Cuban-Americans, the Duke Common Experience and Beyond
Need some new reading material or just interested in seeing what’s in Lilly Library’s collection that you might not know about? Check out Lilly’s Collection Spotlight!
In honor of National Hispanic Heritage Month and the Duke Common Experience Reading Program selection of Richard Blanco’s The Prince of Los Cocuyos, our spotlight shines on books and films relevant to his and the Cuban-American experience. Blanco, the inaugural poet for Barack Obama in 2012, writes in his memoir of his childhood growing up in Miami as a son of Cuban immigrants. The memoir finds Blanco grappling with both his place in America and his sexuality, striving to discover his identity.
Our collections include books on Cuban Art, the Cuban-American immigrant experience in the United States, LGBTQ communities in Hispanic culture, and several books of Blanco’s poetry. Here are a few highlights from our Lilly Collection Spotlight:
Adios Utopia — Art in Cuba Since 1950
This exhibition catalog covers Cuban art from 1950 to the present viewed through the particular lenses of the Cuban Revolution, utopian ideals, and subsequent Cuban history. The collection covered in this book will be on display at the Walker Art Center in Minneapolis starting in November.
In this book, scholar Frederick Luis Aldama interviews 29 Latinx comic book creators, ranging from the legendary Jaime Hernandez of Love and Rockets fame to lesser known up and coming writers/illustrators.
This bilingual chapbook contains a poem Blanco wrote and read for the reopening of the US Embassy in Havana in 2015. Blanco writes in the opening lines, “The sea doesn’t matter, what matters is this: we all belong to the sea between us, all of us.”
CubAmerican (2012) DVD 28418
Exploring the causes leading to the exile of millions of Cubans from communist Cuba by depicting the journey of illustrious Cuban-Americans to their new life in the United States
Finally the sea (2007) DVD 12185
“The wreckage of an empty Cuban raft is the catalyst for Tony, a successful Cuban-American businessman, who files from Wall Street to Cuba to discover his roots. His journey develops into a striking love story where politics and romance collide
Mambo Kings (1992) DVD 27116
Musician brothers, Cesar and Nestor, leave Cuba for America (NYC) in the 1950s, with the hopes of making it to the top of the Latin music scene. Cesar is the older brother who serves as the business manager and is a consummate ladies’ man. Nestor is the brooding songwriter, who cannot forget the woman in Cuba who broke his heart. This is an unrated version of the film, with one restored scene.
Visit our Collection Spotlight shelf, in the lobby to the left of the Lilly desk. There are many more titles available to you, and if you want more suggestions – just ask us. Stay tuned – We will highlight our diverse and varied holdings at Lilly with a different theme each month.
Incredible Insects: A Celebration of Insect Biology
On display June 13 – October 15, 2017
in the Chappell Family Gallery and Stone Family Gallery, Perkins and Rubenstein Libraries, Duke West Campus (Click for map)
Insects are the most numerous and diverse animals on earth. They can be found in almost every environment. Because of their tremendous diversity, they play many important roles in nature, as well as in human society—enchanting us with their beauty, unsettling us with their strangeness. Whether revered or reviled, these fascinating and ubiquitous organisms can truly be said to have conquered the planet.
A new library exhibit offers a glimpse into the multifaceted world of insects, including research on insects conducted here at Duke.
The exhibit is divided into several sections, including insect evolution and diversity, coloration and camouflage, types and stages of insect metamorphosis, the roles of insects in human history and culture, and a fascinating look at two of nature’s greatest mysteries: the migration of the monarch butterfly and the clockwork-like appearance of periodical cicadas.
Exhibit visitors can also hear sound recordings of insect calls at a nearby kiosk and see up-close images of insects taken with electron microscopes.
Around the corner from the Chappell Family Gallery, viewers can step inside the Rubenstein Library’s Stone Family Gallery and peruse several selections of rare books that complement the exhibit. The exhibit curators selected these works because they represent some of the earliest scientific investigations to discover general aspects of biology and natural history through the study of insects.
Incredible Insects was curated by a team of entymology students, faculty and staff from the Duke biology department.
CAPTURING THE MOMENT: CENTURIES OF THE PASSOVER HAGGADAH
Opening Reception and Guest Speaker Professor Kalman Bland, Professor Emeritus of Religious Studies
DATE: Wednesday, March 22 TIME: 5:30 p.m. WHERE: Holsti-Anderson Family Assembly Room, Rubenstein Library
Join us to celebrate the opening of a new exhibit of the Passover Haggadah, a Jewish text written for the Passover Seder meal. This exhibit explores the long and interesting history of the Haggadot (pl. of Haggadah) and how their illustrations and texts shed light on cultural, religious and political changes.
On display in the Jerry and Bruce Chappell Family Gallery (near the main entrance to Perkins Library) February 23 – June 11.
Guest post by Ashley Rose Young, Ph.D. candidate in History at Duke and the Business History Graduate Intern at the Hartman Center.
My life has always revolved around the sale and distribution of food. My food-centric lifestyle is not all that surprising, as my family owns and operates gourmet food stores in Pittsburgh. By the time I was three years old, I was working behind the counter, standing on a plastic milk carton so that customers could see me while I earned my family “business degree.” After years of practice (and a growth spurt or two) I could easily reach over the counter to hand my family’s homemade kielbasas to customers. My grandfather made those sausages. He established the family business, too, by starting as an itinerant vendor at a roadside food stand in the 1940s. Over time, he worked his way towards opening a series of grocery stores with the support of my grandmother, mother, aunts, and uncles. Together, my family created a business committed to supporting small-scale local farmers and artisans while preserving the culinary heritage of Pittsburgh.
Inspired by my own experiences and those of my family, my dissertation research focuses on urban food economies in the United States. Specifically, I study street food and market vendors in New Orleans and the global influences on the city’s Creole cuisine. As a major Atlantic port city, New Orleans was connected to communities and food cultures throughout the Atlantic Rim, adopting ingredients like okra from West Africa and cooking techniques like starting soups with a French-style roux. Tracing those influences, I have visited archives and conducted fieldwork in countries like France, Italy, and Morocco, all of which influenced the development Creole cuisine. At the National Library in France, I studied the parallels and dissimilarities between artistic renderings of street food vendors in Paris and those in New Orleans. While the images were different in the ways they revealed cultural bias, in both places it was common for artists to pair images of food vendors with sheet music that captured their cries of “Piping hot rice fritters!” and “Beautiful cakes!”
Fascinated by the prevalence of street cries in New Orleans’ historic soundscape, I sought connections to modern day street food cultures. In order to do so, I conducted fieldwork in Palermo, Sicily—a city known for its musical food vendors. Although most people do not associate New Orleans with Italian food culture, in the late nineteenth century, the city had one of the largest Sicilian immigrant populations in the world. In fact, at that time, New Orleanians colloquially referred to the French Quarter as “Little Palermo.” The sonorous voices of Sicilian food vendors rang throughout the city. Folklorists captured their calls on the page in compendiums like Gumbo Ya-Ya: Folktales of Louisiana (1945). In that volume, an Italian vendor is described as singing while he hawks his wares: “Cantal—ope—ah! Fresh and fine, just off a de vine, only a dime!”
Modern-day Palermo’s urban food scene shares similarities with New Orleans’ historic one. Like the Big Easy, Palermo’s streets are crowded with food vendors who entreat passersby with humorous and delightful calls. One of their more popular grab-n-go foods in the city is sfincione, or street pizza. Sfincione is simple and economical—a tasty combination of spongy crust, tomato sauce, olive oil, and a healthy sprinkling of dried parsley. Commenting on those humble origins with a bit of humor, one of the traditional Palermitano street cries is: “Scarsu d’ogghio e chinu i prubulazzo!” Or, in English, “Lack of oil and plenty of dust!” Another more enticing cry is, “Uara u sfuinnavi uara! Chistu è sfinciuni ra bella viaro!”—“I’ve just taken it out of the oven! This is a very beautiful sfincione!” The street cries of Palermo work in similar ways to those of historic New Orleans, attracting the attention of potential customers with a witty, entertaining performance. For food vendors past and present, charm is a major component of their business strategy. I had witnessed the power of charisma so long ago, perched on my milk carton while my mother wrapped parcels of sausage and joked with customers.
Entranced by that charm and my newfound academic approach to food, a dissertation (or one might say obsession) was brought to life. Even when traveling without a research agenda, I was constantly analyzing the local food cultures around me to connect what I observed in New Orleans with what I witnessed abroad. There were a few surprises along the way. While in Peru for an academic conference, for example, I learned about a maize beer called chicha de jora that resembled a fermented corn beverage popularized by Choctaw Indians in colonial New Orleans. Although I had originally focused my dissertation research on New Orleans’ connections to Europe, West Africa, and the Caribbean, the discovery of chicha de jora encouraged me to study Latin American influences on Creole cuisine as well.
Photography was a means of crystalizing these connections while also honoring the distinctiveness of community food cultures. Over the years, as I wandered through countless markets, I sought to capture the vibrancy of locally grown produce, the entrepreneurial spirit of food vendors, and the enduring presence of local food cultures in an age of homogenized industrial food.
I now have the opportunity to share these dynamic cultures in an exhibit I’ve curated for Perkins Library: To Market, to Market! Urban Street Food Culture Around the Globe. Through this exhibit, you can compare the texture and shape of ruby red radishes in Paris with their kaleidoscopic counterparts in Durham. Or you can draw parallels between curbside displays of fish in Essaouira, Morocco with those for sale at the Vietnamese Farmers’ Market in New Orleans East. The exhibit, which consists of twenty-four photographs, is loosely organized, encouraging you to create your own narrative of the interconnectivity of urban food around the world.
The exhibit is installed on the Student Wall on the first floor of Perkins Library, opposite the Thompson Writing Studio. It runs through March 31, 2017.
What: Opening of 50 Years of Lemurs at Duke exhibit
When: Thursday, October 27, 4:00-6:00 p.m.
Where: Holsti-Anderson Family Assembly Room (Rubenstein 153) and Chappell Family Gallery (map)
Who: Free and open to the public
The Duke Lemur Center and the Duke University Libraries will debut a new exhibit in honor of the 50th anniversary of the Lemur Center, home to the world’s largest and most diverse collection of lemurs – Earth’s most threatened group of mammals – outside of Madagascar.
A public event celebrating the opening of the exhibit will take place on Thursday, October 27, from 4:00 to 6:00 pm.
The event will include short introductory remarks by Anne Yoder, Director of the Lemur Center, followed by a drop-in reception with light refreshments to view 50 Years of Lemurs at Duke,an exhibition curated by Lemur Center staff. The exhibition explores different facets of the Center, including ways in which it has worked to support research, both locally and around the world, for half of a century.
Most importantly, the exhibit will feature the true stars of the center: the lemurs! Guests will have the opportunity to admire these honorary mascots of the university in both pictures and on film. Members of the Lemur Center staff will be available to answer questions and share stories.
The event is free and open to the public and all are welcome to join in celebrating a semicentennial era of lemurs at Duke!
What: Opening of Franklin Gallery When: Wednesday, October 19, 4:30-6:30 p.m. Where: Carr Building, East Campus (map) Who: Free and Open to the Public
A new exhibit space on Duke’s East Campus will debut this month with a display of historical visual materials from the David M. Rubenstein Rare Book & Manuscript Library.
The Franklin Gallery, named in honor of legendary historian and Duke professor John Hope Franklin, is located in the Carr Building, home of Duke’s history department. The new space will be devoted to displaying visual materials of historical importance.
A public event celebrating the opening of the new gallery space will take place on Wednesday, October 19, from 4:30 to 6:30 p.m.
Two of the inaugural exhibits in the Franklin Gallery will feature items from important collections in the Rubenstein Library. John Gartrell, Director of the Rubenstein Library’s John Hope Franklin Research Center, has curated one of them. “John Hope Franklin: Imprint of an American Scholar” features photographs and related materials that illustrate Professor Franklin’s impact as a scholar and public intellectual.
Duke History Professor Sucheta Mazumdar has prepared another exhibit, displaying Chinese posters from the Rubenstein Library’s collections that portray the period of the Cultural Revolution. These posters, such as the one below, feature themes of solidarity among races and classes in society.
Throughout the year, the Franklin Gallery will be open during the Carr Building’s normal hours. The opening event on October 19 is free and open to the public.
Post contributed by Carson Holloway, Librarian for History of Science and Technology, Military History, British and Irish Studies, Canadian Studies and General History.
The treasures of Duke’s branch libraries are often hidden. The circulating collections and services of these smaller libraries often claim the pride of place. Both libraries on East Campus, Lilly Library and Music Library, however, hold precious material relating to their subject collections. Known in the library world as “medium rare” (as opposed to the rare materials located in the David M. Rubenstein Library) such primary source materials allow students to examine history first hand.
This fall the Lilly Library added a lobby display case to highlight its unique collections. The inaugural display is one volume of our three-volume Vitruvius Britannicus, a large and early folio devoted to the great buildings of England to be seen in 1717.
An outstanding example of a folio (book) format as well as the awakening of interest in British architecture by its own architects – quoting from the Oxford Art Online – Vitruvius Britannicus was a cooperative venture that appears to have developed out of the desire of a group of booksellers to capitalize on an already established taste for topographical illustration.
Published in 1715 and 1717, the two original volumes each consisted of 100 large folio plates of plans, elevations and sections chiefly illustrating contemporary secular buildings. Many of these plates provided lavish illustration of the best-known houses of the day, such as Chatsworth, Derbys, or Blenheim Palace, Oxon, intended to appeal to the widespread desire for prints of such buildings as well as providing their architects a chance to publicize their current work.
We invite you to visit the Lilly Library on East Campus and to enjoy this “medium rare” folio on exhibit. For more information about the Lilly Library folio or art and image collections, contact Lee Sorensen, the Librarian for Visual Studies.
The Rubenstein Library exhibit suite (Mary Duke Biddle Room, Stone Family Gallery, and Josiah C. Trent History of Medicine Room) will all be open on Saturday, October 1, from 1:00 p.m. to 5:00 p.m., for Duke Homecoming weekend.
Library visitors can see Virginia Woolf’s writing desk, a copy of the Bay Psalm Book (first book printed in what is now the United States), two of our double-elephant folios of Audubon’s Birds of America, and many other treasures from the Rubenstein Library.
The Rubenstein Library exhibit suite (Mary Duke Biddle Room, Stone Family Gallery, and Josiah C. Trent History of Medicine Room) will all be open on Saturday, May 14, from 9:00 a.m. to 5:00 p.m., for Duke Commencement weekend.
Library visitors can see Virginia Woolf’s writing desk, a copy of the Bay Psalm Book (first book printed in what is now the United States), our double-elephant folios of Audubon’s Birds of America, and many other treasures from the Rubenstein Library.
A new exhibit focusing on the history and legacy of Duke Chapel is now on display in the Jerry and Bruce Chappell Family Gallery. The exhibit, which will be on display through June 19, opens wide the doors of the Chapel to reveal the stories within—from the origins of the stained glass windows to the legacy of student protest.
Duke Chapel is the most iconic building on West Campus, and it has a history as rich as its architectural grandeur. Over the past eight decades, Duke Chapel has celebrated thousands of services, welcomed millions of guests, and served as the preeminent icon for the university. The Chapel represents many things to many different people. Its varied roles, constituencies, and history allowed it to cultivate an atmosphere that welcomed world-renowned speakers and musicians while also providing space to express the emotions of life in the silence of a sacred space.
The story of Duke Chapel is not just the story of a building. It represents the story of a community and of the richly diverse group of people who have helped to shape the Chapel’s legacy—and who will ultimately shape its future.
The exhibit is co-curated by Andrew Klumpp D’14, former Visitor Relations Specialist at Duke University Chapel and current Ph. D. student in American Religious History at Southern Methodist University, with the assistance of Sara Blaine Clark D’09, Assistant Manager, Special Events, Duke University Chapel.
Guest post by Carson Holloway, Librarian for History of Science and Technology, Military History, British and Irish Studies, Canadian Studies and General History
Why does this beautifully crafted lapel pin connect Harrison’s name with reform? Such questions provide a good deal of the appeal of fourteen campaign pins on display as part of the Kenneth Hubbard Collection of Political Campaign Ephemera in the Rubenstein Rare Book & Manuscript Library. In the current season of election news, Hubbard, a Duke alumnus and donor, has provided tokens of particular interest in contextualizing some notable presidential campaigns between 1840 and 1948.
William Henry Harrison’s is a name to ponder. Some might recognize that he was a President before the American Civil War. The alliteration of his name may sound familiar. Fewer could identify him as hero of the Battle of Tippecanoe, though more would recognize the campaign slogan “Tippecanoe and Tyler too,” referring to Harrison and his running mate, and successor. Harrison, the oldest person elected President until Ronald Reagan, died from pneumonia contracted at his inauguration after serving fewer than forty days.
“Reform,” in Harrison’s campaign of 1840, was economic reform required as a result of a protracted depression known as the “Panic of 1837.” Over a third of American banks in New York and elsewhere faltered and then failed after President Andrew Jackson’s administration decentralized the Federal banking system and British banks raised interest rates in response to perceived risk. Jackson’s Democratic successor, Van Buren, was unable to correct the economic course and prices for important agricultural export products like cotton plummeted. Whether Harrison’s Whig reforms would have been effective is questionable. The severe economic downturn lasted until 1844.
Like the Harrison pin, each of the items on display in the Rubenstein is interesting in its own right. A few have great aesthetic appeal like the Harrison pin. Other buttons illustrate powerful personalities and world-changing events. One particularly rare pin is from the only presidential campaign in which the candidate was running while serving a term in federal prison!
Guest post by Jennie Saia, Thompson Writing Program Coordinator. Jennie worked with Writing Studio Director Vicki Russell and Writing Studio Acting Director Jim Berkey to curate the “Writing Is Like…” exhibit. The exhibit will be on display on the Perkins Library Student Wall through mid-November.
Every October, the Thompson Writing Program (TWP) celebrates how vital writing is to life and work at Duke.
The TWP joins university writing programs around the country in honoring October’s National Day on Writing. Last year, Writing 101 faculty and Writing Studio tutors asked Duke community members to complete the sentence, “Writing is like…”
Across campus, Duke students, faculty, and staff invented similes that expressed their thoughts on both academic and personal composition. Their comparisons get at the heart of what it feels like to actually sit down and write.
If you want to explore their answers, sixteen of the most creative replies are on display on the first floor of Duke’s Perkins Library. The showcased statements—sometimes profound, often humorous, occasionally sad—represent how the Duke community as a whole views writing. Join the conversation by adding your own simile to the open journal at the start of the exhibit.
You can also become part of next year’s exhibit by joining the 2014 National Day on Writing celebration. On Monday, October 20, look for writing activities in Perkins Library on West Campus and around the East Campus Quad. Stop by throughout the day to grab some candy, meet other writers, and answer the question, “What is the future of writing?”
Guest post by Maria Carla Cella, Graduate Liberal Studies Program. She curated the exhibit of prints currently on display on the Perkins Library Student Wall about the Beehive Design Collective.
In our multimedia world, we are constantly seeking a good way to tell our story. From cave paintings to blog posts, generation after generation of storytellers try to find the most emotive way to record history and pass it on. As a student of Latin America and the Caribbean, I have delved into many mediums in my efforts to understand the complex relationship between the global south and north. Despite the availability of information on the internet, innumerable academic journals, countless books and documentaries on the topic, it is difficult to find a comprehensive examination of what globalization really entails. Transmitting the information in a way that resonates with the widespread population is an even harder task.
Enter the Beehive Design Collective. Founded in 2000, this non-profit, all-volunteer, activist arts collective creates collaborative, anti-copyright images for use as educational and organizing tools. With its mission of “cross-pollinating the grassroots,” the cooperative uses intricate graphic illustration in the form of giant pen and ink posters that communicate stories of resistance to corporate globalization, free trade, militarism, resource extraction, and biotechnology. The Bees spread their art across the Americas, wielding it as an educational tool and aiming to help communities conceptualize alternatives to a globalized economic model based on exploitation. Funding the printing costs with donations, the Bees distribute 50 percent of each print run (full run averaging 20,000-30,000 prints) to communities in the global south free of charge, giving away prints to frontline communities, educators, and organizers actively working on the issues featured in the posters.
The Beehive Collective’s use of imagery and symbolic art ties the local to the global, providing microscopic detail on the interconnected nature of global issues and compiling the images into, literally, a bigger picture that is both overwhelming and hypnotizing. Using a word-to-image approach, the Bees are translators of complex global stories, which they learn and share through conversations with affected communities. The first time I unfurled and laid eyes on their massive poster, Mesoamerica Resiste, I knew I had found a gem that begged to be shared, and that its message would flourish and proliferate in the minds of the Duke community. If you want to dive into the Beehive’s art and see the epic story for yourself, stop by Duke University’s Perkins Library, where four of the Beehive Design Collective’s epic works are on display. You can also learn more about the Beehive Design Collective at their website: beehivecollective.org.
A new exhibit in Perkins Library highlights the major points of struggle and triumph in Duke’s LGBTQ history over the past 50 years. The exhibit begins with the earliest records of LGBTQ activity on campus—the dark days of arrest and expulsions—and culminates with the thriving and active queer community seen at Duke today. This transition was neither quick nor linear. LGBTQ individuals on Duke’s campus faced major setbacks in every one of the last five decades.
The exhibit also functions as a timeline, marching the observer decade-by-decade in order to view every artifact within the greater context of Duke’s queer struggle. On display are arrest records for “homosexuality” in the 1960s, early 1970s-era queer publications, the official “dechartering” of the gay and lesbian alliance in the 1980s, the establishment of the LGB center during the 1990s, same-sex unions permitted in Duke Chapel at the start of the new millennium, and finally a reflection of the current vibrancy of Duke’s LGBTQ community.
The exhibit was curated by Duke alumnus Denzell Faison (T’14), with special thanks to co-advisors Dr. Janie Long, former director of Duke’s Center for Sexual and Gender Diversity, and Professor Raymond Gavins, Duke Department of History. Thanks also to the Duke University Archives, the E. Rhodes and Leona B. Carpenter Foundation, the Center for Sexual and Gender Diversity, Blue Devils United, and the Sallie Bingham Center for Women’s History & Culture for their institutional support and contributed resources.
Commemorative Exhibit Opening Event and Remarks: Please Join Us!
Date: Thursday, September 25 Time: 4:30 – 6:30 p.m. (Program begins at 5:15 p.m.) Location: von der Heyden Pavilion, Perkins Library Remarks by: Exhibit curator Denzell Faison (T’14), former director of the Center for Sexual and Gender Diversity Dr. Janie Long, and Duke University President Richard H. Brodhead.
Last December, a unique first-draft manuscript of the lyrics to Bruce Springsteen’s 1975 hit song “Born to Run” was placed up for auction at Sotheby’s. The seller of the document remained anonymous, but it was known that the manuscript once belonged to Mike Appel, Springsteen’s former manager. The bids poured in online, in person, and by phone, and one happy bidder went home with a piece of American music history.
That successful purchaser happened to be Floyd Bradley, a leadership donor to the Duke University Libraries and the Nasher Museum of Art, whose parents met in 1942 while students at Duke.
The Bradley and Springsteen families actually share a number of connections. Mr. Bradley’s mother Carol Lake Bradley (WC’43) and Mr. Springsteen’s mother were neighbors and friends in New Jersey. Mr. Bradley’s father, Floyd Henry “Pete” Bradley, Jr. (T’45), sold his house to Mr. Springsteen’s mother-in-law.
Mr. Bradley is also a proud Duke father whose daughter, Melissa, is a graduating senior this year. And so it came about, through special arrangement with Mr. Bradley and his wife Martha Hummer-Bradley, that the “Born to Run” manuscript will be on public display during Duke’s Commencement Weekend in honor of Melissa’s graduation.
The document will be exhibited in front of the Circulation Desk on the Perkins Library main floor Thursday and Friday, May 8-9, from 9:00 a.m. to 6:00 p.m., and Saturday and Sunday, May 10-11, from 1:00 p.m. to 5:00 p.m.
After May 11, the manuscript will be moved to the third floor of Perkins, where it will remain on display in the David M. Rubenstein Rare Book & Manuscript Library until June 27 and be available to view during normal library hours.
The “Born to Run” manuscript, written by Springsteen in 1974 in Long Branch, New Jersey, may look like nothing more than a piece of notebook paper scrawled with thirty lines of blue ink. But it offers a glimpse into the creative process of a musical icon. The draft contains a great deal of material that was never included in the final version. Yet the chorus is nearly identical to what we hear in the finished song. The margins and spaces are crowded with second thoughts and edits, illuminating the moments in which a rock and roll anthem was born.
“Born to Run” was the title track of Springsteen’s third album, released to great commercial and critical success in August 1975. Just a few months later, on March 28, 1976, Springsteen and his E Street Band performed in Duke’s Cameron Indoor Stadium to a packed house. According to a Rolling Stone reporter who was there, “The band played every song from Born to Run in one set, and at show’s end, ‘Raise Your Hand’ did its job: everybody stayed up through the three-song encore that ended with ‘Quarter to Three.’”
Visitors to campus are invited to stop by the library and view this special piece of music history.
Viewing the “Born to Run” Manuscript
Please note: During the summer, all Duke University libraries are open on a more limited schedule than during the academic year. Please check ouronline schedule of library hours before visiting.
May 8 – 11
On exhibit in front of the Circulation Desk, 1st Floor of Perkins Library
Thursday and Friday, 9:00 a.m. – 6:00 p.m.
Saturday and Sunday, 1:00 p.m. – 5:00 p.m.
May 12 – June 27
On exhibit in the David M. Rubenstein Rare Book & Manuscript Library, 3rd Floor of Perkins Library
Monday – Friday, 9:00 a.m. – 5:00 p.m.
Saturday, 1:00 p.m. – 5:00 p.m. (Closed May 24 for Memorial Day Weekend)
On exhibit February 18 – May 12, 2014
Perkins Library Gallery, Duke West Campus (Click for map)
Public Hours: Monday-Friday, 8am–7pm; Saturday, 9am–7pm; Sunday, 10am–7pm
Hours may vary on holidays. Please check our posted library hours for more information.
About the Exhibit
A new exhibit in the Perkins Library Gallery provides a glimpse into the fascinating world of the Parisian cabaret. Starting in the second half of the nineteenth century, the cabaret became a fixture of Parisian culture. Unlike other social institutions of the time, everyone was freely admitted to these venues, so they became a space in which all—regardless of race, color, class, or creed—could freely mingle. Cheap Thrills: The Highs and Lows of Cabaret Culture in Paris, 1880-1939, seeks to shine the spotlight on the wide spectrum of artists who found a home and a stage in the darkened halls of the cabaret.
Music was, of course, essential to the cabaret. It animated the crowd, roused the performers, and vivified the dancing. In order to capture power of cabaret music, members of the Duke New Music Ensemble composed and recorded songs for the exhibit. Based on historical cabaret tunes, these songs represent a modern take on a classic experience. The graphic and print materials composing the exhibit all come from the collections of the Rubenstein Rare Book & Manuscript Library, Lilly Library, the Music Library, and Perkins Library.
The Nasher Museum of Art is exhibiting a coordinating collection of cabaret material in their Academic Focus Gallery. Be sure to check outNight in the City of Light: Paris’s Cabarets 1881-1914,onexhibit February 15 – June 29, 2014.
In addition to the exhibit, the Nasher Museum will be screening French Cabaret from Stage to Screen on March 22, at 2 p.m. The screening is free and open to the public.
The Duke New Music Ensemble will have two concerts featuring cabaret music. On April 6 at 5 p.m., the Ensemble will be presenting “Melodies and Cacophonies from Paris’s Cabarets” at Fullsteam Brewery in downtown Durham. Later in the month, on April 13, the Ensemble will be hosting their Spring Concert in Baldwin Auditorium at 8 p.m. featuring selections from cabaret tunes.
Life Is a Cabaret: The Library Party
Last, but certainly not least, the entire Duke community is invited to experience the cabaret first-hand, right in the heart of Perkins Library. The annual Duke Library Party, whose theme this year is “Life Is a Cabaret,” will take place this Friday, February 21, from 9:00 p.m. to 12:00 a.m. The evening will feature appetizers and desserts from Durham Catering; music from the John Brown Band, the Duke New Music Ensemble, and student DJs; and free giveaways to the first 200 guests. Come in your best cabaret or cocktail attire and prepare to dance the night away!
When: Friday, February 21 Time: 9:00 p.m. to Midnight Where: Perkins Library Admission: Free Dress: Cocktail Attire, or Your Best Cabaret Costume
The Library Party is sponsored by the Office of the Provost, Office of the President, SOFC/DSG, George Grody, Markets and Management Studies Department.
The exhibits and programs are sponsored by the Department of Art, Art History and Visual Studies; Department of Music; Department of Romance Studies; Department of Theater Studies; Program in Literature; Program in Women’s Studies; Center for European Studies; Center for French and Francophone Studies; Friends of Duke University Libraries; Duke University Libraries; and the E. Rhodes and Leona B. Carpenter Foundation.
Experience Nature: Up Close and Personal – a Photography Exhibit in Lilly Library
Spring Semester is a misleading term, as it actually begins in January when the cold and barren landscapes of winter abound.
Lilly Library presents an exhibit of photographs to transport you to warmer times and places. Award-winning wildlife and nature photographer Kim Hawks focuses on shore birds, landscapes, and for those who enjoy the beauty of flowers such as those in Duke Gardens, extremely detailed macro plant portraits.
Featured in this exhibit is Turtle Tracks: False Crawl, winner of the 2013 Wildlife in North Carolina Photography Contest (First Place in Animal Behavior Category).
On exhibit January 6 – March 15, 2014
Lilly Library, East Campus (Directions)
Gallery Reception – Meet the Artist
Date: Saturday, February 8, 2014 Time: 3 p.m.
Location: Thomas Room, Lilly Library,East Campus
As you might have heard, the Duke Library Party has been resurrected after a one-year hiatus, thanks to the help of the Duke Marketing Club. The date: February 21, 2014. The theme: “Life Is a Cabaret.” Party-goers will be invited to enjoy a rollicking nightlife scene right out of late 19th- and early 20th-century Paris, in what was only hours earlier just another room in Perkins Library. Of course, one must always be fashionably attired when attending such soirées, so we have put together a gallery of cabaret fashions to inspire your inner Parisian of the Belle Époque.
But first, a note on the phenomenon of the cabaret itself. Cabarets took Parisian culture by storm. Until 1867, song lyrics and theatrical performances were carefully censored and regulated in France. By the 1880s, these restrictions had relaxed, and a freer, more risqué form of entertainment began to flourish in the bohemian, working-class neighborhood of Montmartre. Legendary cabarets like the Moulin Rouge, the Chat Noir, and the Mirliton were filled with comedians, clowns, acrobats, and—most importantly—singers and dancers. The songs were bold and bawdy, the dancing suggestive, and audiences adored it.
The historical, artistic, and cultural impact of cabaret life will be the subject of an upcoming library exhibit—Cheap Thrills: The Highs and Lows of Cabaret Culture in Paris, 1880-1939—which will go on display in the Perkins Library Gallery on February 19 and run through May. The exhibit will highlight the Rubenstein Rare Book & Manuscript Library’s extensive collection of cabaret-related materials, including biographies, guidebooks, periodicals, and musical scores.
Now back to the fashion show.
One of the more ladylike ensembles, this particular dress worn by cabaret star and modern dance pioneer Loie Fuller would have you floating through the crowd this February.
For a more scandalous look, this illustration from Gil Blas is classic cabaret, right down to the black stockings and abundant use of tassels. (Don’t forget the fan!) Gentlemen: note the top hats, high collars, and ubiquitous mustaches.
Prepare to dance the night away, just like this lovely lady in a flouncy, frilled frock.
Though we can’t recommend this particular ensemble (the Library Party is a respectable event, and banana leaves are hard to come by in February anyway), Josephine Baker’s iconic “banana girdle” outfit is one of the most famous examples of cabaret style.
So there are a few ideas to inspire you, with more to come. Start assembling your bejeweled, ruffled, bohemian, mustachioed wardrobe and get ready to party in the City of Light!
(With the exception of the composite photo at top, all images are taken from two French publications of the time: Gil Blas, a Parisian literary periodical, and Le Mirliton, a weekly newsletter published by the famous cabaret of the same name. All come from the collections of the David M. Rubenstein Rare Book & Manuscript Library.)
A photographic exhibit in Perkins Library documents the life of Nelson Mandela as taken by his personal photographer Benny Gool. The images were selected from a historic exhibition that took place at Pop International Galleries in New York in February 2013. The prints were made available for this memorial display with the generous help of Todd Ruppert, a member of the Duke University Libraries Advisory Board, and IconsPhotos the representative of the archive. The images cover historic events, major celebrities and world figures, and the endearing charm and connection that Mandela had to the people of South Africa and the world. All photos are available for purchase. Visit http://www.iconsphotos.com/for more information about the original exhibition.
The exhibit will be on display on the Campus Club Exhibit Wall (located near the Bostock corridor entrance) in Perkins Library until February 14, 2014.
The Library Party is a unique Duke tradition. For one night only, Perkins and Bostock Libraries throw open their doors for a night of music, food, and un-shushed entertainment. The event is free and open to the entire Duke community.
After a year on hiatus as we prepared for the Rubenstein Library renovation, the Library Party is back! Once again, the Libraries are partnering with the Duke Marketing Club to organize this year’s event. The theme—“Life is a Cabaret”—is inspired by an upcoming exhibit on 19th- and early-20th-century Parisian cabarets that will be on display in the Perkins Gallery February–May, with a companion exhibit at the Nasher Museum’s Academic Focus Gallery.
Life Is a Cabaret will feature live music, costumes, decorations, food and beverages, and plenty of joie de vivre!
When: Friday, February 21 Time: 9 PM to Midnight Where: Perkins Library Admission: Free Dress: Cocktail Attire, or Your Best Cabaret Costume
On display in the Perkins Library Gallery, February 18 – May 12
This upcoming exhibit offers a whirlwind tour of Montmartre’s famed late-19th-century musical revues—the Chat Noir, Folies Bergère, and Moulin Rouge—which boasted such chanteuses as Yvette Guilbert and Josephine Baker. Cheap Thrills highlights the Libraries’ extensive collection of cabaret-related materials, including biographies, guidebooks, periodicals, and musical scores. The exhibit will be sonified, with recreated performances of the cabarets’ raucous ballads and rallying performances, all arranged and recorded by the Duke New Music Ensemble.
Night in the City of Light: Paris’s Cabarets, 1881-1914
On display in the Nasher Museum of Art’s Academic Focus Gallery, February 15 – June 29
Related Performances and Screenings
Saturday, March 22 (2-4:45 pm): Film Screenings and Discussion: “French Cabaret from Stage to Screen,” Nasher Museum of Art
Sunday, April 6 (5 pm): Duke New Music Ensemble [dnme] presents “Melodies and Cacophonies from Paris’s Cabarets,” Fullsteam Brewery, Durham
Sunday, April 13 (8 pm): Duke New Music Ensemble [dnme] Spring Concert with selections of cabaret melodies to coincide with the exhibitions “Night in the City of Light: Paris’s Cabarets, 1881-1914” and “Cheap Thrills: The Highs and Lows of Cabaret Culture in Paris, 1881-1939,” Baldwin Auditorium, Duke East Campus
Guest post by Kathryn Desplanque, a third-year Ph.D. student inArt, Art History & Visual Studies. Her work focuses on satirical etchings and engravings in late eighteenth-century and early nineteenth-century France. This semester she taught a Writing 101 class on modern caricature.
In my Writing 101 class, “Laughing Matters: Interpreting and Contextualizing Modern Caricature,” I wanted to give my students a chance to interact with the rich cartoon periodical collection of Perkins Library and the Rubenstein Rare Book & Manuscript Library. The cartoon periodicals contained therein, of which my students were particularly drawn to the American Puck and the British Punch,contain gorgeous chromolithographed or woodblock engraved caricatures. These complicated visual objects necessitate interdisciplinary research, and through them, I have encouraged my students to engage with the material history of print culture and the periodical press.
I also wanted to give my students an opportunity to explore a kind of writing which I personally find to be tremendously challenging: writing and curating for public audiences. To prepare our Perkins Student Wall exhibit, the students of W101 “Laughing Matters” reverse-engineered genre guidelines for label writing, produced magnificent labels, curated and hung our exhibit, Reading Between the Lines: Comical Interpretations of the Nineteenth Century. They did all of this with careful attention to audience experience: they built sub-themes into our exhibit, and hung the caricatures so as to take advantage of the colors and perspectival lines of their pieces. Throughout the curatorial process, I feel like I’ve learned the most of all, thanks to the candid and insightful discussion we’ve had throughout the semester.
Check out the exhibit!Reading Between the Lines will remain up on the Student Wall on the first floor of Perkins Library through the end of the fall 2013 semester.
October disappeared while we were illicitly munching on Halloween candy, and November has appeared out of nowhere, with its shorter days and longer shadows. In case you missed something, here’s a summary of some of the top stories from around the Libraries for the month of October.
The faculty at Duke have been busy writing on spectrum of topics, from minority aging to differential equations and everything in between. Check out this extensive list of books penned by our very own Duke faculty members, all available in the library.
The source code for Fantasy Collecting, an art education and market simulation program developed here at Duke, was recently made publicly available. Fantasy Collecting is a bit like fantasy football for the art world. Students aim to increase the value and scope of their virtual art collections through promoting, acquiring, and trading art.
Ashley Young, a Ph.D. student at Duke and 2nd-prize winner in the National Collegiate Book Collecting Contest, wrote about her trip to the awards ceremony in Washington, D.C., hosted by the Library of Congress.
A new exhibit at the Center for Documentary Arts celebrates the 115th anniversary of NC Mutual, the country’s largest and oldest African-American owned insurance company. The exhibit is co-sponsored by NC Mutual and the John Hope Franklin Research Center, part of the Rubenstein Library.
The winners of the Aptman and Middlesworth research prize were recognized at a special awards ceremony during Duke Family Weekend. These students were recognized for their outstanding work in research and the utilization of library sources.
When: Friday, November 1 Time: 3:00-5:00 p.m. Where: International and Area Studies, 2nd Floor Bostock Library (click for map)
There will be refreshments at the reception, including Pan de Muertos, in celebration of the Day of the Dead.
Two new exhibits will be opening November 1 in Bostock Library, both celebrating the traditional Mexican holiday the Day of the Dead. The first exhibit, assembled by Carla Cella (MALS 2014), is an altar built in the Day of the Dead tradition. Every year Mexicans create altars to honor the lives of those who have died. The altars include foods or objects that were meaningful to the deceased. The exhibit mimics the style of these altars, but is centered around themes of Diaspora and Indigeneity from the 2013 NC Latin American Film Festival. (Read a guest post by Carla about some of the influences behind the altar and those it seeks to honor.)
The second exhibit is titled José Guadalupe Posada: Printmaker to the Mexican People, and celebrates his contributions to Mexican art, politics, and society. His work inspired famous Mexican muralists Diego Rivera and José Clemente Orozco. Posada is best known for his costumed calaveras (skulls) which were often designed as social commentary critiquing the upper classes. However, they have now come to be associated with the Day of the Dead celebration.
Come visit these two fascinating exhibits, while enjoying a taste of the Day of the Dead with some pan de muertos!
Guest post by Carla Cella (MALS 2014), creator of the Day of Dead altar and exhibit on display outside International and Area Studies on the 2nd floor of Bostock Library. Read on as she explains and describes some of the influences behind the altar and those it seeks to honor.
In a world of growing global migration, indigenous tribes are often thought of as static relics of a past time, stewarding territories passed down for centuries. However, indigenous people are not exempt from global migratory trends. Although most indigenous groups in Latin America still live in rural areas, an increasing number are becoming urbanized. Some drivers of this diaspora are militarization, land dispossession, natural disasters, deteriorating environments, poverty, and a dream for a better life in the big city. By 2000, a third of Mexico’s indigenous people, approximately 12% of the country’s total population, had migrated to cities. Oftentimes, whole communities are displaced in the global push for energy and development. Such is the case with Brazil’s Belo Monte Dam, which will displace between 20,000 and 50,000 people who live adjacent to the Xingu River.
Aside from representing the incorporation of indigenous groups into a contemporary globalized and mobile way of life, Indigeneity on the Move also aims to keep the memory of past indigenous diasporas alive. The United States’ Indian Removal Act of 1830 was responsible for the Trail of Tears, a cultural trauma that was the Native American’s eviction from tribal lands and consolidation into designated reservations in the mid-west.
This altar honors the efforts of original peoples across the Americas to maintain a connection to their traditional culture, and pass it on to their progeny, as they uproot, pack up, and move away from their ancestral lands.
Book Discussion of Persepolis: The Story of A Childhood by Marjane Satrapi
First Session: When: Sunday, October 20 Time: 2:00 p.m. Where: The Nasher Museum of Art (click for map)
Second Session: When: Tuesday, October 22 Time: 7:00 p.m. Where: Respite Café, Durham
The Nasher Museum will be hosting a series of book discussion in connection with the current exhibit Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art. The books will focus on explorations of Islamic art and culture. The first, Persepolis: The Story of A Childhood, by Marjane Satrapi, tells the author’s story of life growing up in Iran during the Islamic Revolution. The critically acclaimed graphic novel was also adapted into an animated film which was then nominated for both an Academy Award and a Golden Globe.
Book Discussion of My Name is Red by Orhan Pamuk
First Session: When: Wednesday, November 13 Time: 11:00 a.m. Where: Nasher Museum of Art (click for map)
Second Session*: When: Sunday, November 17 Time: 2:00 p.m. Where: Nasher Museum of Art
* The second session will begin with a talk from the translator, Erdağ Göknar, followed by a discussion of the book.
The second series of book discussion hosted by the Nasher will focus on Nobel Prize winner Orhan Pamuk’s book, My Name is Red. The novel, which was translated by Duke professor Erdağ Göknar, explores the conflict between Islamic and European principles in a 16th-century setting. The book provides an excellent opportunity to delve into the complex topic of cultural conflicts.
Outrageous Ambitions: How a One-Room Schoolhouse Became a Research University
On exhibit: October 13, 2013- February 17, 2014
Public Hours: Monday-Friday, 8am–7pm; Saturday, 9am–7pm; Sunday, 10am–7pm. Hours may vary of the holidays; please check the library hours page for more information.
About the Exhibit
Today’s Duke University, a premier research institution with global reputation, came from the humblest of beginnings: a tiny schoolhouse in Randolph County, NC. From there the organization shifted through many manifestations, ultimately transforming from Brown’s Schoolhouse into Duke University.
A new exhibit on display in Perkins Library, Outrageous Ambitions: How a One-Room Schoolhouse Became a Research University, traces the history of Duke University as it evolved and grew over the past 175 years. The exhibit showcases a selection of events that were fundamental in the creation of University, and focuses on several key themes: foundations, academics, student life, student activism, athletics, presidents, the Duke family, women at Duke, and the architecture of campus.
The materials for the exhibit, which include photographs, documents, ephemera, and other objects, were drawn from the University Archives (unless otherwise noted) and vibrantly illustrate the history of the school. Viewers can further explore Duke history by visiting the recently created online timeline, which highlights other key moments in Duke’s past. An online version of the exhibit is also available.
The title of the exhibit, Outrageous Ambitions, references a speech made by former University President Terry Sanford, in which he expounds on the seemingly impossible ambition that was responsible for creating Duke University. The exhibit seeks not only to remember the incredible aspirations that have supported Duke in the past, but also to inspire the continuing work of Duke students, faculty, staff, and alumni as they craft their own extravagant ambitions.
The exhibit was curated by Maureen McCormick Harlow, 175th Anniversary Intern in University Archives, and Valerie Gillispie, University Archivist. Special thanks to Meg Brown, Mark Zupan, Beth Doyle, the University Archives staff, and the staff of the Conservation and Digital Production Departments in the Duke University Libraries.
Smoke Signals: An Exhibit of Photographs by Bill Anderson (1961-2013) On exhibit October 1 – December 15, 2013
Lilly Library, East Campus (Click for map)
General Public Hours: Monday-Friday, 8am–7pm; Saturday, 9am–7pm; Sunday, 10am–7pm
Hours may vary during academic breaks and holidays. Please check our posted library hours for more information.
About the Exhibit
Lilly Library is displaying a new exhibit for the fall semester entitled Smoke Signals by Bill Anderson. The exhibit consists of 17 untitled photographs portraying sinuous patterns and swirls of smoke in a myriad of colors.
The artist, Bill Anderson (1960-2013), had a rich history with the arts. He was involved in the founding of the Athens Poor Theater in college, participated as a member of the Wee Scottie Collective in Atlanta (a group that produced a series of short and feature length films). He also had a career in academic libraries at such institutions as Emory University, Georgia Institute of Technology, and Duke University’s Fuqua School of Business. At Georgia Tech, Anderson served as the lead digital library developer. All of his technical skills were self-taught, making his art even more remarkable. The exhibit celebrates Anderson’s art and honors his memory.
Gallery Talk and Reception: Please Join Us!
Date: Friday, October 18 Time: 4 p.m. Location: Thomas Room, Lilly Library, East Campus (Click for map) Light refreshments will be served.
Before his death, Bill Anderson intended to title the pieces in the Smoke Signals exhibit. Join the staff of Lilly Library in fulfilling his intention by titling the photographs and enjoying his creative vision!
On exhibit July 16 – October 13, 2013
Perkins Library Gallery, Duke West Campus (Click for map)
Public Hours: Monday-Friday, 8am–7pm; Saturday, 9am–7pm; Sunday, 10am–7pm
Hours may vary during the summer months. Please check our posted library hours for more information.
About the Exhibit
In an instant of geologic time, human beings have exploded into a geologic force, altering the planet’s oceans and fresh waters, atmosphere, soils, plants, and animals.
Our effect on planetary conditions and processes has been so significant, in fact, that many people believe we have crossed the boundary into a distinctly new geologic epoch—from Holocene to Anthropocene—a period in Earth’s history primarily characterized by the growth and impact of the human species.
A new exhibit in Perkins Library considers the human record on planet Earth and asks visitors to consider the implications of labeling our geologic epoch the Anthropocene.
You may not have heard the term Anthropocene before, but you will. It has been taken up enthusiastically across a variety of academic and artistic disciplines. It has inspired major critical and artistic works as well as international museum exhibitions.
Originally coined by Nobel Prize-winning chemist Paul Crutzen, the term follows a relatively recent turn in society that has seen human beings increasingly acknowledged to be an integral part of nature.
A proposal to rename our geologic epoch is accordingly being considered by a working group of the International Commission on Stratigraphy, the scientific body that sets global standards for expressing the geologic history of the earth. The working group includes one of the curators of this exhibit (Professor Daniel Richter of Duke’s Nicholas School of the Environment) and represents the culmination of intense scientific debates in books, conferences, and exhibits such as this one. A decision on whether to adopt the term is expected in 2016.
The widespread recognition that we have had a global-scale impact on the environment is relatively new, as is the idea that we have a special responsibility to the future and to other life forms. Recording the Anthropocene represents an attempt to acknowledge the scale of our impact on the planet and to face the implications of that realization. What difference do you think the adoption of the term Anthropocene would make to you, and to all forms of life on the planet?
On exhibit April 10 – July 14, 2013
Perkins Library Gallery, Duke West Campus (Click for map)
Public Hours: Monday-Friday, 8am–7pm; Saturday, 9am–7pm; Sunday, 10am–7pm
Hours may vary during the summer months. Please check our posted library hours for more information.
About the Exhibit
When you hear the word herbarium, you might think herb garden. Not so.
Instead, think of an herbarium as a kind of library of preserved plants. But instead of shelves upon shelves of books, an herbarium contains cabinets upon cabinets of dried and labeled plant specimens. Unlike most books in a library, which can be repurchased or duplicated, each herbarium specimen is truly unique. It is a representative of plant biodiversity at a particular place and time in the history of life on earth.
A new exhibit in Perkins Library explores the beauty and importance of herbaria in furthering our understanding of the natural world and highlights our own “hidden library” of plants right here on campus—the Duke Herbarium.
The Duke Herbarium, located in the Biological Sciences Building next to the French Family Science Center, is one of the largest herbaria in the United States and the second largest at a private U.S. university (after Harvard). With more than 800,000 specimens of vascular plants, bryophytes, algae, lichens, and fungi, the Duke Herbarium is a unique and irreplaceable resource used by local, national, and international scientific communities.
The role of herbaria in housing and protecting plant specimens is invaluable. Herbaria are where biologists turn to identify plant species, check the validity of a newly described species, track how a species has changed over time, and even analyze how entire landscapes have been altered. Herbarium specimens can yield information to help us better protect our planet. This is especially important today, when humans have a greater impact on the environment and plants are exposed to conditions they never would have encountered just a century ago.
Botanical Treasures of Duke’s Hidden Library examines the work of the Duke Herbarium, explains how plant specimens are collected, and highlights some surprising stories from the field, like how Duke biologists recently named a newly discovered genus of ferns after Lady Gaga!
The exhibit was curated by Layne Huiet, Senior Research Scientist and Vascular Plants Collections Manager, Duke Herbarium; Tiff Shao, Trinity 2012 (Biology), Associate in Research, Duke Herbarium; Anne Johnson, Trinity 2013 (Biology); and Kathleen Pryer, Professor of Biology and Director of the Duke Herbarium.
Alfred Russel Wallace in the Amazon: The Making of a Naturalist
Speaker: Sandra Knapp, Research Botanist at the Natural History Museum in London (Click for bio) Date: Monday, April 29 Time: 4:00 p.m. Location: Perkins Library, Room 217, Duke West Campus (Click for map) Exhibit reception to follow in the Perkins Library Gallery. Light refreshments will be served. Contact: Meg Brown, firstname.lastname@example.org, 919-681-2071
The new student exhibit in Bostock Library explores the juvenile press in France from 1939 to 1945. The exhibit was designed and curated by students in Professor Clare Tufts’s Fall 2012 course, Comics and Culture: Images of Modern France in the Making (French 414/Visual and Media Studies 312).
When Paris was liberated in the summer of 1944, a beautifully illustrated, 29-page hardback comic book appeared on the market seemingly overnight. This publication, La bête est morte! (The Beast is Dead!), presented a pictorial account of war among animals who symbolized all of the major players of World War II. Hitler was portrayed as the big bad wolf, Mussolini as a hyena, and the Japanese as yellow monkeys. Meanwhile, the occupied French were glowingly depicted as docile rabbits and industrious squirrels beset by barbarian hordes from other countries. Their savior, a great white stork wearing a Lorraine cross, clearly symbolized Charles De Gaulle and the Resistance. The story does not touch on the subject of French collaboration.
During this time, comics provided French children and adolescents a regular diet of fact, fiction, and outright propaganda about the Germans, the Vichy regime, the Allies, and eventually the Resistance. The exhibit highlights a selection of representative publications, focusing on the messages they conveyed to their youthful audience. As an art form and means of mass communication, the comic book medium was used to form a post-war generation of young adults primed to accept and support the prevailing political ideology.
In particular, the student exhibit traces the history of the following publications:
Three weeklies available in France on the eve of the war: Le Journal de Mickey, Jumbo, and Coeurs vaillants/Ames vaillantes (Stout-Hearted/Brave-Souled), which migrated south to unoccupied France and underwent significant changes in content and format.
The comic Le Téméraire (The Audacious), which started publication in Paris during the Occupation; and the weekly Vaillant (Valiant), born with the Liberation and filled with realistic images of fighting and resistance.
The exhibit also includes presentations on the Nazi Propaganda comic Vica and the comic book La Bête est morte! Annotations written by students are available in English and French.
The exhibit is located in the International and Area Studies exhibit cases on the 2nd floor of Bostock Library, across from the International and Area Studies Offices. (Map and directions available here.) It will be on display until March 15.
Exhibit Reception—Please Join Us! Date: Wednesday, January 30 Time: 4:00 p.m. Location: Rubenstein Library Photography Gallery, Rubenstein Library, Duke West Campus (Map) Contact: Meg Brown, email@example.com, 919-681-2071
Few legal cases in French history have been so decisive, and so divisive, as the twelve-year trial, re-trial and eventual acquittal of Captain Alfred Dreyfus. Dreyfus, a Jewish military officer, was falsely accused in 1894 of selling military secrets to the German army. The trial sparked a flurry of anti-Semitism in the popular press and inspired Émile Zola’s famous open letter of outrage, “J’Accuse!”
A new exhibition in the David M. Rubenstein Rare Book & Manuscript Library at Duke examines how the Dreyfus Affair was depicted in the French popular press, with a particular focus on visual illustrations in newspapers and periodicals that covered the trial.A Mockery of Justice: Caricature and the Dreyfus Affair encourages viewers to reconsider the significance of this historical episode that continues to resonate in the present day. As Zola pointed out, the Dreyfus Affair was about more than one man’s guilt or innocence. Also at stake were the very principles upon which the French Republic rested: liberté, égalité, fraternité. More than one hundred years later, the Dreyfus Affair offers a vivid lesson on the dangers of racial prejudice, blind loyalty to the military, and unthinking nationalism.
Drawing on the Rubenstein Library’s extensive collection of late-19th and early 20th-century French periodicals, the exhibit also features a rare series of colorful and attention-grabbing posters that were disseminated throughout Paris at the time. The posters, collectively known as the Musée des Horreurs, were published pseudo-anonymously and feature unflattering caricatures of prominent Jews, Dreyfus supporters, and other individuals involved in the Dreyfus Affair. Another set of posters, known as Musée des Patriotes, glorifies the so-called anti-Dreyfusards, who publicly condemned Dreyfus and sought to undermine his defense.
Revisiting the U.S. Naval Station, Guantánamo Bay, through the Duke University Libraries’ Caribbean Sea Migration Digital Collection
When you hear the word “Guantánamo,” you probably don’t think of tent cities with families and children, religious festivals, and locally run newspapers.
But the Guantánamo Bay of the 1990s differed in many ways from the place Americans came to know after the September 11, 2001, terrorist attacks. Images of this earlier Guantánamo and its inhabitants, recently digitized by the Duke University Libraries, will soon be touring the country as part of an exhibit developed by the Guantánamo Public Memory Project, an initiative based at the Institute for the Study of Human Rights at Columbia University. The exhibit, opening in New York City on December 13 and touring the United States through 2014, explores the complex and controversial history of “Gitmo.”
“We were fortunate to have advance access to the [Caribbean Sea Migration] collection, so that nearly 100 students at 11 universities across the country could use it extensively to prepare our traveling exhibit on the long history of the U.S. Naval Station at Guantánamo,” said Liz Ševčenko, Founding Director of the Guantánamo Public Memory Project and faculty member at the Institute. “It’s a tremendous resource for researchers and the general public.”
During the years 1991-1993 and again in 1994, tens of thousands of Haitians, fleeing political upheaval and repression, were interdicted by the U.S. Coast Guard and removed to the U.S. Naval Station at Guantánamo Bay, Cuba. While they awaited decisions on whether they would be repatriated to Haiti or allowed to apply for asylum in the U.S., the Haitians made a life in the tent cities established for them by the U.S. military.
In 1994 over 30,000 Cubans set out from Cuba by sea for the United States. Among them was Pavel Rodríguez, a nine-year-old boy who, along with his family, was interdicted by the U.S. Coast Guard and taken to Guantánamo. Pavel, who years later would enroll at Duke University Medical School, remembers both the anxiety arising from prolonged detention at GTMO and the sense of community among the refugees. Pavel recalls fellow Cubans at GTMO forming a newspaper at the camp and opening an art gallery, along with his own memories of “chasing iguanas and flying kites behind barbed wires and fences guarded by heavily armed soldiers.”
Stories like Pavel’s, and those of many others like him, make up the recently digitized Caribbean Sea Migration Collection, which documents the experiences of the more than 200,000 Haitians, Cubans and Dominicans who traversed the Caribbean Sea in the late 20th century, fleeing political instability in their home countries. Materials in this collection provide varying perspectives on Guantánamo in the late 20th century: from military personnel running the camps, to publishers of and contributors to community newspapers, to detainee-artists creating works reflective of their experience.
For more on the Guantánamo Public Memory Project traveling exhibit, visit their website and blog.
Date: Tuesday, November 27 Time: 5 p.m. Location: Thomas Room, Lilly Library (Map) Contact: Greta Boers, firstname.lastname@example.org
Please join the staff of Lilly Library on Tuesday, November 27, for a gallery talk about a new library exhibit on African weaving.
“Interwoven Histories: Luxury Cloths of Atlantic Africa” draws from the private collection of Professor J. Lorand Matory and Ms. Olubunmi Fatoye-Matory, celebrating the genius of West African weavers, dyers, printers, appliqué artists, and embroiderers who have employed a cosmopolitan array of techniques and materials to create wearable art. They draw their designs from ancient African sources and from as far afield as Indonesia to supply markets, museums, interior designers and couturiers in Africa, Europe and the Americas.
These cloths express not only dignity, heritage, and style but also the old reality of internationalism and changing fashion in Africa, a continent often falsely associated with cultural isolation and stasis.
Moreover, like African drumming, African cloth speaks. Many weaves and printed designs convey literal messages that swathe the body in counsel, consolation, prayer, and warning on the occasion of births, weddings, coronations, elections, diplomatic negotiations, and deaths.
These richest of textile arts from Ghana and Nigeria illustrate tradition and change from the period of independence until the present.
The Center for African and African American Research at Duke University and the Duke University Libraries invite you behind the veil of vivid texture and color and into the world of West African taste, class, and history.
North Carolina has a long history of support and activism on behalf of immigrant communities. But only recently have immigrant activists begun to view their work from a human rights perspective.
That will be the topic of a community discussion on immigration and human rights at 5:30 p.m., November 12, in the Rare Book Room of Duke’s Perkins Library. “Harvesting a Legacy of Action: Immigration Activism and Human Rights” will feature a panel of experts discussing the challenges and possibilities of placing immigration activism within a human rights framework.
The panel discussion is part of a larger series of events around the state celebrating the 20th anniversary of Student Action with Farmworkers (SAF), a nonprofit organization that brings together students, community members, and farmworkers in the Southeast to work for justice in the agricultural system. What began as a small group of Duke Public Policy students documenting farmworker conditions has since grown to an independent nonprofit with a national impact. The organization’s papers are held by Duke’s Human Rights Archive in the David M. Rubenstein Rare Book & Manuscript Library.
Three exhibitions currently on display at the library explore the human experience of farmworkers and the history of SAF. The exhibits reflect historical and contemporary concerns with student activism, access to safe and healthy food, organized labor, and immigration. The exhibits run through December 9, 2012.
The exhibits and panel discussion are sponsored by SAF, the Duke University Libraries, the Center for Documentary Studies, the Franklin Humanities Institute BorderWorks Lab, the Duke University Service Learning Program, and the E. Rhodes and Leona B. Carpenter Foundation.
A new exhibit of post-Soviet artwork is currently on display in the Nasher Museum of Art’s Education Gallery through December 23, and it’s well worth a visit.
The exhibit, The Subverted Icon: Images of Power in Soviet Art (1970-1995),explores the ways in which artists in late- and post-Soviet Russia represented, confronted, and challenged state-sponsored propaganda, Soviet architecture, and the populist art of earlier generations. It was curated by students in Professor Pamela Kachurin’s “Soviet Art After Stalin” seminar. There’s a good review in the October 18 issue of the Duke Chronicle.
For those interested in a little extra credit, Duke is home to one of the oldest and most extensive Slavic research collections in the southeastern United States. Here’s a taste of some additional readings and resources to whet the appetite of your inner Russophile:
Americans in the Land of Lenin, a digitized collection of photographs of daily life in the Soviet Union (1919-1921 and 1930) drawn from the papers of Robert L. Eichelberger and Frank Whitson Fetter in the Rubenstein Rare Book & Manuscript Library.
ARTstor, one of Duke University Libraries’ image databases, recently announced the addition of about 400 pictures from the collection of Islamic and South Asian art from the Shangri La, Doris Duke Foundation for Islamic Art. The images feature some of the exquisite objects in the collection: Indian jewelry and enamels; Syrian, Indian, Spanish, and Persian furniture, doors, and ceilings; Persian and Turkish tile panels and portable ceramics; and Central Asian, Persian, Turkish, and Indian textiles.
Shangri La, A Center for Islamic Arts and Cultures, the online exhibit of the Doris Duke Foundation for Islamic Art, is fully searchable by keyword, medium region, and period. Containing about 3500 objects, the artifacts cover a time period from 1500BCE to the 20th century.
I heard about Doris Duke’s interest in Middle Eastern and Islamic art for the first time when Mary Samouelian, Doris Duke Collection Archivist at Duke’s Rare Book, Manuscript, and Special Collections Library (RBMSCL), asked me to help her identify locations on photographs Ms. Duke took during her trip to the Middle East in 1938. These pictures, linked to an interactive map, are part of an online exhibit of materials from the Doris Duke Archives. The records from Doris Duke’s Shangri La residence are housed in RBMSCL.
Some library users can find interesting lectures, useful software training sessions, and workshops on the use of statistical data from the events calendar page for the Social Science Research Institute or SSRI (some of these, in fact, are cross-listed on the library calendars or taught by library staff).
Many events at Duke can be found from the main Events@Duke calendar. Use the See all groups link in the left-hand column to get a listing of the many departments and groups at Duke that may sponsor workshops, lectures, and training sessions. At the top, you can select Day, Week, Month, or Year listings, and the RSS feed might be handy. Although it might be fruitful to spend time exploring the various Calendar Views and other options, please be aware that although the goal of this calendar is to be comprehensive not all campus events are submitted. You still may want to check individual calendars that interest you like the ones mentioned above or (for example) from Student Affairs, the Sanford School of Public Policy, the Nicholas School of the Environment, or the Fuqua School of Business.
The World Cup will be played in South Africa in the summer of 2010 and important soccer matches are being played around the globe this fall to determine the thirty-two countries that will qualify for the tournament. To prepare you for these games, several books are available in the Duke Libraries on the subject of soccer and its global importance.
In Franklin Foer’s book, How Soccer Explains the World: An Unlikely Theory of Globalization, soccer is described as part of the economic, political, and cultural fabric of society. In a series of essays, Foer explores the cultural roots of fierce soccer rivalries around the world, rivalries that make battles between Duke and Carolina or the Red Sox and the Yankees look tepid. Matches between the Rangers and Celtic in Glasgow reflect the divide between the Protestant Rangers supporters and the Catholic Celtics and has roots in conflicts that date back to the Reformation. Matches between Barcelona and Madrid in Spain are recreations of the Spanish Civil War. Foer examines soccer as a liberalizing force in Iran and as a destructive force in Serbia, where soccer hooligans were used as death squads in the Balkan conflicts of the 1990s. Although Foer does not, as his title suggests, provide a unifying theory of soccer and globalization, this book is a fascinating study of soccer in its cultural context and provides vivid examples of how national conflicts are reflected in the game of soccer.
The Thinking Fan’s Guide to the World Cup, edited by Matt Weiland and Sean Wilsey, provides essays about each of the thirty two countries that qualified for the 2006 World Cup in Germany. Each essay presents a short summary of the soccer history of the country and how each team qualified for the tournament, and places soccer in the context of that country’s culture and politics. Examples include the importance of qualification to war-ravaged Angola, the impact of globalization on the English economy, and the relationship between jihad and soccer in Saudi Arabia. Although the 2006 World Cup is in the past, the profiles of each country are fascinating and informative, and deepen one’s understanding of the world and its relationship to the world’s most popular sport.
Grant Farred, a Duke University faculty member, traces his passion for Liverpool football from his early years in apartheid South Africa in his book, Long Distance Love: A Passion for Football. He explores the cultural context of soccer around the world. Farred provides a shocking history of how Argentina’s military junta used the success of the Argentinean team to cover its ruthless oppression of dissent. Farred brings an obvious passion for world football and the Liverpool team as a lens to examine the global struggle for freedom. Although American readers will not be familiar with many of the events and players that are important in the history of Liverpool football, the reader is swept along by the force of Farred’s narrative and the deeply personal nature of his writing.
There are interesting films and discussions being held on campus this fall in conjunction with Professor Laurent Dubois’ course, “World Cup and World Politics.” A series of films about soccer are free and open to the general public. Lilian Thuram, Caribbean-born French soccer player, activist and writer, will share his thoughts on sport, racism, and immigration as well as discussing the work of his new foundation. The talk will take place at the Nasher Art Museum on Nov. 10 at 7:00 pm. More information at http://soccerpolitics.com/.
If you’ve walked through the lobby of Perkins Library in the past few days you’ve surely noticed the beautiful new exhibit cases that were installed there last week. The other morning on my way in I saw Mary Walter, the Assistant Director of Development for the library, taking photos of the new cases and the shimmering reflections from the lights above them. It reminded me a little bit of the Georges Rousse Bending Space project in downtown Durham a couple of years ago, and I asked Mary if I could post a photo here (see one of them here on the right).
Just around the corner from the Perkins lobby, in the hallway between the Rare Book Room and the Special Collections Reading Room, is another new exhibit, featuring photographs by Olive Pierce, documenting life in Cambridge, Massachusetts, Maine fishing communities, and Iraq. This exhibit will be up through December 2008.