Effective September 20, 2019, the Duke University Libraries have transitioned to a title-by-title access model for Kanopy, a popular library of streaming video titles. This change comes as a result of the unsustainable increase in cost of providing unlimited access through an automatic licensing model.
Kanopy’s pricing for libraries under our previous model was based on views per title. Once a title was viewed three times for longer than 30 seconds, we were charged a licensing fee of $135 for one year of access.
Under the new model, users will still be able to watch and stream all of our currently licensed films in Kanopy (of which there are more than 800). New titles may still be requested by members of the Duke community, but they will not be accessible automatically.
We understand and respect how popular streaming media has become. It is an invaluable instructional resource and a gateway for lifelong learning. We regret having to make this change. But we could neither justify nor sustain Kanopy’s skyrocketing price tag.
Duke is not alone in having made this difficult choice. The libraries at Stanford and Harvard have also had to limit their use of Kanopy, and the New York Public Library system recently canceled their subscription to the service due to the unsustainable cost.
Here’s a summary of what’s changing:
We will only subscribe to Media Education Foundation titles on Kanopy.
Already-licensed films can still be found on Kanopy and are listed individually in our online library catalog.
We will continue to accept faculty requests for Kanopy films and videos assigned in courses. If you are a faculty member, use our “Place Items on Reserve” form for these titles. If you are using a film for a class and are concerned about the expiration date of our license for it, use the same form to ensure access.
Other options for streaming and viewing video
We have a number of other streaming video platforms available to members of the Duke community. For a complete list, please refer to our Streaming Video guide.
We also encourage you to explore our extensive DVD and Blu-ray holdings, which you can find in our online catalogand have delivered to the Duke library of your choice.
For more info
For additional questions about Kanopy or about our film streaming options, please contact:
Each year the UNC/Duke Consortium for Latin American & Caribbean Studies offers competitive fellowships for scholars who want to use our library resources. Priority goes to researchers from officially recognized Historically Black Colleges and Universities, Predominately Black Institutions, Minority Serving Institutions, and community colleges. Holly Ackerman talked with the two fellows selected by the Duke Libraries for 2019-2020. The conversations will be published in two parts starting with the exchange below with Professor Shearon Roberts.
Photo: Shearon Roberts, Ph.D. Summer 2019
Tell us a little bit about yourself. Walk us through your CV.
I teach both Mass Communication and African American/Diaspora Studies courses at Xavier University of Louisiana, a historically black university in New Orleans. I earned my doctorate from Tulane University’s Roger Thayer Stone Center in Latin American Studies where I studied Caribbean media, specifically Haitian media. Prior to academia, I worked as a reporter covering Latin America and the Caribbean. I research Caribbean and Latin American media, media discourse from the region, and media discourse on race and gender.
What was your research project this summer?
It is titled, “Learning the Black Diaspora through Latin American & Caribbean Media.” After leading four years of grant-supported student field visits to Latin America and the Caribbean, the number one feedback from participating students is how much people of the region consume media about African American culture and experiences, and how little access African American students have to media about communities of color in the Americas. I want to change that through my courses and through use of materials such as those at Duke.
For example, Duke University’s Robert Hill collection provided me with a wealth of teaching resources for African American students to discover how vast and how interconnected Black Diaspora movements were. Hill’s collection dates back to Marcus Garvey and the UNIA (founded in 1914), and he is also the executor for C.L.R. James’ (1901-1989) work. It was fascinating to see how closely Black movements in the Caribbean were intricately connected to African American movements and African movements. Hill also dedicated himself to the teaching of the Black Diaspora and within his collection are both his and his contemporaries’ syllabi – a valuable find for re-introducing materials out of print or that have been ignored in the teaching of the Black Diaspora in the Americas. Below are two sample teaching guides/syllabi I found in the Robert Hill collection at the Rubenstein that I will use for teaching my courses:
Source Citation: Hill Personal Box 14, Robert A. Hill Collection, David M. Rubenstein Rare Book & Manuscript Library, Duke University.
For my own research, Hill’s collection was invaluable in laying out Caribbean intellectual thought and movements and how Caribbean intellects connected to media and to the public. I originally applied for the College Educators Research Fellowship (CERF) to research the Radio Haiti Archive’s non-digitized records and I was not disappointed. The archive is not just a Haitian one, but a Caribbean one, and it provided a window on many of the movements taking place around the region. The Radio Haiti archives are impeccably well-cataloged, a nod to the archivist Laura Wagner’s hard work. Because of the archives’ detailed descriptions, I located a little-known dissertation from the eighties, well at least little-known to me, documenting press history in Haiti. I also discovered through this archive how regional in scope many important media outlets in the Caribbean were during this time.
Source Citation: Radio Haiti Box 14: Aux Origines De La Presse Folder, Radio Haiti Papers, David M. Rubenstein Rare Book & Manuscript Library, Duke University.
Both staff at the Rubenstein and the UNC-Duke Consortium in Latin American and Caribbean studies were extremely helpful in shaping a successful visit to Durham this summer. Patrick Stawski pointed me in the direction of the Ecumenical Program on Central America and the Caribbean (EPICA) records and helped me to conceptualize a project from this collection that I had not conceived of prior to my time at the Rubenstein. Sara Seten Berghausen helped me navigate digital collections and took time to send me documents from digital collections for course teaching. Corin Zaragoza Esterra helped me think through the connections of my research projects and find my away around Durham during my stay. Natalie Hartman made sure that my access to Duke’s resources were seamless. I thank all the staff at the Rubenstein who worked with lightning speed to ensure I had access to every rare material requested during my stay. Finally, I am extremely grateful to Holly Ackerman for getting me to think across the collections and starting me off in the right scholarly directions before and during my stay.
How will the info you gathered at the Duke Libraries be used?
I have updated my coursework and course lectures to include materials I researched at the Rubenstein. I have incorporated materials from digital collections for course unit assignments. These range from sections of constitutions from the region to photographs showing civic activism in the region, and music and films from the region. My research, both current and those in development stages have been greatly enhanced by documents located in these collections. The manuscripts I am writing about Haitian media, Caribbean media and Caribbean movements will include documents from the collections of the Rubenstein.
This month’s Collection Spotlight is featuring microhistories. In order to create what we hope is a far ranging and interesting selection of titles for people to browse, we decided to approach microhistory both from the academic and popular side of things. We hope you will forgive us if in our enthusiasm we stray into some titles that might not meet the strict definition!
Here is a selection of some of the titles that we are showcasing:
If some of these titles spark your interest, consider getting involved with Duke’s own MicroWorlds Lab this year! They even have a section called “What is Microhistory” if you want to explore further what this method of study means.
Please check out the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins to find your next read!
Toni Morrison passed away yesterday at the age of 88. You can find a lot of really wonderful tributes and reflections online explaining just why she is a literary giant. Here are a few that you might find interesting:
If you have a chance to go see the new documentary on her, Toni Morrison: The Pieces I Am, you should definitely do so. I saw it at the Full Frame Documentary Festival this year, and I really enjoyed it. Eventually we’ll have a copy of the dvd in our library, but in the meantime you might enjoy these two films:
This month’s Collection Spotlight in Perkins Library explores foodways of the southeastern United States. People come to Duke from all over the world, and while they’re here, they will undoubtedly eat. We invite you to reflect on the cultural importance of food in this region, whether you’re here for life or just a little while.
Of course, some of the hottest titles are perpetually checked out, and for those you’re invited to submit an interlibrary request (tip: you can just use the green “Request” button when you search for a book and it will populate the form). Of course, we also have many eBooks you won’t see on display, so don’t forget to check the catalog.
Come take a peek next to the Perkins Library Service Desk, though we can’t promise you won’t leave hungry.
The David M. Rubenstein Rare Book & Manuscript Library at Duke University has acquired the archives of the Locus Science Fiction Foundation, publisher of Locus, the preeminent trade magazine for the science fiction and fantasy publishing field.
The massive collection—which arrived in almost a thousand boxes—includes first editions of numerous landmarks of science fiction and fantasy, along with correspondence from some of the genre’s best-known practitioners, including Isaac Asimov, Arthur C. Clarke, Ursula K. Le Guin, Harlan Ellison, Octavia E. Butler, James Tiptree, Jr. (Alice Sheldon), Dean Koontz, Robert A. Heinlein, and hundreds more.
Locus started out in 1968 as a one-sheet science fiction and fantasy fanzine. Since then, it has evolved into the most trusted news magazine in science fiction and fantasy publishing, with in-depth reviews, author interviews, forthcoming book announcements, convention coverage, and comprehensive listings of all science fiction books published in English. It also administers the prestigious annual Locus Awards, first presented in 1971, which recognize excellence in science fiction and fantasy.
Over the course of five decades in print, the magazine’s editors and staff have collected and saved correspondence, clippings, and books by and about science fiction, fantasy, and horror writers. What emerges from this trove of material is a tapestry of a diverse and thriving community of writers, publishers, and editors, all working to create new and modern genres of speculative literature.
Of the magazine’s original three co-founders—Charles N. Brown, Ed Meskys, and Dave Vanderwerf—only Brown remained after the magazine’s first year. He would continue to edit the publication until his death in 2009, earning the magazine some thirty Hugo Awards in the process and becoming a colorful and influential figure in the publishing world. A tireless advocate for speculative fiction, Brown was also a voluminous correspondent and friend to many of the writers featured in the magazine. Many of them wrote to him over the years to share personal and professional news, or to quibble about inaccuracies and suggest corrections. The letters are often friendly, personal, humorous, and occasionally sassy.
Reacting to a recent issue of Locus that featured one of her short stories, the science fiction writer Octavia E. Butler wrote, “I am Octavia E. Butler in all my stories, novels, and letters. How is it that I’ve lost my E in three places in Locus #292? Three places! You owe me three E’s. That’s a scream, isn’t it?”
One also finds frequent remembrances and retrospectives of departed members of the Locus community, such as Ursula K. Le Guin’s poignant reflections on the passing of Philip K. Dick. After Brown’s own death, the magazine continued publication under the auspices of the Locus Science Fiction Foundation, a registered nonprofit. The magazine launched a digital edition in January 2011 and has published both in print and online ever since.
In addition to the correspondence, story drafts, and other manuscript material (which has now been processed), the collection includes some 16,000 rare and noteworthy monuments of science fiction and fantasy from Brown’s extensive personal library, such as first editions of Isaac Asimov’s I, Robot, Ray Bradbury’s The Martian Chronicles, Robert E. Howard’s Conan the Barbarian, J. R. R. Tolkein’s Lord of the Rings trilogy, Frank Herbert’s Dune, and hundreds more.
“Historical literary treasures abound in the Locus collection, from full runs of the pulps to vintage first editions to contemporary works,” said Liza Groen Trombi, Publisher and Editor-in-Chief of Locus Magazine. “And its preservation is deeply important. It is the product of decades of collecting and curating, starting in the 1940s, the Golden Age of science fiction, when Locus’s founding publisher Charles N. Brown was an avid reader with a deep love of genre, through his time working within the science fiction field, and up to the present day under the current Locus staff. Housing those core works in an institution where they’ll be both accessible to scholars and researchers at the same time as they are carefully preserved is a goal that I and the Locus Science Fiction Foundation board of directors had long had. I am very happy to see them in the dedicated care of the curators and librarians at Duke.”
“The opportunity to acquire the Locus Foundation library is a tremendous one for Duke,” said Sara Seten Berghausen, Associate Curator of Collections in the Rubenstein Library. “Because it’s a carefully curated collection of the most important and influential works of science fiction of the last several decades—most in their original dust jackets, with fantastic artwork—it complements perfectly our existing collection of utopian literature from the early modern period through the mid-twentieth century.”
Berghausen notes that Brown and Locus created not only this collection, but a community of writers, and those relationships are documented throughout the archival collection as well. “The research and teaching possibilities are almost unlimited,” she said. “From political theory to history, art, anthropology and gender studies, there are materials in the collection that could enrich the study of so many topics.”
The collection is already being used in courses at Duke. This semester, English professor Michael D’Alessandro brought his class on utopias and dystopias in American literature to the Rubenstein Library to examine some of the Locus materials first-hand.
“It’s a curious strength Duke has that I didn’t expect,” said D’Alessandro. “I taught this course previously at Harvard, and even the archives there didn’t have anything like this collection, which adds a whole new breadth and depth to the class.”
WHEN: Thursday, April 25, 4:00 – 6:00 p.m. (Reception at 4:00, with program starting at 4:30 p.m.)
WHERE: Korman Assembly Room (Perkins Library Room 217), Perkins Library 2nd Floor, Duke West Campus (Click for map)
Walt Whitman, who was born 200 years ago this spring, once wrote:
Shut not your doors to me, proud libraries, For that which was lacking among you all, yet needed most, I bring.
He was probably not talking about chocolate. But that won’t stop this proud library from bringing some to his birthday party!
Join us on April 25 as we celebrate Whitman’s bicentennial, with readings and remarks by Richard H. Brodhead, Duke’s ninth president, on why he loves the “Good Gray Poet” and you should, too. If you’ve ever wanted to know more about America’s most famous bard, now is your chance to take a short course (with no grades or quizzes!) from one of the foremost experts on the subject.
Free and open to the public. And yes, there will be chocolate.
About Richard H. Brodhead
Richard H. Brodhead served as President of Duke University from 2004 to 2017. As President, he advanced an integrative, engaged model of undergraduate education and strengthened Duke’s commitment to access and opportunity, raising nearly $1 billion for financial aid endowment. Under his leadership, Duke established many of its best-known international programs, including the Duke Global Health Institute, DukeEngage, and Duke Kunshan University. Closer to home, Duke completed major renovations to its historic campus and played a crucial role in the revitalization of downtown Durham.
Brodhead received his B.A. and Ph.D. from Yale University, where he had a 32-year career as a faculty member before coming to Duke, including eleven years as Dean of Yale College. A scholar of American literature and culture, he has written and edited more than a dozen books, including on Hawthorne, Melville, and Whitman. He was elected to the American Academy of Arts and Sciences in 2004, and he was named the Co-Chair of its Commission on the Humanities and Social Sciences and co-authored its 2013 report, “The Heart of the Matter.” He has been a trustee of the Andrew W. Mellon Foundation since 2013.
Brodhead’s writings about higher education have been collected in two books, The Good of this Place (2004) and Speaking of Duke (2017). For his national role in higher education, Brodhead was given the Academic Leadership Award by the Carnegie Corporation of New York. He is currently the William Preston Few Professor of English at Duke.
The 61st Annual Grammy Awards wrapped up in February, and now is your chance to catch up with some of the critically-acclaimed recordings that you may have heard about but haven’t had a chance to audition yourself. The Duke Music Library is pleased to unveil a new collection spotlight of recordings nominated for the 2019 Grammy awards, featuring more than 80 albums from just about every category you’ve heard of – and some you might not have!
In addition to some of the finest recordings from the last year in Opera, Musical Theatre, and Classical, this collection spotlight includes Cardi B, Ariana Grande, Kacey Musgraves, Beck, Fred Hersch, Drake, Joshua Redman, Kurt Elling, Buddy Guy, High on Fire, and many more.
French countertenor Philippe Jaroussky is among the most famous countertenors in the world right now, and it’s a voice range that has attracted growing interest in recent years. The high range of the countertenor voice and the manner in which its unusual qualities are produced results in a sound that has often been described as unearthly – it’s also a powerful and flexible voice type, able to handle music of stunning virtuosity and highly expressive pathos. All of these qualities are beautifully demonstrated in this album of arias selected by Jaroussky from among lesser-known Handel operas, highlighting pieces which he says “reveal a more intimate, tender side of Handel.”
Preview an incredible aria from the album, “Sussurrate, onde vezzose” from Handel’s Amadigi di Gaula, which evokes the limpid and gentle murmuring of waves. Jaroussky begins with an almost impossibly hushed suspended note on the word “whispering.”
Fred Hersch and company continue to find new and innovative modes of expression within the jazz piano trio context. Featuring new Hersch originals alongside fresh interpretations of a few standard tunes, this album really shines, both in recording quality and inspired live performance.
-Jamie Keesecker, Stacks Manager and Student Supervisor, Music Library
Metal lifer Matt Pike gets the big nod after a year in which this release was not even the best thing he put out (that distinction would go to his other band Sleep’s album ‘The Sciences’). It was also a year in which he had a public struggle with diabetes that cost him a toe and grounded a large part of the tour for ‘Electric Messiah’. That said, when the award was announced early in the Grammy ceremony, the cameras spent many long seconds scanning back and forth looking for the winners in a mostly-deserted theater. Finally, from way in the back, Pike hobbled forward with the help of a cane, and accompanied by his metal peers, to accept his shiny statue. “We never really need an award for doing what we love…” was part of Pike’s on-stage comment, but the commendation was very cool all the same.
– Stephen Conrad, Order Specialist for Music and Film and Team Lead for Western Languages, Monographic Acquisitions
The new Kernis Concerto was written for Canadian violinist James Ehnes, and it really serves as a showcase for Ehnes’ strengths. He comes across as such an intelligent musician, really playing with (not just in front of) the other members of the orchestra – Kernis gives them some great moments of interplay here. This work also balances Ehnes’ ability to deliver beautifully straightforward, unfussy lines one minute and astoundingly virtuosic cadenzas the next. Oh, and apparently he watched his Grammy win on a live stream in his neighborhood grocery store parking lot. How much more Canadian and unpretentious can you get?
-Sarah Griffin, Public Services Coordinator, Music Library (and, yes, a violinist)
Come over to East Campus to see these and browse through many more on our display of CDs. Don’t have a CD drive on your laptop anymore? No, neither do we! Borrow a portable DVD/CD drive while you’re here.
Fans of accompanying visual materials may find these albums to be of particular interest:
Wayne Shorter’s immersive Emanon, packaged with its accompanying graphic novel by comic book artist Randy DuBurke.
The Berliner Philharmoniker’s 6-disc box set (4 CDs and 2 Blu-ray discs), The John Adams Edition, featuring the music of legendary minimalist composer John Adams, with photographic artwork by Wolfgang Tillmans. Recorded during the orchestra’s 2016/2017 season during which Adams served as Composer in Residence.
At the Louisiana Hayride Tonight, a massive 20-CD box set with 224-page hardcover book documenting the storied radio program broadcast live from the Municipal Auditorium in Shreveport, Louisiana between 1948 and 1960. Includes a previously unreleased recording by Hank Williams, as well as rare gems from Johnny Cash, Kitty Wells, Elvis Presley, and many more.
Battleground Korea: Songs and Sounds of America’s Forgotten War brings together an assortment of songs, news reports, public service announcements, and other spoken-word audio (including a plea for blood donations from Howdy Doody) on four CDs, accompanied by a full-color hardcover book featuring song and artist information, record covers, advertisements, propaganda posters, and rarely-seen photographs from the war.
Please join us for an event celebrating the Lisa Unger Baskin Collection and the work of our amazing staff!
Date: Friday, April 12 Time: 11:00-11:45 am Location: Holsti-Anderson Family Assembly Room, Rubenstein 153
In April 2015, the Lisa Unger Baskin Collection arrived at the David M. Rubenstein Rare Book & Manuscript Library at Duke University. Comprising over 11,000 rare books and thousands of manuscripts, journals, ephemera, and artifacts, the Baskin Collection includes many well-known monuments of women’s history and arts as well as lesser-known works produced by female scholars, printers, publishers, laborers, scientists, authors, artists, and political activists. “From Shipping Crate to Exhibit Case” looks at the comprehensive work of libraries, including how we organize, conserve, describe, and exhibit, through the lens of this unique collection.
“Five Hundred Years of Women’s Work: The Lisa Unger Baskin Collection” will be available for viewing after the program, in the Mary Duke Biddle Room.
Who is the best superhero or superhero faction? Does the Marvel Universe or DC Comics reign supreme? The decision is entirely in your hands if you enter Lilly Library’s March Movie Madness! While the battles for the rounds of 64 and 32 occurred on Knowhere and Xandar respectively, we announce that Super Sixteencombatants remain. Now the war has arrived on Earth (or, at least, Lilly Library) and it’s time to crown our champion!
This year’s Lilly Library March Movie Madness begins Monday, March 18th. It’s YOUR turn to enter into the fray and vote in the evolving brackets to help decide our ultimate superhero! And, yes – there are prizes!
BRACKETOLOGY by Nathaniel Brown
In the Gotham bracket, will the hometown advantage aid the Caped Crusader to pull out the victory and advance to the Fantastic Four? Which version of the Dark Knight will advance – the sarcastic and brooding Lego version, or the equally brooding, looking to retire Christian Bale version? Will the God of Thunder electrify Gotham instead? Or will the King of Atlantis flood the city?
In the Metropolis bracket, will the animated family of the Incredibles overtake the Xavier led group of mutants? Will the Man of Steel preserve home field and annihilate the First Avenger?
In the majestic bracket of Paradise Island, will Wonder Woman continue her blockbuster success and dethrone the wisecracking Deadpool? Will the Spider multiverse pelt the suit of the Man in a Tin Can with his web shooters?
Lastly, in the Wakandabracket, will the all-powerful Justice League defeat the Guardians of the Galaxy (who always seem to have their own personal agendas but come together when it counts)? Or will the King of Wakanda pounce and maul the opposition provided by the Web-slinger?
Women’s work. The phrase usually conjures up domestic duties or occupations largely associated with women—such as teaching, nursing, or housekeeping. The Lisa Unger Baskin Collection upends those associations. By bringing together materials from across the centuries, Baskin reveals what has been hidden—that Western women have long pursued a startling range of careers and vocations and that through their work they have supported themselves, their families, and the causes they believed in.
In 2015, Lisa Unger Baskin placed her collection with Duke’s Sallie Bingham Center for Women’s History and Culture, part of the Rubenstein Rare Book & Manuscript Library. Comprising more than 10,000 rare books and thousands of manuscripts, journals, items of ephemera, and artifacts, it was the most significant collection on women’s history still in private hands—an enormous body of material focusing on women’s work in all its diversity.
This exhibition provides a first glimpse of the diversity and depth of the collection, revealing the lives of women both famous and forgotten and recognizing their accomplishments.
After its premiere at Duke, the exhibit will travel to New York City and be on display at the Grolier Club, America’s oldest and largest society for bibliophiles, December 11, 2019 – February 8, 2020.
To accompany the exhibition, the Rubenstein Library and the Grolier Club have co-published a 160-page full-color catalog, which will be available for sale at the opening reception on February 27, and at a related symposium on “Women Across the Disciplines,” scheduled for April 15-16, 2019, at the Rubenstein Library.
Free guided tours of the exhibition will be offered every Friday at 2:00 p.m. and 3:00 p.m., March 8 – June 14. Sign up for a tour online.
Exhibit Opening and Reception: Please Join Us!
Date: Wednesday, February 27 Time: 5:00 – 7:00 p.m. Location: Gothic Reading Room and Ahmadieh Family Commons, Rubenstein Library 2nd Floor
Featuring collector and exhibit co-curator Lisa Unger Baskin in conversation with Naomi L. Nelson, Associate University Librarian and Director, Rubenstein Library. Also featuring introductory remarks by Edward Balleisen, Vice Provost for Interdisciplinary Studies. Free and open to the public.
Guest post by Heather Martin, Librarian for African and African American Studies
Looking for oral history interviews of African Americans? Try The HistoryMakers Digital Archive, a new subscription database available through Duke University Libraries.
HistoryMakers contains over 10,000 hours of video interviews with African-Americans distinguished in the categories of education, media, science, politics, law, the arts, business, medicine, the military, sports, religion, entertainment, and other areas of public life. Interviewees discuss memories from the 1890s to the present. The project currently includes original interviews of more than 2,000 individuals, with a goal of collecting 5,000 interviews.
By creating story segments from each interview, HistoryMakers allows users to find relevant discussions on specific topics. Interview transcripts are searchable, but you can also choose from a list of story topics (e.g., leadership, desegregation/integration, public health issues, philanthropy, role models, gender identity, faith, humorous story quality, and arguing a position). You can also create shareable playlists by selecting stories from your search results.
A search for Duke University retrieves 321 stories, including interviews with noted historian John Hope Franklin; Samuel DuBois Cook, the first African American professor at Duke; Vera Ricketts, the first black female pharmacist at Duke University Hospital; and Paula D. McClain, current dean of the Graduate School at Duke.
Winter Break is approaching, and soon our Duke community will spread out across the country and the globe, heading home for the holidays or partaking in some much-needed travel.
Even if you’re just planning on curling up with a good book at home (admittedly, one of our favorite activities), the Libraries have collected works to add some adventure into any kind of vacation. The newest display, located next to the Perkins Service Desk, features books on all things travel-related. The display combines traditional travel narratives with fiction, including journeys and time travel.
Here’s the complete list of “Books to Take You Places,” with links to where you can find them in our catalog. Read them now, or just add them to your Goodreads list for later. Happy reading!
Lilly’s collections include books on philosophy and ethics, graphic novels, art and visual studies, and film. To commemorate the 200th anniversary of the publication of Mary Wollstonecraft Shelley’s enduring tale, Frankenstein; or the Modern Prometheus, both Lilly and Perkins are highlighting their titles on the subject. At Lilly we’ve thrown in additional scary movies to add to the horror. Enjoy the holiday chills!
This comes in response to numerous requests over the last few years. We have a new deal for all currentJoVE titles (see title list and details below). While the official start date is January 2019, JoVE has already opened up full access to Duke IP addresses.
What is JoVE?
JoVE publishes peer-reviewed videos of people doing real-world scientific experiments. By letting you watch the intricate details of experiments rather than just read about them in articles, JoVE helps you understand how to recreate those experiments, thereby improving research productivity, reproducibility, and student learning outcomes.
How and why to use it
JoVE funded a study of the impact on student performance of watching their videos prior to lab classes. A description of the study and a link to download the resulting whitepaper can be foundhere.
The JoVE blog also has a number of posts giving examples of how faculty are using JoVE in their teaching and research. For example:
Dr. Dessy Raytcheva at Northeastern University uses JoVE videos as pre- and post-assignments in her undergraduate biology course, in order to save class time for higher impact teaching activities.
Marilene Pavan, manager of Boston University’s DAMP lab credits publishing video protocols in JoVE with significant increases in experimental success rate and reduction in errors.
Given the high subscription costs for this product, we will be looking at usage statistics and impact stories to determine whether to continue after an initial three years. So if you use JoVE in your research or teaching, please let us know!
Our new deal includes perpetual access to video articles published under most of the JoVE journal titles, even if we don’t continue subscribing to new content. For a few titles (those that are more clinical in focus or for which we have received the fewest requests), we will only have access through December 2019, unless we decide to expand even further. For the remaining titles, we will have access as long as we continue to subscribe.
Please contact DUL science librarians at email@example.com if you have any questions or comments. We are also happy to provide links to support documentation, such as instructions for embedding JoVE videos in Sakai.
Although classes have started and September is here, it’s still doggone hot outside. In honor of these waning dog days of summer, Lilly Library has curated a selection of dog books and films for you to enjoy (with or without your furry friends!) in the comfort of the A/C. Here are some of my personal favorites from our Collection Spotlight.
One of my favorite mockumentaries, Best in Show lampoons dog shows and the people who obsess over them. If you’ve seen a Christopher Guest directed film before (Spinal Tap, Waiting for Guffman, A Mighty Wind) lots of the usual suspects show up in this one, including Michael McKean, Jane Lynch, and Eugene Levy. Highly recommended for bloodhound fans.
Even if you’re not familiar with the name William Wegman, I’m willing to bet you’ve seen one of his photographs. Wegman is most famous for his many photos of his gray Weimaraner hunting dogs, who are often posed on furniture or wearing costumes. A wonderful book of phodography!
An exhibition catalog from the Berlin Museum of Prints and Drawings, this book contains depictions of canines in art ranging from medieval times to the modern era. Recommended if you want to get a broad sampling of dogs in art.
No actual dogs involved in this one, but it does feature the oppressive heat we’re currently facing here in Durham. Set during a steamy afternoon in New York City, this Sidney Lumet film follows two bank robbers (Al Pacino and the excellent John Cazale) as their plans go sideways and they are forced to improvise. This film is a must-watch masterpiece.
Drop by Lilly Library and check out the Collection Spotlight stand to the left of the front desk for more dog-themed books and films!
Each August, a new class of undergraduates arrives in Durham ready to immerse themselves in the Duke Community. Duke University Libraries serve as the core of intellectual life on campus. Because East Campus is home to the First-Year students, Lilly and Music Libraries have the unique opportunity to introduce our newest “Dukies” to the array of Library resources and research services available.
To help navigate the vast library resources, there is a portal especially for First-Year Students. Through this portal page, new students (and even some not-so-new) can discover all that the Duke University Libraries offer:
A new exhibit on the second floor of Bostock Library, next to the East Asian Magazine Reading Room, explores the truly global popularity of graphic novels.
Since ancient times, human beings all over the globe have been bringing text and images together to tell stories. The term “graphic novel” connotes a full-length graphic narrative that uses sophisticated artwork to address serious literary themes for mature audiences. Starting in the 1980s, it gained popularity as an alternative to comics in Britain and America. However, this distinction between “lowbrow” comics and “highbrow” graphic novels is not relevant to Europe, Latin America, and Asia, which have long histories of narrative art that appeals to a wide range of audiences in many genres.
In this selection of graphic novels and cartoons from Duke’s collection, you will see retellings of classics and tales of adventure that have gained massive popularity in Japan and China. You will see stories of revolution and bold political movements from Russia, India, South Africa, and Colombia. You will see tales of atrocities, survival, and redemption in Germany and Israel. You will see humor, both lighthearted and political, in Turkey, Portugal and Spain, and everyday life in Korea and Côte d’Ivoire. This variety demonstrates the power of graphic narratives to reflect and lend new visual interpretations to all aspects of the human experience. We welcome you to explore one of the world’s most popular modes of storytelling in the Duke collection.
The exhibit was curated by Katie Odhner, a graduate student in the UNC School of Information and Library Science who is interning this summer with our International and Area Studies department.
The American Dance Festival kicked off its 41st year in Durham this June 2018. Lilly Libraryis celebrating with an exhibit and collection spotlight highlighting our diverse range of books and films related to dance.
Duke University Libraries house the ADF Archives, including its Moving Images Collection of approximately 2,000 films and videos from 1930 to the present. These videos capture dance classes, panels, performances, discussions, showings, interviews and special events. Many can be viewed on-site in Lilly. Stop by and check us out!
Saturdays in June and July, view Movies By Movers, at the Nasher Museum of Art and White Lecture Hall on Duke’s East Campus. This ADF series is a bi-annual festival dedicated to the celebration of body and the camera. A full screening schedule can be found here.
Our Lilly Collection Spotlight shines on talented Duke Alumni including authors, broadcasters, researchers, as well as many who are accomplished in popular entertainment – both on screen and behind the scenes. Their studies while at Duke are varied, and for many, their majors were not directly related to their career. The featured books encompass a range of genres and styles – from sociological research to critically acclaimed fiction to sports journalism. Duke alumni working in film and television produce and appear in a variety of films including comedies, drama and thoughtful documentaries. Actors, directors, writers – they experience success both in front of the camera and behind. What they all have in common is their “Duke experience”.
Check out the entire list of books in the Lilly Collection Spotlightand visit Lilly Library to view the exhibit Duke Alumni on the Screen and Behind the Scenes.
Pulitzer Prize winner and American master Anne Tyler’s inspired, witty and irresistible contemporary take on one of Shakespeare’s most beloved comedies. Tyler graduated from Duke in 1961.
The Legends Club : Dean Smith, Mike Krzyzewski, Jim Valvano, and an epic college basketball rivalry
In the skillful hands of John Feinstein (Duke 1977), this extraordinary rivalry–and the men behind it–comes to life in a unique, intimate way. The Legends Club is a sports book that captures an era in American sport and culture, documenting the inside view of a decade of absolutely incredible competition.
Dollars and sense : how we misthink money and how to spend smarter Bestselling author (Predictably Irrational) and behavioral economist Dan Ariely (PhD Business 1998) teams up with financial comedian and writer Jeff Kreisler to challenge many of our most basic assumptions about the precarious relationship between our brains and our money.
The Gaza Kitchen: a Palestinian culinary journey
This is a richly illustrated and researched cookbook that explores the distinctive cuisine of the area known prior to 1948 as the Gaza District–and that of the many refugees who came to Gaza in 1948 and have been forced to stay there ever since. In summer 2010, Laila El-Haddad (Duke 2000) and Maggie Schmitt traveled throughout the Gaza Strip to collect the recipes and shoot the stunning photographs presented in the book.
Forever Duke: On the Screen and Behind the Scenes
Accompanying the books in the Collection Spotlight, the current exhibit in the Lilly Library foyer is Forever Duke: On the Screen and Behind the Scenes. The works of Duke alumni filmmakers, writers and actors featured include films and series found in the Lilly Library collections. A few of the more well known titles or personalities:
We Were Soldiers Directed by Randall Wallace (’72) Wallace wrote and directed We Were Soldiers. Nominated for an Oscar as screenwriter for Braveheart, he also worked on films such as Pearl Harbor and The Man in the Iron Mask.
Community and The Hangover
Ken Jeong (’90) was a premed student at Duke. A licensed physician, Jeong found fame in comic roles in both television and film.
Other Duke luminaries include actress and Baldwin Scholar Annabeth Gish (’93) who stars in the current X-Files, Martin Kratt (’89), the co-creator of the beloved children’s series Zoboomafoo and Wild Kratts, Oscar and BAFTA nominee cinematographer Robert Yeoman (’73) , film editor Alisa Lepselter who has worked on Woody Allen films such as Midnight in Paris and Match Point, and documentary filmmakers Ryan White (’04) and Rossana Lacayo (’79).
The Duke campus and Durham have also been featured in film and television; productions include Bull Durham, The Handmaid’s Tale (the film), The Program, Main Street, Iron Man 3, Kiss the Girls, Brainstorm and the late 1990’s coming-of-age television series Dawson’s Creek. Whether it’s American Pie 2, Mystic Pizza, The Squid and the Whale or Parks and Recreation, you will find a Blue Devil!
There is No Crying in Baseball –
Three of the Elite Eight are Baseball movies!
A League of Their Own turned off the Friday Night Lights for good, and Moneyball and 42 continued to score on the field. Alas, local favorite Bull Durham discovered that it is all “sunshine” as Remember the Titans piled on. Rocky may have knocked out When We Were Kings, but he’ll soon to have face the GOAT Michael Jordan and teammates when it is game time in Space Jam! Can the youngsters Karate Kid and Creed prevail?
March Movie Madness @ Lilly begins Monday, March 19th.
Lilly Library has 100s of sports films – ranging from iconic classics such as Rocky to quirky films like Shaolin Soccer to searing dramas such as Creed. In fact, we have so many sports films, we decided to select just 64 (sound familiar?) for our very own Lilly Library version of March Madness. You may not agree with our title selections (does that also sound familiar?), but don’t let that stop you from joining in the fun and having a chance to win a Crazie great PRIZE!*
To vote, visit our 64-team Lilly Library March Movie Madness online field. Round two is now open for votinghere!
To record your selections, vote for your choice of Heavy Hitters in Bracket A versus films that Go the Distance in Bracket B to eventually face those films that are Down to the Wire in Bracket C opposite the Full Court Press of Bracket D. Voting dates are listed below and on the contest page.
Updates will be posted in Lilly Library’s lobby and on Lilly’s Facebook, Instagram and Twitter accounts in addition to our blog, Latest@Lilly.
There was lots of action in the 1st Round of Lilly Library’s March Movie Madness brackets. Looks like “The Dude” was “Blind Side-d”, Caddyshack may have what it takes to be a Cinderella story, the Karate Kid “waxed off” Hoosiers, and TalladegaNights did a “Shake’n Bake” all over the Field of Dreams.
Winner announced: Wednesday, April 4th!
Bonus: Extra Innings? Overtime? Want MORE sports movies?
Some movies are so iconic that they are more suitable for the Hall of Fame. If you are wondering what great movies (and maybe not so great) did NOT make the field, check out the bench-warmers here at March Madness – On the Bench.
At Lilly Library, now that it’s time for The Big Dance –
we hope you join in!
To celebrate Women’s History Month 2018, Lilly Library is shining a spotlight on Women in Sport. Books and movies that feature women athletes are “teeming” in our collections. Come to East Campus and check out this month’s Lilly Collection Spotlight. Click here for the complete line-up.
While you’re at Lilly, visit the exhibit in the foyer, On the Field, the Courts and Beyond: Women in Sports – TITLE IX, that complements our Lilly Collection Spotlight.
Based on the Instagram account @TheUnsungHeroines, a celebration of the pioneering, forgotten female athletes of the twentieth century that features rarely seen photos and new interviews with past and present game changers including Abby Wambach and Cari Champion.
There’s a battle being fought. It’s raging on the sports fields, in the newsrooms and behind the scenes at every major broadcaster. Women in sport are fighting for equality with more vigour than ever, but are they breaking down the barriers that stand in their way? Sarah Shephard looks behind the headlines to see whether progress is really being made and tells the stories that can no longer be ignored. It’s time for women to switch their focus from the battlefield to the sports field, once and for all.
Beginning with the Williams sisters, the authors examine the foundation of their development as tennis phenoms during the 1990s and the prophetic yet unabashed approach of their coach, father, and sports psychologist, Richard Williams, in crafting a world within which they would be groomed to be successful. a compelling examination of the impact of African Americans on the world of professional tennis and the various challenges and outcomes of that involvement.
An overview of films about women in sport and a timely critical analysis of their role in shaping perceptions of female athletic ability. It examines themes of aggression, beauty, class, ethnicity, physical feminism, sexuality, synaesthesia and technology in relation to mainstream and arthouse cinematic depictions of sportswomen from Pumping Iron 2 to Bend it Like Beckham.
50 years ago when Gibson and Buxton were two of the top women’s tennis players in the world. Coming from widely divergent backgrounds (Gibson from a poor black family in Harlem, Buxton from a well-to-do Jewish family in London), the two hooked up in the mid-1950s and became tennis partners and lifelong friends.
Offers a wide-reaching overview of current academic research on women’s participation in combat sports within a wide range of different national and trans-national contexts, detailing many of the struggles and opportunities experienced by women at various levels of engagement within sports such as boxing, wrestling and mixed martial arts.
During the 2006 Iran-Bahrain match, the Tehran soccer stadium roars with 100,000 cheering men and, officially, no women. According to Islamic custom, women are not permitted to watch or participate in men’s sports. Many of the ambitious young female fans who manage to sneak into the arena are caught and sent to a holding pen, guarded by male soldiers their own age. Duty makes these young men and women adversaries, but duty can’t overcome their shared dreams, their mutual attraction, and ultimately their overriding sense of national pride and humanity.
Examines the post Title IX media environment in terms of the representation of female athletes. It demonstrates that while men’s identities in sports are equated with deeply held values of courage, strength and endurance, the accomplishments of female athletes are framed very differently and in much more stereotypical ways.
A promising hurdler, played by Mariel Hemingway, finds needed emotional and athletic seasoning with a caring mentor. After the two fall in love, their relationship is threatened as both vie for a spot on the U.S. Olympic team.
Members of the Cuban National Women’s Baseball Team discuss their passion for the sport and hardships they faced in Cuba’s society filled with machismo, prejudice and daily hardships.
The story of the surviving members of the Viennese Hakoah sports club women’s swim team, a world-dominating competitor in the 1930s. The club was eventually shut down during Hitler’s reign, though all the women managed to escape capture. Combines historical footage and contemporary interviews to reconnect the women’s lives and memories.
The new man in town has just accepted a position as an English professor on a reservation in Utah. Finding it hard to fit in with the Native American community, he decides to take on the challenge of coaching the girls’ basketball team.
Bliss Cavender is a small-town teenager looking for her own path. Tired of following in her family’s footsteps, she discovers a way to put her life on the fast track–literally. She lands a spot on a roller derby team and becomes “Babe Ruthless.” Co-starring Drew Barrymore in her feature film directorial debut.
Thank you to everyone who enjoyed going out on a Mystery Date With a Book last week! If you didn’t get a chance to check out our display, or if you’re just curious to know what books we selected, here’s a complete list of our mystery picks, along with the library staff member who recommended them. Add them to your Goodreads list. Happy reading!
Selected by Arianne Hartsell-Gundy, Head, Humanities Section and Librarian for Literature and Theater Studies:
Charlotte Brontë, Jane Eyre: “A coming of age story featuring psychic connections, walks on the moors, and a house with a mystery.”
Naomi Novik, Uprooted: “The fairy tale you always wanted as a child…and finally got as an adult.”
Naomi Alderman, The Power: “An electrifying read about gender and power.“
Selected by Elena Feinstein, Head, Natural Sciences and Engineering Section and Librarian for Biological Sciences:
Monique Truong, The Book of Salt: “Flavors, seas, sweat, tears – weaves historical figures into a witty, original tale spanning 1930s Paris and French-colonized Vietnam.”
Audrey Niffenegger, The Time Traveler’s Wife: “According to the author, the themes of the novel are ‘mutants, love, death, amputation, sex, and time.’ Many readers would include loss, romance, and free will.”
Selected by Jodi Psoter, Librarian for Chemistry and Statistical Science:
Amy Butler Greenfield, A Perfect Red: “Empire, espionage, and the quest for the color of desire.”
Contributors: Carol Terry, Danette Pachtner and Ira King
Winter Olympics and Sport
Tired of cold wintry weather? Don’t be snowboard – curlup with interesting reading, or peakat these films … what do you have to luge? (Are we skatingon thin ice here?)
If you are ready for vicarious international adventures in spectacular snow and ice, Lilly Library’s collections will transport you. Our latest Collection Spotlight shines on winter sports, Olympic history and snowy landscapes inspired by the upcoming Winter Olympics in PyeongChang, South Korea. Some winning titles are featured below, but judge for yourself and see the full list in Best in Snow.
The Price of Gold (2014, dir. Nanette Burstein) ESPN 30 for 30
The world couldn’t keep its eyes off two athletes at the 1994 Winter Games in Lillehammer – Nancy Kerrigan, the elegant brunette and Tonya Harding, the feisty blonde who would stop at nothing to get on the Olympic podium.
Sister (2012, dir. Ursula Meir)
A drama set at a Swiss ski resort and centered on a boy who supports his sister by stealing from wealthy guests.
Curling (2010, dir. Denis Côté)
On the fringe of society in a remote part of the French-Canadian countryside, the fragile relationship and unusual private life of a father and daughter is jeopardized by dreary, unforeseen circumstances.
Of Miracles and Men (2009, dir. Jonathan Hock) ESPN 30 for 30
The story of one of the greatest upsets in sports history has been told. Or has it? On a Friday evening in Lake Placid, a plucky band of American collegians stunned the vaunted Soviet national team, 4-3 in the medal round of the 1980 Winter Olympic hockey competition. Americans couldn’t help but believe in miracles that night, and when the members of Team USA won the gold medal two days later, they became one for the ages. But there was another, unchronicled side to the “Miracle On Ice.”
Blades of Glory (2007, dirs. Josh Gordon and Will Speck)
In 2002, two rival Olympic ice skaters were stripped of their gold medals and permanently banned from men’s single competition. Presently, however, they’ve found a loophole that will allow them to qualify as a pairs team.
Cool Runnings (1998, dir. Jon Turteltaub)When a Jamaican sprinter is disqualified from the Olympic Games,he enlists the help of a dishonored coach to start the first Jamaican Bobsled Team.
In the 1930s, as the world hurtled towards terrible global conflict, speed was all the rage. Exotic, exciting and above all dangerous, it was by far the most popular event at the Lake Placid Winter Olympics. It required an abundance of skill and bravery. And the four men who triumphed at those Games lived the most extraordinary lives.
Artistic Impressions: Figure Skating, Masculinity, and the Limits of Sport by Mary Louise Adams
In contemporary North America, figure skating ranks among the most ‘feminine’ of sports and few boys take it up for fear of being labelled effeminate or gay. Yet figure skating was once an exclusively male pastime – women did not skate in significant numbers until the late 1800s, at least a century after the founding of the first skating club. Only in the 1930s did figure skating begin to acquire its feminine image.
Roland Huntford’s brilliant history begins 20,000 years ago in the last ice age on the icy tundra of an unformed earth. Man is a travelling animal, and on these icy slopes skiing began as a means of survival. In polar exploration, skiing changed the course of history. Elsewhere, in war and peace, it has done so too.
So many more books and films examine the Olympics from a range of perspectives – from pure sport and Olympic ideals to international political and social concerns and controversies. Explore further in our Collection Spotlight, and visit Best in Snow.
Contributed by Heather Martin, Librarian for African and African American Studies
What is African literature? Is it literature created by Africans or about Africans? These are some of the questions students in the Duke Africa Conversations Club hope to spark in their selection of books for Duke University Libraries’ current Collection Spotlight on Contemporary African Literature.
The Africa Conversations Club encourages discourse at Duke about issues relating to the African continent and the African diaspora. Their selections (chosen in consultation with Heather Martin, African and African American Studies Librarian) highlight contemporary African fiction, nonfiction, and poetry.
Join Africa Conversations for a discussion of “African Literature and Its Place in Academia” with Dr. Tsitsi Jaji, Associate Professor of English at Duke, on Wednesday, January 31, 4:00-5:00 p.m. in Rubenstein Library 153 (Holsti-Anderson Family Assembly Room).
The Contemporary African Literature display will end in February, but books chosen for the display are available in the Duke Libraries any time.
Make sure to let Duke Self-Checkout access your camera, send you notifications, and use your location.
Open the app and log in with your Duke NetID and password. Click the ‘+’ sign in the top right corner to activate your camera.
When you find a book you want to check out, use the app on your phone to scan the library barcode. The app will blink green when it recognizes the barcode and check the item out to you right there. That’s it!
If you want leave the building with your book, make sure you stop at one of the Duke Self-Checkout stations to demagnetize your book so it doesn’t set off an alarm.
Don’t have a phone or don’t want to download the app? Use the iPad at the Duke Self-Checkout stations, located in Perkins near the Perkins / Bostock Lobby, and in Bostock at the Edge Service Desk.
Duke Self-Checkout is also available at the Marine Lab Library.
The end of fall semester is near, and finals exams are even closer. If you feel the need for a little winter holiday cheer or diversion, our librarians can help. With over 30,000 films in our collections, our staff selected 100 holiday-themed films for December’s Lilly Collection Spotlight. There are traditional titles in the list such as A Charlie Brown Christmas, It’s a Wonderful Life, and Home Alone as well as other winter holiday films such as Eight Crazy Nights, Tokyo Godfathers, and Black Candle. Animated classics, international gems, and a few offbeat films such as Bad Santa and A Junky’s Christmas are waiting for you!
With the advent of the smartphone and social media platforms like Instagram, photography has suffused our daily lives. You may shoot a pic of the Duke Chapel on the way to an early morning class, take a photo of your lunch at West Union, and get a snapchat vista from your friend on vacation in the mountains. If you’re obsessed with images, we’ve got you covered with this month’s Collection Spotlight at Lilly Library! Check out the wide range of photography books and films on display.
Ansel Adams: 400 Photographs
Adams, whose work was recently featured in an exhibit at the North Carolina Museum of Art, was one of the most celebrated landscape photographers of the Twentieth Century, renowned for his black and white depictions of the stunning scenery of the American West. This book collects photographs from across his multi-decade career. Recommended if you’re craving a reminder of the sublime beauty of the outdoors.
Toy Stories by Gabriele Galimberti
In this unique collection, photographer Gabriele Galimberti traveled around the world photographing children and their toys, spending thirty months on the road and visiting fifty-eight different countries. These striking photographs are fun, but also illuminate the social, economic, and gender issues that surround what toys children grow up with. Recommended if you’re missing your childhood room.
The Beautiful Smile by Nan Goldin
This collection, released on the occasion of Goldin’s 2007 Hasselblad Award, features intimate, diaristic photographs and portraits. Rising to fame as a member and chronicler of the LGBTQ subculture in 1980s and 1990s New York City, Goldin includes both photos from that era and newer works in this book. Recommended if you’re looking for photography that captures both the beauty and fragility of life.
Chromes: 1969-1974 by William Eggleston
One of our personal favorite photographers, Eggleston photographed “ordinary” objects and people around the South and his hometown of Memphis, Tennessee. Eggleston’s work in color helped legitimize the form in a field that was previously dominated by black and white photography. Recommended if you’re a Big Star fan and/or enjoy photos of old gas stations.
And don’t forget that Lilly has a great collection of films you can borrow.
La Jetee (1962)
Since its release in 1962, Chris Marker’s La Jetée has emerged as one of the foundational texts of postwar European cinema. With its rhythmic editing, nostalgic voiceover and parade of black-and-white images, La Jetée exercises a hypnotic effect on its viewers. This short, experimental ‘photo-roman’ stays with you long after its 29 minutes are over.
John Waters’ film about a budding Baltimore photographer. Pecker (he got the nickname for pecking at his food as a child) photographs the mundane sights of his Baltimore neighborhood: the hamburger joint where he works, rats making love in the alley behind the diner, the oddball characters in his family, and the dancers in the local lesbian strip club.
City of God (2002)
This movie takes place in the favelas or slums of Rio de Janeiro created to isolate the poor people from the city center. They have grown into places teeming with life, color, music and excitement–and with danger. One of the characters, Rocket, obtains a stolen camera that he treasures and takes pictures from his privileged position as a kid on the streets.
Through a lens darkly: black photographers and the emergence of a people (2014)
Filmmaker Thomas Allen Harris offers what he calls a “family memoir” via historical images of African Americans initially through popular and disturbing stereotypes such as those portrayed in D.W. Griffith’s classic 1915 film Birth of a Nation to more realistic and poignant photographs. Using a series of narrative images by African American photographic artists including Anthony Barboza, Hank Willis Thomas, Lorna Simpson, and Gordon Parks, among others, Harris sheds light on a seldom-told aspect of our culture.
As you can see, Lilly Library offers a wide range of books and film about the art, science and history of photography which we hope you will enjoy.
Every year the Duke University Libraries run a series of essay contests recognizing the original research of Duke students and encouraging the use of library resources. We are pleased to announce the winners of our 2016-2017 library writing and research awards.
We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend. All are invited to join us for refreshments and the opportunity to honor the recipients.
Cuban-Americans, the Duke Common Experience and Beyond
Need some new reading material or just interested in seeing what’s in Lilly Library’s collection that you might not know about? Check out Lilly’s Collection Spotlight!
In honor of National Hispanic Heritage Month and the Duke Common Experience Reading Program selection of Richard Blanco’s The Prince of Los Cocuyos, our spotlight shines on books and films relevant to his and the Cuban-American experience. Blanco, the inaugural poet for Barack Obama in 2012, writes in his memoir of his childhood growing up in Miami as a son of Cuban immigrants. The memoir finds Blanco grappling with both his place in America and his sexuality, striving to discover his identity.
Our collections include books on Cuban Art, the Cuban-American immigrant experience in the United States, LGBTQ communities in Hispanic culture, and several books of Blanco’s poetry. Here are a few highlights from our Lilly Collection Spotlight:
Adios Utopia — Art in Cuba Since 1950
This exhibition catalog covers Cuban art from 1950 to the present viewed through the particular lenses of the Cuban Revolution, utopian ideals, and subsequent Cuban history. The collection covered in this book will be on display at the Walker Art Center in Minneapolis starting in November.
In this book, scholar Frederick Luis Aldama interviews 29 Latinx comic book creators, ranging from the legendary Jaime Hernandez of Love and Rockets fame to lesser known up and coming writers/illustrators.
This bilingual chapbook contains a poem Blanco wrote and read for the reopening of the US Embassy in Havana in 2015. Blanco writes in the opening lines, “The sea doesn’t matter, what matters is this: we all belong to the sea between us, all of us.”
CubAmerican (2012) DVD 28418
Exploring the causes leading to the exile of millions of Cubans from communist Cuba by depicting the journey of illustrious Cuban-Americans to their new life in the United States
Finally the sea (2007) DVD 12185
“The wreckage of an empty Cuban raft is the catalyst for Tony, a successful Cuban-American businessman, who files from Wall Street to Cuba to discover his roots. His journey develops into a striking love story where politics and romance collide
Mambo Kings (1992) DVD 27116
Musician brothers, Cesar and Nestor, leave Cuba for America (NYC) in the 1950s, with the hopes of making it to the top of the Latin music scene. Cesar is the older brother who serves as the business manager and is a consummate ladies’ man. Nestor is the brooding songwriter, who cannot forget the woman in Cuba who broke his heart. This is an unrated version of the film, with one restored scene.
Visit our Collection Spotlight shelf, in the lobby to the left of the Lilly desk. There are many more titles available to you, and if you want more suggestions – just ask us. Stay tuned – We will highlight our diverse and varied holdings at Lilly with a different theme each month.
This spring Michael Peper and Melanie Sturgeon, two Duke science and engineering librarians, left Duke University Libraries to pursue other opportunities. We’re sad to lose these valued colleagues, but are thrilled to introduce two new staff members and some different roles for remaining staff. Please see below for our updated titles and responsibilities.
Elena Feinstein Head, Natural Sciences and Engineering Section Librarian for Biological Sciences
Elena has moved into a leadership role for the science and engineering librarians group, and she looks forward to continuing her work with the departments of Biology and Evolutionary Anthropology as well as other biologically focused programs.
Ciara Healy Librarian for Psychology & Neuroscience, Mathematics, and Physics
Ciara is thrilled about continuing her work with the Department of Psychology & Neuroscience and Duke Institute for Brain Sciences, and learning more about the needs of the Departments of Mathematics and Physics.
Janil Miller Librarian for Marine Science and Coordinator, Pearse Memorial Library at Duke Marine Laboratory
Janil will continue coordinating library services and collections at the Duke Marine Lab, serving the Nicholas School of the Environment’s Division of Marine Science & Conservation as well as other Marine Lab patrons.
Sarah Park Librarian for Engineering and Computer Science
Sarah joins Duke on July 18 as liaison to the Pratt School of Engineering and the Department of Computer Science. She has 15 years of experience as a science and engineering librarian, most recently at Southern Illinois University Edwardsville. In addition to her library science degrees, Sarah holds an M.S. in applied computer science.
Jodi Psoter Librarian for Chemistry and Statistical Science
Jodi joins Duke on August 14 as liaison to the Departments of Chemistry and Statistical Science. She has 15 years of experience as a science and engineering librarian, most recently at Williams College.
Brittany Wofford Coordinator for the Edge and Librarian for the Nicholas School of the Environment
Brittany will continue to coordinate services and spaces for The Edge research commons and will take on a new role as liaison to the Nicholas School of the Environment. Brittany has experience as the librarian for Cultural Anthropology, which will return to the care of librarian Linda Daniel.
If you’re ever in doubt about which of us to contact, we can all be reached at firstname.lastname@example.org. We look forward to hearing from you!
Incredible Insects: A Celebration of Insect Biology
On display June 13 – October 15, 2017
in the Chappell Family Gallery and Stone Family Gallery, Perkins and Rubenstein Libraries, Duke West Campus (Click for map)
Insects are the most numerous and diverse animals on earth. They can be found in almost every environment. Because of their tremendous diversity, they play many important roles in nature, as well as in human society—enchanting us with their beauty, unsettling us with their strangeness. Whether revered or reviled, these fascinating and ubiquitous organisms can truly be said to have conquered the planet.
A new library exhibit offers a glimpse into the multifaceted world of insects, including research on insects conducted here at Duke.
The exhibit is divided into several sections, including insect evolution and diversity, coloration and camouflage, types and stages of insect metamorphosis, the roles of insects in human history and culture, and a fascinating look at two of nature’s greatest mysteries: the migration of the monarch butterfly and the clockwork-like appearance of periodical cicadas.
Exhibit visitors can also hear sound recordings of insect calls at a nearby kiosk and see up-close images of insects taken with electron microscopes.
Around the corner from the Chappell Family Gallery, viewers can step inside the Rubenstein Library’s Stone Family Gallery and peruse several selections of rare books that complement the exhibit. The exhibit curators selected these works because they represent some of the earliest scientific investigations to discover general aspects of biology and natural history through the study of insects.
Incredible Insects was curated by a team of entymology students, faculty and staff from the Duke biology department.
Each spring since 1998, Durham has hosted international filmmakers and film lovers who flock to the Full Frame Documentary Film Festival. Festival goers revel in the latest in documentary, or non-fiction, films which are presented in venues throughout historic downtown Durham.
Because it is the 20th anniversary, this year’s festival’s thematic program is a cinematic retrospective of the twenty years of Full Frame. Curated by Artistic Director Sadie Tillery, notable films, filmmakers, and special moments that have distinguished Full Frame since it was founded in 1998 are to be highlighted this year.
Do you know that Duke University is a major supporter of Full Frame?
Of special note, because of his support and commitment to the arts, Duke University President Richard Brodhead will be honored with the Full Frame 2017 Advocate Award. In addition, the Duke University Libraries support and highlight films from past festivals. If you don’t attend the festival, consider the Libraries’ collections. A major resource is the Rubenstein Library’s Full Frame Archive Film Collection, that includes festival winners from 1998 through 2012. In addition, the film and video collection at Lilly Library on East Campus contains a selection of Full Frame titles available to the Duke community.
The holidays are just around the corner, and you still don’t know what to get that person on your list who has everything. Don’t worry, we’ve got you covered.
Instead of another tie or pair of socks, give a gift that matters to every member of the Duke community. Make an honorary or memorial gift to Duke University Libraries, and make a difference in the lives of our students, faculty, and researchers. Your gift to one of the funds below helps us continue to add resources and services that support the Duke and Durham community.
You can direct your honorary or memorial gift to one or more of the Libraries’ funds, including:
The Library Annual Fund provides flexible, unrestricted support for the Libraries’ varied operational needs (and the Honoring with Books program gives Annual Fund donors who contribute $100 or more the opportunity to recognize a special person or event with an electronic bookplate)
The Adopt-A-Book program funds the conservation of an item from the collections, and provides flexible support for the Conservation Services department
The papers of Maria de Bruyn, a medical anthropologist, are a recent acquisition by the History of Medicine Collections and will be the focus of this event and several others this fall. The Duke University History of Medicine Collections is a rich resource for teaching Duke medical students about the centuries of medical experimentation that inform the modern practice of medicine.
On November 30, the Franklin Humanities Institute Health Humanities Lab will host a special World AIDS Day event featuring a keynote address by de Bruyn and a lecture by poet and writer Kelley Swain.
In addition, students in professor Kearsley Stewart’s Duke Global Health Institute’s fall seminar on HIV/AIDS will discuss their three-week workshop with Swain and present an exhibit of their work based on materials from the Maria de Bruyn collection.
A reception is to follow the presentations. The event is free and open to the public and will take place on November 30, 3:00 – 6:00 pm, in Rubenstein Room 153. Contact Kearsley Stewart for more information, email@example.com.
As bookbagging classes for the Spring semester commences, we are excited to announce the next wave of Archives Alive courses offered for Duke undergraduates. These courses are aimed at enabling students to develop innovative and significant projects based on original materials held in the David M. Rubenstein Rare Book & Manuscript Library.
As opposed to traditional offerings, Archives Alive courses provide students with weekly opportunities to conduct “hands-on” explorations into the rich and varied collections of rare print, manuscript, photographic, and audio materials. Students gain first-hand exposure to advanced research techniques in the new classroom space of the Rubenstein Library.
This upcoming semester, the Rubenstein Library will host two engaging courses that debuted last year. “History of the Book,” a phenomenally successful course on written text in its earliest forms through the 21st century, has been described by students as “thrilling,” “awesome,” and “engaging.” Another course dealing with recording technology, music, local history, and digital tools, “NC Jukebox,” has students raving about the hands-on explorations into century-old correspondence and audio recordings.
These classes for Spring 2017 are listed as follows:
Topics in Digital History & Humanities: NC Jukebox
HISTORY 390S-1/ISS 390S/MUSIC 290S-1
Curriculum Codes: ALP, CZ, R
Instructors: Trudi Abel/Victoria Szabo
History of the Book
CLST 360/MEDREN 346/ISS 360/HISTORY 367
Curriculum Code: ALP
MW 3:05-4:20. Rubenstein Library 150
Instructor: Clare Woods
In case you can’t get enough of politics in this election cycle, Lilly Library’s exhibit Reel Politics: Focus on Elections highlights the wide range of political or politically themed films in our collections. Duke students, staff and faculty can “write-in” their favorite film or choose from some of the titles represented.
The American political process and environment are explored, celebrated and, yes, deplored in all genres of film and television programs: romances, satires, and searing dramas, cynical and sometimes insightful documentaries. Films available in the Lilly Library collections include classics such as Mr. Smith Goes to Washington or its cynical counterpart, The Candidate, idealized romances such as The American President, comedies such as Election, and documentaries such as Weiner or The War Room. Television series also portray the American political scene in a variety of ways – what starker contrast in depictions of the Presidency can be found than between that of The West Wing and the recent series, House of Cards?
What are the bestfilms , documentaries and television series about American elections? The films and television series in the exhibit represent just a very few of the hundreds of films and series about American elections and politics that the library offers. Explore the possibilities with a search of our library catalogue, peruse the Lilly Video Spotlight on Political Documentaries, and remember, just like the candidates, films have their champions and detractors.
In keeping with the season, perhaps you can conduct your own poll!
Reel Politics: Focus on Elections Exhibit on display through October Lilly Library foyer
The treasures of Duke’s branch libraries are often hidden. The circulating collections and services of these smaller libraries often claim the pride of place. Both libraries on East Campus, Lilly Library and Music Library, however, hold precious material relating to their subject collections. Known in the library world as “medium rare” (as opposed to the rare materials located in the David M. Rubenstein Library) such primary source materials allow students to examine history first hand.
This fall the Lilly Library added a lobby display case to highlight its unique collections. The inaugural display is one volume of our three-volume Vitruvius Britannicus, a large and early folio devoted to the great buildings of England to be seen in 1717.
An outstanding example of a folio (book) format as well as the awakening of interest in British architecture by its own architects – quoting from the Oxford Art Online – Vitruvius Britannicus was a cooperative venture that appears to have developed out of the desire of a group of booksellers to capitalize on an already established taste for topographical illustration.
Published in 1715 and 1717, the two original volumes each consisted of 100 large folio plates of plans, elevations and sections chiefly illustrating contemporary secular buildings. Many of these plates provided lavish illustration of the best-known houses of the day, such as Chatsworth, Derbys, or Blenheim Palace, Oxon, intended to appeal to the widespread desire for prints of such buildings as well as providing their architects a chance to publicize their current work.
We invite you to visit the Lilly Library on East Campus and to enjoy this “medium rare” folio on exhibit. For more information about the Lilly Library folio or art and image collections, contact Lee Sorensen, the Librarian for Visual Studies.
The Rubenstein Library exhibit suite (Mary Duke Biddle Room, Stone Family Gallery, and Josiah C. Trent History of Medicine Room) will all be open on Saturday, October 1, from 1:00 p.m. to 5:00 p.m., for Duke Homecoming weekend.
Library visitors can see Virginia Woolf’s writing desk, a copy of the Bay Psalm Book (first book printed in what is now the United States), two of our double-elephant folios of Audubon’s Birds of America, and many other treasures from the Rubenstein Library.
Starting this semester (Fall 2016), the Duke University Libraries will be piloting a program to provide selected textbooks on 3-hour reserve in Perkins Library on West Campus. Some textbooks will also be available at Lilly Library on East Campus.
Included among the 300 items are textbooks for courses in Economics, Chemistry, Math, Latin, French, Italian, and Spanish. The books have been selected based on orders placed with the Duke Textbook Store by departments and faculty.
Please note:Textbooks on reserve are not intended to take the place of students purchasing textbooks for their courses. Due to budget limitations, the Libraries are unable to purchase textbooks for every course at Duke.
Circulation numbers will be reviewed to determine if this pilot program is valued and should be extended.
Learn to “swim” – and to keep swimming – in the Libraries!
On East Campus, after students settle in and begin classes, the Lilly Library and Duke Music Library offer several ways for the newest Blue Devils to learn and benefit from the incredible resources of the Duke Libraries. Lilly and Music sponsor Library Orientation events – including a film on the East Campus Quad and an Open House to introduce students to library services and collections. In recent years, students ventured into a library-themed Jurassic Park, played The Library Games, and were wowed by theIncredibles and our libraries’ super powers. This year, the Class of 2020 will explore the power of discovery and the rewards of research, and learn to “keep swimming” in our resources when they …
Dive Into the Libraries
Schedule of Library Orientation Events for Fall Semester 2016
After the excitement of the beginning of the new semester subsides, the Duke University Libraries continue to reach out to our students, always ready to offer research support and access to resources in support of their scholarly needs.
Here’s to a great fall semester!
Keep swimming! And, remember – we’re available to help you “keep searching”!
Thanks to Devils After Dark for partnering
with the East Campus Libraries for our orientation events.
We are a nation linked by iHeartRadio stations playing “Start Me Up” by the Rolling Stones—that much is certain. I come to understand this as I drive the Frank Clyde Brown Collection’s 60 wax cylinders and 76 aluminum discs of folk songs and ballads to the Northeast Document Conservation Center (NEDCC) in Andover, Massachusetts. There, the NEDCC will use a new and highly innovative technology called IRENE to help us rediscover these performances, which have been essentially unavailable to scholars for nearly a century.
It’s almost too easy to contrast that single, frequently repeated song (unloved by me) with my cargo, but I do it anyway: it’s a 15-hour trip and I’ve got time. The 136 cylinders and discs hold an estimated 1,367 performances collected by Brown as he traveled across North Carolina between 1915 and his death in 1943. Brown, an English professor who also served as comptroller during Trinity College’s transition into Duke University, somehow also found time to drive into back areas throughout North Carolina to record this music. There’s a certain symmetry to me driving his recordings from Duke to Andover.
The wax cylinders are especially brittle, though, which is why Craig Breaden and I finally decided I should drive them to the NEDCC rather than ship them. Craig, the Rubenstein Library’s Audiovisual Archivist, serves as the Project Manager for this grant. We’ve taken special care in packing, and each cylinder is stored in its own box. Twenty cylinders are then housed in a storage box, and for the trip, each storage box is packed in a larger box and surrounded by foam packing peanuts. The single storage box of aluminum discs is packed the same way. Although not as fragile as the wax cylinders, some of the discs use an acetate “lacquer” for the recording medium, which can be damaged.
The care extends to the trip: I’ve rented a minivan, which provides the bonus of a separate air conditioning system for the back storage area. That helps keep the cargo at a uniform temperature—changes in temperature are particularly hard on wax cylinders. In fact, I decide not to eat dinner while the outdoor temperature is above 75 degrees because I don’t want to leave the air conditioning off for too long. I drive to Hartford, Connecticut, that night and when I check into the motel, I take all four boxes into my room, where I put them on the bed instead of on the floor, just in case the fan coil unit leaks. They look kind of cozy there.
What makes the IRENE technology worth the trouble? Craig and I will write more about it over the course of this project, but IRENE is perfect for material like this. IRENE makes ultra-high resolution visual scans of a disc’s or cylinder’s grooves to create an image of the track; its software converts the images to sound files. Creating visual scans first means that we can get an accurate digital sound file without a needle or stylus. That provides two important advantages: we don’t risk further damage to the grooves of these fragile media, and IRENE can sometimes recover sound from cracked or broken discs and cylinders if it can get an image of the grooves sufficient to match up with the other pieces. It’s amazing, and only the NEDCC provides this service.
All of us associated with this project feel like the Brown Collection is a great collection, the music a treasure waiting to be rediscovered. The recordings contain ballads and folk songs that can be traced back to England, songs that traveled to North Carolina from other parts of the United States, and songs like those around the murder of Laura Foster by Tom Dula (a.k.a. Tom Dooley) that originated here.
And that’s what distinguishes this music from the Stones’ “Start Me Up.” Although the same song might be represented several times in the collection, each performance is unique; each musician provided his or her own take on the lyrics and music, or of the people from whom he or she learned the music. Even though the title might be the same, each performance potentially offers insights to us about the culture of the musicians’ locale. That is what makes the trip worth it.
The grant to digitize Frank Clyde Brown’s recordings is part of the Council on Library and Information Resources’ Digitizing Hidden Special Collections and Archives awards program, a national competition that funds the digitization of rare and unique content held by libraries and cultural memory institutions and that would otherwise be unavailable to the public. The Council on Library and Information Resources is an independent, nonprofit organization that forges strategies to enhance research, teaching, and learning environments in collaboration with libraries, cultural institutions, and communities of higher learning.
The program receives generous support from The Andrew W. Mellon Foundation. Founded in 1969, the Andrew W. Mellon Foundation endeavors to strengthen, promote, and, where necessary, defend the contributions of the humanities and the arts to human flourishing and to the well-being of diverse and democratic societies by supporting exemplary institutions of higher education and culture as they renew and provide access to an invaluable heritage of ambitious, path-breaking work. Additional information is available at mellon.org.
The Rubenstein Library exhibit suite (Mary Duke Biddle Room, Stone Family Gallery, and Josiah C. Trent History of Medicine Room) will all be open on Saturday, May 14, from 9:00 a.m. to 5:00 p.m., for Duke Commencement weekend.
Library visitors can see Virginia Woolf’s writing desk, a copy of the Bay Psalm Book (first book printed in what is now the United States), our double-elephant folios of Audubon’s Birds of America, and many other treasures from the Rubenstein Library.
The paradoxes of time travel are a never ending source of fascination for sci-fi film buffs. Lilly’s robust collection includes a few lesser known, but intriguing examples. In Timecrimes (2007) a man is drawn to a young woman who appears mysteriously in the woods near his house. The resulting events pull him into a series of time loops.
Primer (2004), which won the Grand Jury Prize at Sundance, is the tale of two men who invent a rudimentary time travel device in their garage. The Navigator (1988) tells the story of a band of 14th century townsfolk who, while trying to escape the Black Death, stumble upon a fissure in time and end up in the 20th century. Jacques Rivette’s Celine and Julie Go Boating follows the evolving friendship of two women and their magical trip into the past as they attempt to rescue a young girl.
Explore the Duke Libraries film and video collection for more time travel-related titles.
In the mid 1980s Spike Lee opened the door for many African-American filmmakers. It is sometimes easy to forget those who laid the groundwork for his success. Ivan Dixon’s 1973 film The Spook Who Sat by the Door takes a look at discrimination within the CIA. Haile Gerima, the first important African-American female director, gave us Bush Mama (1975), which details the difficult life of a single mother.
Each spring, international filmmakers and film lovers flock to the Full Frame Documentary Film Festivalto experience the latest in documentary, or non-fiction, cinema showcased in our very own historic downtown Durham. Film showings highlight new programming in competition, and other events include expert panel discussions and themed screenings. Tickets go on sale April 1st.
Duke University Libraries support and highlight films from past festivals. One resource is the Full Frame Archive Film Collection, that includes festival winners from 1998-2012. The film and video collection at Lilly Library includes many more Full Frame titles available to the Duke community.
This year’s 19th Annual Full Frame Documentary Film Festival honors independent director and documentary cinematographer, Kirsten Johnson, with the 2016 Tribute Award. Cameraperson, Johnson’s newest film, will be screened and a retrospective of her work will be presented. This year’s Thematic Program is a series titled “Perfect and Otherwise: Documenting American Politics,” curated by filmmaker R.J. Cutler, known for such films as The War Room and The World According to Dick Cheney.
The festival is a program of the Center for Documentary Studies and receives support from corporate sponsors, private foundations and individual donors whose generosity provides the foundation that makes the event possible. The Presenting Sponsor of the Festival is Duke University.
What: Lecture and Opening of the Barbaralee Diamonstein-Spielvogel Archive When: Thursday, April 7, 5:00 p.m. Where: Holsti-Anderson Family Assembly Room, Rubenstein Library Reception to follow
Join the Duke University Libraries as we celebrate the opening of the Barbaralee Diamonstein-Spielvogel Archive with a special lecture featuring educator and technology expert John Palfrey, distinguished authority on education and technology and author of BiblioTech: Why Libraries Matter More Than Ever in the Age of Google (Basic Books, 2015).
Palfrey is the Head of School at Phillips Academy in Andover, Massachusetts. He is also a faculty co-director of the Berkman Center for Internet & Society at Harvard University. Previously, Palfrey served as Vice Dean for Library and Information Resources at Harvard Law School and as the founding chairman of the Digital Public Library of America. He has written extensively on internet law, intellectual property, and the potential of new technologies to strengthen democracies locally and around the world.
Palfrey’s talk will be followed by a brief response by N. Katherine Hayles, James B. Duke Professor of Literature at Duke and author of numerous books, including How We Think: Digital Media and Contemporary Technogenesis (University of Chicago, 2012).
Sponsored by the Duke University Libraries, David M. Rubenstein Rare Book & Manuscript Library, Information Science + Studies Program, Information Initiative at Duke, Masters of Fine Arts in Experimental and Documentary Studies Program, Center for Documentary Studies, Forum for Scholars and Publics, and the UNC School of Information and Library Science.
It’s Women’s History Month! Spend this March 2016 watching wonderful films created by talented women from around the world.
The Video Spotlight on Women Filmmakers, created by Lilly Library’s own audio-visual specialist and film aficionado, Ken Wetherington, can give you great ideas of where to start.
In recent years women in film have begun to be slightly better recognized, like Katheryn Bigelow’s oscar-winning direction (the only time for a woman!) of The Hurt Locker.
But did you know that in the early days of cinema, many women were powerful creative forces? Movies like Lois Weber’s Suspense, The Ocean Waifby Alice Guy Blaché and Cleo Madison’s Eleanor’s Catch,and other women pioneers of early cinema, can be viewed in Duke Libraries’ new subscription database, Kanopy Streaming Video.
Check out Lilly’s foyer display exhibiting films by women in the history of cinema. Some of the titles just may surprise you…
The collection includes some 1,367 songs recorded in the 1920s and 1930s on wax cylinders and aluminum discs. The recordings were made in the field by folklorist, professor of English, and Duke University administrator Frank Clyde Brown (1870-1943), who traveled across North Carolina collecting folk songs, sayings, stories, and other folklore between 1912 and his death in 1943. Brown collected songs from at least 52 of North Carolina’s 100 counties, representing all regions of the state.
“The recordings include music unique to North Carolina, as well as popular American folk songs, traditional British ballads, and a range of other tunes,” said Winston Atkins, Preservation Officer for Duke University Libraries and the principal investigator for the project. “Taken together, they represent an important and untapped primary source of American folk music in the early twentieth century.”
The songs have never been widely accessible due to the age and fragility of the recording technology Brown used, as well as the difficulty of transferring them to more modern media formats.
“Until recently, there has been no non-destructive way to recover audio on historical wax cylinders and aluminum discs, which require a mechanical stylus and can be damaged if played today,” said Craig Breaden, Audiovisual Archivist in Duke’s David M. Rubenstein Rare Book & Manuscript Library.
The Duke recordings will be digitized using a new non-contact technology, known as IRENE, at the Northeast Document Conservation Center in Andover, Massachusetts. IRENE takes ultra-high resolution visual scans of the grooves imprinted on the cylinders and discs and mathematically translates those into digital sound files that are remarkably faithful to the original recordings. Because there is no actual contact with the recording, IRENE’s scans can also capture sounds from damaged media.
Digitization will begin in the summer of 2016 and take approximately one year. The recordings will then be described and processed, and the collection will be made freely and publicly available through the Duke University Libraries website in 2018.
Born in 1870, Frank Clyde Brown began his career as a professor of English at Trinity College in Durham (the forerunner of Duke University) in 1909 and later became chairman of the department. Between 1924 and 1930, as Trinity expanded into Duke University, Brown served as the institution’s first comptroller, overseeing the construction of West Campus and the renovation of East Campus. He also served as university marshal, entertaining distinguished visitors to the new university.
In 1913, at the urging of legendary folklorist and musicologist John A. Lomax, Brown founded the North Carolina Folklore Society and was elected its first president. He later served as its secretary-treasurer, program chairman, and primary collector until his death in 1943. His efforts to record the sounds and nuances of North Carolina’s “folk” were part of a national trend in the early twentieth century to preserve American folk culture, aided by new technologies that allowed folklorists to make recordings in the field. The 1,367 songs captured by Brown are a significant part of that legacy.
The seven-volume Frank C. Brown Collection of North Carolina Folklore, published posthumously by Duke University Press between 1952 and 1964, represents Brown’s lifetime of collecting. It is widely regarded as one of the premiere collections of American folklore ever published and is available online. Four of the seven volumes are dedicated to the music Brown recorded and include transcribed melodies and song lyrics. However, the editors of Brown’s work left out an estimated 400 songs he recorded. These “bonus tracks,” which are found on the wax cylinders and aluminum discs but not in the published collection, will be digitized as part of the project.
In 2015, two Duke faculty members—Victoria Szabo and Trudi Abel—incorporated some of the Frank C. Brown recordings into NC Jukebox, an interdisciplinary Bass Connections course introducing undergraduate and graduate students to digital history. Students conducted original research on the history of the recordings and tracked down the descendants of some of the singers and musicians. The course will be offered again in Spring 2017.
The grant to digitize Brown’s recordings is part of CLIR’s Digitizing Hidden Special Collections and Archives awards program, a national competition that funds the digitization of rare and unique content held by libraries and cultural memory institutions that would otherwise be unavailable to the public.
The term “Hackathon” traditionally refers to an event in which computer programmers collaborate intensively on software projects. But Duke University Libraries and the History Department are putting a historical twist on their approach to the Hackathon phenomenon. In this case, the History Hackathon is a contest for undergraduate student teams to research, collaborate, and create projects inspired by the resources available in the David M. Rubenstein Rare Book and Manuscript Library collections. Projects may include performances, essays, websites, infographics, lectures, podcasts, and more. A panel of experts will serve as judges and rank the top three teams. Cash Prizes will be awarded to the winning teams.
Join the Duke University Libraries for a night of comics-themed trivia at Fullsteam Brewery in downtown Durham. Test your knowledge of superheroes, women in comics, comics and war, popular media depictions of comics, and more.
Duke’s Rubenstein Library is home to the Edwin and Terry Murray Comic Book Collection, which includes over 65,000 comics from the 1930s to the present, making it one of the largest archival comic collections in the world.
The concept of cloning raises ethical issues, especially as it grows more feasible than fictional. The popularity of the current television series Orphan Black (yes, we have it!) helps to shine a spotlight on this issue. Cloning, as a theme in film, makes for compelling, thoughtful and entertaining viewing. We invite you to check out some of these films in Lilly Library’s DVD collection which explore the implications of cloning .
Moon (2009), a compelling and suspenseful film, follows an astronaut running a solo mining operation. When an accident triggers a series of inexplicable events he begins to doubt the real purpose of his mission. The film is a textbook example of how to make a thoughtful and good-looking sci-fi thriller on a low budget.
Never Let Me Go(2010) poses an alternate history in which clones are used for organ replacements for “originals.” This powerful and moving film follows three “donors” from childhood into their twenties.
When a person is cloned, what happens to his soul? The Clone Returns Home (2009) addresses life, death, love, and family. Those with patience will be rewarded with this deliberate, meditative film from director Kanji Nakajima.
Steve Roden, sound artist, painter, writer, and collector is in residence at Duke Rubenstein Library this month. Throughout the month he’s giving talks, performances and demonstrations at various Duke and Durham venues. Whether you get a chance to hear Roden’s talks and pieces, his publications are well supported at Duke’s Lilly (art) and Music libraries.
Most engaging, perhaps, is his 2003 collection of retro advertisements for children’s products, Krazy Kids’ Food. A retrospective of his work,Steve Roden in Between : a 20 Year Survey, is in the Lilly Library. More aurally inclined? Check out (literally!) Roden’s sound recording, Splitting Bits, Closing Loops, a CD at the Music Library. Somewhere in between? We recommend his edited book, Site of Sound : of Architecture and the Ear, exploring the relationship between sound, language, orality and hearing with writings on Vito Acconci, Steve McCaffery, Achim Wollscheid, GX Jupitter Larsen, and Marina Abramovic.
Duke University students, faculty, and staff will soon enjoy on-site library borrowing privileges at several other major research universities, courtesy of a new program known as BorrowDirect Plus.
Under a new pilot agreement beginning October 1, 2014, students, faculty, and staff from the following institutions will have reciprocal on-site borrowing privileges: Brown University, University of Chicago, Columbia University, Cornell University, Dartmouth College, Duke University, Harvard University, Johns Hopkins University, Massachusetts Institute of Technology, University of Pennsylvania, Princeton University, and Yale University.
Guest users who have been verified and have home library accounts in good standing will have in-person access to materials at any of the participating libraries. When visiting one of these libraries, members of the BorrowDirect Plus community will need to show their campus ID card and log into their home library account to show their current status. Once verified, they will be issued a library card from the institution they are visiting.
Items, collections, and participating libraries available will vary by institution. The lending library’s policies and loan periods apply to guest borrowers, and it is recommended that users considering a visit to another library view their policies ahead of time. Borrowed items may be returned at either the lending library or the user’s home library. (For example, a book checked out at Yale could be returned here at Duke, and vice versa.)
For the most part, these same materials are already available through BorrowDirect, a rapid book request and delivery system used by all of the participating institutions (with the exception of Duke). The new agreement expands the system to include this in-person component.
Duke University Libraries and Ford Library at the Fuqua School of Business are excited to offer a new service that allows library users to download and enjoy popular eBooks and audiobooks on their own devices, including iPhones, iPads, NOOKs, Android phones and tablets, and Kindles.
The new service, called OverDrive, has hundreds of popular fiction and non-fiction titles to choose from, including best-selling novels, well-known classics, self-improvement guides, and much more. We are adding new titles to Duke’s collection all the time.
Browse through the available titles, and check them out using your Duke NetID.
You can check out up to five (5) eBooks or audiobooks at one time.
Titles will automatically expire at the end of the lending period (21 days). There are no late fees!
eBooks can be read immediately on any device with an internet browser. Audiobooks can be streamed using the OverDrive Media Console app, which you can download for free on all major desktop and mobile platforms.
If a title is already checked out, you can place it on hold and request to be notified when it becomes available. You can place up to ten (10) titles on hold at a time.
If you don’t see a title you’re looking for, submit a request from any search page using the option. We’ll add requested titles to our wishlist and purchase them as funds become available.
Once you download a title, you can transfer it to your iPhone, iPad, NOOK, Android phone or tablet, or Kindle.
That’s it! Pretty simple.
In addition to hundreds of new and recently published books, you can also download tens of thousands of public domain classics as eBooks through OverDrive. Look for the “Project Gutenberg” link under Featured Collections.
We are in the process of adding to our initial selections in OverDrive, so we encourage you to submit recommendations through the site if there are eBooks or audiobooks you’d like to see available.
Your opinion counts! Share your thoughts about ways to improve and enhance library services, collections, and spaces in a one-hour moderated focus group. In return, we’ll feed you!
Here in the Libraries, we’re always trying to up our game. To help us serve our Duke students and faculty better, we conduct periodic focus groups with undergraduates, graduate students, and faculty members.
Your opinion counts! Share your input and make a difference. Focus groups help us improve our existing services and develop new ones to meet emerging needs. Click on the links below to be part of a focus group session.
Lilly Library has great films featuring action heroines. Go ahead, make her day –
Check out these heroines and their sisters in action in the Lilly Video Spotlight!
La Femme Nikita (DVD 8982) A cop-killer junkie (Anne Parillaud) is forced by the government to become an undercover assassin or face a life in prison.
Brave (DVD 22979) Princess Merida, an archer and self-reliant young woman, makes a decision which defies custom and brings chaos to her kingdom. To restore her kingdom, she must discover her bravery and inner strength.
Alien (DVD 3311) Terror begins when the crew of a spaceship investigates a transmission from a desolate planet and discovers a life form that is perfectly evolved to annihilate mankind.
Guest post by Kathryn Desplanque, a third-year Ph.D. student inArt, Art History & Visual Studies. Her work focuses on satirical etchings and engravings in late eighteenth-century and early nineteenth-century France. This semester she taught a Writing 101 class on modern caricature.
In my Writing 101 class, “Laughing Matters: Interpreting and Contextualizing Modern Caricature,” I wanted to give my students a chance to interact with the rich cartoon periodical collection of Perkins Library and the Rubenstein Rare Book & Manuscript Library. The cartoon periodicals contained therein, of which my students were particularly drawn to the American Puck and the British Punch,contain gorgeous chromolithographed or woodblock engraved caricatures. These complicated visual objects necessitate interdisciplinary research, and through them, I have encouraged my students to engage with the material history of print culture and the periodical press.
I also wanted to give my students an opportunity to explore a kind of writing which I personally find to be tremendously challenging: writing and curating for public audiences. To prepare our Perkins Student Wall exhibit, the students of W101 “Laughing Matters” reverse-engineered genre guidelines for label writing, produced magnificent labels, curated and hung our exhibit, Reading Between the Lines: Comical Interpretations of the Nineteenth Century. They did all of this with careful attention to audience experience: they built sub-themes into our exhibit, and hung the caricatures so as to take advantage of the colors and perspectival lines of their pieces. Throughout the curatorial process, I feel like I’ve learned the most of all, thanks to the candid and insightful discussion we’ve had throughout the semester.
Check out the exhibit!Reading Between the Lines will remain up on the Student Wall on the first floor of Perkins Library through the end of the fall 2013 semester.
Halloween always brings out the worst in people. Garish pumpkin sweaters and sequined Walmart costumes. It was with that dejection about this commercial holiday that I discovered the ghost stories of a prominent art historian, the Cambridge manuscript curator Montague Rhodes James http://www.dictionaryofarthistorians.org/jamesm.htm. James, provost of King’s College (1905-1918), wrote stories in his spare time, yarns weaving his knowledge of antiquities together with the aberrant personalities (which were apparently more common in the nineteenth century), into stories of the supernatural. They are not easy reading. The stories ramble, focusing on physical detail without additional effect, rather like a drunk Henry James or a G. K. Chesterton without a sense of humor. Still, it’s fascinating to see what constituted scary a hundred years ago. Without the popularly-held image of what a ghost looks like, M. R. James describes them anew (one is characterized as a visage with its facial flesh burned off). Doom doesn’t last forever, either. The haunted manuscript acquired by an unsuspected dupe only temporarily brings its owner ill fate.
If Halloween is the time to experience the odd within the confines of the familiar, then M.R. James’ Ghost Stories are truly that. A glimpse of ancient days written from those very long ago days.
James, M. R. (Montague Rhodes), 1862-1936. Collected ghost stories. Oxford : Oxford University Press, 2011. Perkins/Bostock Library. PR6019 .A565 2011
Once digitized, the manuscripts will be made freely available online through the British Library, giving scholars around the world access to an important archive of religious texts that were previously accessible only by traveling to a monastery in a remote part of the Indian Himalayas.
The Menri Monastery, located near the village of Dolanji in the Northern Indian state of Himachal Pradesh, possesses the world’s largest collection of manuscripts relating to Bön. Most of these materials were rescued from ancient monasteries in Tibet before they were destroyed during the Chinese Cultural Revolution.
The collection includes some 129 pechas, or traditional Tibetan books, comprising more than 62,000 pages of text. A pecha consists of loose leaves of handmade paper wrapped in cloth, placed between wooden boards, and secured with a belt. Also included are some 479 handmade colorfully-illustrated initiation cards, or tsakli, which are employed in various rituals and contain significant amounts of text.
As the name suggests, the British Library’s Endangered Archives Programme aims to preserve archival material that is in danger of disappearing, particularly in countries where resources and opportunities to preserve such material are lacking or limited. The Bön manuscripts are an excellent case in point, according to Edward Proctor, the principal investigator for the project. Proctor is Duke’s librarian for South and Southeast Asia. He also works to develop the South Asian Studies collection at the University of North Carolina at Chapel Hill Library through a cooperative arrangement with Duke.
“The Bön manuscripts are subject to a variety of perils,” said Proctor. “They are currently housed in a building that is neither air-conditioned nor humidity-controlled. Having so many unique materials in one location means that a single disaster, such as a massive mudslide or earthquake (not an infrequent occurrence in this area), could quickly extinguish the records of this ancient tradition.”
The Bön manuscripts cover a wide range of subjects, including history, grammar, poetry, rules of monastic discipline, rituals, astronomy, medicine, musical scores, biographies of prominent Bön teachers, and practical instruction manuals for the creation and consecration of paintings, sculptures, mandalas, ritual offerings, reliquaries, amulets, and talismans.
Proctor first traveled to the Menri Monastery in 2009 on a Pilot Project grant from the British Library to investigate the scope and condition of the Bön manuscripts and the feasibility of digitizing them. He will return later this fall and winter to oversee their digitization, which will be carried out by monastery staff. Proctor will provide training in digitization techniques and offer guidance on best practices in archival management. Once the project is complete, the digitization equipment funded by the British Library will remain at the monastery for the future use of the Bön monks.
According to Proctor, this digitization project is essential to the efforts of Bön monks and nuns to preserve their unique culture, as well as the efforts of scholars elsewhere to understand the early cultural and intellectual history of Central Asia.
“These unique documents already escaped destruction once, during the excesses of the Cultural Revolution,” said Proctor. “But there is still a risk that they could disappear. Just last year, a fire in an 18th-century temple in Bhutan reduced its entire manuscript collection to ashes. Tragically, the temple’s collection had been proposed to be digitized as part of a Major Project grant. Thanks to this grant from the Endangered Archives Programme, it will now be possible to ensure the long-term survival of the Bön manuscripts in Menri Monastery.”
The Aptman Prizes recognize undergraduates’ excellence in research, including their analysis, evaluation and synthesis of sources, and encourages students to make use of the general library collections and services at Duke University. Prizes are awarded in three categories (first- and second-year students, third-and fourth-year students, and fourth-year students working on an honors thesis), and each one comes with a cash award of $1,000. Funding for the awards has been generously provided by Eileen and Lowell (T’89) Aptman.
The Middlesworth Awards recognize excellence of research, analysis, and writing by Duke University students in the use of primary sources and rare materials held by the David M. Rubenstein Rare Book & Manuscript Library. Prizes are awarded in two categories (undergraduates and graduate students), and each one comes with a cash prize of $1,000. Funding for the awards has been generously provided by Chester P. Middlesworth (A.B., 1949) of Statesville, North Carolina.
The deadline for both awards is May 15, 2013.
All winners will be recognized at a reception held the Friday afternoon of Duke Family Weekend (October 25, 2013), where they will receive certificates and $1,000.
Revisiting the U.S. Naval Station, Guantánamo Bay, through the Duke University Libraries’ Caribbean Sea Migration Digital Collection
When you hear the word “Guantánamo,” you probably don’t think of tent cities with families and children, religious festivals, and locally run newspapers.
But the Guantánamo Bay of the 1990s differed in many ways from the place Americans came to know after the September 11, 2001, terrorist attacks. Images of this earlier Guantánamo and its inhabitants, recently digitized by the Duke University Libraries, will soon be touring the country as part of an exhibit developed by the Guantánamo Public Memory Project, an initiative based at the Institute for the Study of Human Rights at Columbia University. The exhibit, opening in New York City on December 13 and touring the United States through 2014, explores the complex and controversial history of “Gitmo.”
“We were fortunate to have advance access to the [Caribbean Sea Migration] collection, so that nearly 100 students at 11 universities across the country could use it extensively to prepare our traveling exhibit on the long history of the U.S. Naval Station at Guantánamo,” said Liz Ševčenko, Founding Director of the Guantánamo Public Memory Project and faculty member at the Institute. “It’s a tremendous resource for researchers and the general public.”
During the years 1991-1993 and again in 1994, tens of thousands of Haitians, fleeing political upheaval and repression, were interdicted by the U.S. Coast Guard and removed to the U.S. Naval Station at Guantánamo Bay, Cuba. While they awaited decisions on whether they would be repatriated to Haiti or allowed to apply for asylum in the U.S., the Haitians made a life in the tent cities established for them by the U.S. military.
In 1994 over 30,000 Cubans set out from Cuba by sea for the United States. Among them was Pavel Rodríguez, a nine-year-old boy who, along with his family, was interdicted by the U.S. Coast Guard and taken to Guantánamo. Pavel, who years later would enroll at Duke University Medical School, remembers both the anxiety arising from prolonged detention at GTMO and the sense of community among the refugees. Pavel recalls fellow Cubans at GTMO forming a newspaper at the camp and opening an art gallery, along with his own memories of “chasing iguanas and flying kites behind barbed wires and fences guarded by heavily armed soldiers.”
Stories like Pavel’s, and those of many others like him, make up the recently digitized Caribbean Sea Migration Collection, which documents the experiences of the more than 200,000 Haitians, Cubans and Dominicans who traversed the Caribbean Sea in the late 20th century, fleeing political instability in their home countries. Materials in this collection provide varying perspectives on Guantánamo in the late 20th century: from military personnel running the camps, to publishers of and contributors to community newspapers, to detainee-artists creating works reflective of their experience.
For more on the Guantánamo Public Memory Project traveling exhibit, visit their website and blog.
North Carolina has a long history of support and activism on behalf of immigrant communities. But only recently have immigrant activists begun to view their work from a human rights perspective.
That will be the topic of a community discussion on immigration and human rights at 5:30 p.m., November 12, in the Rare Book Room of Duke’s Perkins Library. “Harvesting a Legacy of Action: Immigration Activism and Human Rights” will feature a panel of experts discussing the challenges and possibilities of placing immigration activism within a human rights framework.
The panel discussion is part of a larger series of events around the state celebrating the 20th anniversary of Student Action with Farmworkers (SAF), a nonprofit organization that brings together students, community members, and farmworkers in the Southeast to work for justice in the agricultural system. What began as a small group of Duke Public Policy students documenting farmworker conditions has since grown to an independent nonprofit with a national impact. The organization’s papers are held by Duke’s Human Rights Archive in the David M. Rubenstein Rare Book & Manuscript Library.
Three exhibitions currently on display at the library explore the human experience of farmworkers and the history of SAF. The exhibits reflect historical and contemporary concerns with student activism, access to safe and healthy food, organized labor, and immigration. The exhibits run through December 9, 2012.
The exhibits and panel discussion are sponsored by SAF, the Duke University Libraries, the Center for Documentary Studies, the Franklin Humanities Institute BorderWorks Lab, the Duke University Service Learning Program, and the E. Rhodes and Leona B. Carpenter Foundation.
Date: Friday, October 26, 2012 Time: 5:00 p.m. Location: Thomas Room, Lilly Library, Duke East Campus (Map) Contact: Danette Pachtner, firstname.lastname@example.org, 919-660-5886
Join us for conversation and light refreshments with celebrated documentary filmmaker Wu Wenguang, one of the founding figures in Chinese independent documentary film. His work includes Bumming in Beijing, At Home in the World and most recently Treatment.
The talk is part of a series of presentations at Duke this week on The Memory Project. Four visiting Chinese filmmakers, including Wu Wenguang, screen their work on memories of the Great Famine (1959-1961). The Memory Project is based at Caochangdi Workstation in Beijing. From the Chinese capital, young filmmakers fanned out to return to family villages and their own pasts, real and imagined, to inquire about the Great Famine—a disaster whose memories have been actively abandoned by the state. But the films reveal as much about the wish for memory as of memory itself, and of the interesting role of film in such projects of retrieval.
Click here for complete film descriptions and screening information.
A new exhibit of post-Soviet artwork is currently on display in the Nasher Museum of Art’s Education Gallery through December 23, and it’s well worth a visit.
The exhibit, The Subverted Icon: Images of Power in Soviet Art (1970-1995),explores the ways in which artists in late- and post-Soviet Russia represented, confronted, and challenged state-sponsored propaganda, Soviet architecture, and the populist art of earlier generations. It was curated by students in Professor Pamela Kachurin’s “Soviet Art After Stalin” seminar. There’s a good review in the October 18 issue of the Duke Chronicle.
For those interested in a little extra credit, Duke is home to one of the oldest and most extensive Slavic research collections in the southeastern United States. Here’s a taste of some additional readings and resources to whet the appetite of your inner Russophile:
Americans in the Land of Lenin, a digitized collection of photographs of daily life in the Soviet Union (1919-1921 and 1930) drawn from the papers of Robert L. Eichelberger and Frank Whitson Fetter in the Rubenstein Rare Book & Manuscript Library.
The ebooks are fully searchable and allow for unlimited user access, so that multiple people can read them at the same time. In addition, one shared print copy of each humanities and social science title will be held at Duke’s Library Service Center and be available for use by all TRLN institutions (Duke, UNC-Chapel Hill, NCSU, NCCU).
“The partnership allows for expanded access to scholarly material, with less overlap, at a lower cost to each TRLN institution,” says Aisha Harvey, Head of Collection Development at Duke University Libraries. “It also gives researchers the option of using a print or digital copy, depending on their personal preference.”
This access agreement is one of the first of its kind to allow shared e-book access among cooperating libraries. Another noteworthy aspect is that the ebooks will be fully available to all Duke alumni. Most ebooks in the Libraries’ collection are not accessible to alumni, due to copyright and licensing restrictions. But the new arrangement expands the Libraries’ offerings to Duke graduates. (A variety of library services and resources are already available for free to all Duke alumni, including some of our most popular databases.)
“The Triangle Research Libraries Network has a very long history of successful collaboration in building print collections,” said Sarah Michalak, University Librarian and Associate Provost at the University of North Carolina at Chapel Hill and chair of the TRLN Executive Committee.
Last year, with support from the Andrew W. Mellon Foundation, TRLN sponsored a “Beyond Print” summit to explore opportunities and challenges associated with ebook acquisitions and shared institutional access. The ebook deal with Oxford University Press is one outcome of those discussions.
“The agreement with OUP offers a welcome opportunity to experiment with approaches discussed at the summit, provide high-quality content to our users, and learn more about how students and researchers want to access scholarly output in a dual electronic-plus-print environment,” said Michalak.
Ebook and ejournal usage continues to rise in academic libraries across the country. In 2011, the Duke Libraries adopted an ebook advocacy model in order to guide collection decisions and advocate to publishers on behalf of researchers’ needs.
DURHAM, N.C. — Duke University has acquired the papers of Rabbi Abraham Joshua Heschel, a scholar, writer and theologian who is widely recognized as one of the most influential religious leaders of the 20th century, the school announced Monday.
Heschel was a highly visible and charismatic leader in the civil rights and anti-Vietnam War movements. He co-founded Clergy Concerned About Vietnam and served as a Jewish liaison with the Vatican during the Second Vatican Council, also known as Vatican II.
The collection, which has never before been available to scholars, consists of manuscripts, correspondence, publications, documents and photographs spanning five decades and at least four languages. Included among the papers are notes and drafts for nearly all of Heschel’s published works, as well as intimate and extensive correspondence with some of the leading religious figures of his time, including Martin Buber, Thomas Merton, Eugen Rosenstock-Huessy and Reinhold Niebuhr.
The papers also contain extensive documentation on Heschel’s life-long commitment to social justice, including planning documents, correspondence with organizers, speeches and even hate mail.
“The presence of the Heschel archive is a significant opportunity to draw together Duke’s traditional strengths in Jewish studies, American history and human rights,” said Laurie Patton, dean of Duke’s Trinity College of Arts and Sciences. “One of Duke’s paramount values is ‘knowledge in the service of society,’ and Heschel embodied that value in every sphere of life. We are thrilled to be able to house his papers at our university, and hope to create numerous opportunities for ethical and historical reflection on this extraordinary man’s work and life.”
“The acquisition of the Heschel papers assures scholars that the legacy of social activism, human rights and the highest standards of Judaic scholarship will be central to the pursuit of Jewish studies at Duke and many other places,” said Eric Meyers, the Bernice & Morton Lerner professor of religion and director of the Duke Center for Jewish Studies.
“I am delighted that my father’s papers have found a good home at Duke, which has long had an important research program in the fields of Jewish studies and religious studies,” said Susannah Heschel, daughter of Abraham Heschel and the Eli Black Professor of Jewish Studies at Dartmouth College. “Duke’s strong commitment to archival holdings related to Judaica and to human rights places my father’s papers together with those of his beloved student, Rabbi Marshall Meyer, and I know that Duke’s magnificent Rubenstein Library will make the material easily accessible to scholars from around the world.”
“Together, these two collections represent almost a century of social justice thought and action and provide an important connection between the civil rights and human rights movements,” said Patrick Stawski, human rights archivist at the Rubenstein Library.
Born in 1907 in Poland, Heschel was descended from a long line of distinguished rabbis. Heschel believed that prayer and study could not be separated from public action. He famously marched side-by-side with the Rev. Martin Luther King Jr. in Selma, Ala., and is credited with coining the civil rights slogan, “We pray with our legs.”
Heschel’s theological works include The Sabbath (1951), Man is Not Alone (1951) and God in Search of Man (1955). His writings continue to influence contemporary discussions of religion and social justice.
For more information, or for press inquiries, please contact: Patrick Stawski, Human Rights Archivist, (919) 660-5823, email@example.com
“What form does the data take?” is a question that developers ask early in the life-cycle of any information technology project.
Last year, Doris Duke Archivist Mary Samouelian approached some of us in the IT department with an idea for a project that involved a specific kind of data. She wanted to produce an interactive timeline of Doris Duke’s life for a presentation she would give at a Friends of the Duke University Libraries meeting in May. We took it on, and resolved to do something innovative with it. The final result of our work is available here; for more on the project, see Mary’s post on the Devil’s Tale blog, “The Doris Duke Collection Reimagined.”
To me, an innovation means opening the way to a new service or a new capacity. A one-off project wouldn’t have done that.
When we took up the project in earnest in mid-February, the data was in the form of an extensive and detailed Microsoft Word document that Mary had written. One of the first questions we needed to resolve was how to represent the information in the Word document as data.
We needed a way for Mary to read and edit the data on an ongoing basis. At the same time, the data must be available in a structured format that computers can manipulate. This tension between the reading methods of intuitive, interpretive human beings and fussy, unforgiving computers is the central challenge of representing data.
As it happens, archivists already represent timelines in a way that computers can process. Encoded Archival Description (EAD) is an XML standard for archival finding aids. Among its many features, it specifies a way for archivists to build timelines related to the creators of a collection’s material. As a practiced author of finding aids, Mary is familiar with the use of EAD. Since the development team for the project is the same group that recently built our finding aids site, EAD seemed like a natural fit for the project.
That site uses EAC records from a variety of institutions to accomplish several ends. First, it shows the array of collections from the participating institutions associated with an individual – say, Walt Whitman. Second, it builds a social network among individuals, linking a creator like Whitman to other parties with whom he corresponded, was related, or otherwise associated.
Another aim of EAC is to establish an infrastructure of name authority for the corporate bodies and people who create archival collections. To that end, the EAC community – including our former Duke colleague Kathy Wisser – has received an IMLS grant, Building a National Archival Authorities Infrastructure. The grant will fund a series of workshops through the Society of American Archivists, and the development of “a set of recommendations addressing business, governance, and technological requirements.”
As the development team discussed Mary’s project, we liked the idea of using EAC-CPF markup to represent information about Doris Duke. For one thing, we admire the SNAC web site, and have discussed in the past using it as a model for a series of “person portals” into our collections. We wanted to familiarize ourselves with EAC, and the Doris Duke project seemed like an appropriate entry point.
There was only one problem. EAC defines a “chronlist” tag for representing timelines, but its specification was not robust enough. It does not support two of our important needs: 1) linking media files (i.e., images) to events; and 2) linking individual events to the finding aids for collections that provide source materials about the events. Faced with this limitation, we decided to take liberties.
In contrast to EAC, our reading of the EAD tag library confirmed that the specification for its “chronlist” tag is robust enough to support our requirements. We decided to mix the parts of EAD that we liked into our EAC document. The basic technique for mixing and matching XML standards is to use namespace declarations. A namespace is a kind of domain identifier for XML elements. It says, to computers (and people) reading a document, “This tag belongs to that schema.”
The resulting EAC file for the Doris Duke project is available here. The tags in that document beginning with the prefix “ead:” are the elements we borrowed from the EAD namespace.
The solution that we devised represented a kind of contract between the content creator, Mary, and the development team. It allowed the two parties to work in parallel, Mary encoding and revising the timeline, and the developers building its display.
Duke is participating in the National Archive Authorities Infrastructure project, which will ultimately integrate our collections into that “Facebook for dead people” social network. We’re also developing our expertise by working on more “people portals”; University Archives will be assigning additional Duke family EAC documents as a low-priority, background project to its interns. It probably took double the effort for the development team to produce a new service rather than a one-off project, but it helped us take our first steps toward this promising approach to describing and exposing the contents of our archival collections.
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