. Study areas are available again on a first-come, first-served basis. However, one thing this past year taught us was that some students actually liked booking a seat, because they didn’t have to wander around to find a place to work. So we’ve kept a limited number of reservable study seats available. They’re in the Ahmadieh Family Commons on the second floor of Rubenstein Library, just outside of the Gothic Reading Room. 

4. We have textbooks! 

Every semester, we purchase the textbooks for the 100 largest classes at Duke, so that you can check them out for free. Left your textbook in your dorm room? Or want to try before you buy? Borrow our copy for up to three hours at a time, then return it for someone else to use. How great is that?

5. In a hurry? Dislike personal interactions? Check yourself out. 

Several libraries across Duke’s campus have self-checkout stations, where you can quickly and easily check out your own books without having to wait in line or deal with an actual human being. (We get it―ew.)

6. There is no number 6.

Gotcha.

7. We’re actually very friendly people who just want you to be happy.

People who work in libraries are some of the most approachable and service-oriented individuals you’ll ever meet. We genuinely want to help you. We also have a bunch of different ways you can get the help you need, whether by chat, email, phone, in-person, or Zoom. So don’t be afraid to ask us any question. We’re smiling at you under these masks. 

Student Research and Writing Prizes: Win $1,000 or More!

Each year, the Duke University Libraries offer four different prizes to reward excellence in student writing. If you’re a Duke student, consider submitting your work for one of these prizes. The awards carry a cash prize of $1,000 (Aptman, Holsti and Middlesworth) or $1,500 (Rosati).

All submissions must be received by June 15, 2021.

Aptman Prizes

  • The Aptman Prizes recognize undergraduates’ excellence in research, including their analysis, evaluation and synthesis of sources.
  • Any undergraduate student who uses library resources to complete a paper and project as part of his or her undergraduate coursework at Duke may be considered for an Aptman Prize.
  • See the Application Guidelines for more information about how to submit your research for consideration.

Middlesworth Awards

  • The Middlesworth Awards recognize excellence of analysis, research, and writing by Duke University students in the use of primary sources held by the Rubenstein Rare Book & Manuscript Library.
  • All papers or projects from Duke undergraduate or graduate students that are based largely or wholly on sources in the Rubenstein Library are eligible.
  • Learn more about submitting your work.

Holsti Prize

  • The Holsti Prize recognizes excellence in undergraduate research using primary sources for political science or public policy.
  • Undergraduate papers that use primary sources and were written for a course, independent study, or thesis in the Political Science or Public Policy departments are eligible.
  • Learn more about submitting your work.

The Rudolph William Rosati Creative Writing Award

Congratulations to Invited Talk Nominees!

The event “Research as Process: An Undergraduate Research Showcase,” originally planned for April 20, was created by staff of the Duke University Libraries to highlight the exceptional work of undergraduate researchers who utilized library services and/or resources in a project, paper, or other academic work. The showcase put emphasis not necessarily on the impressive products of the nominees’ efforts, but the process of developing their research questions, exploring the existing sources and modifying their inquiry based on them, and learning best practices for academic research methods.

Although the in-person event was unable to take place, we recognize the noteworthy achievement of the nominees and their dedication to academic rigor and furthering knowledge. Conducting a large-scale research project requires developing the ability to effectively to search for and evaluate sources, work that takes time and no small measure of effort.

We extend our congratulations to:

  • Caroline del Real, nominated by Dr. Phillip Stillman for her essay “The Great God Pan and the Horror of the Hybrid” (English)
  • Katherine Owensby, nominated by Prof. Andrew Janiak for her project “Research for Project Vox: Studying Sor Juana Ines de la Cruz” (Philosophy)
  • Bryan Rusch, nominated by Sean Swanic, Librarian for Middle East and Islamic Studies, for his paper “In the Footsteps of Omar Ibn Sayyid: Materials Culture and Folklore” (Asian and Middle Eastern Studies)
  • Alex Damian, nominated by Prof. Lenhard Ng for his senior thesis “Theoretical Guarantees for Signal Recovery” (Mathematics)

Student Research and Writing Prizes: Win $1,000+

Each year, the Duke University Libraries offer four different prizes to reward excellence in student writing. If you’re a Duke student, consider submitting your work for one of these prizes. The awards carry a cash prize of $1,000 (Aptman, Holsti and Middlesworth) or $1,500 (Rosati).

All submissions must be received by June 30, 2020.

Aptman Prizes

  • The Aptman Prizes recognize undergraduates’ excellence in research, including their analysis, evaluation and synthesis of sources.
  • Any undergraduate student who uses library resources to complete a paper and project as part of his or her undergraduate coursework at Duke may be considered for an Aptman Prize.
  • See the Application Guidelines for more information about how to submit your research for consideration.

Middlesworth Awards

  • The Middlesworth Awards recognize excellence of analysis, research, and writing by Duke University students in the use of primary sources held by the Rubenstein Rare Book & Manuscript Library.
  • All papers or projects from Duke undergraduate or graduate students that are based largely or wholly on sources in the Rubenstein Library are eligible.
  • Learn more about submitting your work.

Holsti Prize

  • The Holsti Prize recognizes excellence in undergraduate research using primary sources for political science or public policy.
  • Undergraduate papers that use primary sources and were written for a course, independent study, or thesis in the Political Science or Public Policy departments are eligible.
  • Learn more about submitting your work.

The Rudolph William Rosati Creative Writing Award

Nominations Open for Undergraduate Research Talks

Nominations are now open for a new undergraduate invited speaker event featuring students who have shown excellence in using the Libraries’ materials as part of their coursework, honors thesis, or other capstone project. Nominated students may be invited to present about the process of conducting their research at the event “Research as Process: An Undergraduate Research Showcase.”

Participants will be selected from a variety of disciplines, featuring research conducted on varied topics and with different methods (from data visualization to papers to websites), all of which have unique processes for research.

Nominees must have conducted their research between the Spring 2019 and Spring 2020 semesters for consideration.

To nominate a student, faculty must submit a letter of support on the student’s behalf.

Additional information and the nomination form may be found here:
https://duke.qualtrics.com/jfe/form/SV_8kssGkDfILK3DN3

Important Dates & Deadlines

  • March 15: Nominations must be submitted by the end of the day
  • April 1: Invited participants will be notified

The event is scheduled for Monday, April 20, at 11:00 a.m. in The Edge Workshop Room (Bostock 127).

For Questions and Additional Info

Please contact Ciara Healy (ciara.healy@duke.edu).

Congratulations to Our 2019 Library Writing and Research Award Winners!

Gothic Reading Room

Every year the Duke University Libraries run a series of essay contests recognizing the original research of Duke students and encouraging the use of library resources. We are pleased to announce the winners of our 2018-2019 library writing and research awards.

Lowell Aptman Prize

Recognizing excellence in undergraduate research using sources from the Libraries’ general collections.

  • First/Second-Year Prize: Veronica Niamba for “The Day Man Stood Still,” nominated by Gray Kidd
  • Third/Fourth-Year Prize: Jess Chen for “Post-Modern Folk Chronicler,” nominated by Dr. Paul Jaskot
  • Honor Thesis Prize: Jack Bradford for “Errand into the Water Closet,” nominated by Dr. Tom Ferraro

Chester P. Middlesworth Award

Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.

  • Undergraduate Prize: Sierra Lorenzini for “Fair Haired: Considering Blonde Women in Film and Advertising,” nominated by Dr. Kristine Stiles
  • Graduate Prize: Michael Freeman for “P. Duke Inv. 664R: A Fragmentary Alchemical Handbook,” nominated by Dr. Jennifer Knust

Ole R. Holsti Prize

Recognizing excellence in undergraduate research using primary sources for political science or public policy.

  • Amanda Sear for “To Smoke or to Vape? E-cigarette Regulation in the US, the UK, and Canada,” nominated by Dr. Ed Balleisen
  • Yue Zhou for “Learning Languages in Cyberspace: A Case Study of World Languages Courses in State Virtual Public Schools,” nominated by Dr. Leslie Babinski

Rudolph William Rosati Creative Writing Award

Recognizing outstanding undergraduate creative writing.

  • Valerie Muensterman for “Did You Forget Your Name?”
  • Caroline Waring for “The Roof”
  • Blaire Zhang for “Sapiens”

Join Us at the Awards Reception!

We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend.  All are invited to join us for refreshments and the opportunity to honor the recipients.

Date: Friday, October 25
Time: 4:00-5:00 p.m.
Location: Rubenstein Library 349 (Breedlove Conference Room)

Publishing Tips for New Engineering Students

Victoria Nneji
Victoria Nneji is a Ph.D. student in Mechanical Engineering and Materials Science.

Guest post by Sarah Park, Librarian for Engineering and Computer Science, and Ciara Healy, Librarian for Psychology & Neuroscience, Mathematics, and Physics.

This spring, the Duke Libraries’ Natural Science and Engineering Group worked with the Department of Electrical & Computer Engineering to invite Ruth Wolfish to give a presentation for Duke students. Wolfish is a trainer from IEEE, the world’s largest professional association in Electrical Engineering, Electronics, and Computer Engineering. Her presentation was titled, “How to Write a Technical Paper for Publication with IEEE.” The event aimed to answer questions such as:

  • How to select an appropriate IEEE periodical or conference, organize your manuscript, and work through peer review
  • How to structure quality work to improve their chances of being accepted
  • How to avoid common mistakes and ethical lapse that will prevent your manuscript from being accepted

The information was eye-opening for many of the students in attendance. Ms. Wolfish offered tips on how to scope a research paper submission, as well as emphasizing how to demonstrate “significant difference” between posters, conference papers, and journal articles. Students and faculty engaged in lively discussions and shared their own research publishing experiences.

Following the events, we visited workshop attendee Victoria Nneji, a Ph.D. student in Mechanical Engineering and Materials Science. Victoria is a Durham native and was a member of the Duke Libraries Graduate Student Advisory Board. She graduated from the North Carolina School of Science and Mathematics in Durham and finished her undergraduate work at Columbia University in New York City before earning her masters degrees and joining Duke’s Ph.D. program. During our tour of the Duke Robotics Lab, Victoria talked about her life-long love of libraries. Libraries have also been instrumental to her research accomplishments.

Speaking of her own publishing experience, Victoria explained that her first manuscript to an IEEE journal took over a year from the submission to acceptance. Victoria emphasizes the need for reaching out and proactively communicating with the journal and incorporating reviewer comments.

We asked if she had advice for incoming engineering graduate students, and she did. Here’s what Victoria advised: work with a team to publish; connect with your research advisor, a postdoc or a professor and learn to collaborate by writing drafts; and receive feedback and take ownership of your work. Given that faculty and postdocs are often busy and have little time for carrying the paper forward, students should expect to take the initiative, even following up with your contact at the journal.

In addition, Victoria suggests:

  • Learn how to receive feedback (maybe come back to it in a day or two) and integrate the reviewer’s comments to improve revisions.
  • Communicate in a way that is accessible to those who are not as close to your research as you are — this grows your potential audience of people from different fields around the world.
  • Publish early and often — this gives you a sense of how your research fits into the broader, ever-developing science community. It also helps others develop their research.

Victoria successfully defended her dissertation and is graduating this May. She will stay connected to Duke Libraries as an alum and is looking forward to the Durham Public Library’s downtown branch, where she began volunteering in 2002, reopening in the summer of 2020.

Project Vox publishes du Châtelet’s “Essay on Optics”

Project Vox, a collaboration between Duke University Libraries and the Department of Philosophy, recently announced the publication of the first English translation of Émilie Du Châtelet’s Essai sur l’Optique, or “essay on optics.” Duke doctoral student Bryce Gessell played a pivotal role in making this translation—and the transcription that preceded it—publicly available and accessible to scholars, instructors, and students worldwide. You can read more about Bryce’s work on the translation on the Duke Graduate School’s website.

Image shows handwritten text from the original manuscript
Excerpts of Emilie du Châtelet’s handwritten “Essai sur l’Optique” that were used to construct the translation. (Images courtesy of Project Vox)

Scholars have known about Du Châtelet’s Essai sur l’Optique for many years, but until recently the text has been unavailable because all copies were thought to be lost. In 1947 Ira O. Wade published the first known edition of the Essai’s fourth chapter, which was held among Voltaire’s papers in Russia. Sixty years later, Fritz Nagel, Director of the Basel Research Center of the Bernoulli Edition, discovered the first complete copy of the Essai in the Bernoulli archives in Basel. Two other complete copies, which had previously gone unnoticed, were then discovered among Du Châtelet’s surviving manuscript material.

Working with Nagel and with Duke Philosophy professor Andrew Janiak, Gessell helped produce and publish a transcription of du Châtelet’s Essai on Project Vox in 2017. The translation, more accessible to undergraduate philosophy students, helps the next generation of scholars recognize and follow the development of Châtelet’s ideas about natural philosophy.

Project Vox seeks to transform the discipline of philosophy by making the lives, works, and ideas of early modern women philosophers available for research and classroom use. Since its inception in 2014, this open educational resource has been produced by a cross-professional, cross-disciplinary, and cross-institutional team made up mostly of students, with review and advisement from philosophers worldwide. Learn more about how Duke University Libraries increase access to scholarship at ScholarWorks.duke.edu.

Celebrate Black History All Year Round with “The HistoryMakers”

Duke historian John Hope Franklin (left) and political scientist Samuel DuBois Cook, both of whom are featured in the HistoryMakers database of oral history interviews.

Guest post by Heather Martin, Librarian for African and African American Studies

Looking for oral history interviews of African Americans? Try The HistoryMakers Digital Archive, a new subscription database available through Duke University Libraries.

HistoryMakers contains over 10,000 hours of video interviews with African-Americans distinguished in the categories of education, media, science, politics, law, the arts, business, medicine, the military, sports, religion, entertainment, and other areas of public life. Interviewees discuss memories from the 1890s to the present. The project currently includes original interviews of more than 2,000 individuals, with a goal of collecting 5,000 interviews.

By creating story segments from each interview, HistoryMakers allows users to find relevant discussions on specific topics. Interview transcripts are searchable, but you can also choose from a list of story topics (e.g., leadership, desegregation/integration, public health issues, philanthropy, role models, gender identity, faith, humorous story quality, and arguing a position). You can also create shareable playlists by selecting stories from your search results.

A search for “Duke University” reveals hundreds of interviews with noteworthy individuals, including Paula McClain, current dean of Duke’s Graduate School.

A search for Duke University retrieves 321 stories, including interviews with noted historian John Hope Franklin;  Samuel DuBois Cook, the first African American professor at Duke; Vera Ricketts, the first black female pharmacist at Duke University Hospital; and Paula D. McClain, current dean of the Graduate School at Duke.

HistoryMakers complements Behind the Veil: Documenting African American Life in the Jim Crow South and other oral history materials in the Duke Libraries’ collections. It is a substantial addition to our primary source collections.

To learn more about the creation of The HistoryMakers Digital Archive, visit the organization’s website.

 

It’s Open Access Week! Oct 22-28, 2018

It’s International Open Access Week! We’ll have librarians out at Perkins and Lilly Libraries a few times this week to talk about it, but if you don’t catch up with us that way, here’s a glimpse of what’s on our minds.

What is Open Access?

Open Access is the practice of providing unrestricted access via the Internet to peer-reviewed scholarly research. At Duke, we put knowledge in the service of society. This means making the fruits of Duke research available as broadly as possible — to anyone who might benefit from the scholarship being done here. You can read about Open Access at Duke here.

Paywall (The Movie)

Come to a screening and panel discussion of Paywall: The Business of Scholarship on November 5, 7:30pm, at Rubenstein Arts Center von der Heyden Studio Theater. More details are here.

Big News Out of Europe

In July 2018, there was a joint announcement by Science Europe, various European national research funding organizations, and the European Commission. Dubbed Plan S, it stated that, “from 1 January 2020, all scholarly publications resulting from public research funding must be published in Open Access journals or on Open Access platforms.” In September 2018, a group of funders launched cOAlition S, an agreement to implement the 10 principles of Plan S in a coordinated way. Find out more about this important development: http://scieur.org/coalition-s

Supporting Duke Authors

Duke COPE Fund

The Compact for Open-Access Publishing Equity (COPE) seeks to reduce barriers by underwriting publication fees for authors who want to make their scholarly articles available in an open access journal. Duke’s fund supports faculty, graduate students, and postdocs publishing with fully open access publishers.

Duke Open Monograph Award

Part of the larger collaborative project called Toward an Open Monograph Ecosystem, this award funds Duke faculty members to publish open access scholarly books through more than 60 of the world’s leading university presses.

Duke Open Access Repositories

Duke Libraries supports sharing scholarship openly through two repositories, which are open to any Duke researcher: DukeSpace for publications and the Research Data Repository. These repositories preserve your work for the long haul and provide a persistent link that you can put on your website or share with colleagues. See instructions for submitting publications to DukeSpace here and policies and procedures for research data here.

Consultation

In addition, the library has resources to help you understand and negotiate your publishing contracts, so that you can retain the rights to distribute your work and use it in your teaching. Book an appointment through copyright-questions@duke.edu.

Investing in the Open Publishing Ecosystem

Another way that Duke University Libraries supports open access publishing is by setting aside 1% of our collections budget for open initiatives. The following are just some of the projects and organizations the Libraries contribute to:

  • Knowledge Unlatched: provides open access to books in various disciplines
  • Open Library of Humanities: publishing platform that supports journals from across the humanities disciplines
  • arXiv: preprints database for physics, math, computer science, statistics, and computational disciplines

If you’re interested, you can read more here.

 

You can contact us any time (not just during Open Access Week!) to talk about these issues. Reach out to your subject specialist librarian or write to open-access@duke.edu.

A Conversation with Legendary Editor Bob Loomis, Oct. 24

Many of the books Bob Loomis edited during his career at Random House continue to be read and discussed decades after their publication.

WHEN: Wednesday, October 24
TIME: 4:00-5:00 p.m.
WHERE: Holsti-Anderson Family Assembly Room (Rubenstein Library 153)

Join the Duke University Libraries and Department of English for an informal conversation with Bob Loomis, the legendary Random House editor and Duke alumnus (T ’49), as he discusses the lively literary culture on campus during his post-war undergraduate years.

Loomis worked for Random House from 1957 to 2011, eventually rising to Vice President and Executive Editor. He holds a revered place in the publishing industry as an editor known for nurturing writers whose books went on to great success, including Maya Angelou, William Styron, Shelby Foote, Calvin Trillin, Edmund Morris, Daniel J. Boorstin, and many others.

Loomis’s fellow students at Duke included Styron, Guy Davenport, and New York Magazine founder Clay Felker. He was also a student of celebrated Duke English Professor William Blackburn.

Refreshments provided. Please register to help us estimate attendance.

Free and open to the public.

Co-sponsored by the Department of English.

More about Bob Loomis:

Register to attend this talk.

Library RCR Days!

The Duke University Libraries will be offering a suite of RCR workshops for graduate students over Fall Break, October 8-9, 2018, including:

Monday, October 8

Ethics and Visualization
10:00 a.m. – 12:00 p.m.
This session introduces participants to core ideas in the ethics of visualization—designing to avoid distortion, designing ethically for broad user communities, developing empathy for people represented within the data, and using reproducibility to increase the transparency of design.
Learn more and register

Digital Publishing: Multimodal Storytelling
10:00 a.m. – 12:00 p.m.
This session will provide an overview of common options for publishing sound and video on the web, focusing on the benefits of various platforms, licensing and rights issues, accessibility issues to consider, and methods of integrating multiple media into research publications.
Learn more and register

Research Impact Concepts and Tools
1:00 – 3:00 p.m.
This workshop is designed to help you, as a graduate student, better understand how research impact is currently measured and outline Duke’s resources for assessing impact, from Web of Science to Altmetric Explorer. The workshop will include hands-on exploration of research impact tools, so please bring your laptop to participate.
Learn more and register

Digital Publishing: Reaching and Engaging Audiences
1:00 – 3:00 p.m.
Who are the intended users of your digital publication? How can you reach new audiences and keep your existing audiences actively engaged? We’ll learn about some of the ways successful projects connect with their users and promote their work to potential audiences. Participants will leave this session with a solid grounding in the ethical and logistical dimensions of engaging audiences and incorporating audience involvement into their own publication practices.
Learn more and register

Image Copyright and Acquisition for Scholars
1:00 – 3:00 p.m.
Visual literacy standards and the law are necessary for nearly every humanities and social-sciences project.  This workshop addresses two aspects of image use in scholarship: 1) techniques in obtaining scholarly images (what a scholarly image is, determining original resolution, searching free- and free-to-use images for scholarly research, and when you should pay), and 2) a brief course on image copyright and intellectual property—both the scholar’s and the user’s rights and how each can be asserted.  Relevant case history examples will be cited to back up a scholar’s use of images.
Learn more and register

Tuesday, October 9

Retractions in Science and Social Science Literature
10:00 a.m. – 12:00 p.m.
This workshop will discuss the burgeoning phenomena of retractions in the scientific and social scientific literature. No one plans to have an article retracted, so we will cover what to do to avoid or address a retraction or expression of concern and what the existing editorial literature can offer if you do find yourself dealing with a retraction as an author or one of a group of authors.
Learn more and register

Text/Data: Acquiring and Preparing a Corpus of Texts
10:00 a.m. – 12:00 p.m.
This session focuses on the technical dimensions of corpus development.  Using an array of printed matter—from digital facsimiles of incunabula to modern letterpress/offset books—we will explore the risks and benefits of optical character recognition (OCR); file formatting and naming issues; organization strategies for large corpora; and problems of data cleaning and preparation. While this session will not examine legal issues in detail, we will discuss some common legal concerns around the use of textual corpora.
Learn more and register

Text/Data: Topic Modeling and Document Classification With MALLET
1:00 – 3:00 p.m.
Participants in this session will acquire a general understanding of topic modeling, the automated analysis technique often referred to as “text mining.”  In addition to topic modeling, this session introduces the concepts of sequence labeling and automated document classification, both of which are also possible with MALLET.
Learn more and register

Shaping Your Professional Identity Online
3:00 – 5:00 p.m.
This workshop is designed to help you consider the best ways to navigate how you want to present yourself online.  We will discuss topics such as what to share and how to share, the ethical issues involved, and how to maintain the right balance of privacy.  We will also examine some steps you can take, such as creating a profile on Google Scholar, creating a Google alert for your name, creating an ORCID ID, interacting professionally on Twitter, and creating an online portfolio.
Learn more and register

Take Our Survey. You Could Win a Library Tote Bag and Journal!

Here in the library, we’re taking the summer months to evaluate some of our communications efforts.

In particular, we’re asking for your feedback on our email newsletter, which goes out every other week during the academic year. (What’s that? You don’t subscribe to our email newsletter? We can fix that right now!)

You know you want these!

Will you please take 3-5 minutes to complete this short anonymous survey?

Your responses will help us make sure we’re sending you the most interesting and relevant library news from Duke.

At the end of the survey, you’ll have the option to enter a drawing for this handsome Duke University Libraries tote bag and journal. Guaranteed to make you look even smarter!

Thank you for your time and valuable feedback. The survey will close on July 20, 2018.

Launching the Data Curation Network

Alfred P. Sloan Foundation grant will fund implementation of shared staffing model across 7 academic libraries and the Dryad Digital Repository.


The Duke University Libraries will greatly expand data curation services to the Duke community as part of the Alfred P. Sloan Foundation Data Curation Network (DCN).

Designed to support researchers seeking data curation assistance, the three-year DCN grant will establish a shared network of data curation staff across seven academic libraries and the Dryad Digital Repository that expands the curation capabilities of all the members.

Researchers at Duke will be able to draw on a wide range of data experience with the DCN, extending the data curation staff beyond those in the Duke Libraries as established from the recommendations of the Digital Research Data Services Faculty Working Group. As data curation becomes more discipline-specific, the DCN will allow a much more specialized level of curation than is possible at any one institution.

DCN members include the following partners: University of Minnesota Libraries, Sheridan Libraries at Johns Hopkins University, University of Michigan Library, University Library at University of Illinois at Urbana­-Champaign, Cornell University Library, Penn State University Libraries, and the Dryad Digital Repository.

Currently, staff at each of these institutions provide their own data curation services. But because data curation requires a specialized skill set — spanning a wide variety of data types and discipline-specific data formats — institutions cannot reasonably expect to hire an expert in each area.

The intent of the DCN is to serve as a cross-institutional staffing model that seamlessly connects a network of expert data curators to local datasets and to supplement local curation expertise. Data curators bring the disciplinary knowledge and software expertise necessary for reviewing and curating data deposits to ensure that the data are reusable. The project aims to increase local capacity, strengthen collaboration between libraries and disciplinary projects, and ensure that researchers and institutions ethically and appropriately share data.

“The Data Curation Network allows Duke Libraries to expand its deep commitment to research data management through a partnership that will empower Duke researchers to share their data with the wider academic community,” said Joel Herndon, Head of Data and Visualization Services in the Duke Libraries.

Data curation is a relatively new service at universities as funders increasingly require that the raw data from sponsored research be preserved and shared. In addition, many publishers now either require or encourage that data sets accompanying articles be made available through a publicly accessible repository. Finally, many researchers wish to make their data available regardless of funder requirements both to enhance their impact and also to propel the concept of open science.

This project builds on previous work that includes the July 2017 report: “Data Curation Network: A Cross-Institutional Staffing Model for Curating Research Data,” which is available on the project website, datacurationnetwork.org.

For more information about the grant and/or data curation in Duke Libraries, please contact askdata@duke.edu.

 

Class of 1968 Books on Display for Reunions Weekend

A selection of books by authors in the Class of 1968 will be on display in the Mary Duke Biddle Room during Reunions Weekend, April 13-14.

Duke alumni will be gathering on campus soon to celebrate their annual class reunions. One class in particular is marking a special milestone—members of the Class of 1968 will come together for their fiftieth reunion this spring.

To help them commemorate the half-century mark, the Duke University Libraries and the Duke Alumni Association are proud to present a display of books by authors from the Class of 1968.

The display includes some 67 titles written by 25 different alumni authors. The range of genres and subject matter is impressive, encompassing everything from novels to academic studies of French history and journalistic memoirs of covering the White House. It’s an inspiring reminder of the creativity, talent, and intelligence that each class of Duke graduates carries with it out into the world, and the many ways Duke alumni leave their mark.

The books will be on display April 13-14 in the Mary Duke Biddle Room galleries.

Visitors are encouraged to drop by any time during the Biddle Room’s hours of operation (Friday and Saturday, 9 a.m. – 5 p.m.) and help us celebrate the achievements of the Class of 1968.

Special thanks to Bill Lawrence T’68 and Gary Nelson T’64 P’95, a member of the Duke Alumni Association Board of Directors, for coordinating the display.

Earning While They’re Learning: Lessons Learned at the Rubenstein

Sophomore Gretchen Wright in the Rubenstein Library stacks.

“Earning While They’re Learning” is an occasional series of stories celebrating our library student workers. The Duke University Libraries employ more than 250 undergraduates and graduate students every year, making us one of the largest student employers on campus.


An undeclared sophomore with an interest in English and Classical Studies, student worker Gretchen Wright has found a whole new outlet for her passion for research and the humanities through the Rubenstein Rare Book and Manuscript Library. Two hours a day, five days a week, this is where you’ll find Gretchen hard at work among the books she loves—shelving, sorting, and checking out the centuries-old manuscripts that have transformed her journey through Duke over the past two years.

“There are always things that are interesting to me,” Gretchen gushed when asked about her experience in the Rubenstein. “I like books, I like libraries, I like organizing things… I love it. It’s a great place to work!”

With an obvious excitement for history and literature, Gretchen never seems at a loss to find something to marvel at when she gets started talking about her work. Small wonder, too—Gretchen has interacted with some of the rarest, most engaging works in the world in her time at the Rubenstein. First edition Walt Whitman poems, complete with handwritten notes and edits; 16th-century prints of the Malleus Maleficarum, the first-ever witch-hunting manual; written exchanges between Alexander Hamilton and any number of people mentioned in the modern showstopper musical—Gretchen is working with documents that have changed the course of history, and her work at the Rubenstein remains a major source of inspiration for the research her classes often require of her.

“Duke has such a great collection of libraries, and the resources available are incredible,” Gretchen said. “Even though I work at the Rubenstein, we’re constantly interacting and touching and feeling books that I didn’t even know we had.”

Knowing about the documents available to her through the Rubenstein had a major influence on Gretchen. In her poetry class’s final project last fall, for instance, she incorporated a collection of late 19th-century photographs of Durham into a piece on the parallels between history and poetry. The semester after that, she enrolled in a course on the history of the book—held in the Rubenstein itself!

And although she’s not entirely certain where she wants to go in the future, Gretchen’s work in the Libraries has had a clear impact on the path she sees herself pursuing.

“I’ve definitely thought about going into library sciences as a career,” she said. “That’s definitely a possibility I could see myself going into.”

Overall, Gretchen seemed amazed at how much her perspective on research has changed since she began work in the Rubenstein. Before coming here, she had no idea how real and how powerful research in the humanities could be. Her work in the Libraries continues to thrill, challenge, and intrigue her, and the lessons she has learned here have changed her perspective on research forever.

“There’s so much, so many different directions you can take research of any particular topic,” Gretchen said. “Even if you spend hours and hours every day in the library, there will always be something else that you can look at—and I think that’s really great.”


About this Series: Students are an indispensable part of our library workforce. Their employment provides Duke students with valuable financial aid to support their education, and they learn useful skills that enhance their academic studies and careers after college. This year, to encourage senior giving to the Libraries, George Grody (Associate Professor of Markets and Management Studies) has set up the Grody Senior Challenge. Every gift made by the Class of 2018 to the Libraries Annual Fund will be matched by Professor Grody. All funds will directly support library student workers who provide research and instructional help.

Publishing as Conversation, Dec. 1

Image by Stefan Stefancik

Re:Publishing: Publishing as Conversation
Friday, December 1, 12:00 – 1:00 p.m.
The Edge Workshop Room (Bostock 127)

Scholarly publishing is often treated as one-way communication: send some knowledge out into the world, then hope others learn from it and maybe cite it somewhere down the road. But how can we make publishing an opportunity to engage with others? How can it be a conversation while avoiding trolls, hecklers, and defeatists?

This event will feature a moderated discussion among members of the Duke community about these ideas and more, exploring what it means to approach scholarly publishing as a conversation and how to find, seed, and engage in broader discussion of your scholarly work.

Panelists include:

Registration is required for lunch. Please RSVP

This event is part of the Re:Publishing series co-sponsored by Duke University Libraries, Center for Instructional Technology (CIT), Digital Humanities Initiative, Digital Scholarship Services (Duke University Libraries), Forum for Scholars and Publics, John Hope Franklin Humanities Institute, Office of Copyright & Scholarly Communication (Duke University Libraries), Office of Interdisciplinary Studies, PhD Lab in Digital Knowledge,  Duke Initiative for Science & Society and Wired! Lab for Digital Art History and Visual Culture.

Get more information on this and other events in the Re:Publishing series.

Hats Off to Our 2017 Writing and Research Award Winners!

This past Friday, October 20, Duke University Libraries was excited to host the reception of our 2017 writing and research award winners. With topics covering everything from the slums of Bangalore to medieval publishers to personal poetry and creative nonfiction, these student superstars ran the gamut of passions, questions, and creative impulses.

No matter how much their interests varied, though, all of the contestants were judged to have made major contributions to their fields. The response was warm, the students’ and advisors’ speeches were phenomenal, and we’re truly thankful to everyone who was in the audience for the pride and support you showed these winners.

Congratulations to Our 2017 Library Writing and Research Award Winners!

Every year the Duke University Libraries run a series of essay contests recognizing the original research of Duke students and encouraging the use of library resources. We are pleased to announce the winners of our 2016-2017 library writing and research awards.

Lowell Aptman Prize

Recognizing excellence in undergraduate research using sources from the Libraries’ general collections.

  • Honor Thesis Prize: Anna Mukamal for “Creative Impulse in the Modern Age: The Embodiment of Anxiety in the Early Poetry of T. S. Eliot (1910-1917)”
  • Third/Fourth-Year Prize: Jack Harrington for “In The Empire’s Back Yard: The Radicalization of Public Opinion In Ireland and It’s Impact on the Anglo-Irish War (1913-1920)”
  • First/Second-Year Prize: McKenzie Cook for “World War I and The London Theatre”

Chester P. Middlesworth Award

Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.

  • Maegan Stanley for “In Honest Affection and Friendlinesse”
  • Hannah Rogers for “Subversion as Service: The Life and Controversy of Jeanne Audrey Powers”

Ole R. Holsti Prize

Recognizing excellence in undergraduate research using primary sources for political science or public policy.

  • Honors Thesis Prize: Tara Bansal for “Analyzing the Development of Social Capital in the Slums of Bangalore”
  • Semester Paper Prize: Kushal Kadakia for “Rethinking R&D: Partnerships as Drivers for Global Health Innovation”

Rudolph William Rosati Creative Writing Award

Recognizing outstanding undergraduate creative writing.

  • Sabrina Hao for “My Name is Elizabeth”
  • Rajiv Golla for “From Graves to Gardens”
  • Valerie Muensterman for “Earth Once Removed”

Join Us at the Awards Reception!

We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend.  All are invited to join us for refreshments and the opportunity to honor the recipients.

Date: Friday, October 20
Time: 4:00-5:00 p.m.
Location: Rubenstein Library 249 (Carpenter Conference Room)

In-Depth Look at SNCC’s Past Offers Lessons for Activists Today

Man and woman looking over a brochure for a political candidate before election day in Lowndes County, Alabama, November, 1966, Photograph by Jim Peppler, Courtesy of the Alabama Department of Archives and History, Montgomery, Alabama.

What can the immediate past teach us about voting rights, self-determination, and democracy today? A new website created by the SNCC Legacy Project and Duke University explores how the Student Nonviolent Coordinating Committee (SNCC)—the only youth-led national civil rights group—organized a grassroots movement in the 1960s that empowered Black communities and transformed the nation.  Told from the perspectives of the activists themselves, the SNCC Digital Gateway: Learn from the Past, Organize for the Future, Make Democracy Work (snccdigital.org) highlights SNCC’s thinking and work building democracy from the ground up, making those experiences and strategies accessible to activists, educators, and engaged citizens today.

Generously funded by the Andrew W. Mellon Foundation, the site uses documentary footage, audio recordings, photographs, and documents to chronicle how SNCC organizers, alongside thousands of local Black residents in the Deep South, worked to enable Black people to take control of their lives. The gateway unveils and examines the inner workings of SNCC over the course of its 12-year existence—its structure, how it coordinated sit-ins and other direct action protests, and how it organized voter registration efforts and economic cooperatives to effect social change. SNCC had more field staff than any civil rights organization and was considered the cutting edge of the civil rights movement.

The SNCC Digital Gateway also presents the voices of today’s young activists in the Movement for Black Lives, sharing their views on the impact of SNCC and the southern civil rights movement of the 1960s on their activities today. “Reading through the SNCC Digital Gateway website is like taking a masters class in community organizing,” explains Jennifer Bryant, a community organizer based in Washington, D.C. “The primary source documents provide a deeper understanding of how SNCC was structured, the day-to-day work of field organizers and how campaigns were shaped. The site serves as a reminder that the civil rights movement was fought by everyday people. It provides hope that in these perilous times, we too can fight and win.” Courtland Cox, chairman of the SNCC Legacy Project, who served as an organizer in Mississippi and Alabama in the 1960s, explains, “Our experiences have created a level of ‘informational wealth’ that we need to pass on to young people. This unprecedented collaboration with Duke University hopefully will pilot a way for other academic institutions to re-engage history and those who make it.”

The website is a product of a groundbreaking partnership among veteran civil rights activists of the SNCC Legacy Project, the Center for Documentary Studies at Duke, Duke University Libraries, and civil rights scholars. Wesley Hogan, director of the Center for Documentary Studies, who has written extensively about SNCC’s work and legacy explains, “The way we are working together—activists, archivists, and scholars—is a powerful new model. This project gives us a unique opportunity to understand the work of the local people who broke apart Jim Crow that would otherwise be lost to future generations.”


For more information, contact:

Wesley Hogan, Director, Center for Documentary Studies
(919) 660-3610
wesley.hogan@duke.edu

Courtland Cox, Chairman, SNCC Legacy Project
(220) 550-8455
courtlandc@starpower.net

John Gartrell, John Hope Franklin Research Center, David M. Rubenstein Rare Book & Manuscript Library
(919) 660-5922
john.gartrell@duke.edu

New Staff and Changing Roles in Natural Sciences and Engineering Section

This spring Michael Peper and Melanie Sturgeon, two Duke science and engineering librarians, left Duke University Libraries to pursue other opportunities. We’re sad to lose these valued colleagues, but are thrilled to introduce two new staff members and some different roles for remaining staff. Please see below for our updated titles and responsibilities.


Elena Feinstein
Head, Natural Sciences and Engineering Section
Librarian for Biological Sciences

Elena has moved into a leadership role for the science and engineering librarians group, and she looks forward to continuing her work with the departments of Biology and Evolutionary Anthropology as well as other biologically focused programs.

 

Ciara Healy
Librarian for Psychology & Neuroscience, Mathematics, and Physics

Ciara is thrilled about continuing her work with the Department of Psychology & Neuroscience and Duke Institute for Brain Sciences, and learning more about the needs of the Departments of Mathematics and Physics.

 

 

Janil Miller
Librarian for Marine Science and Coordinator, Pearse Memorial Library at Duke Marine Laboratory

Janil will continue coordinating library services and collections at the Duke Marine Lab, serving the Nicholas School of the Environment’s Division of Marine Science & Conservation as well as other Marine Lab patrons.

 

Sarah Park
Librarian for Engineering and Computer Science

Sarah joins Duke on July 18 as liaison to the Pratt School of Engineering and the Department of Computer Science. She has 15 years of experience as a science and engineering librarian, most recently at Southern Illinois University Edwardsville. In addition to her library science degrees, Sarah holds an M.S. in applied computer science.

 

Jodi Psoter
Librarian for Chemistry and Statistical Science

Jodi joins Duke on August 14 as liaison to the Departments of Chemistry and Statistical Science. She has 15 years of experience as a science and engineering librarian, most recently at Williams College.

 

 

Brittany Wofford
Coordinator for the Edge and Librarian for the Nicholas School of the Environment

Brittany will continue to coordinate services and spaces for The Edge research commons and will take on a new role as liaison to the Nicholas School of the Environment. Brittany has experience as the librarian for Cultural Anthropology, which will return to the care of librarian Linda Daniel.

If you’re ever in doubt about which of us to contact, we can all be reached at askscience@duke.edu. We look forward to hearing from you!

 

New Exhibit: Incredible Insects!

A weevil (family Curculionidae), one of many insects on
display as part of the of the new Incredible Insects exhibit.

Incredible Insects: A Celebration of Insect Biology
On display June 13 – October 15, 2017
in the Chappell Family Gallery and Stone Family Gallery, Perkins and Rubenstein Libraries, Duke West Campus (Click for map)

Please check our website for current library hours.

About the Exhibit

Insects are the most numerous and diverse animals on earth. They can be found in almost every environment. Because of their tremendous diversity, they play many important roles in nature, as well as in human society—enchanting us with their beauty, unsettling us with their strangeness. Whether revered or reviled, these fascinating and ubiquitous organisms can truly be said to have conquered the planet.

A new library exhibit offers a glimpse into the multifaceted world of insects, including research on insects conducted here at Duke.

There are three times as many species of insects than all other animals (mammals, birds, fish reptiles, amphibians) combined. The number of individual insects is estimated to be in excess of a quintillion (that’s a 10 with 18 zeros behind it).

The exhibit is divided into several sections, including insect evolution and diversity, coloration and camouflage, types and stages of insect metamorphosis, the roles of insects in human history and culture, and a fascinating look at two of nature’s greatest mysteries: the migration of the monarch butterfly and the clockwork-like appearance of periodical cicadas.

Periodical cicadas are one of the most remarkable phenomena of nature. They suddenly appear in the millions every 13 or 17 years. Then they disappear as suddenly as they came,

Exhibit visitors can also hear sound recordings of insect calls at a nearby kiosk and see up-close images of insects taken with electron microscopes.

Around the corner from the Chappell Family Gallery, viewers can step inside the Rubenstein Library’s Stone Family Gallery and peruse several selections of rare books that complement the exhibit.  The exhibit curators selected these works because they represent some of the earliest scientific investigations to discover general aspects of biology and natural history through the study of insects.

Image of a fly drawn by Robert Hooke in his Micrographia (1667), one of several rare historical volumes on entomology on display in the Stone Family Gallery.

Incredible Insects was curated by a team of entymology students, faculty and staff from the Duke biology department.

For more information, visit the Incredible Insects exhibit website.

 

From Kielbasa to Sfincione: A Personal and Academic Exploration of Urban Foods

Guest post by Ashley Rose Young, Ph.D. candidate in History at Duke and the Business History Graduate Intern at the Hartman Center.

My life has always revolved around the sale and distribution of food. My food-centric lifestyle is not all that surprising, as my family owns and operates gourmet food stores in Pittsburgh. By the time I was three years old, I was working behind the counter, standing on a plastic milk carton so that customers could see me while I earned my family “business degree.” After years of practice (and a growth spurt or two) I could easily reach over the counter to hand my family’s homemade kielbasas to customers. My grandfather made those sausages. He established the family business, too, by starting as an itinerant vendor at a roadside food stand in the 1940s. Over time, he worked his way towards opening a series of grocery stores with the support of my grandmother, mother, aunts, and uncles. Together, my family created a business committed to supporting small-scale local farmers and artisans while preserving the culinary heritage of Pittsburgh.

A profile of McGinnis Sisters Special Food Stores featuring a photo of the author (age 6) with her grandparents, mother, and aunts.

Inspired by my own experiences and those of my family, my dissertation research focuses on urban food economies in the United States. Specifically, I study street food and market vendors in New Orleans and the global influences on the city’s Creole cuisine. As a major Atlantic port city, New Orleans was connected to communities and food cultures throughout the Atlantic Rim, adopting ingredients like okra from West Africa and cooking techniques like starting soups with a French-style roux. Tracing those influences, I have visited archives and conducted fieldwork in countries like France, Italy, and Morocco, all of which influenced the development Creole cuisine. At the National Library in France, I studied the parallels and dissimilarities between artistic renderings of street food vendors in Paris and those in New Orleans. While the images were different in the ways they revealed cultural bias, in both places it was common for artists to pair images of food vendors with sheet music that captured their cries of “Piping hot rice fritters!” and “Beautiful cakes!”

Fascinated by the prevalence of street cries in New Orleans’ historic soundscape, I sought connections to modern day street food cultures. In order to do so, I conducted fieldwork in Palermo, Sicily—a city known for its musical food vendors. Although most people do not associate New Orleans with Italian food culture, in the late nineteenth century, the city had one of the largest Sicilian immigrant populations in the world. In fact, at that time, New Orleanians colloquially referred to the French Quarter as “Little Palermo.” The sonorous voices of Sicilian food vendors rang throughout the city. Folklorists captured their calls on the page in compendiums like Gumbo Ya-Ya: Folktales of Louisiana (1945). In that volume, an Italian vendor is described as singing while he hawks his wares: “Cantal—ope—ah! Fresh and fine, just off a de vine, only a dime!”

A drawing and sheet music depicting a rice fritter vendor in twentieth century New Orleans. “The Calas Girl,” Cooking in the Old Créole Days: La Cuisine Créole à l’Usage des Petits Menages (New York, R. H. Russell, 1903).

Modern-day Palermo’s urban food scene shares similarities with New Orleans’ historic one. Like the Big Easy, Palermo’s streets are crowded with food vendors who entreat passersby with humorous and delightful calls. One of their more popular grab-n-go foods in the city is sfincione, or street pizza. Sfincione is simple and economical—a tasty combination of spongy crust, tomato sauce, olive oil, and a healthy sprinkling of dried parsley. Commenting on those humble origins with a bit of humor, one of the traditional Palermitano street cries is: “Scarsu d’ogghio e chinu i prubulazzo!” Or, in English, “Lack of oil and plenty of dust!” Another more enticing cry is, “Uara u sfuinnavi uara! Chistu è sfinciuni ra bella viaro!”—“I’ve just taken it out of the oven! This is a very beautiful sfincione!” The street cries of Palermo work in similar ways to those of historic New Orleans, attracting the attention of potential customers with a witty, entertaining performance. For food vendors past and present, charm is a major component of their business strategy. I had witnessed the power of charisma so long ago, perched on my milk carton while my mother wrapped parcels of sausage and joked with customers.

Sfincione vendor, Palermo, Sicily, 2014. Photo by Ashley Rose Young.

Entranced by that charm and my newfound academic approach to food, a dissertation (or one might say obsession) was brought to life. Even when traveling without a research agenda, I was constantly analyzing the local food cultures around me to connect what I observed in New Orleans with what I witnessed abroad. There were a few surprises along the way. While in Peru for an academic conference, for example, I learned about a maize beer called chicha de jora that resembled a fermented corn beverage popularized by Choctaw Indians in colonial New Orleans. Although I had originally focused my dissertation research on New Orleans’ connections to Europe, West Africa, and the Caribbean, the discovery of chicha de jora encouraged me to study Latin American influences on Creole cuisine as well.

Municipal Market, Cusco, Peru, 2014. Photo by Ashley Rose Young.

Photography was a means of crystalizing these connections while also honoring the distinctiveness of community food cultures. Over the years, as I wandered through countless markets, I sought to capture the vibrancy of locally grown produce, the entrepreneurial spirit of food vendors, and the enduring presence of local food cultures in an age of homogenized industrial food.

I now have the opportunity to share these dynamic cultures in an exhibit I’ve curated for Perkins Library: To Market, to Market! Urban Street Food Culture Around the Globe. Through this exhibit, you can compare the texture and shape of ruby red radishes in Paris with their kaleidoscopic counterparts in Durham. Or you can draw parallels between curbside displays of fish in Essaouira, Morocco with those for sale at the Vietnamese Farmers’ Market in New Orleans East. The exhibit, which consists of twenty-four photographs, is loosely organized, encouraging you to create your own narrative of the interconnectivity of urban food around the world.

The exhibit is installed on the Student Wall on the first floor of Perkins Library, opposite the Thompson Writing Studio. It runs through March 31, 2017.

Find Your Perfect Study Space

Have you ever gone to the library motivated and ready to work, but you just can’t get settled in? Instead, you’ve found yourself having a complete “Goldilocks” moment. Either the person next to you is distracting with their chit chat and loud snacking or you just can’t “bear” the thought of sitting silently in a desk after a long day of cramped classrooms and long lectures.

Well, worry no more! The Libraries has solutions to all of your study space problems. With a diverse mix of study rooms for any occasion and fun desk-alternatives, Duke Libraries has just what you need to make your studying fit “just right.”

Who needs Wilson Gym?

Fit-Desks are located on the first floor of Perkins. They have space to position your laptop and reading material and are attached to an exercise bike. Peddling away, you can add some extra energize your studying and even burn some calories!

“Stand-Up” to mundane tables and chairs!

Standing Desks travel their way around Perkins and Bostock, but can usually be spotted in the Edge. They are perfect for days when you want to work, but you just can’t “stand” the thought of sitting.

Shhhhhh…I’m finally being productive!

Quiet and Food Free-Space can be found throughout the Libraries. From the Gothic Reading Room in Rubenstein to the Carpenter Reading Room on 3rd-floor Bostock, there is plenty of space available for you to get in the zone without distraction, and with a great view too!

Neutral background? Perfect for skype interview

Interview Rooms on first-floor Perkins are available for reservation online. They are equipped with a desk and a land-line interview so nothing (not a noisy roommate or bad connection) can come between you and your dream internship!

Want to get a study room? Answer: always yes!

Reservable Study Rooms make up a huge part of our available study space and are scattered around the halls of the Libraries. From simple desks to full whiteboard and projectors, make sure to reserve online ahead of time and secure you and your group the exact space you need.

A dedicated space just for our hard-working grad students.

The Graduate Student Reading Room is located on the 2nd floor of Perkins, next to the Staff Lounge. With seating for 14 people, it is set aside for the use of any graduate and professional school students at Duke. Stop by the Perkins Library Service Desk to the get the code for the keypad.

Learn more about places to study in the Libraries, and see a list of rooms that you can sort by features and location.

Edge Lightning Talks: Research in Progress, Dec. 9

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What: Research talks, coffee, and dessert
Where: The Edge Workshop Room (Bostock 127)
When: Friday, December 9, 1:00 – 2:30 p.m.

You’ve seen their projects around campus—come find out what these students are working on! Join us for a series of lightning talks given by students working on projects in the Ruppert Commons for Research, Technology and Collaboration (also known as “The Edge”) or with significant collaboration from Duke University Libraries. They will discuss their research and future plans.

The participating students are working on projects with:

Following the lightning talks and a panel Q&A, join presenters for a coffee and dessert reception to celebrate a successful semester.

Interested in project space in The Edge for the spring 2017 semester? We’re now accepting applications. Submit an application online or email us at edge@duke.edu for more information.

Sponsored by The Edge: The Ruppert Commons for Research, Technology and Collaboration

$1000 Prize for Book Collecting

Entries for the contest will be due February 14, 2017
Entries for the contest will be due February 14, 2017.

The Friends of the Duke University Libraries are proud to present the 2017 Andrew T. Nadell Prize for Book Collecting. The contest is open to all students enrolled in an undergraduate or graduate/professional degree program at Duke and the winners will receive cash prizes!

First Prize
Undergraduate: $1,000
Graduate: $1,000

Second Prize
Undergraduate: $500
Graduate: $500

Winners of the contest will also be eligible to enter the National Collegiate Book Collecting Contest, where they will compete for a $2,500 prize and an invitation to the awards ceremony in Washington, D.C., at the Library of Congress.

Students do not have to be “book collectors” to enter the contest. Past collections have varied in interest areas and included a number of different types of materials. The collections will be judged based on adherence to a clearly defined unifying theme, and rarity and monetary value will not be considered during judging.

Students who are interested in entering can visit the Prize for Book Collecting homepage for more information and read winning entries from past years. Students may also contact Megan Crain at megan.crain@duke.edu with any questions.

Entries must be received by February 14, 2017.

Celebrating 50 Years of Lemurs at Duke

50th lemurs

  • What: Opening of 50 Years of Lemurs at Duke exhibit
  • When: Thursday, October 27, 4:00-6:00 p.m.
  • Where: Holsti-Anderson Family Assembly Room (Rubenstein 153) and Chappell Family Gallery (map)
  • Who: Free and open to the public

The Duke Lemur Center and the Duke University Libraries will debut a new exhibit in honor of the 50th anniversary of the Lemur Center, home to the world’s largest and most diverse collection of lemurs – Earth’s most threatened group of mammals – outside of Madagascar.

A public event celebrating the opening of the exhibit will take place on Thursday, October 27, from 4:00 to 6:00 pm.

fingerprintinglemur

The event will include short introductory remarks by Anne Yoder, Director of the Lemur Center, followed by a drop-in reception with light refreshments to view 50 Years of Lemurs at Duke, an exhibition curated by Lemur Center staff. The exhibition explores different facets of the Center, including ways in which it has worked to support research, both locally and around the world, for half of a century.

Most importantly, the exhibit will feature the true stars of the center: the lemurs! Guests will have the opportunity to admire these honorary mascots of the university in both pictures and on film. Members of the Lemur Center staff will be available to answer questions and share stories.

The event is free and open to the public and all are welcome to join in celebrating a semicentennial era of lemurs at Duke!

50th lemur center

Grad Students: A Reading Room Just for You

reiss room
The Richard and Nancy Riess Graduate Student Reading Room is located on the 2nd floor of Perkins Library in Room 211, next to the Staff Lounge.

With the start of a new academic year upon us, we thought this would be a good time to remind our hard-working graduate students that we have a dedicated library reading room just for them.

The Richard and Nancy Riess Graduate Student Reading Room is reserved for Duke University graduate students only. With seating for 14 people, it is located on the 2nd floor of Perkins Library in Room 211, next door to the library Staff Lounge. (See map below.)

The reading room is accessible by using a keypad on the door. To get the code, simply stop by the Library Service Desk on the main floor of Perkins Library, show us your Duke ID to verify your graduate student status, and fill out a short form.

Access to the Riess Graduate Student Reading Room is available to all graduate and professional school students throughout the university. We encourage you to stop by the Library Service Desk for the reading room code.

Students with questions about access to the space should contact Bobbi Earp, Service Desk Supervisor (bobbi.earp@duke.edu), Emily Daly, Head of the User Experience Department (emily.daly@duke.edu), or perkins-requests@duke.edu.

Map of the 2nd floor of Perkins Library, showing the location of the Reiss Graduate Student Reading Room.
Map of the 2nd floor of Perkins Library, showing the location of the Reiss Graduate Student Reading Room.

In Memoriam: Horst Meyer

Guest post by Melanie Sturgeon, Librarian for Engineering, Physics, and Computer Science

I was terribly saddened to hear that Professor Horst Meyer passed away this weekend. As the physics librarian, I started working with Horst three years ago. I feel like I should say that I never met anyone like Horst, but that’s not entirely true. Horst reminded me very much of my Grandpa, Harry Goldberg. It wasn’t that Horst acted like a grandfather towards me. It was their personalities. They were of an age and lived through a time that is difficult for most of us to imagine. My Grandpa was part of what we in the U.S. call our “greatest generation.” I’m not sure what they were called in Europe, other than “survivors,” I suppose. But neither Horst nor my Grandpa were hardened by what they had been through. Instead, they were almost giddy with life and determined not only to enjoy every minute of it, but to make sure those around them did as well.

Horst Meyer in Duke Gardens. Photo by W. Ketterle, from his website at the Duke Physics Department.
Horst Meyer in Duke Gardens, undated. Photo by W. Ketterle, from his Duke Physics Department website.

Working with Horst was a joy. He was always passionate about whatever he was doing and thankful to be doing it. As a leading physicist at Duke for almost sixty years, Horst was a brilliant scholar and a very familiar face in the library. Many librarians worked with him over the years and also have stories about him. It was impossible to come away from an interaction with Horst without a positive memory or a story you wanted to share with someone.

When the latest Stephen Hawking book came in for him, he was so excited he literally bounced up and down when I gave it to him. Later, when Horst returned the book, he joked about how proud he was that he was able to understand part of what Hawking wrote. He did clarify that Hawking’s work was in a completely different field of physics than his, then quickly returned to joking and smiled about needing to be a genius to understand the whole book.

I’m sure many people did consider Horst a genius. But as a librarian, my takeaway was an appreciation for someone who obviously enjoyed learning so much. Every interaction with him left me smiling and thankful for the opportunity to work with him. It turned out that Horst was also thankful for those opportunities. A few years ago, he submitted a wonderful letter of appreciation along with a very generous donation to the Libraries for always supporting him. This is something Horst did frequently. If he cared about something, he wanted to help it grow and flourish. You can read more in the beautiful DukeToday article about his dedication to art, music, and the Duke Gardens. Here in the Libraries, we will be forever grateful that he wanted to help with our mission to preserve the past and educate the future. His memory will live on in the Libraries through his contributions to the History of Medicine Collections and our collection of rare materials on physics.

I am deeply grateful for my time with Horst, and I’m reminded of the lessons my Grandpa taught me about truly enjoying life and pursuing your passions. While Harry Goldberg was no world-renowned scholar, he had that same infectious smile and positive outlook that Horst did. To be honest, I had a difficult time remaining professional with Horst, as I was always tempted to hug him goodbye and ask if I could adopt him as an honorary grandfather.

When Horst told me the end was close (while still requesting more research), I became visibly upset. He comforted me and assured me that he was a lucky man who had had a great life. I can only hope that we all feel that way—not just at the end, but every day as we pursue our dreams and appreciate the amazing life around us.

Researching Shakespeare

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Has our series of blog posts celebrating Shakespeare inspired you to learn more more about him?  You are in luck because there are a lot of primary and secondary sources related to Shakespeare that you can use in your research!

In fact there is so much information out there that you will actually want to give some thought about how to narrow your research.  One way I would suggest doing this is to give some careful thought to the subject headings you use.  Here are some suggestions that I have:

Shakespeare, William, 1564-1616–Biography

Shakespeare, William, 1564-1616–Characters

Shakespeare, William, 1564-1616–Comedies

Shakespeare, William, 1564-1616–Criticism and interpretation

Shakespeare, William, 1564-1616–Poetic works

Shakespeare, William, 1564-1616–Political and social views

Shakespeare, William, 1564-1616–Stage history

Shakespeare, William, 1564-1616–Tragedies

There are also several very specific Shakespeare related sources to use, such as:

World Shakespeare Bibliography Online.  Provides annotated entries for all important books, articles, book reviews, dissertations, theatrical productions, reviews of productions, audiovisual materials, electronic media, and other scholarly and popular materials related to Shakespeare.

Editions and Adaptations of Shakespeare. The complete text of eleven major editions of Shakespeare’s works from the First Folio to the Cambridge edition of 1863-6, twenty four separate contemporary printings of individual plays, selected apocrypha and related works and more than 100 adaptations, sequels, and burlesques from the seventeenth, eighteenth, and nineteenth centuries.

Shakespeare Quarterly. Founded in 1950 by the Shakespeare Association of America, Shakespeare Quarterly is a refereed journal committed to publishing articles in the vanguard of Shakespeare studies.

Shakespeare Studies. An international volume of essays, studies and reviews dealing with the cultural history of early modern England and the place of Shakespeare’s production in it.

Shakespeare Survey.  A series of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism.

BBC Shakespeare Plays.  Click on “Institution Access” tab to access this database. Between 1978 and 1985, the BBC televised the entire Shakespeare canon of 37 plays. View these acclaimed productions streamed online, as each boasts some of the richest talent in 20th century British theatre and television.

You may also want to look at the historical context that Shakespeare lived in.  I have two recommendations for this.  One is starting with some of the literature resources I have listed on my Medieval and Early Modern page on my Literature guide.  Another is to go to the more complete Medieval and Renaissance Studies guide.

Another avenue of research is to check out some of the materials in the Rubenstein Library.

Finally there are several really great websites that you might find useful:

There’s a rich amount of information to be found on the Folger Shakespeare Library’s website.  A good place to get a sense of what is available is to check out this recent blog post called “Explore Duke’s connection to the Folger Shakespeare Library.”

The MIT Global Shakespeares Video & Performance Archive is a collaborative project providing online access to performances of Shakespeare from many parts of the world as well as essays and metadata by scholars and educators in the field.

The Internet Shakespeare Editions (ISE) is a non-profit scholarly website publishing in three main areas: Shakespeare’s plays and poems, Shakespeare’s life and times, and Shakespeare in performance.  Duke University Libraries is a Friend of the ISE.

The Shakespeare Quartos Archive.  A digital collection of pre-1642 editions of William Shakespeare’s plays. A cross-Atlantic collaboration has also produced an interactive interface for the detailed study of these geographically distant quartos, with full functionality for all thirty-two quarto copies of Hamlet held by participating institutions.

I don’t know how long this tool will be available, but JSTOR has this fun Understanding Shakespeare site where they are connecting digital texts from the Folger Shakespeare Library with articles on JSTOR.

Continue your exploration of Shakespeare by joining us on April 15th at the Shakespeare Everywhere reading!

 

Explore Duke’s connection to the Folger Shakespeare Library

This guest post has been written by Heidi Madden, PH.D., the Librarian For Western Europe, as part of our series of Shakespeare related blog posts.

Did you know that Duke University is a member of the Folger Institute Consortium at the Folger Shakespeare Library?

The Folger Institute was founded in 1970, and is sponsored by the Folger Shakespeare Library , home to the largest Shakespeare Collection in the world, and a consortium of 40 universities in the U.S. and abroad. Duke University is part of this network which advances humanities research and learning through seminars, conferences, and colloquia.

Duke faculty and graduate students have benefited from this membership, and generations of Duke undergraduates in the Medieval Studies Focus cluster have had the good fortune of private tours and demonstrations. The materials held extend beyond Shakespeare to include materials in history and politics, theology, law and the arts. For example, the 2015 Focus Program trip to the Folger, accompanied by Duke Faculty and by librarian Heidi Madden, allowed students to explore early modern botanical books.

The best place to read more about the rich history of the Folger and its treasures is the Folgerpedia, which presents all things Folger. The Folger Institute offers fellowships, undergraduate research opportunities, and scholarly programming. Browse the Digital Collections to sample the holdings.

 

Relevant Links

Digital Collections  

folger1

Shakespeare Portraits 

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Folgerpedia 

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International and Area Studies 25th Anniversary Celebration

IAS 25th Celebration 600x360

WHAT: International and Area Studies 25th Anniversary Celebration
WHEN: Tuesday, April 12, 4:00 p.m.
WHERE: Holsti-Anderson Family Assembly Room, Rubenstein Library
RECEPTION: Featuring a selection of food and drink from around the world

Join us as we commemorate the founding of the International and Area Studies (IAS) department of the Duke University Libraries with a reception featuring food and drink from around the world.

Remarks by
Deborah Jakubs, Rita DiGiallonardo Holloway University Librarian and Vice Provost for Library Affairs

Peter Lange, Thomas A. Langford University Professor of Political Science and Public Policy and former Duke University Provost

Faculty Roundtable
Our program will feature five Duke faculty members in area studies discussing their teaching and research and how they have worked with library.

  • Laurent Dubois (Professor of History and Romance Languages, Director of the Forum for Scholars and Publics) is currently teaching a class on the Modern Caribbean using materials about Haiti recently acquired by the Rubenstein Library.
  • Guo-Juin Hong (Associate Professor, Asian & Middle Eastern Studies, Director of the Program in Arts of the Moving Image) will talk about curating exhibits on the photography of Sidney D. Gamble and using video oral histories that are part of the Memory Project.
  • Timur Kuran (Professor of Economics and Political Science, Gorter Family Professor of Islamic Studies) will discuss how the social sciences are integrating area studies and facilitating interactions among scholars working on different parts of the world. His observations will focus on the benefits to the study of Islam and the Middle East.
  • Charmaine Royal (Associate Professor, African & African American Studies and Director, Center on Genomics, Race, Identity, Difference) will talk about her research on the intersection of genetics/genomics and concepts of “race,” ancestry, ethnicity, and identity.
  • Sumathi Ramaswamy (Professor and Interim Chair, Department of History) will discuss using the tools of digital humanities to track the itineraries of the terrestrial globe in Mughal India.

Special Thanks to Our Co-Sponsors
Asian/Pacific Studies Institute, Duke University Center for International Studies, Center for Latin American and Caribbean Studies, Duke University Middle East Studies Center, Office of Global Affairs

Edge Lightning Talks: Creativity + Research

Workshop Room

What: Research + creativity on display, coffee and dessert
Where: The Edge Workshop Room (Bostock 127)
When: April 11, 4:00 – 5:30 p.m.

You’ve seen their projects around campus–come find out what these students are working on! Join us in The Edge for a series of lightning talks given by undergraduate students using the Innovation Co-Lab or The Edge to power their work. They will discuss their research work and future plans. The participating students are working on projects with:

Following the lightning talks and a panel Q&A, join presenters for a coffee and dessert reception to celebrate a successful semester. Student projects from the Innovation Studio will be on display in the Lounge during this time.

Interested in project space in The Edge next semester? We’re accepting applications for Summer  or Fall 2016 semesters. Submit an application online or email us at edge@duke.edu for more information.

Learn more about the Innovation Co-Lab and their projects and programming: https://colab.duke.edu/.

This event is co-sponsored by the Innovation Co-Lab and Duke University Libraries.

Fairy Tales on The Edge

Welcome to our blog series on innovative projects coming out of The Edge! The Edge is a collaborative space in Bostock Library where students, faculty, and staff can work on research projects over the course of a semester or academic year. If think you have a project that would be ideal for the Edge, head over to our project spaces page to apply.

The Project: Fairy Tales, from Grimms to Disney

Fairy Tales, from Grimms to Disney is a digital library of 210 Grimms Fairy Tales in English translation, ordered by number and themes. The team built this digital library in WordPress to support the lecture course “Fairy Tales: Grimms to Disney” (Professor Jakob Norberg, Department of German), and students use the WordPress site to blog about weekly readings. Heidi Madden, Librarian for Western European Studies and Medieval Literature, answered some questions for us about this project.

What inspired this project?

Rumpelstiltskin. All images and illustrations by Arthur Rackham from public domain sources.
Rumpelstiltskin. All images and illustrations by Arthur Rackham from public domain sources.

The Fairy Tales course is a popular lecture course taught every year in the German Department by Professor Jakob Norberg. The project arose in conversation with Professor Norberg, who wanted to draw on the visual elements of fairy tales to inspire students to read widely. He also wanted to make the large course more interactive. Students discover and write about modern versions of fairy tales; they find a wide variety—with many international examples—of tales based on Grimm fairy tale characters, themes, and plots. Professor Norberg wanted to capture some of that information from one year to the next by having students contribute their ideas to a blog.

Who are the members of your team? What departments and schools are they part of?

  • Professor Jakob Norberg, Department of German
  • Heidi Madden, Duke University Libraries
  • Nele Fritz is a Library Science student (B.A.) at TH Köln – University of Technology, Arts and Sciences, Cologne, Germany. From September 2015 to March 2016 she worked as an intern in International and Area Studies and in Research Services at Duke University Libraries.
  • Liz Milewics and Will Shaw as Digital Scholarship consultants

How has working in The Edge influenced your team?

The Edge space was an ideal central meeting place for the team. The most important affordances of the project room were the display screen and the writable walls. The site has many pages and images, and we needed room to sketch and evaluate the site. It was also useful to have a large table, so that we could work together on tasks where we needed immediate feedback. Having the project room available to us two afternoons a week really helped with keeping us on schedule.

Little Red Riding Hood
Little Red Riding Hood

What tools do you use to work collaboratively?

We used WordPress, SAKAI, Basecamp, and Photoshop. Many students in the course are in engineering and computer science, and they have explored research involving text-mining and other digital tools for students to work with text data and images. Professor Norberg wanted his class site to list examples of that type of research as inspiration for students who take the class in the future. Having those clean text files readily available on the site allows for mobile reading, but also for downloading text data for projects.

What are you learning as part of this project that is surprising to you?

WordPress can be surprisingly difficult when building multimedia content and when building it with many pages. That’s why planning and sketching out the whole site is very important. Getting an overview of what the plug-ins offer is time-consuming. However, once the project was running, Professor Norberg was delighted to get to know his 43 students through their blogs very quickly.

Tom Thumb
Tom Thumb

What are the difficult problems you are trying to solve?

When the spring course is over, we want to turn the course site into a public site, so students interested in the course can explore the website. We also want to use the public website to showcase some of the original and tech-savvy research students are doing. In addition to that, we want to retain the bibliography of Grimm version fairy tales that students bring to the course from all of their diverse backgrounds.

What would you do with your project if you had unlimited resources?

We want the site to be used in teaching beyond Duke.

Final Thoughts

Nele Fritz, a graduate student from Germany, worked on this project as part of her field experience. Besides planning, sketching and building the site, this experience also included getting to know WordPress very well and monitoring the project with project management tools and strategies.

This post was written and compiled by Hannah Pope, a Master’s of Library Science student at UNC-Chapel Hill. She is interested in instruction, helping with research, and encouraging student innovation in libraries. She is currently working as a field experience intern in the Assessment and User Experience department and with The Edge at the Duke University Libraries.

Edge Lightning Talks: A Series of Works in Progress

Edge Lightning Talks Photo
Ever wonder who those teams of people are and what they’re working on? Come find out December 4!

 

What: Research-in-progress, coffee and dessert
Where: The Edge Workshop Room (Bostock Library 127)
When: Friday, December 4, 1:00 – 2:30 p.m.

You’ve seen the project teams in The Edge—come find out what they’re working on! In between LDOC festivities, join us in The Edge for a series of lightning talks given by Bass Connections project team participants about their team’s research work in progress and future plans. The participating teams are:

Following the lightning talks and a panel Q&A, join the team members for a coffee and dessert reception to celebrate a successful semester.

Interested in project space in The Edge next semester? We’re accepting applications for the Spring 2016 semester. Submit an application online or email us at edge@duke.edu for more information.

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Library Writing and Research Award Winners

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Congratulations to the 2015 Library Writing and Research Award Winners!

The Duke University Libraries are pleased to announce the winners of the 2014-2015 library writing and research awards. The Aptman Prize, the Middlesworth Award, and the Holsti Prize recognize excellence in student research using sources from the Libraries’ general collections, the Rubenstein Rare Book & Manuscript Library, and primary sources for political science or public policy, respectively. New this year is the Rudolph William Rosati Creative Writing Award which is given in recognition of an outstanding work of creative writing.

Aptman Prize
Honor Thesis Prize: Tiffany Lieu
Third/Fourth-Year Prize: Jaclyn Grace
First/Second-Year Prize: Zachary Fuchs

Chester P. Middlesworth Award
Undergraduate: Michael Sotsky

Holsti Prize
Honors Thesis: Charlotte Lee
Semester Paper: Jack Dolgin

Rudolph William Rosati Creative Writing Award
Antonio Lopez, Jr.

We will be celebrating their achievements at an awards reception on Friday, October 30 from 3:30-4:30 in the Holsti-Anderson Family Assembly Room. All are invited to join us for refreshments and the opportunity to honor the recipients.

Note: In our original blog post about these awards, we inadvertently omitted Jack Dolgin’s name when we first announced the winners. Our apologies to Mr. Dolgin!

History Hackathon – a collaborative happening

Students in Rubenstein Reading Room

What is a History Hackathon?

The term “Hackathon” traditionally refers to an event in which computer programmers collaborate intensively on software projects. But Duke University Libraries and the History Department are putting a historical twist on their approach to the Hackathon phenomenon. In this case, the History Hackathon is a contest for undergraduate student teams to research, collaborate, and create projects inspired by the resources available in the David M. Rubenstein Rare Book and Manuscript Library collections. Projects may include performances, essays, websites, infographics, lectures, podcasts, and more. A panel of experts will serve as judges and rank the top three teams. Cash Prizes will be awarded to the winning teams.

The History Hackathon will take place over a 72-hour period from October 23-25, in the Rubenstein Library and The Edge.  All the  guidelines, rules, and details may be found at the History Hackathon: a Collaborative Happening  site.Students in the Edge

  • When:  Friday, October 23rd to
    Sunday, October 25th

http://sites.duke.edu/historyhackathon/register/

Contact : HistoryHackathon@duke.edu


Sponsored by the Duke History Department,  the Duke University Libraries, the David M. Rubenstein Library, and the Duke University Undergraduate Research Support Office.

Contributor: Susannah Roberson

 

 

Duke Faculty: Seeking Your Input This Fall

Duke faculty can help us improve library services by participating in the Ithaka Faculty Survey!
Duke faculty can help us improve library services by participating in the Ithaka Faculty Survey!

 

This fall, the Duke University Libraries will be participating in the national Ithaka Faculty Survey.

On Wednesday, September 9, nearly 1,000 Duke faculty will receive an email invitation to participate. The survey will be open through Fall Break, and faculty will be encouraged to complete the online questionnaire throughout the month it is open.

We will use findings from the Ithaka survey to gain a better understanding of Duke faculty members’ research and teaching experiences, habits, and patterns. These findings will help us to direct resources and develop services to help meet their expressed needs.

Institutions that have participated in the past report that their findings were extremely useful for strategic planning and long-term goal setting, so we feel the timing of this survey is especially appropriate as the Provost’s Office embarks on a university-wide strategic planning process. Also, by participating in this national survey, we will have an opportunity to compare local findings with data from peer institutions.

If you are a Duke faculty member and receive a link to the survey, we hope you will participate. As a small incentive, all faculty who complete the survey will be entered into a drawing for a $75 Amazon gift card.

If you have any questions about the Ithaka Faculty Survey, please contact Emily Daly, Head of the Assessment and User Experience Department in the Duke University Libraries.

The First-Year Library Experience

Duke Libraries – Here to Help You

 

Lilly Library on East Campus
Lilly Library on East Campus

When is the library open? How do I find a book? Where do I print?*

Duke University’s newest students can find the answers to these questions (and more!) on the Library’s First-Year Library Services portal page.

Each August, a new class of undergraduates arrives in Durham ready to immerse themselves in the Duke Community.   Duke University Libraries serve as the core of intellectual life on campus. On East Campus particularly, the Lilly and Music Libraries have the unique opportunity to introduce our newest “Dukies” to the array of Library resources and research services available.

To help navigate the vast Library resources, we’ve created a portal especially for First-Year students. Through this portal page, new students (and even some not-so-new) can discover all that the Duke University Libraries offer:

Perkins-reading roomQuick Facts:  about collections and loan policies
Where:  to study, print, and … eat!
How:  to find and check out books & material, and get…
Help!:  Meet the  “who” – Librarians, Specialists, & Residence Hall Librarians
Research 101:  how to navigate the Research Process
Citation 101:  how to cite using recommended  styles
*And when is the Library open?
Find the answer in our list of the Top 12 Questions, developed with input from First-Year Library Advisory Board students.

Here’s to a great Fall Semester!

 

 

 

New Interface for Using WorldCat

If you regularly use WorldCat through the Duke University Libraries website, you might notice a small change soon.

Starting Tuesday, June 30, the Libraries will link to WorldCat through a new platform called WorldCat Discovery, instead of FirstSearch, the platform we’ve been using for some time. WorldCat Discovery is available online now at http://duke.on.worldcat.org/advancedsearch, and we invite you to take it for a test-drive!

You can find out more about WorldCat Discovery Services at https://www.oclc.org/worldcat-discovery/features.en.html, and send feedback about the new interface to Emily Daly, emily.daly@duke.edu.

Scholarly Publishing in the Humanities: New Models of Access, Governance, and Sustainability

Image by Nige Brown under a CC BY license.
Image by Nige Brown under a CC BY license.

Date: Tuesday, March 24
Time: 3:30 – 4:30 p.m.
Location: Perkins Library, Room 217
Contact: Paolo Mangiafico, paolo.mangiafico@duke.edu
Register to attend (it’s free!):  http://bit.ly/humanities-publishing-march24

Please join us for a talk on changing models of scholarly publishing in the humanities, and how a transition to open access models might be funded and sustained.

Through the economic and structural reconfiguration made possible by the Internet, the potential for new modes of publishing scholarship have emerged. However, there has also been much alarm in the humanities disciplines, particularly at the proposed changes to economic models that could underwrite transitions to new models of publishing, such as open access.

In this talk, Dr. Martin Paul Eve, author of Open Access and the Humanities (Cambridge University Press, 2014) will explore the contexts, controversies and pragmatic paths for the future of open access and other potential transitions in scholarly publishing in the humanities.

The event is free and open to the public, but please register to attend.

For more information on the topics Dr. Eve will be discussing, please see:

This event is sponsored by the Office of Copyright and Scholarly Communications, Duke University Libraries.

Save the Date! Beer and Banjos, Feb. 10

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Learn about the history of the banjo, see historical and contemporary instrument designs, and enjoy the music!

Date: Tuesday, February 10, 2015
Time: 6:00 p.m.
Where: Fullsteam Brewery, 726 Rigsbee Avenue, Durham, NC 27701

Join the Duke University Libraries at Fullsteam Brewery in downtown Durham for a toe-tapping discussion about the history of the banjo with Laurent Dubois, Marcello Lotti Professor of Romance Studies and History at Duke University.

Professor Dubois is currently writing a book about the banjo for Harvard University Press. He is the author of Haiti: The Aftershocks of History (2012), Soccer Empire: The World Cup and the Future of France (2010), and a frequent contributor to such magazines as the New Republic, Sports Illustrated, and the New Yorker. He will discuss the African roots and Caribbean and North American plantation origins of this versatile instrument and how it has evolved into a multifaceted cultural symbol.

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“Beer and Banjos” will take place at Fullsteam Brewery in downtown Durham on Feb. 10.

Plus live banjo picking!

Professor Dubois will be joined by musicians Zeke Graves, David Garner, and Jay Hammond, who will demonstrate various banjo playing styles and showcase historical and contemporary instrument designs from their own collections.

This event is part of the Engaging Faculty Series, sponsored by the Friends of the Duke University Libraries. Beer and other refreshments will be available for sale by Fullsteam, and complimentary hors d’oeuvres will be provided by the Libraries.

Free and open to the public.

For more information, contact:
Aaron Welborn
Director of Communications, Duke University Libraries
919-660-5816
aaron.welborn@duke.edu

You’re Invited! Open House for The Edge, Jan. 14

You’re invited to a Duke University Libraries Open House!

Help us celebrate the completion of

The Edge Overlay Image

Wednesday, January 14, 2015
1:00 – 4:00 p.m.
Bostock Library, First Floor

Remarks at 1:30 p.m. by Deborah Jakubs,
Rita DiGiallonardo Holloway University Librarian
and Vice Provost for Library Affairs

  • Tour the new spaces, labs, and project rooms
  • Meet and mingle with library staff and The Edge support teams
  • Learn how The Edge can support your research and project work
  • Free giveaways
  • Enjoy refreshments by Parker and Otis
Floorplan of The Edge on the renovated first floor of Bostock Library
Floorplan of The Edge on the renovated first floor of Bostock Library

About The Edge
To meet the needs of interdisciplinary, team-based, data-driven, and digitally reliant research at Duke, the Duke University Libraries have transformed the first floor of Bostock Library into a new academic service hub. With digital tools and collaborative workspaces, reservable rooms for project teams, and expanded technology and training facilities, The Edge: The Ruppert Commons for Research, Technology, and Collaboration is an attractive new research community destination in the heart of campus.

For more information, visit library.duke.edu/edge.

Mark your calendar and join us 1:00 – 4:00 p.m. on January 14!

Enter Our Student Book Collectors Contest

The deadline to enter our student book collectors contest is February 10, 2015.

The Friends of the Duke University Libraries are proud to present the 2015 Andrew T. Nadell Book Collectors Contest. Since 1947, the Friends have presented the contest in alternate years to promote reading for enjoyment and the development of students’ personal libraries.

The contest includes an undergraduate and a graduate division. Cash prizes for each division are as follows:

First Prize
Undergraduate: $1,000
Graduate: $1,000

Second Prize
Undergraduate: $500
Graduate: $500

Winners of the contest will also be eligible to enter the National Collegiate Book Collecting Contest, where they will compete for a $2,500 prize and an invitation to the awards ceremony in Washington, D.C., at the Library of Congress.

Students do not have to be “book collectors” to enter the contest. Collections may be in any area of interest, and they do not have to be academic in nature. A collection should reflect a clearly defined unifying theme and will be judged by the extent to which its books and materials represent that field of interest. Entries may incorporate books and manuscripts, ephemera, maps, prints and drawings, and autograph material as long as they are relevant to the collection’s focus. The books do not need to be rare and monetary value will not be considered during judging.

Students who are interested in entering can visit the Book Collectors Contest homepage for more information and read about winning entries from past years. Students may also contact Megan Crain at megan.crain@duke.edu with any questions.

Entries must be received by February 10, 2015.

Save the Date: Henry Petroski Book Discussion, Nov. 5

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Henry Petroski will discuss his most recent book, The House with Sixteen Handmade Doors, on November 5.

Date: Wednesday, November 5
When
: 5:00 p.m. – 7:00 p.m. (Refreshments served at 5:00 p.m, program begins at 5:30)
Where: Franklin Humanities Institute Garage, Smith Warehouse Bay 4, (map)

Join the Duke University Libraries on November 5 for a book discussion with Henry Petroski, acclaimed author and Aleksandar S. Vesic Professor of Civil Engineering and Professor of History at Duke. Professor Petroski is the author seventeen popular books on engineering and design, including the classics To Engineer is Human: The Role of Failure in Successful Design (1985), The Pencil: A History of Design and Circumstance (1990), The Book on the Bookshelf (1999), and To Forgive Design: Understanding Failure (2012). Professor Petroski will discuss his most recent work, The House with Sixteen Handmade Doors: A Tale of Architectural Choice and Craftsmanship (2014). The book is an “architectural whodunit” that unlocks the secrets of Petroski’s handmade summer cottage in Maine. The author found himself fascinated by the origins of his 1950s home and set out to discover all the mysteries it contains–from dimly lit closets to a secret passageway. Readers follow along as Petroski slowly reveals the art and craftsmanship that went into the home’s construction, without ever removing a single nail.

Professor Petroski’s lecture is part of the Engaging Faculty Series, sponsored by the Friends of the Duke University Libraries. Books will be for sale at the event, and light refreshments will be served starting at 5:00 p.m. This program is free and open to the public.

PARKING INFORMATION: The gravel lot across from Smith Warehouse on Buchanan Blvd. offers free parking after 5 p.m. If you have a Duke parking pass, the central gated area is accessible by card-swipe after 5 p.m. For more details on parking at Smith Warehouse, visit the Franklin Humanities Institute website.

Read More:

 

Library Research Award Winners Announced

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A snapshot from last year’s awards ceremony. Pictured here (from left to right): Ernest Zitser, librarian for Slavic, Eurasian, and Eastern European Stuides; and 2012-2013 Aptman Prize winners Theodore Leonhardt (center) and Mary Tung (right).

The Duke University Libraries are pleased to announce the winners of the 2013-2014 library research awards.

Every year the Libraries run a series of essay contests recognizing the original research of Duke students and encouraging the use of library resources. This year competition for the awards was particularly keen, reflecting the quality of student research at Duke. The annual Duke University Libraries research awards reception, scheduled as part of Duke Family Weekend on Friday, October 24, at 3:30 p.m. in Lilly Library’s Thomas Room, will honor all the winners and applicants. The entire University community is invited to join us for refreshments and the opportunity to honor the recipients and applicants for the 2014 Aptman Prize, Holsti Prize, and Middlesworth Award.

Over 70 student entrants and their faculty supporters  participated in the process this year. Several of the entries mentioned Duke University librarians and library resources in their applications. Many thanks were reserved for the staff of the Document Delivery Department, which makes other libraries’ collections available for Duke students’ use. In addition, entrants made note of the support of several individual librarians, including Holly Ackerman, Rachel Ariel, Greta Boers, former librarian Margaret Brill, Linda Daniel, Elizabeth Dunn, Joel Herndon, Carson Holloway, Karen Jean Hunt, Kelley Lawton, Catherine Shreve, Lee Sorensen, Erik Zitser and  Luo Zhou.

The Lowell Aptman Prizes are awarded to undergraduates whose research makes excellent use of library resources and collections. It is awarded in three divisions: Honors Thesis, 3rd- and 4th-year students, and 1st- and 2nd-year students.

Honor Thesis Category

  • Winner: Mary Tung – “Bankrolling Apartheid: The Coins that Forged Modernity, Fostered Nationalism, and Funded Apartheid South Africa”
  • Runner-Up:  Rhyne King – “Persian History and Historiography: Understanding the Praxis and Politics of Religion in the Achaemenid Empire”

3rd- and 4th-Year Category

  • Winner: Carmi Medoff – “The Kodak Girl: Every Woman’s Woman”
  • Runner-Up: Brandon Maffei – “Unstable Grounds: Women as Revolutionaries in the Weather Underground”

1st- and 2nd-Year Category

  • Winner: Gayle Powell – “The Advent of  Black Sororities on Duke University’s Campus”
  • Runner-Up: Zachary Johnson – “Dreams of My Father and Self-Identifying”

The Ole R. Holsti Prize, our newest library research award, is awarded to students who exhibit excellence in the field of political science and public policy research. This is the first year the Holsti Prize has been awarded, and we look forward to many more.

  • Co-Winners: Nadia Hajji (“Post-Transitional Justice in Spain: Passing the Historical Memory Law”) and Lauren Hansson (“German Jewish Refugees in 1933: Failure of the League of Nations”)

The Chester P. Middlesworth Award recognizes students whose research makes use of the primary sources and rare materials held in the David M. Rubenstein Rare Book & Manuscript Library.

  • Winner: Andrea Lewis –  “The Association is Dying: Black Student Activism and the Evolution of Conscious Space-Making at Duke University”

Congratulations to all of our winners!

Pollinating the Grassroots: The Beehive Design Collective

Guest post by Maria Carla Cella, Graduate Liberal Studies Program. She curated the exhibit of prints currently on display on the Perkins Library Student Wall about the Beehive Design Collective.

Detail from "Mesoamerica Resiste," a poster by the Beehive Design Collective on display in Perkins Library on the Student Wall.
Detail from “Mesoamerica Resiste,” a poster by the Beehive Design Collective on display in Perkins Library on the Student Wall.

In our multimedia world, we are constantly seeking a good way to tell our story. From cave paintings to blog posts, generation after generation of storytellers try to find the most emotive way to record history and pass it on. As a student of Latin America and the Caribbean, I have delved into many mediums in my efforts to understand the complex relationship between the global south and north. Despite the availability of information on the internet, innumerable academic journals, countless books and documentaries on the topic, it is difficult to find a comprehensive examination of what globalization really entails. Transmitting the information in a way that resonates with the widespread population is an even harder task.

Enter the Beehive Design Collective. Founded in 2000, this non-profit, all-volunteer, activist arts collective creates collaborative, anti-copyright images for use as educational and organizing tools. With its mission of “cross-pollinating the grassroots,” the cooperative uses intricate graphic illustration in the form of giant pen and ink posters that communicate stories of resistance to corporate globalization, free trade, militarism, resource extraction, and biotechnology. The Bees spread their art across the Americas, wielding it as an educational tool and aiming to help communities conceptualize alternatives to a globalized economic model based on exploitation. Funding the printing costs with donations, the Bees distribute 50 percent of each print run (full run averaging 20,000-30,000 prints) to communities in the global south free of charge, giving away prints to frontline communities, educators, and organizers actively working on the issues featured in the posters.

The Beehive Collective’s use of imagery and symbolic art ties the local to the global, providing microscopic detail on the interconnected nature of global issues and compiling the images into, literally, a bigger picture that is both overwhelming and hypnotizing. Using a word-to-image approach, the Bees are translators of complex global stories, which they learn and share through conversations with affected communities. The first time I unfurled and laid eyes on their massive poster, Mesoamerica Resiste, I knew I had found a gem that begged to be shared, and that its message would flourish and proliferate in the minds of the Duke community. If you want to dive into the Beehive’s art and see the epic story for yourself, stop by Duke University’s Perkins Library, where four of the Beehive Design Collective’s epic works are on display. You can also learn more about the Beehive Design Collective at their website: beehivecollective.org.

Good Questions: Was There Writing on the Wall during the Arab Spring?

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Image from “Revolution Graffiti: Street Art of the New Egypt,” by Swedish photographer Mia Gröndahl (AUC Press, 2013). Gröndahl visited Duke and discussed her work last fall.

The questions we get in Perkins Research Services range from the fatuous to the far-fetched to the fascinating. This is one of a series on our most interesting research questions, and how we go about answering them. (Some details have been changed to protect our users’ privacy.)

We have heard a lot about the use of social media to coordinate the Arab Spring protests. Taking the grassroots question back to earth, a student recently wondered what role graffiti might have played. Perhaps she was inspired by a speaker here at Duke last fall, Mia Grondahl. “Adira” approached the Perkins Research Desk one evening this spring when Stephanie, our late-night librarian, was there.

Stephanie used the library catalog to identify a book on the topic and sent Adira to get it. Adira returned very excited that she also had found some similar books by browsing nearby. That might have been the end of the interaction, but Stephanie kept working on the question after Adira left, determined to find some good journal articles as well to email to her.

What she found was fascinating. It seems that graffiti did not incite protests, but flowered immediately after the Arab Spring, once people felt more empowered and free. As eL Seed, an artist who calls his work “caligraffiti” says in an interview from PRI’s The World, “I hear a lot that artists create revolution, but I believe in Tunisia is the contrary, revolution has created artists.”

The barricades put up in the wake of the uprisings were converted from their original obstructive purpose and became canvasses for uniting people with their spontaneous messages. In addition, they served as memorial spaces dedicated to those killed during the confrontations, as discussed in an article from Theory Culture & Society. In another article, Stephanie found the claim that the graffiti reflected further unification of the people, with Muslim and Christian symbols side by side. Meanwhile in Cairo the government gave up whitewashing the pervasive graffiti because it reappeared almost immediately, according to Al-Arab.

Research librarians learn something new every day thanks to questions like this. Doesn’t it inspire you to find out how graffiti’s role has evolved in the four years since the Arab Spring? Or at least to go out and express yourself, as the students in POLISCI 222 did this spring?

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Arab Spring graffiti inspired by issues in the Middle East, underneath the Campus Drive bridge at Duke (photo by Edward Chen).

Post by Catherine Shreve, Librarian for Public Policy & Political Science

Badges to Buttons: Students Write About “Images That Shock”

Guest post by Professor Ann Marie Rasmussen and students in her Spring 2014 Writing 101 course, “Images that Shock: Obscenity from the Middle Ages to the Present,” which was co-taught with Heidi Madden, Librarian for Western European and Medieval/Renaissance Studies. Writing 101 courses are offered during a student’s first year at Duke and are designed to offer students a foundation for and  introduction to university-level writing. See more at the Thompson Writing Program’s Writing 101 website, or see a list of all Spring 2014 Writing 101 courses and course descriptions.

As part of their research into the meaning and historical significance of late medieval badges, students in Professor Rasmussen's Writing 101 course turned medieval badges into buttons.
As part of their research into the historical significance of late medieval badges, students in Professor Rasmussen’s Writing 101 course made their badges live again as buttons.

When I teach Writing 101, I focus not on content, but on process. The goal is to give first-year students what my co-teacher, Heidi Madden, and I like to call a tool chest of skills in academic communication, broadly understood, that will help them make the most of studying at Duke. The skills we emphasize include writing skills such as revision; giving and accepting rigorous yet fair feedback; and communicating clearly and effectively for different audiences, media, and formats. We also emphasize turning students into effective, knowledgeable, and critical researchers by teaching them  how to master the complex modern research engine that goes by the name of a research library.

Still, to learn process you have to apply it. For their final paper, students write a research paper in an area of my scholarly expertise, late medieval badges. These are small objects found in Great Britain and northwestern Europe, usually about the size of a quarter and featuring a vivid image. They were made to be worn, usually sewn or pinned to clothing, but sometimes suspended as a pendant. Made of lead-tin alloy, badges were cheap to make and to buy. Some 15,000 survive; millions were probably made in the three hundred years they were in circulation. Although they are little known today, badges were once ubiquitous, ordinary artifacts. What makes badges rewarding for student research are their images, which draw on and disseminate iconographies that, however shocking, mysterious, or inscrutable they now seem to us, were once widely and immediately understood. A badge image presents itself to a modern viewer as a puzzle that repays diligent, focused, expert research by delivering new findings and a deeper understanding of the past.

What a great topic for Writing 101! For their final paper, each student selects and researches a single badge and its image. As a way of getting to know their badge better, we asked students to carefully draw it. Then, we used the library’s button-maker to affix each drawing to an aluminum, pinned back. Viola! The medieval badges live again in a modern form, as buttons. Students were also asked to write a blog post about their badge, which they have identified using categories and data from an important, web-based reference and  research tool for badges, the Kunera database housed at  the University of Nijmegen in the Netherlands. This assignment allowed them to practice making academic research accessible and compelling to non-specialists. We, teachers and students, hope that the buttons and blogs pique your interest in medieval badges and in Writing 101 at Duke.

 

A Selection of Student Research on Medieval Badges


Tiffany Chen:
What a week this has been! To be honest, when first faced with the task of researching the badge—well, actually, mine is an ampulla—I was sure it would not be so difficult. But when I realized that the ampulla for my paper is… undocumented in a conspicuous way… I found out how challenging researching the unknown can really be.

 

I have felt like a detective lately, sleuthing for clues and trying to piece them together in a way that not only makes sense, but also is likely to be correct. Luckily, I have found clues pointing me in promising directions. For instance, the location of my ampulla was listed as Jerusalem, but I had to look at the ampulla itself and its depiction to discover that it represented Jerusalem’s Church of the Holy Sepulchre, which is held by tradition to be the location where Christ was resurrected.

I am on a good path towards uncovering more clues. So far, I have delved into the ampulla’s rich history, circa 1149-1199 (around the time of the Third Crusade to the Muslim world). I have researched its image and as well ampullae in general to better understand how they were used. But I have yet to uncover information on the ampulla’s inscription of capital letters, HMPO, and on other key features. More to come in the future! Until then, this detective needs to pick up her magnifying glass and see what else she can find.

Kay Hasegawa: Yes, that badge is showing exactly what you think it is, a woman standing next to a penis with little arms and legs, wearing a crown, and carrying a pilgrim staff and a shoulder bag. Very, very eccentric, and not exactly the first thing we would imagine when we think about medieval accessories in Western Europe! But the image embodies a very common desire for the agriculture-intensive peasants of the day, the wish for fertility of the land and of the mother. All hail the medieval phallic figure!

 

Alyse Whitaker: Do me a favor. Imagine a world in which it is acceptable for you and your peers to wear clothing or badges adorned with explicit images of female and male genitalia… In our world, it would be unusual to walk down the street and see a man wearing a shirt with a phallus on it because exposing genitals is not tolerated or legal in American culture. Thinking back to the Middle Ages, which supposedly is a time when people were more modest, it was shocking to discover that this assumption was not accurate. Here is a badge that caught my eye. It shows a phallus on a spit, something used to roast chicken over a fire, with a vulva functioning like a  “grease trap” to catch the drippings. There are so many impressions that could be taken from this image. My first impression was that the artist was trying to express the efficiency of the men when it came to fertility,. Or perhaps the image was supposed to shock and ward off evil spirits? Badges such as this one may have been worn for many different purposes.

 

Special thanks to Elena Feinstein and Aaron Welborn for bringing the button-maker to the library, and to Mark Zupan for photographing the buttons.

 

Student Writing Prizes: Earn $1,000!

Enter your research paper and you could win $1,000 or $1,500 cash!
Enter your research paper and you could win $1,000 or $1,500 cash!

The Lowell Aptman Prizes, Chester P. Middlesworth Awards, and Ole R. Holsti Prize were established by Duke University Libraries to reward excellence in research and writing. If you’re a Duke student, consider submitting a paper for one of these prizes—you could win $1,000 to $1,500!

The Aptman Prizes recognize undergraduates’ excellence in research, including their analysis, evaluation and synthesis of sources, and encourages students to make use of the general library collections and services at Duke University. Prizes are awarded in three categories (first- and second-year students, third-and fourth-year students, and fourth-year students working on an honors thesis), and each one comes with a cash award of $1,000. Funding for the awards has been generously provided by Eileen and Lowell (T’89) Aptman.

The Middlesworth Awards recognize excellence of research, analysis, and writing by Duke University students in the use of primary sources and rare materials held by the David M. Rubenstein Rare Book & Manuscript Library. Prizes are awarded in two categories (undergraduates and graduate students), and each one comes with a cash prize of $1,000. Funding for the awards has been generously provided by Chester P. Middlesworth (A.B., 1949) of Statesville, North Carolina.

The Holsti Prize recognizes excellence in undergraduate research using primary sources for political science or public policy. Ole R. Holsti (George V. Allen Professor Emeritus of Political Science) provided funding for this generous prize, which comes with a cash prize of $1,500.

The deadline for all three student library research awards is May 15, 2014. 

All winners will be recognized at a reception held the Friday afternoon of Duke Family Weekend (October 24, 2014), where they will receive award certificates and cash prizes.

For more information, including complete guidelines, application instructions, and selection criteria, visit our library research awards website.

 

Questions?

For questions about the Aptman Prizes, contact:
Carson Holloway
919-660-5997
carson.holloway@duke.edu

For questions about the Middlesworth Awards, contact:
David Pavelich
919-660-5825
david.pavelich@duke.edu

For questions about the Holsti Prize, contact:
Catherine Shreve
919-660-6934
catherine.shreve@duke.edu

Focus Group Participants Needed (Free Food!)

Focus Groups
We’re looking for undergraduates, graduate students, and faculty to participate in one-hour focus groups.

Your opinion counts! Share your thoughts about ways to improve and enhance library services, collections, and spaces in a one-hour moderated focus group. In return, we’ll feed you!

Here in the Libraries, we’re always trying to up our game. To help us serve our Duke students and faculty better, we conduct periodic focus groups with undergraduates, graduate students, and faculty members.

Your opinion counts! Share your input and make a difference. Focus groups help us improve our existing services and develop new ones to meet emerging needs. Click on the links below to be part of a focus group session.


Focus Groups for Undergraduates

 

Focus Groups for Graduate Students

 

Focus Group for Faculty

Good Questions: April Fools!

The questions we get in Perkins Research Services range from the fatuous to the far-fetched to the fascinating. This is one of a series on our most interesting research questions, and how we go about answering them. (Some details have been changed to protect our users’ privacy.) 

Anonymous IM makes it so easy to prank librarians that over the years we have finely tuned both our crap-detectors and our sense of humor. This month, for your entertainment, we bring you some of the silliest and least research-oriented questions we’ve gotten. We make no assertions about the users’ intentions.

look it upThe quick and frivolous

  • can I freeze rock buns?
  • my computer just got wiped
  • how old are you?
  • can u give me some help with my crush …. pllllllllllllllllllllzzzzzzzzzzzzzzzzzzzzzzzzzzzzz  :_(
  • PERKINS PERKINS COME IN PERKINS. STOP. THIS IS DUKE DIVINITY LIBRARY. STOP. WE ARE BUNKERED IN WITH MASSIVE SNOW. STOP.

Uh-oh
Sometimes our users do us a service by reporting problems in and around the libraries.

To whom it may concern: I wanted to inform you that on the second floor bridge, there is a HUGE ANT problem…I do not know why they are there, but I thought you may want to know!

[Did you know that our experts tell us the ants are seeking moisture, not your lunch? We are aware of the problem and doing our best to battle them on all fronts. To report a sighting, please fill out our building maintenance request form.]

FYI I think your current listing for: 20th century ghosts by Joe Hill is incorrect. It is currently: “There are many things that can go wrong with your car, but it’s knowing what to do that can make the difference between a small repair, a major bill, or worse.”

[We have reported this mismatched book summary to the vendor who provides them.]

Punked
We pride ourselves on providing answers or good referrals for all questions that come our way, however arcane. But we have not yet reached consensus on the answer to this ubiquitous question:

“What does the fox say?”

Post by Catherine Shreve, Librarian for Public Policy & Political Science

Good Questions: Is It the Shoes?

The questions we get in Perkins Research Services range from the fatuous to the far-fetched to the fascinating. This is the second of a series on our most interesting research questions, and how we go about answering them. (Some details have been changed to protect our users’ privacy.)

Sometimes the questions we get are terse yet timely, like this one: “Articles about engineering and manufacturing of basketball shoes.” This has obvious and immediate import in the month running up to March Madness, so Perkins librarian Brittany, ever on her toes, got right to work on it one Sunday evening.

the sneaker book Did you know there’s a “Sneaker Book?”

In fact, there are at least two, the newer one subtitled “50 years of sport shoe design” and available to Duke users upon request from the library at NC State. (The Triangle Research Libraries are team players, even during basketball season.) Brittany started by recommending these books for “Steve” to get some background before delving into the technical questions.

The full-court press followed, with more specific questions that were not answered in the books:

  • How is a basketball shoe made? What science goes into the design?
  • How do factories make basketball shoes? What machines are used? What is the process in detail?

For these answers Brittany turned to our databases, first constructing a search strategy in ProQuest: ‘athletic shoe’ in Subject AND (manufacture OR design) in Subject

She also recommended the Engineering Village database, which turned up a promising article, “A structural mechanics model for sports shoes: the heel strike” from the Sports Engineering journal. Who knew there was such a specifically targeted journal? Not this Social Sciences generalist.

We aim for both the slam dunk and the buzzer-beater when we answer research questions—zeroing in on exactly the information you need, and just in time. Brittany turned in a good performance in this round.

Moving forward, I wonder if March Madness led to this other question we received about the same time: “I want to find articles about how would drunk people walk. Like would they stumble to their dominant side?” Our answer, in part, is to be careful around those bonfires, folks. LET’S GO, DUKE!

Post by Catherine Shreve, Librarian for Public Policy & Political Science

Duke to Host Scholarly Communication Institute

Scholarly Comm Institute
The Triangle Scholarly Communication Institute invites proposals from groups interested in participating in a series of seminars, discussions, presentations, and workshops, to be held over four days in Chapel Hill, NC, in November 2014.

DURHAM, N.C. – The Duke University Libraries have received a grant from the Andrew W. Mellon Foundation to support an annual Scholarly Communication Institute with the goal of advancing scholarship, teaching, and publishing in the humanities through the application of digital technologies.

Over the last two decades, rapid technological changes have fundamentally altered the way in which research and other scholarly writings are created, evaluated for quality, disseminated to the scholarly community, and preserved for future use. There has been lively debate among scholars, librarians, publishers, and technologists about the ways in which scholars share their research within the academic community and beyond. Duke has long been a vocal participant in these discussions and a strong advocate for the knowledge-sharing mission of research universities.

The Scholarly Communication Institute (SCI) began as a Mellon-funded initiative at the University of Virginia in 2003 and was based there for nine years. Duke will host the new SCI, working in close collaboration with partners at the University North Carolina at Chapel Hill, North Carolina State University, North Carolina Central University, and the Triangle Research Libraries Network.

Like its predecessor program at UVA, the Triangle SCI will bring together a broad range of experts from inside and outside academia to discuss needs and opportunities in the domain of scholarly communications. The emphasis will be on productive dialogue across boundaries that often separate academic communities with an ultimate goal of fostering new types of collaboration and new models of scholarly dissemination.

“The goal of the SCI is not to schedule breakthroughs, but to create conditions that favor them,” said Deborah Jakubs, Rita DiGiallonardo Holloway University Librarian and Vice Provost for Library Affairs at Duke.

“It will bring diverse groups together and provide a combination of structured and unstructured time to brainstorm, organize, and jump-start ideas, to experiment and solve problems, and even begin to build,” she said. “This will be an opportunity both to talk and to do.”

Each annual institute will be organized under a broad theme. This year’s is “Scholarship and the Crowd.” It will be held November 9-13 at the Rizzo Center in Chapel Hill, North Carolina.

Participants will be selected through a competitive proposal process. For the 2014 institute, applicants from the Triangle area are especially encouraged to submit. Proposals are being accepted through March 24. More information and application instructions are available at the institute’s website: trianglesci.org.

 

Good Questions: How to Track Down a Top-Secret Letter

A declassified "top secret" letter sent by Israeli Prime Minister Golda Meir to U.S. President Richard Nixon (via several intermediaries) in October 1973.
The declassified “top secret” letter sent by Israeli Prime Minister Golda Meir to U.S. President Richard Nixon (via several intermediaries) in October 1973. Click on the image to see the full document on the National Security Archive website.

The questions we get in Perkins Research Services range from the fatuous to the far-fetched to the fascinating. This is the first of a series on our most interesting research questions, and how we go about answering them.

In this age of Edward Snowden’s NSA leaks and Julian Assange’s WikiLeaks, a lot of current U.S. classified information is in the news and floating around on the web, should you choose to seek it out. But how do you find top-secret communications between world leaders from the past? This was the question I received via IM recently.

According to several articles, in October 1973 Israeli Prime Minister Golda Meir sent an urgent letter to President Richard Nixon via Henry Kissinger. The researcher (let’s call her Mary) had already checked many primary sources, databases, and yes, even Google. But she could not locate the original letter. Only quoted fragments of the declassified document could be found.

Rule #1 of library detective work: Go with your gut (especially if it’s an experienced gut). If you think it should be found in the National Security Archive database and Mary didn’t find it there—look again, trying other search strategies. So I did.

No luck there. This question obviously would take more persistence as well as intestinal fortitude. I checked the print Foreign Relations of the U.S. and other sources in the Reference area then redoubled my efforts. (For those with less research experience in this area, there are clues in the library’s guide to International & Transnational Relations.)

In true government document fashion, my search results often had obscure titles that made it difficult to know if I had hit pay dirt. With a combination of persistence, collaboration, educated guessing, and serendipity….

BINGO! Document 7 in a search of the National Security Archive website through GWU was described thus: “Deputy Assistant to the President for National Security Brent Scowcroft to Kissinger, 5 October 1973, enclosing message from Israeli Prime Minister Golda Meir (passed through Israeli chargé Shalev).” The murky type on the cover page said “Top Secret/Exclusively Eyes Only.” Coo-oo-uhl. Once I deciphered the trail of all the people through whom it was transmitted, it became clear that the next page was Meir’s own message. I IM’d Mary, who excitedly confirmed this by matching some of the quotes she had found.

Although we found our answer on the free web after all, it took a library to index and share the document and librarian intervention to track it down. You might call us everyone’s favorite “intelligence agency,” mining and exposing information for the common good.

Post by Catherine Shreve, Librarian for Public Policy & Political Science

Social Media Panel Discussion, Dec. 6

Social Media Academic

Academics and Unseen Publics: Approaches to Putting Yourself and Your Work Online
Date: Friday, December 6
Time: 11:30 a.m. – 1:00 p.m. (panel discussion to begin at noon)
Location: Forum for Scholars and Publics, Old Chem 011, West Campus (Click for Map)
Registration: Please register for this event
Contact: Hannah Rozear, hannah.rozear@duke.edu

There is limited attendance as lunch will be provided for attendants and panel members.

Social media offers ways to rapidly communicate ideas and research to peers and broader audiences. The personal investment required to successfully engage in these spaces, however, can compete with attention given to more traditional academic communication. The evolving conventions around engaging in these spaces (e.g., the etiquette of live tweeting), combined with immediate and unexpected challenges from readers, can also make this a difficult activity to accept and incorporate as part of one’s academic work. How can one efficiently and effectively use social media? What opportunities does it enable, and what are the potential pitfalls? How do social media interactions influence how we pursue and talk about our academic research?

The upcoming panel, Academics and Unseen Publics: Approaches to Putting Yourself and Your Work Online, seeks to address all of these questions. Composed of Duke faculty, students, and staff, the panel will  discuss the ways they engage in social media like blogs, Twitter, and Facebook, and offer their perspectives on the challenges and opportunities of taking one’s research and academic self online. Discussion will be framed and moderated by Duke University Libraries Coordinator of Scholarly Communication Technology, Paolo Mangiafico.

Panelists:

  • Gary Bennett, Associate Professor of Psychology, Global Health, and Medicine
  • Kieran Healy, Associate Professor in Sociology and the Kenan Institute for Ethics
  • Caitlin Margaret Kelly, Graduate Arts Fellow for the Kenan Institute for Ethics; Artist-In-Residence, Ph.D. Lab in Digital Knowledge; MFA-EDA student and professional photographer
  • Robin Kirk, Faculty Co-Chair of the Duke Human Rights Center at the Franklin Humanities Institute
  • Ava Lowrey, MFA-EDA student and documentary filmmaker
  • Anton Zuiker, Director, Communications at Duke Department of Medicine and co-founder of ScienceOnline
  • Paolo Mangiafico (moderator)

This event is co-sponsored by Duke University Libraries, the PhD Lab in Digital Knowledge, the Forum for Scholars and Publics, HASTAC, and the Thompson Writing Program, as part of the Libraries’ Managing Your Research workshop series.

The Landscape of Crowdsourcing and Transcription: Nov. 20

OCR software doesn't recognize handwriting (even very fine handwriting like Francis Calley Gray's, shown here). So human volunteers must transcribe it before it can be data-mined.
OCR software doesn’t recognize handwriting (even very fine handwriting like Francis Calley Gray’s, shown here). So human volunteers must transcribe it before it can be data-mined.

Date: Wednesday, November 20
Time: 1:00-2:00 p.m.
Location: Perkins Library, Room 217 (Click for map)
Contact: Joshua Sosin, joshua.sosin@duke.edu, or 919-681-2992

This event is free and open to the public.

One of the most popular applications of crowdsourcing to cultural heritage is transcription. Since OCR software doesn’t recognize handwriting, human volunteers are converting letters, diaries, and log books into formats that can be read, mined, searched, and used to improve collection metadata. But cultural heritage institutions aren’t the only organizations working with handwritten material, and many innovations are happening within investigative journalism, citizen science, and genealogy.

This talk will present an overview of the landscape of crowdsourced transcription: where it came from, who’s doing it, and the kinds of contributions their volunteers make, followed by a discussion of motivation, participation, recruitment, and quality controls.

 

About the Speaker

Ben Brumfield earned his B.A. in Computer Science and Linguistics from Rice University in 1997. He has seventeen years experience as a professional software engineer, including a dozen years building software for non-profit organizations, from libraries to genealogical organizations. In 2005, he began developing FromThePage, a collaborative transcription platform. He has spoken on crowdsourcing and collaborative manuscript transcription at the American Historical Association, Museum Computer Network, IMLS WebWise, Text Encoding Initiative, and Digital Humanities conferences,in the United States, Canada, and Europe.

Sponsored by the Duke Collaboratory for Classics Computing.

Postcard from Our National Book Collecting Contest Winner

Guest post by Ashley Young, Ph.D. candidate in history at Duke.

Earlier this year, Ashley Young took first prize in the graduate category of the Andrew T. Nadell Book Collectors Contest, sponsored by the Friends of the Duke University Libraries. In August, we were delighted to find out that she also took second prize in the National Collegiate Book Collectors Contest. This is Ashley’s account of her trip to Washington, D.C., for the awards ceremony on October 18, hosted by the Library of Congress. Visit Ashley’s website to find out more about her research and interest in Southern foodways.


 

The Great Hall of the Library of Congress. Photos courtesy of Ashley Young.
The Great Hall of the Library of Congress. Photos courtesy of Ashley Young.

This past Thursday morning, I headed to the City Archives Division of the New Orleans Public Library as the sun’s first rays skimmed over the Mississippi, knowing that I wanted to get in a full day of research before venturing to Washington, D.C., for the National Collegiate Book Collectors Contest awards ceremony. As I pored over documents at the archive, I couldn’t help but daydream about my impending trip to the Library of Congress (LOC), where my fellow awardees and I were likely to take a tour of the special collections as part of the NCBCC event. Our families were also invited to partake in all of the celebrations, and my parents were planning to drive down from Pittsburgh for the weekend. I was looking forward to hearing Mark Dimunation, chief of the Rare Book and Special Collections Division of the LOC, speak about some of the library’s most precious and unique documents. I was also eager to see the complete replica of Thomas Jefferson’s personal library and the celebrated architecture of the LOC’s Great Hall with its marble columns, jewel-toned stained glass ceiling, and brilliantly painted ceiling panels. Although undeniably enthusiastic, I had no inclination as to how memorable and inspiring this trip would be for my parents and me.

pic3
The main reading room at the Folger Shakespeare Library.

The partial government shutdown necessitated some changes in the traditional proceedings of the NCBCC awards ceremony. Instead of heading to the LOC for the special collections tour as originally planned, we visited the Folger Shakespeare Library on Capitol Hill. The library, which was originally built by the Folger family in the 1930s, is known for possessing the world’s largest collection of Shakespeare materials. Additionally, it houses a rich and deeply fascinating collection of early modern books, manuscripts, and artwork. One of my favorite aspects of the Folger is its main reading room, which is modeled after an Elizabethan-era great hall. The ornate wood, rustic chandeliers, and vaulted ceilings create an environment that undoubtedly inspires the privileged scholars who research there on a regular basis.

pic2
Exploring some highlights from the Folger’s rare book and manuscript collections.

After the guided tour of the library, an extremely kind and animated archivist shared a few highlights of the rare book and manuscripts collection with us. These materials were awe-inspiring, ranging from 16th-century cooking manuscripts to an original printing (c. 1623) of the First Folio of Shakespeare’s works. Other treasures included a law signed by Queen Elizabeth I and an encyclopedia of herbs accompanied by the original wood block that was used to print the image of the plant on the displayed page. We could not help but fall into animated conversations about the practices of book printing and binding in the early modern era. Before we knew it, our time with these amazing materials was up and we were being ushered out of the Folger to go to the NCBCC award ceremony.

The ceremony was a wonderful celebration of the three student collections that were awarded prizes for their creativity and deep scholarly approach. John Cole, the director of the LOC, personally introduced each of our collections and presented us with our award. Then Mark Dimunation interviewed each of us at the podium, asking thought-provoking questions as to why we originally became interested in the focus of our particular collections, how these collections are changing the way scholars understand our nation’s history, and what materials we are eager to include in our collections in the future. I was grateful to have an opportunity to voice my passion for historical cookbooks and the ways in which these sources are so much more than just repositories of recipes. Rather, their pages contain significant historical themes such as American transatlantic ties to Europe; racial tensions in the Jim Crow era; women’s roles in the postbellum South; and New Orleans’ transatlantic cultural exchange with Europe, West Africa, and the Caribbean.

Being interviewed by Mark Dimunation at the awards ceremony.
Being interviewed by Mark Dimunation at the awards ceremony.

After the official ceremony, there was a two-hour cocktail reception—a wonderful opportunity to meet passionate bibliophiles whose collections are as interesting and eccentric as my own. For example, one collector has amassed thousands of copies of Alice in Wonderland in dozens of languages. He even wrote a satirical cookbook based on the fantastical world of Wonderland, and is going to share a copy with me. (That is a cookbook I never expected to have in my collection!) By the time the event had come to a close, I felt as though I had found a new community with which to share my research and collecting interests—one that will inevitably enrich the ties I have already established with my tight-knit scholarly community at Duke.

Now I am settled back into my life in New Orleans with another day of satisfying research under my belt. My evening routine has changed slightly after my weekend in D.C.—instead of drinking my customary cup of tea out of a nondescript mug, I am happily slurping from one I purchased as a keepsake this past weekend. Its words replicate those that grace the Great Hall of the LOC: “Knowledge Comes, but Wisdom Lingers.” As I prepare for another day in the archives, I enjoy the small reminder that my pursuit of a Ph.D. reflects my ultimate dream of being a life-long academic. I’m looking forward to the opportunity to continue to cultivate my historic cookbook collection in the coming years and hopefully turn some of that accumulated knowledge into lingering wisdom.

Feeling certified and celebrated at the Library of Congress.
At the Library of Congress with fellow book collector Thomas Jefferson.

Aptman and Middlesworth Prize Winners Announced

ResearchLibraries

Award Ceremony for Aptman and Middlesworth Prize Winners
When: Friday October 25, 2013
Time: 3:30 – 4:40 p.m.
Where: Thomas Reading Room, Lilly Library (Click for Map)

The Duke University Libraries are pleased to announce the winners of our 2013 Chester P. Middlesworth Awards and Lowell Aptman Prizes!

The Middlesworth Awards were established to encourage and recognize excellence of research, analysis, and writing by Duke University students in the use of primary sources and rare materials held by the David M. Rubenstein Rare Book & Manuscript Library. This year the awards were presented in three categories: first-year students, non-first year undergraduates, and graduate students. The winners include:

  • First-Year Student: Ashley Gartin for her paper, “Unity and the Duke Vigil: Civil Rights Challenges at Duke University”
  • Undergraduate (non-first year): Chantel Liggett for her paper, “Divergent Priorities, Diverging Visions: Lesbian Separatist versus Gay Male Integrationist Ideology Surrounding Duke in the 1970s and 80s”
  • Graduate Student: Tessa Handa for her paper, “The Orientalist Reality, Tourism, and Photography: the Parrish Family Albums in Japan, 1899-1904”

The Lowell Aptman Prizes recognize undergraduates’ excellence in research, including their analysis, evaluation and synthesis of sources, and encourages students to make use of the general library collections and services at Duke University. These prizes are also awarded in three categories, one for first and second year students, another for third and fourth year students, and a  final category reserved for fourth year students submitting an honors thesis. This year’s winners are:

  • First/Second Year: Theodore Leonhardt for his paper, “Finding a Role: The Decision to Fight in the Falklands and the Redefinition of British Imperialism”
  • Third/Fourth Year: Mary Tung for her paper, “Engraving the Nation: The Decimal Coinage Bill of 1959, the Mint and Coinage Act of 1964, and the Creation of White South Africa”
  • Honors Thesis: Jocelyn Streid for her thesis, “The Salvation Project: The Secularization of Christian Narratives in American Cancer Care”
All are welcome at the award ceremony, to be held October 25 during Duke Family Weekend. Help us celebrate and congratulate these students on their magnificent work!

 

Open Access Panel Discussion

open access graphic
The Forum for Scholars and Publics will be hosting a panel discussion on Open Access, Oct. 18.

 

Open Access Panel Discussion
When: Friday, October 18
Time: 3:30- 5:00 p.m.
Where: Old Chemistry Building, Room 011 (Click for Map)
Registration: No registration is required

There will be a reception following the panel discussion. 

In celebration of Open Access Week, the Duke Forum for Scholars and Publics will be hosting a panel on Open Access as part of their open house event. The discussion will explore how the push for Open Access to academic journals and other scholarly publications, along with the rapid rise of MOOCs, is reshaping the image of the university in the broader world.

The panelists represent a diverse group of opinions. They include Ken Wissoker from Duke University Press, faculty members Cathy Davidson and Mohamed Noor, and Paolo Mangiafico from the Duke University Libraries. The discussion will be moderated by Mark Anthony Neal, and opening remarks will be made by Dean Laurie Patton.

For more information, see the Forum for Scholars and Publics blog.

This event is sponsored by the Forum for Scholars and Publics.

Database Training Session: Scopus, Oct. 16 (Free Lunch!)

scopus-home3

Scopus Training Session for Duke Faculty, Researchers, and Graduate Students
When: Wednesday, October 16
Time: 11:00 – 11:45 a.m.
Where: Schiciano Auditorium – Side A, Fitzpatrick Center (Click for map)
Contact: Melanie Sturgeon, melanie.sturgeon@duke.edu
Registration: Please Register to Attend

Note:  Lunch to follow in FCIEMAS lobby, 12:00-1:00 p.m. (provided by Elsevier). We will also be raffling off two iPod shuffles for attendees!

Please join us on October 16 for a Scopus training session on campus with Elsevier.

Scopus is the largest abstract and citation database of peer-reviewed literature from international publishers, open access journals, conference proceedings, and trade publications. Database coverage includes Chemistry, Physics, Mathematics, and Engineering; Life and Health Sciences; Social Sciences, Psychology, and Economics; Biological, Agricultural, and Environmental Sciences.

This training session will educate science faculty, researchers, and graduate students about Scopus, which was designed to save you time in finding the right articles. 

Topics Covered

  • Coverage and searching
  • Author Identifier / Author Search Tab / Author Evaluator
  • Citation overview
  • Setting up alerts and exporting citations
  • much more!

Additional Training Session for Duke Library Staff:

Date: Wednesday, October 16
Time: 3:00 – 4:00 p.m.
Where: Bostock Library, Room 023
Contact: Melanie Sturgeon, melanie.sturgeon@duke.edu
Registration: Please Register to Attend

Snacks provided by Elsevier

Workshop: Research Data Management at Duke, Oct. 2

data mgmt

Date: Wednesday, October 2
Time: 2:00 – 4:00 p.m.
Location: Perkins Library, Room 217 (Click for map)
Contact: Hannah Rozear, hannah.rozear@duke.edu
Please register to attend: http://tinyurl.com/my8knyd

Duke University Libraries invites you to attend GS711-10 Research Data Management, part of our Managing Your Research workshop series. Students, faculty, and staff are welcome to attend. Graduate student attendees will be eligible to receive RCR credit for participation in this event.

Workshop Description

In response to expectations for open access to publicly funded research, agencies from the NSF to the NEH require data management plans as part of funding proposals. Increasingly, researchers are expected to provide access to data as part of verifying and replicating research results. This workshop provides a high-level overview of the research data lifecycle, focusing on particular moments and issues to consider in order to effectively and responsibly manage data used in a range of disciplinary projects. Participants will learn about resources available at Duke to support data management and where to go for additional, customized help in planning data management for research.

Topics Covered

  • Funder requirements and writing data management plans for grant proposals
  • Records management for collaboratively produced data
  • Best practices for data description
  • Data storage options and appropriate back-up procedures
  • Sharing, publishing, and getting credit for your data
  • The when, why, and how of data archiving for long-term preservation

Speakers

  • Elena Feinstein, M.L.S., Librarian for Chemistry and Biological Sciences
  • Ciara Healy, M.L.S., Librarian for Psychology and Neuroscience and Library Liaison for Bass Connections in Brain & Society
  • Emily Mazure, M.S.I., Biomedical Research Liaison Librarian, Medical Center Library and Archives
  • Liz Milewicz, Ph.D., M.L.I.S., Head, Digital Scholarship Services Department, Duke University Libraries, and Library Liaison for Bass Connections in Information, Society & Culture

New Exhibit: Recording the Anthropocene

anthropocene banner

On exhibit July 16 – October 13, 2013
Perkins Library Gallery, Duke West Campus (Click for map)
Public Hours: Monday-Friday, 8am–7pm; Saturday, 9am–7pm; Sunday, 10am–7pm
Hours may vary during the summer months. Please check our posted library hours for more information.

 

About the Exhibit 

In an instant of geologic time, human beings have exploded into a geologic force, altering the planet’s oceans and fresh waters, atmosphere, soils, plants, and animals.

Our effect on planetary conditions and processes has been so significant, in fact, that many people believe we have crossed the boundary into a distinctly new geologic epoch—from Holocene to Anthropocene—a period in Earth’s history primarily characterized by the growth and impact of the human species.

A new exhibit in Perkins Library considers the human record on planet Earth and asks visitors to consider the implications of labeling our geologic epoch the Anthropocene.

Illustration by Theodor de Bry (1591), showing indigenous Americans in Virginia hand-cultivating and planting fields with maize. One theory holds that the Anthropocene began with the rise of agriculture some 8,000 years ago.
Illustration by Theodor de Bry (1591), showing indigenous Americans in Virginia hand-cultivating and planting fields with maize. One theory holds that the Anthropocene began with the rise of agriculture some 8,000 years ago.

You may not have heard the term Anthropocene before, but you will. It has been taken up enthusiastically across a variety of academic and artistic disciplines. It has inspired major critical and artistic works as well as international museum exhibitions.

Originally coined by Nobel Prize-winning chemist Paul Crutzen, the term follows a relatively recent turn in society that has seen human beings increasingly acknowledged to be an integral part of nature.

A proposal to rename our geologic epoch is accordingly being considered by a working group of the International Commission on Stratigraphy, the scientific body that sets global standards for expressing the geologic history of the earth. The working group includes one of the curators of this exhibit (Professor Daniel Richter of Duke’s Nicholas School of the Environment) and represents the culmination of intense scientific debates in books, conferences, and exhibits such as this one. A decision on whether to adopt the term is expected in 2016.

black rhino
Skull of the near-extinct Black Rhinoceros (Diceros bicornis). Another theory traces the origins of the Anthropocene to the Stone Age extinctions of large animals that began some 50,000 years ago and have continued ever since.

The widespread recognition that we have had a global-scale impact on the environment is relatively new, as is the idea that we have a special responsibility to the future and to other life forms. Recording the Anthropocene represents an attempt to acknowledge the scale of our impact on the planet and to face the implications of that realization. What difference do you think the adoption of the term Anthropocene would make to you, and to all forms of life on the planet?

The exhibit was curated by a broad interdisciplinary group of Duke faculty, graduate students, and staff from a variety of departments across campus who share an interest in this topic.

For more information, visit the exhibit in Perkins Library, or check out the exhibit website.

Student Writing Prizes: Win $1,000!

Student Writing Prizes
Enter your research paper and you could win $1,000 cash!

The Lowell Aptman Prizes and Chester P. Middlesworth Awards were established by Duke University Libraries to reward excellence in research and writing. If you’re a Duke student, consider submitting a paper for one of these prizes—you could win $1,000!

The Aptman Prizes recognize undergraduates’ excellence in research, including their analysis, evaluation and synthesis of sources, and encourages students to make use of the general library collections and services at Duke University. Prizes are awarded in three categories (first- and second-year students, third-and fourth-year students, and fourth-year students working on an honors thesis), and each one comes with a cash award of $1,000. Funding for the awards has been generously provided by Eileen and Lowell (T’89) Aptman.

The Middlesworth Awards recognize excellence of research, analysis, and writing by Duke University students in the use of primary sources and rare materials held by the David M. Rubenstein Rare Book & Manuscript Library. Prizes are awarded in two categories (undergraduates and graduate students), and each one comes with a cash prize of $1,000. Funding for the awards has been generously provided by Chester P. Middlesworth (A.B., 1949) of Statesville, North Carolina.

The deadline for both awards is May 15, 2013. 

All winners will be recognized at a reception held the Friday afternoon of Duke Family Weekend (October 25, 2013), where they will receive certificates and $1,000.

For more information, including complete guidelines, application instructions, and selection criteria, visit our library research awards website.

 

Questions?

For questions about the Aptman Prizes, contact:
Ernest Zitser
919-660-5847
ernest.zitser@duke.edu

For questions about the Middlesworth Awards, contact:
David Pavelich
919-660-5825
david.pavelich@duke.edu

Cultural Anthropology Takes Open Access Publishing at Duke to Next Level

Cultural Anthropology Journal CoverThe announcement earlier this week that the journal Cultural Anthropology was going open access in 2014 has generated a lot of excitement in academic circles.

Cultural Anthropology is the journal of the Society for Cultural Anthropology, a section of the American Anthropological Association. It is one of 22 journals published by the AAA, and it is widely regarded as one of the flagship journals of its discipline. The journal is edited by Charles D. Piot and Anne Allison, both professors of cultural anthropology at Duke University.

Here in the Libraries, we’re especially excited about this development, not only because it’s a great step in promoting broader access to academic research, but because we will be supporting the back end of the publication process.

In fact, this is the fourth peer-reviewed, open-access scholarly journal the Libraries are helping to publish. As part of a series of efforts at Duke to promote open access as an institutional priority, the Libraries piloted an open-access publishing service in 2011, starting with three journals: Greek, Roman, and Byzantine Studies (published in print since 1958); andererseits, a journal of Transatlantic German Studies; and Vivliofika, a journal of 18th-century Russian Studies.

The addition of Cultural Anthropology confirms the success of that pilot and takes the experiment to a new level. Cultural Anthropology is a major, high-impact journal read by scholars around the world. It is also one of the first flagship journals in the interpretive social sciences to transition to a fully open access model. (Although the push for open access has spread throughout medicine and the sciences, it has been slower to catch on in the humanities and social sciences.)

The Society for Cultural Anthropology recently redesigned the journal’s website, which will act as the front end of the online publication. (The new design nicely complements the print version distributed to subscribers.) But the back end of the editorial process will use a free, open-source platform known as Open Journal Systems that is hosted and managed by the Duke University Libraries.

open_access logoThe Open Journal Systems software was developed by the Public Knowledge Project, a partnership of Canadian and U.S. universities and libraries, specifically to manage the overhead of creating and sustaining academic journals. More than 11,500 scholarly journals currently use the software as their publishing platform.

Open Journal Systems is structured to help editors manage the publishing process, from receiving submissions to peer review, editing, layout, and publication. It allows both editors and contributors to track and manage articles as they move through the pipeline, so that the publication process is prompt, efficient, and transparent.

In recent years, as scholars have sought to increase the reach and impact of their work using new technologies, and universities and funding agencies have pushed for greater access to the research they support, open-access publishing has emerged as an alternative to the traditional fee- and subscription-based model of scholarly publishing, which limits access to those who can pay for it. “Libraries have always worked to increase access to information, and at Duke we’ve made a concerted effort to support emerging practices in scholarly communication,” said Paolo Mangiafico, Coordinator of Scholarly Communications Technology. “So we are glad to be able to partner with Duke scholars and their scholarly societies to experiment with new models to achieve these goals.”

For more information about open-access journal publishing at Duke, visit the Libraries’ website, or contact Paolo Mangiafico.

Further Reading:

Alerts!

This post is brought to you by Alerts! – a special section of Library Hacks. Weekly, you can look forward to new database announcements, updates, and (rare) outage notices.  Stay tuned!

Narrative Inquiry in Bioethics (NIB)

“Narrative Inquiry in Bioethics (NIB) provides a forum for exploring current issues in bioethics through the publication and analysis of personal stories, qualitative and mixed-methods research articles, and case studies. Articles may address the experiences of patients and research participants, as well as health care workers and researchers. NIB is dedicated to fostering a deeper understanding of bioethical issues by engaging rich descriptions of complex human experiences. While NIB upholds appropriate standards for narrative inquiry and qualitative research, it seeks to publish articles that will appeal to a broad readership of health care providers and researchers, bioethicists, sociologists, policy makers, and others.”  (Quote source.)  Submit a personal story here,  for the Narrative Symposia.

LexisNexis State Capital
“For the first time, researchers can search for information about one state, any combination of states, or all 50 states—all from a single, comprehensive Web source.  Bills and laws, constitutions, proposed and enacted regulations, legislature membership, newspapers of record—they’re all here—most updated daily—in LexisNexis State Capital.

US State Capital locations
State capitals
  •     Compare law and public policy developments.
  •     Monitor proposed and enacted state laws.
  •     Analyze national and regional trends.
  •     Get facts about state legislators and their staffs.
  •     Access state newspapers of record.”

Quote source

Academic Video Online
“Academic Video Online brings you content from the BBC, PBS, Arthaus, CBS, Kino International, Documentary Educational Resources, California Newsreel, Opus Arte, The Cinema Guild, Pennabaker Hegedus Films, Psychotherapy.net, and hundreds of other partners. Newsreels, award-winning documentaries, field recording, interviews, lectures, training videos, and exclusive primary footage come together in a vast and powerful collection – 22,000 full-length videos by 2013…Make custom clips at per-second start-point and stop-point accuracy. Create custom playlists with your clips, whole videos, or content selected from anywhere on the Web—anything that has a URL can be put into your playlist. Each of your clips and playlists lives at a permanent URL—so you can cite them all in papers, blogs, and courseware, email them, share them.”  Quote source
Subject Categories:   Area Studies and Cultures – Film/Video; Arts and Humanities – Film/Video

Leiden Armenian Lexical Textbase

Armenian Lexicon
from LALT

“This textbase is designed to provide basic tools, in the form of texts and lexica, for the study of Armenian from the classical period, with a focus on the oldest states of the language. For texts: the textbase contains Biblical and theological translations and native texts up to the time of Movses Xorenats’i in the late eighth century. Every word in these texts has been lexically analyzed, for its dictionary form and part of speech, and is searchable on each of these. For lexica: four major Armenian dictionaries have been included, complete or in substantial excerpts. Together, these cover the complete range of the classical language down to the latest periods. The four lexica are supplemented by Greek and Armenian wordlists. Uniquely, all words of all texts and all entries in every dictionary have been linked together through a ‘base lexicon’ which allows readers to find every occurrence of every word throughout. ”  Quote source
Subject Categories:   Arts and Humanities –  Religion

Taiwan Electronic Periodical Service
TEPS (Taiwan Electronic Periodical Services) is an on-line database offering the most full-text Taiwan periodicals around the world. Currently TEPS contains more than 900 Taiwan Periodicals in various disciplines… Users are able to easily search, browse, and print articles online….”   Quote source
Subject Categories:   Area Studies and Cultures – Chinese Studies, Taiwan

Naver news archive

Naver news Archive
Naver news Archive

Also known as the Naver digital news archive and the Naver news library, Naver News Library provides a Korean digital newspaper archive for articles published between 1920 and 1999 from four major Korean newspapers: Dong-A Ilbo, Kyunghyang Shinmun, Maeil Business Newspaper and Hankyoreh.  For more information about what this resource offers, check out their You Tube video!

American Bench: Judges of the nation
“This is the only directory which contains biographical information on current state court judges. It contains entries for federal judges as well. It also provides information on each court, including location, jurisdiction, method of selecting judges, and maps of judicial divisions. It is arranged alphabetically by state, with a separate section for the Supreme Court and federal courts of appeals. Information on federal district court judges is provided in the state section in which the judge presides.”  Quote source

Selden Society Publications  & History of Early English Law (available in HeinOnline) – “Access to English and American legal history dating back to A.D. 1066 in an online digital format. ” Quote source

Spinelli’s Law Librarian’s Reference Shelf   (available in HeinOnline)

Includes:  Legal dictionaries, legal bibliographies, AALL publications series, memorials of Law Librarians and MORE! For more information, see the .pdf brochure.

 

Bonus Alert and holiday gift suggestion for your favorite researcher!

The San Diego Supercomputer Center at the University of California, San Diego, has launched what it claims is the largest academic-based cloud storage system in the country. The system is capable of an initial raw 5.5 petabyte of storage and is 100 percent disk-based with high-speed 10 gigabit Ethernet network interconnections.  SDSC’s Cloud uses two Arista Networks 7,508 switches, providing 768 total 10 gigabit Ethernet ports for more than 10Tbit/s of non-blocking, IP-based connectivity.  Pricing information for space:  https://cloud.sdsc.edu/hp/pricing.php

Electronic resources such as e-journals and databases are generally accessible only to Duke community members  such as faculty, staff and students.

Alerts!

This post is brought to you by Alerts! – a special section of Library Hacks. Weekly, you can look forward to new database announcements, updates, and (rare) outage notices.  Stay tuned!

Audiobooks from Recorded Books Incorporated via NC Live

Duke Libraries will be offering a great selection of downloadable audiobooks later this month, according to NC Live:
“On Monday, September 19th, NC LIVE will disable the MyiLibrary Audio Books platform from use. Beginning September 19th, you will no longer be able to access or download audio books via the MyiLibrary service.”  Instead, a new audio book provider and platform – Recorded Books One Click service – will be available later this fall.  The new Recorded Books platform will be an improvement with regard to download and searching capabilities.

Information set free!

JSTOR announced today it is making journal content published prior to 1923 in the United States and prior to 1870 elsewhere freely available to anyone, anywhere in the world.  This Early Journal Content includes discourse and scholarship in the arts and humanities, economics and politics, and in mathematics and other sciences.  It includes nearly 500,000 articles from more than 200 journals. To learn more and to watch a video tutorial on how to access Early Journal Content, click here.

NEW databases:

DRAM – Database of Recorded American Music
From the DRAM website : “DRAM is a not-for-profit resource providing educational communities with on-demand streaming access to CD-quality audio (192kbps Mp4), complete original liner notes and essays from independent record labels and sound archives. Continuing in the tradition of DRAM’s sister company New World Records, one of DRAM’s primary focuses is the preservation and dissemination of important recordings that have been neglected by the commercial marketplace, recordings that may otherwise become lost or forgotten.

DRAM online logo from website
Currently DRAM’s collection contains more than 3,000 albums worth of recordings from a distinctive set of 26 independent labels, and we are continually working to add more content. The basis for the current collection is the diverse catalogue of American music recordings by New World Records. From folk to opera, Native American to jazz, 19th century classical to early rock, musical theater, contemporary, electronic and beyond, New World has served composers, artists, students and the general public since its inception in 1975 with a grant from the Rockefeller Foundation.” (Quote source and more information from DRAM.)
Contact librarian:  Laura Williams
Subject Categories:  Arts & Humanities – Music

Naxos Video Library
From the Naxos Video Library: “more than 250 full-length videos of concerts, operas, ballets, and documentaries from prestigious performing arts labels such as Arthaus Musik, Dacapo, Dynamic, EuroArts, H‰nssler Classic, Medici Arts, Naxos, Opus Arte and TDK. Featuring performances from legendary artists including Placido Domingo, Luciano Pavarotti, Martha Argerich, Gerald Finley, and celebrated conductors such as Arturo Toscanini, Leonard Bernstein, Claudio Abbado, Valery Gergiev and many more, videos are available to stream at 700 Kbps (standard quality) and 2 Mbps(high quality) and the service is compatible with both PC and Mac computers.”

Functions and features:

Naxos Video Library image
Conductor Simon Rattle
  • Ability to stream videos at 700 Kbps (standard quality) and 2 Mbps (high quality) resolutions
  • Create custom clips, which can be edited and added to individual playlists
  • Access to pre-defined video chapters, as well as individual arias and scene breaks of operas
  • Subtitles in up to 5 languages
  • The ability to follow along with scrolling libretto text
  • View video as Full Screen, 2/3 Screen or 1/4 Screen
  • Advanced search functionality, including the ability to search by category, role, composer, artist, production, personnel, work venue or festival  (Quote source and more information)

Contact librarian:  Laura Williams

Subject Categories:  Arts and Humanities, Music, Film/Video; Area Studies and Cultures – Film/Video

Political Science Complete (PSC)
From EBSCO: “PSC contains full text for more than 530 journals, and indexing and abstracts for over 2,900 titles, (including top-ranked scholarly journals), many of which are unique to the product. PSC has a worldwide focus, reflecting the globalization of contemporary political discourse.” Topical coverage includes : Comparative politics,Humanitarian issues, International relations, Law and legislation, Non-governmental organizations, Political theory” ( Quote source, title list and more.) Small EBSCO logo

What do librarians think? This database received a “Highly Recommended” rating in a 2010 issue of Choice, the American Library Association’s review magazine.
Contact librarian:  Catherine Shreve
Subject Categories:   Social Sciences – Political Science

IPA Source (Transcriptions and Literal Translations of Songs and Arias)Graphic of opera singer
From the IPA site: “Online since 2003, IPA Source is the web’s largest library of International Phonetic Alphabet (IPA) transcriptions and literal translations of opera arias and art song texts. Now with over 5598 texts including 955 aria texts! Using the dropdown menus, search for titles by composer, poet, title, opera aria, or Latin text.”  Tip: This resource requires the Aodbe Acrobat reader. (Quote source)

Subject Categories:  Arts and Humanities – Music

Electronic resources such as e-journals and databases are generally accessible only to Duke community members  such as faculty, staff and students.

Zotero + WordPress = Zotpress

This in just yesterday from Zotero’s blog:Small Zotero image “A new third-party plugin called Zotpress is now available. It runs on WordPress, the open source platform widely used for personal, professional and course websites and blogs. Zotpress was created by community member Katie Seaborn, and it allows you to pull and organize items from your or another Zotero library into your WordPress site. The plugin harnesses the power of Zotero’s server API by grabbing library data dynamically and presenting it outside Zotero.

So why would you use it? Zotpress is great for scholars or job hunters who want to easily organize their CVs or resumes on their personal websites. Teachers can use it as well to present bibliographies to students. Or, if you just want to share some stuff you’ve been reading or studying, you can use Zotpress for that, too. In short, Zotpress is useful because it expands on Zotero’s mission by offering a new and easy interface to share your data freely with the world.”

This is great timing for Duke, because Duke WordPress was just updated to version 3.1.2  earlier this week.  For members of the Duke community using WordPress for classes, group projects or multimedia presentations, you can now easily show your scholarly side, using Zotpress. For more information about Duke WordPress, contact the OIT Help Desk, and for more information about Zotpress, ask Ciara Healy, support librarian for Zotero.

Alerts!

This post is brought to you by Alerts! – a special section of Library Hacks. Weekly, you can look forward to new database announcements, updates, and (rare) outage notices.  Stay tuned!

Database Upgrade

On Wednesday, 1 June 2011, IEEE will implement an upgrade to the IEEE Xplore digital library. There is no scheduled downtime during this upgrade.

Specific improvements with this upgrade include

  • One of the largest technical and scientific associations in Europe – VDE VERLAG (VDE) –  integrates VDE’s conference proceedings into IEEE Xplore. This includes 3,100 VDE conference papers from 20+ annual conference titles, with 1,000 new articles being added every year.
  • Sort search results by “Most Cited”: This upgrade includes a new feature to IEEE Xplore that will allow you to sort your search results by “Most Cited”. Also, you will also see the article’s citation count in the article metadata. Find articles of high impact quickly with this new feature.
  • Quickly and easily perform your search in IEEE Xplore and also see further relevant results from scitopia.org based on your search terms.  Sciptopia.org provides a federated search of content from 15 leading scholarly society publishers in science and technology.
  • eBooks – a dedicated web page has been created for eBooks OPAC that includes both the HTML persistent link list as well as the Excel versions and Customers with OpenURL activated on their account will now find OpenURL links next to eBook chapters. (IEEE information for this post provided by IEEE.)

Change Over Time

Journal cover for Change Over Time

From the University of Pennsylvania press, “Change Over Time is a new, semiannual journal focused on publishing original, peer-reviewed research papers and review articles on the history, theory, and praxis of conservation and the built environment. Each issue is dedicated to a particular theme as a method to promote critical discourse on contemporary conservation issues from multiple perspectives both within the field and across disciplines. Themes will be examined at all scales, from the global and regional to the microscopic and material.”
This journal can be readily accessed through Duke’s ProjectMUSE database subscription. (Journal description provided from ProjectMUSE.)   Here is a link to the journal’s web page, with information on the Spring & Fall 2012 calls for papers.

Latino Literature: Poetry, Drama and Fiction

Journal cover of Latino Literature “The majority of Latino Literature is in English, with selected works of particular importance (approximately 25% of the collection) presented in Spanish. The three major components deliver approximately 200 novels and many hundreds of short stories; 20,000 pages of poetry; and more than 450 plays…  Social historians will find much of value in Latino Literature…Authors are indexed for national heritage, gender, birth and death dates, literary movement, occupation, and more.”   (Description excerpted from longer description provided by Alexander Street Press.)  Free, browse-only access provided here, by Alexander Street Press.

Electronic resources such as e-journals and databases are generally accessible only to Duke community members  such as faculty, staff and students.

Need an Exam Proctor?

Are you taking a distance ed course this semester?  Do you need to find a proctor for your exam?  Check out these resources that may help.

There is a great interactive map of proctoring sites approved by the UNC system. Check it out. Included on the map is the location, what is provided, and the cost at each site.

Map of Proctoring Sites

Also, Wake County Public Library branches provide free proctoring services. Each branch website has a link to information about proctoring.

List of branches in the Wake County Public Libraries System

Book early to make sure you can get a proctor for the date and time you want.  Good luck on your exam!

Library and Campus Events

What’s going on at the library or around campus?  There are several events calendars to keep you posted.

You can get to the library’s Current & Upcoming Events page by clicking the News & Events link on the library’s homepage and then the Events >> heading (besides upcoming events, be sure to also check out the News, Exhibits, and Blogs).  This page unifies listings from several of the library’s subunits (the Instruction & Outreach Department, the Data &GIS Services Department, and the Center for Instructional Technology) as well as from the Divinity School Library.  Direct links to these calendars can be found at the right of the page.  You can also receive an RSS feed to stay updated.

Some library users can find interesting lectures, useful software training sessions, and workshops on the use of statistical data from the events calendar page for the Social Science Research Institute or SSRI (some of these, in fact, are cross-listed on the library calendars or taught by library staff).

Many events at Duke can be found from the main Events@Duke calendar.  Use the See all groups link in the left-hand column to get a listing of the many departments and groups at Duke that may sponsor workshops, lectures, and training sessions.  At the top, you can select Day, Week, Month, or Year listings, and the RSS feed might be handy.   Although it might be fruitful to spend time exploring the various Calendar Views and other options, please be aware that although the goal of this calendar is to be comprehensive not all campus events are submitted.  You still may want to check individual calendars that interest you like the ones mentioned above or (for example) from Student Affairs, the Sanford School of Public Policy, the Nicholas School of the Environment, or the Fuqua School of Business.

Congrats to the winners of the Middlesworth Award & Durden Prize

Parents’ and Family Weekend brings with it special events and festivities held across campus, and Duke University Libraries are not excluded from the excitement. As part of our roster of activities, we will honor the recipients of the Middlesworth Award and Durden Prize for their exceptional use of the Libraries’ special and general collections.

Our heartfelt congratulations to the 2010 winners of the Middlesworth Award for their outstanding research using materials from the Rare Book, Special Collections and Manuscript Library:

Undergraduate Award: Adrienne R. Niederriter
“Speak Softly and Carry a Lipstick: Government Influence on Female Sexuality through Cosmetics During World War II”
Nominated by Sarah Hallenbeck

Undergraduate Award: Hannah C. Craddock
“‘New Self-Respect and a New Consciousness of Power:’ White Nurses, Black Soldiers, and the Danger of World War I”
Nominated by Malachi Hacohen and Adriane Lentz-Smith

Graduate Award: Bonnie E. Scott
“Demonstrations in the House of God: Methodist Preaching and the Civil Rights Movement in North Carolina, 1960-1969”
Nominated by Laceye Warner and Kenneth Carder

And our congrats to the 2010 recipients of the Durden Prize for their use of resources from and services related to the Duke University Libraries’ general collections:

First/Second Year Award: Julia Sun
“The Myth of the Addict: Opium Suppression in Late Imperial China”
Supported by Vasant Kaiwar

Third/Fourth Year Award: Ryan Brown
“The Native of Nowhere: Nat Nakasa”
Supported by Karin Shapiro
and
Eugenia Cho
“Architectural Acoustics of Symphony Hall”
Supported by Dewey Lawson

Honors Thesis Award: Andrew Simon
“Intertwining Narratives: The Copts and their Muslim Relations”
Supported by miriam cooke

I would also like to recognize this year’s finalists for the Durden Prize: Lindsay Emery, Rose Filler, Caroline Griswold, Brad Lightcap, Brianna Nofil and Eugene Wang.

We will be celebrating the achievements of our winners at an awards reception on Friday, October 22 from 3:30-4:30 in the Rare Book Room. All are invited to join us for refreshments and the opportunity to honor the recipients of and applicants for the 2010 Middlesworth Award and Durden Prize.

Open Access to Knowledge

Open Access to Knowledge: The African Journal of Information and Communication

The African Journal of Information and Communication (AJIC) is an academic journal, accredited by the South African Department of Higher Education and Training.  Formerly the South(ern) African Journal of Information and Communication, the AJIC is an annual interdisciplinary journal concerned with Africa’s participation in the “information society” and network economy.  It is both a rigorous academic journal and a practical tool to inform the continent’s ICT actors and decision-makers in government, industry and civil society.  In the spirit of open access to knowledge and scholarship, AJIC is now published online.  For additional information: http://link.wits.ac.za/journal/journal.html#iss

Peer review: “The coin of the realm”

On Monday of this week, librarians from Duke, North Carolina Central, NC State and the University of North Carolina-Chapel Hill gathered for the Triangle Research Libraries Network’s (TRLN) annual meeting.

We librarians always look forward to the opportunity to catch up with colleagues from area libraries and learn more about the innovative things going on at their institutions, but the highlight for me this year was hearing from keynote speaker Diane Harley of the Center for Studies in Higher Education, lead author of “Assessing the Future Landscape of Scholarly Communication: An Exploration of Faculty Values and Needs in Seven Disciplines.”

The study conducted by Harley and four others was comprehensive: It involved over 160 scholars from 45 elite research universities and includes 12 case studies representing as many disciplines (anthropology, English language literature, law economics and biostats, to name a few), in addition to an extensive literature review and daily environmental scans of issues in higher education.

As you might imagine, Harley and her colleagues gleaned an amazing amount of extremely rich data from their interviews of faculty, administrators, publishers and librarians. One surprise to Harley was the amount of time she and her colleagues spent discussing tenure and promotion (T&P) with their interviewees. Let’s consider just a few of Harley’s findings related to T&P and the role that scholarly publication plays in it:

  • – The most important aspect of T&P is a stellar publication record — service, teaching and public engagement are important but secondary to publication
  • – New journals and genres are acceptable — so long as they’re peer reviewed
  • – Peer review is the “coin of the realm” — it is the sole value system in academia, but…
  • – Peer review has problems: lack of speed, conservatism, bias, low quality reviews, non-scholar editors, cost to the institution to subsidize peer review via faculty salaries, lack of fraud and plagiarism detection
  • – T&P should be supportive of non-traditional forms of publication (e.g. Open Access journals)
  • – Publishers may say that they “do” peer review, but that’s not the case — faculty “do” peer review, at a cost to their institutions, NOT at a cost to the publisher
  • Do these ring true for you? Are these issues that you face in your work as a librarian, faculty member or aspiring scholar? How does the culture at Duke fit into this picture of T&P and scholarly communication? What can or should Duke Libraries do to support non-traditional forms of publication?

    Interested in what’s “Beyond the Stacks”?

    Now that the semester is over and you’re ready to begin your summer research or plan your courses for the fall, consider learning more about ways that the librarians at Duke Libraries can help.

    Librarians Heidi Madden, Andy Armacost, Jill Katte, Lee Sorensen and Emily Daly will be offering sessions on topics ranging from using digitized primary sources in the classroom to building and storing online image collections at Duke, from Western European studies resources to EndNote citation management software.

    These “Beyond the Stacks” sessions are part of the Center for Instructional Technology’s 21st Century Teaching & Learning Workshop Series and are designed for faculty and graduate students interested in integrating library resources and services into their teaching. Participants will also, however, leave with valuable tips for using library resources in their research.

    Have an idea for a “Beyond the Stacks” session? Contact Emily Daly. Interested in learning more about the Teaching & Learning Workshops Series? Check out the full schedule of events.

    Sociology Resources Online

    Duke users now have access to the sociology research database SocINDEX with Full Text. This new subscription provides comprehensive coverage of sociology resources, encompassing all sub-disciplines and closely related areas of study.

    SocINDEX with Full Text features more than 2,066,400 records; extensive indexing for books/monographs, conference papers, and other non-periodical sources; abstracts for more than 1,200 “core” coverage journals dating as far back as 1895; and provides cited references that can also be searched.

    SocINDEX with Full Text offers coverage for topics including: abortion, anthropology, criminology, criminal justice, cultural sociology, demography, economic development, ethnic & racial studies, gender studies, marriage and family, politics, religion, rural sociology, social psychology, social structure, social work, sociological theory, sociology of education, substance abuse, urban studies, violence, welfare, and many others.

    In addition, SocINDEX with Full Text features over 25,000 author profiles. Each profile includes contact information, journals of publication, and author’s areas of expertise and professional focus.

    SocINDEX with Full Text is a great resource for your sociology research.

    What *really* matters when citing sources?

    You may know that two major style manuals — APA and MLA — have released new editions in the last six or so months. And if you’re aware of that fact, you undoubtedly know that both editions contain inconsistencies in their examples and enough errors to require APA to post an 8-page list of corrections and then replace its first run copies with a second printing.

    The new rules have driven confused and frustrated researchers to sources such as APA’s blog, which provides examples and attempts to explain the more complicated rules (check out the DOI/URL flowchart — yes, this rule requires a flowchart), or Purdue’s Online Writing Lab (OWL), which hosts APA and MLA resources that received 3.5 million and 2.5 million hits, respectively, during September and October alone, according to the coordinator of OWL.

    It is evident from these stats alone that librarians and faculty have spent countless hours supporting the researchers and students who have spent even more time formatting manuscripts to meet the unbending rules of CSE, APA, MLA and enumerable others.

    As Barbara Fister posits in her ACRLog post, is this time well spent? Is research somehow made more valid when its footnotes are perfectly formatted, its works cited page spaced just so? Have we spent so much time agonizing over comma placement and tracking down database names that we’ve lost sight of the whole point of citing sources in the first place? Do our budding scholars realize that citing sources is not merely an academic hazing ritual of sorts, causing them hours of extra labor after their papers are written?

    It would seem that the newest editions of APA and MLA are only muddying the waters, making it harder for researchers — especially novice ones — to achieve the true goal of citing sources: to give credit to the scholars their research builds upon and to make it as easy as possible for their readers to learn more about that work.

    And if we can agree on that primary goal, how do we get back to emphasizing it rather than the arcane rules?

    Term papers by the numbers…

    dali-clock-500x500

    Ready to start that term paper?  Not sure how to start?  The University of Minnesota Libraries have created an assignment calculator to help students organize their time to meet their research needs.  Start with today’s date, enter the date assignment is due, a timeline is provided, with research milestones.  Use Duke Library links for local, on-site research assistance.  For example, How do I begin my research? or  Find a Librarian in my subject area? or ask for help are just a few of the services available to you through the Duke Libraries.

    Social Networking for Scientists

    labmeeting

    We’ve been getting more and more questions in the library about how researchers can find information from other disciplines.  For example, how can someone working on membranes in Psychiatry connect up with someone working on membranes in Materials Science?  In a world where waiting for the published article is increasingly too late,  we’ve been trying to find new avenues.

    To answer the question above, I thought, ‘I wonder if there is a social networking site for scientists?’, did a Google search, and voila – Labmeeting!

    The interesting part about Labmeeting is that it is only freely available to scientific researchers.  You have to either get invited by a scientific researcher you know, or show online proof that you are doing scientific research.  Or pay $99.  Thus, not being a scientific researcher, nor willing to part with $99 for a look-see, I was unable to join.

    A search on Duke presented 120 results and included the following:

    • Associate Professor at Duke University  interested in the following topics: Monomeric lambda repressor, Ribonuclease P protein, Protein A, NMR, CD, fluorescence, stopped flow, amide exchange, dynamic NMR
    • PhD Student at Duke University interested in the following topics: In vivo model systems, genetic screens, immunoblotting
    • PhD Student at Duke University interested in the following topics: Photonics

    Give it a shot and let us know what you think:  http://www.labmeeting.com

    Addendum:  As William Gunn points out in the comments below, there are other similar tools which you may want to try.  They include:

    Upload research articles

    Keep your research orderly.

    • Automatically match them to bibliographic records for reference management
    • Search the full text of all your PDFs
    • Mark them for fast retrieval and viewing
    • Recommend them to your colleagues

    Enhanced Homepage goes Live Monday

    The Digital Projects Department is pleased to announce that the enhanced homepage will go live before classes begin on Monday.  Thanks to all the Libraries’ staff who helped collect and interpret user input.  The focus of the Libraries’ homepage is first to facilitate research, teaching and learning and second to promote our services and resources.

    Here is a brief summary of enhancements based on that focus statement:

    1. Digital Collections are now searchable from the homepage via a new tab in the ‘Search Our Resources’ section.
    2. Links were reviewed and edited down to only those most used as was identified by statistics and a circle maps exercise.
      • Links to services and resources are given priority and located in the top portion of the site.
      • Help links (How Do I?…) are located under links to resources and services.
    3. News headlines are now each aligned with a corresponding image.  Clicking an image will bring you to the related story.  Two news items display at a time; more can be accessed without leaving the homepage by clicking the left & right arrows.
    4. Recent posts from the Libraries’ various blogs (including the professional school libraries) are displayed; use the left & right arrows to browse through posts without leaving the homepage.
    5. In an effort to give greater prominence to the Libraries’ exhibits, an image and link for a current Library Exhibit is visible in the lower right portion of the screen.

    You can preview these changes at the following URL while the DPD works to put them in production:

    Duke Libraries' Homepage Enhancement

    We will review these changes this fall and make adjustments as necessary.  Please watch for invitations to participate in assessment activities for the Libraries’ web resources.

    Have a great semester!

    Notice anything different about your Bb site?

    If you’re a Blackboard user, you may have noticed an addition to the left-side menu this past spring.

    The new Library Guides button automatically directs you to a page of research tips and resources developed, in many cases, by a librarian who specializes in a subject area related to your course.

    See a general research guide or a page that doesn’t reflect the goals of your course? Contact your subject specialist, who will replace the Library Guides link with a more appropriate page or work with you to design a guide specific to your objectives and assignments like the one below, which was created for a Writing 20 course:

    Library Guide for Writing 20

    Still have questions about this CIT/Libraries collaboration? Email Emily Daly, or check out CIT’s Blackboard support for more info.

    Facebook for Faculty (Part Two)

    Name ambiguity is a recurring issue that impacts research accuracy and quality, career advancement and tenure, global collaboration among researchers, and identification and attribution of funding for institutions and individual authors alike.

    ResearcherID.com by Thomson Reuters (the creators of ISI’s Journal Citation Reports) allows researchers to:

    • Generate a unique identifier to ensure that your work is correctly attributed to you
    • Provide a way for your institution to properly measure your performance
    • Manage your publication list and professional profile online, in one place
    • List previous institutions in your profile to helps others find you as you move through your career

    Learn More…

    Written by Nathaniel King

    Facebook for Faculty (Part One)

    2collab is a collaboration platform designed specifically for researchers in the science, technical and medical communities.

    Produced by Elsevier and intended for use by professional researchers in academic, government and corporate institutions, 2collab provides a great solution for the following challenges:

    1. I need a place to store and manage my online bookmarks
    2. I’m collaborating with colleagues and I need a place where I can share information easily with my network
    3. I need new ways to get recognition for my work

    As a published author you can import and display your publication history (with citation counts!) using Elsevier’s extensive coverage of over 2.5 million validated author profiles and a database of 15,800 peer-reviewed journals.

    Learn more…

    Written by Nathaniel King

    Are you up-to-date?

    For many faculty and graduate students who remain on-campus, the summer is the time to catch up with all those things that got left behind in the end-of-semester rush.

    With the deluge of articles and books in your field, it’s sometimes a challenge to keep up-to-date.

    Not any more.

    If you use Duke’s databases for your research, you can use RSS feeds to send you automatic updates on relevant articles, authors, journals, search results and citations.

    These feeds allow you to automatically and effortlessly:

    -Find out who’s citing your work

    -Find new research in your field…

    Read More

    Written by Nathaniel King