Satan, Lucifer, Mephistopheles, Baphomet, the Antichrist, Father of Lies, Moloch—however you name or summon him—the Devil rightfully plays a primary role in many fine horror movies. This spooky season of 2024 let’s survey a few of Duke Library’s more Satanic film holdings!
A few outright classics should certainly be experienced when considering the Evil One in cinema. Such offerings include the Georgetown possession tale in the original The Exorcist, the creepy Satan-spawn Damien in The Omen, and the New York City cult Devil- offspring trip, Rosemary’s Baby. Now that the standards are handled and our Satanic baseline is set, let’s delve further into the licking flames of Hell with further fiendish tales.
Leave it to genre master John Carpenter to direct a gripping and wild picture about green goo in the basement of a Los Angeles church that we discover to be the essence of Satan. In Prince of Darkness, Donald Pleasance (character actor in other creepy tales like Halloween) stars as the priest trying to corral the Devil while rocker Alice Cooper steals the show in the role of a street schizo lurking outside the church.
Or do you perhaps prefer a Folk Horror classic? Then travel back to 18th century England and experience the terror of Blood on Satan’s Claw. From director Piers Haggard comes this tale of a village’s children enthralled to Satan, carrying out demonic and vicious acts in his name.
Staying in the UK for a spell, here’s a couple of classics from Hammer Studios featuring the legendary Christopher Lee. To the Devil a Daughtershowcases Lee as an excommunicated priest who leads a group of Satanists raising a teenager to be the Devil’s representative on plant earth when she turns eighteen. Richard Widmark also stars as an American writer helping to thwart the evil designs on the sold-soul teen, played by Nastassja Kinski.
And in The Devil Rides Out, Lee stars on the righteous side for a change as the Duc de Richleau, attempting to save victims from an occult group. Directed by Hammer maestro Terence Fisher, this chiller most excitingly features a May Day ceremony helmed by the Goat of Mendes himself!
Is Mexican Nunsploitation more your speed? Well then here’s a true wonder for you called Sátanico Pandemonium (a/k/a La Sexorcista), from 1975. Sister Maria (Cecilia Pezet) is tempted by Lucifer into ever more blasphemous and violent and sexual acts, threatening to destroy her convent and send all the sisters to Hell. The movie’s tagline says it all: “From Bride of Christ to Slave of Satan”!
Back to America in 1981 for a computer hell of 0s and 1s in Evilspeak. Bullied cadet, Clint Howard, at a military school discovers a book of Black Mass, using it and his computer to summon Satan to help exact revenge on his tormentors. Maybe it was the inclusion of demon pigs that helped land this one on the infamous “Video Nasties” list in the UK in the ‘80s.
Satan is everywhere and these titles are but a smattering of the diabolical offerings lurking in the Duke Libraries stacks ready for you to request–if you dare! Choose your own infernal adventures and Happy Halloween to all you Blue Devils out there!
Many of the frights featured here are available streaming… so this Halloween season check out our chilling platforms (accessible with Duke NetID/Password): Swank Digital Campus Horror Movies (scroll down to the Horror category) and Kanopy Fright Fest.
P.S. Don’t be scared of DVDs and Blu-rays. You can check out an external drive and play these blood-curdling movies to your heart’s content…until it stops from horror?!!!
We are pleased to announce the winners of our 2023-2024 library writing and research awards. Every year the Duke University Libraries offers these prizes recognizing the original research and writing of Duke students and encouraging the use of library resources. Congratulations to this year’s winners!
Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.
First Year Award: Tanner Buck, Alice Chen, Justin Park, and Maria Alba for “Counting to ‘101’: Tracing the History and Development of the Introductory Writing Course at Duke University,” nominated by Dr. Rhiannon Scharnhorst
Undergraduate Award: Veronica Sanjurjo for “A Diary’s Purpose: Sarah J. Ewing’s Portrait of Domestic Abuse in Victorian London,” nominated by Dr. Simon Partner
Recognizing outstanding creative writing by juniors and seniors.
Nima Babajani-Feremi for “After Spicer”
Skijler Hutson for “ Twenty-Two”
Join Us at the Awards Reception!
We will be celebrating our winners and their achievements at a special awards reception coinciding withDuke Family Weekend. All are invited to join us for refreshments and the opportunity to honor the recipients.
Date: Friday, October 18 Time: 3:00 – 4:00 p.m
Location: The Edge Workshop Room (Bostock Library 127)
Looking for study space around East Campus? You have probably heard that Lilly Library is closed this year for renovation. The Lilly building is closed but you can get help from Lilly staff at the Bishop’s House (located behind Bassett Residence Hall and next to the Academic Advising Building). We want to highlight several other prominent study spots available on East. Check out the Academic Resource Center’s Campus Study Spaces Map to find more study spaces!
Wall Center for Student Life (East Campus Union)
There are a number of study spaces available in the Wall Center. You can choose from large open tables to soft seating.
The South side of the Marketplace dining area is open for late night study from 9 PM to 2 AM Sunday through Thursday.
The 2nd floor of the Wall Center has two balcony study rooms with large tables, chairs, and whiteboards.
The Trinity Cafe area in the basement includes tables, chairs, and booths. The Wall Center is accessible to students by card swipe until 2 AM.
Music Library
The Music Library is located in the Biddle Music Building (this is the low brick building back behind Pegram Residence Hall). In addition to library services, the Music Library offers a variety of study options, including soft seating, open study tables, individual study cubicles, and lots of natural lighting on the first floor.
The Music Library is open 9 AM to 8 PM Monday through Thursday, 9 AM to 5 PM on Friday, 1 to 5 PM on Saturday, and 1 to 8 PM on Sunday.
The basement of the Biddle Music Building also has a soft seating area with a relaxing fountain.
Gilbert-Addoms DownUnder
Located in the basement of Gilbert-Addoms Residence Hall, GA DownUnder offers a large space for study with soft seating and tables. Looking to take a break from study? GA DownUnder also has a pool table and ping pong table.
Bishop’s House Front Porch
Although study space inside Bishop’s House is limited, we have outdoor seating on the porch for days when the weather is nice.
Fall 2024 brings exciting changes to East Campus Libraries. Lilly Library is undergoing a major renovation and expansion and, as many of you know, our staff and services have moved to the Bishop’s House. Our first collection spotlight of the year features books and films that celebrate Hispanic creators and stories. This post, the second of two, highlights movies. Check out our selection of books too. Come to East Campus, explore the Collection Spotlight, and say hello to Lilly staff in our new digs!
FILMS
Chicano Cinema and Media Art Series
This series showcases important and rare Chicano films and videos. Included in the collection are feature-length films and artists’ videos. Many of these works have been restored and the originals archived in the CSRC Library’s special collections at UCLA.
Fronterilandia = Frontierland: the border in the popular imagination of the U.S. and Mexico (dir. Jesse Lerner, 2005) Fronterilandi examines multiple points of cultural contact between the United States and Mexico. From Santa Barbara’s Fiestas, and South Carolina’s kitschy “South of the Border” tourist complex, to a Mexican Beatles cover band and Chicano rap, this film reveals the Borderlands as a laboratory of hybridity that continues to ignite the popular imagination of each nation. Working at the boundaries of experimental film and documentary travelogue, this film weaves together found footage, interviews, performance art, and music video, producing a masterful commentary that is at once poetic, disturbing and hilarious.
Frida (dir. Julie Taymor, 2002) Salma Hayek’s Oscar-nominated performance drives this fascinating biopic about Mexican surrealist Frida Kahlo and her fiery marriage to fellow painter Diego Rivera (Alfred Molina). The imaginative film also chronicles her political activism and the bus accident that left her in pain for the rest of her life. Geoffrey Rush, Ashley Judd, Antonio Banderas, Edward Norton.
American Me (dir. Edward James Olmos, 1992)
Depiction of the Mexican Mafia and the Los Angeles prison system with an anti-drug and anti-gang theme. This film marks the directorial debut of veteran actor, Edward James Olmos.
Real Women Have Curves (dir. Patricia Cardoso, 2002)
Real Women Have Curves is the story of a first generation Mexican-American teenager on the verge of becoming a woman. Ana receives a full scholarship to Columbia University but her traditional, old-world parents feel that now is the time for Ana to help provide for the family, not the time for college.
Stand and Deliver (dir. Ramon Menendez, 1988)
Based on the true story of the determined Bolivian-born math teacher Jaime Escalante, this movie follows Escalante as he tries to teach calculus to the at-risk, majority-Latino students at James A. Garfield High School in East Los Angeles.
Tortilla Soup (dir. Maria Ripoll, 2001)
A heartwarming comedy that’s all about food, family and a certain kind of magic that only happens at the dinner table. Martin is the culinary genius behind a successful restaurant and the widowed father of three daughters whom he has a compulsion to try and steer in the right direction. Hungry for their independence, the girls find themselves at odds with their traditionalist father.
Zoot Suit (dir. Luis Valdez, 2003)
Based on a play by the same name, this story is set in Los Angeles in the early 1940’s and centers around the trial and wrongful murder conviction of Henry Reyna and three other Chicano gang members. Discriminated against for their zoot suit-wearing Chicano identity, twenty-two members of the 38th Street Gang are placed on trial for a murder they did not commit.
Under the Same Moon = La Misma Luna (dir. Patricia Riggen, 2008) Tells the parallel stories of nine-year-old Carlitos and his mother, Rosario. In the hopes of providing a better life for her son, Rosario works illegally in the U.S. In Mexico, her mother cares for Carlitos. Unexpected circumstances drive both Rosario and Carlitos to embark on their own journeys in a desperate attempt to reunite. Along the way, mother and son face challenges and obstacles but never lose hope that they will one day be together again.
Sleep Dealer = Traficante de Suenos(dir. Alex Rivera, 2009) Memo Cruz siempre ha soñado con dejar su pequeño y huir a las grandes ciudades fronterizas del Norte. Pero cuando ocurre una tragedia imprevista y se ve obligado a huir, Memo descubre un nuevo mundo mucho más salvaje de lo que había soñado. El futuro próximo de Sleep Dealer es un mundo lleno de drones asesinos, fábricas de tecnología de punta, vendedores de memorias y una salvaje batalla contra los ‘aqua-terroristas’ emitada por televisión.
Set in the near-future is a world marked by closed borders, corporate warriors, and a global digital network. In this world three strangers risk their lives to connect with each other and break the barriers of technology.
Dolores (dir. Peter Bratt, 2001)
One of the most important, yet least known activists of our time, Dolores Huerta was an equal partner in founding the first farm workers union with César Chávez. Tirelessly leading the fight for racial and labor justice, Huerta evolved into one of the most defiant feminists of the 20th century — and she continues the fight to this day, in her late 80s. With unprecedented access to this intensely private mother of 11, Peter Bratt’s film Dolores chronicles Huerta’s life.
AND we have thousands of DVDs you can borrow – including tons of titles that aren’t streaming anywhere (like Mi Vida Loca) – along with external DVD drives to play them!
It’s the start of the fall semester at Duke, and we’ve got a quick and easy way you can level up your library game!
Stop by Perkins Library on Thursday, Aug. 29, 1:00 – 3:00 p.m., and sign up for a Durham County Library Card.
It’s free and easy. All you need is your Duke ID (if you’re a Duke student) or other photo ID and proof of Durham residency (everybody else).
That’s right! ALL DUKE STUDENTS ARE ELIGIBLE to get a free Durham County Library Card*. Even if you’re not a permanent North Carolina resident, you can still use your local public library, and you don’t even have to leave your dorm room once you sign up.
Not to mention popular streaming services like Hoopla (Kids TV, popular movies, comics, e-books, and more) and IndieFlix (classic films, award-winning shorts, documentaries).
The Durham County Library consists of six branches spread throughout Durham County including the Main Library in downtown. It’s one of the Bull City’s most recent architectural points of pride. If you need a break from studying in our campus libraries, check out their quiet study spots with inspiring views of downtown Durham. You can thank us later when you ace those exams.
* If you only have a Duke ID when you sign up, you’ll get a Student Card, which lets you check out 10 items at a time, plus access all electronic resources. If you also can show some proof of NC address (can be electronic, photo of a utility bill, piece of mail, etc.), you’ll get a full Library Card, which lets you check out up to 50 items.
Members of these advisory boards will help improve the learning and research environment for Duke University students and advise the Libraries on topics such as study spaces, research resources, integrating library services into academic courses, and marketing library services to students.
The boards will typically meet three times a semester to discuss all aspects of Duke Libraries and provide feedback to library staff. This is an amazing opportunity for students to serve on the advisory board of a large, nationally recognized non-profit organization.
All three advisory boards are now taking applications. Application deadlines are:
Members of the Graduate and Professional Student Advisory Board and the Undergraduate Advisory Board will be selected and notified by mid-September, and groups will begin to meet in late September. More information is available on the advisory board website, where you will also find links to the online applications forms.
Not sure you want to commit to serving on a board? Consider joining our Student Experience Panel (STEP). You can join at any time, and you’ll receive occasional invitations to participate in library feedback opportunities. Joining STEP does not obligate you to participate in any of the opportunities.
For more information or questions about these opportunities, please contact:
Fall 2024 brings exciting changes to East Campus Libraries. Lilly Library is being renovated and our staff and services have moved!!! Our first collection spotlight of the year can be found in Lilly Library at Bishop’s House. Our spotlight features books and films that celebrate Hispanic creators and stories. This post, the first of two, highlights a selection of the books on display. Stay tuned for the movies. Come to East Campus, explore the spotlight, and say hello to Lilly staff in our new digs!
PART I – BOOKS
POETRY Yaguarete White: Poems Diego Báez’s debut collection explores the sense of alienation that accompanies those who hold multiple, sometimes contesting identities. A second-generation immigrant of mixed Paraguayan and white European descent, the American-born Báez wrestles with his heritage and with what it means to feel perpetually out of place.
FICTION Olga Dies Dreaming Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico’s history, Olga Dies Dreaming is a story that examines political corruption, familial strife and the very notion of the American dream – all while asking what it really means to weather a storm. More fiction: Silver Nitrate Latin@ Rising: an Anthology of Latin@ Science Fiction and Fantasy
MUSIC Razabilly: Transforming Sights, Sounds, and History in the Los Angeles Latina/o Rockabilly Scene Pairing a decade of participant observation with interviews and historical research, Nicholas F. Centino explores the reasons behind a Rockabilly renaissance in 1990s Los Angeles and demonstrates how, as a form of working-class leisure, this scene provides Razabillies with spaces of respite and conviviality within the alienating landscape of the urban metropolis. A nuanced account revealing how and why Los Angeles Latinas/os have turned to and transformed the music and aesthetic style of 1950s rockabilly, Razabilly offers rare insight into this musical subculture, its place in rock and roll history, and its passionate practitioners.
ART Metamorfosis – A major review of the career of Rafael Trelles (b. Puerto Rico) since 1992. Included are over 80 images of surreal, fantastical paintings and sculptures. Trelles has an international presence. He founded the group Delfín del Cielo and in Mexico he was one of the founding members of La Iguana Marina and in Puerto Rico, El Alfil.
NONFICTION LatinX LatinX has neither country nor fixed geography according to Duke professor, Claudia Milian. It is the most powerful conceptual tool of the Latino/a present, an itinerary whose analytic routes incorporate the Global South and ecological devastation. Milian’s trailblazing study deploys the indeterminate but thunderous “X” as intellectual armor, a speculative springboard, and a question for our times that never stops being asked. LatinX sorts out and addresses issues about the unknowability of social realities that exceed our present knowledge.
For the last several years, the Duke University Libraries has purchased copies of the assigned texts for a wide range of Duke courses and made them available to check out for free. It’s one of our most popular services, and students regularly tell us how much they appreciate it. And no wonder, when the cost of a single textbook can often exceed $300.
Now there’s a way you can help us make the program even better and do something about the ridiculous cost of textbooks at the same time. At the end of this semester, donate your textbooks to the library. We’ll make them available for other students to check out for free.
Don’t you wish someone had done that for you? Be that someone.
Look for the textbook donation bins in Perkins, Bostock, Lilly, and Divinity libraries starting this week. When you’ve finished with your classes, simply drop your books in the bin and enjoy the satisfaction of knowing you’ve made some future Duke student’s day.
So if you passed your classes, pass it on. Donate your textbooks to us and make a Duke education more affordable for all.
(And if you didn’t pass, we’ll understand if you need to hang on to those books a little longer.)
You’re almost there! Here are some resources to power you through the end of the semester and beyond.
End-of-Semester Events
Lilly Relaxation Station – Friday, April 26th to Monday, May 4th. Take a break and refresh during Reading and Exam Period! Open 24/7: Puzzles, games, Play-Doh, origami, coloring… just chill for a bit in Lilly’s 1st floor classroom! Light snacks will be provided in the evening April 29th through May 2nd.
Crafternoon at Perkins – Join us at Perkins Library on Friday, April 26th from 3-5pm to unwind and unleash your inner zen by making origami while indulging in some sweet treats. Don’t miss out on this origam-azing opportunity to de-stress before finals!
The library is always here for you! Maybe you already know that you can access many of our online resources from home or that you can check out books to take home with you. We also have movies and music that you can stream and some e-books that you can download to your devices. Here are some of the resources we have to do this!
Streaming Video includes:
Kanopy: Watch thousands of award-winning documentaries and feature films including titles from the Criterion Collection.
Go to duke.overdrive.com to access downloadable eBooks and audiobooks that can be enjoyed on all major computers and devices, including iPhones®, iPads®, Nooks®, Android™ phones and tablets, and Kindles®.
Streaming Music includes:
Contemporary World Music: Listen to music from around the world, including reggae, Bollywood, fado, American folk music, and more.
Jazz Music Library: Access a wide range of recordings from jazz classics to contemporary jazz.
Medici.tv: Browse an online collection of classical music, operas and ballets.
Metropolitan Opera on Demand: For opera fans, a large selection of opera videos from the stage of the Metropolitan Opera.
Naxos Music Library: Huge selection of classical music recordings—over 1,925,000 tracks!
You’ve reached this important milestone in your academic career and are about to do great things! Some of you will embark on your careers shortly after graduation, some will go on to graduate and professional schools, and others may even write and get published. Whatever path you take, there’s a good chance you will still need to perform research, which leads to the question…
Will I be able to access Duke University Libraries’ resources after I graduate?
Unfortunately, you will lose some of your access to these resources. However, you can still conduct research, but it may require you to do more digging.
If you are relocating to a community with a nearby university or college, you may be able to use their library resources. Visit their website for exact details of services and policies.
Common things to look for:
Do they have a Friends of the Library program?
Can you use some of their online databases if you visit their library?
Do they have a rare books and manuscripts collection?
Do they allow any of their books to be checked out to the public?
Local Public Libraries
Though they will have less of an academic focus than our libraries, you may be pleasantly surprised by what your public library offers!
Apply for a free library card at your local library. Sometimes for a small fee, you can also get library cards to access resources at the libraries in surrounding towns.
Find out what kinds of online databases they have. They may have access to newspapers, data sets, journal and magazine articles, streaming films, etc.
Find out how their interlibrary loan program works.
Digital Collections
Many libraries and museums have digitized a few of their collections. Examples:
Are you an undergraduate who enjoys creative writing? You could win an award for your talents!
The Rudolph William Rosati Creative Writing Award
The Rosati Creative Writing Prize is awarded each spring in recognition of an outstanding work of creative writing. All Duke first year or sophomore students are eligible to submit work for consideration. Projects may be any genre and take any form (audio/video, digital media, etc.), but must include a substantial creative writing component.
The Styron Creative Writing Prize is awarded each spring in recognition of an outstanding work of creative writing. All Duke juniors and seniors (graduating spring 2023) are eligible to submit work for consideration. Projects may be any genre and take any form (audio/video, digital media, etc.), but must include a substantial creative writing component.
You may submit multiple, different projects in a given year but each project should be submitted individually with an accompanying application cover sheet
Submitted projects must have been written during the current academic year
Projects are judged based on quality and originality of writing
At this time submissions must be written in English
You’re almost there! Here are some resources to power you through the end of the semester and beyond.
End-of-Semester Events
Miniature Therapy Horses at Lilly Library – Sunday, December 10th from 11 AM to 1 PM. Take a break from studying and drop by Lilly Library to de-stress with the miniature therapy horses from Stampede of Love and relax with some snacks and hot cider!
Lilly Relaxation Station – Monday, December 11th to Monday, December 18th. Take a break and refresh during Reading and Exam Period! Open 24/7: Puzzles, games, Play-Doh, origami, coloring… just chill for a bit in Lilly’s 1st floor classroom! Light snacks will be provided in the evening December 11th through the 14th.
Crafternoon at Perkins: Holiday Edition – Monday, December 11th from 11:30 to 1PM. Stuck on what to gift Grandma or how to craft the perfect card for a friend? Stop by the lobby outside of Perkins Library to make origami ornaments, creative holiday cards, and other crafts. You supply the creativity, and we supply the materials – cardstock, origami paper, googly eyes, and much more!
The library is always here for you! Maybe you already know that you can access many of our online resources from home or that you can check out books to take home with you. We also have movies and music that you can stream and some e-books that you can download to your devices. Here are some of the resources we have to do this!
Streaming Video includes:
Kanopy: Watch thousands of award-winning documentaries and feature films including titles from the Criterion Collection.
Go to duke.overdrive.com to access downloadable eBooks and audiobooks that can be enjoyed on all major computers and devices, including iPhones®, iPads®, Nooks®, Android™ phones and tablets, and Kindles®.
Streaming Music includes:
Contemporary World Music: Listen to music from around the world, including reggae, Bollywood, fado, American folk music, and more.
Jazz Music Library: Access a wide range of recordings from jazz classics to contemporary jazz.
Medici.tv: Browse an online collection of classical music, operas and ballets.
Metropolitan Opera on Demand: For opera fans, a large selection of opera videos from the stage of the Metropolitan Opera.
Naxos Music Library: Huge selection of classical music recordings—over 1,925,000 tracks!
Post contributed by Laura Williams, Head of the Music Library.
Qwest TV EDU is a video streaming channel showcasing Black music and global sounds. Created by music legend Quincy Jones, the database features a wide range of musical genres and styles, including jazz, the blues, soul, funk, world music, electronic music, classical music, and much more.
Why Should You Use This?
Qwest TV provides several major categories to explore in its catalog, including concerts, documentaries, and a rich trove of archival material with showstopping performances by legendary artists. Videos in Qwest TV span historic recordings from the 1950s right up to the present day, showcasing the storied history of musical styles and influences around the world.
The archive features some extraordinary live performances, including a 1963 Parisian concert by the incomparable Ella Fitzgerald, and a 1982 performance by the legendary Art Blakey and the Jazz Messengers, with dazzling virtuosic solos by the young Wynton Marsalis and Branford Marsalis.
Cool Features
One of the most interesting ways to delve into Qwest TV’s offerings is through recommendation lists created by Guest Curators who bring wide-ranging perspectives to their selections. Qwest TV also features some original content, such as Twelve Qwestions, a series of exclusive interviews. In anticipation of Gregory Porter’s visit to Duke in February 2024 through Duke Arts, you can explore his curated list of selections, a Twelve Qwestions interview, a documentary about the two-time Grammy Award-winning singer, as well as a live performance:
Database Tips
A myriad of browsing categories connect content in a variety of interesting ways, highlighting Fresh Talents and Gems from the Vaults, as well as bringing together imaginative groupings such as Space is the Place (a celebration of spiritual jazz), the somewhat enigmatic New Ancient Strings, and an exploration of electronica in Africatronics.
One of the most exciting videos I discovered is a recent concert from the New World Symphony Orchestra conducted by William Eddins which “explores a symphonic world that influenced and was influenced by the musical heritage of the African diaspora.” Stunning performances by the orchestra and celebrated American soprano and scholar Dr. Louise Toppin are illuminated throughout by the historical commentary and insights provided by noted musicologist Dr. Tammy Kernodle, making this concert nothing short of extraordinary from both a musical and scholarly standpoint.
We are pleased to announce the winners of our 2022-2023 library writing and research awards. Every year the Duke University Libraries run a series of essay contests recognizing the original research and writing of Duke students and encouraging the use of library resources. Congratulations to this year’s winners!
Recognizing excellence in undergraduate research using sources from the Libraries’ general collections.
Honors Thesis Winner: Alexandra (Bailey) Griffen for “The ‘Last Midwife’ that Never Was: Gender Race and Birth in Durham’s Medical Establishment, 1900-1989,” nominated by Dr. Sarah Deutsch.
Third/ Fourth Year Winner: Angela Wu for “Ncosi, The Story of South Africa’s AIDs HIV Poster Child,” nominated by Dr. Karin Shapiro.
First/Second Year Winner: Rhiannon Camarillo for “Abortion Liberalization in West Germany: A Lasting Legacy of Conservatism,” nominated by Dr. James Chappell.
Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.
Zoe Kolenovsky for “Cancer Alley, Louisiana: A Case Study in Race- and Class-Based Discrimination as Drivers of Environmental Injustice,” nominated by Dr. Nancy MacLean
Recognizing excellence in undergraduate research using primary sources for political science or public policy.
Axelle Miel for “Concentrix in the Philippines: The Political Risk of Remote Work,” nominated by Dr. Edmund Malesky
Kulsoom Rizavi for “Intra-Party Polarization – Characterizing its Nature and Extent through r/Democrats and r/Republican,” nominated by Dr. Christopher Bail
Recognizing outstanding creative writing by juniors and seniors.
Ruby Wang for “2001: An Ode to Mother”
Sophie Zhu for “White Fox”
Join Us at the Awards Reception!
We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend. All are invited to join us for refreshments and the opportunity to honor the recipients.
Banned Books Week is taking place this week from October 1st-7th. LeVar Burton is the honorary chair. He will headline a live virtual conversation with Banned Books Week Youth Honorary Chair Da’Taeveyon Daniels about censorship and advocacy at 8:00 p.m. ET on Wednesday, October 4. The event will stream live on Instagram (@banned_books_week). Here are some other online events that might be of interest if you are interested in learning more:
From How to Now: Book Bans in the U.S. on Tuesday October 3rd at 9pm EST. Moderated by Ipek Burnett with appearances by Nic Stone, Becky Calzada, Leela Hensler, and Summer Lopez.
Authors and Advocates on Fighting Book Bans on Wednesday October 4th at 1:00pm EST. Join author John Green, writer and illustrator Mike Curato, librarian and Texas FReadom Fighters co-founder Becky Calzada, and Banned Books Week Youth Honorary Chair Da’Taeveyon Daniels for a conversation about the impact of book bans.
LIVE from NYPL and The Atlantic . Banned: Censorship and Free Expression in America on Thursday October 5th at 7:00pm EST. join The New York Public Library and The Atlantic for a discussion with authors Ayad Akhtar and Imani Perry, moderated by Atlantic executive editor Adrienne LaFrance, about the danger of book banning and limits on freedom of expression.
We also have quite a few books about censorship and book banning if you want to learn more:
Join us for our first Low Maintenance Book Club of the fall! We’ll be reading and discussing Gene Luen Yang’s American Born Chinese (now a Disney+ original series) at our next meeting on Tuesday September 26th at noon. As always, you’re welcome regardless of how much (or whether) you’ve read. Copies of the book are available through Duke University Libraries, on our Overdrive, and at your local public library.
The meeting will be held over Zoom, so make sure to RSVP to receive an invitation link the morning of the 26th. We hope to see you there!
If you have any questions, please contact Arianne Hartsell-Gundy (aah39@duke.edu).
It’s almost summer, and that means it’s time for the Low Maintenance Book Club Big Books Edition! This year, we’ll be reading Arundhati Roy’s The God of Small Things, winner of the Booker Prize for Fiction in 1997.
The last meeting of three is scheduled for Wednesday, July 26th from noon-1pm over Zoom. At this meeting, we’ll discuss chapters 15-21.
The second of three meetings was scheduled for Wednesday, June 28th. At this meeting, we discussed chapters 8-14.
The first meeting was scheduled on Wednesday, May 25th. At this meeting, we discussed chapters 1-7.
Although the readings are longer, the low maintenance attitude is the same. Join as you like, discuss as much as you want–or just hang out and enjoy the company. Everyone is welcome. Just RSVP so we know how many to expect, and we’ll send out a Zoom link the morning of the meeting.
If you have any questions, please contact Arianne Hartsell-Gundy (aah39@duke.edu).
In a digital world where famous quotations are used in memes and inspirational social media posts, often, like a game of telephone, quotes evolve into something that differs significantly from the original words spoken or written. Verifying the authenticity of quotes can take time and effort. Arianne Hartsell-Gundy, Head of Humanities and Social Sciences and Librarian for Literature, has provided tips and tricks to streamline the search process!
Tips:
When using an online authentication website, i.e., The Quotations Page, don’t use the whole quote because you might get inaccurate results if it’s incorrect. Consider using a word or phrase from the quote plus the author’s name.
Try searching using a quotation reference volume (such as the Oxford Essential Quotations) available digitally from the library. Digital reference books can be searched using the same method described above: author’s name plus a keyword or phrase from the original quote.
Another quick tool to consider is using Google Books and searching by the author or person’s name plus keywords or phrases from the quote. If the quote exists, an excerpt is likely going to come up. If cited, you can follow the citation from the eBook to the original document where the words were issued, such as correspondence, diaries, speeches, interviews, etc.
Most of all, don’t get discouraged; sometimes, it is impossible to nail down a precise quotation. Recently, Arianne worked with a scholar trying to verify a quote attributed to Edward O. Wilson: “Nature holds the key to our aesthetic, intellectual, cognitive, and even spiritual satisfaction.” She hunted for the quote in the general quote collections, science-specific quotation sources, and Google Books, which cited Biophilia; however, Biophilia did not provide this quotation, leaving the origins of those words as a mystery indicating somewhere along the way words were modified. The scholar went so far as to reach out to Edward O. Wilson, who was unsure of its origins! This example demonstrates the complexities of verifying quotations and that, occasionally, there’s no definitive answer. Still, it is always good to do due diligence before using a quotation in a paper or article. We hope with these tips, it may be possible for you to get at close as possible to the approximation of who said what! For more suggestions, visit Arianne’s Literature in English research guide.
Summertime is here! The pace on both East and West Campus is a little slower, so it’s a perfect time for a break from the academic rigor of the rest of the year. At Lilly, we go beyond the usual “beach reads” to cast our collection spotlight net wide as we dive into the Duke Libraries collections in search of fishy films and books.
And we mean fishy in the broadest sense – maybe there is a fish, or someone who fishes, someone with a aquatic name, or just a lot of water… it’s all about your sense of scale 😉
Books: Catch these some of these fish stories!
The Fishermen
A Cain and Abel-esque story of a childhood in Nigeria. When their father has to travel to a distant city for work, brothers take advantage of his absence to skip school and go fishing. At the forbidden nearby river, they meet a madman who persuades the oldest of the boys that he is destined to be killed by one of his siblings. What happens next will transcend the lives and imaginations of the book’s characters and readers.
Compleat Angler
First published in 1653, this literary and nature classic was created by a Londoner with a passion for rustic life. Cast in the form of a dialogue between the veteran angler Piscator and his pupil Viator, it both informs and delights with an ingenious exploration of fishing’s subtle intricacies and the pleasures of the natural world.
Sockeye Mother To the Gitxsan people of Northwestern British Columbia, the sockeye salmon is more than just a source of food. The Sockeye Mother explores how the animals, water, soil, and seasons are all intertwined
The Outlaw Ocean
There are few remaining frontiers on our planet. But perhaps the wildest, and least understood, are the world’s oceans: too big to police, and under no clear international authority, these immense regions of treacherous water play host to rampant criminality and exploitation.
Beyond That, the Sea
As German bombs fall over London in 1940, working-class parents send their eleven-year-old daughter to America to live for the duration of the war. Scared and angry, feeling lonely and displaced, Bea crosses the Atlantic to Boston. As Bea comes into herself and relaxes into her new life–summers on the coast in Maine, new friends clamoring to hear about life across the sea – the girl she had been begins to fade away, until, abruptly, she is called home to London when the war ends.
When I was a Fish
This fast-paced biography recounts the life of Mike Bruton, one of the leading fish biologists in Africa, and also explores the various issues in which he was involved as a scientist, conservationist and science educator. Whether or not you are a fisherman, aquarist or sushi eater, you will be fascinated by these astonishing tales of a man who almost became a fish!
Miss Iceland
Iceland in the 1960s. Hekla always knew she wanted to be a writer; there is only one problem: she is a woman. Hekla heads for Reykjavik with a manuscript buried in her bags. She moves in with her friend Jon, a gay man who longs to work in the theatre, but can only find dangerous, backbreaking work on fishing trawlers. The two friends feel completely out of place in a small and conservative world.
Films? “Reel” in more fish tales!
Catch or stream :
Jaws DVD 138 orStream (with Duke NetID)
You’re gonna need a bigger boat…
It is the ultimate fish tale! Do we really need to provide a summary?
Mother of the River(Stream with Duke NetID)
Drawing on Caribbean folklore, this exuberant experimental drama uses animation and live action to discover a film language unique to African American women. The multilayered soundtrack combines the music of Africa and the diaspora-including Miriam Makeba, acappella singers from Haiti and trumpetiste Clora Bryant.
Contracorriente = Undertow
Miguel, a respected Peruvian fisherman, is expecting his first child with his beautiful wife, Mariela. Their peaceful existence is threatened by Miguel’s love for Santiago, a visiting artist whose presence is viewed as a threat by the villagers.
Planet Ocean(Stream with Duke NetID)
A look at the natural beauty of the oceans and mankind’s impact on their ecosystem.
Cast Away
Chuck Noland, a FedEx systems engineer, finds his ruled-by-the-clock existence ended when a harrowing plane crash leaves him isolated on a remote island. As Chuck struggles to survive, he finds that his own personal journey has only just begun.
MoanaLilly DVD or Streamwith Duke NetID
A mythic adventure set around 2,000 years ago across a series of islands in the South Pacific. The film follows the journey of a spirited teenager named Moana as she meets the once-mighty demi-god Maui, and together they traverse the open ocean, encountering enormous fiery creatures and impossible odds.
Aquarela Lilly DVD or Stream with Duke NetID A deeply cinematic journey through the transformative beauty and raw power of water. From the precarious frozen waters of Russia’s Lake Baikal to Miami in the throes of Hurricane Irma to Venezuela’s mighty Angels Falls, water is the main character, with director Victor Kossakovsky capturing her many personalities.
May 18th marks the 12th annual celebration of GAAD. This day serves to raise awareness of the need for digital inclusion and accessible web content for people with disabilities.
Why does web accessibility matter? People with disabilities have a right to access and enjoy web content and digital objects. Based on data from the World Health Organization, an estimated 1.3 billion people have disabilities, or 1 in 6 people worldwide. According to a WebAIM report from February 2023, 96.3% of the top million homepages on the Internet had accessibility errors based on the Web Content Accessibility Guidelines. The most common accessibility error is low contrast text. Other common errors include missing alternative text for images, empty links, and improperly structured headings (very important for people using screen-readers). Ensuring web pages are accessible makes the Internet a more equitable and inclusive space.
Another expanding area of accessibility and digital inclusion is in video games. You may have watched the HBO adaptation of The Last of Us, but did you know that The Last of Us Part II’s release in 2020 was a landmark moment for accessibility in gaming? Organizations like AbleGamers and websites like Can I Play That? are advocating for a more inclusive gaming landscape. Game developers have also created a list of Game Accessibility Guidelines to make games more accessible for those with disabilities. If you are interested in this topic and want to learn more about accessibility and disability representation in gaming, you may want to check out the 2023 book Gaming Disability: Disability Perspectives on Contemporary Video Games.
What is a Vital Lilly Library Resource?
Meet Our Lilly Class of 2023
The Lilly and Music Libraries are at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community, during the semester, the East Campus Libraries remain open for 175 hours each week! Our student assistants are an essential element in maintaining a high level of service, and we want to introduce you to one of our “Class of 2023”. Get to know Hailey B., one of our graduating student assistants in this profile, and you’ll appreciate them as much we do.
Duke – and Lilly! – Senior Hailey
Hometown: Palm Harbor, FL
Family/siblings/pets: I have one (much) younger 3-year-old half-sister and a dog named Carter
Academic major: Psychology, plus minors in Computer Science and Math
Activities on campus: Duke University Marching Band (DUMB), Duke Cyber, Durham Chi Omega
Favorite on-campus activity(besides working in the library 😉 ): Being at Duke games with the marching/pep band! My personal favorite is Duke WBB games
Favorite off-campus activity: Trying new restaurants with friends
Favorite campus eatery: Krafthouse
Favorite off-campus eatery: HeavBuffs
Behind the Curtain at Lilly
Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why? A: Probably the Thomas Reading Room at Lilly – it’s the most beautiful space and I’d love to wake up to the sunlight through those big windows. Plus the couches are great.
Q: What’s the strangest/most interesting book or movie or music you’ve come across in the library? A: Most interesting is definitely “First Person Singular” by Haruki Murakami. It’s a collection of short stories all about different narrators, all told from first person singular point of view. It’s super cool and I totally recommend it. Most strange would be a book of poems told entirely from the point of view of a cat – it was incredible. Also interesting that both my picks include playing with POV – maybe that kind of thing just really gets me.
Q: What is your favorite part about working at library? Least favorite? A: My favorite part is for sure the people – everyone who works at Lilly is incredible and they’re the best coworkers. I can always count on one of the other students or staff librarians brightening my day. My least favorite thing as an avid reader is that I constantly have to resist the urge not to check out 40 books every time I work a shift.
Q: What is one memory from your time in the library that you will never forget? A: I found out I had made it to the final interview round for a really competitive job while I was on shift and everyone was so happy and helped me celebrate. It was a really special moment.
Q: What is the craziest thing you’ve ever done in the library? A: I honestly don’t think I’ve ever done anything super crazy – probably just printing out so many pages at one time that I stood at the printer for like 20 minutes.
Q: How will your time working in the library help you in your future pursuits? A: Customer service is always applicable! Plus a great eye for detail and the ability to learn new things quickly.
Q: What will you miss most about the library when you graduate? A: Similar to my favorite part, I’ll miss the people. I’ll have to come back and visit so I can see some of them again! Note: Please do! We always love seeing our “Lilly alumni”!
Q: What are your plans for after graduation? A: I’m currently interviewing for jobs (I have another one this week, wish me luck) with nonprofit organizations and will be working for 1 gap year, before attending law school in Fall 2024. Longer-term, I plan to work in social justice law.
Q: What is the animal that you most identify with? … well, you don’t expect all the questions to be about working in the library, do you? A: I’ve been told I remind people of a chinchilla – I’m not entirely sure what that means but I love chinchillas so I’ll take it. Other answers I’ve received: orange cat, pangolin, and panther.
Graduation in May means Lilly Library will say farewell to them and our other graduates, treasured members of our Lilly Library “family”. We appreciate Hailey’s stellar work and dedication to Lilly and wish them all the best!
What is a Vital Lilly Library Resource?
Meet Our Class of 2023
The Lilly and Music Libraries are at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community, during the semester, the East Campus Libraries remain open for 175 hours each week! Our student assistants are an essential element in maintaining a high level of service, and we want to introduce you to one of our “Class of 2023”. Get to know Emma L., one of our graduating student assistants in this profile, and you’ll appreciate her as much we do.
Duke – and Lilly! – Senior Emma
Hometown: Oak Park, IL
Family/siblings/pets: One younger sister. The closest thing I have to a pet is a lot of houseplants.
Academic major: Biology and Chemistry
Activities on campus: Research, Duke Symphony Orchestra, avid Cameron Crazie
Favorite on-campus activity (besides working in the library 😉 ): Duke Symphony Orchestra!
Favorite off-campus activity: Walks at Eno
Favorite campus eatery: Late-night Pitchforks
Favorite off-campus eatery: The Parlour
Behind the Curtain at Lilly
Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why? A: The bottom floor of the Biddle library, it’s so calm and quiet.
Q: What’s the strangest/most interesting book or movie or music you’ve come across in the library? A: The locked stacks at Lilly have some really cool, really old books! No one book in particular stands out to me, but I love working in that room and seeing all the titles and publication years in there.
Q: What is your favorite part about working at library? Least favorite? A: The people are my favorite thing by far! I’ve met so many wonderful people at Lilly, from the librarians to the other student workers to the people who come up to the front desk. My least favorite part is when I just barely miss the bus after my shift, which isn’t even to do with Lilly.
Q: What is one memory from your time in the library that you will never forget? A: There was a tornado warning during one of my shifts this year, so we had to gather everyone up and go down to the basement. It only lasted 15-ish minutes, but it was interesting while it lasted.
Q: What is the craziest thing you’ve ever done in the library? A: I’ve done several shifts without shoes on because it was raining so hard that they were too wet to wear by the time I got to work.
Q: How will your time working in the library help you in your future pursuits? A: I’ve learned how to make searches specific enough to find what I’m looking for when finding sources for research. It’s also really helped me learn how to troubleshoot a printer (always a good skill to have).
Q: What will you miss most about the library when you graduate? A: How friendly everyone who works there is! Especially having worked at Lilly for four years, I’ll miss all the people (especially the librarians) who I met as a freshman. My favorite part of working an early shift this year is that I get to chat with everyone as they come in, and I’m sad I won’t get to do that anymore.
Q: What are your plans for after graduation? A: I’ll be pursuing a PhD in molecular microbiology at Tufts in Boston!
Q: What is your spirit animal? … well, you don’t expect all the questions to be about working in the library, do you? A: A cat, purely because of how much they love napping in the sun
Graduation in May means Lilly Library will say farewell to Emma and our other graduates, treasured members of our East Campus Libraries “family”. We appreciate Emma’s stellar work and dedication to Lilly and wish her all the best!
The Lilly and Music Libraries are at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community, during the semester, the East Campus Libraries remain open for 175 hours each week! Our student assistants are an essential element in maintaining a high level of service, and we want to introduce you to one of our “Class of 2023”. Get to know Cierra H., one of the Duke Music Library‘s graduating student assistants in this profile, and you’ll appreciate her as much we do.
Duke (and Music!) Senior Cierra
Hometown: Roanoke Rapids, NC
Family/siblings/pets: Three younger siblings, Three dogs
Academic major: Biology
Activities on campus: Duke Med BEC Fellows/Root Causes/Project FEED, Duke Jazz Ensemble
Favorite on-campus activity(besides working in the library): Working in my research lab
Favorite off-campus activity: Bowling
Favorite campus eatery: Il Forno / Sazon
Favorite off-campus eatery: Guasaca
Behind the Curtain at the Music Library
Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why? A: The Music Library because it is always quiet in the evenings, there is plenty of space as well as a piano which would be fun to play.
Q: What’s the strangest/most interesting book or movie or music you’ve come across in the library? A: There was once a book full of slang that I thought was interesting. We tend to read more of the serious works and to read something that was serious, but lighthearted, was fun.
Q: What is your favorite part about working at the Music Library? Least favorite? A: My favorite part is finding new books to read and helping people out at the desk. It is also therapeutic to re-shelve or process new books as well as pull items. I don’t think I have a least favorite thing about working at the library.
Q: What is one memory from your time in the library that you will never forget? A: I will never forget two things. One is the freebies event we had where we gave away a bunch of scores and books. The second is when Jamie put up a skeleton behind the circulation desk named Skylar who pretended to be conducting music on Halloween .
Q: What is the craziest thing you’ve ever done in the library? A: I haven’t done anything crazy in the library.
Q: How will your time working in the library help you in your future pursuits? A: I’ve learned to catalog books and how to better interact with people. I’ve gotten to work with some amazing staff and make friends amongst my peers that also work here. There is never a dull moment and some of the socialization skills I’ve gained will be useful in my future.
Q: What will you miss most about the library when you graduate? A: I will miss the staff: Laura, Sarah, and Jamie (and Jamie’s emails every week). They were very welcoming at first and over the two years, they have gotten to know me on a personal level and I’ve enjoyed every conversation we’ve had.
Q: What are your plans for after graduation? A: Clinical research for two years while applying to medical schools.
Q: What is your spirit animal? … Well, you don’t expect all the questions to be about working in the library, do you? A: A dolphin
Graduation in May means the Duke Music Library will say farewell to Cierra and our other graduates, treasured members of our East Campus Libraries “family”. We appreciate Cierra’s stellar work and dedication to Music and wish her all the best!
Looking for something new to read? Check out our New and Noteworthy, Current Literature and Overdrive collections for some good reads to enjoy! Here is a selection of books you will find in these collections!
The Rabbit Hutch by Tess Gunty. Blandine isn’t like the other residents of her building. An online obituary writer. A young mother with a dark secret. A woman waging a solo campaign against rodents — neighbors, separated only by the thin walls of a low-cost housing complex in the once bustling industrial center of Vacca Vale, Indiana. Welcome to the Rabbit Hutch. Ethereally beautiful and formidably intelligent, Blandine shares her apartment with three teenage boys she neither likes nor understands, all, like her, now aged out of the state foster care system that has repeatedly failed them, all searching for meaning in their lives. Set over one sweltering week in July and culminating in a bizarre act of violence that finally changes everything, The Rabbit Hutch is a savagely beautiful and bitingly funny snapshot of contemporary America, a gorgeous and provocative tale of loneliness and longing, entrapment and, ultimately, freedom. Learn more about this National Book Award Winner in The New York Times Book Review.
Yellowface by R.F. Kuang. Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena’s a literary darling. June Hayward is literally nobody. So when June witnesses Athena’s death in a freak accident, she acts impulsively: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I. So what if June edits Athena’s novel and sends it to her agent as her work? Doesn’t this piece of history deserve to be told, whoever the teller is? That’s what June claims, and the New York Times bestseller list seems to agree. But June can’t escape Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers how far she will go to keep what she thinks she deserves. With its immersive first-person voice, Yellowface grapples with questions of diversity, racism, cultural appropriation, and the terrifying alienation of social media.
The Measure by Nikki Erlick. Eight ordinary people. One extraordinary choice. It seems like any other day. You wake up, pour a cup of coffee, and head out. But today, when you open your front door, a small wooden box is waiting for you. This box holds your fate inside: the answer to the exact number of years you will live. In an instant, the world is thrust into a collective frenzy. Where did these boxes come from? What do they mean? Is there truth to what they promise? As society comes together and pulls apart, everyone faces the same shocking choice: Do they wish to know how long they’ll live? And, if so, what will they do with that knowledge? The Measure charts the dawn of this new world through an unforgettable cast of characters whose decisions and fates interweave with one another. Enchanting and deeply uplifting, The Measure is a sweeping, ambitious, and invigorating story about family, friendship, hope, and destiny that encourages us to live life to the fullest. Read more in The New York Times Book Review. This intriguing novel was selected as this year’s reading for first-year students Duke Common Experience.
The Forgotten Girls: A Memoir of Friendship and Promise in Rural America by Monica Potts. Growing up gifted and working-class poor in the foothills of the Ozarks, Monica and Darci became fast friends. The girls bonded over a shared love of reading and learning, even as they navigated the challenges of their tumultuous family lives and declining town. Monica left Clinton for college and fulfilled her dreams, but Darci and many in their circle of friends did not. Years later, working as a journalist covering poverty, Potts discovered what she already intuitively knew about the women in Arkansas: Their life expectancy had dropped steeply—the sharpest such fall in a century. This decline has been attributed to “deaths of despair”—suicide, alcoholism, and drug overdoses—but Potts knew their causes were too complex to identify in a sociological study. In this narrative, Potts deftly pinpoints the choices that sent her and Darci on such different paths and then widens the lens to explain why those choices are so limited.Learn more in this All Things Considered NPR interview.
Clytemnestra by Costanza Casati. A stunning debut follows Clytemnestra, the ancient world’s most notorious villainess, and the events that forged her into the legendary queen. As for queens, they are either hated or forgotten. She already knows which option suits her best…You were born to a king, but you marry a tyrant. You stand by helplessly as he sacrifices your child to placate the gods. You watch him wage war on a foreign shore, and you comfort yourself with violent thoughts. Because this was not the first offense against you. This was not the life you ever deserved. And this will not be your undoing. Slowly, you plot. But when your husband returns triumphantly, you become a woman with a choice. Acceptance or vengeance, infamy follows both. So, you bide your time and force the gods’ hands into the game of retribution. A blazing novel set in Ancient Greece, this is a thrilling tale of power, prophecies, hatred, love, and an unforgettable Queen who fiercely dealt death to those who wronged her.
The Lilly and Music Libraries are at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community, during the semester, the East Campus Libraries remain open for 175 hours each week! Our student assistants are an essential element in maintaining a high level of service, and we want to introduce you to one of our “Class of 2023”. Get to know Brandon L., one of our graduating student assistants in this profile, and you’ll appreciate the importance of our student staff as much we do.
Graduate Student Brandon
Hometown: Allentown
Family/siblings/pets: 1 younger sister, no pets 🙁
Academic major: Masters of Public Policy
Activities on campus:
President of the Sanford Energy and Environment Club; Chair of the Partnerships Team of Oceans @ Duke; Tutor for economics and statistics; Mentor in Duke F1RSTS; and Member of the Energy Week Leadership Committee.
Favorite on-campus activity (besides working in the library): Duke basketball
Favorite off-campus activity: Biking or hiking
Favorite campus eatery: Tandoor
Favorite off-campus eatery: East Cut
Behind the Curtain: Lilly Library
Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why? A: Thomas Reading Room in Lilly because it’s spacious and comfortable.
Q: What’s the strangest/most interesting book or movie or music you’ve come across in the library? A: Feline Philosophy, a book about cats.
Q: What is your favorite part about working at library? Least favorite? A: Faculty delivery when it’s sunny. Least favorite has to be shelf reading.
Q: What is one memory from your time in the library that you will never forget? A: A student accidentally printed out 100 color copies of Caleb Love (a UNC basketball player). She meant to print 10 for her friends to hold up at the UNC game.
Q: What is the craziest thing you’ve ever done in the library? A: Worked two 6-hour shifts on back-to-back days. Note: We agree – that was crazy!
Q: How will your time working in the library help you in your future pursuits? A: Knowing all the resources and benefits that come with being a member of a library will be very helpful. There is so much people don’t know libraries offer.
Q: What will you miss most about the library when you graduate? A: All the little treats we got during holidays or the reading period.
Q: What are your plans for after graduation? A: Moving to Chicago for a job at the Federal Reserve.
Q: What is your spirit animal? … well, you don’t expect all the questions to be about working in the library, do you? A: An owl because that was my undergrad’s mascot and I love staying up late.
Graduation in May means Lilly Library will say farewell to Brandon and our other graduates, treasured members of our East Campus Libraries’ “family”. We appreciate Brandon’s stellar work and dedication to Lilly and wish him all the best!
You’re almost there! Here are some resources to power you through the end of the semester and beyond.
End-of-Semester Events
Academic Resource Center Consultations – The ARC is offering individual consultations at Perkins and Lilly for students to plan and prepare for final exams and projects. Schedule a consultation in advance or just drop-in! Consultants will be in Perkins near the front desk Thursday, April 27 and Friday, April 28 from 11 AM to 4 PM. ARC consultants will be in Lilly Library Monday, May 1st from 11 AM to 4 PM.
Lilly Relaxation Station – Friday, April 29th to Saturday, May 6th. Take a break and refresh during Reading and Exam Period! Open 24/7: Puzzles, games, Play-Doh, origami, coloring… just chill for a bit in Lilly’s 1st floor classroom! Light snacks will be provided in the evening May 1st through the 4th.
Crafternoon – Monday, May 1st from 2 to 4 PM. Stop by Perkins Library to relax and clear your mind with various crafting activities: coloring, origami, make-your-own bookmarks and zines, and more!
The library is always here for you! Maybe you already know that you can access many of our online resources from home or that you can check out books to take home with you. We also have movies and music that you can stream and some e-books that you can download to your devices. Here are some of the resources we have to do this!
Streaming Video includes:
Kanopy: Watch thousands of award-winning documentaries and feature films including titles from the Criterion Collection.
Go to duke.overdrive.com to access downloadable eBooks and audiobooks that can be enjoyed on all major computers and devices, including iPhones®, iPads®, Nooks®, Android™ phones and tablets, and Kindles®.
Streaming Music includes:
Contemporary World Music: Listen to music from around the world, including reggae, Bollywood, fado, American folk music, and more.
Jazz Music Library: Access a wide range of recordings from jazz classics to contemporary jazz.
Medici.tv: Browse an online collection of classical music, operas and ballets.
Metropolitan Opera on Demand: For opera fans, a large selection of opera videos from the stage of the Metropolitan Opera.
Naxos Music Library: Huge selection of classical music recordings—over 1,925,000 tracks!
It’s National Library Week, and we’ve got a quick and easy way you can celebrate!
Stop by Perkins Library on Tuesday, April 25, 1:00 – 3:00 p.m., and sign up for a Durham County Library Card.
It’s free and easy. All you need is your Duke ID (if you’re a Duke student) or other photo ID and proof of Durham residency (everybody else).
That’s right! ALL DUKE STUDENTS ARE ELIGIBLE to get a free Durham County Library Card*. Even if you’re not a permanent North Carolina resident, you can still use your local public library, and you don’t even have to leave your dorm room once you sign up.
Not to mention popular streaming services like Hoopla (Kids TV, popular movies, comics, e-books, and more) and IndieFlix (classic films, award-winning shorts, documentaries).
The Durham County Library consists of six branches spread throughout Durham County including the brand-new Main Library in downtown. It’s one of the Bull City’s newest architectural points of pride. If you need a break from studying in our campus libraries, check out their quiet study spots with inspiring views of downtown Durham. You can thank us later when you ace those exams.
* If you only have a Duke ID when you sign up, you’ll get a Student Card, which lets you check out 10 items at a time, plus access all electronic resources. If you also can show some proof of NC address (can be electronic, photo of a utility bill, piece of mail, etc.), you’ll get a full Library Card, which lets you check out up to 50 items.
Post by Michael Edwards, Resource Sharing Librarian; Alex Konecky, Access and Library Services Assistant; and Sarah Park, Librarian for Engineering and Computer Science
Interlibrary Loan (ILL) is Duke University Libraries’ system for obtaining materials that are not available at Duke. This service is available to current Duke University faculty, staff, and students. Eligible users can submit an ILL request on the library homepage.
Go to the library homepage and click “Interlibrary Request” on the quick links menu. Then, click the “Request a Title” button to login, and fill out the form. If you haven’t used the service before, you may need to register for an account.
Alternatively, if you don’t want to fill out the form yourself, you can request an article through Google Scholar and avoid filling out the form. To do so, go to Scholar.Google.Com and search for the article you need.
Before you search, make sure that Google knows that you are affiliated with Duke. If you are on campus, Google already knows that you are affiliated with Duke. But if you are off campus, go to the settings under the three bars, clicking “Library Links,” and searching for Duke in the search box. Select Duke and press the “Save” button. A shortcut to the “Library Links” is https://scholar.google.com/scholar_settings?#2.
Once you have set up the library links, you will notice that search results show a “Get it at Duke” link next to the title whether you are on or off campus.
If you come across an article that doesn’t have the “Get it at Duke” link, like “Closed-loop insulin delivery: current status of diabetes technologies and future prospects,” don’t worry. You can still access it by clicking the double arrow at the bottom of the article. This will reveal the “Get it @ Duke” link. Click on it to proceed.
Next, click on “Request – University users” and make sure all the information is correctly filled out before submitting the request. You will receive a link via email, so you can access a PDF of the article.
If you have any questions about this or any other interlibrary loan services, please contact ILL department at Interlibraryrequests@duke.edu.
For the last several years, the Duke University Libraries has purchased copies of the assigned texts for a wide range of Duke courses and made them available to check out for free. It’s one of our most popular services, and students regularly tell us how much they appreciate it. And no wonder, when the cost of a single textbook can often exceed $300.
Now there’s a way you can help us make the program even better and do something about the ridiculous cost of textbooks at the same time. At the end of this semester, donate your textbooks to the library. We’ll make them available for other students to check out for free.
Don’t you wish someone had done that for you? Be that someone.
Look for the textbook donation bins in Perkins, Bostock, Lilly, and Divinity libraries starting this week. When you’ve finished with your classes, simply drop your books in the bin and enjoy the satisfaction of knowing you’ve made some future Duke student’s day.
So if you passed your classes, pass it on. Donate your textbooks to us and make a Duke education more affordable for all.
(And if you didn’t pass, we’ll understand if you need to hang on to those books a little longer.)
The Duke University Libraries are undertaking a strategic planning process in order to define a clear sense of direction and identify priorities for the next five years. Griffin Reames and Ashley Garcia from Guideline Consulting are helping to support us in this important work.
We would very much appreciate your participation in a 1-hour focus group with Guideline Consulting to share your feedback and reflections on the biggest strategic issues impacting the library’s future. Focus groups will be conducted virtually via Zoom.
Please indicate your availability here no later than Friday, April 14 and someone from Guideline will reach out to confirm a final date and time. Discussion prompts will be shared by Guideline prior to the focus group, though no advance preparation is required.
Attendees will receive a $20 gift card via email. We hope to hear from you!
Catch the livestream on April 27 at 6 p.m. No ticket required. See below for details.
In celebration of National Library Week, the Duke University Libraries are pleased to present an evening with National Public Radio’s Nina Totenberg in conversation with New York Times opinion writer Frank Bruni at 6 p.m. on Thursday, April 27, in Duke University’s Page Auditorium.
One of the country’s most respected journalists and a doyenne of the Supreme Court, Nina Totenberg is NPR’s award-winning legal affairs correspondent. With more than 40 years’ experience at NPR, she has won every major journalism award in broadcasting for her in-depth coverage of our nation’s highest court. Her nuanced reporting and seasoned reflections shine a light on important judicial cases, helping audiences understand their impact on America’s future like no one else can.
Dinners with Ruth chronicles Totenberg’s longstanding friendship with “RBG,” which began 22 years before Ginsberg was appointed to the Supreme Court and 4 years before Totenberg started at NPR. As both women fought for and excelled in careers historically dominated by men, they paved the way for future generations by tearing down professional and legal barriers. At the story’s heart is a special relationship: Ginsberg and Totenberg saw each other not only through personal joys, but also illness, loss, and widowhood. During Ginsberg’s last year, they shared so many small dinners that Saturdays were “reserved for Ruth” in Totenberg’s house.
Totenberg will be joined on stage in conversation with Frank Bruni, nationally renowned author and New York Times contributing opinion writer and the Eugene C. Patterson Professor of the Practice of Journalism and Public Policy at Duke University. Bruni is the author of five bestselling books, most recently The Beauty of Dusk: On Vision Lost and Found, a moving account of his diagnosis with a rare disorder that imperils his eyesight and left him blind in one eye. In 2021, he joined the Duke faculty and teaches media-oriented classes in the Sanford School of Public Policy.
The evening with Totenberg and Bruni will be presented as the Weaver Memorial Lecture, hosted by the Duke University Libraries in memory of William B. Weaver, a 1972 Duke graduate and former member of the Duke Library Advisory Board. Previous Weaver Lecture speakers have included Barbara Kingsolver, Oliver Sacks, Dave Eggers, Siddhartha Mukherjee, Doris Kearns Goodwin, and Colson Whitehead, among others.
Copies of Dinners with Ruth will be available for sale at the event, and Totenberg will sign books after the talk. The book is also available in print, e-book, and audiobook format through the Duke University Libraries, and at your local public library.
Reserve Your Ticket
Note: Ticket reservations made online or by phone carry a $1.50per ticket service charge. Credit card payments only.
IN PERSON (FREE): Visit the Duke Box Office in the Bryan Center on Duke’s West Campus during their regular business hours, Tuesday-Friday, 11:00 a.m. – 4:00 p.m.
Parking Info
Visitors to campus without a Duke parking permit are strongly advised to pre-purchase a $5.00 visitor parking permit for this special event. The permit is valid for Parking Garage 4 (PG4), adjacent to the Bryan Center and a short walk from Page Auditorium.
Visit the My Parking at Duke website and select the Nina Totenberg and Frank Bruni event. You may be prompted to register with OneLink (it’s free and easy) in order to complete your transaction. Pre-purchased permits greatly reduce wait times on entering and exiting the parking garage.
Visitors without a pre-purchased permit will be charged $10(CASH ONLY) to park. Cashiers will be available at the Parking Garage 4 entrance. If you wish to pay by credit card, you will be directed to other visitor parking locations on campus.
Watch the Livestream
The talk will also be streamed online for those who are unable to attend in person. No ticket needed. Visit the Duke Box Office website for the livestream link and tune in at the event start time.
As part of our commitment to embody the values of diversity, equity, and inclusion in our work, the Duke University Libraries are pleased to announce a new residency program for early career librarians, starting with two full-time positions.
The Duke University Libraries Residency Program will be a three-year program providing enhanced professional development and mentorship to enable two recent graduates of an MLS or related graduate program to gain experience and expertise in a highly specialized area of librarianship.
As a member of the ACRL Diversity Alliance, we are launching the Residency Program as part of our organization’s commitment to “diversify and thereby enrich the profession” and “to build an inclusive organizational culture supportive of Black, Indigenous and People of color (BIPOC).”
Two Residents will be hired in tandem to create a cohort experience every three years.
This program seeks to provide meaningful work placements in specialized fields of librarianship, aligning the professional goals of Residents with the strategic goals of the Duke University Libraries. While learning on the job, Residents will work with colleagues who are highly skilled in these specialized areas and receive relevant development and training.
To this end, the residency program will guarantee professional development funding to Residents to fund travel, conference attendance, presentations, etc., related to skill building and their ongoing career trajectories. Additional professional development will also be offered to Residents through both DUL and Duke-wide programming. Formal and informal mentorship opportunities will also be provided to Residents.
While an offer for regular employment is not guaranteed after the three-year program, Residents will be placed intentionally with the goal of their positions becoming regular, ranked librarian positions if successful during their three-year terms.
Resident Librarian for Resource Description
The Resident Librarian for Resource Description works collaboratively with the Original Cataloging Team and with other library colleagues to assist in the creation, management, and configuration of DUL metadata for description. The Resident Librarian will gain experience in applying international cataloging standards to resources in multiple formats and across all subjects in a way that promotes inclusive and effective access, with a focus on a language or languages from the following collecting areas—Middle Eastern (e.g., Arabic, Persian, Turkish), East Asian (Chinese, Korean), Central/South/Southeast Asian languages (e.g., Urdu, Hindi, Bengali, Sanskrit, Uzbek, Kazakh), or Slavic languages (e.g., Russian, Ukrainian). The resident will gain experience working collaboratively on projects and utilizing open-source tools that support better discovery of library resources. See the full position description.
Resident Librarian for South and Southeast Asian Studies
The Resident Librarian for South and Southeast Asia serves as the primary liaison for faculty and users in the interdisciplinary fields of South and Southeast Asian Studies at Duke University. The Resident Librarian develops and manages the collections from and about South and Southeast Asia, and provides specialized reference assistance and instruction. The Resident will gain experience working collaboratively with library staff, students, and faculty through teaching, research consultations, outreach related to library collections, and other special projects. See the full position description.
Virtual Info Session: April 6
Please join us to learn more about these positions and ask questions before applying! We are offering an information session over Zoom where we will share more information about Duke University, the Duke University Libraries, and the two residency positions. No registration is needed. Just click the Zoom link below at the listed date and time. Participants can login as anonymous—attendee names only seen by panelists.
The Duke University Libraries are pleased to announce two appointments to our senior leadership team, after dual national searches. Both will serve as members of the Libraries’ Executive Group, reporting to the University Librarian and Vice Provost for Library Affairs.
Jameca Dupree has been named Associate University Librarian and Director of Financial and Facility Services, effective February 1.
In this role, she will have overall responsibility for the financial affairs and administrative operations of the Libraries, overseeing a $36 million operating budget and providing leadership over a division that includes Business Services, Facilities and Distribution Services, and the Library Service Center.
Dupree has led the division in an interim capacity since last July, following the retirement of Ann Wolfe, who had served in the role since 2002.
Dupree has worked at Duke for twenty-one years, including seventeen in the Libraries, in progressively responsible administrative, budget, and financial oversight roles. Starting out as a staff assistant in our Human Resources and Business Services Department (2005-2010), she was eventually promoted to Senior Financial Analyst (2010-2016) and Director of Business Services (2016-2022), before assuming her current responsibilities.
Dupree holds a bachelor’s degree in Business Administration from North Carolina Wesleyan College, and a MBA from Fayetteville State University—both of which she earned while working full-time in the Libraries. She is also a graduate of the Managing at Duke program, the Triangle Research Libraries Network Management Academy, and the Duke Leadership Academy. In 2020, Dupree co-founded the Duke University Libraries Black Staff Alliance (DULBSA), a group that provides community, support, and ideas for advancing diversity, equity, and inclusion among library staff.
“Jameca has excelled throughout her career in the Duke Libraries and most recently as Interim AUL,” said Joseph A. Salem, Rita DiGiallonardo Holloway University Librarian and Vice Provost for Library Affairs. “She was the ideal selection as we look for Financial and Facility Services not only to provide good stewardship well into the future, but also effective communication so that our staff have a shared sense of the resources needed to support our work and those available to innovate and push it in new directions.”
“I am delighted and extremely enthusiastic about this opportunity, especially continuing my career with the Duke University Libraries,” said Dupree. “It was a natural next step for me, and I am thankful that Joe, the members of the Executive Group, and library staff supported this direction. The Duke Libraries are moving forward in exciting and innovative ways, and I am honored to be a part of the leadership team that will see it through.”
Dupree’s appointment coincides with another addition to the Libraries’ Executive Group. Emily Daly has been named Associate University Librarian for Research and Public Services, effective March 1.
In this position, Daly will provide leadership, vision, and strategic direction to advance the core teaching, learning, and research services of the Libraries. The division she oversees is broadly responsible for providing individualized library help and outreach to students, faculty, university staff, and the general public. Research and Public Services includes Access and Delivery Services, the East Campus Libraries, International and Area Studies, Humanities and Social Sciences, Natural Sciences and Engineering, and the Marine Lab Library.
Daly has served as Interim AUL for the division since last June, following the departure of Dave Hansen. During that time, she has overseen a structural reorganization of the division, working with staff to bring increased focus on public services and user spaces. The new structure is better positioned to meet the evolving demands of a modern research library.
Daly has worked at the Duke University Libraries since 2006, when she was hired as an intern in the Instruction and Outreach Department. Later she was appointed Coordinator of Upper-Level Instruction and Librarian for Education (2008-2012), before being promoted to Interim Head of Library Instruction and Outreach (2012), Head of Assessment and User Experience (2013-2022), and Interim Head of Research and Instructional Services (2021-2022), prior to assuming her current duties.
In addition to her work in the Libraries, Daly is active in the library profession. She serves on the advisory council of the Triangle Research Libraries Network, and she has chaired or served on numerous committees with the American Library Association and the Association of College and Research Libraries, where she recently concluded a term on the board of the directors. Daly also has an extensive record of service to Duke. She currently serves on the Master’s Advisory Council and has been an Academic Advisor to pre-major Duke undergraduates since 2010.
Daly holds a bachelor’s degree in English from North Carolina State University, and a master’s in Library Science from UNC-Chapel Hill.
“I have been impressed with Emily’s willingness to lead the division through organizational change during this interim period and look forward to working with her in this role on an ongoing basis,” said Joe Salem. “She has demonstrated the commitment to collaboration, to our students, and to our colleagues that I was seeking. She has also demonstrated a strong emphasis on innovation and continuous improvement, which make her an ideal leader for a division that will contribute to the mission of the university in new ways over the coming years.”
“I’ve been fortunate in sixteen-plus years at Duke Libraries to work in a number of departments and roles,” said Daly. “Whenever I’ve felt that I might make a greater impact doing something new, an opportunity has presented itself, or I’ve successfully advocated for a change. I’m extremely excited about this latest opportunity, and I’m eager to work and learn alongside talented, dedicated colleagues as we set direction for services and spaces in response to library users’ evolving needs.”
The other members of the Libraries’ Executive Group include Blue Dean, Associate University Librarian for Development; Dracine Hodges, Associate University Librarian for Technical Services; Timothy M. McGeary, Associate University Librarian for Digital Strategies and Technology; and Naomi Nelson, Associate University Librarian and Director of the David M. Rubenstein Rare Book & Manuscript Library.
Post by Hannah Rozear, Librarian for Biological Sciences and Global Health, and Sarah Park, Librarian for Engineering and Computer Science
Unless you’ve been living under a rock, you’ve heard the buzz about ChatGPT. It can write papers! Debug code! Do your laundry! Create websites from thin air! While it is an exciting tech development with enormous possibilities for applications, understanding what’s under the hood and what it does well/not-so-well is critically important.
ChatGPT is an Artificial Intelligence Chatbot developed by OpenAI and launched for public use in November 2022. While other AI chatbots are also in development by tech giants such as Google, Apple, and Microsoft, OpenAI’s early rollout has eclipsed the others for now – with the site reaching more than 100 million users in 2 months. For some perspective, this is faster widespread adoption than TikTok, Instagram, and many other popular apps.
What you may not know about ChatGPT is that it has significant limitations as a reliable research assistant. One such limitation is that it has been known to fabricate or “hallucinate” (in machine learning terms) citations. These citations may sound legitimate and scholarly, but they are not real. It is important to note that AI can confidently generate responses without backing data much like a person under the influence of hallucinations can speak confidently without proper reasoning. If you try to find these sources through Google or the library—you will turn up NOTHING.
Why does it do this? ChatGPT is built on a Large Language Model and has been trained on a huge dataset of internet sources. It can quickly and simply generate easy-to-understand responses to any question you throw at it. But the responses are only as good as the quality of input data it has been trained on. Its core strength lies in recognizing language patterns—not in reading and analyzing lengthy scholarly texts. Given that, it may not be the most reliable source for in-depth research. The following is a shortlist of what we’ve observed ChatGPT is good for and not good for.
What It’s Good For
Generating ideas for related concepts, terms, and words about a particular topic. I asked ChatGPT, what are some keywords for the topic of AI literacy? It replied with: Artificial Intelligence (AI), Machine Learning (ML), Deep Learning, Neural Networks, Natural Language Processing (NLP), Robotics, Data Science, Big Data, Predictive Analytics, Ethics of AI, Bias in AI, Explainable AI, Human-AI Interaction, Cognitive Computing… These are all great leads for terms I might use to look for articles and books on this topic.
Suggestions for databases where I could find literature on the topic. I asked ChatGPT, What are some good library databases I could search to find more information about the topic of AI literacy? ChatGPT replied with: IEEE Xplore, ACM Digital Library, ScienceDirect, JSTOR, Proquest, arXiv, and Web of Science. It also suggested checking with my library to see what’s available. A more direct route to this type of question would be consulting the Duke Libraries Research Guides and/or connecting with the Subject Specialist at Duke who is familiar with the resources we have available on any given topic.
Suggestions for improving writing. As ChatGPT has been trained on a large corpus of text, it has accumulated a range of dictions and writing variations within context. I have found it particularly useful for checking grammar and sentence structure in American English, as well as for suggesting alternative phrasing, synonyms, or quick translations of my writing into another language. Additionally, I have experimented with asking ChatGPT to rewrite my paragraph, but if it produced an unexpected response, it may indicate that my writing contains parts that do not make sense in that particular language. Nonetheless, it is important to thoroughly review the text and ensure that it meets your criteria before taking it.
What It’s NOT Good For
DO NOT ask ChatGPT for a list of sources on a particular topic! ChatGPT is based on a Large Language Model and does not have the ability to match relevant sources to any given topic. It may do OK with some topics or sources, but it may also fabricate sources that don’t exist.
Be wary of asking ChatGPT to summarize a particular source, or write your literature review. It may be tempting to ask ChatGPT to summarize the main points of the dense and technical 10-page article you have to read for class, or to write a literature review synthesizing a field of research. Depending on the topic and availability of data it has on that topic, it may summarize the wrong source or provide inaccurate summaries of specific articles—sometimes making up details and conclusions.
Do not expect ChatGPT to know current events or predict the future. ChatGPT’s “knowledge” is based on the dataset that was available before September 2021, and therefore, it may not be able to provide up-to-date information on current events or predict the future. For instance, when I asked about the latest book published by Haruki Murakami in the US, ChatGPT responded with First Person Singular, which was published in April 2021. However, the correct answer is Novelist as a Vocation, which was released in November 2022. Additionally, ChatGPT did not seem aware of any recent developments beyond September 2021. It’s worth noting that Murakami’s new novel is expected to be released in April 2023.
AI chat technology is rapidly evolving and it’s exciting to see where this will go. Much like Google and Wikipedia helped accelerate our access to information in their heyday, the existence of these new AI-based tools requires their users to think about how to carefully and ethically incorporate them into their own research and writing. If you have any doubts or questions, ask real human experts, such as the library’s Ask a Librarian chat, or schedule a one-on-one consultation with a librarian for help.
Resources
Alkaissi, H., & McFarlane, S. I. (2023). Artificial Hallucinations in ChatGPT: Implications in Scientific Writing. Cureus, 15(2), e35179. https://doi.org/10.7759/cureus.35179
The 5 Titles series highlights books, music, and films in the library’s collection, featuring topics related to diversity, equity, and inclusion and/or highlighting authors’ work from diverse backgrounds. Each post is intended to briefly sample titles rather than provide a comprehensive topic overview. Liz Milewicz, Ph.D., Head of Digital Scholarship & Publishing Services and co-Director of Scholar Works: A Center for Scholarly Publishing, has selected the five titles this month to celebrate International Women’s Day.
Please note: The content linked in this post is punk-typically offensive and may also challenge notions of conventional femininity.
So, you may be thinking that “Five Titles” is supposed to be a blog series about books. Think again! Just as you may be thinking, punk rock is just about angry young white dudes. Again, think! If punk is anti-authoritarian, anti-establishment, and anti-corporate, who better to speak truth to power than women? And, true to that punk ethos, this list of five songs includes women of color, queer women, and women who push back on punk. A global movement that forms itself around and against powers that attempt to contain it, punk can’t really be contained in this list of five or even fully expressed in a blog post. If you think an important voice is missing, suggest your punk rock girl in the comments! Completely lost at this point in the paragraph and have no idea what girl-powered punk is all about? Then listen on and let the lesson begin…
Bikini Kill, “Rebel Girl”
With so many bands, songs, and scenes from the Riot Grrrl movement of the 1990s, it’s hard to choose just one that captures the audacity and exuberance of third-wave feminism expressed through music. So why not start with Bikini Kill, whose lead singer Kathleen Hanna embodied the band’s confrontational style, at times wearing pigtails and panties on stage while singing songs of female empowerment. “Rebel Girl” celebrates confident women, an anthem to walking with your head up and a sense of your own power: “That girl thinks she’s the queen of the neighborhood… She IS!” Bikini Kill pushed for women to connect and express themselves by starting bands and creating zines, and it influenced culture and politics as well as the music scene.
These Russian punks are not a band but a queer-feminist art collective that uses punk as a political protest. Unlike the Western punk scene formed around musicians and shows, Pussy Riot emerged in 2011 in response to political corruption by Vladimir Putin and complicit support by the Russian Orthodox Church. Their “punk prayer” asked Mother Mary to become a feminist, join their protest, and “banish Putin!” The band was imprisoned for hooliganism, but that didn’t quiet the group, which continues to release videos and songs online and whose support has only grown through the Russian government’s attempts to silence them.
If we’re going to talk about punk-rock women in the US today, then we have to talk about Fea. Based in San Antonio, this Chicana feminist punk band pushes hard (and humorously) against perceptions that the feminist movement is irrelevant. “Feminazi” pays playful homage to that torch song of punk, “Anarchy in the UK” (Sex Pistols), while bringing it home to the modern-day USA. This song in particular highlights the political activism of punk rock women as well as their inclusivity, as they speak for women’s rights throughout the world: “Yo soy, yo soy feminista!” – “私はフェミニストです!” – “I am, I am a feminist!”
G.L.O.S.S. (or Girls Living Outside Society’s Shit), a trans-feminist hardcore punk band, challenged conceptions of punk and gender. Fast tempos and aggressive lyrics define hardcore, not its audience or its artists. Yet, the predominance of heterosexual male bands and violent mosh pits tended to marginalize women, trans-women, queers, people of color, and people with disabilities. G.L.O.S.S. gave voice to people living on the edges of mainstream society, creating a hardcore scene where they were centered and raising awareness of a number of social issues, including transphobia and women’s rights. They also generated controversy, highlighting the complexities of intersectional identity when their violent lyrics attacked mainstream gender and sexuality norms.
This Black feminist punk band pushes against stereotypical punk with melodic, easy-going songs and lyrics that shift the boundaries between male and female, black and white, familiar and other. Their music sets a new stage for punk, creating space for Black women to inhabit and centering punk rock’s utopian values: fierce insistence on a better world and determination to live fully in the present. True to the ethos of 3rd Wave feminism and the Riot Grrrl movement, Big Joanie embraces DIY and the power to reshape culture — including making the punk music scene more inclusive and diverse through organization of the Decolonise Fest.
“When You are Waiting to be Healed” by June Eric-Udorie
“Canfei to Canji: The Freedom of Being Loud” by Sandy Ho
“How a Blind Astronomer Found a Way to Hear the Stars” by Wanda Diaz-Merced
“The Beauty of Spaces Created for and by Disabled People” by s.e. smith
Attendees are also encouraged to read other essays in the book (they’re all bite-sized, we promise!) and bring a favorite to discuss with the group. As always, though, anyone is welcome regardless of how much (or whether) you’ve read.
Proquest One Literature brings together one of the most comprehensive collection of primary texts, ebooks, reference sources, full-text journals, dissertations, video and more, for access to historical and contemporary content by and about celebrated and lesser-known authors from around the world. The international literature focus is especially useful!
After you search, the results are helpfully divided in to categories such as criticism, primary texts, reference works, dissertations, book reviews, etc. You can also limit results by aspects like peer reviewed, publication date, subject, and language.
Another nice search feature of this resource is that you can find both literary criticism and primary texts for poetry, drama, and prose. If you specifically search the primary texts, you can search by author nationality, author ethnicity, literary movement or period, or gender.
I also really enjoyed the Poets on Screen collection that is part of this database, where you can watch clips of poems being read aloud, sometimes by the poet.
Here in the Libraries, we’re always trying to up our game. That’s why every two (or three) years we invite Duke students to take part in a brief user survey to help us better understand their experiences and thoughts on library spaces, collections, and services.
The survey takes about 5 minutes to complete and will remain open between now and February 15, 2023.
As a special thank you for participating, all student respondents will be entered into a raffle for a $150 Amazon gift card.
When libraries and students work together, everybody wins. Take a look at some of the improvements we’ve made in the past as a direct result of our user surveys.
Changes We Made in Response to Past User Surveys
Artwork that reflects diverse backgrounds: You asked for improvements to the artwork in our spaces to better reflect the diversity of the Duke community. We formed a visual diversity committee and completed several projects to feature new artwork in our spaces.
Inclusive spaces statement and signage: You asked for visible confirmation that Duke Libraries are open to everyone. We worked with students to develop an Inclusive Spaces Statement, used welcoming “Libraries are for everyone” artwork for buttons and wall art in Lower Level 2, and also posted wall-mounted “Welcome to the Library” signage near library building entrances.
Increased textbook lending: You asked for more textbooks to be available from the library. We purchased textbooks for the 100 highest enrollment classes at Duke and made them available for three-hour checkout at the library.
Easier access to online articles and research materials: You asked for help getting access to library resources while off campus. We collected helpful tools and instructions into a single, clear page.
All-gender restrooms: You asked for more publicity around the all-gender restrooms in the libraries. We created new signage in Perkins and Bostock libraries to direct people to the all-gender restrooms.
Hot/cold water dispensers: You asked for access to hot filtered water 24/7. We added two hot/cold water dispensers to Bostock (floor 3) and Perkins (floor 4).
Better incident reporting: You asked for easier ways to report problematic incidents in the library. We created a new library incident reporting form that can be submitted anonymously.
Library space design: You asked for our study spaces to work better for a range of needs. We formed a team to review how library spaces can be designed to support student needs, and we also worked directly with patrons with disabilities to learn more about their experiences with library spaces.
Help finding books: You asked for help navigating the book stacks on floors with dense shelving. We added signage near stairwells and entrances to point people in the right direction for different book ranges.
Lower Level 2 improvements: You asked for a better vibe in Perkins Lower Level 2. We replaced the carpet, changed the paint color, and added brighter lighting.
Feedback is what helps the Libraries grow, and the more input we get, the better we’ll be able to renovate, rethink, and improve.
So please, take a couple minutes of your time to complete the 2023 survey—and thank you for your help in making the Duke University Libraries a better place.
The Duke University Libraries are proud to present the 2023 Andrew T. Nadell Prize for Book Collecting. The contest is open to all students enrolled in an undergraduate or graduate/professional degree program at Duke, and the winners will receive cash prizes.
Winners of the contest will receive any in-print Grolier Club book of their choice, as well as a three-year membership in the Bibliographical Society of America.
You don’t have to be a “book collector” to enter the contest. Past collections have varied in interest areas and included a number of different types of materials. Collections are judged on adherence to a clearly defined unifying theme, not rarity or monetary value.
Visit our websitefor more information and read winning entries from past years. Contact Kurt Cumiskey at kurt.cumiskey@duke.edu with any questions.
On Monday, December 5, 2022, the Duke University Libraries lost a longtime colleague and treasured friend. Sara Seten Berghausen, Associate Curator of Collections in the Rubenstein Library, passed away at the age of 53 after a heroic fight with cancer. She will be deeply and greatly missed by many in Durham, at Duke, and especially here in the Libraries.
Sara had a long career at Duke—so long that her email address was simply sara@duke.edu. She worked here for just over two decades, during which time her curiosity and expertise led her to hold positions across this organization.
She could boast degrees from both ends of Tobacco Road, including two from Duke. She came here as an undergrad on scholarship for flute performance, only to discover a passion for Russian literature and culture that led her to earn a bachelor’s in Comparative Area Studies and Russian (1991) and stay on for a master’s in Russian Literature (1993). Sara made many lifelong friendships while a student here, most importantly her future husband Alexander (Sasha) Berghausen, whom she met when they both played as undergraduates in the Duke Symphony Orchestra. They married in 1993. She added a second master’s from UNC’s School of Information and Library Science in 1996.
While a grad student at UNC, Sara returned to Duke as a library intern, first in our International and Area Studies Department and later in what was then called the Reference Department in Perkins Library. Several years followed working for the library systems at the University of Chicago and University of Texas at Austin, before she returned to Duke in 2001 as Librarian for Literature and Theater Studies, a post she held until 2014. Ever generous and open to new challenges, Sara also covered the occasional critical vacancy, spending a year as Interim Film and Video Librarian in Lilly Library and another as Interim Slavic and Eurasian Studies Librarian. In 2012, she was promoted to Head of the Humanities Section. Since 2014, she has served as Associate Curator in the Rubenstein Rare Book & Manuscript Library. It was a job she loved, as anyone who spent five minutes in a classroom with her could tell.
Her portfolio as curator included the Economists’ Papers Archive, where she worked with a number of Nobel Prize winners, and wide-ranging literary collections. The latter spanned a multitude of fascinating and notable collecting areas, covering a broad swath of British and American literary history, comic books, science fiction, utopian literature, and Southern writers, including a number with strong Duke connections, such as William Styron, Fred Chappell, Reynolds Price, Michael Malone, Anne Tyler, and Allan Gurganus. She also supported archives related to Duke, Durham, and theater studies, including the Synergetic Theater and Manbites Dog Theater. Sara loved working with scholars, writers, authors, and theoreticians to preserve their papers and develop curricula and public programming around them. Collection donors and researchers deeply respected her expertise and were drawn to her warm and lively personality.
As Sara’s supervisor and friend, Andy Armacost, put it: “Sara had strong relationships across campus and in the Duke community. In her time in the Duke University Libraries she helped our library, our campus, and our town feel a little more connected. She helped librarians, students, faculty, and the community to better know each other.” The person who knew your children’s names and where they went to school, asked about your ailing parents, or brought you food when you were home sick—that was Sara.
Sara was also an active campus citizen. Among the many Duke extracurriculars she participated in, one of her favorites was the Common Experience Reading Committee, where she spent nearly fifteen years reading and debating which book the next class of Blue Devils should read. She had a gift for bringing people together over books and ideas, and she shared that gift freely, enthusiastically, and daily. She was a committed undergraduate academic advisor and provided advice and guidance to hundreds of students over her career. Sara also provided support to fellow working parents by helping to establish the parents@duke listserv in the early 2000s as a way to connect and find parenting resources within the Duke community. It’s no exaggeration to say that Sara bled Duke blue, and her insider perspective as a Duke alum made her an especially good librarian, advisor, and co-worker.
Sara was committed to social justice, and to Durham, and she led by example both at work and in the Triangle community. The list of nonprofit organizations for which she volunteered or served as a board member could fill a whole page, including Schoolhouse of Wonder, Preservation Durham, Urban Ministries, and St. Phillips Episcopal Church, among many others. She greatly admired the work of the Equal Justice Initiative, and one of the highlights of her career was meeting founder Bryan Stevenson after his book Just Mercy was chosen as the summer reading pick for the Class of 2020, thanks to Sara’s advocacy on the selection committee.
After she died, those of us in the Libraries began to share some of our fondest memories of Sara with each other. But because she touched so many lives, we wanted a space for the entire Duke community to be able to share stories and reminiscences about her, virtually. If you’re reading this and would like to contribute your own memory of Sara, please drop it in the comments section below. We’ll be sure to include it.
Sara leaves behind many friends in Durham, at Duke, around the country, and internationally. We wish to express our deepest sympathies in particular to Sara’s family, especially her husband Sasha; children Alexander, Ellen, and Jane; parents Charles and Nancy Seten; and her brother Charles Seten. Her library family grieves with you.
The night before Sara passed away, her close friend and colleague in the Rubenstein Library, Meg Brown, sat with her and read her a poem by Wendell Berry, which we would like to close with—in grief and in cherished memory of our good friend, Sara.
The Peace of Wild Things by Wendell Berry
When despair for the world grows in me and I wake in the night at the least sound in fear of what my life and my children’s lives might be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
Memorial Service
All are welcome to join in celebrating the life of Sara Seten Berghausen at a memorial service on Saturday, January 7, 2023, at 2:00 p.m. in Duke Chapel. The service will be followed by a public reception hosted by the Duke University Libraries in the Gothic Reading Room on the second floor of Rubenstein Library.
Gifts of Remembrance
The family has asked that gifts in Sara’s honor be directed to the Equal Justice Initiative. Donations can be made through their website. Be sure to check the box that says, “Dedicate my donation in honor or in memory of someone,” to indicate your gift is in memory of Sara Seten Berghausen.
Looking for something new to read? Check out our New and Noteworthy, Current Literature and Overdrive collections for some good reads to enjoy! Here is a selection of books you will find in these collections!
Before We Were Trans: A New History of Gender by Kit Heyam. Today’s narratives about trans people tend to feature individuals with stable gender identities that fit neatly into the categories of male or female. Those stories, while important, fail to account for the complex realities of many trans people’s lives. Before We Were Trans illuminates the stories of people across the globe, from antiquity to the present, whose experiences of gender have defied binary categories. Blending historical analysis with sharp cultural criticism, trans historian and activist Heyam offers a new, radically inclusive trans history, chronicling expressions of trans experience that are often overlooked, like gender-nonconforming fashion and wartime stage performance. Before We Were Trans transports us from Renaissance Venice to seventeenth-century Angola, from Edo Japan to early America, and looks to the past to uncover new horizons for possible trans futures. Read this The New York Times review to learn more.
Becoming Eve: my journey from ultra-Orthodox rabbi to transgender woman by Abby Stein. The powerful coming-of-age story of an ultra-Orthodox child who was born to become a rabbinic leader and instead became a woman. Abby was raised in a Hasidic Jewish community in Brooklyn, isolated in a culture that lives according to the laws and practices of eighteenth-century Eastern Europe, speaking only Yiddish and Hebrew and shunning modern life. Stein was born as the first son in a dynastic rabbinical family, poised to become a leader of the next generation of Hasidic Jews. But Abby felt certain at a young age that she was a girl. She suppressed her desire for a new body while looking for answers wherever she could find them, from forbidden religious texts to smuggled secular examinations of faith. Finally, she orchestrated a personal exodus from ultra-Orthodox manhood to mainstream femininity-a radical choice that forced her to leave her home, her family, and her way of life. Powerful in the truths it reveals about biology, culture, faith, and identity, Becoming Eve poses the enduring question: How far will you go to become the person you were meant to be? Learn more in this review by The Humanist.
Fairest: A Memoir by Meredith Talusan. Fairest is a memoir about a precocious boy with albinism, a “sun child” from a rural Philippine village, who would grow up to become a woman in America. Coping with the strain of parental neglect and the elusive promise of U.S. citizenship, Talusan found childhood comfort from her devoted grandmother, a grounding force as others treated her with special preference or public curiosity. As an immigrant to the United States, Talusan came to be perceived as white. An academic scholarship to Harvard provided access to elite circles of privilege but required Talusan to navigate the complex spheres of race, class, sexuality, and her place within the gay community. She emerged as an artist and an activist questioning the boundaries of gender. Talusan realized she did not want to be confined to a prescribed role as a man and transitioned to become a woman, despite the risk of losing a man she deeply loved. Throughout her journey, Talusan shares poignant and powerful episodes of desirability and love that will remind readers of works such as Call Me By Your Name and Giovanni’s Room. Learn more about Talusan’s memoir in a review from The New York Times.
Sorted Growing up, Coming Out, and Finding My Place: A Transgender Memoirby Jackson Bird. When Jackson was twenty-five, he came out as transgender to his friends, family, and anyone with an internet connection. Assigned female at birth and raised as a girl, he often wondered if he should have been born a boy. Growing up in Texas in the 1990s, he had no transgender role models. In this “soulful and heartfelt coming-of-age story” (Jamia Wilson, director, and publisher of the Feminist Press), Jackson chronicles the ups and downs of growing up gender-confused. With warmth and wit, Jackson recounts how he navigated the many obstacles and quirks of his transition–like figuring out how to have a chest binder delivered to his NYU dorm room and having an emotional breakdown at a Harry Potter fan convention. From his first shot of testosterone to his eventual top surgery, Jackson lets you in on every part of his journey, explaining trans terminology and little-known facts about gender and identity along the way. Sorted demonstrates the power and beauty in being yourself, even when you’re not sure who “yourself” is. Learn more in this LGBTQ Reads guest post by Bird.
The House of Impossible Beauties by Joseph Cassara. A gritty and gorgeous debut that follows a cast of gay and transgender club kids navigating the Harlem ball scene of the 1980s and ’90s, inspired by the real House of Xtravaganza made famous by the seminal documentary Paris Is Burning. It’s 1980 in New York City, and nowhere is the city’s glamour and energy better reflected than in the burgeoning Harlem ball scene, where seventeen-year-old Angel first comes into her own. Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning to help create a family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone. Told in a voice that brims with wit, rage, tenderness and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit. Learn more here.
In memory of Martin Luther King, Jr., and in support of our local community, the Duke University Libraries are running a children’s book drive now through January 10, 2023.
The books we collect will be donated to Book Harvest, a North Carolina nonprofit that believes in the power of books to change children’s lives and works to ensure that all children can grow up in homes full of books. Since it was launched in 2011, Book Harvest has donated almost 2 million books to children throughout North Carolina.
We need new and gently used books for children of all ages, especially board books and picture books for the youngest readers, as well as Spanish and bilingual books, and books with diverse characters and story lines. Please, no encyclopedias, dictionaries, or books in poor condition.
Where to Donate Books
Look for the book collection bins in the following locations, and please help us fill them!
Perkins Library, in the lobby across from the von der Heyden Pavilion
Perkins Library, Shipping and Receiving (Lower Level 1, near the Link)
Lilly Library, main lobby
Music Library, main lobby
Smith Warehouse, Bay 10, Shipping and Receiving
Ford Library, Fuqua School of Business
Goodson Law Library, Law School
Medical Center Library
Don’t have books but want to donate?
We’ve got you covered with the help of the Regulator Bookshop in Durham! Here’s how it works:
Upon checking out, use the code libraries to ensure your books count toward our book drive. (NOTE: This is not a discount code. You will not see a change in price.)
Select “In store pickup” as the shipping choice, and the Regulator will make sure the books get to Book Harvest.
You are also invited to volunteer for the MLK “Dream Big” community drive and to attend the 2023 celebration! Duke University Libraries is a proud sponsor of this annual event.
You’re nearly there! Here are some resources to power you through the end of the semester and beyond.
End-of-Semester Library Events
Miniature Therapy Horses at Lilly Library – Sunday, December 11th from 11 AM to 1 PM. Take a break from studying and drop by Lilly Library to de-stress with the miniature therapy horses from Stampede of Love and relax with some snacks and hot cider!
Let’s Create: Zine Making Party – Monday, Dec. 12th, 2:30 to 4 pm, and Thursday, Dec. 15th, 11 am to 12:30 pm in The Oasis, Room 418, Perkins Library – Studies show creating art reduces stress and enhances well-being. So come make a zine with us during finals week to reflect on your semester. Zine making materials and snacks will be provided.
Crafternoon – Tuesday, December 13th from 3 to 5 PM. Stop by Perkins Library to relax and clear your mind with various crafting activities: coloring, origami, make-your-own bookmarks and zines, and more!
Lilly Relaxation Station – Sunday, December 11th to Monday, December 19th. Take a break and refresh during Reading and Exam Period! Open 24/7: Puzzles, games, Play-Doh, origami, coloring… just chill for a bit in Lilly’s 1st floor classroom!
The library is always here for you! Maybe you already know that you can access many of our online resources from home or that you can check out books to take home with you. We also have movies and music that you can stream and some e-books that you can download to your devices. Here are some of the resources we have to do this!
Streaming Video includes:
Kanopy: Watch thousands of award-winning documentaries and feature films including titles from the Criterion Collection.
Go to duke.overdrive.com to access downloadable eBooks and audiobooks that can be enjoyed on all major computers and devices, including iPhones®, iPads®, Nooks®, Android™ phones and tablets, and Kindles®.
Streaming Music includes:
Contemporary World Music: Listen to music from around the world, including reggae, Bollywood, fado, American folk music, and more.
Jazz Music Library: Access a wide range of recordings from jazz classics to contemporary jazz.
Medici.tv: Browse an online collection of classical music, operas and ballets.
Metropolitan Opera on Demand: For opera fans, a large selection of opera videos from the stage of the Metropolitan Opera.
Naxos Music Library: Huge selection of classical music recordings—over 1,925,000 tracks!
Celebrate the end of Fall Semester 2022
with the Stampede of Love!
Have you heard about the “mane” event
at Lilly Library?
Where did Fall Semester go? December is here, and with it, exams await all Duke students. Because the First-Year students live on East Campus, the staff at Lilly Library does its best to offer support and relieve the stress of the fall semester for our “neighbors” experiencing their first finals at Duke. Extending our hours to a 24/7 schedule during exams, offering a study break with refreshments, and providing a room dedicated as a relaxation station are longstanding Lilly traditions.
Our favorite tradition is hosting the Stampede of Love, miniature therapy horses who bring smiles to stressed students (and librarians!). If you decide to trot over to East Campus neigh-borhood, saddle up for Lilly’s end of semester events:
Saturday, December 10th: 225 continuous hours!?!
Beginning at 10am, Lilly expands its schedule to 24/7 through the examination period, ending at 7pm on Monday, December 19th. Info for all Duke Library Hours
Studies show creating art reduces stress and enhances well-being. So come make a zine with us during finals week to celebrate and reflect on your semester. Zines are mini-magazines that can be anything you can imagine. For this project, we will create a personal storybook to remind us of the challenges and accomplishments we’ve nailed this semester. We will repurpose book jackets by cutting them up and adding collages to our zine pages; no two zines will be alike! All you need to do is drop in between exams and studying. Zine-making materials and snacks will be provided.
Where: The Oasis, Room 418, Perkins Library
When: Monday, Dec. 12th, 2:30 to 4 pm, and Thursday, Dec. 15th, 11 am to 12:30 pm
Have you wondered if there are mobile apps that could assist you in conducting research from a smartphone or tablet? We did, and here are the ones we’ve tried and verified. These apps are accessible to you as a student, researcher, or faculty member affiliated with Duke. Each application was easy to download, authenticate, sign in, and begin using! Follow the hyperlinks for step-by-step instructions on uploading and using.
The Ebsco Mobile App is designed for library users to access library resources for scholarly research on the move. What can you do? Download and read EBSCO eBooks™., listen to your PDF articles via audio play, save articles for later reference, pull up your previously viewed or searched results, stay organized with access to the items you’ve saved across devices, and share articles or links with your peers easily. Imagine you’re on the C-1 bus thinking about that one research question you need to find peer-reviewed literature to answer. With the Ebsco app, you can type in your question and pull up relevant articles before you reach your stop!
The Ask a Librarian App is a hands-down winner. After you set up Duke University Libraries as your default library (instructions here), you can reach out via email or phone, but most importantly by chat, and a real-live librarian (no bots here!) will support you in answering all of your research questions. Chatting is as easy as texting! We love the convenience of this app and being able to help you find the resources you need in real-time. Hours of operation are here.
The DukeMobile App is an excellent shortcut for getting to the library catalog on the go. When you go to the menu bar, you’ll see an open book icon that says “Library” click on that, and then you’ll be taken straight to Duke University Libraries, where you can access all our digital resources. If you’re like us, sometimes our aha moments come when we’re away from the desk. If you’re walking between classes and think of a book or journal article you’d like to locate, you can instantly do so from your DukeMobile app without missing a step!
The Zotero App is a great research assistant that helps organize and manage your citations (and annotations), and now you can update references on the go. And if you prefer Endnote for your citation needs, there’s an app for you too! The Endnote Mobile App allows you to collect, collaborate, and create bibliographies anywhere. The benefit of both citation apps is that wherever you are, you can pull up your synced references and bibliographies, and if you are browsing an article on your phone that you want to save, you can quickly add it to your list.
What about library resources for research and pleasure? Forget Netflix; we recommend the Kanopy Mobile App for streaming educational documentaries, great films, and movies! Kanopy provides access to independent and documentary films ─ titles of unique social and cultural value from The Criterion Collection and Media Education Foundation. The beauty of the Kanopy app is that you can watch films on your phone or tablet regardless of where you are. Loung in the comfort of your dorm room while streaming that documentary you’ve been assigned for class!
Have you added the Libby by Overdrive Mobile App to your phone yet? Do it today, and start listening to popular fiction or nonfiction as an audiobook or curl up with a great eBook wherever you are. Libby offers offline access, which means when you download your selection, you can read or stream when you’re offline. The Libby app audiobooks are a great way to mix up your next gym workout and get to that booklist you’re dying to read!
We are always looking for mobile-friendly research resources that make your life easier. Please comment below the post if you have apps you use for research you’d like to share!
The 5 Titles series highlights books, music, and films in the library’s collection featuring topics related to diversity, equity, inclusion, and/or highlighting the work of authors from diverse backgrounds. Each post is intended to briefly sample titles rather than provide a comprehensive topic overview. This month, the five titles have been selected by Graduate Humanities Intern Rebekah Cowell.
Audre Lorde wrote, “There is no thing as a single-issue struggle because we do not live single-issue lives.” Discussing social justice issues without including disability justice and its intersections with race, sexuality, gender, and socioeconomic class is impossible. According to 2015-2016 data from the U.S. Department of Education, over 19 percent of all enrolled undergraduate students and 11.9 percent of post-baccalaureate students self-identified as having a disability. In higher education, disability justice is another access point to achieving Diversity, Equity, and Inclusion. Disability at Duke is a robust student and faculty collaboration bringing disability justice and pedagogy together. These five titles selected for consideration come from Duke University Libraries and feature the lived experiences of activists who have fought and continue to fight for disability justice.
Year of the Tiger: An Activist’s Life by Alice Wong. In Chinese culture, the tiger is deeply revered for its confidence, passion, ambition, and ferocity. Drawing on a collection of original essays, previously published work, conversations, graphics, photos, commissioned art by disabled and Asian American artists, and more, Alice uses her unique talent to share an impressionistic scrapbook of her life as an Asian American disabled activist, community organizer, media maker, and dreamer. From her love of food and pop culture to her unwavering commitment to dismantling systemic ableism, Alice shares her thoughts on creativity, access, power, care, the pandemic, mortality, and the future. As a self-described disabled oracle, Alice traces her origins, tells her story, and creates a space for disabled people to be in conversation with one another and the world. Alice is the founder and director of the Disability Visibility Project and the editor of the acclaimed anthology Disability Visibility.
Care Work: Dreaming Disability Justice by Leah Lakshmi Piepzna-Samarasinha. A personal collection about creating spaces by and for sick and disabled queer people of colour and creative “collective access” — access not as a chore but as a collective responsibility and pleasure — in our communities and political movements. They write, “When we do disability justice work, it becomes impossible to look at disability and not examine how colonialism created it. It becomes a priority to look at Indigenous ways of perceiving and understanding disability…” Bringing their survival skills and knowledge from years of cultural and activist work, she explores everything from the economics of queer femme emotional labor to suicide in queer and trans communities to the nitty-gritty of touring as a sick and disabled queer artist of colour. Care Work is a mapping of access as radical love, a celebration of the work that sick and disabled queer/people of colour are doing to find each other and to build power and community, and a toolkit for everyone who wants to build radically resilient, sustainable communities of liberation where no one is left behind.
Exile and Pride by Eli Clare. Exile and Pride is essential to the history and future of disability politics. With a poet’s devotion to truth and an activist’s demand for justice, Clare deftly unspools the multiple histories from which our ever-evolving sense of self unfolds. His essays weave together memoir, history, and political thinking to explore meanings and experiences of home: home as place, community, bodies, identity, and activism. Here readers will find an intersectional framework for understanding how we actually live with the daily hydraulics of oppression, power, and resistance. At the root of Clare’s exploration of environmental destruction and capitalism, sexuality and institutional violence, gender and the body politic, is a call for social justice movements that are truly accessible to everyone. With heart and hammer, Exile and Pride pries open a window onto a world where our whole selves, in all their complexity, can be realized, loved, and embraced.
Haben: The Deafblind Woman that Conquered Harvard Law by Haben Girma. Haben is a human rights lawyer advancing disability justice. She believes disability is an opportunity for innovation and teaches organizations the importance of choosing inclusion. Haben grew up spending summers with her family in the enchanting Eritrean city of Asmara. There, she discovered courage as she faced off against a bull she couldn’t see and found in herself an abiding strength as she absorbed her parents’ harrowing experiences during Eritrea’s thirty-year war with Ethiopia. Their refugee story inspired her to embark on a quest for knowledge, traveling the world in search of the secret to belonging. Haben defines disability as an opportunity for innovation. She learned non-visual techniques for everything from dancing salsa to handling an electric saw. She developed a text-to-braille communication system that created an exciting new way to connect with people. Haben pioneered her way through obstacles, graduated from Harvard Law, and now uses her talents to advocate for people with disabilities.
Being Heumann: An Unrepentant Memoir of a Disability Rights Activist by Judith Heumann. One of the most influential disability rights activists in US history tells her personal story of fighting for the right to receive an education, have a job, and just be human. A story of fighting to belong in a world that wasn’t built for all of us and of one woman’s activism–from the streets of Brooklyn and San Francisco to inside the halls of Washington– Being Heumann recounts Judy Heumann’s lifelong battle to achieve respect, acceptance, and inclusion in society. Paralyzed from polio at eighteen months, Judy’s struggle for equality began early in life. From fighting to attend grade school after being described as a “fire hazard” to later winning a lawsuit against the New York City school system for denying her a teacher’s license because of her paralysis, Judy’s actions set a precedent that fundamentally improved rights for disabled people. As a young woman, Judy rolled her wheelchair through the doors of the US Department of Health, Education, and Welfare in San Francisco as a leader of the Section 504 Sit-In, the longest takeover of a governmental building in US history. Working with a community of over 150 disabled activists and allies, Judy successfully pressured the Carter administration to implement protections for disabled peoples’ rights, sparking a national movement and leading to the creation of the Americans with Disabilities Act.
Get spooky with the Low Maintenance Book Club! At our October 27th meeting, we’ll discuss selections from the award-winning short story collection Night of the Living Rez: “Burn,” “In a Jar,” “The Blessing Tobacco,” and “Night of the Living Rez.” As always, you’re welcome regardless of how much (or whether) you’ve read!
We are pleased to announce the winners of our 2021-2022 library writing and research awards. Every year the Duke University Libraries run a series of essay contests recognizing the original research and writing of Duke students and encouraging the use of library resources. Congratulations to this year’s winners!
Recognizing excellence in undergraduate research using sources from the Libraries’ general collections.
First/Second Year Winner: Laura Boyle for “Pop Prophet: King Princess’ Subversion of Dominant Desire,” nominated by Dr. Matthew Valnes
Third/Fourth Year Winner: Darren Janz for “Somlandela: Julius Malema and the Rise of a New South African Populism,” nominated by Dr. Karin Shapiro
Honors Thesis Winner: Caroline Petronis for “Blurring Contagion in the Information Age: How COVID-19 Troubles the Boundaries of the Biomedical and Socioinformatic,” nominated by Dr. Nima Bassiri
Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.
Undergraduate Award: Adrianna DeLorenzo for “To What Extent Did British Prisoners of War During World War One Feel Ashamed as a Result of Captivity?” Nominated by Dr. Kristen Neuschel
Graduate Award: Mariko Azuma for “The Lure towards Comfōto: Japan’s Early Hotels of the 20th Century.” Nominated by Dr. Gennifer Weisenfeld
Recognizing excellence in undergraduate research using primary sources for political science or public policy.
Ana Herndon for “The Historical Merit of Ethnic Studies: A Study on the Importance of Diverse Higher Education on Social Change.” Nominated by Dr. Cecilia Márquez
Thang Lian for “Kan i ton than lai (We will meet again): A Lai Mi Family Oral History”
Tina Xia for “Waiting to be seen”
Join Us at the Awards Reception!
We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend. All are invited to join us for refreshments and the opportunity to honor the recipients.
Do you know that the creators of Stranger Things are from Durham, North Carolina?
The supernatural series may be set in the fictional town of Hawkins, Indiana, but creators Matt and Ross Duffer grew up in Durham. Although the identical twins grew up in the 90s, the series is awash with popular culture references from the 1980s. They lived in Durham County and attended the Duke School for elementary and middle school, graduating from Jordan High School. The Duffer brothers later attended Chapman University in California where they studied film and media arts.
Enjoy the ambience of Hawkins – we mean Durham – and immerse yourself in the 1980s. Discover movies, books, comics, and music of the era in our Duke Libraries’ collections.
Films of the 1980s
To give a sense of the world beyond Hawkins/Durham, we’ve highlighted international films from the same period including Women on the Verge of a Nervous Breakdown (Spain), Police Story (Hong Kong), Cinema Paradiso (Italy), and My Neighbor Totoro (Japan).
Films that the Hellfire gang watched include popular titles like Ghostbustersand E.T. – and, yes, those are in our film collection.
Visit the Library Things Collection Spotlight in our lobby to browse these films* – and more (the full list is here) – that we’ve selected from our film collection.
Note: The list incudes some titles which you can stream via your Duke NetID.
Music of the 1980s
Heavy Metal, Punk, Rock, Electronic, Pop, Rap – the 1980s are calling! Songs and artists featured in the show are seeing a resurgence of interest and gaining new audiences. If you wonder why “old” music such as Kate Bush’s Running Up That Hill (1985), Metallica’s Master of Puppets (1986), and the Clash have been at the top of playlists, you can thank Stranger Things. The 1980s also saw the rise of Rap as a musical force with the emergence of iconic performers such as LL Cool J, Grandmaster Flash, and Run D.M.C.
The Duke Music Library has a collection of CDs embracing all musical genres including rock, folk and rap. Don’t want to immerse yourself in the 1980s with a boombox or other older formats? Your Duke NetID provides access to streaming music platforms. Interested in the same sort of 1980s (and more recent) music of Stranger Things? Alexander Street Music database can lead you directly to genres of popular music.
Books of the 1980s
While film, music, and the rise of gaming of the 1980s populate the atmosphere of Stranger Things, books about – and of – the period illuminate popular culture. A selection of suspense and fantasy novels by writers such as Stephen King, graphic novels (which evolved from comic books), and books examining contemporary culture are available in the Lilly Library lobby. Peruse these highlighted titles, plus a few eBooks in our Lilly Collection Spotlight Reading List.
To quote Stranger Things‘ character Dustin:
… I am on a curiosity voyage, and I need my paddles to travel. These books… these books are my paddles…
Our Duke Libraries and your Duke NetID provide “paddles” that encompass books, film, music, and a breadth of online resources. Explore Duke Libraries’ “library things” and embark on your own curiosity voyage!
When you open the app on your device, it will show you a world map and give you locator options. Navigate or browse to Duke and save the location.
When our chat service is not available the chat option will not show on your screen. The app also provides access to the library homepage, email, and phone number. The app is a mobile version of Ask a Librarian
For the last several years, the Duke University Libraries has purchased copies of the assigned texts for a wide range of Duke courses and made them available to check out for free. It’s one of our most popular services, and students regularly tell us how much they appreciate it. And no wonder, when the cost of a single textbook can often exceed $300.
Now there’s a way you can help us make the program even better and do something about the ridiculous cost of textbooks at the same time. At the end of this semester, donate your textbooks to the library. We’ll make them available for other students to check out for free.
Don’t you wish someone had done that for you? Be that someone.
Look for the textbook donation bins in Perkins, Bostock, Lilly, and Divinity libraries starting this week. When you’ve finished with your classes, simply drop your books in the bin and enjoy the satisfaction of knowing you’ve made some future Duke student’s day.
So if you passed your classes, pass it on. Donate your textbooks to us and make a Duke education more affordable for all.
(And if you didn’t pass, we’ll understand if you need to hang on to those books a little longer.)
With Duke’s recent addition of Hawaii to the list of states where university employees are allowed to work remotely, the Duke University Libraries announced today that its entire 250-person staff will be working full-time from the Aloha State, starting this spring and summer.
In what’s being described as a radical experiment in putting the lessons of the pandemic to work, Duke will have the first library system in the nation to be operated entirely remotely, from nearly 5,000 miles and five time zones away.
Though it will take some getting used to, the change will come with major benefits for students, said retiring University Librarian Deborah Jakubs, who has already gone ahead to the popular vacation destination to oversee the staff move.
“For years, Duke students have been asking us for more study space in the libraries,” said Jakubs from a private lanai overlooking a breathtaking Pacific sunset. “Now we’re finally able to give them what they want. With staff offices empty and all of us out of the way, students can finally have the entire place to themselves,” she added between sips from a tall, cool Mai Tai.
How exactly will a remotely operated research library work? Largely on the honor system and with the help of student employees, said Dave Hansen, Associate University Librarian for Research, Collections & Scholarly Communication. “The past two years have prepared us well for maintaining high levels of service even when we’re not onsite,” said Hansen, sporting a three-day beard under a wide-brim sun hat. “The Libraries employ almost 200 highly trained student workers who are already accustomed to assisting patrons and performing various support functions that keep our operations going.”
Books and other materials in the circulating collection will be available on a self-checkout basis, Hansen explained. The Libraries are purchasing additional self-checkout stations, which will be installed near every library entrance.
“And here’s the best part—once you’re done with your books, DVDs, whatever, you just put them back on the shelves where you found them,” said Hansen, the faint sounds of a ukulele strumming somewhere behind him. “We totally trust you.”
“Our librarians will still be available for consultation via Zoom,” said Emily Daly, Interim Head of Research and Instructional Services, casually waxing a Duke blue surfboard. “Whenever students or faculty need help with a class or research project, we’ll be just the click of a button away,” Daly added, as dolphins could be seen cavorting in the gnarly whitecaps behind her “office.” When scheduling Zoom appointments with library staff, Duke students and faculty are advised to add a 30-minute buffer on either end to account for “island time.”
While books and other materials in the Libraries’ general collection will remain onsite in Durham, some 65,000 linear feet of archival material in the Rubenstein Rare Book & Manuscript Library will be relocated to a secure facility on Mauna Kea on Hawaii’s Big Island.
“We believe the best way to preserve Duke’s priceless special collections is to put about 4,700 miles of distance between them and the researchers who need to consult them,” said Naomi Nelson, Associate University Librarian and Director of the Rubenstein Library. “With its low temperatures, low humidity, and clean air, Mauna Kea has some of the best environmental conditions anywhere on earth for preserving rare books and historical papers,” Nelson explained, tossing a few more logs into a fire pit where she planned to slow-roast a pig over the course of the day. “Not to mention the billions of stars you can see out here at night. Really helps you keep all that important ‘research’ in perspective, you know?”
Nelson confirmed that the Rubenstein Library will continue to staff a reading room for researchers who wish to consult special collections material in person, “assuming they don’t mind a 15-hour flight.”
With Duke’s current University Librarian Deborah Jakubs set to retire in May, one unanswered question is whether her eventual successor will join the library staff or remain in Durham as the “face” of the Libraries on campus.
“We appreciate everyone’s patience and flexibility as we work to serve Duke better,” said Jakubs, reclining into a hammock slung between two palm trees that gently swayed in the sea breeze. “Mahalo.”
Can this flexible work arrangement be for real? Unfortunately it’s not a “remote” possibility. Happy April Fools’ Day, Dukies!
The Duke University Libraries are pleased to announce the appointment of L. Blue Dean as Associate University Librarian for Development, effective March 28, 2022.
Reporting to the University Librarian and Vice Provost for Library Affairs, Dean will serve as a member of the Libraries’ Executive Group and lead organizational efforts to sustain and expand philanthropic support for one of the nation’s top research library systems.
A seasoned fundraiser with more than twenty years of experience in higher education and the nonprofit sector, including prior appointments at Duke, Dean comes to us from the University of North Carolina at Chapel Hill, where she has served as Executive Director for Library Development since 2019. Previously, she was the Executive Director of Development for Duke University’s Department of Medicine and the Duke Heart Center, earning a strong record of progressively successful fundraising leadership over eight years.
Dean has also led development efforts at the University of Tennessee, Knoxville—her alma mater, where she earned a B.A. in English—as the Director of Development for the University Libraries and, later, the College of Education, Health and Human Sciences. She has also held fundraising positions at the Cystic Fibrosis Foundation and oversaw the volunteer and visitor experience at the Knoxville Museum of Art.
During her time at UNC-Chapel Hill, Dean served as a member of the University Libraries Leadership Team and successfully raised over $20 million for the Libraries. At the start of the pandemic, she co-chaired a steering committee that determined how to reopen the libraries and provide services for students, faculty, and the community while prioritizing the safety of library staff. She also served on the University Development Office’s Diversity and Inclusion Committee and on the taskforce that launched the OneCarolina Pilot Mentorship Program.
“I look forward to welcoming Blue to the Duke University Libraries, and I am excited about the energy and experience she will bring to this position,” said Deborah Jakubs, the Rita DiGiallonardo Holloway University Librarian and Vice Provost for Library Affairs. “This is a time of transition for the Libraries,” said Jakubs, who will retire from Duke in May 2022, “and Blue’s track record as a successful fundraiser with strong connections at Duke and a passion for libraries will go far to ensure that a world-class university like Duke will continue to have a world-class library at its center.”
“I am excited to return to Duke and am especially excited and honored to work with the Duke University Libraries,” said Dean. “You cannot have a top research university without a top research library, and I look forward to partnering with alumni, families, and friends to continue the strong tradition of supporting Duke’s libraries. A philanthropic investment in the Duke University Libraries is an investment in every student, faculty member, and researcher in all of Duke’s schools, departments, and programs.”
In her new role, Dean succeeds Tom Hadzor, who will retire on May 17, 2022. Hadzor began his career at Duke in 1996 as Associate Director and Executive Director of Development and Communications for the Duke Comprehensive Cancer Center. In 2003, he became Associate Dean for Alumni and Development at the Duke Law School, where he led its building campaign. In 2006, he joined the Duke University Libraries and has served as the Associate University Librarian for Development ever since. During that time, he has raised over $120 million for the Duke University Libraries. Until his official retirement from Duke in May, Hadzor will continue to work for the Libraries in a special capacity, raising major gifts for the Lilly Library renovation and expansion project.
We are pleased to announce the winners of our 2020-2021 library writing and research awards. Every year the Duke University Libraries run a series of essay contests recognizing the original research and writing of Duke students and encouraging the use of library resources. Congratulations to this year’s winners!
Recognizing excellence in undergraduate research using sources from the Libraries’ general collections.
Honors Thesis Winner: Caroline Petronis for “Blurring Contagion in the Information Age: How COVID-19 Troubles the Boundaries of the Biomedical and Socioinformatic,” nominated by Dr. Nima Bassiri.
First/ Second Year Winner: Eric Zhou for “History of Decriminalization of Capoeira in the 1930s,” nominated by Dr. Sarah Town.
Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.
Undergraduate Winner: Mary Helen Wood for “‘The Very Reality of God:’ Jimmy Creech, The United Methodist Church, and the Fight for LGBTQ+ Acceptance in North Carolina,” nominated by Dr. Nancy MacLean.
Graduate: Jacqueline Allain for “Maria Griffin, et al.: Slavery’s Intimate World,” nominated by Dr. Trudi Abel.
Members of these advisory boards will help improve the learning and research environment for Duke University students and advise the Libraries on topics such as study spaces, research resources, integrating library services into academic courses, and marketing library services to students.
The boards will typically meet three times a semester to discuss all aspects of Duke Libraries and provide feedback to library staff. This is an amazing opportunity for students to serve on the advisory board of a large, nationally recognized non-profit organization.
All three advisory boards are now taking applications or nominations. Application deadlines are:
Members of the Graduate and Professional Student Advisory Board and the Undergraduate Advisory Board will be selected and notified by mid-September, and groups will begin to meet in late September. More information is available on the advisory board website, where you will also find links to the online applications forms.
For more information or questions about these opportunities, please contact:
Okay, that headline was total clickbait. We admit it. We’ll stoop pretty low in order to seize a teachable moment. But now that we have your attention, we really do want to convey some important info about using the library this semester. Things are getting back to nearly normal, and the more you know ahead of time, the smarter you’ll look in front of all your friends. (Depending on your friends.) So here we go.
1. No more Library Takeout. Book stacks are open!
Despite the funkalicious earworm it inspired, Library Takeout is history. You no longer need to request books online and schedule a time to pick them up. That’s so 2020. Library stacks are open again, so help yourself and browse all you like. Duke faculty and grad students can still have books delivered to the library of their choice by clicking the green “Request” button in the catalog.
2. Our hours have changed.
In pre-COVID times, certain Duke libraries used to be open 24 hours during the week. This semester we’ve had to scale back, due to pandemic-related budget cuts. Our busiest libraries (Perkins, Bostock, and Lilly) will still be open until midnight most days. And if you really want to keep burning the midnight oil, we’ll have study spaces available in the von der Heyden Pavilion and Rubenstein Library. See our posted hours online for the most up-to-date info.
3. You can still reserve a seat (but you don’t have to).
Last year, if you wanted to study in the library, you had to book a seat in advance. Not any more. Study areas are available again on a first-come, first-served basis. However, one thing this past year taught us was that some students actually liked booking a seat, because they didn’t have to wander around to find a place to work. So we’ve kept a limited number of reservable study seats available. They’re in the Ahmadieh Family Commons on the second floor of Rubenstein Library, just outside of the Gothic Reading Room.
4. We have textbooks!
Every semester, we purchase the textbooks for the 100 largest classes at Duke, so that you can check them out for free. Left your textbook in your dorm room? Or want to try before you buy? Borrow our copy for up to three hours at a time, then return it for someone else to use. How great is that?
5. In a hurry? Dislike personal interactions? Check yourself out.
Several libraries across Duke’s campus have self-checkout stations, where you can quickly and easily check out your own books without having to wait in line or deal with an actual human being. (We get it―ew.)
6. There is no number 6.
Gotcha.
7. We’re actually very friendly people who just want you to be happy.
People who work in libraries are some of the most approachable and service-oriented individuals you’ll ever meet. We genuinely want to help you. We also have a bunch of different ways you can get the help you need, whether by chat, email, phone, in-person, or Zoom. So don’t be afraid to ask us any question. We’re smiling at you under these masks.
What are we saying, of course you do. That funkalicious earworm is probably still bopping around inside your head right now.
With its playful animation, catchy chorus, and infectious beat, the short music video takes a simple set of step-by-step instructions for using a library service during the pandemic and transforms them into something unexpectedly funky, danceable, and fun. It was composed, animated, and produced last summer by a staff member in our Music Library (and Duke alum!), Jamie Keesecker.
Soon after it was released, the video became a viral hit both on campus and off, racking up over 890,000 views on YouTube and more than a thousand appreciative comments. There have been articles written about it (such as this one,this one, and this one), drum jam fan tributes, and the music streaming service Spotify even tweeted about it, calling it “the greatest library-focused track ever made.” (Speaking of Spotify, you can also find the song there, where it has been played almost 300,000 times.)
Now the video has earned another distinction—the admiration of our library peers!
Every year, the Arlies festival highlights and shares multimedia projects developed by member institutions to increase knowledge and use of libraries, their spaces, services, collections, and expertise. The films are voted on by ARL member institutions, which include the 124 largest research libraries throughout the U.S. and Canada.
We are honored by the recognition, and absolutely delighted for our colleague Jamie, who deserves all the credit for bringing Duke’s unofficial pandemic anthem into the world.
Thanks to the video’s popularity, relatively few people at Duke can say they don’t know how to check out books from the library right now. As a matter of fact, many fans of the video who have no connection to Duke whatsoever could easily tell you the steps. As one YouTube commenter noted, “How am I going to explain that my favorite song is an instructional video for a library I’ve never been to, at a school I’ve never attended?!”
We may never be able to replicate the success of “Library Takeout.” In fact, we’re positive we won’t. (All those people who subscribed to our YouTube Channel are going to be pretty disappointed by our usual fare of instructional videos and event recordings.) But we feel lucky to have hit on something that clicked with our users and supporters, at a time when they (and we) really needed it.
So go ahead, give it another listen (or five). It’s precisely what you need.
All submissions must be received by June 15, 2021.
Aptman Prizes
The Aptman Prizes recognize undergraduates’ excellence in research, including their analysis, evaluation and synthesis of sources.
Any undergraduate student who uses library resources to complete a paper and project as part of his or her undergraduate coursework at Duke may be considered for an Aptman Prize.
The Middlesworth Awards recognize excellence of analysis, research, and writing by Duke University students in the use of primary sources held by the Rubenstein Rare Book & Manuscript Library.
All papers or projects from Duke undergraduate or graduate students that are based largely or wholly on sources in the Rubenstein Library are eligible.
The Holsti Prize recognizes excellence in undergraduate research using primary sources for political science or public policy.
Undergraduate papers that use primary sources and were written for a course, independent study, or thesis in the Political Science or Public Policy departments are eligible.
On February 25, 2021, the Duke University Libraries lost a longtime friend and cherished colleague. For many years J. Samuel Hammond was perhaps best known (or best heard) as Duke’s official carillonneur. He began playing the carillon in 1965 while an undergraduate at Duke and was eventually promoted to perform in an official capacity when he graduated three years later. For fifty straight years—one for every bell that hangs in the Chapel tower—Sam was Duke’s ringer-in-chief. In honor of a long and literally resounding record of service, Duke’s Board of Trustees passed a resolution in 2018 naming the carillon in his honor.
For those of us in the Libraries, Sam was also our co-worker—someone we saw, spoke to, and joked with almost every day. He worked here for close to four decades, starting out as Duke’s first music librarian in 1974, then becoming a rare book cataloger in 1986, a position he held until his retirement in 2012. To send him off with style, the Rubenstein Library purchased in his honor an extremely rare 1612 first edition of Angelo Rocca’s De campanis commentarius (A Commentary on Bells), one of the earliest studies of bells and bell ringing.
After he retired from the Libraries, Sam was given a carrel on the fourth floor of Bostock Library so that he could continue his personal research and a project editing the correspondence of Hugh James Rose, an Anglican clergyman of the early nineteenth century who was instrumental in initiating the Oxford Movement. Happily, that meant we had the pleasure of continuing to see Sam around the library on a regular basis. Until 2020, that is.
After he died last week, those of us in the Libraries began to share some of our fondest memories of Sam with each other. And since we are unable to gather and celebrate his life in person, we wanted to collect and share some of those reminiscences with you, the Duke community, virtually. Needless to say, he leaves behind many friends in Durham, at Duke, and around the country. If you’re reading this and you would like to contribute your own memory of Sam, please drop it in the comments section. We’ll be sure to include it.
Among his many endearing and old-fashioned characteristics, Sam was a great writer of short personal notes. He would always record the date in Roman numerals (even in emails!) and close with the Latin benediction “PAX.” The kiss of peace, which we now return to him. Rest now, Sam. The bells are ringing for you. PAX.
Tributes and Testimonials
I came to Duke in 1983 and Sam was my colleague from then on. He was so wise and well-read, but also possibly the most modest person I have known, also the most generous and thoughtful. Knowing how delighted they would be to see the world from the top of the Chapel, over the years he invited each of my then-young sons (who were practically raised at Duke) to take the thrilling ride up—and then gave them each (on their respective visits) the ultimate responsibility of marking 5 p.m. with the five “bongs” heard all over campus. Their memories of those special visits with Sam are still vivid.
I will also remember Sam’s kindness—knowing of my interest in tango, he regularly kept me updated on the appearances of the Lorena Guillén Tango Ensemble, including her memorable concerts on Jewish tango and her project “The Other Side of my Heart,” the stories of Latina immigrants. And I will always fondly recall the image of my encounters with Sam in the Libraries or on the quad, when he would bow and doff his hat, with a smile and a pseudo-formal greeting of “Dr. Jakubs!”—followed by a much more chatty personal conversation about so many things. Thank you, Sam. PAX.
—Deborah Jakubs, Rita DiGiallonardo Holloway University Librarian and Vice Provost for Library Affairs
Soon after I began working at Duke in 2010, Sam offered to make me a scarf. I had no idea how broad his talents were, and I was touched by this personal gesture as I was trying to find my footing in the library. A beautiful blue scarf soon appeared in my inbox with a handwritten note. It was one of many notes I found in my box in the years before Sam retired, often calling something to my attention and occasionally letting me know I’d done something well. I valued his opinion and sought to uphold his high standards for the Duke Libraries. I will greatly miss greeting Sam in the library or on the quad. And I will wear my scarf with gratitude and seek to be worthy of it.
—Naomi L. Nelson, Associate University Librarian and Director, David M. Rubenstein Rare Book & Manuscript Library
My children knew Sam Hammond as “Mr. Sam.” Over the course of thirteen years, we passed Mr. Sam on 751 as he walked to campus wearing his black coat and his signature hat. On our daily commute to school, the kids and I looked expectantly for Mr. Sam just as Academy Road intersected with Wrightwood Ave. If we were on time, the kids would wave and Mr. Sam would tip his hat.
Sam Hammond shared his musical gifts with our children. When my son was nine, Sam accompanied Micah as he learned the role of Amahl for Long Leaf Opera’s Amahl and the Night Visitors. For many years, Sam and Marie attended the children’s concerts—piano recitals at Durham School of the Arts and the Yiddish Song Festival at Beth El Synagogue. Mira remembers Sam jotting down the date of her event in a small leather-bound black book. This book, the suspenders, and Sam’s hat were part of what made Mr. Sam so enchanting.
One memory that the children both recollect: we bumped into Mr. Sam on the quad a few Decembers ago when he was en route to play the carillon. We chatted, and as he turned to tip his hat, he wished us a Happy Chanukah. When he arrived at the carillon, he played his traditional 5 o’clock bells and then moved from a hymn to a melody which both children recognized—they smiled and sang along as Sam played “I have a little dreidel.” We will continue to treasure these memories of our beloved Mr. Sam.
— Trudi Abel, Research Services Archivist, Rubenstein Library
Something he gave us all, day after day, was the ringing of the carillon as we were released from work at the end of the day: the ringing out of bronze bells high in the chapel’s belfry, signifying completion and freedom to one and all, regardless of race, rank or creed. And yet, with such power at his fingertips, it seemed that he treasured library work equally, its quiet spaces and detailed endeavors, requiring the most sterling patience and devotion. Over the pressed black and white attire of a gentleman he often wore a dark green work smock, navigating the halls and vestibules where I might meet him and say hello. He brought a delightful and unique formality to the most mundane encounters, investing them with a subtle radiance. I will miss him. He was like an ambassador from a better world.
— Mary Yordy, Senior Library Assistant, Conservation Services
My story is about Sam’s care of new parents. When I became a parent in the early-mid 2000s, Sam would bestow gifts of crocheted or knitted items for our babies that he presented in his humble, loving way. My memory is that he waited to give the gifts until we’d come back to work to take the opportunity to offer a few carefully chosen sympathetic and supportive words about surviving the experience of new parenthood. I still have the blanket he made for us.
— Laura Micham, Merle Hoffman Director, Sallie Bingham Center for Women’s History and Culture
Before my retirement in 2010 from what is now the Rubenstein Library, I had an office on the second floor that looked right onto the quad in front of Duke Chapel. This gave me a front row seat to Sam’s daily recitals. I often stayed longer than I needed, just to be able to sit back and enjoy the bells.
More than that though, my responsibilities in the library put all of the rare book and manuscript technical service operations under my supervision. This meant that Sam, as a rare book cataloger, was technically under my supervision. This was laughable, since Sam had more knowledge about rare book cataloging tucked into the hardened and muscular folds of one hand than almost anyone in the state of North Carolina! It did, however, afford me the pleasant excuse to meet with him periodically.
Some memories that stand out include hearing about his annual trek to the University of the South in Sewanee, Tennessee, where there was an annual gathering of carillon artists from around the country. Sam especially liked the atmosphere of Sewanee, which was a traditional old-style college, where upperclassmen were required to wear academic gowns to class. Given Sam’s singular (and easily recognizable from 100 yards away) style of dress, I often thought that he would have been more comfortable wearing his own academic gown.
After my own retirement, I was often on campus in the morning on my way to Wilson Gym and would run into Sam coming though the clock tower passage from Crowell Quad on his way to the library (where he kept a carrel after his retirement to volunteer his efforts to resolve lingering rare book cataloging issues). There was always a tip of the hat and a brief genial conversation on families, the weather and other pleasantries.
A couple of years ago I was at a retirement party at the Schwartz-Butters building for a Wilson/Card gym staff member. Somehow I ended up in conversation with David Cutcliffe, Duke’s football coach, and he asked me if I knew anything about a gentleman wearing a hat and usually carrying a bag that he would see walking along Academy Road as he would come into work in the morning. It didn’t take much elaboration to know he was talking about Sam Hammond. I spoke with him briefly about Sam and his work in the Chapel and the library. The very next time I encountered Sam, he told me that Coach Cutcliffe had pulled his car over to introduce himself and chat with Sam. I think this was the start of an interesting friendship. After Sam’s heart attack last summer, I managed indirectly to get word to the coach and I know that he immediately got in touch with Sam.
— Steve Hensen (Retired), Rubenstein Library
Sam was always gracious. He shared the carillon with alumni and friends. Whenever I invited someone for a special experience, Sam always enthralled. I will miss him and his gentleness. And the elevator rides to the top of Duke and his world.
— Tom Hadzor, Associate University Librarian for Development
When I started the University Archives in 1972, I wondered who this person I kept seeing around the building wearing a three-quarter-length coat as sort of a working uniform was. Then I noticed the variety of work stations he occupied. I got to know him as the carillonneur through my association with the Friends of the Chapel. I quickly discovered that whatever he was doing it was with thoroughness, integrity, passion, and with wit and a twinkle in his eye. Over the years, decades really, Sam became a trusted friend and confident who shared a love for the university and its history. He was unique. His role and contribution to Duke was unique. Such people have made the university what it is. His presence will be missed and all who knew Sam will miss him greatly.
—William E. King (Retired), University Archivist 1972-2002
Sam was always very kind to me. When I went to his office to review an item, we would have long chats, and he would show me all the wonderful things he was working on. Sam always took the time to say that he appreciated that I was here. That made me feel good. I appreciated his kindness, his sharp wit, and his willingness to help you with any question you had for him. Even after retirement he would make time to stop and chat if we ran into each other in the hallway. I will miss his presence greatly.
— Beth Doyle, Leona B. Carpenter Senior Conservator and Head, Conservation Services Department
I knew Sam primarily as a Rare Books Librarian when I worked in the library as staff member from 1993-2000. There was no one I’d rather give a curious old book to than Sam, just to see what he thought and how it connected to the thousands of others he had taken his glasses off to pore over; you can’t “Google” information like that. We had a special connection, as native Georgians and as musicians, and I learned a great deal about rare books and collegiality from him. PAX, SH, from GB 26 II.
— Gary R. Boye, Erneston Music Library, Appalachian State University
I worked and socialized with Sam Hammond throughout our long careers in the Duke University Libraries. He played the organ at St. Joseph’s Episcopal Church for my marriage with Catherine Blue, a Duke graduate. He was a quintessential gentleman, highly cultured, and someone with whom one could discuss anything with ease, understanding, and mirth. When I had the privilege of hearing the first concert on the great Fisk organ at the new Catholic Cathedral in Raleigh, it was Sam who played the carillon afterwards. Sam was a monarchist, and we had reasons to explore that culture joyfully. He inserted a special piece of music for me on the Duke Carillon after my retirement. He was always the same.
— William Rector Erwin, Jr. (Retired), Manuscript Cataloger and Reference Librarian, Manuscript Department, 1960-1999
I’d just started at Duke in July 2018. I can’t remember when it was exactly but in my first few days but Sam came in and came to my station. He said, “You’re new here!” and I said “Yes sir, I just got here from Davidson College.” He said that he was sure I’d do a good job and that he was glad to have me as part of the Duke community. He didn’t know this but I was a total ball of anxiety. Davidson was a small liberal arts college and I’d come here to work for a behemoth of an institution. That simple act of kindness meant more to me than he knew, but that was just Sam, doing good deeds wherever he went.
— Jeremy Martin, Reserves Coordinator
Sam always had a smile on his face; his laughter was a happy chuckle.
— Catherine Leonardi (Retired), Music Cataloger
When I became a rare book cataloger, Sam Hammond became one of my mentors, always treating me with courtly kindness and giving sound advice. I especially enjoyed opportunities to share our mutual admiration of Queen Elizabeth II. I respected Sam’s firm dignity and appreciated his gentle courtesy toward all our Special Collections colleagues, as well as the library’s patrons and visitors.
—Nixie Miller (Retired), Rubenstein Library
Sam was a steady presence in the library. Walking through Perkins, I’d run into him several times a week. He’d tip his hat, smile and share a hello. Every. Single. Time. For a while, I didn’t know who he was or how he knew me. Was he an alum who loved the library? A professor that I had somehow forgotten I met or knew? Nope – just a gentle man who exuded the warmth of human kindness.
— Shawn J. Miller, Director, Duke Learning Innovation
Before he retired as carillonneur, I often encountered Sam on my after-work walk to my car as he was leaving the Chapel after playing the carillon that day. He would always smile and tip his hat to me. Occasionally, we would stop and chat for a few minutes if either of us had recently heard from a mutual friend who used to be a faculty member in the Divinity School. He will be sorely missed!
—Jim Coble (Retired), Information Technology Services, Duke Libraries
I succeeded Sam as Music Librarian, and I remember walking into his former office in the Biddle Building in early January of 1987, ready to start my new job. The office was left in immaculate order for the next person. I was so grateful for that, and it helped me to feel that I had come to the right place. Over the years until I retired in 2005, I conferred with Sam about a number of things, not the least of which was his invitation to my family and myself to visit him in the upper room of the carillon tower while he held forth at the special console. I’ll always associate Sam with the grand Chapel bells, spreading their wonderful tones and overtones over the university landscape and issuing an invitation to all to pause and listen.
— John Druesedow (Retired), Music Librarian, 1987–2005
I worked with Sam for many years and he was always the most pleasant person that you ever wanted to meet. Always willing to assist you with your needs and I loved to hear him laugh. My deepest condolences to his family.
— Beverly Mills (Retired), Perkins Library Serials Department
I had the pleasure of meeting Sam in the early days of my employment in the library (mid-1970s) and I have nothing but fond memories of him. Sam ALWAYS exhibited a pleasant disposition, cheerful attitude, and respectful demeanor to me, from day one until the last time I saw him just before I retired almost 3 years ago. I’ll always remember seeing him walking to campus from his home each morning, and upon arriving to campus, stopping to salute the James B. Duke statue in the middle of the quad in front of the Chapel before continuing his journey into the library. At precisely 5:00 p.m. each day, Sam would play the bells from the top of the Chapel, and I looked forward to listening to the tunes he played each day when I left work to return to my car to head home, sometimes humming along to the tunes I was familiar with. Years ago, Sam even gave myself and some other library employees a personal tour of the top of the Chapel where the bells are located and demonstrated to us how he played them. Finally, I will always remember Sam’s hearty and joyous laughter and his gentlemanly demeanor. I’m very honored to have known him and will always treasure these memories of him.
—Iris Turrentine (Retired), Library Human Resources
In 2000, when I moved from the Bingham Center to a generalist position in what is now the Rubenstein Library, Sam allowed me to sit in on his many library instruction classes so that I could become more familiar with our early manuscript and rare print collections. His deep knowledge of the history of religion and printing, along with his ability to communicate clearly made him extremely effective with undergraduate and graduate classes. Even more marvelous was his rapport with the many elementary, middle school and high school students who came to see our treasures on display in the Biddle Rare Book Room. Always dignified, but with an impish twinkle in his eye, Sam kept every one of those young people absolutely rapt as he explained how papyrus was made or how one might correct an error written on vellum. He addressed them with calm respect and they responded by listening intently, asking excellent questions, and behaving with impeccable manners. It strikes me now that Sam was the Mr. Rogers of the Rubenstein Library. He brought kindness and empathy to every encounter.
— Elizabeth Dunn, Research Services Librarian, Rubenstein Library
When I was in grad school in 1987, studying histories of Judaism and Christianity and art, I had a brief job working chiefly with Samuel Hammond. We selected, described, and presented Jewish art publications, including but not limited to Passover Haggadah books from “The Abram & Frances Pascher Kanof Collection of Jewish Art, Archaeology, and Symbolism” donations. It was a pleasure working with Sam, and if I may say so, the display was rather fine. In later years, it was always good to see him on campus and to hear his music.
— Stephen Goranson, Stacks Maintenance Assistant
Before my retirement, I worked with Sam for several years in what is now the Rubenstein Library.
One day I was walking with Sam on the sidewalk toward the West Campus Union Building. About every third person we encountered knew Sam and they spoke warmly to each other. I did not recognize any of them. I realized then that he knew a broad swath of people outside the library.
Sam did not like what became the norm when we began to hold retirement receptions and other events in the Rare Book Room where food and drink were served. He absolutely would not attend any of these events, for he was concerned that damage would be done to the rare books. One of the reasons Linda McCurdy (whom Sam called Dr. Linda) and I had our joint retirement reception in Perkins Library rather than in the Rare Book Room was so Sam could attend. And he did. I have photographs!
One day Sam and I spoke about how much we admired former President Jimmy Carter. I learned that Sam grew up in Americus, Georgia, not far from Plains. Further, he said his mother used to cut Jimmy Carter’s hair! She knew the Carter family well and had eaten dinner in their home. Imagine my surprise at that.
Sam was a true original and unique individual. And modest to a fault.
When my mother died in 2002, Sam sent me a handwritten sympathy note. In it, he included the following anonymous poem that he said was read at the Queen Mother’s funeral. After Sam’s passing, I reread it and thought about Sam.
You can shed tears that she is gone or you can smile because she has lived
You can close your eyes and pray that she’ll come back or you can open your eyes and see all she’s left
Your heart can be empty because you can’t see her or you can be full of the love you shared
You can turn your back on tomorrow and live yesterday or you can be happy for tomorrow because of yesterday
You can remember her and only that she’s gone or you can cherish her memory and let it live on
You can cry and close your mind be empty and turn your back or you can do what she’d want: smile, open your eyes, love and go on
— Janie Morris (Retired), Rubenstein Library
I’m at a loss for words! Sam and I kept in touch even in his/my retirement! He brought peanuts from Georgia to me and Peach Pie. In return, she prepared chicken salad and deviled eggs for him (and Marie). We picked fresh strawberries for him, too! He will be missed. Of course Sam enjoyed Peach Pie’s infamous banana pudding! I enjoyed my many talks/walks with Sam. He gave me a personal tour of the “bells” as he did my granddaughter, Makenzie. She sat beside him while he played. Afterwards he took her to the roof of the chapel. Sheer excitement!
— Nelda Webb (Retired), Administrative Assistant to the Director, Rubenstein Library
I retired from the library 11 years ago but have fond memories of Sam. I can still hear his voice from his always friendly greetings. There was a time when my children were young and came to work with me. Sam didn’t usually take requests for “songs” but was pleasantly surprised when we left the office that afternoon and my daughter’s request was being played on the bells. Can’t recall what the song was, but felt very fortunate to have our request granted.
— Rose Bornes (Retired), Accounting Office, Duke Libraries
I remember Sam as a kindly, gracious gentleman — emphasis on gentleman — with a fine ability to appreciate and laugh at the absurdities of life. He was an extremely talented musician whose daily playing of the carillon brought a certain stability and peace to the campus. It was a blessing to have had him as a colleague in Perkins Library.
— Joline R. Perkins (Retired), Reference Department, Perkins Library
I so much enjoyed seeing Sam during the day. Always the wave and that nod, usually a chuckle—even if we just said “Hello” to each other. Gentle and generous. The evening after Dean Smith died, I choked up when I heard him play UNC’s fight song on the carillon. That wasn’t the only time his choice of music made me tear up.
I treasure my memory of going up into the tower of Duke Chapel to watch him play. Feet and fists striking keys, and Sam transported, it was a treat. Thank you, Sam.
When I first started at Duke in Special Collections, I worked down the hall from Sam. Princess Diana had recently died, and Sam wore a black arm band for a month in honor of her. He did the same thing when the Queen Mother died. His portrait of a young Queen Elizabeth in his office brought a regal air to a regal man.
Sam was always saying dry comments as quiet asides in staff meetings, and making anyone laugh who could hear them. His eyes really twinkled, and his gentle laughter always brought us to a feeling of good humor no matter the topic.
I served many Saturday reference shifts with Sam. No matter the question, Sam was able to help the researcher in their work by highlighting new resources or redirecting their attention to a newly cataloged book (often still in his office, that he would bring down for them to review). In the seven dark and winding floors of the stacks at that time, I was always relieved to see Sam as my partner, for I knew that whatever was requested Sam would be able to find it, walking slowly and with purpose.
When Sam did instruction for visiting school students about the rare book collection, he would provide a follow up instruction session for interested staff members. He would go over some of the most interesting treasures, small and large, valuable and invaluable because of his interest. You always learned something new from Sam, no matter how long you’d been at the library.
Sam was so kind, and asked about your family, and how you were doing. He lived his faith, and led with love in his interactions with us in the library and the university community, writ large. One year I told him it was my Dad’s birthday and that he had been in the Navy, and that evening in the selection for the chimes he included the Navy Hymn – a subdued nod to our conversation and my dad. These unexpected and frequent kindnesses of Sam’s that stay with me, and underlie the deep feeling of grief and loss for his quiet compassion, tender wit, and patience.
—Lynn Eaton, Director, Special Collections Research Center, George Mason University
I met Sam when he was the head of the Music Library. I worked in Collection Development with Florence Blakely and was included in her meetings with Sam to discuss issues relating to acquisitions made possible via a Duke Endowment grant money and other issues relating to the Music Library. Florence had a high respect for Sam’s decisions. It was delightful to converse with Sam. The meetings continued when he became Rare Book Librarian. The topic most discussed related to acquisitions of often expensive titles or collections.
It was always delightful to converse with Sam. I always enjoyed his playing the carillon every afternoon. Sam will be missed by many people.
— Ginny Gilbert (Retired), Perkins Library
I retired in 2013 from interlibrary loan. Before that I had been in photo services for some number of years as head of that department. I had worked with Sam the entire time I was at the library. For me that was 33 years. Sam was a great friend to me. He was always coming in and telling me how things were going and telling me how good I looked, when I knew he was lying. We had an agreement. Each year near graduation he would take my senior students up into the tower to chime the hour. This was a special thing for my students because when hired, they stayed with me all four years and it was something that Sam and I could give them no one else could. I really appreciated Sam doing that as a special gift for my student workers. Not only to my students, but one time he also took me up in the tower to chime the hour. I will never forget how nervous I was and how calm he was. On many occasions Sam would come through the office and ask what I wished to hear played that day. A great friend, a devoted employee, a wonderful man—not enough words to describe Sam Hammond.
Sam Hammond was a beloved colleague and a Duke University institution. Although he retired from librarianship some years ago, he continued to come to campus each day to study in his carrel and play the carillon. I can’t count the number of times I passed Sam in the library or on the quad, with him offering a tip of his hat and a pithy bon mot. The five o’clock carillon is such a part of the fabric at Duke that many people don’t realize that there is a person high in the tower. Over the years, Sam gave the University Archives the logs of what songs were played each day, as well as other information he gathered about the Carillon. My colleagues and I in University Archives treasure these materials, which document each day at Duke going back decades. They have already been used by students in research.
Sam was unfailingly generous, and graciously welcomed guests to the Chapel tower to see the carillon itself. A couple of years ago, a group of students researched the laborers who built West Campus. Sam escorted the students and some University Archives staff up to the tower, so the students could see the details of the building close up. We looked out over Duke, and Durham beyond, seeing the stunning beauty–and terrifying height–that the workers who built the tower must have seen. He showed us his Carillon room, with its keyboard and its practice keyboard. A framed photograph of a young Queen Elizabeth was among the decor. At 5 o’clock, Sam began playing the carillon, and we stood beneath the 49 bells listening to him play. It gave us a rare opportunity to appreciate the beauty that surrounded us, and the majesty of the music that rang out from the tower.
I will miss Sam, his humor, his knowledge, his music, his friendship. Long may the carillon ring, reminding us each day of the many ways Sam enriched our lives.
The Duke University Libraries are proud to present the 2021 Andrew T. Nadell Prize for Book Collecting. The contest is open to all students enrolled in an undergraduate or graduate/professional degree program at Duke, and the winners will receive cash prizes.
Winners of the contest will receive any in-print Grolier Club book of their choice, as well as a three-year membership in the Bibliographical Society of America.
You don’t have to be a “book collector” to enter the contest. Past collections have varied in interest areas and included a number of different types of materials. Collections are judged on adherence to a clearly defined unifying theme, not rarity or monetary value.
Visit our websitefor more information and read winning entries from past years. Contact Kurt Cumiskey at kurt.cumiskey@duke.edu with any questions.
Surrounded by stories surreal and sublime, I fell in love in the library once upon a time. — Jimmy Buffett, “Love in the Library”
Maybe it’s the intimacy of hushed voices, the privacy of so many nooks and crannies, or the feeling of mysterious possibility that comes from being surrounded by so many books and stories. Let’s face it—there’s something romantic about libraries.
That’s why this Valentine’s Day has hit us right in the feels. Normally, in pre-pandemic times, we would be encouraging you right now to go on a “Mystery Date with a Book,” wrapping up dozens of our favorite titles in pink and red paper with come-hither teasers designed to lure you in.
Alas, our innocent fun is another casualty of COVID. But we’re still hoping we can spice up your reading life. We revisited our mystery picks from years gone by and pulled together some of our all-time favorite literary crushes, personally recommended by our staff. All titles are available to check out through our Library Takeout Service.
So go ahead, treat your pretty little self to something different. Who knows? You might just fall in love with a new favorite writer!
Selected by Arianne Hartsell-Gundy, Head, Humanities Section and Librarian for Literature and Theater Studies:
Arundhati Roy, The God of Small Things: “Seven year old twins are forever changed by one day in 1969.”
Naomi Novik, Uprooted: “The fairy tale you always wanted as a child…and finally got as an adult.”
Selected by Kim Duckett, Head of Research and Instructional Services:
Anthony Mara, The Tsar of Love and Techno: Stories: “A collection of beautiful interlocking short stories dipping back and forth through 20th century Russia.”
Matthew Kneale, English Passengers: “Twenty narrators tell a fascinating story of Manx smugglers, seekers of the Garden of Eden, and the plight of Tasmanian Aborigines.”
Selected by Brittany Wofford, Librarian for the Nicholas School for the Environment:
P. G. Wodehouse, How Right You Are, Jeeves: “For everyone who thought that Carson was the real hero of Downton Abbey.”
Selected by Megan Crain, Annual Giving Coordinator:
Gail Honeyman, Eleanor Oliphant is Completely Fine: “We all know what it means to survive. But do we know what it means to live in the 21st century?”
Madeleine L’Engle, A Wrinkle in Time: “A childhood classic about family, bravery, and finding light through the darkness.”
Selected by Aaron Welborn, Director of Communications:
Richard Hughes, The Innocent Voyage (A High Wind in Jamaica): “One of the best novels you’ve never heard of. A combination of Peter Pan, Heart of Darkness, and Lord of the Flies, all rolled into one.”
J. L. Carr, A Month in the Country: “A gem of a book: a quaint English village, a WWI vet, and a shimmering summer of youth.”
Selected by Elena Feinstein, Head, Natural Sciences and Engineering Section and Librarian for Biological Sciences:
Monique Truong, The Book of Salt: “Flavors, seas, sweat, tears – weaves historical figures into a witty, original tale spanning 1930s Paris and French-colonized Vietnam.”
Audrey Niffenegger, The Time Traveler’s Wife: “According to the author, the themes of the novel are ‘mutants, love, death, amputation, sex, and time.’ Many readers would include loss, romance, and free will.”
Selected by Jodi Psoter, Librarian for Chemistry and Statistical Science:
Selected by Ciara Healy, Librarian for Psychology & Neuroscience, Mathematics, and Physics
Carmen Maria Machado, In the Dream House: A Memoir: “If you lived through some stuff, and survived… this book is for you. Exquisitely written, heart wrenching.”
Edgar Cantero, Meddling Kids: “A Scooby Doo re-do; former kids detective club grows up, messes up and tries to solve a spooky mystery + actual dog as part of the Doo crew.”
Selected by Kelli Stephenson, Coordinator, Access and Library Services
Omar El Akkad, American War: “A second American Civil War, a devastating plague, and one family caught deep in the middle.”
Tamsyn Muir, Gideon the Ninth: “Necromancers unraveling a mystery in a haunted space mansion, complete with epic sword fighting, deep world-building, and laugh-out-loud profane humor.”
Seat yourself! This semester, Duke University Libraries has made over 200 individual study spots available for reservation in Lilly, Perkins, Bostock and Rubenstein Libraries so you can still have the library experience you’ve come to know and love.
Want to (virtually) explore? Check out some of the different spaces below. We know you’ll find something you love!
Get your brightest ideas in the brightest spot in the library! Enjoy single tables and plenty of power in The Perk. With all of the library’s office plants keeping you company, it will be like your very own greenhouse. (PERK 001-014)
Are you a wild child at heart? Live it up in the evening and nights with a seat in first floor of Bostock with bright lights and colors and plenty of seating options.
The Edge Booths and Meet-ups
The booths and meet-ups give you a little privacy–not to mention comfy padded seats–as you power through your work. (Booths 101-107, Meet-ups 22 & 123)
The Edge Open Seating
To see and be seen, pick some of the some of the open seating options throughout the floor (Seats 108-121, 131-32, 145-54)
The Edge Rooms
Want the classroom or study room experience with (bonus!) windows as you work? Find your study spot in the Murthy Digital Studio (Murthy/Bostock 121 Seats 125-130), Project Room 7 or 8 (Seats 133-137) or Bostock 127 (Seats 155-172)
The Edge Counter Stools
For the coffee shop experience, check out the counter stools. We provide everything but the latte! (Counter Stool 140-144)
The third floor of Rubenstein Library is great for anyone looking for a sort of garret/co-working vibe – glass-walled rooms tucked along hallways with soft colors and minimal traffic.
Project Rooms
Three project rooms line a windowed wall, giving the perfect balance of privacy and openness. (Rooms 353-357, Seats 301-306)
Conference Rooms
For a distraction-free zone, check out a seat in one of the conference rooms along the hallway. (Rooms 350-351, Seats 307-317)
Rubenstein 349
With tall windows and individual tables, the Breedlove Meeting Room (Rubenstein 349) has an open feel with plenty of privacy. (Seats 318-326)
Live it up at Lilly! Get the East Campus experience at these lovely literary locales.
Few Reading Room (1st floor)
Natural light and plenty of power; what else do you need? How about private study carrels (F01-F07) and long tables for safely studying with your peers. (F08-F19)
Carpenter Reference Room (1st floor)
Want that old-school library experience? Surround yourself with books in the reference study area with socially-distanced seating at long tables. (C20-C41)
North Mezzanine (2nd floor)
Talk about a room with a view! Grab a soft seat or table and enjoy one of the most beautiful overlooks on campus. (M42-45)
With plenty of natural light, these seats are music to our ears! Enjoy your choice of carrels (Carrels 1, 3, 5) or personal tables (Study Table Seat 6-7). Whatever you choose sounds great!
For many of us, the summer of 2020 will look and feel a little different. Vacations have been postponed or canceled, beaches and museums are closed. What would normally feel like a time to relax and take a break might feel more like an additional burden, trying to find ways to fill the days and weeks ahead. Luckily, we’re here to help!
We’ve put together a Summer Bucket List Quaran-zine, a pocket-sized zine to help you get organized and excited in preparation for a summer spent primarily at home. We’ve provided the categories of things you can do throughout the summer to help you get started, but the rest is up to you.
Been meaning to watch the Avengers movies in chronological order? Write it down! Having trouble keeping up with the books your friends keep recommending? Write them down! Always wanted to try your grandmother’s peach pie recipe but never found the time? You know what to do!
The best part of your tiny to-do list: checking off each thing as you go, and maybe making the summer of 2020 one of your best ever.
Instructions: How to Print, Fold, and Make This Zine
You will need a printer. Or, you can hand-copy what you see on the screen on your own sheet of paper and make your own!
The staff of the Duke University Libraries are angered and heartbroken by the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, as well as numerous other abuses of power against Black Americans. This racial injustice is rooted in historical and systemic white supremacy, and we recognize that our institution has played a role in that injustice. The longstanding impact of institutional racism must be addressed, and we commit to reckoning with it within our Libraries. Doing so will require engaging with our history, looking at our systems with a critical eye, further diversifying our staff, and re-centering our work to lift up marginalized and underrepresented perspectives. In this decisive moment, we will be intentional in our support for Black, Indigenous, and People of Color, and will join with colleagues at other cultural heritage organizations to create, in the words of the Association of Research Libraries, “an equitable, enduring research information environment.”
In this work, we seek to live up to one of the guiding principles in our strategic plan: “Diversity Strengthens Us.” More than ever, we must prioritize our commitment and live this value in our work. Racial injustice is in the very fabric of our communities and institutions. The critical role of the Duke Libraries in our university’s teaching, learning, and research makes it an essential space to seek understanding, have challenging conversations, and together determine what we can do to be a civic-minded and just society.
We have work to do to address the inequities so starkly revealed by recent tragedies. To expand our cultural competence and combat racism, we will carry on our efforts to:
Dismantle white privilege in our collections and services. We are reaching out to students, community members, faculty partners and colleagues to listen to and learn from their work and experiences. We seek to be transparent about our own history and to make our Libraries more welcoming, inclusive, and accountable. Through assessment we seek feedback from students and faculty.
Diversify our staff, recognizing that different opinions, backgrounds, and experiences will lead to better decisions and invigorate our organization.
Practice more inclusive metadata creation, with the goal of harm reduction from biased and alienating description and classification. In doing so, we have found inspiration in the film Change the Subject, which documents student-led metadata remediation efforts at Dartmouth.
Tell history from the inside out. We seek opportunities to work with communities to tell their own stories and preserve their own histories. We are learning from our work with the SNCC Digital Gateway, CRMvet, and Teaching for Change.
Renew our commitment in the University Archives to documenting, investigating, and sharing our complex institutional history.
The Duke University Libraries will continue to work actively to identify actions we can take to improve. DUL staff are caring and respectful, and we will not place the burden of this work on colleagues of color unless they indicate a willingness to engage. Together we reaffirm our commitment to seek strategies and opportunities to learn about and support diversity, equity, and inclusion and to contribute to a more just and equitable future for Duke, especially for our Black students, staff, and faculty.
Deborah Jakubs Rita DiGiallonardo Holloway University Librarian & Vice Provost for Library Affairs
Mozart once said, “Art lies in expressing everything, the sad as well as the gay, the horrible as well as the enchanting, in forms which remain beautiful.”
We love quotations like that—wise, witty, pithy, and stylish all at once. We love collecting great quotes, and as a library you could say we collect a great many of them. On our digital reference shelves, you can find hundreds of anthologies of quotations, aphorisms, proverbs, epigrams, bon mots, folk sayings, and old saws.
Quotations come in handy, whether you’re writing a paper, working on a presentation, struggling to craft a clever wedding toast—or a dignified obituary—or even just looking for inspiration.
Great quotations have the power to impose perspective and definition on lived experience—or, as the nineteenth-century novelist Samuel Butler put it even better, to “enclose a wilderness of idea within a wall of words.”
There are times when we stumble on a quotation that comes surprisingly close to home, like this verse from Gilbert and Sullivan’s comic opera The Mikado: “Though the night may come too soon, we have years and years of afternoon.”
It certainly feels that way to many of us right now, with so many monotonous days and weeks trapped at home, and goodness knows how many more stretching out ahead. But there’s something gratifying and almost consoling to see someone else put it so cleverly.
So this week, while our Duke students are busily working on final papers and filling them with illustrative quotations of their own (properly cited, we have no doubt), it seemed like a good time to offer some quotable words of our own.
We’ve put together a little zine anthology of quotations we’ve been thinking about during this difficult time. The title says it all: Print, Fold, Ponder: A Wee Zine of Wise Words We Need Now.It’s a little collection of quotes about optimism, hope, leisure—words that inspire us to look on the bright side of what we’re going through—but also about the seriousness of the situation we’re in. It’s like Mozart said—a little bit of the sad as well as the gay, the horrible as well as the enchanting.
Keep it for yourself, give it to a neighbor, or leave it for a delivery person as a little token to let them know someone’s thinking of them. Just as we’re thinking of you and looking forward to seeing you back in the library one day. You can quote us on that.
Instructions: How to Print, Fold, and Make This Zine
You will need a printer. Or, you can hand-copy what you see on the screen on your own sheet of paper and make your own!
If you’re interested in the book he mentions in the video (Watcha Mean, What’s a Zine?: The Art of Making Zines and Minicomics), we have a digital version you can check out through HathiTrust (Duke NetID required). Enjoy!
All submissions must be received by June 30, 2020.
Aptman Prizes
The Aptman Prizes recognize undergraduates’ excellence in research, including their analysis, evaluation and synthesis of sources.
Any undergraduate student who uses library resources to complete a paper and project as part of his or her undergraduate coursework at Duke may be considered for an Aptman Prize.
The Middlesworth Awards recognize excellence of analysis, research, and writing by Duke University students in the use of primary sources held by the Rubenstein Rare Book & Manuscript Library.
All papers or projects from Duke undergraduate or graduate students that are based largely or wholly on sources in the Rubenstein Library are eligible.
The Holsti Prize recognizes excellence in undergraduate research using primary sources for political science or public policy.
Undergraduate papers that use primary sources and were written for a course, independent study, or thesis in the Political Science or Public Policy departments are eligible.
One of the things people always say they love about libraries is the smell of old books. There’s nothing quite so comforting as the slightly musty aroma of stacks upon stacks of so much accumulated knowledge. Of all the things our students and faculty tell us they miss most during this extended period of home isolation, that ineffable library smell is up there at the top.
Now, thanks to recent advances in digital publishing, we’re excited to pilot a new feature in selected library e-books that lets you recapture that odoriferous experience virtually.
The next time you check out an e-book through our library catalog, look for the green “Scratch-n-Sniff” button in the online interface. Clicking the button will activate a feature that artificially simulates the olfactory experience of reading text on vintage, yellowed paper. Just gently scratch your display as you read to be transported back to your favorite reading nook in the library.
The first time you use the “Scratch-n-Sniff” feature, you may need to lean in close to your monitor and breathe deeply to get the full effect. The application isn’t compatible with all browsers. But if your operating system is up-to-date, you should be able adjust the display settings in the control panel of your PC or mobile device to strengthen the smell.
Library users are also advised to scratch carefully, as sharp fingernails and aggressive scratching may damage your monitor and cause the “Scratch-n-Sniff” function not to work properly.
“Over the years, e-books have represented a larger and larger percentage of library collections, even as some researchers—particularly those in the humanities—continue to turn their nose up at them,” said Jeff Kosokoff, Assistant University Librarian for Collection Strategy. “We understand. Nothing quite compares to the age-old experience of immersing yourself in a physical book. But now that digital is the only option for a while, we’re doing everything we can to replicate the experience Duke’s world-class students and faculty are accustomed to.”
“We had to pay through the nose for this add-on feature,” Kosokoff added, “but it’s worth it to keep our Duke community feeling connected to their library.”
Fans of the classics will be particularly pleased to know that the earlier a book’s original publication date, the mustier it smells. For instance, clicking the “Scratch-n-Sniff” button while reading an electronic copy of David Copperfield (which happens to be our next selection for the Low Maintenance Book Club, by the way) is like holding a real first-edition Dickens up to your nose.
The “Scratch-n-Sniff” e-book feature is available for a limited time for selected e-books in our library catalog and works with most PCs, laptops, Apple and Android devices, and e-readers, including Amazon Kindle, Kobo Libra, and Barnes and Noble Nook. It does not work with Internet Explorer, however.
NOTE: Due to changes in the university’s operations in light of COVID-19, the Nadelle Prize for Book Collecting has been postponed.
Attention, student bibliophiles!
The Duke University Libraries are proud to present the 2020 Andrew T. Nadell Prize for Book Collecting. The contest is open to all students enrolled in an undergraduate or graduate/professional degree program at Duke, and the winners will receive cash prizes!
Winners of the contest will receive any in-print Grolier Club book of their choice, as well as a three-year membership in the Bibliographical Society of America.
Winners will also be eligible to enter the National Collegiate Book Collecting Contest, where they will compete for a $2,500 prize and an invitation to the awards ceremony in Washington, D.C., at the Library of Congress.
You don’t have to be a “book collector” to enter the contest. Past collections have varied in interest areas and included a number of different types of materials. Collections are judged on adherence to a clearly defined unifying theme, not rarity or monetary value.
Interested in entering? Visit our websitefor more information and read winning entries from past years. Contact Kurt Cumiskey at kurt.cumiskey@duke.edu with any questions.
Nominations are now open for a new undergraduate invited speaker event featuring students who have shown excellence in using the Libraries’ materials as part of their coursework, honors thesis, or other capstone project. Nominated students may be invited to present about the process of conducting their research at the event “Research as Process: An Undergraduate Research Showcase.”
Participants will be selected from a variety of disciplines, featuring research conducted on varied topics and with different methods (from data visualization to papers to websites), all of which have unique processes for research.
Nominees must have conducted their research between the Spring 2019 and Spring 2020 semesters for consideration.
To nominate a student, faculty must submit a letter of support on the student’s behalf.
Guest post by Amanda Rizki, Cary Gentry, and Sujeit Llanes, practicum students in our Assessment and User Experience Department.
Are you one of the many students who prefer to browse the web for scholarly articles?
Do you use Wikipedia as your starting point for research?
Do you do most of your research before you come to the library’s website?
Maybe you are frustrated by having to relocate each article you find cited on scholarly websites within the Duke Libraries’ databases?
Nomad Plug-In for Chrome is the tool for you! Nomad is a browser plugin for Google Chrome that helps you find journal article PDFs quickly and easily. Nomad connects your Duke Libraries access to articles found while browsing in Wikipedia, PubMed, or directly on publishers’ websites.
Once you install the plugin, it will scan the sites you read online for journal article identifiers. When it sees an article that is available through Duke, it provides easy PDF or link access with a consistent, easy-to-find button. Links bring you to a fully accessible article page – no further login required. PDFs can be downloaded directly to your computer.
Nomad was created by Third Iron, the same company that makes LibKey and BrowZine. The plug-in does not collect any information about you, so the tool is safe to use with your personal information and Duke log-in. While Nomad reads web pages for articles that Duke Library provides access to, it is still your Duke credentials that allow the link or download to move forward.
Need more assistance setting up this plug-in? Keep reading!
Plug-ins are extra bits of software that you can add to your internet browser – in this case, to Google Chrome. Google organizes all of the plug-ins available for their browser on a site called Chrome Web Store. This plug-in, Nomad, is free, but some plug-ins must be purchased.
1. Open Google Chrome. If you have not already installed it, Chrome is available via Google.
2. In Chrome, type “Chrome libkey nomad” in the address bar and choose the first result. Or open this link.
3. Click the “Add to Chrome” button in the upper right corner of the page:
4. A small popup window will appear. The browser will ask for you to verify that you want to add the plug-in (called the extension) to your computer.
5. After the plug-in installs, it will prompt you to select your institution. Choose “Duke University” from the dropdown menu.
6. The plugin is now ready to use. You can close the window and proceed to browse normally.
Here in the Libraries, we’re always trying to up our game. That’s why every two years we invite Duke students to take part in a brief user survey to help us better understand their experiences and thoughts on library spaces, collections, and services.
The survey takes no more than 5 minutes to complete and will remain open between now and February 12, 2020.
As a special thank you for participating, all student respondents will be entered into a raffle for a $150 Amazon gift card.
When libraries and students work together, everybody wins. Take a look at some of the improvements we’ve made over the last four years as a direct result of our user surveys.
Changes We Made in Response to Our 2016 and 2018 User Surveys
Oasis Perkins: You asked for a space to relax and de-stress. We worked with DuWell to develop Oasis Perkins on the fourth floor of the library.
Prayer & Meditation Room: You asked for a private place to pray and meditate while in the library. We converted a study room into a space for quiet reflection.
Hot/cold water dispensers: You asked for access to hot filtered water 24/7. We added two hot/cold water dispensers to Bostock (floor 3) and Perkins (floor 4).
Increased textbook lending: You asked for more textbooks to be available from the library. We purchased textbooks for the 100 highest enrollment classes at Duke and made them available for three-hour checkout at the library.
Coffee vending machine: You asked for access to coffee 24/7. We added a coffee and hot beverage vending machine to the lounge in The Edge.
Office supplies vending machine: You asked for easy access to important supplies like whiteboard markers and charging cables. We stocked a vending machine in The Edge with school supplies.
Better signage for reservable study rooms: You asked for clearer policies so you know when to reserve a room and when you can drop in without advance planning. We revamped our room reservation policy and added eye-catching signage to study rooms.
Clearer policies for study spaces: You asked for noise norms so you know where to go when you need to get work done. We added colorful signage to indicate which floors are for gabbing and which are for stuff done.
E-newsletter: You asked for more info about library events and research tools. We developed a regular e-newsletter, chock full of handy tips and interesting tidbits about library exhibits, programs, collections.
Inclusive spaces statement and signage: You asked for visible confirmation that Duke Libraries are open to everyone. We worked with students to develop an Inclusive Spaces Statement and created “Libraries are for everyone” buttons for staff to wear and posted signs in Lower Level 2.
Lower Level 2 improvements: You asked for a better vibe in Perkins Lower Level 2. We replaced the carpet, changed the paint color, and added brighter lighting.
Better WiFi access on the patio: You asked for more study spaces with natural light. We enhanced WiFi access on the patio outside Perkins & Bostock so you can study in the sunshine.
Feedback is what helps the Libraries grow, and the more input we get, the better we’ll be able to renovate, rethink, and improve.
So please, take a couple minutes of your time to complete the 2020 survey—and thank you for your help in making the Duke University Libraries a better place.
Happy holidays! For those of you who have left campus, don’t forget that you can take the library home with you! All the titles listed below – a mix of ebooks and audiobooks – are currently available to borrow immediately from our Overdrive collection.
David Sedaris’s beloved holiday collection is new again with six more pieces, including a never before published story. Along with such favoritesas the diaries of a Macy’s elf and the annals of two very competitive families, are Sedaris’s tales of tardy trick-or-treaters (“Us and Them”); the difficulties of explaining the Easter Bunny to the French (“Jesus Shaves”); what to do when you’ve been locked out in a snowstorm (“Let It Snow”); the puzzling Christmas traditions of other nations (“Six to Eight Black Men”); what Halloween at the medical examiner’s looks like (“The Monster Mash”); and a barnyard secret Santa scheme gone awry (“Cow and Turkey”).
In 2009, a chubby, mild-mannered graduate of the University of Pennsylvania’s Wharton School of Business named Jho Low set in motion a fraud of unprecedented gall and magnitude—one that would come to symbolize the next great threat to the global financial system. Over a decade, Low, with the aid of Goldman Sachs and others, siphoned billions of dollars from an investment fund—right under the nose of global financial industry watchdogs. Low used the money to finance elections, purchase luxury real estate, throw champagne-drenched parties, and even to finance Hollywood films like The Wolf of Wall Street.
By early 2019, with his yacht and private jet reportedly seized by authorities and facing criminal charges in Malaysia and in the United States, Low had become an international fugitive, even as the U.S. Department of Justice continued its investigation.
There’s no stopping Busy Philipps. From the time she was two and “aced out in her nudes” to explore the neighborhood (as her mom famously described her toddler jailbreak), Busy has always been headstrong, defiant, and determined not to miss out on all the fun. These qualities led her to leave Scottsdale, Arizona, at the age of nineteen to pursue her passion for acting in Hollywood. But much like her painful and painfully funny teenage years, chasing her dreams wasn’t always easy and sometimes hurt more than a little.
In a memoir “that often reads like a Real World confessional or an open diary” (Kirkus Reviews), Busy opens up about chafing against a sexist system rife with on-set bullying and body shaming, being there when friends face shattering loss, enduring devastating personal and professional betrayals from those she loved best, and struggling with postpartum anxiety and the challenges of motherhood.
For more than ten years, a mysterious and violent predator committed fifty sexual assaults in Northern California before moving south, where he perpetrated ten sadistic murders. Then he disappeared, eluding capture by multiple police forces and some of the best detectives in the area.
Three decades later, Michelle McNamara, a true crime journalist who created the popular website TrueCrimeDiary.com, was determined to find the violent psychopath she called “the Golden State Killer.” Michelle pored over police reports, interviewed victims, and embedded herself in the online communities that were as obsessed with the case as she was.
I’ll Be Gone in the Dark — the masterpiece McNamara was writing at the time of her sudden death — offers an atmospheric snapshot of a moment in American history and a chilling account of a criminal mastermind and the wreckage he left behind. It is also a portrait of a woman’s obsession and her unflagging pursuit of the truth. Utterly original and compelling, it is destined to become a true crime classic — and may at last unmask the Golden State Killer. Soon to be an HBO® Documentary Series.
Stephen Hawking was the most renowned scientist since Einstein, known both for his groundbreaking work in physics and cosmology and for his mischievous sense of humor. He educated millions of readers about the origins of the universe and the nature of black holes, and inspired millions more by defying a terrifying early prognosis of ALS, which originally gave him only two years to live. In later life he could communicate only by using a few facial muscles, but he continued to advance his field and serve as a revered voice on social and humanitarian issues.
Hawking not only unraveled some of the universe’s greatest mysteries but also believed science plays a critical role in fixing problems here on Earth. Now, as we face immense challenges on our planet—including climate change, the threat of nuclear war, and the development of artificial intelligence—he turns his attention to the most urgent issues facing us.
Will humanity survive? Should we colonize space? Does God exist? These are just a few of the questions Hawking addresses in this wide-ranging, passionately argued final book from one of the greatest minds in history.
Ellie Mack was the perfect daughter. She was fifteen, the youngest of three. She was beloved by her parents, friends, and teachers. She and her boyfriend made a teenaged golden couple. She was days away from an idyllic post-exams summer vacation, with her whole life ahead of her.
And then she was gone.
Now, her mother Laurel Mack is trying to put her life back together. It’s been ten years since her daughter disappeared, seven years since her marriage ended, and only months since the last clue in Ellie’s case was unearthed. So when she meets an unexpectedly charming man in a café, no one is more surprised than Laurel at how quickly their flirtation develops into something deeper. Before she knows it, she’s meeting Floyd’s daughters — and his youngest, Poppy, takes Laurel’s breath away.
Because looking at Poppy is like looking at Ellie. And now, the unanswered questions she’s tried so hard to put to rest begin to haunt Laurel anew. Where did Ellie go? Did she really run away from home, as the police have long suspected, or was there a more sinister reason for her disappearance? Who is Floyd, really? And why does his daughter remind Laurel so viscerally of her own missing girl?
Olive Torres is used to being the unlucky twin: from inexplicable mishaps to a recent layoff, her life seems to be almost comically jinxed. By contrast, her sister Ami is an eternal champion…she even managed to finance her entire wedding by winning a slew of contests. Unfortunately for Olive, the only thing worse than constant bad luck is having to spend the wedding day with the best man (and her nemesis), Ethan Thomas.
Olive braces herself for wedding hell, determined to put on a brave face, but when the entire wedding party gets food poisoning, the only people who aren’t affected are Olive and Ethan. Suddenly there’s a free honeymoon up for grabs, and Olive will be damned if Ethan gets to enjoy paradise solo.
Agreeing to a temporary truce, the pair head for Maui. After all, ten days of bliss is worth having to assume the role of loving newlyweds, right? But the weird thing is…Olive doesn’t mind playing pretend. In fact, the more she pretends to be the luckiest woman alive, the more it feels like she might be.
It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family Seder table is of new babies and budding romance, not of the increasing hardships threatening Jews in their hometown of Radom, Poland. But soon the horrors overtaking Europe will become inescapable and the Kurcs will be flung to the far corners of the world, each desperately trying to navigate his or her own path to safety.
As one sibling is forced into exile, another attempts to flee the continent, while others struggle to escape certain death, either by working grueling hours on empty stomachs in the factories of the ghetto or by hiding as gentiles in plain sight. Driven by an unwavering will to survive and by the fear that they may never see one another again, the Kurcs must rely on hope, ingenuity, and inner strength to persevere.
An extraordinary, propulsive novel, We Were the Lucky Ones demonstrates how in the face of the twentieth century’s darkest moment, the human spirit can endure and even thrive.
Growing up in one of the poorest neighborhoods of South Central Los Angeles, Tiffany learned to survive by making people laugh. If she could do that, then her classmates would let her copy their homework, the other foster kids she lived with wouldn’t beat her up, and she might even get a boyfriend. Or at least she could make enough money — as the paid school mascot and in-demand Bar Mitzvah hype woman — to get her hair and nails done, so then she might get a boyfriend.
None of that worked (and she’s still single), but it allowed Tiffany to imagine a place for herself where she could do something she loved for a living: comedy.
Tiffany can’t avoid being funny — it’s just who she is, whether she’s plotting shocking, jaw-dropping revenge on an ex-boyfriend or learning how to handle her newfound fame despite still having a broke person’s mind-set. Finally poised to become a household name, she recounts with heart and humor how she came from nothing and nowhere to achieve her dreams by owning, sharing, and using her pain to heal others.
By turns hilarious, filthy, and brutally honest, The Last Black Unicorn shows the world who Tiffany Haddish really is – humble, grateful, down-to-earth, and funny as hell. And now, she’s ready to inspire others through the power of laughter.
Everyone knows Daisy Jones & The Six, but nobody knows the reason behind their split at the absolute height of their popularity…until now.
Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ‘n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.
Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.
Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.
The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.
As you are preparing for your much needed break, I hope you remember that the library will still be here for you! Maybe you already know that you can access many of our online resources from home or that you can check out books to take home with you. We also have movies and music that you can stream and some e-books that you can download to your devices. Here are some of the resources we have to do this!
Streaming Videos
Alexander Street Video Collection: Find and watch streaming video across multiple Alexander Street Press video collections on diverse topics that include newsreels, documentaries, field recordings, interviews and lectures.
Docuseek2 Collection: Find and watch streaming video of documentary and social issues films.
Films on Demand: Find and watch streaming video with academic, vocational, and life-skills content.
Kanopy: Watch thousands of award-winning documentaries and feature films including titles from the Criterion Collection.
Go to duke.overdrive.com to access downloadable eBooks and audiobooks that can be enjoyed on all major computers and devices, including iPhones®, iPads®, Nooks®, Android™ phones and tablets, and Kindles®.
Looking for an easy way to help people this holiday season?
From November 15 – December 15, you can exchange “Food for Fines” at the Duke library nearest you.
For every unopened, unexpired, non-perishable food item you donate, we will waive $1 of your library fines (up to $50 max).
All libraries on East and West Campus are participating except for the Duke Law Library, and it doesn’t matter which library you owe fines to. You can drop off your donation at the library of your choice, and we’ll apply it to any library fines at any Duke library.
Donations will be collected and distributed by the Food Bank of Central and Eastern NC. The Food Bank serves a network of more than 800 agencies across 34 counties in Central and Eastern North Carolina, including soup kitchens, food pantries, shelters, and programs for children and adults.
You can also donate non-food essentials for infants, kids, and seniors, such as diapers, wipes, cleaning products, and paper towels. The chart below lists the items currently needed most.
No library fines? No problem! You can still donate and help North Carolinians in need.
The fine print
Limit $50 in forgiven fines per person.
Any fines already paid or transferred to the bursar cannot be waived.
No expired food items or glass containers, please.
Waived fines only apply to late fees. Charges for damaged or lost books cannot be waived.
All Duke libraries will waive fines for other Duke libraries (except the Duke Law Library). For example, if you owe $5 to the Divinity Library, you are not required to drop off your donation at the Divinity Library. You can visit any library on East or West Campus and your Divinity Library fines will be waived.
Happy Halloween! Don’t forget to set your clock back this Sunday, November 2. As always, for more exciting reads, check out our Overdrive, New and Noteworthy, and Current Literature collections.
Beneath the Mountain by Luca D’Andrea; translated from the Italian by Howard Curtis.
In Luca D’Andrea’s atmospheric and brilliant thriller, set in a small mountain community in the majestic Italian Dolomites, an outsider must uncover the truth about a triple murder that has gone unsolved for thirty years.
New York City native Jeremiah Salinger is one half of a hot-shot documentary-making team. He and his partner, Mike, made a reality show about roadies that skyrocketed them to fame. But now Salinger’s left that all behind, to move with his wife, Annelise, and young daughter, Clara, to the remote part of Italy where Annelise grew up – the Alto Adige.
Nestled in the Dolomites, this breathtaking, rural region that was once part of the Austro-Hungarian Empire remains more Austro than Italian. Locals speak a strange, ancient dialect – Ladino – and root for Germany (against Italy) in the world cup. Annelise’s small town – Siebenhoch – is close-knit to say the least and does not take kindly to out-of-towners. When Salinger decides to make a documentary about the mountain rescue group, the mission goes horribly awry, leaving him the only survivor. He blames himself, and so, it seems, does everyone else in Siebenhoch. Spiraling into a deep depression, he begins having terrible, recurrent nightmares. Only his little girl Clara can put a smile on his face.
But when he takes Clara to the Bletterbach Gorge – a canyon rich in fossil remains – he accidentally overhears a conversation that gives his life renewed focus. In 1985, three students were murdered there, their bodies savaged, limbs severed and strewn by a killer who was never found. Although Salinger knows this is a tightlipped community, one where he is definitely persona non grata, he becomes obsessed with solving this mystery and is convinced it is all that can keep him sane. And as Salinger unearths the long kept secrets of this small town, one by one, the terrifying truth is eventually revealed about the horrifying crime that marked an entire village.
Completely engrossing and deeply atmospheric, Beneath The Mountain is a thriller par excellence.
The award-winning author of The Eichmann Trial and Denial: Holocaust History on Trial gives us a penetrating and provocative analysis of the hate that will not die, focusing on its current, virulent incarnations on both the political right and left: from white supremacist demonstrators in Charlottesville, Virginia, to mainstream enablers of antisemitism such as Donald Trump and Jeremy Corbyn, to a gay pride march in Chicago that expelled a group of women for carrying a Star of David banner.
Over the last decade there has been a noticeable uptick in antisemitic rhetoric and incidents by left-wing groups targeting Jewish students and Jewish organizations on American college campuses. And the reemergence of the white nationalist movement in America, complete with Nazi slogans and imagery, has been reminiscent of the horrific fascist displays of the 1930s. Throughout Europe, Jews have been attacked by terrorists, and some have been murdered.
Where is all this hatred coming from? Is there any significant difference between left-wing and right-wing antisemitism? What role has the anti-Zionist movement played? And what can be done to combat the latest manifestations of an ancient hatred? In a series of letters to an imagined college student and imagined colleague, both of whom are perplexed by this resurgence, acclaimed historian Deborah Lipstadt gives us her own superbly reasoned, brilliantly argued, and certain to be controversial responses to these troubling questions.
Midwestern Strange chronicles B.J. Hollars’s exploration of the mythic, lesser-known oddities of flyover country. The mysteries, ranging from bipedal wolf sightings to run-ins with pancake-flipping space aliens to a lumberjack-inspired “Hodag hoax,” make this book a little bit X-Files, a little bit Ghostbusters, and a whole lot of Sherlock Holmes . Hollars’s quest is not to confirm or debunk these mysteries but rather to seek out these unexplained phenomena to understand how they complicate our worldview and to discover what truths might be gleaned by reexamining the facts in our “post-truth” era.
Part memoir and part journalism, Midwestern Strange offers a fascinating, funny, and quirky account of flyover folklore that also contends with the ways such oddities retain cultural footholds. Hollars shows how grappling with such subjects might fortify us against the glut of misinformation now inundating our lives. By confronting monsters, Martians, and a cabinet of curiosities, we challenge ourselves to look beyond our presumptions and acknowledge that just because something is weird, doesn’t mean it is wrong.
Ageing and Contemporary Female Musicians focuses on ageing within contemporary popular music. It argues that context, genres, memoirs, racial politics and place all contribute to how women are ‘aged’ in popular music.
Framing contemporary female musicians as canonical grandmothers, Rude Girls, neo-Afrofuturist and memoirists settling accounts, the book gives us some respite from a decline or denial narrative and introduces a dynamism into ageing. Female rock memoirs are age-appropriate survival stories that reframe the histories of punk and independent rock music. Old age has a functional and canonical ‘place’ in the work of Shirley Collins and Calypso Rose.
Janelle Monáe, Christine and the Queens, and Anohni perform ‘queer’ age, specifically a kind of ‘going beyond’ both corporeal and temporal borders. Genres age, and the book introduces the idea of the time-crunch; an encounter between an embodied, represented age and a genre-age, which is, itself, produced through historicity and aesthetics. Lastly the book goes behind the scenes to draw on interviews and questionnaires with 19 women involved in the contemporary British and American popular music industry; DIY and ex-musicians, producers, music publishers, music journalists and audio engineers.
Ageing and Contemporary Female Musicians is a vital intergenerational feminist viewpoint for researchers and students in gender studies, popular music, popular culture, media studies, cultural studies and ageing studies.
What if you have more intelligence than you realize? What if there is a genius inside you, just waiting to be released? And what if the route to better brain power is not hard work or thousands of hours of practice but to simply swallow a pill? In The Genius Within, David Adam explores the groundbreaking neuroscience of cognitive enhancement that is changing the way the brain and the mind works – to make it better, sharper, more focused and, yes, more intelligent. He considers how we measure and judge intelligence, taking us on a fascinating tour of the history of brain science and medicine, from gentlemen scientist brain autopsy clubs to case studies of mental health patients with extraordinary savant abilities. In addition to reporting on the latest research and fascinating case studies, David also goes on his own personal journey to investigate the possibilities of neuroenhancement, using himself as a guinea pig for smart pills and electrical brain stimulation in order to improve his IQ scores and cheat his way into MENSA. Getting to the heart of how we think about intelligence and mental ability, The Genius Within plunges into deep ethical, neuroscientific, and historical pools of enquiry about the science of brain function, untapping potential, and what it means for all of us. The Genius Within asks difficult questions about the science that could rank and define us, and inevitably shape our future.
Every year the Duke University Libraries run a series of essay contests recognizing the original research of Duke students and encouraging the use of library resources. We are pleased to announce the winners of our 2018-2019 library writing and research awards.
Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.
Undergraduate Prize:Sierra Lorenzini for “Fair Haired: Considering Blonde Women in Film and Advertising,” nominated by Dr. Kristine Stiles
Graduate Prize:Michael Freeman for “P. Duke Inv. 664R: A Fragmentary Alchemical Handbook,” nominated by Dr. Jennifer Knust
Recognizing excellence in undergraduate research using primary sources for political science or public policy.
Amanda Sear for “To Smoke or to Vape? E-cigarette Regulation in the US, the UK, and Canada,” nominated by Dr. Ed Balleisen
Yue Zhou for “Learning Languages in Cyberspace: A Case Study of World Languages Courses in State Virtual Public Schools,” nominated by Dr. Leslie Babinski
Valerie Muensterman for “Did You Forget Your Name?”
Caroline Waring for “The Roof”
Blaire Zhang for “Sapiens”
Join Us at the Awards Reception!
We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend. All are invited to join us for refreshments and the opportunity to honor the recipients.
Effective September 20, 2019, the Duke University Libraries have transitioned to a title-by-title access model for Kanopy, a popular library of streaming video titles. This change comes as a result of the unsustainable increase in cost of providing unlimited access through an automatic licensing model.
Kanopy’s pricing for libraries under our previous model was based on views per title. Once a title was viewed three times for longer than 30 seconds, we were charged a licensing fee of $135 for one year of access.
Under the new model, users will still be able to watch and stream all of our currently licensed films in Kanopy (of which there are more than 800). New titles may still be requested by members of the Duke community, but they will not be accessible automatically.
We understand and respect how popular streaming media has become. It is an invaluable instructional resource and a gateway for lifelong learning. We regret having to make this change. But we could neither justify nor sustain Kanopy’s skyrocketing price tag.
Duke is not alone in having made this difficult choice. The libraries at Stanford and Harvard have also had to limit their use of Kanopy, and the New York Public Library system recently canceled their subscription to the service due to the unsustainable cost.
Here’s a summary of what’s changing:
We will only subscribe to Media Education Foundation titles on Kanopy.
Already-licensed films can still be found on Kanopy and are listed individually in our online library catalog.
All other titles may be requested via the Kanopy platform or through a course reserve request.
We will continue to accept faculty requests for Kanopy films and videos assigned in courses. If you are a faculty member, use our “Place Items on Reserve” form for these titles. If you are using a film for a class and are concerned about the expiration date of our license for it, use the same form to ensure access.
Other options for streaming and viewing video
We have a number of other streaming video platforms available to members of the Duke community. For a complete list, please refer to our Streaming Video guide.
We also encourage you to explore our extensive DVD and Blu-ray holdings, which you can find in our online catalogand have delivered to the Duke library of your choice.
For more info
For additional questions about Kanopy or about our film streaming options, please contact:
Welcome / welcome back to Duke and the start of another school year! In an effort to encourage reading for pleasure while in college – really, it’s possible – here are some suggestions from our New and Noteworthy collection, located on the first floor of Perkins across from the bathrooms. You can also check out our Current Literature and Devil DVDS at Lilly, CDs at the Music Library on East Campus, and our Overdrive collection. Don’t worry if your computer doesn’t have a disc drive; you can borrow those at Lilly! And if you need help finding a book, you can learn about how we organize our books in this course guide or come to the service desk – we’re happy to help!
In the seemingly idyllic town of Rundle Junction, Bennie and Walter are preparing to host the wedding of their eldest daughter Clem. A marriage ceremony at their beloved, rambling home should be the happiest of occasions, but Walter and Bennie have a secret. A new community has moved to Rundle Junction, threatening the social order and forcing Bennie and Walter to confront uncomfortable truths about the lengths they would go to to maintain harmony.
Meanwhile, Aunt Glad, the oldest member of the family, arrives for the wedding plagued by long-buried memories of a scarring event that occurred when she was a girl in Rundle Junction. As she uncovers details about her role in this event, the family begins to realize that Clem’s wedding may not be exactly what it seemed. Clever, passionate, artistic Clem has her own agenda. What she doesn’t know is that by the end, everyone will have roles to play in this richly imagined ceremony of familial connection-a brood of quirky relatives, effervescent college friends, ghosts emerging from the past, a determined little mouse, and even the very group of new neighbors whose presence has shaken Rundle Junction to its core.
With Strangers and Cousins, Leah Hager Cohen delivers a story of pageantry and performance, hopefulness and growth, and introduces a winsome, unforgettable cast of characters whose lives are forever changed by events that unfold and reverberate across generations.
Only as the Day Is Long represents a brilliant, daring body of work from one of our boldest contemporary poets, known to bear compassionate and ruthless witness to the quotidian. Drawn from Dorianne Laux’s five expansive volumes, including her confident debut Awake, National Book Critics Circle Finalist What We Carry, and Paterson Prize-winning The Book of Men, the poems in this collection have been “brought to the hard edge of meaning” (B. H. Fairchild) and praised for their “enormous precision and beauty” (Philip Levine). Twenty new odes pay homage to Laux’s mother, an ordinary and extraordinary woman of the Depression era.The wealth of her life experience finds expression in Laux’s earthy and lyrical depictions of working-class America, full of the dirt and mess of real life. From the opening poem, “Two Pictures of My Sister,” to the last, “Letter to My Dead Mother,” she writes, in her words, of “living gristle” with a perceptive frankness that is luminous in its specificity and universal in its appeal. Exploring experiences of survival and healing, of sexual love and celebration, Only as the Day Is Long shows Laux at the height of her powers.
For the first time since a 5th century Greek physician gave the name “cancer” (karkinos, in Greek) to a deadly disease first described in Egyptian Papyri, the medical world is near a breakthrough that could allow even the most conservative doctors and pragmatic patients to use the other “c word” – cure – in the same sentence as cancer. A remarkable series of events has brought us to this point, thanks in large part to a new ability to more efficiently harness the extraordinary power of the human immune system.
The End of the Beginning is a remarkable history of cancer treatment and the evolution of our understanding of its dynamic interplay with the immune system. Through Michael Kinch’s personal experience as a cancer researcher at Washington University and the head of the oncology program at a leading biotechnology company, we witness the incredible accumulation of breakthrough science and its rapid translation into life-saving technologies that have begun to dramatically increase the quality and quantity of life for cancer patients.
“Michael S. Kinch, Ph.D. is Associate Vice Chancellor at Washington University in St Louis, where he helps lead entrepreneurship activities as well as research on innovation in biopharmaceutical research and development. Michael founded and leads the Centers for Research Innovation in Biotechnology (CRIB) and Drug Development (CDD).
“Dr. Kinch’s scientific background includes the development of new medicines for cancer, immunological and infectious diseases. His current work is primarily focused upon understanding the blend of science, medicine, business and law needed to support the development of new medicines.”
Today, entrepreneurs, Silicon Valley start-ups, and celebrity activists are the driving force in a radical shift in the way we think about lifting people out of poverty. In this new era of data-driven, results-oriented global aid, it’s no longer enough to be a well-intentioned do-gooder or for the wealthy to donate an infinitesimal part of their assets to people without a home or basic nutrition. What matter now in the world of aid are measurable improvements and demonstrable, long-term change.
Drawing on two decades of research and his own experiences as an expert in global development, Raj Kumar, founder and President of Devex, explores the successes and failures of non-traditional models of philanthropy. According to Kumar, a new billionaire boom is fundamentally changing the landscape of how we give, from well-established charitable organizations like the Chan Zuckerberg Initiative and The Bill and Melinda Gates Foundation, to Starbucks and other businesses that see themselves as social enterprises, to entrepreneurial start-ups like Hello Tractor, a farm equipment-sharing app for farmers in Nigeria, and Give Directly, an app that allows individuals to send money straight to the mobile phone of someone in need. The result is a more sustainable philosophy of aid that elevates the voices of people in need as neighbors, partners, and customers.
Refreshing and accessibly written, The Business of Changing the World sets forth a bold vision for how businesses, policymakers, civil society organizations, and individuals can turn well-intentioned charity into effective advocacy to transform our world for good.
Operatic by Kyo Maclear, illustrated by Byron Eggenschwiler.
Somewhere in the universe, there is the perfect tune for you.
It’s almost the end of middle school, and Charlie has to find her perfect song for a music class assignment. The class learns about a different style of music each day, from hip-hop to metal to disco, but it’s hard for Charlie to concentrate when she can’t stop noticing her classmate Emile, or wondering about Luka, who hasn’t been to school in weeks. On top of everything, she has been talked into participating in an end-of-year performance with her best friends.
Then, the class learns about opera, and Charlie discovers the music of Maria Callas. The more she learns about Maria’s life, the more Charlie admires her passion for singing and her ability to express herself fully through her music. Can Charlie follow the example of the ultimate diva, Maria Callas, when it comes to her own life?
This evocatively illustrated graphic novel brilliantly captures the high drama of middle school by focusing on the desire of its finely drawn characters to sing and be heard.
Members of these advisory boards will help improve the learning and research environment for Duke University students and advise the Libraries on topics such as study spaces, research resources, integrating library services into academic courses, and marketing library services to students.
The boards will typically meet three times a semester to discuss all aspects of Duke Libraries and provide feedback to library staff. This is an amazing opportunity for students to serve on the advisory board of a large, nationally recognized non-profit organization.
All three advisory boards are now taking applications or nominations. Application deadlines are:
Members of the Graduate and Professional Student Advisory Board and the Undergraduate Advisory Board will be selected and notified by mid-September, and groups will begin to meet in late September. More information is available on the advisory board website, where you will also find links to the online applications forms.
For more information or questions about these opportunities, please contact:
How can you make the most of your first-year? We have the answer: Jump into the First-Year Library Experience. On August 20th, the newest Blue Devils, the Class of Duke 2023, will arrive on East Campus for Orientation.
What will Duke 2023 find in their new neighborhood? Two libraries are on East Campus, Lilly Library and Duke Music Library which can introduce the First-Year “Dukies” to the powerful resources of all the Duke Libraries. While Lilly Library is home to the film collection, as well as a range of other materials, the specialized Music Library plays a different tune. Both libraries offer research support as well as study space for our new East Campus neighbors.
Cast your eyes upon our exciting schedule of events for Orientation 2019:
Movie on the Quad: Spider-Man: Into the Spider-Verse
co-sponsored by Duke University Student Affairs When: Wednesday, August 21st at 10 pm Where: East Campus Quad between Lilly & the Union
First Big Week on East Campus
Overwhelmed at the beginning of the semester? Lilly and Music will host a Harry Potter Open House the first week of class. We’ll get you “sorted” out! Duke 2023 will be captivated by our powerful library services: our research wizards, 3D labs, streaming media, study spaces – No Restricted Sections, please – as well as enjoying free food, prizes, and MORE!
It’s 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco – a journey through the deep queer archives of struggle and pleasure.
Andrea Lawlor’s debut novel offers a speculative history of early ’90s identity politics during the heyday of ACT UP and Queer Nation. Paul Takes the Form of a Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections.
From one of the world’s foremost intersex activists, a candid, provocative, and eye-opening memoir of gender identity, self-acceptance, and love.
My name is Hida Viloria. I was raised as a girl but discovered at a young age that my body looked different. Having endured an often turbulent home life as a kid, there were many times when I felt scared and alone, especially given my attraction to girls. But unlike most people in the first world who are born intersex – meaning they have genitals, reproductive organs, hormones, and/or chromosomal patterns that do not fit standard definitions of male or female – I grew up in the body I was born with because my parents did not have my sex characteristics surgically altered at birth.
It wasn’t until I was twenty-six and encountered the term intersex in a San Francisco newspaper that I finally had a name for my difference. That’s when I began to explore what it means to live in the space between genders – to be both and neither. I tried living as a feminine woman, an androgynous person, and even for a brief period of time as a man. Good friends would not recognize me, and gay men would hit on me. My gender fluidity was exciting, and in many ways freeing – but it could also be isolating.
I had to know if there were other intersex people like me, but when I finally found an intersex community to connect with I was shocked, and then deeply upset, to learn that most of the people I met had been scarred, both physically and psychologically, by infant surgeries and hormone treatments meant to “correct” their bodies. Realizing that the invisibility of intersex people in society facilitated these practices, I made it my mission to bring an end to it – and became one of the first people to voluntarily come out as intersex at a national and then international level.
Born Both is the story of my lifelong journey toward finding love and embracing my authentic identity in a world that insists on categorizing people into either/or, and of my decades-long fight for human rights and equality for intersex people everywhere.
Hida Viloria is a writer, author, and vanguard intersex and non-binary activist. S/he has spoken about intersex human rights at the United Nations and as a frequent television and radio guest (Oprah, Aljazeera, 20/20, NPR, BBC…), consultant (Lambda Legal, UN, Williams Institute…) and op-ed contributor (NewNowNext, The Daily Beast, The Huffington Post, The Advocate, Ms., CNN.com…).
¡Cuéntamelo! began as a cover story for SF Weekly. It is “[a] stunning collection of bilingual oral histories and illustrations by LGBT Latinx immigrants who arrived in the U.S. during the 80s and 90s. Stories of repression in underground Havana in the 60s; coming out trans in Catholic Puerto Rico in the 80s; Scarface, female impersonators, Miami and the ‘boat people’; San Francisco’s underground Latinx scene during the 90s and more.”
Juliana Delgado Lopera is an award-winning Colombian writer, historian, speaker and storyteller based in San Francisco. She’s the creative director of RADAR Productions, a queer literary non-profit in San Francisco. Her debut novel Fiebre Tropical, which won the 2014 Jackson Literary Award, will be out Spring 2020 from The Feminist Press.
From Victoria Island, Lagos to Brooklyn, U.S.A. to Accra, Ghana to Paris, France; from across the Diaspora to the heart of the African continent, in this memoir Nigerian journalist Chiké Frankie Edozien offers a highly personal series of contemporary snapshots of same gender loving Africans, unsung Great Men living their lives, triumphing and finding joy in the face of great adversity. On his travels and sojourns Edozien explores the worsening legal climate for gay men and women on the continent; the impact homophobic evangelical American pastors are having in many countries, and its toxic intersection with political populism; and experiences the pressures placed on those living under harshly oppressive laws that are themselves the legacy of colonial rule – pressures that sometimes lead to seeking asylum in the West. Yet he remains hopeful, and this memoir, which is pacy, romantic, and funny by turns, is also a love-letter to Africa, above all to Nigeria and the megalopolis that is Lagos.
Chiké Frankie Edozien is an award-winning reporter whose work has appeared in the New York Times, The Times (UK), Quartz, Vibe magazine, Time Magazine, and more.
He was a New York Post political reporter for over a decade. His work has been featured on numerous new broadcasts. He co-founded The AFRican magazine in 2001 to tell often overlooked, African stories.
Imagine experiencing life not as the gender dictated by birth but as one of your own design. In Trans Figured, Brian Belovitch shares his true story of life as a gender outlier and his dramatic journey through the jungle of gender identity.
Brian has the rare distinction of coming out three times: first as a queer teenager; second as a glamorous transgender woman named Tish, and later, Natalia Gervais; and finally as an HIV-positive gay man surviving the AIDS crisis in the 1980s. From growing up in a barely-working-class first-generation immigrant family in Fall River, Massachusetts, to spinning across the disco dance floor of Studio 54 in New York City; from falling into military lock-step as the Army wife of a domineering GI in Germany to having a brush with fame as Natalia, high-flying downtown darling of the boozy and druggy pre-Giuliani New York nightclub scene, Brian escaped many near-death experiences.
Trans Figured chronicles a life lived on the edge with an unforgettable cast of characters during a dangerous and chaotic era. Rich with drama and excitement, this no-holds-barred memoir tells it all. Most importantly, Brian’s candid and poignant story of recovery shines a light on the perseverance of the human spirit.
In 2016, Brian created Queer Stages an LGBTQ playreading group whose mission is to preserve and present LGBTQ themed plays and playwrights for current and future generations. Recently he was Alice, First Lady of Earth in Charles Ludlam’s Conquest of the Universe or When Queens Collide at LaMama to commemorate the 50th Anniversary of the Ridiculous Theatre. In film and television, Brian has appeared in The Irishman, Nor’easter, Silent Prey, Q&A, The Deuce, Homeland, and The Americans.
The 61st Annual Grammy Awards wrapped up in February, and now is your chance to catch up with some of the critically-acclaimed recordings that you may have heard about but haven’t had a chance to audition yourself. The Duke Music Library is pleased to unveil a new collection spotlight of recordings nominated for the 2019 Grammy awards, featuring more than 80 albums from just about every category you’ve heard of – and some you might not have!
In addition to some of the finest recordings from the last year in Opera, Musical Theatre, and Classical, this collection spotlight includes Cardi B, Ariana Grande, Kacey Musgraves, Beck, Fred Hersch, Drake, Joshua Redman, Kurt Elling, Buddy Guy, High on Fire, and many more.
French countertenor Philippe Jaroussky is among the most famous countertenors in the world right now, and it’s a voice range that has attracted growing interest in recent years. The high range of the countertenor voice and the manner in which its unusual qualities are produced results in a sound that has often been described as unearthly – it’s also a powerful and flexible voice type, able to handle music of stunning virtuosity and highly expressive pathos. All of these qualities are beautifully demonstrated in this album of arias selected by Jaroussky from among lesser-known Handel operas, highlighting pieces which he says “reveal a more intimate, tender side of Handel.”
Preview an incredible aria from the album, “Sussurrate, onde vezzose” from Handel’s Amadigi di Gaula, which evokes the limpid and gentle murmuring of waves. Jaroussky begins with an almost impossibly hushed suspended note on the word “whispering.”
Fred Hersch and company continue to find new and innovative modes of expression within the jazz piano trio context. Featuring new Hersch originals alongside fresh interpretations of a few standard tunes, this album really shines, both in recording quality and inspired live performance.
-Jamie Keesecker, Stacks Manager and Student Supervisor, Music Library
Metal lifer Matt Pike gets the big nod after a year in which this release was not even the best thing he put out (that distinction would go to his other band Sleep’s album ‘The Sciences’). It was also a year in which he had a public struggle with diabetes that cost him a toe and grounded a large part of the tour for ‘Electric Messiah’. That said, when the award was announced early in the Grammy ceremony, the cameras spent many long seconds scanning back and forth looking for the winners in a mostly-deserted theater. Finally, from way in the back, Pike hobbled forward with the help of a cane, and accompanied by his metal peers, to accept his shiny statue. “We never really need an award for doing what we love…” was part of Pike’s on-stage comment, but the commendation was very cool all the same.
– Stephen Conrad, Order Specialist for Music and Film and Team Lead for Western Languages, Monographic Acquisitions
The new Kernis Concerto was written for Canadian violinist James Ehnes, and it really serves as a showcase for Ehnes’ strengths. He comes across as such an intelligent musician, really playing with (not just in front of) the other members of the orchestra – Kernis gives them some great moments of interplay here. This work also balances Ehnes’ ability to deliver beautifully straightforward, unfussy lines one minute and astoundingly virtuosic cadenzas the next. Oh, and apparently he watched his Grammy win on a live stream in his neighborhood grocery store parking lot. How much more Canadian and unpretentious can you get?
-Sarah Griffin, Public Services Coordinator, Music Library (and, yes, a violinist)
Come over to East Campus to see these and browse through many more on our display of CDs. Don’t have a CD drive on your laptop anymore? No, neither do we! Borrow a portable DVD/CD drive while you’re here.
Fans of accompanying visual materials may find these albums to be of particular interest:
Wayne Shorter’s immersive Emanon, packaged with its accompanying graphic novel by comic book artist Randy DuBurke.
The Berliner Philharmoniker’s 6-disc box set (4 CDs and 2 Blu-ray discs), The John Adams Edition, featuring the music of legendary minimalist composer John Adams, with photographic artwork by Wolfgang Tillmans. Recorded during the orchestra’s 2016/2017 season during which Adams served as Composer in Residence.
At the Louisiana Hayride Tonight, a massive 20-CD box set with 224-page hardcover book documenting the storied radio program broadcast live from the Municipal Auditorium in Shreveport, Louisiana between 1948 and 1960. Includes a previously unreleased recording by Hank Williams, as well as rare gems from Johnny Cash, Kitty Wells, Elvis Presley, and many more.
Battleground Korea: Songs and Sounds of America’s Forgotten War brings together an assortment of songs, news reports, public service announcements, and other spoken-word audio (including a plea for blood donations from Howdy Doody) on four CDs, accompanied by a full-color hardcover book featuring song and artist information, record covers, advertisements, propaganda posters, and rarely-seen photographs from the war.
Looking for an easy way to help people affected by Hurricane Florence?
From October 10-26, you can exchange “Food for Fines” at the Duke library nearest you.
For every unopened, unexpired, non-perishable food item you donate, we will waive $1 of your library fines (up to $25 max).
All libraries on East and West Campus are participating, and it doesn’t matter which library you owe fines to. You can drop off your donation at the library of your choice, and we’ll apply it to any library fines at any Duke library.
Donations will be collected and distributed by the Food Bank of Central and Eastern NC. The Food Bank serves a network of more than 800 agencies across 34 counties in Central and Eastern North Carolina, including soup kitchens, food pantries, shelters, and programs for children and adults.
You can also donate non-food essentials for infants, kids, and seniors, such as diapers, wipes, cleaning products, and paper towels. The chart below lists the items currently needed most.
No library fines? No problem! You can still donate and help North Carolinians in need.
The fine print
Limit $25 in forgiven fines per person.
Any fines already paid or transferred to the bursar cannot be waived.
No expired food items or glass containers, please.
Waived fines only apply to late fees. Charges for damaged or lost books cannot be waived.
All Duke libraries will waive fines for other Duke libraries. For example, if you owe $5 to the Law Library, you are not required to drop off your donation at the Law Library. You can visit any library on East or West Campus and your Law Library fines will be waived.
Members of these advisory boards will help improve the learning and research environment for Duke University students and advise the Libraries on topics such as study spaces, research resources, integrating library services into academic courses, and marketing library services to students.
The boards will typically meet four times a semester to discuss all aspects of Duke Libraries and provide feedback to library staff. This is an amazing opportunity for students to serve on the advisory board of a large, nationally recognized non-profit organization.
All three advisory boards are now taking applications or nominations. Application deadlines are:
Members of the Graduate and Professional Student Advisory Board and the Undergraduate Advisory Board will be selected and notified by mid-September, and groups will begin to meet in late September. More information is available on our website, where you will also find links to the online applications forms.
For more information or questions about these opportunities, please contact:
… What are the libraries’ hours? … How do I find a book? … Who can help me with research? … Where can I print?*
Duke’s newest students can find the answers to these questions – and more – on the Library’s Services for First-Year Students page.
Each August, a new class of undergraduates arrives in Durham ready to immerse themselves in the Duke Community. Duke University Libraries serve as the core of intellectual life on campus. Because East Campus is home to the First-Year students, Lilly and Music Libraries have the unique opportunity to introduce our newest “Dukies” to the array of Library resources and research services available.
To help navigate the vast library resources, there is a portal especially for First-Year Students. Through this portal page, new students (and even some not-so-new) can discover all that the Duke University Libraries offer:
Welcome to East Campus
for Your First-Year Library Experience
On August 21st, the newest Blue Devils, the Class of Duke 2022, will arrive on East Campus for Orientation, also known as Big-O Week. Numerous events, workshops and programs are presented to ease the transition to life as an undergraduate.
The two libraries on East Campus, Lilly Library and Duke Music Library welcome our newest neighbors and do our part to introduce the newest “Dukies” to the powerful research resources of the Duke Libraries. On Move-In Day exclusively, Lilly is the pick up site for Blue Devil Delivery for pre-ordered textbooks and computers. Lilly is home to the film collection as well as a range of other material, and Music … is self-explanatory.
Where: East Campus Quad between Lilly and the East Union
In addition to the Movie on the Quad, Lilly and Music will host a Superheroes Open House the first week of class. Duke 2022 can explore our powerful library services : experts in research, 3D labs, streaming media, Residence Hall Librarians, study spaces – and enjoy food and win prizes!
Get to know your Duke University Residence HallLibrarians – Yes, your East Campus dorms have librarians assigned to help you! Look for their emails during the academic year.
Work in the Libraries – Work/Study Students apply here
Here in the library, we’re taking the summer months to evaluate some of our communications efforts.
In particular, we’re asking for your feedback on our email newsletter, which goes out every other week during the academic year. (What’s that? You don’t subscribe to our email newsletter? We can fix that right now!)
Your responses will help us make sure we’re sending you the most interesting and relevant library news from Duke.
At the end of the survey, you’ll have the option to enter a drawing for this handsome Duke University Libraries tote bag and journal. Guaranteed to make you look even smarter!
“Earning While They’re Learning” is an occasional series of stories celebrating our library student workers. The Duke University Libraries employ more than 250 undergraduates and graduate students every year, making us one of the largest student employers on campus.
Tucked inside the Mary Duke Biddle Building on East Campus, the Music Library is not like most other libraries at Duke. It’s small, quiet, and out of the way. Many students might not even know it exists. But for senior Rachel Thompson, the library has become something of a second home over the past three years.
Rachel is one of the first people you typically see at the front desk when you walk into the Music Library. As a student employee, she does a bit of everything—working with patrons, stacking and reshelving, sorting through books, scores, microfiche, and CDs. In all her time at Duke, she’s never considered applying for any other job.
“A lot of times people complain like, ‘Ugh, I’ve got to go to work,’ ” she says. “But I’m like, ‘I can’t relate!’ ”
As you descend the steps from the library’s main floor into the stacks and study rooms below, it’s not hard to see why. Perfectly peaceful and still, it’s a little oasis of sanity, tucked away from the chaos of academic life.
“I really like the aura of this place,” she says when asked about why she enjoys working here so much. “I typically only study in this library.”
For Rachel, a pre-dental philosophy major with a minor in chemistry, working in the library gives her a chance to get in touch with some parts of herself that can be hard to find other places. She played trombone in high school and has played piano for most of her life, and she’s currently part of Duke’s gospel choir. Working in the Music Library lets Rachel immerse herself in music—not just scores, she’s quick to point out, but also books on music theory, music history, and music’s evolution across different genres and cultures.
When asked about her future plans, in fact, Rachel says her work in music libraries may not necessarily end with graduation.
“I actually wouldn’t mind working in a library later in life,” she says. “I like books, I like music … and music libraries are fun because you get to see the scores, which is a little bit different than just your run-of-the-mill book.”
When asked about an especially good day on her job, Rachel has a hard time picking out just one.
“Well, towards the end of the semester, the person who’s over us typically will have an end-of-semester party, which is always nice—free food, you know… but, let’s see…” her voice trails off. “Most days are pretty good!”
About this Series: Students like Rachel are an indispensable part of our library workforce. Their employment provides Duke students with valuable financial aid to support their education, and they learn useful skills that enhance their academic studies and careers after college. This year, to encourage senior giving to the Libraries, George Grody (Associate Professor of Markets and Management Studies) has set up the Grody Senior Challenge. Every gift made by the Class of 2018 to the Libraries Annual Fund will be matched by Professor Grody. All funds will directly support library student workers who provide research and instructional help.
Last week, the staff of the Duke University Libraries were treated to a fascinating presentation by Durham County Library Director Tammy Baggett-Best, who offered an update on the renovation of Durham’s Main Library on N. Roxboro Street.
With our own major library renovation here at Duke just a few years behind us, it was exciting to see what our colleagues down the street have planned. As downtown Durham continues to grow more vibrant, the renovated Main Library promises to be yet another point of pride for those who live and work in the area.
The Main Library renovation started in early 2017 and is scheduled to be complete in late 2019. With over $44.3 million in funding and a planned addition of 19,804 square feet to the existing 65,000 square feet of library space, Baggett-Best explained that Main Library is undergoing some serious transformations.
“Pretty much the only thing that will be left is the foundation and the frames,” she said—joking that the library outreach program “Downtown Library Without Walls” was being taken rather literally by the renovation crew.
And it’s true: with the goals of creating greater openness and visibility throughout the building site, Main Library may be almost unrecognizable to many Durham residents by the time renovations are complete. New roof terraces, glass walls, and horizontally integrated staircases are all designed to create a heightened sense of freedom and connectivity, while new meeting spaces, public spaces, and a comprehensive literacy and technology center are intended to improve community outreach.
Some areas of particular interest include a career development workspace, a MakerLab / S.T.E.A.M. space, a cultural/arts exhibition gallery space, and an expanded and more accessible space for the popular North Carolina Collection. The newly renovated library will also provide more social space for children, teenagers, and adults, along with multiple event venues.
Outside the building, meanwhile, the library grounds will feature numerous open areas for library and community use, including an art garden, an amphitheater, a public plaza, covered seating, an urban agriculture section, and an interactive play and gathering space. Baggett-Best hopes these and other programs will contribute to a sense of community and connectivity across social groups.
Indeed, the renovations are just one part of the Durham County Library’s mission to help Durham grow and thrive. Improved access and technological services feature heavily in their plans. Baggett-Best said they are currently working on a program that will allow all Durham County public school students’ ID cards to do double-duty as their library cards. They’re also working on a way to clear all outstanding overdue fees by public school students at the end of each school year.
It was heartening to learn that Durhamites are big library users, even before the renovation got started. Approximately 71% of all Durham County residents have a library card, compared with 44% statewide. In a recent city/county survey, the only local government agency or service that gets higher satisfaction marks from residents is EMS. In 2017, Durham libraries circulated nearly three million physical items—a number that has been decreasing slightly in recent years in tandem with increased use of online resources.
This seems like a good time for a public service announcement to our Duke students: All Duke students are eligible to get a free library card at any Durham County Library location. Even if you’re not a North Carolina resident, you can still use the public library, and you don’t even have to leave your dorm room. If you love the hundreds of popular e-books and audiobooks you can get online through the Duke Libraries’ OverDrive app, consider the thousands and thousands more you have access to through the Durham County Library!
Overall, it’s clear that the renovations at Main Library represent one more sign of the ongoing revitalization of downtown Durham. The “library without walls” will have some pretty spectacular walls once again before long, and we can’t wait to help them celebrate its re-opening in 2019!
Here in the Libraries, we’re always looking for ways to make your life easier. That’s why every two years we invite library users to take part in a brief user survey to help us better understand their experiences and thoughts on library spaces, collections, and services.
The survey takes no more than 5 minutes to complete and will remain open between now and February 13.
Student Survey: As a special thank you for participating, all student respondents will be entered into a raffle for a $150 Amazon gift card.
Faculty Survey: All faculty members who respond will be entered to win a $75 gift card to their favorite restaurant.
When libraries, students, and faculty work together, everybody wins. Take a look at some of the improvements we’ve made in the last two years as a direct result of our last user survey.
Added color and icon-based signage to make navigating Perkins and Bostock easier
Increased frequency with which we clean computers and study tables
Developed a workflow for checking broken power outlets
Ensured keyboard and computer equipment is cleaned regularly and replaced as need
Made improvements to public computers
Improved our Room Reservation page and made it easier for students to reserve group study rooms and access specialized spaces in the library
Added an Interview Room and made enhancements to both spaces
Evaluated and made improvements to ePrint
Worked with DSG to develop OASIS:Perkins
Developed clear signage to help students select study spaces based on their needs and preferences
Worked with security guards to enforce Quiet Zone guidelines
Feedback is what helps the Libraries grow, and the more input we get, the better we’ll be able to renovate, rethink, and improve.
So please, take a couple minutes of your time to complete the 2018 survey—and thank you for your help in making the Duke University Libraries a better place.
The Duke University Libraries are pleased to present an evening with author Colson Whitehead at 6 p.m., Wednesday, February 7, in Page Auditorium.
The event is free and open to the public, but tickets are required for entry and available through the Duke University Box Office.
To reserve a ticket, visit the Duke Box Office in person in the Bryan Center, go to its website (tickets.duke.edu), or call (919) 684-4444. (Note: Ticket reservations made online or by phone carry a $1.50 per ticket service charge.)
Public parking ($5) will be available in Parking Garage IV (Bryan Center Parking Garage) at 125 Science Drive, with overflow parking in the Chemistry Lot at the intersection of Towerview Road and Circuit Drive. ADA parking will be available in the Bryan Center Surface Lot. (See directions and more information about parking for events at Page Auditorium.)
Colson Whitehead is the #1 New York Times bestselling author of The Underground Railroad, winner of the 2016 National Book Award and 2017 Pulitzer Prize. In the novel’s ingenious conception, the Underground Railroad is not a metaphor, but rather a secret network of tracks and tunnels that have been built beneath the Southern soil. It is through this web of stations that the novel’s heroine, an escaped slave named Cora, flees the unrelenting brutality of the Georgia plantation on which she was born.
Whitehead’s other books include The Noble Hustle, Sag Harbor, The Intuitionist, and The Colossus of New York, among others. Whitehead’s reviews, essays, and fiction have appeared in a number of publications, such as the New York Times, The New Yorker, New York Magazine, Harper’s and Granta. He has received a MacArthur Fellowship, a Guggenheim Fellowship, a Whiting Writers Award, the Dos Passos Prize, and was a finalist for the Pulitzer Prize for John Henry Days. He lives in New York City.
Copies of Whitehead’s books will be available for sale at the event, and a booksigning with the author will follow his talk.
Whitehead’s talk on February 7 will be recorded and made available to subscribers to the Duke University Libraries newsletter. If you can’t make the live event, you may sign up for our newsletter and get notified when the recording is available to view.
Whitehead’s appearance at Duke is presented as the Weaver Memorial Lecture, a speaker series hosted every other year by the Duke University Libraries in memory of William B. Weaver, a 1972 Duke graduate and founding member of the Library Advisory Board. Previous speakers have included Barbara Kingsolver, Oliver Sacks, Dave Eggers, Siddhartha Mukherjee, Doris Kearns Goodwin, and David Rubenstein, among others.
Special thanks to our co-sponsors for this event: The Office of the President, Office of the Provost, and Department of English.
As the spring 2018 semester gets underway, we want to remind students that you can check out copies of textbooks for the largest courses on campus from the library.
The books include required texts for some of Duke’s most popular courses in Economics, Chemistry, Math, Computer Science, Biology, Psychology, and other subjects. They can be checked out for three hours at a time and are available at the Perkins Library Service Desk. Some textbooks are also available at Lilly Library on East Campus.
Here’s a complete listing of courses that have textbooks on reserve in the library. (This list is also available on our website. More courses may be added as orders come in.) Courses listed in red also have copies available at Lilly Library.
COURSE NUMBER
COURSE TITLE
AAAS 335
HISTORY OF HIP-HOP
BIOCHEM 301
INTRO BIOCHEMISTRY I
BIOLOGY 223
CELL AND MOLEC NEUROBIO
BIOLOGY 201L
MOLECULAR BIOLOGY
BIOLOGY 202L
GENETICS AND EVOLUTION
CHEM 201DL
ORGANIC CHEMISTRY I
CHEM 202L
ORGANIC CHEMISTRY II
CHEM 210DL
MOD APPS CHEM PRINCIPLES
CLST 262
ANCIENT ATHLETES
COMPSCI 330
DESIGN/ANALY ALGORITHMS
COMPSCI 250D
COMPUTER ARCHITECTURE
ECE 110L
FUND OF ELEC AND COMP ENGR
ECON 208D
INTRODUCTION TO ECONOMETRICS
EGR 244L
DYNAMICS
EVANTH 260
HUMAN COGNITIVE EVOLUTION
GLHLTH 101
FUNDAMENTALS OF GLOBAL HEALTH
MATH 230
PROBABILITY
MATH 202D
MULTIVAR CALCULUS FOR ECON
MATH 216
LINEAR ALGEBRA & DIFF EQUATION
MATH 353
ORD AND PRTL DIFF EQUATIONS
MATH 112L
LABORATORY CALCULUS II
MATH 212
MULTIVARIABLE CALCULUS
NEUROSCI 101
BIO BASES OF BEHAVIOR
PHYSICS 142L
GENERAL PHYSICS II
PSY 104
SOCIAL PSYCHOLOGY
PSY 105
ABNORMAL PSYCHOLOGY
PSY 101
INTRODUCTORY PSYCHOLOGY
SPANISH 203
INTERMEDIATE SPANISH
STA 101
DATA ANALY/STAT INFER
Please note:Textbooks on reserve are not intended to take the place of students purchasing textbooks for their courses. Due to budget limitations, the Libraries are unable to purchase textbooks for every course at Duke.
For questions related to textbook reserves at Perkins Library, please contact: perkins-reserves@duke.edu.
For questions related to textbook reserves at Lilly Library, please contact: lilly-requests@duke.edu
A weekend of British music begins this Friday, Nov. 3, with a performance by The Villiers Quartet at 8:00 p.m. in Baldwin Auditorium.
The Villiers Quartet is quickly establishing a reputation as champions of 20th-21st century British (and American) music. This concert in Duke’s Baldwin Auditorium, part of their 2017 North American tour, features a wonderful balance of the lushly romantic Delius (in its original 1916 version), the lyrical poise of American composer/violinist Andrew Waggoner’s recent score Every Sentient Being, and unusual British pieces from the 1920s (Bush’s Dialectic) and 1950s (Fricker’s Quartet No. 2).
The public is invited to attend a pre-concert talk given by Daniel Grimley (Merton College, Oxford) at 7:00 p.m. in the Library Seminar Room, Biddle Music Building (adjacent to Baldwin Auditorium).
On Saturday, Nov. 4, at 5:00 p.m. in the Nelson Music Room on Duke’s East Campus, British composer Frank Bridge’s Piano Trio No. 2 (1929), widely considered to be one of his greatest chamber works, will be featured in a concert by violinist Hsiao-mei Ku, Professor in the Duke Department of Music and member of the Ciompi Quartet; pianist R. Larry Todd, Arts and Sciences Professor of Music at Duke; and cellist David Meyer of the North Carolina Symphony. Listen to a performance of this piece through the Duke Music Library subscription to the Naxos online streaming service.
These two concerts are part of the symposium, British Music & Europe in the Age of Brexit, presented by the Duke University Department of Music and Franklin Humanities Institute: Humanities Futures.
Every year the Duke University Libraries run a series of essay contests recognizing the original research of Duke students and encouraging the use of library resources. We are pleased to announce the winners of our 2016-2017 library writing and research awards.
Recognizing excellence in undergraduate research using sources from the Libraries’ general collections.
Honor Thesis Prize:Anna Mukamal for “Creative Impulse in the Modern Age: The Embodiment of Anxiety in the Early Poetry of T. S. Eliot (1910-1917)”
Third/Fourth-Year Prize:Jack Harrington for “In The Empire’s Back Yard: The Radicalization of Public Opinion In Ireland and It’s Impact on the Anglo-Irish War (1913-1920)”
First/Second-Year Prize:McKenzie Cook for “World War I and The London Theatre”
Recognizing excellence of analysis, research, and writing in the use of primary sources and rare materials held by the Rubenstein Rare Book & Manuscript Library.
Maegan Stanley for “In Honest Affection and Friendlinesse”
Hannah Rogers for “Subversion as Service: The Life and Controversy of Jeanne Audrey Powers”
We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend. All are invited to join us for refreshments and the opportunity to honor the recipients.
Members of these advisory boards will help improve the learning and research environment for Duke University students and advise the Libraries on topics such as study spaces, research resources, integrating library services into academic courses, and marketing library services to students.
The boards will typically meet four times a semester to discuss all aspects of Duke Libraries and provide feedback to library staff. This is an amazing opportunity for students to serve on the advisory board of a large, nationally recognized non-profit organization.
All three advisory boards are now taking applications or nominations. Application deadlines are:
Members of the Graduate and Professional Student Advisory Board and the Undergraduate Advisory Board will be selected and notified by mid-September, and groups will begin to meet in late September. More information is available on our website, where you will also find links to the online applications forms.
For more information or questions about these opportunities, please contact:
Are you in the library so often you’ve practically become a part of it yourself?
Join us as we celebrate National Library Week (April 9 – 15) and show off your love of the Libraries by being one for the books… literally!
Last year we celebrated National Library Week by asking people to #ThankALibrarian and tell us how a librarian had helped them recently (see video).
This year, we invite you to become a part of our amazing collections by making a “bookface” and participating in a video celebrating all of the resources the Duke Libraries have to offer!
We will be photographing bookfaces outside Perkins Library on Monday, April 10, 11 a.m. – 2 p.m. and Lilly Library on Friday, April 14, 11 a.m. – 2 p.m. We’ll also have fun celebratory buttons you can take with you!
Join us to help make this year’s National Library Week one for the books!
P.S. Look out for a Snapchat Geotag in Rubenstein, Perkins, Bostock, and Lilly and posts to our Instagram, Twitter, and Facebook accounts throughout the entire week!
Thanks for loving your library. You’re one for the books!
Each spring since 1998, Durham has hosted international filmmakers and film lovers who flock to the Full Frame Documentary Film Festival. Festival goers revel in the latest in documentary, or non-fiction, films which are presented in venues throughout historic downtown Durham.
Because it is the 20th anniversary, this year’s festival’s thematic program is a cinematic retrospective of the twenty years of Full Frame. Curated by Artistic Director Sadie Tillery, notable films, filmmakers, and special moments that have distinguished Full Frame since it was founded in 1998 are to be highlighted this year.
Do you know that Duke University is a major supporter of Full Frame?
Of special note, because of his support and commitment to the arts, Duke University President Richard Brodhead will be honored with the Full Frame 2017 Advocate Award. In addition, the Duke University Libraries support and highlight films from past festivals. If you don’t attend the festival, consider the Libraries’ collections. A major resource is the Rubenstein Library’s Full Frame Archive Film Collection, that includes festival winners from 1998 through 2012. In addition, the film and video collection at Lilly Library on East Campus contains a selection of Full Frame titles available to the Duke community.
Counting what, you may ask? 30,000 DVDs in the Lilly Library!
Lilly Library celebrates the acquisition of our 30,000th DVD
Lilly Library has a deep and rich collection of films, and as the films are continually ordered and catalogued, we became aware that we were nearing a milestone of 30,000 DVDs on our shelves. The very first DVD cataloged for Lilly Library was the French film, The Last Metro, and it marked the beginning of a highly regarded collection brimming with classic films, international and global films, serious documentaries and ever popular animated films.
Why The Princess Bride?
The inspiration on what to select as our 30,000th film came from our First-Year Library Advisory Board Group which suggested a “fun” film from 30 years ago. Films from 1987 such as Predator, Rain Man, Full Metal Jacket and Fatal Attraction didn’t quite “fit the bill”, but The Princess Bride emerged as a favorite, and most importantly – F U N!
To mark the acquisition of the 30,000th DVD in our collection, Lilly Library is sponsoring the following events:
Cake! Enjoy a special Twue Wuv Cake
Meet the people behind the scenes, the catalogers & staff involved in bringing this film, and other films to our library users.
Wednesday, March 29th at 10 a.m.
Where: Lilly Library Lobby For Duke Students: If your slice has the “Miracle Max Pill”, you win a prize!
Movie! The Princess Bride
When: Friday, March 31st at 8 p.m.
Where: Trinity Café, East Campus Union Refreshments provided – while they last
Sponsored by the East Campus Libraries – Lilly and Music –
and Devils After Dark
News, Events, and Exhibits from Duke University Libraries