To celebrate Women’s History Month, Lilly Library shines a spotlight on Women in Sport. Books and movies – including e-books and streaming film – which feature women athletes are “teeming” in our collections. The titles featured here give a sense of the breadth of the issues and themes present in the world of women’s athletics.
To discover more about women athletes, browse the Duke Libraries catalogue. A basic subject search of women athletes reveals hundreds of titles available. Your Duke netID is your ticket to read, learn, witness, and celebrate the wide range of women and their athletic challenges and achievements!
Based on the Instagram account @TheUnsungHeroines, this book focuses on the pioneering, forgotten female athletes of the twentieth century as featured in Instagram. Rarely seen photos and in-depth interviews feature past and present game changers such as Abby Wambach and Cari Champion.
This online book offers a sweeping look at the experience of Black women athletes. Through the stories of six groundbreaking women– Alice Coachman, Ora Washington, Althea Gibson, Wilma Rudolph, Wyomia Tyus, and Jackie Joyner-Kersee– author Jennifer H. Lansbury outlines the careers of these women and their experiences with attitudes of race, class, and gender.
What do we know about the communities of women in sport in Latin America? Futbolera weaves the stories of these women as athletes and fans in the tapestry of social class, national and racial identities, sexuality, and gender roles in countries better known for male athletes of global fame.
Kicking Off: How Women in Sport are Changing the Game
There’s a battle being fought. It’s raging on the sports fields, in the newsrooms and behind the scenes at every major broadcaster. Women in sport fight for equality, but are they breaking down the barriers? Writer Sarah Shephard looks behind headlines to see whether progress is really being made.
Film – Documentary and Feature
Films exploring and illuminating the challenges faced by women athletes the world over are highlighted here:
Offside Streaming or DVD14381
During the 2006 Iran-Bahrain match, the Tehran soccer stadium roars with 100,000 cheering men and, officially, no women. According to Islamic custom, women are not permitted to watch or participate in men’s sports. Many ambitious young female fans manage to sneak into the arena but are caught and sent to a holding pen, guarded by male soldiers their own age. Duty makes these young men and women adversaries, but duty can’t overcome shared dreams and an overriding sense of national pride and humanity.
Examines the post Title IX media environment in terms of the representation of female athletes. It demonstrates that while men’s identities in sports are equated with deeply held values of courage, strength and endurance, the accomplishments of female athletes are framed very differently and in much more stereotypical ways.
Dr. Donnis Thompson, coach, Patsy Mink ,U.S. congresswoman, and Beth McLachlin, team captain of the University of Hawaii volleyball team, battle discrimination from the halls of Washington D.C. to the dusty volleyball courts of the University of Hawaii, fighting for the rights of young women to play sports. The film reveals how change-makers overcome injustice with wisdom, an innovative spirit, and without becoming victims to their circumstances.
Best Films about Women in Sport?
In a less serious vein – do you have a favorite film about women in sports?
Nine of the titles most frequently named in “Best” or “Top” lists are in our collections:
On February 25, 2021, the Duke University Libraries lost a longtime friend and cherished colleague. For many years J. Samuel Hammond was perhaps best known (or best heard) as Duke’s official carillonneur. He began playing the carillon in 1965 while an undergraduate at Duke and was eventually promoted to perform in an official capacity when he graduated three years later. For fifty straight years—one for every bell that hangs in the Chapel tower—Sam was Duke’s ringer-in-chief. In honor of a long and literally resounding record of service, Duke’s Board of Trustees passed a resolution in 2018 naming the carillon in his honor.
For those of us in the Libraries, Sam was also our co-worker—someone we saw, spoke to, and joked with almost every day. He worked here for close to four decades, starting out as Duke’s first music librarian in 1974, then becoming a rare book cataloger in 1986, a position he held until his retirement in 2012. To send him off with style, the Rubenstein Library purchased in his honor an extremely rare 1612 first edition of Angelo Rocca’s De campanis commentarius (A Commentary on Bells), one of the earliest studies of bells and bell ringing.
After he retired from the Libraries, Sam was given a carrel on the fourth floor of Bostock Library so that he could continue his personal research and a project editing the correspondence of Hugh James Rose, an Anglican clergyman of the early nineteenth century who was instrumental in initiating the Oxford Movement. Happily, that meant we had the pleasure of continuing to see Sam around the library on a regular basis. Until 2020, that is.
After he died last week, those of us in the Libraries began to share some of our fondest memories of Sam with each other. And since we are unable to gather and celebrate his life in person, we wanted to collect and share some of those reminiscences with you, the Duke community, virtually. Needless to say, he leaves behind many friends in Durham, at Duke, and around the country. If you’re reading this and you would like to contribute your own memory of Sam, please drop it in the comments section. We’ll be sure to include it.
Among his many endearing and old-fashioned characteristics, Sam was a great writer of short personal notes. He would always record the date in Roman numerals (even in emails!) and close with the Latin benediction “PAX.” The kiss of peace, which we now return to him. Rest now, Sam. The bells are ringing for you. PAX.
Tributes and Testimonials
I came to Duke in 1983 and Sam was my colleague from then on. He was so wise and well-read, but also possibly the most modest person I have known, also the most generous and thoughtful. Knowing how delighted they would be to see the world from the top of the Chapel, over the years he invited each of my then-young sons (who were practically raised at Duke) to take the thrilling ride up—and then gave them each (on their respective visits) the ultimate responsibility of marking 5 p.m. with the five “bongs” heard all over campus. Their memories of those special visits with Sam are still vivid.
I will also remember Sam’s kindness—knowing of my interest in tango, he regularly kept me updated on the appearances of the Lorena Guillén Tango Ensemble, including her memorable concerts on Jewish tango and her project “The Other Side of my Heart,” the stories of Latina immigrants. And I will always fondly recall the image of my encounters with Sam in the Libraries or on the quad, when he would bow and doff his hat, with a smile and a pseudo-formal greeting of “Dr. Jakubs!”—followed by a much more chatty personal conversation about so many things. Thank you, Sam. PAX.
—Deborah Jakubs, Rita DiGiallonardo Holloway University Librarian and Vice Provost for Library Affairs
Soon after I began working at Duke in 2010, Sam offered to make me a scarf. I had no idea how broad his talents were, and I was touched by this personal gesture as I was trying to find my footing in the library. A beautiful blue scarf soon appeared in my inbox with a handwritten note. It was one of many notes I found in my box in the years before Sam retired, often calling something to my attention and occasionally letting me know I’d done something well. I valued his opinion and sought to uphold his high standards for the Duke Libraries. I will greatly miss greeting Sam in the library or on the quad. And I will wear my scarf with gratitude and seek to be worthy of it.
—Naomi L. Nelson, Associate University Librarian and Director, David M. Rubenstein Rare Book & Manuscript Library
My children knew Sam Hammond as “Mr. Sam.” Over the course of thirteen years, we passed Mr. Sam on 751 as he walked to campus wearing his black coat and his signature hat. On our daily commute to school, the kids and I looked expectantly for Mr. Sam just as Academy Road intersected with Wrightwood Ave. If we were on time, the kids would wave and Mr. Sam would tip his hat.
Sam Hammond shared his musical gifts with our children. When my son was nine, Sam accompanied Micah as he learned the role of Amahl for Long Leaf Opera’s Amahl and the Night Visitors. For many years, Sam and Marie attended the children’s concerts—piano recitals at Durham School of the Arts and the Yiddish Song Festival at Beth El Synagogue. Mira remembers Sam jotting down the date of her event in a small leather-bound black book. This book, the suspenders, and Sam’s hat were part of what made Mr. Sam so enchanting.
One memory that the children both recollect: we bumped into Mr. Sam on the quad a few Decembers ago when he was en route to play the carillon. We chatted, and as he turned to tip his hat, he wished us a Happy Chanukah. When he arrived at the carillon, he played his traditional 5 o’clock bells and then moved from a hymn to a melody which both children recognized—they smiled and sang along as Sam played “I have a little dreidel.” We will continue to treasure these memories of our beloved Mr. Sam.
— Trudi Abel, Research Services Archivist, Rubenstein Library
Something he gave us all, day after day, was the ringing of the carillon as we were released from work at the end of the day: the ringing out of bronze bells high in the chapel’s belfry, signifying completion and freedom to one and all, regardless of race, rank or creed. And yet, with such power at his fingertips, it seemed that he treasured library work equally, its quiet spaces and detailed endeavors, requiring the most sterling patience and devotion. Over the pressed black and white attire of a gentleman he often wore a dark green work smock, navigating the halls and vestibules where I might meet him and say hello. He brought a delightful and unique formality to the most mundane encounters, investing them with a subtle radiance. I will miss him. He was like an ambassador from a better world.
— Mary Yordy, Senior Library Assistant, Conservation Services
My story is about Sam’s care of new parents. When I became a parent in the early-mid 2000s, Sam would bestow gifts of crocheted or knitted items for our babies that he presented in his humble, loving way. My memory is that he waited to give the gifts until we’d come back to work to take the opportunity to offer a few carefully chosen sympathetic and supportive words about surviving the experience of new parenthood. I still have the blanket he made for us.
— Laura Micham, Merle Hoffman Director, Sallie Bingham Center for Women’s History and Culture
Before my retirement in 2010 from what is now the Rubenstein Library, I had an office on the second floor that looked right onto the quad in front of Duke Chapel. This gave me a front row seat to Sam’s daily recitals. I often stayed longer than I needed, just to be able to sit back and enjoy the bells.
More than that though, my responsibilities in the library put all of the rare book and manuscript technical service operations under my supervision. This meant that Sam, as a rare book cataloger, was technically under my supervision. This was laughable, since Sam had more knowledge about rare book cataloging tucked into the hardened and muscular folds of one hand than almost anyone in the state of North Carolina! It did, however, afford me the pleasant excuse to meet with him periodically.
Some memories that stand out include hearing about his annual trek to the University of the South in Sewanee, Tennessee, where there was an annual gathering of carillon artists from around the country. Sam especially liked the atmosphere of Sewanee, which was a traditional old-style college, where upperclassmen were required to wear academic gowns to class. Given Sam’s singular (and easily recognizable from 100 yards away) style of dress, I often thought that he would have been more comfortable wearing his own academic gown.
After my own retirement, I was often on campus in the morning on my way to Wilson Gym and would run into Sam coming though the clock tower passage from Crowell Quad on his way to the library (where he kept a carrel after his retirement to volunteer his efforts to resolve lingering rare book cataloging issues). There was always a tip of the hat and a brief genial conversation on families, the weather and other pleasantries.
A couple of years ago I was at a retirement party at the Schwartz-Butters building for a Wilson/Card gym staff member. Somehow I ended up in conversation with David Cutcliffe, Duke’s football coach, and he asked me if I knew anything about a gentleman wearing a hat and usually carrying a bag that he would see walking along Academy Road as he would come into work in the morning. It didn’t take much elaboration to know he was talking about Sam Hammond. I spoke with him briefly about Sam and his work in the Chapel and the library. The very next time I encountered Sam, he told me that Coach Cutcliffe had pulled his car over to introduce himself and chat with Sam. I think this was the start of an interesting friendship. After Sam’s heart attack last summer, I managed indirectly to get word to the coach and I know that he immediately got in touch with Sam.
— Steve Hensen (Retired), Rubenstein Library
Sam was always gracious. He shared the carillon with alumni and friends. Whenever I invited someone for a special experience, Sam always enthralled. I will miss him and his gentleness. And the elevator rides to the top of Duke and his world.
— Tom Hadzor, Associate University Librarian for Development
When I started the University Archives in 1972, I wondered who this person I kept seeing around the building wearing a three-quarter-length coat as sort of a working uniform was. Then I noticed the variety of work stations he occupied. I got to know him as the carillonneur through my association with the Friends of the Chapel. I quickly discovered that whatever he was doing it was with thoroughness, integrity, passion, and with wit and a twinkle in his eye. Over the years, decades really, Sam became a trusted friend and confident who shared a love for the university and its history. He was unique. His role and contribution to Duke was unique. Such people have made the university what it is. His presence will be missed and all who knew Sam will miss him greatly.
—William E. King (Retired), University Archivist 1972-2002
Sam was always very kind to me. When I went to his office to review an item, we would have long chats, and he would show me all the wonderful things he was working on. Sam always took the time to say that he appreciated that I was here. That made me feel good. I appreciated his kindness, his sharp wit, and his willingness to help you with any question you had for him. Even after retirement he would make time to stop and chat if we ran into each other in the hallway. I will miss his presence greatly.
— Beth Doyle, Leona B. Carpenter Senior Conservator and Head, Conservation Services Department
I knew Sam primarily as a Rare Books Librarian when I worked in the library as staff member from 1993-2000. There was no one I’d rather give a curious old book to than Sam, just to see what he thought and how it connected to the thousands of others he had taken his glasses off to pore over; you can’t “Google” information like that. We had a special connection, as native Georgians and as musicians, and I learned a great deal about rare books and collegiality from him. PAX, SH, from GB 26 II.
— Gary R. Boye, Erneston Music Library, Appalachian State University
I worked and socialized with Sam Hammond throughout our long careers in the Duke University Libraries. He played the organ at St. Joseph’s Episcopal Church for my marriage with Catherine Blue, a Duke graduate. He was a quintessential gentleman, highly cultured, and someone with whom one could discuss anything with ease, understanding, and mirth. When I had the privilege of hearing the first concert on the great Fisk organ at the new Catholic Cathedral in Raleigh, it was Sam who played the carillon afterwards. Sam was a monarchist, and we had reasons to explore that culture joyfully. He inserted a special piece of music for me on the Duke Carillon after my retirement. He was always the same.
— William Rector Erwin, Jr. (Retired), Manuscript Cataloger and Reference Librarian, Manuscript Department, 1960-1999
I’d just started at Duke in July 2018. I can’t remember when it was exactly but in my first few days but Sam came in and came to my station. He said, “You’re new here!” and I said “Yes sir, I just got here from Davidson College.” He said that he was sure I’d do a good job and that he was glad to have me as part of the Duke community. He didn’t know this but I was a total ball of anxiety. Davidson was a small liberal arts college and I’d come here to work for a behemoth of an institution. That simple act of kindness meant more to me than he knew, but that was just Sam, doing good deeds wherever he went.
— Jeremy Martin, Reserves Coordinator
Sam always had a smile on his face; his laughter was a happy chuckle.
— Catherine Leonardi (Retired), Music Cataloger
When I became a rare book cataloger, Sam Hammond became one of my mentors, always treating me with courtly kindness and giving sound advice. I especially enjoyed opportunities to share our mutual admiration of Queen Elizabeth II. I respected Sam’s firm dignity and appreciated his gentle courtesy toward all our Special Collections colleagues, as well as the library’s patrons and visitors.
—Nixie Miller (Retired), Rubenstein Library
Sam was a steady presence in the library. Walking through Perkins, I’d run into him several times a week. He’d tip his hat, smile and share a hello. Every. Single. Time. For a while, I didn’t know who he was or how he knew me. Was he an alum who loved the library? A professor that I had somehow forgotten I met or knew? Nope – just a gentle man who exuded the warmth of human kindness.
— Shawn J. Miller, Director, Duke Learning Innovation
Before he retired as carillonneur, I often encountered Sam on my after-work walk to my car as he was leaving the Chapel after playing the carillon that day. He would always smile and tip his hat to me. Occasionally, we would stop and chat for a few minutes if either of us had recently heard from a mutual friend who used to be a faculty member in the Divinity School. He will be sorely missed!
—Jim Coble (Retired), Information Technology Services, Duke Libraries
I succeeded Sam as Music Librarian, and I remember walking into his former office in the Biddle Building in early January of 1987, ready to start my new job. The office was left in immaculate order for the next person. I was so grateful for that, and it helped me to feel that I had come to the right place. Over the years until I retired in 2005, I conferred with Sam about a number of things, not the least of which was his invitation to my family and myself to visit him in the upper room of the carillon tower while he held forth at the special console. I’ll always associate Sam with the grand Chapel bells, spreading their wonderful tones and overtones over the university landscape and issuing an invitation to all to pause and listen.
— John Druesedow (Retired), Music Librarian, 1987–2005
I worked with Sam for many years and he was always the most pleasant person that you ever wanted to meet. Always willing to assist you with your needs and I loved to hear him laugh. My deepest condolences to his family.
— Beverly Mills (Retired), Perkins Library Serials Department
I had the pleasure of meeting Sam in the early days of my employment in the library (mid-1970s) and I have nothing but fond memories of him. Sam ALWAYS exhibited a pleasant disposition, cheerful attitude, and respectful demeanor to me, from day one until the last time I saw him just before I retired almost 3 years ago. I’ll always remember seeing him walking to campus from his home each morning, and upon arriving to campus, stopping to salute the James B. Duke statue in the middle of the quad in front of the Chapel before continuing his journey into the library. At precisely 5:00 p.m. each day, Sam would play the bells from the top of the Chapel, and I looked forward to listening to the tunes he played each day when I left work to return to my car to head home, sometimes humming along to the tunes I was familiar with. Years ago, Sam even gave myself and some other library employees a personal tour of the top of the Chapel where the bells are located and demonstrated to us how he played them. Finally, I will always remember Sam’s hearty and joyous laughter and his gentlemanly demeanor. I’m very honored to have known him and will always treasure these memories of him.
—Iris Turrentine (Retired), Library Human Resources
In 2000, when I moved from the Bingham Center to a generalist position in what is now the Rubenstein Library, Sam allowed me to sit in on his many library instruction classes so that I could become more familiar with our early manuscript and rare print collections. His deep knowledge of the history of religion and printing, along with his ability to communicate clearly made him extremely effective with undergraduate and graduate classes. Even more marvelous was his rapport with the many elementary, middle school and high school students who came to see our treasures on display in the Biddle Rare Book Room. Always dignified, but with an impish twinkle in his eye, Sam kept every one of those young people absolutely rapt as he explained how papyrus was made or how one might correct an error written on vellum. He addressed them with calm respect and they responded by listening intently, asking excellent questions, and behaving with impeccable manners. It strikes me now that Sam was the Mr. Rogers of the Rubenstein Library. He brought kindness and empathy to every encounter.
— Elizabeth Dunn, Research Services Librarian, Rubenstein Library
When I was in grad school in 1987, studying histories of Judaism and Christianity and art, I had a brief job working chiefly with Samuel Hammond. We selected, described, and presented Jewish art publications, including but not limited to Passover Haggadah books from “The Abram & Frances Pascher Kanof Collection of Jewish Art, Archaeology, and Symbolism” donations. It was a pleasure working with Sam, and if I may say so, the display was rather fine. In later years, it was always good to see him on campus and to hear his music.
— Stephen Goranson, Stacks Maintenance Assistant
Before my retirement, I worked with Sam for several years in what is now the Rubenstein Library.
One day I was walking with Sam on the sidewalk toward the West Campus Union Building. About every third person we encountered knew Sam and they spoke warmly to each other. I did not recognize any of them. I realized then that he knew a broad swath of people outside the library.
Sam did not like what became the norm when we began to hold retirement receptions and other events in the Rare Book Room where food and drink were served. He absolutely would not attend any of these events, for he was concerned that damage would be done to the rare books. One of the reasons Linda McCurdy (whom Sam called Dr. Linda) and I had our joint retirement reception in Perkins Library rather than in the Rare Book Room was so Sam could attend. And he did. I have photographs!
One day Sam and I spoke about how much we admired former President Jimmy Carter. I learned that Sam grew up in Americus, Georgia, not far from Plains. Further, he said his mother used to cut Jimmy Carter’s hair! She knew the Carter family well and had eaten dinner in their home. Imagine my surprise at that.
Sam was a true original and unique individual. And modest to a fault.
When my mother died in 2002, Sam sent me a handwritten sympathy note. In it, he included the following anonymous poem that he said was read at the Queen Mother’s funeral. After Sam’s passing, I reread it and thought about Sam.
You can shed tears that she is gone or you can smile because she has lived
You can close your eyes and pray that she’ll come back or you can open your eyes and see all she’s left
Your heart can be empty because you can’t see her or you can be full of the love you shared
You can turn your back on tomorrow and live yesterday or you can be happy for tomorrow because of yesterday
You can remember her and only that she’s gone or you can cherish her memory and let it live on
You can cry and close your mind be empty and turn your back or you can do what she’d want: smile, open your eyes, love and go on
— Janie Morris (Retired), Rubenstein Library
I’m at a loss for words! Sam and I kept in touch even in his/my retirement! He brought peanuts from Georgia to me and Peach Pie. In return, she prepared chicken salad and deviled eggs for him (and Marie). We picked fresh strawberries for him, too! He will be missed. Of course Sam enjoyed Peach Pie’s infamous banana pudding! I enjoyed my many talks/walks with Sam. He gave me a personal tour of the “bells” as he did my granddaughter, Makenzie. She sat beside him while he played. Afterwards he took her to the roof of the chapel. Sheer excitement!
— Nelda Webb (Retired), Administrative Assistant to the Director, Rubenstein Library
I retired from the library 11 years ago but have fond memories of Sam. I can still hear his voice from his always friendly greetings. There was a time when my children were young and came to work with me. Sam didn’t usually take requests for “songs” but was pleasantly surprised when we left the office that afternoon and my daughter’s request was being played on the bells. Can’t recall what the song was, but felt very fortunate to have our request granted.
— Rose Bornes (Retired), Accounting Office, Duke Libraries
I remember Sam as a kindly, gracious gentleman — emphasis on gentleman — with a fine ability to appreciate and laugh at the absurdities of life. He was an extremely talented musician whose daily playing of the carillon brought a certain stability and peace to the campus. It was a blessing to have had him as a colleague in Perkins Library.
— Joline R. Perkins (Retired), Reference Department, Perkins Library
I so much enjoyed seeing Sam during the day. Always the wave and that nod, usually a chuckle—even if we just said “Hello” to each other. Gentle and generous. The evening after Dean Smith died, I choked up when I heard him play UNC’s fight song on the carillon. That wasn’t the only time his choice of music made me tear up.
I treasure my memory of going up into the tower of Duke Chapel to watch him play. Feet and fists striking keys, and Sam transported, it was a treat. Thank you, Sam.
When I first started at Duke in Special Collections, I worked down the hall from Sam. Princess Diana had recently died, and Sam wore a black arm band for a month in honor of her. He did the same thing when the Queen Mother died. His portrait of a young Queen Elizabeth in his office brought a regal air to a regal man.
Sam was always saying dry comments as quiet asides in staff meetings, and making anyone laugh who could hear them. His eyes really twinkled, and his gentle laughter always brought us to a feeling of good humor no matter the topic.
I served many Saturday reference shifts with Sam. No matter the question, Sam was able to help the researcher in their work by highlighting new resources or redirecting their attention to a newly cataloged book (often still in his office, that he would bring down for them to review). In the seven dark and winding floors of the stacks at that time, I was always relieved to see Sam as my partner, for I knew that whatever was requested Sam would be able to find it, walking slowly and with purpose.
When Sam did instruction for visiting school students about the rare book collection, he would provide a follow up instruction session for interested staff members. He would go over some of the most interesting treasures, small and large, valuable and invaluable because of his interest. You always learned something new from Sam, no matter how long you’d been at the library.
Sam was so kind, and asked about your family, and how you were doing. He lived his faith, and led with love in his interactions with us in the library and the university community, writ large. One year I told him it was my Dad’s birthday and that he had been in the Navy, and that evening in the selection for the chimes he included the Navy Hymn – a subdued nod to our conversation and my dad. These unexpected and frequent kindnesses of Sam’s that stay with me, and underlie the deep feeling of grief and loss for his quiet compassion, tender wit, and patience.
—Lynn Eaton, Director, Special Collections Research Center, George Mason University
I met Sam when he was the head of the Music Library. I worked in Collection Development with Florence Blakely and was included in her meetings with Sam to discuss issues relating to acquisitions made possible via a Duke Endowment grant money and other issues relating to the Music Library. Florence had a high respect for Sam’s decisions. It was delightful to converse with Sam. The meetings continued when he became Rare Book Librarian. The topic most discussed related to acquisitions of often expensive titles or collections.
It was always delightful to converse with Sam. I always enjoyed his playing the carillon every afternoon. Sam will be missed by many people.
— Ginny Gilbert (Retired), Perkins Library
I retired in 2013 from interlibrary loan. Before that I had been in photo services for some number of years as head of that department. I had worked with Sam the entire time I was at the library. For me that was 33 years. Sam was a great friend to me. He was always coming in and telling me how things were going and telling me how good I looked, when I knew he was lying. We had an agreement. Each year near graduation he would take my senior students up into the tower to chime the hour. This was a special thing for my students because when hired, they stayed with me all four years and it was something that Sam and I could give them no one else could. I really appreciated Sam doing that as a special gift for my student workers. Not only to my students, but one time he also took me up in the tower to chime the hour. I will never forget how nervous I was and how calm he was. On many occasions Sam would come through the office and ask what I wished to hear played that day. A great friend, a devoted employee, a wonderful man—not enough words to describe Sam Hammond.
Sam Hammond was a beloved colleague and a Duke University institution. Although he retired from librarianship some years ago, he continued to come to campus each day to study in his carrel and play the carillon. I can’t count the number of times I passed Sam in the library or on the quad, with him offering a tip of his hat and a pithy bon mot. The five o’clock carillon is such a part of the fabric at Duke that many people don’t realize that there is a person high in the tower. Over the years, Sam gave the University Archives the logs of what songs were played each day, as well as other information he gathered about the Carillon. My colleagues and I in University Archives treasure these materials, which document each day at Duke going back decades. They have already been used by students in research.
Sam was unfailingly generous, and graciously welcomed guests to the Chapel tower to see the carillon itself. A couple of years ago, a group of students researched the laborers who built West Campus. Sam escorted the students and some University Archives staff up to the tower, so the students could see the details of the building close up. We looked out over Duke, and Durham beyond, seeing the stunning beauty–and terrifying height–that the workers who built the tower must have seen. He showed us his Carillon room, with its keyboard and its practice keyboard. A framed photograph of a young Queen Elizabeth was among the decor. At 5 o’clock, Sam began playing the carillon, and we stood beneath the 49 bells listening to him play. It gave us a rare opportunity to appreciate the beauty that surrounded us, and the majesty of the music that rang out from the tower.
I will miss Sam, his humor, his knowledge, his music, his friendship. Long may the carillon ring, reminding us each day of the many ways Sam enriched our lives.
The Duke University Libraries are proud to present the 2021 Andrew T. Nadell Prize for Book Collecting. The contest is open to all students enrolled in an undergraduate or graduate/professional degree program at Duke, and the winners will receive cash prizes.
You don’t have to be a “book collector” to enter the contest. Past collections have varied in interest areas and included a number of different types of materials. Collections are judged on adherence to a clearly defined unifying theme, not rarity or monetary value.
Visit our websitefor more information and read winning entries from past years. Contact Kurt Cumiskey at firstname.lastname@example.org with any questions.
Surrounded by stories surreal and sublime, I fell in love in the library once upon a time. — Jimmy Buffett, “Love in the Library”
Maybe it’s the intimacy of hushed voices, the privacy of so many nooks and crannies, or the feeling of mysterious possibility that comes from being surrounded by so many books and stories. Let’s face it—there’s something romantic about libraries.
That’s why this Valentine’s Day has hit us right in the feels. Normally, in pre-pandemic times, we would be encouraging you right now to go on a “Mystery Date with a Book,” wrapping up dozens of our favorite titles in pink and red paper with come-hither teasers designed to lure you in.
Alas, our innocent fun is another casualty of COVID. But we’re still hoping we can spice up your reading life. We revisited our mystery picks from years gone by and pulled together some of our all-time favorite literary crushes, personally recommended by our staff. All titles are available to check out through our Library Takeout Service.
So go ahead, treat your pretty little self to something different. Who knows? You might just fall in love with a new favorite writer!
Selected by Arianne Hartsell-Gundy, Head, Humanities Section and Librarian for Literature and Theater Studies:
J. L. Carr, A Month in the Country: “A gem of a book: a quaint English village, a WWI vet, and a shimmering summer of youth.”
Selected by Elena Feinstein, Head, Natural Sciences and Engineering Section and Librarian for Biological Sciences:
Monique Truong, The Book of Salt: “Flavors, seas, sweat, tears – weaves historical figures into a witty, original tale spanning 1930s Paris and French-colonized Vietnam.”
Audrey Niffenegger, The Time Traveler’s Wife: “According to the author, the themes of the novel are ‘mutants, love, death, amputation, sex, and time.’ Many readers would include loss, romance, and free will.”
Selected by Jodi Psoter, Librarian for Chemistry and Statistical Science:
When Valentine’s Day approaches many of us conjure images of chocolate and flowers. However 2021 has been anything but a conventional year. As Duke Libraries’ Librarian for Film, Video & Digital Media I would like to highlight three movies that reveal an unconventional side of love.
Rizvan Khan is an Indian Muslim man with Asperger’s Syndrome who falls in love with a Hindu woman in the United States, post-9/11. This feature film depicts the resentment that ordinary, law-abiding Muslims felt about their treatment by fellow Americans and delivers a strong message that Hindus and Muslims should work together against the common enemies of extremism and intolerance. With a running time of 245 minutes, settle in for a long night of viewing pleasure. (Lilly DVD 17475 and streaming online for Duke users)
At age 23, Simi Linton was injured while hitchhiking to Washington, D.C. to protest the war in Vietnam. As a young college student, newly disabled, she confronted unimaginable discrimination. Years before the Americans with Disabilities Act was conceived, Linton emerges in Invitation to Dance as a resourceful activist, and in time realizes that love, sexuality, and dance can once again become a part of her life. (Lilly DVD 27418 and streaming online for Duke users)
Directed by Jenni Gold, the first female wheelchair-using member of the Directors Guild of America, CinemAbility explores how disability has been portrayed on screen in Hollywood over the past 120 years. Nearly all characters in film and television have been played by abled actors, leaving our collective perception of disability skewed. Gold interviews abled and disabled people from in front of and behind the camera to dissect and examine the history of representation. (Lilly DVD 32937 and streaming online for Duke users) Code of the Freaks (2020, dir. Salome Chasnoff) is another compelling documentary that focuses on these issues.
(Streaming online for Duke users)
Guest post by Ciara Healy, Librarian for Psychology & Neuroscience, Mathematics, and Physics
Every month, the Diversity, Equity, and Inclusion Council (DivE-In) of the Duke University Libraries recommends five free activities, programs, and educational opportunities that address diversity, equity, and inclusion issues. For more about diversity initiatives at the Duke University Libraries, visit our website.
“John Komlos will explain that mainstream economic theory is replete with implications that feed into structural racism inasmuch as it has the unintended consequence of severely disadvantaging people at the lower end of the socio-economic spectrum, which in the U.S. includes a disproportionate number of Hispanics, Indigenous people, and those whose ancestors were slaves.” Registration required.
“Kim Kotlar will join five female career national security experts for a discussion on their experiences in the Department of Defense, State Department, and the Intelligence Community.” Registration required.
“A panel of experts—Dr. Tracie Keesee, Co-founder and Senior Vice President of Justice Initiatives at the Center for Policing Equity; Timothy Black, Director of Consulting for White Bird Clinic; and Christy E. Lopez, Professor from Practice at Georgetown Law—will discuss alternatives to police responses when it comes to behavioral health crises.” Registration required.
“Join us for a conversation with ASL interpreters Brian Tipton and Kevin Pérez, who will offer a primer on what sign-language interpretation is, what it means for community members who are deaf or hard of hearing, and the challenges and rewards they experience as interpreters. Mr. Tipton and Mr. Pérez are committed to advocating for access and to educating the larger public on the vital role that interpreters play in so many environments, such as legal, educational, medical, and mental health contexts.” Registration required.
A sampling of our Halloween movies is available as a virtual handout. Request DVDs of vintage vampire flicks, modern monster tales and Asian psychological scarers alongside musicals, comedies and silent era classics. Check them out the old-fashioned way, using Library Takeout for an extra- spooky experience.
Seat yourself! This semester, Duke University Libraries has made over 200 individual study spots available for reservation in Lilly, Perkins, Bostock and Rubenstein Libraries so you can still have the library experience you’ve come to know and love.
Want to (virtually) explore? Check out some of the different spaces below. We know you’ll find something you love!
Get your brightest ideas in the brightest spot in the library! Enjoy single tables and plenty of power in The Perk. With all of the library’s office plants keeping you company, it will be like your very own greenhouse. (PERK 001-014)
Are you a wild child at heart? Live it up in the evening and nights with a seat in first floor of Bostock with bright lights and colors and plenty of seating options.
The Edge Booths and Meet-ups
The booths and meet-ups give you a little privacy–not to mention comfy padded seats–as you power through your work. (Booths 101-107, Meet-ups 22 & 123)
The Edge Open Seating
To see and be seen, pick some of the some of the open seating options throughout the floor (Seats 108-121, 131-32, 145-54)
The Edge Rooms
Want the classroom or study room experience with (bonus!) windows as you work? Find your study spot in the Murthy Digital Studio (Murthy/Bostock 121 Seats 125-130), Project Room 7 or 8 (Seats 133-137) or Bostock 127 (Seats 155-172)
The Edge Counter Stools
For the coffee shop experience, check out the counter stools. We provide everything but the latte! (Counter Stool 140-144)
For many of us, the summer of 2020 will look and feel a little different. Vacations have been postponed or canceled, beaches and museums are closed. What would normally feel like a time to relax and take a break might feel more like an additional burden, trying to find ways to fill the days and weeks ahead. Luckily, we’re here to help!
We’ve put together a Summer Bucket List Quaran-zine, a pocket-sized zine to help you get organized and excited in preparation for a summer spent primarily at home. We’ve provided the categories of things you can do throughout the summer to help you get started, but the rest is up to you.
Been meaning to watch the Avengers movies in chronological order? Write it down! Having trouble keeping up with the books your friends keep recommending? Write them down! Always wanted to try your grandmother’s peach pie recipe but never found the time? You know what to do!
The best part of your tiny to-do list: checking off each thing as you go, and maybe making the summer of 2020 one of your best ever.
Instructions: How to Print, Fold, and Make This Zine
You will need a printer. Or, you can hand-copy what you see on the screen on your own sheet of paper and make your own!
In the words of Duke President, Vincent Price, “In recognition of Juneteenth’s message of liberation from oppression, and out of respect for the anger, sadness, exhaustion, and courage of our Black friends and neighbors, this Friday, June 19, will be a day of reflection for the entire Duke community.”
To facilitate this collective action, the Duke University Libraries offers access to streaming videos that reflect the African-American experience. The list here is not exhaustive, but rather provides a window into the many resources available to the Duke community for us to self-enrich and grow as lifelong learners.
bell hooks: Cultural Criticism & Transformation (MEF documentary in Kanopy) bell hooks is one of America’s most accessible public intellectuals. In this two-part video, extensively illustrated with many of the images under analysis, she makes a compelling argument for the transformative power of cultural criticism.
Ethnic Notions (California Newsreel documentary in AVON and FOD)
Directed by Marlon Riggs, this Emmy award-winning documentary analyzes the deep-rooted stereotypes which have shaped the evolution of racial consciousness in America.
Killer of Sheep (feature film in AVON)
Charles Burnett’s Killer of Sheep was one of the first 50 films to be selected for the Library of Congress’ National Film Registry and was chosen by the National Society of Film Critics as one of the 100 Essential Films. The protagonist, employed at the slaughterhouse, is suffering from the emotional side effects of his bloody occupation to such a degree that his entire life unhinges.
Through a Lens Darkly (First Run Features documentary in AVONand FOD)
The first documentary to explore the American family photo album through the eyes of black photographers, Through a Lens Darkly probes the recesses of American history to discover images that have been suppressed, forgotten and lost.
Traffic Stop (HBO documentary in FOD)
This haunting and compelling Academy Award®-nominated, 30-minute, documentary short tells the story of Breaion King, a 26-year-old African-American school teacher from Austin, Texas, who was stopped in 2015 for a routine traffic violation-an encounter that escalated into a dramatic and violent arrest.
Unnatural Causes: Is Inequality Making Us Sick?(PBS documentary in AVON and FOD) This series offers an overview of the ways that racial and economic inequality are not abstract concepts but hospitalize and kill even more people each year than cigarettes. The segment on the impact of racism on African American infant mortality is particularly compelling.
The Loving Story (HBO documentary in Docuseek)
Oscar-shortlist selection THE LOVING STORY, the debut feature by Full Frame Documentary Film Festival founder Nancy Buirski, is the definitive account of Loving v. Virginia-the landmark 1967 Supreme Court decision that legalized interracial marriage.
Compiled by Danette Pachtner Librarian for Film, Video, & Digital Media and Women’s Studies
The staff of the Duke University Libraries are angered and heartbroken by the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, as well as numerous other abuses of power against Black Americans. This racial injustice is rooted in historical and systemic white supremacy, and we recognize that our institution has played a role in that injustice. The longstanding impact of institutional racism must be addressed, and we commit to reckoning with it within our Libraries. Doing so will require engaging with our history, looking at our systems with a critical eye, further diversifying our staff, and re-centering our work to lift up marginalized and underrepresented perspectives. In this decisive moment, we will be intentional in our support for Black, Indigenous, and People of Color, and will join with colleagues at other cultural heritage organizations to create, in the words of the Association of Research Libraries, “an equitable, enduring research information environment.”
In this work, we seek to live up to one of the guiding principles in our strategic plan: “Diversity Strengthens Us.” More than ever, we must prioritize our commitment and live this value in our work. Racial injustice is in the very fabric of our communities and institutions. The critical role of the Duke Libraries in our university’s teaching, learning, and research makes it an essential space to seek understanding, have challenging conversations, and together determine what we can do to be a civic-minded and just society.
We have work to do to address the inequities so starkly revealed by recent tragedies. To expand our cultural competence and combat racism, we will carry on our efforts to:
Dismantle white privilege in our collections and services. We are reaching out to students, community members, faculty partners and colleagues to listen to and learn from their work and experiences. We seek to be transparent about our own history and to make our Libraries more welcoming, inclusive, and accountable. Through assessment we seek feedback from students and faculty.
Diversify our staff, recognizing that different opinions, backgrounds, and experiences will lead to better decisions and invigorate our organization.
Practice more inclusive metadata creation, with the goal of harm reduction from biased and alienating description and classification. In doing so, we have found inspiration in the film Change the Subject, which documents student-led metadata remediation efforts at Dartmouth.
Tell history from the inside out. We seek opportunities to work with communities to tell their own stories and preserve their own histories. We are learning from our work with the SNCC Digital Gateway, CRMvet, and Teaching for Change.
Renew our commitment in the University Archives to documenting, investigating, and sharing our complex institutional history.
The Duke University Libraries will continue to work actively to identify actions we can take to improve. DUL staff are caring and respectful, and we will not place the burden of this work on colleagues of color unless they indicate a willingness to engage. Together we reaffirm our commitment to seek strategies and opportunities to learn about and support diversity, equity, and inclusion and to contribute to a more just and equitable future for Duke, especially for our Black students, staff, and faculty.
Deborah Jakubs Rita DiGiallonardo Holloway University Librarian & Vice Provost for Library Affairs
When They Call You a Terrorist: A Black Lives Matter Memoir by Patrisse Khan-Cullors and asha bandele. From one of the co-founders of the Black Lives Matter movement comes a poetic audiobook memoir and reflection on humanity. Necessary and timely, Patrisse Cullors’ story asks us to remember that protest in the interest of the most vulnerable comes from love. Leaders of the Black Lives Matter movement have been called terrorists, a threat to America. But in truth, they are loving women whose life experiences have led them to seek justice for those victimized by the powerful. In this meaningful, empowering account of survival, strength, and resilience, Patrisse Cullors and asha bandele seek to change the culture that declares innocent black life expendable.
Salvage the Bones by Jesmyn Ward, a two-time National Book Award winner and author of Sing, Unburied, Sing. She delivers a gritty but tender novel about family and poverty in the days leading up to Hurricane Katrina. As the twelve days that make up the novel’s framework yield to their dramatic conclusion, this unforgettable family—motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce—pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry.
Black Enough: Stories of Being Young & Black in America edited by Ibi Zoboi. Edited by National Book Award finalist Ibi Zoboi, and featuring some of the most acclaimed bestselling Black authors writing for teens today—Black Enough is an essential collection of captivating stories about what it’s like to be young and Black in America. Contributors include Justina Ireland, Varian Johnson, Rita Williams-Garcia, Dhonielle Clayton, Kekla Magoon, Leah Henderson, Tochi Onyebuchi, Jason Reynolds, Nic Stone, Liara Tamani, Renée Watson, Tracey Baptiste, Coe Booth, Brandy Colbert, Jay Coles, and Lamar Giles.
Thick And Other Essays by Tressie McMillan Cottom. This “transgressive, provocative, and brilliant” (Roxane Gay) collection cements McMillan Cottom’s position as a public thinker capable of shedding new light on what the “personal essay” can do. She turns her chosen form into a showcase for her critical dexterity, investigating everything from Saturday Night Live, LinkedIn, and BBQ Becky to sexual violence, infant mortality, and Trump rallies. Collected in an indispensable volume that speaks to the everywoman and the erudite alike, these unforgettable essays never fail to be “painfully honest and gloriously affirming” and hold “a mirror to your soul and to that of America” (Dorothy Roberts).
Failing Up: How to Take Risks, Aim Higher, and Never Stop Learning by Leslie Odom, Jr. Leslie Odom. Jr. burst on the scene in 2015, originating the role of Aaron Burr in the Broadway musical phenomenon Hamilton. Since then, he has performed for sold-out audiences, sung for the Obamas at the White House, and won a Tony Award for Best Leading Actor in a Musical. But before he landed the role of a lifetime in one of the biggest musicals of all time, Odom put in years of hard work as a singer and an actor. These stories will inspire you, motivate you, and empower you for the greatness that lies ahead, whether you’re graduating from college, starting a new job, or just looking to live each day to the fullest.
How We Fight for Our Lives: A Memoir by Saeed Jones. Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir. Jones tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.
When Spring Break 2020 (remember all the way back to March?) morphed into a covid19 quarantine, closing our Lilly Library building did not mean we left our library resources “remaining in place”. Digitizing course material, consulting with students and faculty, while expanding online collections and streaming databases are a few ways all of us in the Duke Libraries connect with our users.
Being off campus has us thinking of Lilly Library and missing all of our wonderful assets, headlined by our knowledgeable colleagues. One way to stay connected is with our new series of virtual pop-ups, Lilly Looks.
Lilly Looks is a collage of insider glimpses and highlights of our collections of resources, films, books, and beyond, presented in short video posts. Some may be scholarly while some may definitely go “beyond” with lighthearted and fresh perspectives!
Edited by Ernest Zitser, Ph.D., Librarian for Slavic, Eurasian, and East European Studies, library liaison to the International Comparative Studies Program, and Adjunct Assistant Professor in the Department of Slavic and Eurasian Studies at Duke University.
This is the second in a series of blog posts on global pandemics by the staff of and/or subject specialists directly affiliated with Duke Libraries’ International and Area Studies Department. As is the case with the first installment of the series, the librarians who contributed the following entries seek to offer suggestions for further reading, not a comprehensive bibliography on the topic. For additional resources (visual or textual, analog or digital) on plagues/infectious diseases/moral panics from around the world, please contact the appropriate IAS librarian. And if you have any recommendations of your own, please “reply” to this blog post below.
Unless you are a die-hard fan of the genre, it may be too soon in our experience of COVID-19 to seek out movies featuring infectious diseases that inspire moral panic or plagues that end the world. And even hardcore fans might want to take a break from perennial favorites, such as The Andromeda Strain(dir. Robert Wise, 1971, U.S), 28 Days Later(dir. Danny Boyle, 2002, U.K.), Children of Men(dir. Alfonso Cuarón, 2006, U.S. & U.K.), Contagion (dir. Stephen Soderbergh, 2011, U.S.), or the cult classic (and my personal favorite) 12 Monkeys(dir. Terry Gilliam, 1995, U.S.).
However, as Duke’s Librarian for Film, Video, & Digital Media, it is my job to challenge patrons’ expectations of what/when/who is watchable by exposing them to visual resources that they might otherwise not know about or simply choose to ignore. That is why I have compiled a short list of lesser known, but no-less-provocative foreign films that are all available, with English subtitles, in the Duke Libraries’ film collection. Precisely because of their variety of approaches—from bucolic (Wondrous Boccaccio ) to philosophical (The Seventh Seal) to apocalyptic (The Flu)—these films demonstrate that there are as many cinematic responses to pandemics as there are international movie makers and audiences. And these responses are as unique and culturally-mediated as the cinematic experience itself.
Wondrous Boccaccio (dirs. Paolo and Vittorio Taviani, 2015, Italy) consumer streaming platforms | Lilly DVD 29001 | streaming in the Libraries [access requires Duke netid/password | licensed through 9-30-2020]
Based on Giovanni Boccaccio’s Renaissance classic, The Decameron, this film follows the lives of ten young people who flee plague-ridden Florence in the mid-14th century, at the height of a pandemic that would ultimately kill over 30 million people, alter the European social structure, and influence the ideologies of those who survived. The Taviani brothers use Renaissance painting as a source of inspiration in their film. The cinematography evokes the vibrant colors of artists such as Botticelli in his scenes from The Decameron, as well as those of Masaccio and Giotto, moving from dark blacks in the plague-ridden city to vibrant colors of the countryside. The characters find refuge in an abandoned villa in the Tuscan hills and pass the time by telling each other tales of love, which range from the erotic to the tragic.
Blindness (dir. Fernando Meirelles, 2008, Brazil & Canada) consumer streaming platforms |Ford DVD #4943
Based on the bestselling novel by Nobel-Prize-winning Portuguese author, José Saramago, a city is ravaged by an epidemic of instant white blindness. Filmed on location in Brazil, Canada, and Uruguay—although “the city” is never specifically identified—the story focuses on the behavior of people who are losing their sight and are forced to survive in a sea of whiteness. The film depicts the ugliest side of human nature in a crisis; it offers a devastating portrait of institutional failure and government betrayal. The viewer can recognize chilling parallels with our current COVID-19 crisis, from the opportunism of corrupt governments to the neglect of the health-care system. Blindness is an end-of-civilization fable which is thought-provoking and topical in its indictment of declining social mores.
The Hole (dir. Tsai Ming-liang, 1998, Taiwan)Lilly DVD 366
At the cusp of the 21st century, Taiwan experiences a torrential rain that brings with it a mysterious virus of epic proportions. Symptoms of “Taiwan Fever” include high fever and an acute sensitivity to light. Sections of the city are quarantined with essential services cut off by the government. The film is set in an apartment block in a quarantine zone where residents remain, against quarantine regulations. A plumber comes to fix a leak and instead leaves a gaping hole through which a tenant can see into his neighbor’s apartment below, and they develop a connection. The Hole presents a remarkable blend of aesthetic elements of science fiction, absurdism, and romantic fantasy, with musical sequences to boot. The film does not travel beyond the bounds of the apartment block. It explores the inward-looking aspects of an outbreak—the isolation it causes and how interactions with others become intensified.
The Seventh Seal (dir. Ingmar Bergman, 1957, Sweden)consumer streaming platforms |Lilly DVD 14846
Exhausted and embittered after a decade of battling in the Crusades, a knight returns home to a land ravaged by bubonic plague. He encounters Death on a desolate beach and challenges him to a fateful game of chess. Focusing on issues of man’s relationships with death, life and God, Bergman’s story transcends simple metaphor in this now classic work rich in philosophical allegory that remains especially relevant today.
The Flu (dir. Kim Sung-su, 2013, S. Korea) consumer streaming platforms | Lilly DVD 26447
This South Korean medical disaster film tells the story of panic, despair, and the desperate struggle for survival in a city that has been quarantined after the outbreak of a deadly virus. The virus in this scenario is H5N1 influenza (commonly known as the ‘bird flu’) introduced by illegal immigrants from Hong Kong, arriving in a shipping container. In order to prevent the spread of the virus worldwide, the government issues a national disaster and orders a city-wide lockdown. Citizens stock up on daily necessities, starting riots as mistrust of each other builds. In the meantime, politicians’ quarrels, powerless governments, and unwelcome U.S. involvement force the viewer to consider eventualities that might be even more frightening than a virus attack. Sound familiar?
Aside from scientific articles in medical journals about the most recent outbreaks of new strains of influenza and coronavirus, the issue of pandemics on the Korean peninsula has only recently attracted the attention from the English-speaking scholarly community. That is why most of the publications on the topic are currently in the form of scholarly journal articles, dissertations, and theses, rather than academic monographs.
For example, in 2011, Chaisung Lim, then Assistant Professor at the Institute for Japanese Studies at Korea’s Seoul National University, published an article on “The Pandemic of the Spanish Influenza in Colonial Korea” in the Korea Journal, a quarterly academic publication founded in 1961 with the goal of promoting Korean Studies around the world. By examining the Spanish influenza, which was widespread during 1918-1921, Lim sought “to elucidate the structural aspect of disease and death in colonial Korea” and to “explor[e] its socioeconomic effects.” The author focused on the public health policies adopted by the Government-General of Korea (GGK)—the Japanese colonial ruling organ from 1910 to 1945—and the degree to which these measures contributed to the mortality of the general population. He further probed how GGK’s policies were differentiated by ethnic group (ethnic Koreans and Japanese), as well as how much access each ethnic group had to measures for medical treatment. His research revealed a significant difference in the fatality rates between the two ethnic groups—a conclusion that reminds me of the differential effects of COVID-19 on the health of racial and ethnic minority groups in the US. Interestingly, Lim’s study also posited that the social frustration caused by the pandemic and the ensuing economic hardships served as a source for the so-called March First Independence Movement in 1919, one of the earliest public displays of Korean resistance to Japanese colonial rule.
Another example of English-language research on the same topic comes from somewhere even closer to home. Two years ago, a Duke undergraduate student named Alan Ko asked me, in my capacity as the Korean Studies Librarian, to assist him with his research on the Spanish flu during the colonial period in Korea. He was then in the process of working on an honors thesis in the History Department and was looking for Korean-language primary sources. Among other things, I suggested that he take a look at contemporary Korean newspapers, such as those made available in e-format by several different Korean newspaper archives. He used those sources to examine how Western missionaries in colonial Korea perceived disease among the local populace and how public health efforts correlated with certain preconceived cultural and social factors. Needless to say, it was very gratifying to learn that Alan not only went to graduate with honors, but that his honors thesis, “Pathogens from the Pulpit: Missionary Perceptions of Disease in Colonial Korea (1910-1940),” was deposited in DukeSpace—Duke Libraries’ online repository—thereby making the results of his research freely-available to other scholars. It was also nice to see that the author publicly acknowledged the support that he received from Duke’s librarians, who not only helped him to locate “appropriate Korean language sources,” but also cheered him on with tea and pistachios, while he edited his thesis, during “work-study shifts” at Perkins library.
Plagues/infectious diseases/moral panics have also been a feature in Korean popular culture, appearing in several famous films, dramas, and novels. One of the most recent films on the topic (The Flu) has already been mentioned above, in Danette Pachtner’s post on pandemics in international cinema. Here, I would like to draw attention to another movie: “The Host,” a feature film directed by Bong Joon-ho—the Academy Award-winning director of The Parasite (2019). Both The Host (2006) and The Flu (2013) were inspired by the SARS (Severe Acute Respiratory Syndrome) epidemic of 2002-2004, which was caused by a different, but related strain of coronavirus than COVID-19. Both films describe virus-related epidemic/pandemic situations and deal with the interplay between political and environmental issues. But only The Host has an American villain who is even more evil than the virus-spewing monster that he inadvertently unleashes upon the world.
The plot of The Host begins in a laboratory on an American military base in South Korea. An American scientist working with dangerous chemicals orders his Korean colleague to dump them into the Han River, saying “who cares” and “it can’t really hurt anyone.” Of course, turns out it can. The movie goes on to trace the havoc wreaked on Korea by a river-dwelling mutant created by the illegal dumping of chemical waste, as that monster begins to spread a deadly new virus, which can be transmitted (SARS-like) to humans through animals.
Despite its fantastic premise, this mash-up of medical disaster and monster movies actually has a basis in reality. In fact, the film was inspired by an incident from 2000 in which a Korean mortician working for the U.S. military in Seoul was ordered to dump a large amount of formaldehyde down the drain. And, unfortunately, scenes from the movie have become an all-too-real part of our daily routine in the age of COVID-19. In an eerie foreshadowing of the paranoia and anti-Asian racism that has attended the outbreak of the latest coronavirus pandemic, the movie depicts a world in which people who wear facemasks are so afraid of viral transmission that they come to suspect one another of deliberately, if not maliciously, hiding symptoms of the disease. The movie also highlights, if only by negative example, the critical role that the government can play during a national health crisis, portraying the South Korean government as bureaucratic, inept, and essentially uncaring. Surely, there is no country in the world today where the government can be described in such unflattering terms. Now that is pure fantasy!
These Ghosts are Family by Maisy Card was an Entertainment Weekly, Millions, and LitHub Most-Anticipated Book of 2020 pick. This is the story of how a Jamaican family forms and fractures over generations. Stanford Solomon has a shocking, thirty-year-old secret. And it’s about to change the lives of everyone around him. Stanford Solomon is actually Abel Paisley, a man who faked his own death and stole the identity of his best friend. This novel explores the ways each character wrestles with their ghosts and struggles to forge independent identities outside of the family and their trauma. The result is an engrossing portrait of a family and individuals caught in the sweep of history, slavery, migration, and the more personal dramas of infidelity, lost love, and regret.
Whisteblower: My Journey to Silicon Valley and Fight for Justice at Uber by Susan Fowler. Susan Fowler was just twenty-five years old when her blog post describing the sexual harassment and retaliation she’d experienced at Uber riveted the nation. Her post would eventually lead to the ousting of Uber’s powerful CEO, but its ripples extended far beyond that, as her courageous choice to attach her name to the post inspired other women to speak publicly about their experiences. In the year that followed, an unprecedented number of women came forward, and Fowler was recognized by Time as one of the “Silence Breakers” who ignited the #MeToo movement. Now, she tells her full story for the first time: a story of extraordinary determination and resilience that reveals what it takes—and what it means—to be a whistleblower.
The Authenticity Project by Clare Pooley. Julian Jessop, an eccentric, lonely artist and septuagenarian believes that most people aren’t really honest with each other. But what if they were? And so he writes—in a plain, green journal—the truth about his own life and leaves it in his local café. It’s run by the incredibly tidy and efficient Monica, who furtively adds her own entry and leaves the book in the wine bar across the street. Before long, the others who find the green notebook add the truths about their own deepest selves—and soon find each other In Real Life at Monica’s Café. It’s a story about being brave and putting your real self forward—and finding out that it’s not as scary as it seems. In fact, it looks a lot like happiness.
Red at the Bone by Jacqueline Woodson. Moving forward and backward in time, Jacqueline Woodson’s taut and powerful new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of these families, and in the life of the new child. As the book opens in 2001, it is the evening of sixteen-year-old Melody’s coming of age ceremony in her grandparents’ Brooklyn brownstone. Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody’s mother, for her own ceremony— a celebration that ultimately never took place.
Captain Marvel: Higher, Further, Faster, More by Kelly Sue DeConnick. Did you know you can read comics and graphic novels through Overdrive? We have a small but growing collection of these titles. Please note that some versions of the Kindle may not support reading graphic novels and comics. This volume collects Captain Marvel (2014) #1-6. One of Marvel’s most beloved Avengers launches into her own ongoing series! Carol Danvers has played many roles in her life; hero, pilot, Avenger, and now, deep-space adventurer! Join Captain Marvel as she attempts to return an alien girl to her home world, and defend the rights of aliens revolting against the Galactic Alliance. Guest-starring Guardians of the Galaxy!
Lilly Library is at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community, during what used to be a normal semester, Lilly Library remains open for 129 hours each week AND hosts lots of outreach events in support of the First-Year Experience!
If you’ve been in Lilly Library over the past four years, chances are you’ve seen our seniors: Noelle, Sarah, Esha, Toni, and Jessica. Noelle is one of our seniors who worked at Lilly Library since her first year at Duke.
Our student assistants are an essential element in supporting their fellow “dukies”; their presence underscores how welcoming and inclusive our libraries are to new students. Noelle’s creativity and enthusiasm in her role of support for student outreach is appreciated. She welcomed students and created promotional materials for events such as First-Year Orientations, Blue Devil Days, was a member of the Libraries’ Student Advisory boards, and even shelved lots of journals (not quite as exciting, but still appreciated).
Commencement 2020 may be virtual, but our regard for our student assistants is very real and enduring.
Take this opportunity to acquaint yourselves with Noelle, one of our treasured Lilly Library Class of 2020.
Hometown: Baltimore, MD
Family/siblings/pets: 1 younger brother, 1 dog!
Academic major: Neuroscience and Computer Science
Activities on campus: Devils En Pointe, Momentum Dance Company, Duke Swing Dance, Career Ambassador, Undergraduate Library Board, and Working at Lilly!
Favorite on-campus activity, besides working at Lilly: Dance!
Favorite off-campus activity: Sleeping in – haha
Favorite campus eatery: Div Cafe
Favorite off-campus eatery: Mad Hatter’s
Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why? A: The Thomas Reading Room because I could easily fall asleep in those nice plushy chairs.
Q: Why have you worked at Lilly Library ever since your first year? A: I love coming in and seeing everyone who works there! And I love to make buttons of course.
Q: What is the craziest thing you’ve ever done in Lilly? A: I haven’t actually done this but it would be kind of fun to see if you could fit into the dumbwaiter. Wouldn’t suggest it though!
Q: What are your plans for after graduation? A: After graduation, I’ll be moving to Charlotte!
Q: What is your spirit animal? A: The narwhal!
Graduation in May means Lilly Library will say farewell to Noelle and our other seniors, treasured members of our Lilly “family”. We appreciate her stellar work and dedication to Lilly and wish her all the best!
Mozart once said, “Art lies in expressing everything, the sad as well as the gay, the horrible as well as the enchanting, in forms which remain beautiful.”
We love quotations like that—wise, witty, pithy, and stylish all at once. We love collecting great quotes, and as a library you could say we collect a great many of them. On our digital reference shelves, you can find hundreds of anthologies of quotations, aphorisms, proverbs, epigrams, bon mots, folk sayings, and old saws.
Quotations come in handy, whether you’re writing a paper, working on a presentation, struggling to craft a clever wedding toast—or a dignified obituary—or even just looking for inspiration.
Great quotations have the power to impose perspective and definition on lived experience—or, as the nineteenth-century novelist Samuel Butler put it even better, to “enclose a wilderness of idea within a wall of words.”
There are times when we stumble on a quotation that comes surprisingly close to home, like this verse from Gilbert and Sullivan’s comic opera The Mikado: “Though the night may come too soon, we have years and years of afternoon.”
It certainly feels that way to many of us right now, with so many monotonous days and weeks trapped at home, and goodness knows how many more stretching out ahead. But there’s something gratifying and almost consoling to see someone else put it so cleverly.
So this week, while our Duke students are busily working on final papers and filling them with illustrative quotations of their own (properly cited, we have no doubt), it seemed like a good time to offer some quotable words of our own.
We’ve put together a little zine anthology of quotations we’ve been thinking about during this difficult time. The title says it all: Print, Fold, Ponder: A Wee Zine of Wise Words We Need Now.It’s a little collection of quotes about optimism, hope, leisure—words that inspire us to look on the bright side of what we’re going through—but also about the seriousness of the situation we’re in. It’s like Mozart said—a little bit of the sad as well as the gay, the horrible as well as the enchanting.
Keep it for yourself, give it to a neighbor, or leave it for a delivery person as a little token to let them know someone’s thinking of them. Just as we’re thinking of you and looking forward to seeing you back in the library one day. You can quote us on that.
Instructions: How to Print, Fold, and Make This Zine
You will need a printer. Or, you can hand-copy what you see on the screen on your own sheet of paper and make your own!
If you’re interested in the book he mentions in the video (Watcha Mean, What’s a Zine?: The Art of Making Zines and Minicomics), we have a digital version you can check out through HathiTrust (Duke NetID required). Enjoy!
Lilly Library is at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community, during what used to be a normal semester, Lilly remains open for 129 hours each week, and 24/7 during reading period and final exams each semester.
Our student assistants are an essential element in maintaining a high level of service, and we want to introduce you to one of our Lilly alumni, Toni – a December 2019 graduate who worked in Lilly Library throughout her Duke career.
If you’ve been in Lilly Library over the past four years, chances are you’ve seen all of this year’s seniors: Toni, Jessica, Sarah, Esha, and Noelle. Toni is one of our seniors who worked at Lilly Library since she arrived as wide-eyed First-Year student on East Campus way back in August of 2016. Toni graduated last December, but is an honorary member of this year’s Lilly class.
Take this opportunity to acquaint yourselves with Toni, one of our treasured Lilly seniors of this past academic year, albeit, technically, a treasured alumna of the Lilly Library Class of 2019!
Senior Toniya aka “Toni”
Hometown: I moved a lot growing up because my dad is in the Army, but we currently live in Washington D.C.
My mom, my dad, my three siblings, and a very sassy chihuahua
Academic major: Psychology
Activities on campus: The Center for Race Relations, researcher in the Duke Hospital Psychiatric Department, Camp Kesem Counselor, Residential Assistant
Favorite on-campus activity (besides working at Lilly): Hanging out with my friends late at night in the Bryan Center
Favorite off-campus activity: Volunteering for the organization “A Helping Hand” (check them out online!)
Favorite campus eatery: Il Forno
Favorite off-campus eatery: Dames Chicken and Waffles
Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why? A: Probably the Lilly staff lounge! It’s so cozy down there and we might find yummy leftovers. Q: What’s the strangest/most interesting book or movie you’ve come across in Lilly? A: There was a book called The Aesthetics of Ugliness that I remember seeing my first year. Q: What is your favorite part about working at Lilly? Least favorite? A: My favorite part is definitely the people there. The staff and patrons have all been such warm, genuinely caring, fascinating individuals. This has led to many amazing spontaneous conversations! My least favorite part about working at Lilly is probably finding shift coverage during a shift at a busy hour (evenings on a weekday, late night on a weekend, etc.) Q: Why have you worked at Lilly Library ever since your first year? A: The staff has been so kind to me and coming back every year has been the only consistent part my Duke experience year after year. Going into a space where people know your name and have seen you mature has been so comforting. In addition, Yunyi is probably the best supervisor and mentor ever! Q: What is one memory from Lilly that you will never forget? A: One time a student came in at 2 am on the day of spring LDOC. His eyes were very red and he seemed dazed (I won’t speculate as to why) and he walked up to the desk and stared at me for a solid two minutes while I repeated “Can I help you? Sir? Do you need assistance finding materials?…. Sir?”. FINALLY, he asked me “Do you have any books about…. Physics?” I told him we had physics textbooks and asked if he wanted a book to read for class or as leisure reading. His response was “it’s for fun…. Thank you” then he promptly walked out the door before I could respond. Q: What is the craziest thing you’ve ever done in Lilly? A: One time during a reading period over-night shift, I texted this guy I liked at the time to come and keep me company behind the desk for a bit (DEFINITELY against the rules, but the things we do for love. Am I right?). He came over to Lilly at about 1:30 am and he stayed and talked to me until I forced him to go to bed around 7:45am (so basically the whole shift). It was very sweet, wholesome, but also super risky given one of the librarians could have came in early and saw him! Q: What was closing Lilly late at night like? Eerily empty, people reluctant to leave, unexpected people? A: I won’t change my answer now to my least favorite part of working at Lilly, but clearing people out at 4 a.m. was the WORST. People get so testy when you ask them to leave or remind them of closing soon. I’m always so grateful Lonny (the night shift guard, I heart you Lonny!) is usually willing to round up stragglers. Also, one of my most niche fears was that someone secretly lives in the basement of Lilly and they were going to pop up somewhere unexpectedly in the dark, eerie, basement at 4 am and attack me. I think if someone (or thing) lives down there, they’re too scared of Lonny to show their face. Q: How will your time at Lilly help you in your future pursuits? A: I created an online library catalog system at a non-profit I interned at a couple summers ago which kind of kick started me using the skills I’ve picked up here in all of my other jobs. I’ve learned how to talk to literally anyone and learn how to operate computer systems and data systems swiftly which will help me in whatever else I find myself doing later on in life! Q: What will you miss most about Lilly when you graduate? A: Definitely the staff and the way feeling of security I felt working there. I had been performing the same tasks for four years and it’s nice to be able to zone out doing something familiar. Q: What are your plans for after graduation? A: I will be completing a pre-medical post baccalaureate program at Bryn Mawr College in the fall before applying to medical school next year! Q: What is your spirit animal? … well, you don’t expect all the questions to be about Lilly, did you? A: A panda because I’m usually very mellow and unassuming. But I could actually bite your head off if I wanted to.
Graduation in December meant Lilly Library had to say farewell to Toni as an employee, but we treasure her as a member of our Lilly forever “family”. We appreciate her stellar work and dedication to Lilly and wish her all the best!
Just in time for LDOC (that’s Last Day of Class for you non-students), Lilly’s Animated April has drawn to a close. The final match between The Lion King and Mulan was fiercely fought. Bracketologist Nathaniel takes you inside the battle , with his final wrap up of this year’s contest. You can watch his commentary on Lilly’s Facebook page.
Ladies and gentlemen, we have a winner!!! It was a close and grueling affair. At one point during the contest, just three votes separated the two combatants.
However, pulling it out at the very end with a 169 – 162 victory is…THE LION KING! Drawing strength, determination, and grit from Mufasa and his other ancestors, Simba “remembered who he was” and defeated the mighty warrior and worthy adversary, Mulan.
We thank you for your participation in this event. We understand the unique and tough times we are experiencing currently as humankind with the COVID crisis. We hope we have provided a bit of levity and fun in an uncertain and scary time. Thanks to you, during this final round we received the most votes we have ever received in the 3 years of these themed brackets . Thank you so much for your participation!
Thanks, too, for your suggestions for future brackets.
Docuseek, a streaming video platform of high quality documentary films, is showing its support for continuing education during the COVID-19 crisis by offering 12 films for free online streaming starting today through May 1. The theme of all 12 titles is sustainability centered around the 50th Anniversary of Earth Day and includes new films as well as popular classics.
The first documentary film to be screened is How to Let Go of the World and Love All the Things Climate Can’t Change by Josh Fox. Traveling to 12 countries on 6 continents, the film acknowledges that it may be too late to stop some of the worst consequences and asks, what is it that climate change can’t destroy? What is so deep within us that no calamity can take it away?
Don’t worry if you miss a date, you will be able to access films released on previous days until May 1st. For more online viewing, check out the Duke Libraries’ streaming video* offerings of subscription and licensed films.
*Note: access to these titles are limited to current Duke students, staff and faculty.
So much for our Pixar versus Disney match-up; Disney stands alone in the championship round with a match-up between The Lion King and Mulan. Lilly’s resident Bracketologist Nathaniel recaps the penultimate round and looks at the championship match below.
Welcome back! Watch my recap on Lilly Library’s Facebook page.
Who will go on to the Perfect Pair? In the battle of the Number One seeds, The Lion King “stampeded” Toy Story in a rout! And on the other side of the bracket, Finding Nemo has “gone fishing” after Mulan sent it packing! To quote an esteemed colleague, “So much for Pixar, Disney took them all out!”
This sets up an all Disney final. Two grizzled veterans are squaring off for the championship, proving that oldies can indeed be goodies! In one corner, we have the 1998 film, Mulan. Mulan used the “fire dragon out of water” to bury every “Hun” adversary that has come along. She toppled Wall-E, Frozen, and Finding Nemo – all seeds higher than her own. Can she “stay true to her heart” and “bring honor to us all” by defeating one more adversary in the Lion King? Will her “reflection” finally show the champion she is inside?
In the other corner, we have the 1994 film, The Lion King. Simba mauled his way through the competition. He thrashed all his opponents comfortably along the way, defeating Monsters, Inc., The Incredibles, and Toy Story. Has Simba “waited long enough to be king?” Can he complete the “circle of life” to bring home the championship?
The brackets are now open until 4/21/20 at 8PM!
Please cast your vote to crown this year’s champion!
Enchanted no more?
It’s down to the Favorite Four!
The voting for the Enchanted Eight in Round Two is over, and the Favorite Four remain. Lilly’s resident (or shall we say currently remote) analyst Nathaniel offers his take on the results of the latest Disney versus Pixar match.
Welcome back, ladies and gentlemen! Round Three results of the Enchanted Eight are in…
Representing the FIRE region, the Lion King slashed the Incredibles! In the ICE bracket, Mulan thawed the number one seed Frozen in a rout! In the EARTH region, Toy Story made its way back to the winner’s circle by defeating Beauty and the Beast. And representing the UNDER THE SEA bracket, Finding Nemo “UP”ends Up!
The Fave Four match-ups are set! Who will continue their path to the championship? We have two number one seeds squaring off for a place at the championship table:
Representing FIRE, we have The Lion King and representing EARTH, we have Toy Story. Can Simba continue to wear his “big cub pants” and rip the championship hopes of Woody and company to shreds, proving that he is indeed king of the jungle, FIRE, and EARTH? Or will Woody put fear in the heart of young Simba with a “snake” and his “boot” and send the cub back to the desert of outcasts scouring for grub?
On the other side of the bracket, we have no number one seeds remaining. What we do have are two scrappy films that have demonstrated dominance in their own way. With a number three seed representing the ICE region, we have Mulan. And with a number two seed representing UNDER THE SEA, we have Finding Nemo. Already taking down a number two seed (WALL-E) and a number one seed (Frozen), can Shang “make a man” out of Mulan as she dons the old armor to not only snatch the helpless fish, but also snatch the championship wishes and title dreams? Or will Nemo prove he is not just “the little clownfish from the reef,” and that these are not just “fishing grounds,” but that he can be a “shark” in his own right? Will Dory take Mulan “down” under to 42 Wallaby Way?
Stay tuned to see who goes on to be the Perfect Pair!
Lilly Library is at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community (during what used to be a “normal” semester), Lilly Library remains open for 129 hours each week! Our student assistants are an essential element in maintaining a high level of service, and we want to introduce you to one of our “Class of 2020” – seniors who have worked in Lilly Library throughout their Duke careers. Get to know our seniors in these profiles, and you’ll appreciate them as much we do.
If you’ve been in Lilly Library over the past four years, chances are you’ve seen our seniors: Esha, Jessica, Sarah, Toni, and Noelle. Esha is one of our seniors who worked at Lilly Library since she arrived as wide-eyed First-Year student on East Campus way back in August of 2016.
Commencement 2020 may be virtual, but our regard for our student assistants is very real and enduring. Take this opportunity to acquaint yourselves with Esha, one of our treasured Lilly Library Class of 2020.
Hometown: Charlotte, NC
Family/siblings/pets: 1 older brother, no pets
Academic major: Economics and Political Science
Activities on campus: RA (N1 and Craven), Resident
Favorite on-campus activity, besides working at Lilly: Being an RA!
Favorite off-campus activity: Getting ice cream at the Parlour
Favorite campus eatery: Sazon
Favorite off-campus eatery: Bali Hai
Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why? A: Green couches in Perkins first floor because they are so comfy!
Q: What’s the strangest/most interesting book or movie you’ve come across in Lilly? A: There were so many but a single one doesn’t come to mind right now!
Q: What is your favorite part about working at Lilly? Least favorite? A: Favorite part is working with the librarians because they are so nice/helpful, and fun to have random conversations with. Least favorite is when I have to check in/out 20+ books on my own.
Q: Why have you worked at Lilly Library ever since your first year? A: I love working at Lilly because everyone is so friendly! They make you want to keep coming back.
Q: What is one memory from Lilly that you will never forget? A: Having to check in two FULL-SIZED suitcases full of books by myself. I think I checked in at least 50 books!
Q: What is the craziest thing you’ve ever done in Lilly? A: Honestly, I don’t think I’ve ever done anything crazy in Lilly.
Q: What was opening an empty (or at least, it was supposed to be empty) Lilly like? Eerie? A: I worked the Sunday morning shift, which was really nice because there were very few people (unless it was midterm/finals season), so everything was calm and quiet. I absolutely LOVED working Sunday mornings!!
Q: How will your time at Lilly help you in your future pursuits? A: Working at Lilly taught me to be organized and be better at time management, which is super useful no matter where I end up after leaving.
Q: What will you miss most about Lilly when you graduate? A: I will definitely miss the librarians the most!
Q: What are your plans after graduation? A: Who knows!
Q: What is your spirit animal? … well, you don’t expect all the questions to be about Lilly, do you? A: Definitely an elephant
Graduation in May means Lilly Library will say farewell to Esha and our other seniors, treasured members of our Lilly “family”. We appreciate her stellar work and dedication to Lilly and wish her all the best!
While Round One is over, and some of our stars may have fallen, we still have an Enchanted Eight remaining. Lilly’s resident (or shall we say currently remote) analyst Nathaniel offers his take on the results of the first round voting.
In the Fire Region, The Lion King‘s Simba took Rafiki’s stick and made sure Monsters Inc. did not “feel the love tonight” by trouncing them in the first round! The Incredibles, once again proving their “glory days” are here again, defeated Aladdin!
In the Ice Region, Frozen almost had a “meltdown,” but pulled out the victory over Coco by 2 votes! Meanwhile, Mulan unleashed the “dragon” and easily disposed of Wall-E.
In the Earth Region, Toy Story showed Cinderella she did not have a “friend in them” by taking her glass slippers, ushering in the midnight hour, and dispatching the would-be princess. In a touch and go affair, Belle managed to revive the downtrodden Beast and restore their championship hopes as the Beauty and the Beast rallied to defeat that pesky Ratatouille by just 2 votes!
Lastly, Under the Sea, Finding Nemo defeated Moana and in the surprise of the tournament, Up “rose to the occasion” and desiccated the Little Mermaid in a rout, not even close with a margin of victory greater than two to one!
Welcome to this year’s special Bracketology: Lilly Library’s Animated April featuring Lilly Library’s resident (despite working remotely), Bracketologist, Nathaniel Brown:
We have a stacked bracket this year full of favorites and some underdogs.
In the FIRE region The Lion King takes on Monsters Inc. In this first round match Simba “can’t wait to be king” so let’s see if he and Naila will “be prepared” to defeat Sullivan and Mike. Or will Sully intimidate and scare the young pup? In the other First Round match, Aladdin squares off with The Incredibles. Aladdin has the street smarts to woo Princess Jasmine and defeat Jafar, but does he possess the “magic” to dethrone The Incredibles, the family of superheroes who finished in the Final Four in last year’s tourney, losing to the eventual finalist, Spider-Man: Into the Spider-verse.
In the ICE region we have Frozen vs. Coco. Will Elsa and company put the freeze on Miguel and Hector? Or will Miguel remember the game plan and force Elsa to let it (her chance at a championship) go? The second match-up features Mulan vs. Wall-E. Can Mulan reflect her true passion to take out the trash? Or will Wall-E dispose of the determined and courageous warrior?
In the EARTH region, Beauty and the Beast takes on Cinderella. Can the spirited and headstrong Belle sacrifice enough to overcome the oppressed and ragged Cinderella and turn her championship dreams into pumpkins at midnight? Or will Cinderella embody the phrase ball is life royally and take out Belle?
Next we have Ratatouille vs. Toy Story. Will Remy make the championship his new object of affection, subjecting Woody and company to their greatest fear, the lonely shelf in the dark closet never to be heard from again? Or will Woody and Buzz destroy Remy’s illusions of grandeur and instill in him that rats belong down in the dumps?
Last but certainly not least in the UNDER THE SEA region, we have the Little Mermaid vs. Up. Can Ariel, Flounder, and Sebastian deflate the hopes of Carl and Russell and attempt to be a part of that championship world? Or will Carl, Russell, and Dug kiss the girl (Ariel) goodbye in the first round? Finally, we have Moana vs. Finding Nemo. Can Nemo and Dory forget his deficiencies and find a way to continue along their path to championship glory? Or will Moana and Maui find the heart to set sail toward a championship victory?
Do you like Looney Tunes, the quirkiness of Wallace and Gromit, anime like Spirited Away, French comedies like The Triplets of Belleville? Are you all about Disney classics or the latest offerings from Pixar?
Lilly Library has 100s of animated films. In fact, we have so many animated films, it’s time for you to “toon” in and enjoy our very own Lilly Library Animated April challenge: Pixar versus Disney.
If it’s animated, Disney and Pixar are the dominant players, so we’re highlighting eight films from each studio to face off in a special edition of our Animated April challenge starting Monday, April 13th. Join in the fun, pick your favorites, and maybe win a prize!
Vote when you visit our Lilly Library Animated April cast of characters HERE.
Make your selections and vote for your choice of hot titles in Bracket Fire versus films that landed in Bracket Earth to eventually face the coolest films in Bracket Ice, which challenge the animated gems making waves in Bracket Under the Sea.
Round 4: Perfect Pair VOTE HERE Voting opens Monday, April 20 9am
Voting closes Tuesday, April 21 8pm
Champion Crowned: Wednesday April 22nd
*Did someone say PRIZES?
Participants who provide their Duke NetID and vote for the animated movie “champion” will be entered into drawings for virtual prizes, as well as special prizes for Duke students.
Be sure to make your picks of your favorites – Pixar or Disney!
Lilly is at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community, during what used to be a normal semester, Lilly Library remains open for 129 hours each week! Our student assistants are an essential element in maintaining a high level of service, and we want to introduce you to one of our “Class of 2020” – seniors who have worked in Lilly Library throughout their Duke careers. Get to know our seniors in these profiles, and you’ll appreciate them as much we do.
If you’ve been in Lilly Library over the past four years, chances are you’ve seen our seniors: Jess, Sarah, Esha, Toni, and Noelle. Jessica is one of our seniors who worked at Lilly Library since she arrived as wide-eyed First-Year student on East Campus way back in August of 2016.
Commencement 2020 may be virtual, but our regard for our student assistants is very real and enduring.
Take this opportunity to acquaint yourselves with Jessica, one of our treasured Lilly Library Class of 2020.
Hometown: Glen Rock, NJ
Family/siblings/pets: I have one younger brother
Academic major: Statistics and Computer Science
Activities on campus: Marching & Pep Band
Favorite on-campus activity, besides working at Lilly: Playing with the band at basketball games
Favorite off-campus activity: Used to be going for cheese and chocolate fondue at the Little Dipper on Ladies’ Night (it’s now closed though)
Favorite campus eatery: Div Cafe
Favorite off-campus eatery: Sushi Love
Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why? A: I would say the armchairs in the Thomas Reading Room. It has a very pleasant, relaxing atmosphere, and I’m pretty sure I’ve already taken accidental naps there while doing homework.
Q: What’s the most interesting book you’ve come across in Lilly? A: The most interesting book I came across at Lilly was a photography book about Jim Marshall. Someone had just returned it and I flipped through all the photos before putting it in the bin of Perkins books.
Q: What is your favorite part about working at Lilly? Least favorite? A: I loved having time to put down the rest of my schoolwork and thinking about something else for at least a short while. I always found the tasks at Lilly like shelving books and processing holds to be quite satisfying. I don’t think I had a least favorite part!
Q: Why have you worked at Lilly Library ever since your first year? A: I thought about switching to Perkins after freshman year, but then I wouldn’t get to see Yunyi every week!
Q: What is one memory from Lilly that you will never forget? A: It’s not one specific memory, but because I’m in the band, a lot of the staff would chat with me about Duke football and basketball with me, especially Yunyi. I always knew that if the basketball team lost, I would get a chance to vent and complain about the team at my next shift. I will never forget how excited the staff always was for me when I got to travel with the teams for tournament games.
Q: What is the craziest thing you’ve ever done in Lilly? A: It’s not super crazy, but the few times I had to shelve books or straighten the stacks on the 4th level and no one was around, I would listen to music and dance to myself as I worked.
Q: How will your time at Lilly help you in your future pursuits? A: Lilly provided the first customer service-related job I’ve ever had, and my time at Lilly certainly helped me develop skills in that area, especially with continuing to be polite even when patrons were not (although that was quite rare to encounter). It also helped me with organization, multitasking, and adaptability, skills translatable into all kinds of fields.
Q: What will you miss most about Lilly when you graduate? A: I will definitely miss Yunyi and the other librarians/staff members the most.
Q: What are your plans for after graduation? A: I will be working as a Data Scientist for a start-up in New York City.
Q: What is your spirit animal? … well, you don’t expect all the questions to be about Lilly, did you? A: Always a tough question, but I guess a cat?
Graduation in May means Lilly Library will say farewell to Jessica and our other seniors, treasured members of our Lilly “family”. We appreciate her stellar work and dedication to Lilly and wish her all the best!
One of the things people always say they love about libraries is the smell of old books. There’s nothing quite so comforting as the slightly musty aroma of stacks upon stacks of so much accumulated knowledge. Of all the things our students and faculty tell us they miss most during this extended period of home isolation, that ineffable library smell is up there at the top.
Now, thanks to recent advances in digital publishing, we’re excited to pilot a new feature in selected library e-books that lets you recapture that odoriferous experience virtually.
The next time you check out an e-book through our library catalog, look for the green “Scratch-n-Sniff” button in the online interface. Clicking the button will activate a feature that artificially simulates the olfactory experience of reading text on vintage, yellowed paper. Just gently scratch your display as you read to be transported back to your favorite reading nook in the library.
The first time you use the “Scratch-n-Sniff” feature, you may need to lean in close to your monitor and breathe deeply to get the full effect. The application isn’t compatible with all browsers. But if your operating system is up-to-date, you should be able adjust the display settings in the control panel of your PC or mobile device to strengthen the smell.
Library users are also advised to scratch carefully, as sharp fingernails and aggressive scratching may damage your monitor and cause the “Scratch-n-Sniff” function not to work properly.
“Over the years, e-books have represented a larger and larger percentage of library collections, even as some researchers—particularly those in the humanities—continue to turn their nose up at them,” said Jeff Kosokoff, Assistant University Librarian for Collection Strategy. “We understand. Nothing quite compares to the age-old experience of immersing yourself in a physical book. But now that digital is the only option for a while, we’re doing everything we can to replicate the experience Duke’s world-class students and faculty are accustomed to.”
“We had to pay through the nose for this add-on feature,” Kosokoff added, “but it’s worth it to keep our Duke community feeling connected to their library.”
Fans of the classics will be particularly pleased to know that the earlier a book’s original publication date, the mustier it smells. For instance, clicking the “Scratch-n-Sniff” button while reading an electronic copy of David Copperfield (which happens to be our next selection for the Low Maintenance Book Club, by the way) is like holding a real first-edition Dickens up to your nose.
The “Scratch-n-Sniff” e-book feature is available for a limited time for selected e-books in our library catalog and works with most PCs, laptops, Apple and Android devices, and e-readers, including Amazon Kindle, Kobo Libra, and Barnes and Noble Nook. It does not work with Internet Explorer, however.
Lilly is at the heart of East Campus, the First-Year Campus for Duke Undergraduates. To serve our community, during what used to be a “normal” semester, Lilly Library remains open for 129 hours each week! Our student assistants are an essential element in maintaining a high level of service, and we want to introduce you to one of our “Class of 2020” – seniors who have worked in Lilly Library throughout their Duke careers. Get to know our seniors in these profiles, and you’ll appreciate them as much we do.
If you’ve been in Lilly Library over the past four years, chances are you’ve seen our seniors: Jessica, Sarah, Esha, Toni, and Noelle. Sarah is one of our seniors who worked at Lilly Library since she arrived as wide-eyed First-Year student on East Campus way back in August of 2016.
Commencement 2020 may be virtual, but our regard for our student assistants is very real and enduring. Take this opportunity to acquaint yourselves with Sarah, one of our treasured Lilly Library Class of 2020.
Hometown: Flower Mound, Texas (north of Dallas)
Family/siblings/pets: Mom, Dad, younger sister (in her first year of college)
Academic major: Biomedical Engineering
Activities on campus: Club Swimming, Sport Clubs Executive Board, RA (in Neighborhood 1 on East, then in Crowell/Wannamaker), former FYLAB / UAB member
Favorite on-campus activity(besides working at Lilly): Swimming with Club Swim!
Favorite off-campus activity: I love going to sporting events, and my favorite annual event to attend since I have moved here for college is the North Carolina State Fair.
Q: If you could have a sleepover anywhere in the libraries, where would you choose, and why? A: Probably the Thomas Room, because it has really comfy chairs and the doors on both ends lock so I would feel safer…
Q: What’s the strangest/most interesting book or movie you’ve come across in Lilly? A: I can’t think of a specific strange example right now, but a special DVD to me is DVD 30,000 (The Princess Bride) which the class of 2020 got to pick!
Q: What is your favorite part about working at Lilly? Least favorite? A: My favorite part is all the librarians that have been so kind and supportive to me during my time working at Lilly. I always feel so welcome in the library and it became a sort of safe haven for me during my time at Duke. My least favorite part is walking through the library at closing time, because it’s dark and I keep thinking someone will jump out at me and scare me. Also, having to drive back to west campus at 4am.
Q: Why have you worked at Lilly Library ever since your first year? A: Because of the librarians! I started working at Lilly my first year because I really loved libraries and reading throughout my childhood and had volunteered at my public library in high school. I chose to stay throughout the years (even during the time I spent living on West Campus) because of the friendships I made with the people I worked with and because of the increased trust that everyone placed in me.
Q: What is one memory from Lilly that you will never forget? A: The little things the staff did for the student workers to make us feel appreciated – candy for every Halloween and Valentine’s Day, and student worker lunches at the end of every semester during Finals week. Even though after my first year I knew these things were coming, they were still always a nice surprise.
Q: What is the craziest thing you’ve ever done in Lilly? A: I don’t know how crazy this is, but I’ve definitely fallen asleep at the desk while working the late night shift a few times more than I’d like to admit…
Q: What was closing, or opening an empty (or at least, it was supposed to be empty) Lilly like? Eerily empty, people reluctant to leave, unexpected people? A: I worked a closing shift every week for the last three years I worked at Lilly, and most of the time people filtered out on their own within five minutes of closing time (even if they didn’t want to). I did sometimes get some interesting people that would filter through the building or have strange requests of me (for example, one time I got a call from a father who wanted me to find his daughter in the building and give her a message – but didn’t even know if she was actually at Lilly). Most of the time, though, the only spooky part was walking through the library alone and hoping no one was staking out to scare me. I only worked opening shifts at Lilly every once in a while, but it was always nice to come into an empty, quiet building and get to watch the early risers trickle in!
Q: How will your time at Lilly help you in your future pursuits? A: Lilly has taught me a lot of lessons about how to serve others and how to be a go-getter. Working behind the desk in particular has built a lot of confidence for me in talking to people I don’t know and helping to serve them. As an engineer, I might not always be in a customer-facing position, but having that experience will certainly give me a boost over those who are not as comfortable working in service roles.
Q: What will you miss most about Lilly when you graduate? A: Both the librarians, who have always been so nice to me, and the space as I remember it in my head. I know with renovations coming to Lilly in the future that when I come to visit as an alum, I might no longer be able to walk around the space knowing exactly where everything is. I will miss that feeling of knowing a place so well.
Q: What are your plans for after graduation? A: This summer I will be interning at Garmin International in Cary, NC to complete my internship requirement for the Master of Engineering program at Duke, and then I will graduate from Duke again in May of 2021!
Q: What is your spirit animal? … well, you don’t expect all the questions to be about Lilly, did you? A: My favorite animal is a monkey so I will go with that!
Graduation in May means Lilly Library will say farewell to Sarah and our other seniors, treasured members of our Lilly “family”. We hope to see Sarah while she continues her graduate studies at Duke next year, even if she no longer works with us. We appreciate her stellar work and dedication to Lilly and wish her all the best!
Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket.
Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.
On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses–until things become much more serious. Most of the island’s inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.
When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.
A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.
From the disability rights advocate and creator of the #DisabledAndCute viral campaign, a thoughtful, inspiring, and charming collection of essays exploring what it means to be black and disabled in a mostly able-bodied white America.
Keah Brown loves herself, but that hadn’t always been the case. Born with cerebral palsy, her greatest desire used to be normalcy and refuge from the steady stream of self-hate society strengthened inside her. But after years of introspection and reaching out to others in her community, she has reclaimed herself and changed her perspective.
In The Pretty One, Brown gives a contemporary and relatable voice to the disabled–so often portrayed as mute, weak, or isolated. With clear, fresh, and light-hearted prose, these essays explore everything from her relationship with her able-bodied identical twin (called “the pretty one” by friends) to navigating romance; her deep affinity for all things pop culture–and her disappointment with the media’s distorted view of disability; and her declaration of self-love with the viral hashtag #DisabledAndCute.
By “smashing stigmas, empowering her community, and celebrating herself” ( Teen Vogue ), Brown aims to expand the conversation about disability and inspire self-love for people of all backgrounds. You can see an interview with Brown and read more of her work by visiting her website.
Kali Fajardo-Anstine’s magnetic debut story collection breathes life into her Indigenous Latina characters and the land they inhabit. Set against the remarkable backdrop of Denver, Colorado – a place that is as fierce as it is exquisite – these women navigate the land the way they navigate their lives: with caution, grace, and quiet force.
In “Sugar Babies,” ancestry and heritage are hidden inside the earth, but have the tendency to ascend during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman returns home from prison, finding herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual.
Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.
Kali Fajardo-Anstine is a National Book Award Finalist, a finalist for the PEN/Bingham Prize and The Story Prize, and longlisted for the Aspen Words Literary Prize. Fajardo-Anstine is the 2019 recipient of the Denver Mayor’s Award for Global Impact in the Arts. Her fiction and essays have appeared in GAY Magazine, The American Scholar, Boston Review, Bellevue Literary Review, The Idaho Review, Southwestern American Literature, and elsewhere. Kali has been awarded fellowships from Yaddo, MacDowell Colony, and Hedgebrook. She has an MFA from the University of Wyoming and is from Denver, Colorado.
Aged eight, Dina Nayeri fled Iran along with her mother and brother and lived in the crumbling shell of an Italian hotel-turned-refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton University. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. In these pages, a couple fall in love over the phone, and women gather to prepare the noodles that remind them of home. A closeted queer man tries to make his case truthfully as he seeks asylum, and a translator attempts to help new arrivals present their stories to officials.
Nayeri confronts notions like “the swarm,” and, on the other hand, “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. With surprising and provocative questions, The Ungrateful Refugee challenges us to rethink how we talk about the refugee crisis.
In 2017, Nayeri wrote an essay by the same title. A 2019 Columbia Institute for Ideas and Imagination Fellow, winner of the 2018 UNESCO City of Literature Paul Engle Prize, a National Endowment for the Arts literature grant (2015), O. Henry Prize (2015), Best American Short Stories (2018), and fellowships from the McDowell Colony, Bogliasco Foundation, and Yaddo, her stories and essays have been published by the New York Times, New York Times Magazine, The Guardian, Los Angeles Times, New Yorker, Granta New Voices, the Wall Street Journal, and many others. Her debut novel, A Teaspoon of Earth and Sea (2013) was translated into 14 languages. Her second novel, Refuge (2017) was a New York Times editor’s choice.
NOTE: Due to changes in the university’s operations in light of COVID-19, the Nadelle Prize for Book Collecting has been postponed.
Attention, student bibliophiles!
The Duke University Libraries are proud to present the 2020 Andrew T. Nadell Prize for Book Collecting. The contest is open to all students enrolled in an undergraduate or graduate/professional degree program at Duke, and the winners will receive cash prizes!
Winners will also be eligible to enter the National Collegiate Book Collecting Contest, where they will compete for a $2,500 prize and an invitation to the awards ceremony in Washington, D.C., at the Library of Congress.
You don’t have to be a “book collector” to enter the contest. Past collections have varied in interest areas and included a number of different types of materials. Collections are judged on adherence to a clearly defined unifying theme, not rarity or monetary value.
Interested in entering? Visit our websitefor more information and read winning entries from past years. Contact Kurt Cumiskey at email@example.com with any questions.
Nominations are now open for a new undergraduate invited speaker event featuring students who have shown excellence in using the Libraries’ materials as part of their coursework, honors thesis, or other capstone project. Nominated students may be invited to present about the process of conducting their research at the event “Research as Process: An Undergraduate Research Showcase.”
Participants will be selected from a variety of disciplines, featuring research conducted on varied topics and with different methods (from data visualization to papers to websites), all of which have unique processes for research.
Nominees must have conducted their research between the Spring 2019 and Spring 2020 semesters for consideration.
To nominate a student, faculty must submit a letter of support on the student’s behalf.
by Lee Sorensen
Librarian for Visual Studies and Dance, Lilly Library
What is that “big book” on display in the lobby of Lilly Library? Its proper title is Photographs from the Collection of the Gilman Paper Company. This book is a gift to Duke University Libraries from the Nasher Museum of Art, and will remain in Lilly through the spring semester.
With the rise of e-books and readers, one of the most uncommon and increasingly rare printed formats is the folio book, defined by one student as, “too damn large to carry.” In the days before book criteria included portability, giant books were produced to contain actual-size documents such as building plans and engravings, detailed scientific renderings and later, photography.
The “big book” on display is a modern edition of photographs from the Gilman Paper Company, New York. The firm had one of the best private collections of photographs in the world, which was acquired by New York’s Metropolitan Museum of Art in 2005 . This magisterial book contains reprinted photographs of photographers such as Robert Frank, Diane Arbus, Fox Talbot, Eugene Atget and Edward S. Curtis. The edition was curated by Pierre Apraxine, with plates created by renowned photographer and printer Richard Benson (who was also the Dean of Yale School of Art), and notes contributed by photography consultant Lee Marks. This volume, printed by Stamperia Valdonega in Verona, Italy, and half-bound in leather, is the only one in North Carolina outside of the Mint Museum, Charlotte.
Pages are turned periodically to show new images. 47 cm in length, the volume consists of 480 pages with 199 offset lithographs plus an offset lithographic frontispiece.
Guest post by Amanda Rizki, Cary Gentry, and Sujeit Llanes, practicum students in our Assessment and User Experience Department.
Are you one of the many students who prefer to browse the web for scholarly articles?
Do you use Wikipedia as your starting point for research?
Do you do most of your research before you come to the library’s website?
Maybe you are frustrated by having to relocate each article you find cited on scholarly websites within the Duke Libraries’ databases?
Nomad Plug-In for Chrome is the tool for you! Nomad is a browser plugin for Google Chrome that helps you find journal article PDFs quickly and easily. Nomad connects your Duke Libraries access to articles found while browsing in Wikipedia, PubMed, or directly on publishers’ websites.
Once you install the plugin, it will scan the sites you read online for journal article identifiers. When it sees an article that is available through Duke, it provides easy PDF or link access with a consistent, easy-to-find button. Links bring you to a fully accessible article page – no further login required. PDFs can be downloaded directly to your computer.
Nomad was created by Third Iron, the same company that makes LibKey and BrowZine. The plug-in does not collect any information about you, so the tool is safe to use with your personal information and Duke log-in. While Nomad reads web pages for articles that Duke Library provides access to, it is still your Duke credentials that allow the link or download to move forward.
Need more assistance setting up this plug-in? Keep reading!
Plug-ins are extra bits of software that you can add to your internet browser – in this case, to Google Chrome. Google organizes all of the plug-ins available for their browser on a site called Chrome Web Store. This plug-in, Nomad, is free, but some plug-ins must be purchased.
1. Open Google Chrome. If you have not already installed it, Chrome is available via Google.
2. In Chrome, type “Chrome libkey nomad” in the address bar and choose the first result. Or open this link.
3. Click the “Add to Chrome” button in the upper right corner of the page:
4. A small popup window will appear. The browser will ask for you to verify that you want to add the plug-in (called the extension) to your computer.
5. After the plug-in installs, it will prompt you to select your institution. Choose “Duke University” from the dropdown menu.
6. The plugin is now ready to use. You can close the window and proceed to browse normally.
Here in the Libraries, we’re always trying to up our game. That’s why every two years we invite Duke students to take part in a brief user survey to help us better understand their experiences and thoughts on library spaces, collections, and services.
The survey takes no more than 5 minutes to complete and will remain open between now and February 12, 2020.
As a special thank you for participating, all student respondents will be entered into a raffle for a $150 Amazon gift card.
When libraries and students work together, everybody wins. Take a look at some of the improvements we’ve made over the last four years as a direct result of our user surveys.
Changes We Made in Response to Our 2016 and 2018 User Surveys
Oasis Perkins: You asked for a space to relax and de-stress. We worked with DuWell to develop Oasis Perkins on the fourth floor of the library.
Prayer & Meditation Room: You asked for a private place to pray and meditate while in the library. We converted a study room into a space for quiet reflection.
Hot/cold water dispensers: You asked for access to hot filtered water 24/7. We added two hot/cold water dispensers to Bostock (floor 3) and Perkins (floor 4).
Coffee vending machine: You asked for access to coffee 24/7. We added a coffee and hot beverage vending machine to the lounge in The Edge.
Office supplies vending machine: You asked for easy access to important supplies like whiteboard markers and charging cables. We stocked a vending machine in The Edge with school supplies.
Better signage for reservable study rooms: You asked for clearer policies so you know when to reserve a room and when you can drop in without advance planning. We revamped our room reservation policy and added eye-catching signage to study rooms.
Clearer policies for study spaces: You asked for noise norms so you know where to go when you need to get work done. We added colorful signage to indicate which floors are for gabbing and which are for stuff done.
E-newsletter: You asked for more info about library events and research tools. We developed a regular e-newsletter, chock full of handy tips and interesting tidbits about library exhibits, programs, collections.
Inclusive spaces statement and signage: You asked for visible confirmation that Duke Libraries are open to everyone. We worked with students to develop an Inclusive Spaces Statement and created “Libraries are for everyone” buttons for staff to wear and posted signs in Lower Level 2.
Happy holidays! For those of you who have left campus, don’t forget that you can take the library home with you! All the titles listed below – a mix of ebooks and audiobooks – are currently available to borrow immediately from our Overdrive collection.
David Sedaris’s beloved holiday collection is new again with six more pieces, including a never before published story. Along with such favoritesas the diaries of a Macy’s elf and the annals of two very competitive families, are Sedaris’s tales of tardy trick-or-treaters (“Us and Them”); the difficulties of explaining the Easter Bunny to the French (“Jesus Shaves”); what to do when you’ve been locked out in a snowstorm (“Let It Snow”); the puzzling Christmas traditions of other nations (“Six to Eight Black Men”); what Halloween at the medical examiner’s looks like (“The Monster Mash”); and a barnyard secret Santa scheme gone awry (“Cow and Turkey”).
In 2009, a chubby, mild-mannered graduate of the University of Pennsylvania’s Wharton School of Business named Jho Low set in motion a fraud of unprecedented gall and magnitude—one that would come to symbolize the next great threat to the global financial system. Over a decade, Low, with the aid of Goldman Sachs and others, siphoned billions of dollars from an investment fund—right under the nose of global financial industry watchdogs. Low used the money to finance elections, purchase luxury real estate, throw champagne-drenched parties, and even to finance Hollywood films like The Wolf of Wall Street.
By early 2019, with his yacht and private jet reportedly seized by authorities and facing criminal charges in Malaysia and in the United States, Low had become an international fugitive, even as the U.S. Department of Justice continued its investigation.
There’s no stopping Busy Philipps. From the time she was two and “aced out in her nudes” to explore the neighborhood (as her mom famously described her toddler jailbreak), Busy has always been headstrong, defiant, and determined not to miss out on all the fun. These qualities led her to leave Scottsdale, Arizona, at the age of nineteen to pursue her passion for acting in Hollywood. But much like her painful and painfully funny teenage years, chasing her dreams wasn’t always easy and sometimes hurt more than a little.
In a memoir “that often reads like a Real World confessional or an open diary” (Kirkus Reviews), Busy opens up about chafing against a sexist system rife with on-set bullying and body shaming, being there when friends face shattering loss, enduring devastating personal and professional betrayals from those she loved best, and struggling with postpartum anxiety and the challenges of motherhood.
For more than ten years, a mysterious and violent predator committed fifty sexual assaults in Northern California before moving south, where he perpetrated ten sadistic murders. Then he disappeared, eluding capture by multiple police forces and some of the best detectives in the area.
Three decades later, Michelle McNamara, a true crime journalist who created the popular website TrueCrimeDiary.com, was determined to find the violent psychopath she called “the Golden State Killer.” Michelle pored over police reports, interviewed victims, and embedded herself in the online communities that were as obsessed with the case as she was.
I’ll Be Gone in the Dark — the masterpiece McNamara was writing at the time of her sudden death — offers an atmospheric snapshot of a moment in American history and a chilling account of a criminal mastermind and the wreckage he left behind. It is also a portrait of a woman’s obsession and her unflagging pursuit of the truth. Utterly original and compelling, it is destined to become a true crime classic — and may at last unmask the Golden State Killer. Soon to be an HBO® Documentary Series.
Stephen Hawking was the most renowned scientist since Einstein, known both for his groundbreaking work in physics and cosmology and for his mischievous sense of humor. He educated millions of readers about the origins of the universe and the nature of black holes, and inspired millions more by defying a terrifying early prognosis of ALS, which originally gave him only two years to live. In later life he could communicate only by using a few facial muscles, but he continued to advance his field and serve as a revered voice on social and humanitarian issues.
Hawking not only unraveled some of the universe’s greatest mysteries but also believed science plays a critical role in fixing problems here on Earth. Now, as we face immense challenges on our planet—including climate change, the threat of nuclear war, and the development of artificial intelligence—he turns his attention to the most urgent issues facing us.
Will humanity survive? Should we colonize space? Does God exist? These are just a few of the questions Hawking addresses in this wide-ranging, passionately argued final book from one of the greatest minds in history.
Ellie Mack was the perfect daughter. She was fifteen, the youngest of three. She was beloved by her parents, friends, and teachers. She and her boyfriend made a teenaged golden couple. She was days away from an idyllic post-exams summer vacation, with her whole life ahead of her.
And then she was gone.
Now, her mother Laurel Mack is trying to put her life back together. It’s been ten years since her daughter disappeared, seven years since her marriage ended, and only months since the last clue in Ellie’s case was unearthed. So when she meets an unexpectedly charming man in a café, no one is more surprised than Laurel at how quickly their flirtation develops into something deeper. Before she knows it, she’s meeting Floyd’s daughters — and his youngest, Poppy, takes Laurel’s breath away.
Because looking at Poppy is like looking at Ellie. And now, the unanswered questions she’s tried so hard to put to rest begin to haunt Laurel anew. Where did Ellie go? Did she really run away from home, as the police have long suspected, or was there a more sinister reason for her disappearance? Who is Floyd, really? And why does his daughter remind Laurel so viscerally of her own missing girl?
Olive Torres is used to being the unlucky twin: from inexplicable mishaps to a recent layoff, her life seems to be almost comically jinxed. By contrast, her sister Ami is an eternal champion…she even managed to finance her entire wedding by winning a slew of contests. Unfortunately for Olive, the only thing worse than constant bad luck is having to spend the wedding day with the best man (and her nemesis), Ethan Thomas.
Olive braces herself for wedding hell, determined to put on a brave face, but when the entire wedding party gets food poisoning, the only people who aren’t affected are Olive and Ethan. Suddenly there’s a free honeymoon up for grabs, and Olive will be damned if Ethan gets to enjoy paradise solo.
Agreeing to a temporary truce, the pair head for Maui. After all, ten days of bliss is worth having to assume the role of loving newlyweds, right? But the weird thing is…Olive doesn’t mind playing pretend. In fact, the more she pretends to be the luckiest woman alive, the more it feels like she might be.
It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family Seder table is of new babies and budding romance, not of the increasing hardships threatening Jews in their hometown of Radom, Poland. But soon the horrors overtaking Europe will become inescapable and the Kurcs will be flung to the far corners of the world, each desperately trying to navigate his or her own path to safety.
As one sibling is forced into exile, another attempts to flee the continent, while others struggle to escape certain death, either by working grueling hours on empty stomachs in the factories of the ghetto or by hiding as gentiles in plain sight. Driven by an unwavering will to survive and by the fear that they may never see one another again, the Kurcs must rely on hope, ingenuity, and inner strength to persevere.
An extraordinary, propulsive novel, We Were the Lucky Ones demonstrates how in the face of the twentieth century’s darkest moment, the human spirit can endure and even thrive.
Growing up in one of the poorest neighborhoods of South Central Los Angeles, Tiffany learned to survive by making people laugh. If she could do that, then her classmates would let her copy their homework, the other foster kids she lived with wouldn’t beat her up, and she might even get a boyfriend. Or at least she could make enough money — as the paid school mascot and in-demand Bar Mitzvah hype woman — to get her hair and nails done, so then she might get a boyfriend.
None of that worked (and she’s still single), but it allowed Tiffany to imagine a place for herself where she could do something she loved for a living: comedy.
Tiffany can’t avoid being funny — it’s just who she is, whether she’s plotting shocking, jaw-dropping revenge on an ex-boyfriend or learning how to handle her newfound fame despite still having a broke person’s mind-set. Finally poised to become a household name, she recounts with heart and humor how she came from nothing and nowhere to achieve her dreams by owning, sharing, and using her pain to heal others.
By turns hilarious, filthy, and brutally honest, The Last Black Unicorn shows the world who Tiffany Haddish really is – humble, grateful, down-to-earth, and funny as hell. And now, she’s ready to inspire others through the power of laughter.
Everyone knows Daisy Jones & The Six, but nobody knows the reason behind their split at the absolute height of their popularity…until now.
Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ‘n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.
Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.
Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.
The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.
In honor of Martin Luther King’s vision and in support of our local community, the Duke University Libraries are running a children’s book drive through January 10, 2020.
The books we collect will be donated to Book Harvest, a North Carolina nonprofit that believes in the power of books to change children’s lives and works to ensure that all children can grow up in book-rich homes. Since it was launched in 2011, Book Harvest has provided more than one million donated books to children throughout North Carolina.
We need new and gently used books for children of all ages, especially board books and picture books for the youngest readers, as well as Spanish and bilingual books, and books with diverse characters and story lines. Even one book can make a difference in a child’s life.
Look for the book collection bins in the following locations, and please help us fill them!
Perkins Library, in the lobby across from the von der Heyden Pavilion
Perkins Library, Shipping and Receiving (near the Link)
Rubenstein Library, Library Administration Suite (2nd Floor)
This month’s Collection Spotlight is all about chocolate! We have titles covering a diverse range of themes, including history, romance, food, feminism, and even some movies. Here are some examples of what you can find:
Do you suddenly find yourself craving chocolate? Then take a look at the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins! We’ll even have chocolate out most of the time, so you can really satisfy that sweet tooth!
As you are preparing for your much needed break, I hope you remember that the library will still be here for you! Maybe you already know that you can access many of our online resources from home or that you can check out books to take home with you. We also have movies and music that you can stream and some e-books that you can download to your devices. Here are some of the resources we have to do this!
Alexander Street Video Collection: Find and watch streaming video across multiple Alexander Street Press video collections on diverse topics that include newsreels, documentaries, field recordings, interviews and lectures.
Go to duke.overdrive.com to access downloadable eBooks and audiobooks that can be enjoyed on all major computers and devices, including iPhones®, iPads®, Nooks®, Android™ phones and tablets, and Kindles®.
Have you heard about the “mane” event at Lilly Library?
Where did Fall Semester go? December is here, and with it, exams await all Duke Students. Because the First-Year students live on East Campus, the staff at Lilly Library does its best to offer support and relieve the stress of the fall semester for our “neighbors” experiencing their first finals at Duke. Extending our hours to a 24/7 schedule during exams, offering a study break with refreshments, and a room reserved as a relaxation station are longstanding Lilly traditions.
The end of Fall Semester 2019 is different, a horse of a different color, so to speak! On Saturday, December 7th from noon until 2pm, we are hosting our second visit with the Stampede of Love, miniature therapy horses whose tiny hooves will bring smiles to stressed students (and maybe a librarian or two!). If you decide to trot over to East Campus, here is a list of useful dates and events:
Looking for an easy way to help people this holiday season?
From November 15 – December 15, you can exchange “Food for Fines” at the Duke library nearest you.
For every unopened, unexpired, non-perishable food item you donate, we will waive $1 of your library fines (up to $50 max).
All libraries on East and West Campus are participating except for the Duke Law Library, and it doesn’t matter which library you owe fines to. You can drop off your donation at the library of your choice, and we’ll apply it to any library fines at any Duke library.
Donations will be collected and distributed by the Food Bank of Central and Eastern NC. The Food Bank serves a network of more than 800 agencies across 34 counties in Central and Eastern North Carolina, including soup kitchens, food pantries, shelters, and programs for children and adults.
You can also donate non-food essentials for infants, kids, and seniors, such as diapers, wipes, cleaning products, and paper towels. The chart below lists the items currently needed most.
No library fines? No problem! You can still donate and help North Carolinians in need.
The fine print
Limit $50 in forgiven fines per person.
Any fines already paid or transferred to the bursar cannot be waived.
No expired food items or glass containers, please.
Waived fines only apply to late fees. Charges for damaged or lost books cannot be waived.
All Duke libraries will waive fines for other Duke libraries (except the Duke Law Library). For example, if you owe $5 to the Divinity Library, you are not required to drop off your donation at the Divinity Library. You can visit any library on East or West Campus and your Divinity Library fines will be waived.
In Luca D’Andrea’s atmospheric and brilliant thriller, set in a small mountain community in the majestic Italian Dolomites, an outsider must uncover the truth about a triple murder that has gone unsolved for thirty years.
New York City native Jeremiah Salinger is one half of a hot-shot documentary-making team. He and his partner, Mike, made a reality show about roadies that skyrocketed them to fame. But now Salinger’s left that all behind, to move with his wife, Annelise, and young daughter, Clara, to the remote part of Italy where Annelise grew up – the Alto Adige.
Nestled in the Dolomites, this breathtaking, rural region that was once part of the Austro-Hungarian Empire remains more Austro than Italian. Locals speak a strange, ancient dialect – Ladino – and root for Germany (against Italy) in the world cup. Annelise’s small town – Siebenhoch – is close-knit to say the least and does not take kindly to out-of-towners. When Salinger decides to make a documentary about the mountain rescue group, the mission goes horribly awry, leaving him the only survivor. He blames himself, and so, it seems, does everyone else in Siebenhoch. Spiraling into a deep depression, he begins having terrible, recurrent nightmares. Only his little girl Clara can put a smile on his face.
But when he takes Clara to the Bletterbach Gorge – a canyon rich in fossil remains – he accidentally overhears a conversation that gives his life renewed focus. In 1985, three students were murdered there, their bodies savaged, limbs severed and strewn by a killer who was never found. Although Salinger knows this is a tightlipped community, one where he is definitely persona non grata, he becomes obsessed with solving this mystery and is convinced it is all that can keep him sane. And as Salinger unearths the long kept secrets of this small town, one by one, the terrifying truth is eventually revealed about the horrifying crime that marked an entire village.
Completely engrossing and deeply atmospheric, Beneath The Mountain is a thriller par excellence.
The award-winning author of The Eichmann Trial and Denial: Holocaust History on Trial gives us a penetrating and provocative analysis of the hate that will not die, focusing on its current, virulent incarnations on both the political right and left: from white supremacist demonstrators in Charlottesville, Virginia, to mainstream enablers of antisemitism such as Donald Trump and Jeremy Corbyn, to a gay pride march in Chicago that expelled a group of women for carrying a Star of David banner.
Over the last decade there has been a noticeable uptick in antisemitic rhetoric and incidents by left-wing groups targeting Jewish students and Jewish organizations on American college campuses. And the reemergence of the white nationalist movement in America, complete with Nazi slogans and imagery, has been reminiscent of the horrific fascist displays of the 1930s. Throughout Europe, Jews have been attacked by terrorists, and some have been murdered.
Where is all this hatred coming from? Is there any significant difference between left-wing and right-wing antisemitism? What role has the anti-Zionist movement played? And what can be done to combat the latest manifestations of an ancient hatred? In a series of letters to an imagined college student and imagined colleague, both of whom are perplexed by this resurgence, acclaimed historian Deborah Lipstadt gives us her own superbly reasoned, brilliantly argued, and certain to be controversial responses to these troubling questions.
Midwestern Strange chronicles B.J. Hollars’s exploration of the mythic, lesser-known oddities of flyover country. The mysteries, ranging from bipedal wolf sightings to run-ins with pancake-flipping space aliens to a lumberjack-inspired “Hodag hoax,” make this book a little bit X-Files, a little bit Ghostbusters, and a whole lot of Sherlock Holmes . Hollars’s quest is not to confirm or debunk these mysteries but rather to seek out these unexplained phenomena to understand how they complicate our worldview and to discover what truths might be gleaned by reexamining the facts in our “post-truth” era.
Part memoir and part journalism, Midwestern Strange offers a fascinating, funny, and quirky account of flyover folklore that also contends with the ways such oddities retain cultural footholds. Hollars shows how grappling with such subjects might fortify us against the glut of misinformation now inundating our lives. By confronting monsters, Martians, and a cabinet of curiosities, we challenge ourselves to look beyond our presumptions and acknowledge that just because something is weird, doesn’t mean it is wrong.
Ageing and Contemporary Female Musicians focuses on ageing within contemporary popular music. It argues that context, genres, memoirs, racial politics and place all contribute to how women are ‘aged’ in popular music.
Framing contemporary female musicians as canonical grandmothers, Rude Girls, neo-Afrofuturist and memoirists settling accounts, the book gives us some respite from a decline or denial narrative and introduces a dynamism into ageing. Female rock memoirs are age-appropriate survival stories that reframe the histories of punk and independent rock music. Old age has a functional and canonical ‘place’ in the work of Shirley Collins and Calypso Rose.
Janelle Monáe, Christine and the Queens, and Anohni perform ‘queer’ age, specifically a kind of ‘going beyond’ both corporeal and temporal borders. Genres age, and the book introduces the idea of the time-crunch; an encounter between an embodied, represented age and a genre-age, which is, itself, produced through historicity and aesthetics. Lastly the book goes behind the scenes to draw on interviews and questionnaires with 19 women involved in the contemporary British and American popular music industry; DIY and ex-musicians, producers, music publishers, music journalists and audio engineers.
Ageing and Contemporary Female Musicians is a vital intergenerational feminist viewpoint for researchers and students in gender studies, popular music, popular culture, media studies, cultural studies and ageing studies.
What if you have more intelligence than you realize? What if there is a genius inside you, just waiting to be released? And what if the route to better brain power is not hard work or thousands of hours of practice but to simply swallow a pill? In The Genius Within, David Adam explores the groundbreaking neuroscience of cognitive enhancement that is changing the way the brain and the mind works – to make it better, sharper, more focused and, yes, more intelligent. He considers how we measure and judge intelligence, taking us on a fascinating tour of the history of brain science and medicine, from gentlemen scientist brain autopsy clubs to case studies of mental health patients with extraordinary savant abilities. In addition to reporting on the latest research and fascinating case studies, David also goes on his own personal journey to investigate the possibilities of neuroenhancement, using himself as a guinea pig for smart pills and electrical brain stimulation in order to improve his IQ scores and cheat his way into MENSA. Getting to the heart of how we think about intelligence and mental ability, The Genius Within plunges into deep ethical, neuroscientific, and historical pools of enquiry about the science of brain function, untapping potential, and what it means for all of us. The Genius Within asks difficult questions about the science that could rank and define us, and inevitably shape our future.
Every year the Duke University Libraries run a series of essay contests recognizing the original research of Duke students and encouraging the use of library resources. We are pleased to announce the winners of our 2018-2019 library writing and research awards.
Valerie Muensterman for “Did You Forget Your Name?”
Caroline Waring for “The Roof”
Blaire Zhang for “Sapiens”
Join Us at the Awards Reception!
We will be celebrating our winners and their achievements at a special awards reception coinciding with Duke Family Weekend. All are invited to join us for refreshments and the opportunity to honor the recipients.
Eli Bell’s life is complicated. His father is lost, his mother is in jail, and his stepdad is a heroin dealer. The most steadfast adult in Eli’s life is Slim – a notorious felon and national record-holder for successful prison escapes – who watches over Eli and August, his silent genius of an older brother.
Exiled far from the rest of the world in Darra, a neglected suburb populated by Polish and Vietnamese refugees, this twelve-year-old boy with an old soul and an adult mind is just trying to follow his heart, learn what it takes to be a good man, and train for a glamorous career in journalism. Life, however, insists on throwing obstacles in Eli’s path – most notably Tytus Broz, Brisbane’s legendary drug dealer.
But the real trouble lies ahead. Eli is about to fall in love, face off against truly bad guys, and fight to save his mother from a certain doom – all before starting high school.
A story of brotherhood, true love, family, and the most unlikely of friendships, Boy Swallows Universe is the tale of an adolescent boy on the cusp of discovering the man he will be. Powerful and kinetic, Trent Dalton’s debut is sure to be one of the most heartbreaking, joyous and exhilarating novels you will experience.
A pioneering and groundbreaking work of narrative nonfiction that offers a dramatic new perspective on the history of humankind, showing how through millennia, the mosquito has been the single most powerful force in determining humanity’s fate.
Why was gin and tonic the cocktail of choice for British colonists in India and Africa? What does Starbucks have to thank for its global domination? What has protected the lives of popes for millennia? Why did Scotland surrender its sovereignty to England? What was George Washington’s secret weapon during the American Revolution?
The answer to all these questions, and many more, is the mosquito.
Across our planet since the dawn of humankind, this nefarious pest, roughly the size and weight of a grape seed, has been at the frontlines of history as the grim reaper, the harvester of human populations, and the ultimate agent of historical change. As the mosquito transformed the landscapes of civilization, humans were unwittingly required to respond to its piercing impact and universal projection of power.
The mosquito has determined the fates of empires and nations, razed and crippled economies, and decided the outcome of pivotal wars, killing nearly half of humanity along the way. She (only females bite) has dispatched an estimated 52 billion people from a total of 108 billion throughout our relatively brief existence. As the greatest purveyor of extermination we have ever known, she has played a greater role in shaping our human story than any other living thing with which we share our global village.
Imagine for a moment a world without deadly mosquitoes, or any mosquitoes, for that matter? Our history and the world we know, or think we know, would be completely unrecognizable.
Driven by surprising insights and fast-paced storytelling, The Mosquito is the extraordinary untold story of the mosquito’s reign through human history and her indelible impact on our modern world order.
The Family Fang meets The Storied Life of A.J. Fikry in this literary mystery about a struggling bookseller whose recently deceased grandfather, a famed mathematician, left behind a dangerous equation for her to track down – and protect – before others can get their hands on it.
Just days after mathematician and family patriarch Isaac Severy dies of an apparent suicide, his adopted granddaughter Hazel, owner of a struggling Seattle bookstore, receives a letter from him by mail. In it, Isaac alludes to a secretive organization that is after his final bombshell equation, and he charges Hazel with safely delivering it to a trusted colleague. But first, she must find where the equation is hidden.
While in Los Angeles for Isaac’s funeral, Hazel realizes she’s not the only one searching for his life’s work, and that the equation’s implications have potentially disastrous consequences for the extended Severy family, a group of dysfunctional geniuses unmoored by the sudden death of their patriarch.
As agents of an enigmatic company shadow Isaac’s favorite son – a theoretical physicist – and a long-lost cousin mysteriously reappears in Los Angeles, the equation slips further from Hazel’s grasp. She must unravel a series of maddening clues hidden by Isaac inside one of her favorite novels, drawing her ever closer to his mathematical treasure. But when her efforts fall short, she is forced to enlist the help of those with questionable motives.
An insider account of how researchers unraveled the mystery of the thawing Arctic.
In the 1990s, researchers in the Arctic noticed that floating summer sea ice had begun receding. This was accompanied by shifts in ocean circulation and unexpected changes in weather patterns throughout the world. The Arctic’s perennially frozen ground, known as permafrost, was warming, and treeless tundra was being overtaken by shrubs. What was going on? Brave New Arctic is Mark Serreze’s riveting firsthand account of how scientists from around the globe came together to find answers.
In a sweeping tale of discovery spanning three decades, Serreze describes how puzzlement turned to concern and astonishment as researchers came to understand that the Arctic of old was quickly disappearing – with potentially devastating implications for the entire planet. Serreze is a world-renowned Arctic geographer and climatologist who has conducted fieldwork on ice caps, glaciers, sea ice, and tundra in the Canadian and Alaskan Arctic. In this must-read book, he blends invaluable insights from his own career with those of other pioneering scientists who, together, ushered in an exciting new age of Arctic exploration. Along the way, he accessibly describes the cutting-edge science that led to the alarming conclusion that the Arctic is rapidly thawing due to climate change, that humans are to blame, and that the global consequences are immense.
A gripping scientific adventure story, Brave New Arctic shows how the Arctic’s extraordinary transformation serves as a harbinger of things to come if we fail to meet the challenge posed by a warming Earth.
From the Hugo Awardwinning author of The Stars Are Legion comes a brand-new science fiction thriller about a futuristic war during which soldiers are broken down into light in order to get them to the front lines on Mars.
They said the war would turn us into light.
I wanted to be counted among the heroes who gave us this better world.
The Light Brigade: it’s what soldiers fighting the war against Mars call the ones who come back…different. Grunts in the corporate corps get busted down into light to travel to and from interplanetary battlefronts. Everyone is changed by what the corps must do in order to break them down into light. Those who survive learn to stick to the mission brief – no matter what actually happens during combat.
Dietz, a fresh recruit in the infantry, begins to experience combat drops that don’t sync up with the platoon’s. And Dietz’s bad drops tell a story of the war that’s not at all what the corporate brass want the soldiers to think is going on.
Is Dietz really experiencing the war differently, or is it combat madness? Trying to untangle memory from mission brief and survive with sanity intact, Dietz is ready to become a hero – or maybe a villain; in war it’s hard to tell the difference.
A worthy successor to classic stories like Downbelow Station, Starship Troopers, and The Forever War, The Light Brigade is award-winning author Kameron Hurley’s gritty time-bending take on the future of war.
Effective September 20, 2019, the Duke University Libraries have transitioned to a title-by-title access model for Kanopy, a popular library of streaming video titles. This change comes as a result of the unsustainable increase in cost of providing unlimited access through an automatic licensing model.
Kanopy’s pricing for libraries under our previous model was based on views per title. Once a title was viewed three times for longer than 30 seconds, we were charged a licensing fee of $135 for one year of access.
Under the new model, users will still be able to watch and stream all of our currently licensed films in Kanopy (of which there are more than 800). New titles may still be requested by members of the Duke community, but they will not be accessible automatically.
We understand and respect how popular streaming media has become. It is an invaluable instructional resource and a gateway for lifelong learning. We regret having to make this change. But we could neither justify nor sustain Kanopy’s skyrocketing price tag.
Duke is not alone in having made this difficult choice. The libraries at Stanford and Harvard have also had to limit their use of Kanopy, and the New York Public Library system recently canceled their subscription to the service due to the unsustainable cost.
Here’s a summary of what’s changing:
We will only subscribe to Media Education Foundation titles on Kanopy.
Already-licensed films can still be found on Kanopy and are listed individually in our online library catalog.
We will continue to accept faculty requests for Kanopy films and videos assigned in courses. If you are a faculty member, use our “Place Items on Reserve” form for these titles. If you are using a film for a class and are concerned about the expiration date of our license for it, use the same form to ensure access.
Other options for streaming and viewing video
We have a number of other streaming video platforms available to members of the Duke community. For a complete list, please refer to our Streaming Video guide.
We also encourage you to explore our extensive DVD and Blu-ray holdings, which you can find in our online catalogand have delivered to the Duke library of your choice.
For more info
For additional questions about Kanopy or about our film streaming options, please contact:
Need some new reading material or are you just interested in seeing what’s in the Lilly Library’s collections that you might not know about? Check out Lilly’s Collection Spotlight!
To accompany the Duke Common Experience Reading Program selection of Tommy Orange’s There There, our spotlight highlights books and films that center Native American voices and perspectives. Orange, a member of the Cheyenne and Arapaho tribes of Oklahoma, writes in his debut novel about a dozen Native Americans travelling to a powwow in Oakland, California. There There focuses on urban Native Americans, exploring the beauty and despair these characters experience as they navigate life in the United States.
Our collections include books on Native American art, novels by Native Americans, memoirs of native experiences, films and documentaries, and historical accounts. Here are a few highlights from our collection:
This exhibition catalog from the Minneapolis Institute of Art highlights a broad spectrum of art created by Native American women. Work explored ranges from textiles to painting to photography and video, and covers antiquity to contemporary work. If you’re interested in checking out some Native art in person, the Nasher Museum’s exhibit, Art for a New Understanding: Native Voices, 1950s to Now, opens on August 29th.
Future Home of the Living Godby Louise Erdrich Louise Erdrich, an acclaimed writer and member of the Turtle Mountain Chippewa Tribe, experiments with a dystopian setting in this novel. The novel follows Cedar Hawk Songmaker, four months pregnant, as she ventures out of Minneapolis and seeks out her Ojibwe birth mother against the backdrop of a security state cracking down on pregnant women. Check out Erdrich’s bookstore if you are ever in the Twin Cities.
Everything You Know About Indians is Wrongby Paul ChaatSmith Smith, an associate curator at the Smithsonian’s Museum of the American Indian, challenges mainstream assumptions about native peoples and cultures in this essay collection. This book blends memoir and cultural commentary to paint a more nuanced picture of native life.
Smoke Signals Based on a Sherman Alexie short story, this film follows two young Native Americans, Victor and Thomas, on a road trip to pick up Victor’s father’s remains. Smoke Signals is notable for having a Native American writer and director, as well as an almost entirely native cast and crew.
Welcome / welcome back to Duke and the start of another school year! In an effort to encourage reading for pleasure while in college – really, it’s possible – here are some suggestions from our New and Noteworthy collection, located on the first floor of Perkins across from the bathrooms. You can also check out our Current Literature and Devil DVDS at Lilly, CDs at the Music Library on East Campus, and our Overdrive collection. Don’t worry if your computer doesn’t have a disc drive; you can borrow those at Lilly! And if you need help finding a book, you can learn about how we organize our books in this course guide or come to the service desk – we’re happy to help!
In the seemingly idyllic town of Rundle Junction, Bennie and Walter are preparing to host the wedding of their eldest daughter Clem. A marriage ceremony at their beloved, rambling home should be the happiest of occasions, but Walter and Bennie have a secret. A new community has moved to Rundle Junction, threatening the social order and forcing Bennie and Walter to confront uncomfortable truths about the lengths they would go to to maintain harmony.
Meanwhile, Aunt Glad, the oldest member of the family, arrives for the wedding plagued by long-buried memories of a scarring event that occurred when she was a girl in Rundle Junction. As she uncovers details about her role in this event, the family begins to realize that Clem’s wedding may not be exactly what it seemed. Clever, passionate, artistic Clem has her own agenda. What she doesn’t know is that by the end, everyone will have roles to play in this richly imagined ceremony of familial connection-a brood of quirky relatives, effervescent college friends, ghosts emerging from the past, a determined little mouse, and even the very group of new neighbors whose presence has shaken Rundle Junction to its core.
With Strangers and Cousins, Leah Hager Cohen delivers a story of pageantry and performance, hopefulness and growth, and introduces a winsome, unforgettable cast of characters whose lives are forever changed by events that unfold and reverberate across generations.
Only as the Day Is Long represents a brilliant, daring body of work from one of our boldest contemporary poets, known to bear compassionate and ruthless witness to the quotidian. Drawn from Dorianne Laux’s five expansive volumes, including her confident debut Awake, National Book Critics Circle Finalist What We Carry, and Paterson Prize-winning The Book of Men, the poems in this collection have been “brought to the hard edge of meaning” (B. H. Fairchild) and praised for their “enormous precision and beauty” (Philip Levine). Twenty new odes pay homage to Laux’s mother, an ordinary and extraordinary woman of the Depression era.The wealth of her life experience finds expression in Laux’s earthy and lyrical depictions of working-class America, full of the dirt and mess of real life. From the opening poem, “Two Pictures of My Sister,” to the last, “Letter to My Dead Mother,” she writes, in her words, of “living gristle” with a perceptive frankness that is luminous in its specificity and universal in its appeal. Exploring experiences of survival and healing, of sexual love and celebration, Only as the Day Is Long shows Laux at the height of her powers.
For the first time since a 5th century Greek physician gave the name “cancer” (karkinos, in Greek) to a deadly disease first described in Egyptian Papyri, the medical world is near a breakthrough that could allow even the most conservative doctors and pragmatic patients to use the other “c word” – cure – in the same sentence as cancer. A remarkable series of events has brought us to this point, thanks in large part to a new ability to more efficiently harness the extraordinary power of the human immune system.
The End of the Beginning is a remarkable history of cancer treatment and the evolution of our understanding of its dynamic interplay with the immune system. Through Michael Kinch’s personal experience as a cancer researcher at Washington University and the head of the oncology program at a leading biotechnology company, we witness the incredible accumulation of breakthrough science and its rapid translation into life-saving technologies that have begun to dramatically increase the quality and quantity of life for cancer patients.
“Michael S. Kinch, Ph.D. is Associate Vice Chancellor at Washington University in St Louis, where he helps lead entrepreneurship activities as well as research on innovation in biopharmaceutical research and development. Michael founded and leads the Centers for Research Innovation in Biotechnology (CRIB) and Drug Development (CDD).
“Dr. Kinch’s scientific background includes the development of new medicines for cancer, immunological and infectious diseases. His current work is primarily focused upon understanding the blend of science, medicine, business and law needed to support the development of new medicines.”
Today, entrepreneurs, Silicon Valley start-ups, and celebrity activists are the driving force in a radical shift in the way we think about lifting people out of poverty. In this new era of data-driven, results-oriented global aid, it’s no longer enough to be a well-intentioned do-gooder or for the wealthy to donate an infinitesimal part of their assets to people without a home or basic nutrition. What matter now in the world of aid are measurable improvements and demonstrable, long-term change.
Drawing on two decades of research and his own experiences as an expert in global development, Raj Kumar, founder and President of Devex, explores the successes and failures of non-traditional models of philanthropy. According to Kumar, a new billionaire boom is fundamentally changing the landscape of how we give, from well-established charitable organizations like the Chan Zuckerberg Initiative and The Bill and Melinda Gates Foundation, to Starbucks and other businesses that see themselves as social enterprises, to entrepreneurial start-ups like Hello Tractor, a farm equipment-sharing app for farmers in Nigeria, and Give Directly, an app that allows individuals to send money straight to the mobile phone of someone in need. The result is a more sustainable philosophy of aid that elevates the voices of people in need as neighbors, partners, and customers.
Refreshing and accessibly written, The Business of Changing the World sets forth a bold vision for how businesses, policymakers, civil society organizations, and individuals can turn well-intentioned charity into effective advocacy to transform our world for good.
Operatic by Kyo Maclear, illustrated by Byron Eggenschwiler.
Somewhere in the universe, there is the perfect tune for you.
It’s almost the end of middle school, and Charlie has to find her perfect song for a music class assignment. The class learns about a different style of music each day, from hip-hop to metal to disco, but it’s hard for Charlie to concentrate when she can’t stop noticing her classmate Emile, or wondering about Luka, who hasn’t been to school in weeks. On top of everything, she has been talked into participating in an end-of-year performance with her best friends.
Then, the class learns about opera, and Charlie discovers the music of Maria Callas. The more she learns about Maria’s life, the more Charlie admires her passion for singing and her ability to express herself fully through her music. Can Charlie follow the example of the ultimate diva, Maria Callas, when it comes to her own life?
This evocatively illustrated graphic novel brilliantly captures the high drama of middle school by focusing on the desire of its finely drawn characters to sing and be heard.
Members of these advisory boards will help improve the learning and research environment for Duke University students and advise the Libraries on topics such as study spaces, research resources, integrating library services into academic courses, and marketing library services to students.
The boards will typically meet three times a semester to discuss all aspects of Duke Libraries and provide feedback to library staff. This is an amazing opportunity for students to serve on the advisory board of a large, nationally recognized non-profit organization.
All three advisory boards are now taking applications or nominations. Application deadlines are:
Members of the Graduate and Professional Student Advisory Board and the Undergraduate Advisory Board will be selected and notified by mid-September, and groups will begin to meet in late September. More information is available on the advisory board website, where you will also find links to the online applications forms.
For more information or questions about these opportunities, please contact:
How can you make the most of your first-year? We have the answer: Jump into the First-Year Library Experience. On August 20th, the newest Blue Devils, the Class of Duke 2023, will arrive on East Campus for Orientation.
What will Duke 2023 find in their new neighborhood? Two libraries are on East Campus, Lilly Library and Duke Music Library which can introduce the First-Year “Dukies” to the powerful resources of all the Duke Libraries. While Lilly Library is home to the film collection, as well as a range of other materials, the specialized Music Library plays a different tune. Both libraries offer research support as well as study space for our new East Campus neighbors.
Cast your eyes upon our exciting schedule of events for Orientation 2019:
Movie on the Quad: Spider-Man: Into the Spider-Verse
co-sponsored by Duke University Student Affairs When: Wednesday, August 21st at 10 pm Where: East Campus Quad between Lilly & the Union
First Big Week on East Campus
Overwhelmed at the beginning of the semester? Lilly and Music will host a Harry Potter Open House the first week of class. We’ll get you “sorted” out! Duke 2023 will be captivated by our powerful library services: our research wizards, 3D labs, streaming media, study spaces – No Restricted Sections, please – as well as enjoying free food, prizes, and MORE!
I devoured this book in half a day. It was amazing, and probably rates with some of my favorite sci-fi books like In Conquest Born by C.S. Friedman. The main character – Cas – is brilliant, compelling, a survivor, and a killer. And then she winds up in situations where she has to view the world beyond the lens of the axioms that fill her brain and literally surround her in daily life. Cas is also placed in a position where her actions affect the fate of millions (which brings to mind Dragon Age: Inquisition). Cas’s character in many ways reminds me of Clariel from Clariel by Garth Nix and Cat in Catharsis by D. Andrew Campbell.
Even better, apparently there’s a second book in the series that just came out!
A blockbuster, near-future science fiction thriller, S.L. Huang’s Zero Sum Game introduces a math-genius mercenary who finds herself being manipulated by someone possessing unimaginable power …
Cas Russell is good at math. Scary good. The vector calculus blazing through her head lets her smash through armed men twice her size and dodge every bullet in a gunfight, and she’ll take any job for the right price.
As far as Cas knows, she’s the only person around with a superpower…until she discovers someone with a power even more dangerous than her own. Someone who can reach directly into people’s minds and twist their brains into Moebius strips. Someone intent on becoming the world’s puppet master.
Cas should run, like she usually does, but for once she’s involved. There’s only one problem…
She doesn’t know which of her thoughts are her own anymore.
A few pages into this book, I set it down. I knew I would want to read it in one sitting, and also hear the author’s voice before reading more. So I went to listen to the first few minutes of her book presentation at Red Emma’s Bookstore Coffeehouse. Two hours later, I had watched the entire presentation. And then I finally got around to reading the book. There’s so much to reflect on and absorb that I’m getting my own copy so I can underline to my heart’s content. Very approachable, compelling, and a wonderful author; I came to her from reading Lower Ed: The Troubling Rise of For-Profit Colleges in the New Economy, which I also recommend.
As featured by The Daily Show, NPR, PBS, CBC, Time, VIBE, Entertainment Weekly, Well-Read Black Girl, and Chris Hayes, “incisive, witty, and provocative essays” (Publishers Weekly) by one of the “most bracing thinkers on race, gender, and capitalism of our time” (Rebecca Traister)
“Thick is sure to become a classic.” –The New York Times Book Review
In eight highly praised treatises on beauty, media, money, and more, Tressie McMillan Cottom–award-winning professor and acclaimed author of Lower Ed – is unapologetically “thick”: deemed “thick where I should have been thin, more where I should have been less,” McMillan Cottom refuses to shy away from blending the personal with the political, from bringing her full self and voice to the fore of her analytical work. Thick “transforms narrative moments into analyses of whiteness, black misogyny, and status-signaling as means of survival for black women” (Los Angeles Review of Books) with “writing that is as deft as it is amusing” (Darnell L. Moore).
This “transgressive, provocative, and brilliant” (Roxane Gay) collection cements McMillan Cottom’s position as a public thinker capable of shedding new light on what the “personal essay” can do. She turns her chosen form into a showcase for her critical dexterity, investigating everything from Saturday Night Live, LinkedIn, and BBQ Becky to sexual violence, infant mortality, and Trump rallies.
Collected in an indispensable volume that speaks to the everywoman and the erudite alike, these unforgettable essays never fail to be “painfully honest and gloriously affirming” and hold “a mirror to your soul and to that of America” (Dorothy Roberts).
This extremely thought-provoking book explores the sociocultural dimensions of technology in general and social media in particular. Gilroy-Ware links the emotional distress that social media feeds and profits from to the culture of capitalism that developed from capitalism as an economic system. He describes it: “The ‘capitalism’ that must be addressed in relation to social media is therefore one that operates at a far broader scale – that of society itself” (99).
Why is everyone staring at their phones on the train? Why do online videos of kittens get so many views? Why is the internet full of misinformation? Why are depression and anxiety amongst the most treated health conditions?
Platforms such as Facebook and Instagram have come to be an integral part of the lives of billions of people across the world. But are they simply another source of information and entertainment, or a far more ominous symptom of capitalism’s excesses?
Written by Marcus Gilroy-Ware, this book is an essential inquiry into why we really use social media, and what this means for our understanding of culture, politics and capitalism itself.
One of the signal developments in democratic culture around the world in the past half-decade has been the increasing power of social media to both spread information and shape opinions. More and more of our social, political, and religious activities revolve around the Internet. Within this context, Facebook has emerged as one of the most powerful companies in the world.
If you wanted to build a machine that would distribute propaganda to millions of people, distract them from important issues, energize hatred and bigotry, erode social trust, undermine respectable journalism, foster doubts about science, and engage in massive surveillance all at once, you would make something a lot like Facebook. Of course, none of that was part of the plan. In Antisocial Media, Siva Vaidhyanathan explains how Facebook devolved from an innocent social site hacked together by Harvard students into a force that, while it may make personal life just a little more pleasurable, makes democracy a lot more challenging. It’s an account of the hubris of good intentions, a missionary spirit, and an ideology that sees computer code as the universal solvent for all human problems. And it’s an indictment of how “social media” has fostered the deterioration of democratic culture around the world, from facilitating Russian meddling in support of Trump’s election to the exploitation of the platform by murderous authoritarians in Burma and the Philippines. Both authoritative and trenchant, Antisocial Media shows how Facebook’s mission went so wrong.
Contemporary discourse surrounding meritocracy glorifies it as an American ideal. However, the origins of the term are more akin to Jonathan Swift’s modest proposal of eating babies. Young coined the term in his 1958 dystopian satire The Rise of the Meritocracy. From the year 2034, he tracks the history of British education, projecting the triumph of an IQ-based education system and the perils of a meritocracy come to fruition. The philosophical success of meritocracy is a bitter disappointment to Young, who wrote a Guardian article in 2001 titled “Down with Meritocracy.”
This should be required reading for any serious contemporary discussion of merit and its role in higher education.
Michael Young has christened the oligarchy of the future “Meritocracy.” Indeed, the word is now part of the English language. It would appear that the formula IQ + Effort = Merit may well constitute the basic belief of the ruling class in the twenty-first century. Projecting himself from 1958 into the year 2034, the author of this sociological satire shows how present decisions and practices may remold our society.
It is widespread knowledge that it is insufficient to be somebody’s nephew to obtain a responsible post in business, government, teaching, or science. Experts in education and selection apply scientific principles to sift out the leaders of tomorrow. You need intelligence rating, qualification, experience, application, and a certain caliber to achieve status. In a word, one must show merit to advance in the new society of tomorrow.
It’s 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco – a journey through the deep queer archives of struggle and pleasure.
Andrea Lawlor’s debut novel offers a speculative history of early ’90s identity politics during the heyday of ACT UP and Queer Nation. Paul Takes the Form of a Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections.
From one of the world’s foremost intersex activists, a candid, provocative, and eye-opening memoir of gender identity, self-acceptance, and love.
My name is Hida Viloria. I was raised as a girl but discovered at a young age that my body looked different. Having endured an often turbulent home life as a kid, there were many times when I felt scared and alone, especially given my attraction to girls. But unlike most people in the first world who are born intersex – meaning they have genitals, reproductive organs, hormones, and/or chromosomal patterns that do not fit standard definitions of male or female – I grew up in the body I was born with because my parents did not have my sex characteristics surgically altered at birth.
It wasn’t until I was twenty-six and encountered the term intersex in a San Francisco newspaper that I finally had a name for my difference. That’s when I began to explore what it means to live in the space between genders – to be both and neither. I tried living as a feminine woman, an androgynous person, and even for a brief period of time as a man. Good friends would not recognize me, and gay men would hit on me. My gender fluidity was exciting, and in many ways freeing – but it could also be isolating.
I had to know if there were other intersex people like me, but when I finally found an intersex community to connect with I was shocked, and then deeply upset, to learn that most of the people I met had been scarred, both physically and psychologically, by infant surgeries and hormone treatments meant to “correct” their bodies. Realizing that the invisibility of intersex people in society facilitated these practices, I made it my mission to bring an end to it – and became one of the first people to voluntarily come out as intersex at a national and then international level.
Born Both is the story of my lifelong journey toward finding love and embracing my authentic identity in a world that insists on categorizing people into either/or, and of my decades-long fight for human rights and equality for intersex people everywhere.
Hida Viloria is a writer, author, and vanguard intersex and non-binary activist. S/he has spoken about intersex human rights at the United Nations and as a frequent television and radio guest (Oprah, Aljazeera, 20/20, NPR, BBC…), consultant (Lambda Legal, UN, Williams Institute…) and op-ed contributor (NewNowNext, The Daily Beast, The Huffington Post, The Advocate, Ms., CNN.com…).
¡Cuéntamelo! began as a cover story for SF Weekly. It is “[a] stunning collection of bilingual oral histories and illustrations by LGBT Latinx immigrants who arrived in the U.S. during the 80s and 90s. Stories of repression in underground Havana in the 60s; coming out trans in Catholic Puerto Rico in the 80s; Scarface, female impersonators, Miami and the ‘boat people’; San Francisco’s underground Latinx scene during the 90s and more.”
Juliana Delgado Lopera is an award-winning Colombian writer, historian, speaker and storyteller based in San Francisco. She’s the creative director of RADAR Productions, a queer literary non-profit in San Francisco. Her debut novel Fiebre Tropical, which won the 2014 Jackson Literary Award, will be out Spring 2020 from The Feminist Press.
From Victoria Island, Lagos to Brooklyn, U.S.A. to Accra, Ghana to Paris, France; from across the Diaspora to the heart of the African continent, in this memoir Nigerian journalist Chiké Frankie Edozien offers a highly personal series of contemporary snapshots of same gender loving Africans, unsung Great Men living their lives, triumphing and finding joy in the face of great adversity. On his travels and sojourns Edozien explores the worsening legal climate for gay men and women on the continent; the impact homophobic evangelical American pastors are having in many countries, and its toxic intersection with political populism; and experiences the pressures placed on those living under harshly oppressive laws that are themselves the legacy of colonial rule – pressures that sometimes lead to seeking asylum in the West. Yet he remains hopeful, and this memoir, which is pacy, romantic, and funny by turns, is also a love-letter to Africa, above all to Nigeria and the megalopolis that is Lagos.
Chiké Frankie Edozien is an award-winning reporter whose work has appeared in the New York Times, The Times (UK), Quartz, Vibe magazine, Time Magazine, and more.
He was a New York Post political reporter for over a decade. His work has been featured on numerous new broadcasts. He co-founded The AFRican magazine in 2001 to tell often overlooked, African stories.
Imagine experiencing life not as the gender dictated by birth but as one of your own design. In Trans Figured, Brian Belovitch shares his true story of life as a gender outlier and his dramatic journey through the jungle of gender identity.
Brian has the rare distinction of coming out three times: first as a queer teenager; second as a glamorous transgender woman named Tish, and later, Natalia Gervais; and finally as an HIV-positive gay man surviving the AIDS crisis in the 1980s. From growing up in a barely-working-class first-generation immigrant family in Fall River, Massachusetts, to spinning across the disco dance floor of Studio 54 in New York City; from falling into military lock-step as the Army wife of a domineering GI in Germany to having a brush with fame as Natalia, high-flying downtown darling of the boozy and druggy pre-Giuliani New York nightclub scene, Brian escaped many near-death experiences.
Trans Figured chronicles a life lived on the edge with an unforgettable cast of characters during a dangerous and chaotic era. Rich with drama and excitement, this no-holds-barred memoir tells it all. Most importantly, Brian’s candid and poignant story of recovery shines a light on the perseverance of the human spirit.
In 2016, Brian created Queer Stages an LGBTQ playreading group whose mission is to preserve and present LGBTQ themed plays and playwrights for current and future generations. Recently he was Alice, First Lady of Earth in Charles Ludlam’s Conquest of the Universe or When Queens Collide at LaMama to commemorate the 50th Anniversary of the Ridiculous Theatre. In film and television, Brian has appeared in The Irishman, Nor’easter, Silent Prey, Q&A, The Deuce, Homeland, and The Americans.
A compellingly beautiful tale of magic, intrigue and deception, set against the backdrop of eighteenth-century Paris on the cusp of revolution.
Paris is a labyrinth of twisted streets filled with beggars and thieves, revolutionaries and magicians. Camille Durbonne is one of them. She wishes she weren’t…
When smallpox kills her parents, Camille must find a way to provide for her younger sister while managing her volatile brother. Relying on magic, Camille painstakingly transforms scraps of metal into money to buy food and medicine they need. But when the coins won’t hold their shape and her brother disappears with the family’s savings, Camille pursues a richer, more dangerous mark: the glittering court of Louis XVI and Marie Antoinette.
Using dark magic forbidden by her mother, Camille transforms herself into a baroness and is swept up into life at the Palace of Versailles, where aristocrats both fear and hunger for magic. As she struggles to reconcile her resentment of the rich with the allure of glamour and excess, Camille meets a handsome young inventor, and begins to believe that love and liberty may both be possible.
But magic has its costs, and soon Camille loses control of her secrets. And when revolution erupts, Camille must choose – love or loyalty, democracy or aristocracy, reality or magic – before Paris burns.
For similar books, check out Blood Rose Rebellion by Rosalyn Eves, Caraval by Stephanie Garber, Rebel of the Sands by Alwyn Hamilton, An Enchantment of Ravens by Margaret Rogerson, and Ash Princess by Laura Sebastian.
Set in seventeenth-century France – a country in the thrall of dark magic, its social fabric weakened by years of plague – Chris Womersley’s City of Crows is a richly imagined and engrossing tour de force. Inspired by real-life events, it tells the story of Charlotte Picot, a young woman from the country forced to venture to the fearsome city of Paris in search of her only remaining son, Nicolas. Fate (or coincidence) places the quick-witted charlatan Adam Lesage in her path. Lesage is newly released from the prison galleys and on the hunt for treasure, but, believing him to be a spirit she has summoned from the underworld, Charlotte enlists his help in finding her child.
Charlotte and Lesage – comically ill-matched but nevertheless essential to one another – journey to Paris, then known as the City of Crows: Charlotte in search of Nicolas, and Lesage seeking a fresh start.
Dazzlingly told, with humor and flair, City of Crows is a novel for readers who like their fiction atmospheric, adventurous, spine-tingling, and beautifully written. Pre-revolutionary France, with all its ribaldry, superstition, and intrigue is mesmerizing, and Charlotte Picot’s story – the story of a mother in search of her lost son – holds universal appeal.
Chris Womersley has also written The Low Road, Bereft, and Cairo. A collection of his short stories, A Lovely and Terrible Thing will be released in Australia this month.
In the world in which Lizbet Lenz lives, the sun still goes around the earth, God speaks directly to his worshippers, goblins haunt every cellar, and witches lurk in the forests. Disaster strikes when Lizbet’s father Gerhard, a charming scoundrel, is thrown into a dungeon by the tyrant Hengest Wolftrow. To free him, Lizbet must cross the Montagnes du Monde, globe-girdling mountains that reach to the sky, a journey no one has ever survived, and retrieve a mysterious book.Lizbet is desperate, and the only one who can help her is the unpleasant and sarcastic witch girl Strix. As the two girls journey through the mountains and into the lands of wonder beyond, on the run from goblins, powerful witches, and human criminals, Lizbet discovers, to her horror, that Strix’s magic is turning Lizbet into a witch, too. Meanwhile, a revolution in Heaven is brewing.
In a city that runs on industrialized magic, a secret war will be fought to overwrite reality itself – the first in a dazzling new series from City of Stairs author Robert Jackson Bennett.
Sancia Grado is a thief, and a damn good one. And her latest target, a heavily guarded warehouse on Tevanne’s docks, is nothing her unique abilities can’t handle.
But unbeknownst to her, Sancia’s been sent to steal an artifact of unimaginable power, an object that could revolutionize the magical technology known as scriving. The Merchant Houses who control this magic – the art of using coded commands to imbue everyday objects with sentience – have already used it to transform Tevanne into a vast, remorseless capitalist machine. But if they can unlock the artifact’s secrets, they will rewrite the world itself to suit their aims.
Now someone in those Houses wants Sancia dead, and the artifact for themselves. And in the city of Tevanne, there’s nobody with the power to stop them.
To have a chance at surviving–and at stopping the deadly transformation that’s under way–Sancia will have to marshal unlikely allies, learn to harness the artifact’s power for herself, and undergo her own transformation, one that will turn her into something she could never have imagined.
One of my favorite authors, Tamora Pierce, remarks that Foundryside has “Complex characters, magic that is tech and vice versa, a world bound by warring trade dynasties: Bennett will leave you in awe once you remember to breathe!”
Fallen prophet, master of the elements, and daughter of the supreme Protector, Sanao Mokoya has abandoned the life that once bound her. Once her visions shaped the lives of citizens across the land, but no matter what tragedy Mokoya foresaw, she could never reshape the future. Broken by the loss of her young daughter, she now hunts deadly, sky-obscuring naga in the harsh outer reaches of the kingdom with packs of dinosaurs at her side, far from everything she used to love.
On the trail of a massive naga that threatens the rebellious mining city of Bataanar, Mokoya meets the mysterious and alluring Rider. But all is not as it seems: the beast they both hunt harbors a secret that could ignite war throughout the Protectorate. As she is drawn into a conspiracy of magic and betrayal, Mokoya must come to terms with her extraordinary and dangerous gifts, or risk losing the little she has left to hold dear.
The Red Threads of Fortune is one of a pair of standalone introductions to JY Yang’s Tensorate Series, which Kate Elliott calls “effortlessly fascinating.” We have its twin novella, The Black Tides of Heaven.
When was the last time you wrote a letter or received a card in a real mailbox?
Before the Digital Age – and there was such a time – people wrote letters on paper and sent cards to each other. The latest Lilly Collection Spotlight shines on the disappearing art of letter writing, featuring a selection of books and films in which letters or ongoing correspondence play an integral role. Authors include literary and political figures such as Epicurus, Jane Austen, Dr. Martin Luther King, and Samuel Beckett.
The role letter writing plays in film, whether just as a plot device or as narration and explication helped us choose a few films from our collections. Relationships built through intimate correspondence, letters never received, mis-delivered or rediscovered frame many film narratives. Steal a Pencil for Me, Mary and Max, Letters to Juliet and P.S. I Love You are among the films featured.
Accompanying our Collection Spotlight are two exhibit cases featuring artists’ correspondence. Displayed in the lobby case are volumes of Vincent van Gogh’s letters. He was a prolific letter writer whose writings provide insight into his work, his art, and his struggles. Van Gogh often adorned his letters with drawings and sketches. The exhibit case in the foyer highlights letters written by other artists including Georgia O’Keeffe, Albert Eisenstadt, and Henry Ossawa Tanner.
In addition to the Collection Spotlight, browse the nearby interactive exhibit of handwritten notes from Duke Seniors, Class of 2019, to the First-Year members of Duke’s Class of 2022.
Feel free to pull out the notes from the board and read them. There is a bit of advice, personal observations, and even a little bit of wisdom on display!
The 61st Annual Grammy Awards wrapped up in February, and now is your chance to catch up with some of the critically-acclaimed recordings that you may have heard about but haven’t had a chance to audition yourself. The Duke Music Library is pleased to unveil a new collection spotlight of recordings nominated for the 2019 Grammy awards, featuring more than 80 albums from just about every category you’ve heard of – and some you might not have!
In addition to some of the finest recordings from the last year in Opera, Musical Theatre, and Classical, this collection spotlight includes Cardi B, Ariana Grande, Kacey Musgraves, Beck, Fred Hersch, Drake, Joshua Redman, Kurt Elling, Buddy Guy, High on Fire, and many more.
French countertenor Philippe Jaroussky is among the most famous countertenors in the world right now, and it’s a voice range that has attracted growing interest in recent years. The high range of the countertenor voice and the manner in which its unusual qualities are produced results in a sound that has often been described as unearthly – it’s also a powerful and flexible voice type, able to handle music of stunning virtuosity and highly expressive pathos. All of these qualities are beautifully demonstrated in this album of arias selected by Jaroussky from among lesser-known Handel operas, highlighting pieces which he says “reveal a more intimate, tender side of Handel.”
Preview an incredible aria from the album, “Sussurrate, onde vezzose” from Handel’s Amadigi di Gaula, which evokes the limpid and gentle murmuring of waves. Jaroussky begins with an almost impossibly hushed suspended note on the word “whispering.”
Fred Hersch and company continue to find new and innovative modes of expression within the jazz piano trio context. Featuring new Hersch originals alongside fresh interpretations of a few standard tunes, this album really shines, both in recording quality and inspired live performance.
-Jamie Keesecker, Stacks Manager and Student Supervisor, Music Library
Metal lifer Matt Pike gets the big nod after a year in which this release was not even the best thing he put out (that distinction would go to his other band Sleep’s album ‘The Sciences’). It was also a year in which he had a public struggle with diabetes that cost him a toe and grounded a large part of the tour for ‘Electric Messiah’. That said, when the award was announced early in the Grammy ceremony, the cameras spent many long seconds scanning back and forth looking for the winners in a mostly-deserted theater. Finally, from way in the back, Pike hobbled forward with the help of a cane, and accompanied by his metal peers, to accept his shiny statue. “We never really need an award for doing what we love…” was part of Pike’s on-stage comment, but the commendation was very cool all the same.
– Stephen Conrad, Order Specialist for Music and Film and Team Lead for Western Languages, Monographic Acquisitions
The new Kernis Concerto was written for Canadian violinist James Ehnes, and it really serves as a showcase for Ehnes’ strengths. He comes across as such an intelligent musician, really playing with (not just in front of) the other members of the orchestra – Kernis gives them some great moments of interplay here. This work also balances Ehnes’ ability to deliver beautifully straightforward, unfussy lines one minute and astoundingly virtuosic cadenzas the next. Oh, and apparently he watched his Grammy win on a live stream in his neighborhood grocery store parking lot. How much more Canadian and unpretentious can you get?
-Sarah Griffin, Public Services Coordinator, Music Library (and, yes, a violinist)
Come over to East Campus to see these and browse through many more on our display of CDs. Don’t have a CD drive on your laptop anymore? No, neither do we! Borrow a portable DVD/CD drive while you’re here.
Fans of accompanying visual materials may find these albums to be of particular interest:
Wayne Shorter’s immersive Emanon, packaged with its accompanying graphic novel by comic book artist Randy DuBurke.
The Berliner Philharmoniker’s 6-disc box set (4 CDs and 2 Blu-ray discs), The John Adams Edition, featuring the music of legendary minimalist composer John Adams, with photographic artwork by Wolfgang Tillmans. Recorded during the orchestra’s 2016/2017 season during which Adams served as Composer in Residence.
At the Louisiana Hayride Tonight, a massive 20-CD box set with 224-page hardcover book documenting the storied radio program broadcast live from the Municipal Auditorium in Shreveport, Louisiana between 1948 and 1960. Includes a previously unreleased recording by Hank Williams, as well as rare gems from Johnny Cash, Kitty Wells, Elvis Presley, and many more.
Battleground Korea: Songs and Sounds of America’s Forgotten War brings together an assortment of songs, news reports, public service announcements, and other spoken-word audio (including a plea for blood donations from Howdy Doody) on four CDs, accompanied by a full-color hardcover book featuring song and artist information, record covers, advertisements, propaganda posters, and rarely-seen photographs from the war.
If you are interested in finding out more details about finding graphic novels and comics in our collections, read on!
Comics and Graphic Novels in the Stacks
You can check out comics and graphic novels from our circulating collections. We have comics and graphic novels scattered throughout our libraries, with most of them housed at Lilly Library on East campus. You’ll find everything from The Walking Dead to Persepolis.
There are several ways to identify titles. If you want to browse, relevant call number sections include PN6700-6790 and NC1300-1766. You can do a title search in our library catalog for specific titles. You can also use the subject headings Comic books, strips, etc. and graphic novels to discover more titles.
We have manga in the East Asian collection on the second floor of Bostock. We hold about 600 titles in Japanese and 150 titles translated into English just in PN6790.J3 – PN6790.J34. You can also find Korean manhwa in PN6790 K6 – PN6790.K64. Popular titles held at Duke include One Piece,Dragon ball, Naruto, Astro Boy, as well as the complete works of Tezuka Osamu.
The Underground and Independent Comics Database
The Underground and Independent Comics database is the first-ever scholarly online collection for researchers and students of adult comic books and graphic novels. It features the comics themselves along with interviews, commentary, and criticism. Includes artists such as Jessica Abel, Jaime Hernandez, Jason, Harvey Pekar, Dave Sim, and many more. There are comics from around the world, including Canada, France, Italy, Spain, England, Sweden, Norway, Australia, Korea, Japan.
An extraordinary memoir from an Iranian journalist in exile about leaving her country, challenging tradition, and sparking an online movement against compulsory hijab.
A photo on Masih’s Facebook page: a woman standing proudly, face bare, hair blowing in the wind. Her crime: removing her veil, or hijab, which is compulsory for women in Iran. This is the self-portrait that sparked ‘My Stealthy Freedom,’ a social media campaign that went viral.
But Masih is so much more than the arresting face that sparked a campaign inspiring women to find their voices. She’s also a world-class journalist whose personal story, told in her unforgettably bold and spirited voice, is emotional and inspiring. She grew up in a traditional village where her mother, a tailor and respected figure in the community, was the exception to the rule in a culture where women reside in their husbands’ shadows. As a teenager, Masih was arrested for political activism and was surprised to discover she was pregnant while in police custody. When she was released, she married quickly and followed her young husband to Tehran where she was later served divorce papers to the shame and embarrassment of her religiously conservative family. Masih spent nine years struggling to regain custody of her beloved only son and was forced into exile, leaving her homeland and her heritage. Following Donald Trump’s notorious immigration ban, Masih found herself separated from her child, who lives abroad, once again.
A testament to a spirit that remains unbroken, and an enlightening, intimate invitation into a world we don’t know nearly enough about, The Wind In My Hair is the extraordinary memoir of a woman who overcame enormous adversity to fight for what she believes in, and to encourage others to do the same.
The remarkable untold story of Thomas Jefferson’s three daughters – two white and free, one black and enslaved – and the divergent paths they forged in a newly independent America.
Thomas Jefferson had three daughters: Martha and Maria by his wife, Martha Wayles Jefferson, and Harriet by his slave Sally Hemings. In Jefferson’s Daughters, Catherine Kerrison, a scholar of early American and women’s history, recounts the remarkable journey of these three women – and how their struggle to define themselves reflects both the possibilities and the limitations that resulted from the American Revolution.
Although the three women shared a father, the similarities end there. Martha and Maria received a fine convent school education while they lived with their father during his diplomatic posting in Paris – a hothouse of intellectual ferment whose celebrated salonnières are vividly brought to life in Kerrison’s narrative. Once they returned home, however, the sisters found their options limited by the laws and customs of early America.
Harriet Hemings followed a different path. She escaped slavery – apparently with the assistance of Jefferson himself. Leaving Monticello behind, she boarded a coach and set off for a decidedly uncertain future.
For this groundbreaking triple biography, Kerrison has uncovered never-before-published documents written by the Jefferson sisters when they were in their teens, as well as letters written by members of the Jefferson and Hemings families. She has interviewed Hemings family descendants (and, with their cooperation, initiated DNA testing) and searched for descendants of Harriet Hemings.
The eventful lives of Thomas Jefferson’s daughters provide a unique vantage point from which to examine the complicated patrimony of the American Revolution itself. The richly interwoven story of these three strong women and their fight to shape their own destinies sheds new light on the ongoing movement toward human rights in America – and on the personal and political legacy of one of our most controversial Founding Fathers.
First published posthumously in 1987, Pauli Murray’s Song in a Weary Throat was critically lauded, winning the Robert F. Kennedy Book Award and the Lillian Smith Book Award among other distinctions. Yet Murray’s name and extraordinary influence receded from view in the intervening years; now they are once again entering the public discourse. At last, with the republication of this “beautifully crafted” memoir, Song in a Weary Throat takes its rightful place among the great civil rights autobiographies of the twentieth century.
In a voice that is energetic, wry, and direct, Murray tells of a childhood dramatically altered by the sudden loss of her spirited, hard-working parents. Orphaned at age four, she was sent from Baltimore to segregated Durham, North Carolina, to live with her unflappable Aunt Pauline, who, while strict, was liberal-minded in accepting the tomboy Pauli as “my little boy-girl.” In fact, throughout her life, Murray would struggle with feelings of sexual “in-betweenness” – she tried unsuccessfully to get her doctors to give her testosterone – that today we would recognize as a transgendered identity.
We then follow Murray north at the age of seventeen to New York City’s Hunter College, to her embrace of Gandhi’s Satyagraha – nonviolent resistance – and south again, where she experienced Jim Crow firsthand. An early Freedom Rider, she was arrested in 1940, fifteen years before Rosa Parks’ disobedience, for sitting in the whites-only section of a Virginia bus. Murray’s activism led to relationships with Thurgood Marshall and Eleanor Roosevelt – who respectfully referred to Murray as a “firebrand” – and propelled her to a Howard University law degree and a lifelong fight against “Jane Crow” sexism. We also read Betty Friedan’s enthusiastic response to Murray’s call for an NAACP for Women – the origins of NOW. Murray sets these thrilling high-water marks against the backdrop of uncertain finances, chronic fatigue, and tragic losses both private and public, as Patricia Bell-Scott’s engaging introduction brings to life.
Now, more than thirty years after her death in 1985, Murray – poet, memoirist, lawyer, activist, and Episcopal priest – gains long-deserved recognition through a rediscovered memoir that serves as a “powerful witness” (Brittney Cooper) to a pivotal era in the American twentieth century.
It is so obvious that to treat people equally is the right thing to do,” wrote Gertrude Weil (1879-1971). In the first-ever biography of Weil, Leonard Rogoff tells the story of a modest southern Jewish woman who, while famously private, fought publicly and passionately for the progressive causes of her age. Born to a prominent family in Goldsboro, North Carolina, Weil never married and there remained ensconced – in many ways a proper southern lady – for nearly a century. From her hometown, she fought for women’s suffrage, founded her state’s League of Women Voters, pushed for labor reform and social welfare, and advocated for world peace.
Weil made national headlines during an election in 1922 when, casting her vote, she spotted and ripped up a stack of illegally marked ballots. She campaigned against lynching, convened a biracial council in her home, and in her eighties desegregated a swimming pool by diving in headfirst. Rogoff also highlights Weil’s place in the broader Jewish American experience. Whether attempting to promote the causes of southern Jewry, save her European family members from the Holocaust, or support the creation of a Jewish state, Weil fought for systemic change, all the while insisting that she had not done much beyond the ordinary duty of any citizen.
A decade before Rogoff’s book, Anne Firor Scott wrote an article about Gertrude Weil. She relates a conversation about international problems where Gertrude exclaimed, “I grow more radical every year. Who knows? I may live long enough to become a communist!”
Gertrude Weil is featured in the Women of Valor exhibit in the Jewish Women’s Archive. She also has a highway marker in Goldsboro.
Born in exile, in Zambia, to a guerrilla father and a working mother, Sisonke Msimang is constantly on the move. Her parents, talented and highly educated, travel from Zambia to Kenya and Canada and beyond with their young family. Always the outsider, and against a backdrop of racism and xenophobia, Sisonke develops her keenly perceptive view of the world. In this sparkling account of a young girl’s path to womanhood, Sisonke interweaves her personal story with her political awakening in America and Africa, her euphoria at returning to the new South Africa, and her disillusionment with the new elites. Confidential and reflective, Always Another Country is a search for belonging and identity: a warm and intimate story that will move many readers.
After three rounds of voting, the brackets are cleared, and just two Superhero movies remain standing – our Dynamic Duo of Black Panther and the family known as The Incredibles.
Are you surprised?
Lilly’s expert bracketologist, the man with super-vision and powers of prognostication isn’t … and, yet, he is also “incredibly” surprised:
This just in from the FANTASTIC FOUR news desk…
The Black Panther continues its meteoric path through the brackets, mowing down Thor: Ragnarok 95-40!
And in a complete shocker, The Incredibles, proving that blood runs thicker than water and that no one can take them out, squeak by Spiderman Into the Spider-verse, 70-65! I, your expert, for one did not see this happening! Stay tuned for the DYNAMIC DUO Champion Round:
Survive and advance – that should resonate with our Duke Crazies! Did your superhero Movie advance to the Fantastic Four?
Take that Fantastic Four to a Dynamic Duo – Vote HERE now!
Lilly’s March Movie Madness Expert Bracketologist, Nathaniel Brown, offers a recap of the epic battle waged between the remaining Exteme Eight Films:
In the Metropolis region, although Captain America did upset the hometown boy in the first round, he couldn’t handle the family of animated heroes! Jack-Jack, who’s really coming into his powers, overwhelmed the First Avenger and helped his Incredible family destroy Captain America: Civil War116-48!
The Black Panther continued to take care of Wakanda business as he thrashed all five of the Guardians with the tally of 108-56!
Spider-Man: into the Spider-Verse overtook Wonder Woman and dethroned the first-born child of the Paradise Isle, defeating her 90-74!
And in a shocker, Thor’s mighty hammer, Mjolnir, struck a fatal blow and edged the Dark Knight out of Gotham—and out of the Extreme Eight round— 84-80!
Reminder: Round 3 voting
ends Thursday March 28th at noon.
Did your superhero Movie advance to the Extreme Eight?
Vote HERE now to take that Extreme Eight to a Fantastic Four!
Need some advice? You may want to check in with Lilly Library’s resident Bracketologist, Nathaniel Brown, as he offers insights and expert March Movie Madness opinions :
After Round 1, my brackets are still intact. What about yours? As predicted, the Dark Knight protected Gotham in the first round by blasting his Lego counterpart 128-30. The God of Thunder Thor brought the thunder against Aquaman, stunning him and washing him away 134-24.
The Black Panther closed ranks and pounced Spidey right out of Wakanda 143-15. Meanwhile,, The Guardians of the Galaxy blasted the Justice League 142-16.
In a stunning upset, Superman Classic got defeated by the First Avenger in Metropolis! Cap takes it 122-36. The Incredibles proved too much for the X-Men United tossing them from the first round 144-14.
And on the Paradise Island, Wonder Woman edged out the wisecracking Deadpool, 87-71, preserving home field. Spidey and his multiverse surprised Tony Stark upending him 102-56.
Reminder: Round 2 voting runs through Sunday the 24th
Who is the best superhero or superhero faction? Does the Marvel Universe or DC Comics reign supreme? The decision is entirely in your hands if you enter Lilly Library’s March Movie Madness! While the battles for the rounds of 64 and 32 occurred on Knowhere and Xandar respectively, we announce that Super Sixteencombatants remain. Now the war has arrived on Earth (or, at least, Lilly Library) and it’s time to crown our champion!
This year’s Lilly Library March Movie Madness begins Monday, March 18th. It’s YOUR turn to enter into the fray and vote in the evolving brackets to help decide our ultimate superhero! And, yes – there are prizes!
BRACKETOLOGY by Nathaniel Brown
In the Gotham bracket, will the hometown advantage aid the Caped Crusader to pull out the victory and advance to the Fantastic Four? Which version of the Dark Knight will advance – the sarcastic and brooding Lego version, or the equally brooding, looking to retire Christian Bale version? Will the God of Thunder electrify Gotham instead? Or will the King of Atlantis flood the city?
In the Metropolis bracket, will the animated family of the Incredibles overtake the Xavier led group of mutants? Will the Man of Steel preserve home field and annihilate the First Avenger?
In the majestic bracket of Paradise Island, will Wonder Woman continue her blockbuster success and dethrone the wisecracking Deadpool? Will the Spider multiverse pelt the suit of the Man in a Tin Can with his web shooters?
Lastly, in the Wakandabracket, will the all-powerful Justice League defeat the Guardians of the Galaxy (who always seem to have their own personal agendas but come together when it counts)? Or will the King of Wakanda pounce and maul the opposition provided by the Web-slinger?
Hundreds of stunning images from black history have long been buried in the New York Times archives. Unseen dives deep into the Times photo archives – known as the Morgue – to showcase this extraordinary collection of photographs and the stories behind them.
It all started with Times photo editor Darcy Eveleigh discovering dozens of these photographs. She and three colleagues – Dana Canedy, Damien Cave and Rachel L. Swarns – began exploring the history behind them, subsequently chronicling them in a series entitled “Unpublished Black History” that ran in print and online editions of the Times in February 2016. It garnered 1.7 million views on the Times website and thousands of comments from readers. This book includes those photographs and many more, among them: a 27-year-old Jesse Jackson leading an anti-discrimination rally in Chicago, Rosa Parks arriving at a Montgomery Courthouse in Alabama, a candid behind-the-scenes shot of Aretha Franklin backstage at the Apollo Theater, Ralph Ellison on the streets of his Manhattan neighborhood, the firebombed home of Malcolm X, Myrlie Evans and her children at the funeral of her slain husband , Medgar, and a wheelchair-bound Roy Campanella at the razing of Ebbets Field.
Were the photos – or the people in them – not deemed newsworthy enough? Did the images not arrive in time for publication? Were they pushed aside by words at an institution long known as the Gray Lady? Eveleigh, Canedy, Cave, and Swarns explore all these questions and more in this one-of-a-kind book.
My favorite photograph from this book is at the beginning of the section “Arthur Mitchell, Dancing Through Barriers” on page 96. Unfortunately, this image does not appear in the online photograph series.
Talking Back: Voices of Color is a dynamic anthology featuring voices of youth, political prisoners, immigrants, and history-makers. Essays by a multi-racial, intergenerational mix of 25 Black, Latinx, Native American, and LGBTQ community organizers. Topics include quality education and environmental justice, indigenous land rights and international solidarity, film and book reviews, hidden histories of women of color, and tales of endurance and survival.
The introduction by Nellie Wong, a celebrated and widely published poet, explores the meaning of talking back as a step in gaining self-esteem and as a collective act. She writes: “To whom do we talk back? To those who will silence us. Those who incarcerate us in prison or in the home. Those who deny us our rights to cross borders to seek refuge from violence and safety for our children. Those who brutalize us because of our race, gender or sexuality… These voices of color matter. They need to be heard. Everywhere.”
This vibrant anthology astonished me at every turn. Many of the events referenced are history that I was never taught, stories that never penetrated the mainstream media, and news that never struck me as important on a visceral level amid the flood of a 24/7 news cycle and the filter effect of social media. Talking Back: Voices of Color opened my eyes to lived realities. I highly recommend this book, but reading it requires open-mindedness and a willingness to listen rather than reflexively judge based on the organizers’ politics.
Writer Ted Fox and artist James Otis Smith bring to life Harlem’s legendary theater in this graphic novel adaptation of Fox’s definitive, critically acclaimed history of the Apollo.
Since its inception as an African-American theater in 1934, the Apollo, and the thousands of entertainers who performed there, have led the way in the presentation of swing, bebop, rhythm and blues, jazz, gospel, soul, funk and hip-hop – along with the latest in dance and comedy. The Apollo has nurtured and featured thousands of artists, many of whom have become legends. The beauty they have given the world – their art – transcends the hatred, ignorance, and intolerance that often made their lives difficult. Today, the Apollo enjoys an almost mythical status. With its breathtaking art, this graphic novel adaptation of Showtime at the Apollo brings to life the theater’s legendary significance in music history, African American history, and the culture of New York City.
Multiversity Comics interviewed Ted Fox and James Otis Smith at New York Comic Con 2018. In addition to the new graphic novel, we have the 1983 book it was adapted from.
Indigenous people and African descendants in Latin America and the Caribbean have long been affected by a social hierarchy established by elites, through which some groups were racialized and others were normalized. Far from being “racial paradises” populated by an amalgamated “cosmic race” of mulattos and mestizos, Latin America and the Caribbean have long been sites of shifting exploitative strategies and ideologies, ranging from scientific racism and eugenics to the more sophisticated official denial of racism and ethnic difference. This book, among the first to focus on African descendants in the region, brings together diverse reflections from scholars, activists, and funding agency representatives working to end racism and promote human rights in the Americas. By focusing on the ways racism inhibits agency among African descendants and the ways African-descendant groups position themselves in order to overcome obstacles, this interdisciplinary book provides a multi-faceted analysis of one of the gravest contemporary problems in the Americas.
Newbery Medalist Erin Entrada Kelly’s Hello, Universe is a funny and poignant neighborhood story about unexpected friendships.
In one day, four lives weave together in unexpected ways. Virgil Salinas is shy and kindhearted and feels out of place in his crazy-about-sports family. Valencia Somerset, who is deaf, is smart, brave, and secretly lonely, and she loves everything about nature. Kaori Tanaka is a self-proclaimed psychic, whose little sister, Gen, is always following her around. And Chet Bullens wishes the weird kids would just stop being so different so he can concentrate on basketball.
They aren’t friends, at least not until Chet pulls a prank that traps Virgil and his pet guinea pig at the bottom of a well. This disaster leads Kaori, Gen, and Valencia on an epic quest to find missing Virgil. Through luck, smarts, bravery, and a little help from the universe, a rescue is performed, a bully is put in his place, and friendship blooms.
The acclaimed and award-winning author of Blackbird Fly and The Land of Forgotten Girls writes with an authentic, humorous, and irresistible tween voice that will appeal to fans of Thanhha Lai and Rita Williams-Garcia.
I saw this book while browsing the New and Noteworthy collection. It looked adorable and positive, and did not disappoint. Hello Universe is so cute and wholesome that I was tearing up at the end because everything turns out well and friendship is amazing.
Cold and dreary January doesn’t have to be the bleakest and grayest time of year. Visit Lilly Library’s new Collection Spotlight and exhibit to brighten your winter season! To warm you, the Lilly Collection Spotlight What’s Cooking in the Libraries? offers a serving of books and films in celebration of food, chefs, and international cuisine. To accompany our main course, feast your eyes on our latest exhibit Carnival, Carnevale, Carnaval, Karneval, an overview and celebration of international Carnival traditions.
What’s Cooking in the Libraries?
Food captured on-screen appeals to all our senses. Savor our diverse selection of foodie-films with favorites such as Ratatouille, Big Night, Tortilla Soup, City of Gold, Tampopo, Jiro Dreams of Sushi, Chef, Eat Drink Man Woman, and many more!
Books about chefs, food history, and culinary traditions and cuisines complete our menu. Sample more books and films about food in Lilly and the Duke Libraries here.
Carnival, Carnevale, Carnaval, Karneval
In addition to our feast of books and films about food, our exhibit Carnival, Carnevale, Carnaval, Karnaval highlights the variety and breadth of carnival festivities celebrated throughout the world. Practiced over several centuries, the ancient tradition of a mid-February Carnival has evolved and become as varied and diverse as its many locales. Originating from spiritual and religious traditions, present-day carnival festivities are exuberant and high-spirited affairs. Venice, Rio, New Orleans, Bavarian towns, cantons of Switzerland, and the islands of the Caribbean are just a few settings noted for elaborate celebrations and revelry during the Carnival season. Explore films and books about carnival here.
Even though it is winter, Laissez les bons temps rouler!
Celebrate the end of Fall Semester with the Stampede of Love!
Have you heard about the “mane” event at Lilly Library?
Where did Fall Semester go? December is here, and with it, exams await all Duke students. Because the First-Year students live on East Campus, the staff at Lilly Library does its best to offer support and relieve the stress of the fall semester for our “neighbors” experiencing their first finals at Duke. Extending our hours to a 24/7 schedule during exams, offering a study break with refreshments, and a room reserved as a relaxation station are longstanding Lilly traditions.
But the end of Fall Semester 2018 is different, a horse of a different color, so to speak! On Friday, December 7th, we are hosting the Stampede of Love, miniature therapy horses whose tiny hooves will bring smiles to stressed students. If you decide to trot over to East Campus, here is a list of useful dates and event:
As we head into the end of the semester and the holidays, you may be looking for something new to read! Check out our New and Noteworthy and Current Literature collections for some good titles. And if you are traveling, don’t forget about our Overdrive collection for e-books you can easily download to your devices.
84K by Claire North. The penalty for Dani Cumali’s murder: £84,000. Theo works in the Criminal Audit Office. He assesses each crime that crosses his desk and makes sure the correct debt to society is paid in full. These days, there’s no need to go to prison – provided that you can afford to pay the penalty for the crime you’ve committed. If you’re rich enough, you can get away with murder. But Dani’s murder is different. When Theo finds her lifeless body, and a hired killer standing over her and calmly calling the police to confess, he can’t let her death become just an entry on a balance sheet. Someone is responsible. And Theo is going to find them and make them pay. You can read reviews here and here.
The Paris Seamstress by Natasha Lester is an internationally bestselling World War II novel that spans generations, crosses oceans, and proves just how much two young women are willing to sacrifice for love and family. 1940: As the Germans advance upon Paris, young seamstress Estella Bissette is forced to flee everything she’s ever known. She’s bound for New York City with her signature gold dress, a few francs, and a dream: to make her mark on the world of fashion. Present day: Fabienne Bissette journeys to the Met’s annual gala for an exhibit featuring the work of her ailing grandmother – a legend of women’s fashion design. But as Fabienne begins to learn more about her beloved grandmother’s past, she uncovers a story of tragedy, heartbreak and family secrets that will dramatically change her own life. You can read an interview with the author here.
The Emperor of Shoes: A Novel by Spencer Wise. Alex Cohen, a twenty-six-year-old Jewish Bostonian, is living in southern China, where his father runs their family-owned shoe factory. Alex reluctantly assumes the helm of the company, but as he explores the plant’s vast floors and assembly lines, he comes to a grim realization: employees are exploited, regulatory systems are corrupt and Alex’s own father is engaging in bribes to protect the bottom line. When Alex meets a seamstress named Ivy, his sympathies begin to shift. She is an embedded organizer of a pro-democratic Chinese party, secretly sowing dissonance among her fellow laborers. Will Alex remain loyal to his father and his heritage? Or will the sparks of revolution ignite? Deftly plotted and vibrantly drawn, The Emperor of Shoes is a timely meditation on idealism, ambition, father-son rivalry and cultural revolution, set against a vivid backdrop of social and technological change. You can read a review here, and read an interview here.
The Clockmaker’s Daughter: A Novel by Kate Morton. In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins. Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river. Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets? You can read reviews here, here, and here.
The invention of Ana by Mikkel Rosengaard (translated by Caroline Waight). On a rooftop in Brooklyn on a spring night, a young intern and would-be writer, newly arrived from Copenhagen, meets the intriguing Ana Ivan. Clever and funny, with an air of mystery and melancholia, Ana is a performance artist, a mathematician, and a self-proclaimed time traveler. Before long, the intern finds himself seduced by Ana’s enthralling stories, and Ana also introduces him to her latest artistic endeavor. Following the astronomical rather than the Gregorian calendar, she is trying to alter her sense of time–an experiment that will lead her to live in complete darkness for one month. The Invention of Ana blurs the lines between narrative and memory, perception and reality, identity and authenticity. You can read reviews here and here.
Asian America: Movements, Communities, Settlements
– an exhibit –
A new exhibit, now on display in the History Department on East Campus, is open to the Duke community. Curated by Sucheta Mazumdar, Associate Professor of History and Alta Zhang, Research Associate, the exhibit marks both the 50th anniversary of the Civil Rights Act of 1968 and the 50th anniversary of Third World Student Strike at San Francisco State University. The Third World Student Strike led to the founding of the first College of Ethnic Studies at San Francisco State University, and helped to establish Ethnic Studies as a discipline in universities throughout the United States. Duke University is celebrating the inaugural year of its Asian American Studies Program (AASP) at Duke by hosting a conference, Afro/Asian Connections in the Local/Global South.
The opening of this exhibit coincides with the Asian American Studies Program’s inaugural conference and features materials from the David M. Rubenstein Rare Book & Manuscript Library. Librarians Kelley Lawton and Carson Holloway of Lilly Library prepared the chronology of Asian American history found in the exhibit.
Exhibits made possible by and/or funded by History Department, Dean of Arts and Sciences, Dean of Humanities, Dean of Social Sciences, Asian American Studies Program, The Kenan Institute for Ethics, and Global Asia Initiative
Lilly’s collections include books on philosophy and ethics, graphic novels, art and visual studies, and film. To commemorate the 200th anniversary of the publication of Mary Wollstonecraft Shelley’s enduring tale, Frankenstein; or the Modern Prometheus, both Lilly and Perkins are highlighting their titles on the subject. At Lilly we’ve thrown in additional scary movies to add to the horror. Enjoy the holiday chills!
A new exhibit in Perkins Library celebrates Duke Kunshan University, a partnership between Duke University, Wuhan University, and the city of Kunshan with the mission to create a world-class institution embodying both Chinese and American traditions of higher education. The continued process of learning how to strike balance between differing cultures has made Duke Kunshan’s brief history quite complex.
This exhibition offers up the story of Duke Kunshan’s development – its accomplishments, opportunities, challenges, and risks – and brings an important perspective to our understanding of how international partnerships can address the changing needs and challenges of global higher education.
Walking through the exhibit, a visitor can explore a timeline of key events, read articles on the collaboration, and explore the rich curriculum that has come out of Duke Kunshan. The sounds of new and traditional Chinese music against the backdrop of a beautiful, architectural mural welcomes visitors to partake in their own peaceful, contemplative discovery of Duke Kunshan.
Reception Celebrating the Exhibit: Please Join Us!
The reception program will begin at 5:00 p.m. with welcome remarks by Provost Sally Kornbluth. Mary Brown Bullock, Executive Vice Chancellor Emerita of Duke Kunshan University, will speak about the internationalization of China’s higher education system and current China-US education relations. Peter Lange, Provost Emeritus of Duke University, will discuss the development of Duke Kunshan.
Light refreshments will be served. Free and open to the public.
It probably won’t surprise you to hear that there have been a lot of adaptations and works inspired by Frankenstein. In today’s blog post I’m going to share some film and novel adaptations that you might be interested in taking a look at.
Let’s start with some of the film titles! The titles that I am sharing with you can be found at our Lilly Library. In fact most of them are currently on display in their collection spotlight!
Young Frankenstein: A finely tuned parody of the old Frankenstein movies, in which Gene Wilder returns to the old country to clear his family name. This classic comedy was directed by Mel Brooks and has a screenplay by Gene Wilder and Mel Brooks.
Frankenstein: Still regarded as the definitive film version of Mary Shelley’s classic tale of tragedy and horror, Frankenstein made unknown character actor Boris Karloff a star and created a new icon of terror. Along with the highly successful Dracula, released earlier the same year, it launched Universal Studio’s golden age of 1930s horror movies. The film’s greatness stems less from its script than from the stark but moody atmosphere created by director James Whale.
Mary Shelley’s Frankenstein: This 1994 version is a more faithful adaptation than some of the older versions, though it still takes some liberties with the plot. It was directed by and starred Kenneth Branagh. It also features Robert De Niro and Helena Bonham Carter.
I, Frankenstein: Set in a dystopic present where vigilant gargoyles and ferocious demons rage in a battle for ultimate power, Victor Frankenstein’s creation Adam finds himself caught in the middle as both sides race to discover the secret to his immortality.
In addition to films, Frankenstein’s monster has inspired directly and indirectly many authors.
A Monster’s Notes by Laurie Sheck. What if Mary Shelley had not invented Frankenstein’s monster but had met him when she was a girl of eight, sitting by her mother’s grave, and he came to her unbidden? What if their secret bond left her forever changed, obsessed with the strange being whom she had discovered at a time of need? What if he were still alive in the twenty-first century? This bold, genre-defying book brings us the “monster” in his own words.
Frankenstein Unbound by Brian W. Aldiss. Joe Bodenland, a 21st century American, passes through a timeslip and finds himself with Byron and Shelley in the famous villa on the shore of Lake Geneva. More fantastically, he finds himself face to face with a real Frankenstein, a doppelganger inhabiting a complex world.
Frankenstein in Baghdad by Ahmed Saadawi. From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi–a scavenger and an oddball fixture at a local café–collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. This book was a Man Booker International Prize finalist!
Destroyer by Victor LaValle. The legacy of Frankenstein’s monster collides with the sociopolitical tensions of the present-day United States. Mary Shelley’s Frankenstein beseeched his creator for love and companionship, but in 2017, the monster has long discarded any notions of peace or inclusion. He has become the Destroyer, his only goal to eliminate the scourge of humanity from the planet. In this goal, he initially finds a willing partner in Dr. Baker, a descendant of the Frankenstein family who has lost her teenage son after an encounter with the police. While two scientists, Percy and Byron, initially believe they’re brought to protect Dr. Baker from the monster, they soon realize they may have to protect the world from the monster and Dr. Baker’s wrath.
The dark descent of Elizabeth Frankenstein by Kiersten White. Elizabeth Lavenza hasn’t had a proper meal in weeks. Her thin arms are covered with bruises from her “caregiver,” and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything–except a friend. Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable–and it works. But her new life comes at a price. As the years pass, Elizabeth’s survival depends on managing Victor’s dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness.
Looking for an easy way to help people affected by Hurricane Florence?
From October 10-26, you can exchange “Food for Fines” at the Duke library nearest you.
For every unopened, unexpired, non-perishable food item you donate, we will waive $1 of your library fines (up to $25 max).
All libraries on East and West Campus are participating, and it doesn’t matter which library you owe fines to. You can drop off your donation at the library of your choice, and we’ll apply it to any library fines at any Duke library.
Donations will be collected and distributed by the Food Bank of Central and Eastern NC. The Food Bank serves a network of more than 800 agencies across 34 counties in Central and Eastern North Carolina, including soup kitchens, food pantries, shelters, and programs for children and adults.
You can also donate non-food essentials for infants, kids, and seniors, such as diapers, wipes, cleaning products, and paper towels. The chart below lists the items currently needed most.
No library fines? No problem! You can still donate and help North Carolinians in need.
The fine print
Limit $25 in forgiven fines per person.
Any fines already paid or transferred to the bursar cannot be waived.
No expired food items or glass containers, please.
Waived fines only apply to late fees. Charges for damaged or lost books cannot be waived.
All Duke libraries will waive fines for other Duke libraries. For example, if you owe $5 to the Law Library, you are not required to drop off your donation at the Law Library. You can visit any library on East or West Campus and your Law Library fines will be waived.
Although classes have started and September is here, it’s still doggone hot outside. In honor of these waning dog days of summer, Lilly Library has curated a selection of dog books and films for you to enjoy (with or without your furry friends!) in the comfort of the A/C. Here are some of my personal favorites from our Collection Spotlight.
One of my favorite mockumentaries, Best in Show lampoons dog shows and the people who obsess over them. If you’ve seen a Christopher Guest directed film before (Spinal Tap, Waiting for Guffman, A Mighty Wind) lots of the usual suspects show up in this one, including Michael McKean, Jane Lynch, and Eugene Levy. Highly recommended for bloodhound fans.
Even if you’re not familiar with the name William Wegman, I’m willing to bet you’ve seen one of his photographs. Wegman is most famous for his many photos of his gray Weimaraner hunting dogs, who are often posed on furniture or wearing costumes. A wonderful book of phodography!
An exhibition catalog from the Berlin Museum of Prints and Drawings, this book contains depictions of canines in art ranging from medieval times to the modern era. Recommended if you want to get a broad sampling of dogs in art.
No actual dogs involved in this one, but it does feature the oppressive heat we’re currently facing here in Durham. Set during a steamy afternoon in New York City, this Sidney Lumet film follows two bank robbers (Al Pacino and the excellent John Cazale) as their plans go sideways and they are forced to improvise. This film is a must-watch masterpiece.
Drop by Lilly Library and check out the Collection Spotlight stand to the left of the front desk for more dog-themed books and films!
Welcome back to campus! If you are looking for something to read, you have several options! First we have our New and Noteworthy collection at Perkins Library and the Current Literature collection at Lilly Library. You might also be interested in using Overdrive! And now check out some of these suggestions on what to read this month!
Ambiguity Machines & Other Stories by Vandana Singh, who Ursula K. Le Guin described as “A most promising and original young writer.” In her first North American collection, Singh’s deep humanism interplays with her scientific background in stories that explore and celebrate this world and others and characters who are trying to make sense of the people they meet, what they see, and the challenges they face. An eleventh century poet wakes to find he is as an artificially intelligent companion on a starship. A woman of no account has the ability to look into the past. In “Requiem,” a major new novella, a woman goes to Alaska to try and make sense of her aunt’s disappearance.
Daphne: A Novel by Will Boast. Elegantly written and profoundly moving, this spellbinding debut affirms Boast’s reputation as a “new young American voice for the ages” (Tom Franklin). Born with a rare (and real) condition in which she suffers degrees of paralysis when faced with intense emotion, Daphne has few close friends and even fewer lovers. Like her mythic namesake, even one touch can freeze her. But when Daphne meets shy, charming Ollie, her well-honed defenses falter, and she’s faced with an impossible choice: cling to her pristine, manicured isolation or risk the recklessness of real intimacy. Set against the vivid backdrop of a San Francisco flush with money and pulsing with protest, Daphne is a gripping and tender modern fable that explores both self-determination and the perpetual fight between love and safety. Read reviews here and here.
The Last Equation of Isaac Severy: A Novel in Clues by Nova Jacobs. A literary mystery about a struggling bookseller whose recently deceased grandfather, a famed mathematician, left behind a dangerous equation for her to track down–and protect–before others can get their hands on it. Just days after mathematician and family patriarch Isaac Severy dies of an apparent suicide, his adopted granddaughter Hazel, owner of a struggling Seattle bookstore, receives a letter from him by mail. In it, Isaac alludes to a secretive organization that is after his final bombshell equation, and he charges Hazel with safely delivering it to a trusted colleague. But first, she must find where the equation is hidden. You can read a review here, and an interview here.
Gun Love: A Novel by Jennifer Clement. Pearl’s mother took her away from her family just weeks after she was born, and drove off to central Florida determined to begin a new life for herself and her daughter–in the parking lot next to a trailer park. Pearl grew up in the front seat of their ’94 Mercury, while her mother lived in the back. Despite their hardships, mother and daughter both adjusted to life, making friends with the residents of the trailers and creating a deep connection to each other. All around them, Florida is populated with gun owners–those hunting alligators for sport, those who want to protect their families, and those who create a sense of danger. Written in a gorgeous lyric all its own, Gun Love is the story of a tough but optimistic young woman growing up in contemporary America, in the midst of its harrowing love affair with firearms. You can read reviews here and here.
Song of a Captive Bird: A Novel by Jasmin Darznik. All through her childhood in Tehran, Forugh Farrokhzad is told that Persian daughters should be quiet and modest. She is taught only to obey, but she always finds ways to rebel–gossiping with her sister among the fragrant roses of her mother’s walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. During the summer of 1950, Forugh’s passion for poetry takes flight–and tradition seeks to clip her wings. Inspired by Forugh Farrokhzad’s verse, letters, films, and interviews–and including original translations of her poems–this haunting novel uses the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran–and who continues to inspire generations of women around the world. You can read about the author’s inspiration for this novel here.
Members of these advisory boards will help improve the learning and research environment for Duke University students and advise the Libraries on topics such as study spaces, research resources, integrating library services into academic courses, and marketing library services to students.
The boards will typically meet four times a semester to discuss all aspects of Duke Libraries and provide feedback to library staff. This is an amazing opportunity for students to serve on the advisory board of a large, nationally recognized non-profit organization.
All three advisory boards are now taking applications or nominations. Application deadlines are:
Members of the Graduate and Professional Student Advisory Board and the Undergraduate Advisory Board will be selected and notified by mid-September, and groups will begin to meet in late September. More information is available on our website, where you will also find links to the online applications forms.
For more information or questions about these opportunities, please contact:
Each August, a new class of undergraduates arrives in Durham ready to immerse themselves in the Duke Community. Duke University Libraries serve as the core of intellectual life on campus. Because East Campus is home to the First-Year students, Lilly and Music Libraries have the unique opportunity to introduce our newest “Dukies” to the array of Library resources and research services available.
To help navigate the vast library resources, there is a portal especially for First-Year Students. Through this portal page, new students (and even some not-so-new) can discover all that the Duke University Libraries offer:
Welcome to East Campus
for Your First-Year Library Experience
On August 21st, the newest Blue Devils, the Class of Duke 2022, will arrive on East Campus for Orientation, also known as Big-O Week. Numerous events, workshops and programs are presented to ease the transition to life as an undergraduate.
The two libraries on East Campus, Lilly Library and Duke Music Library welcome our newest neighbors and do our part to introduce the newest “Dukies” to the powerful research resources of the Duke Libraries. On Move-In Day exclusively, Lilly is the pick up site for Blue Devil Delivery for pre-ordered textbooks and computers. Lilly is home to the film collection as well as a range of other material, and Music … is self-explanatory.
Where: East Campus Quad between Lilly and the East Union
In addition to the Movie on the Quad, Lilly and Music will host a Superheroes Open House the first week of class. Duke 2022 can explore our powerful library services : experts in research, 3D labs, streaming media, Residence Hall Librarians, study spaces – and enjoy food and win prizes!
Brit(ish): On Race, Identity and Belonging by Afua Hirsch. You’re British. Your parents are British. You were raised in Britain. Your partner, your children and most of your friends are British. So why do people keep asking you where you are from? Brit(ish), which is part memoir, part reportage, and part commentary, is about a search for identity. It is about the everyday racism that plagues British society. It is about our awkward, troubled relationship with our history. You can read reviews here and here.
The Parking Lot Attendant: A Novel by Nafkote Tamirat is a haunting story of fatherhood, national identity, and what it means to be an immigrant in America today. It explores how who we love, the choices we make, and the places we’re from combine to make us who we are. The story begins on an undisclosed island where the unnamed narrator and her father are the two newest and least liked members of a commune that has taken up residence there. Though the commune was built on utopian principles, it quickly becomes clear that life here is not as harmonious as the founders intended. After immersing us in life on the island, our young heroine takes us back to Boston to recount the events that brought her here. You can read reviews here and here. You might also be interested in this interview with the author.
Creative Quest by Questlove. A unique new guide to creativity from Questlove–inspirations, stories, and lessons on how to live your best creative life. Questlove–musician, bandleader, designer, producer, culinary entrepreneur, professor, and all-around cultural omnivore–shares his wisdom on the topics of inspiration and originality in a one-of-a-kind guide to living your best creative life. In Creative Quest, Questlove synthesizes all the creative philosophies, lessons, and stories he’s heard from the many creators and collaborators in his life, and reflects on his own experience, to advise readers and fans on how to consider creativity and where to find it. He addresses many topics–what it means to be creative, how to find a mentor and serve as an apprentice, the wisdom of maintaining a creative network, coping with critics and the foibles of success, and the specific pitfalls of contemporary culture–all in the service of guiding admirers who have followed his career and newcomers not yet acquainted with his story.
The Long Hangover: Putin’s New Russia and the Ghosts of the Past by Shaun Walker provides a deeply reported, bottom-up explanation of Russia’s resurgence under Putin. By cleverly exploiting the memory of the Soviet victory over fascism in World War II, Putin’s regime has made ordinary Russians feel that their country is great again. Walker provides new insight into contemporary Russia and its search for a new identity, telling the story through the country’s troubled relationship with its Soviet past. He not only explains Vladimir Putin’s goals and the government’s official manipulations of history, but also focuses on ordinary Russians and their motivations. He charts how Putin raised victory in World War II to the status of a national founding myth in the search for a unifying force to heal a divided country, and shows how dangerous the ramifications of this have been. If you want to learn more, you might find this video of a talk he gave at the NYU’s Jordan Center for the Advanced Study of Russia.
Odd Girl Out: My Extraordinary Autistic Life by Laura James is a sensory portrait of an autistic mind. From childhood, Laura James knew she was different. She struggled to cope in a world that often made no sense to her, as though her brain had its own operating system. It wasn’t until she reached her forties that she found out why: suddenly and surprisingly, she was diagnosed with autism. With a touching and searing honesty, Laura challenges everything we think we know about what it means to be autistic. Married with four children and a successful journalist, Laura examines the ways in which autism has shaped her career, her approach to motherhood, and her closest relationships. Laura’s upbeat, witty writing offers new insight into the day-to-day struggles of living with autism, as her extreme attention to sensory detail–a common aspect of her autism–is fascinating to observe through her eyes. You can read a review here, and learn more about the author’s experience here.
Here in the library, we’re taking the summer months to evaluate some of our communications efforts.
In particular, we’re asking for your feedback on our email newsletter, which goes out every other week during the academic year. (What’s that? You don’t subscribe to our email newsletter? We can fix that right now!)
The American Dance Festival kicked off its 41st year in Durham this June 2018. Lilly Libraryis celebrating with an exhibit and collection spotlight highlighting our diverse range of books and films related to dance.
Duke University Libraries house the ADF Archives, including its Moving Images Collection of approximately 2,000 films and videos from 1930 to the present. These videos capture dance classes, panels, performances, discussions, showings, interviews and special events. Many can be viewed on-site in Lilly. Stop by and check us out!
Saturdays in June and July, view Movies By Movers, at the Nasher Museum of Art and White Lecture Hall on Duke’s East Campus. This ADF series is a bi-annual festival dedicated to the celebration of body and the camera. A full screening schedule can be found here.
The Elizas by Sara Shepard (the author of Pretty Little Liars) is the her first adult novel. It’s an Hitchcockian double narrative composed of lies, false memories, and a protagonist who must uncover the truth for survival. When debut novelist Eliza Fontaine is found at the bottom of a hotel pool, her family at first assumes that it’s just another failed suicide attempt. But Eliza swears she was pushed, and her rescuer is the only witness. Desperate to find out who attacked her, Eliza takes it upon herself to investigate. But as the publication date for her novel draws closer, Eliza finds more questions than answers. Like why are her editor, agent, and family mixing up events from her novel with events from her life? Her novel is completely fictional, isn’t it? You can read an excerpt here.
Blue Dreams: The Science and the Story of the Drugs that Changed Our Minds by Lauren Slater. Although one in five Americans now takes at least one psychotropic drug, the fact remains that nearly seventy years after doctors first began prescribing them, not even their creators understand exactly how or why these drugs work–or don’t work–on what ails our brains. Blue Dreams offers the explosive story of the discovery and development of psychiatric medications, as well as the science and the people behind their invention, told by a riveting writer and psychologist who shares her own experience with the highs and lows of psychiatric drugs. Lauren Slater’s revelatory account charts psychiatry’s journey from its earliest drugs, Thorazine and lithium, up through Prozac and other major antidepressants of the present. In her thorough analysis of each treatment, Slater asks three fundamental questions: how was the drug born, how does it work (or fail to work), and what does it reveal about the ailments it is meant to treat? You can read reviews here and here. You might also find this NPR interview interesting.
The House of Broken Angels: A Novel by Luis Alberto Urrea. In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel’s half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. The story of the de La Cruzes is the quintessential American story. This indelible portrait of a complex family reminds us of what it means to be the first generation and to live two lives across one border. You can read reviews here and here. You might also like to read about the inspiration for the novel.
The Pursuit of Endurance: Harnessing the Record-breaking Power of Strength and Resilience by Jennifer Pharr Davis, National Geographic’s Adventurer of the Year in 2012 and a a record holder of the FKT (fastest known time) on the Appalachian Trail. She reveals the secrets and habits behind endurance as she chronicles her incredible accomplishments in the world of endurance hiking, backpacking, and trail running. With a storyteller’s ear for fascinating detail and description, Davis takes readers along as she trains and sets her record, analyzing and trail-testing the theories and methodologies espoused by her star-studded roster of mentors. She distills complex rituals and histories into easy-to-understand tips and action items that will help you take perseverance to the next level. You can read an excerpt here.
Caddyshack: The Making of a Hollywood Cinderella Story by Chris Nashawaty. Caddyshack is one of the most beloved comedies of all time, a classic snobs vs. slobs story of working class kids and the white collar buffoons that make them haul their golf bags in the hot summer sun. It has sex, drugs and one very memorable candy bar, but the movie we all know and love didn’t start out that way, and everyone who made it certainly didn’t have the word “classic” in mind as the cameras were rolling. Chris Nashawaty, film critic for Entertainment Weekly, goes behind the scenes of the iconic film, chronicling the rise of comedy’s greatest deranged minds as they form The National Lampoon, turn the entertainment industry on its head, and ultimately blow up both a golf course and popular culture as we know it. It is at once an eye-opening narrative about one of the most interesting, surreal, and dramatic film productions there’s ever been, and a rich portrait of the biggest, and most revolutionary names in Hollywood. So, it’s got that going for it…which is nice.
Broad Band: The Untold Story of the Women Who Made the Internet by Claire L. Evans, VICE futures editor and lead singer of the band YACHT. She presents the first social history of women and the internet. These innovators, concentrating where computers have made our lives better, richer, and more connected, are the unsung heroes of network culture. The book features women who have pioneered technology, like Ada Lovelace, Grace Hopper, Stacy Horn, as well as database poets, desktop thespians, cyber-ingenues, glass ceiling-shattering entrepreneurs, and the self-proclaimed “biggest bitch in Silicon Alley.” You can read an interview with the author here, and a book recommendation from the editors of Scientific American.
Circe by Madeline Miller. In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child–not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power–the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. With unforgettably vivid characters, mesmerizing language and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man’s world. Read reviews here, here, and here. You may also like this interview with the author.
How To Break Up with Your Phone by Catherine Price. Packed with tested strategies and practical tips, this book is the essential, life-changing guide for everyone who owns a smartphone. Is your phone the first thing you reach for in the morning and the last thing you touch before bed? Do you frequently pick it up “just to check,” only to look up forty-five minutes later wondering where the time has gone? Do you say you want to spend less time on your phone–but have no idea how to do so without giving it up completely? If so, this book is your solution. You can read some of her advice in this NYT article.
I Am, I Am, I Am: Seventeen Brushes with Death by Maggie O’Farrell. Ann Patchett had this to say about this book: “I Am I Am I Am is a gripping and glorious investigation of death that leaves the reader feeling breathless, grateful, and fully alive. Maggie O’Farrell is a miracle in every sense. I will never forget this book.” This astonishing memoir recounts the near-death experiences that have punctuated and defined her life. Seventeen discrete encounters with Maggie at different ages, in different locations, reveal a whole life in a series of tense, visceral snapshots. In taut prose that vibrates with electricity and restrained emotion, O’Farrell captures the perils running just beneath the surface, and illuminates the preciousness, beauty, and mysteries of life itself. In taut prose that vibrates with electricity and restrained emotion, O’Farrell captures the perils running just beneath the surface, and illuminates the preciousness, beauty, and mysteries of life itself.
Speak No Evil by Uzodinma Iweala. In the long-anticipated novel from the author of the critically acclaimed Beasts of No Nation, a revelation shared between two privileged teenagers from very different backgrounds sets off a chain of events with devastating consequences. It explores what it means to be different in a fundamentally conformist society and how that difference plays out in our inner and outer struggles. It is a novel about the power of words and self-identification, about who gets to speak and who has the power to speak for other people. You can read reviews here, here, and here.
Our Lilly Collection Spotlight shines on talented Duke Alumni including authors, broadcasters, researchers, as well as many who are accomplished in popular entertainment – both on screen and behind the scenes. Their studies while at Duke are varied, and for many, their majors were not directly related to their career. The featured books encompass a range of genres and styles – from sociological research to critically acclaimed fiction to sports journalism. Duke alumni working in film and television produce and appear in a variety of films including comedies, drama and thoughtful documentaries. Actors, directors, writers – they experience success both in front of the camera and behind. What they all have in common is their “Duke experience”.
Check out the entire list of books in the Lilly Collection Spotlightand visit Lilly Library to view the exhibit Duke Alumni on the Screen and Behind the Scenes.
Pulitzer Prize winner and American master Anne Tyler’s inspired, witty and irresistible contemporary take on one of Shakespeare’s most beloved comedies. Tyler graduated from Duke in 1961.
The Legends Club : Dean Smith, Mike Krzyzewski, Jim Valvano, and an epic college basketball rivalry
In the skillful hands of John Feinstein (Duke 1977), this extraordinary rivalry–and the men behind it–comes to life in a unique, intimate way. The Legends Club is a sports book that captures an era in American sport and culture, documenting the inside view of a decade of absolutely incredible competition.
Dollars and sense : how we misthink money and how to spend smarter Bestselling author (Predictably Irrational) and behavioral economist Dan Ariely (PhD Business 1998) teams up with financial comedian and writer Jeff Kreisler to challenge many of our most basic assumptions about the precarious relationship between our brains and our money.
The Gaza Kitchen: a Palestinian culinary journey
This is a richly illustrated and researched cookbook that explores the distinctive cuisine of the area known prior to 1948 as the Gaza District–and that of the many refugees who came to Gaza in 1948 and have been forced to stay there ever since. In summer 2010, Laila El-Haddad (Duke 2000) and Maggie Schmitt traveled throughout the Gaza Strip to collect the recipes and shoot the stunning photographs presented in the book.
Forever Duke: On the Screen and Behind the Scenes
Accompanying the books in the Collection Spotlight, the current exhibit in the Lilly Library foyer is Forever Duke: On the Screen and Behind the Scenes. The works of Duke alumni filmmakers, writers and actors featured include films and series found in the Lilly Library collections. A few of the more well known titles or personalities:
We Were Soldiers Directed by Randall Wallace (’72) Wallace wrote and directed We Were Soldiers. Nominated for an Oscar as screenwriter for Braveheart, he also worked on films such as Pearl Harbor and The Man in the Iron Mask.
Community and The Hangover
Ken Jeong (’90) was a premed student at Duke. A licensed physician, Jeong found fame in comic roles in both television and film.
Other Duke luminaries include actress and Baldwin Scholar Annabeth Gish (’93) who stars in the current X-Files, Martin Kratt (’89), the co-creator of the beloved children’s series Zoboomafoo and Wild Kratts, Oscar and BAFTA nominee cinematographer Robert Yeoman (’73) , film editor Alisa Lepselter who has worked on Woody Allen films such as Midnight in Paris and Match Point, and documentary filmmakers Ryan White (’04) and Rossana Lacayo (’79).
The Duke campus and Durham have also been featured in film and television; productions include Bull Durham, The Handmaid’s Tale (the film), The Program, Main Street, Iron Man 3, Kiss the Girls, Brainstorm and the late 1990’s coming-of-age television series Dawson’s Creek. Whether it’s American Pie 2, Mystic Pizza, The Squid and the Whale or Parks and Recreation, you will find a Blue Devil!
This month’s collection spotlight is “From Page to Screen,” where we are featuring books that have been turned into films or television shows in the last couple of years. You can check out this display at the Collection Spotlight rack near our Perkins Library Service Desk on the first floor of Perkins. Here’s a brief selection of the titles you will find there:
I Am Not Your Negro is an interesting case because while the text is from James Baldwin, it was compiled and edited together by the filmmaker Raoul Peck. He worked with Baldwin’s published and unpublished work, selecting passages from his books, essays, letters, notes, and interviews to piece together the fulfillment of an idea of a book that Baldwin had envisioned about Medgar Evers, Malcolm X, and Martin Luther King. The resulting documentary was a powerful examination of race in American and garnered a nomination for the Academy Award for Best Documentary.
Thank You for Your Service by David Finkel was adapted into a 2017 film. David Finkel is a MacArthur Fellow and Pultizer Prize winning reporter who embedded with the men of 2-16 after their deployment ended as a continuation of his work in the 2009 book The Good Soldiers.
“Earning While They’re Learning” is an occasional series of stories celebrating our library student workers. The Duke University Libraries employ more than 250 undergraduates and graduate students every year, making us one of the largest student employers on campus.
Everyone’s got their “spot” on campus. It’s that place where you can step back from school work and daily stresses and find your zone. For Gauri Prasad, a senior majoring in Biomedical and Electrical Engineering, that place is Lilly Library.
Since freshman year, Gauri has been a service desk assistant in Lilly. A typical night owl, you can usually find her working the latest of late-night shifts. She’s been specifically trained to close Lilly down, which means staying up until midnight on weekends and 4 a.m. every other night of the week.
Gauri doesn’t mind these late hours though, and has made some of her favorite memories alongside the rest of the closing shift staff.
“My favorite experiences at Lilly so far,” she remembered, “have come from working with the security guard, Lonnie Williams. He is one of the nicest people and was always ordering us pizza, sharing popcorn, or asking me for my “expert” engineering help in fixing his computer or phone.”
“I love Lilly because I love the people.” Gauri said. Whether she is sharing snacks and conversation with Lonny, helping students check out a DVD on Saturday nights, or interacting with faculty, Gauri enjoys being able to help people through positive social interactions.
It goes both ways, too. While she is manning the desk and supporting library patrons, she feels equally supported by her supervisors behind the scenes. For the past four years, she’s loved knowing that come Halloween and Valentine’s Day they will be there with a bag of candy or other treats.
“The entire staff is great: supportive, sweet, and thoughtful. They go above and beyond to try to make my experience better.”
Even off the clock, she feels most comfortable in Lilly. She loves hanging out in the lobby area, taking in the background noise, and studying in a space she knows so well and where everyone knows her well, too.
Reflecting at the end of our interview, she laughed a bit and said, “I think Lilly is the one place where I don’t just interact with engineers.”
For Gauri, Lilly is more than just her workplace. It’s home base.
About this Series: Students like Gauri are an indispensable part of our library workforce. Their employment provides Duke students with valuable financial aid to support their education, and they learn useful skills that enhance their academic studies and careers after college. This year, to encourage senior giving to the Libraries, George Grody (Associate Professor of Markets and Management Studies) has set up the Grody Senior Challenge. Every gift made by the Class of 2018 to the Libraries Annual Fund will be matched by Professor Grody. All funds will directly support library student workers who provide research and instructional help.
Black Panther tells the story of T’Challa (real name), king and protector of the fictional African nation of Wakanda. T’Challa possesses enhanced abilities garnered through ancient Wakandan rituals of drinking the heart-shaped herb. He also utilizes his proficiency in science, rigorous physical training, hand-to-hand combat skills, and access to wealth and advanced technology (through vibranium) to combat his enemies. The character was created in 1966 by Stan Lee and Jack Kirby when Kirby realized he had no blacks in his comic strip. “I came up with the Black Panther because I realized I had no blacks in my strip. I’d never drawn a black,” Kirby told the Comics Journal. “I needed a black. I suddenly discovered that I had a lot of black readers. My first friend was a black! And here I was ignoring them because I was associating with everybody else.” Kirby, though far from eloquent in his word choice, gets at an essential idea—representation and its importance in a reader’s view. They should be able to see themselves in the work.
Black Panther opened on February 16, 2018 to much fanfare and high expectations. It was the first standalone movie for the character in the Marvel cinematic universe, which includes Iron Man, Thor, Spiderman, and dozens of other superheroes. All of these prior characters’ movies have had success, but what distinguishes Black Panther is that it featured an almost entirely African-American cast—including Lupita Nyong’o, Daniel Kaluuya, Michael B. Jordan, and Angela Bassett, and a black director—Ryan Coogler (whose credits include Fruitvale Station and Creed). The storyline dives into topics of race, highlights the strengths of black women (as they are depicted as warriors, queens, and scientists in the film), and the roles and depictions of families and communities deviate from depictions in the mainstream media. These differences are particularly important as it debunks conventional wisdoms that black films and black filmmakers are unprofitable and impossible. A study done by USC concluded African Americans represented 13.6% of characters in major film projects, compared to 70.8% of white characters in 2017. Behind the camera numbers were worse, 5.6% were directors compared to their peers for the same year.
Black Panther took the box office by storm! At the time of this writing, it had smashed many previous box office records on its way to becoming the top grossing superhero film of all time in the U.S. as it passed fellow Marvel title, The Avengers. It grossed $623.4 million in 2012. To date, Black Panther has grossed $630.9 million domestic and $1.237 billion worldwide. So, why did it do so well? There are plenty of factors. Notwithstanding the outstanding cast, critically acclaimed director, and core audience of Marvel devotees, Black Panther benefited from a surge of people who don’t typically make a point to see Marvel movies. 37% of the audience were African American, followed by 35% white, and 18% Hispanic. Typically only 15% of the audience is comprised of African Americans for the Marvel movie demographic. Far and wide, African Americans treated the Black Panther premiere as a holiday. Many moviegoers dressed in traditional African attire, themed events with African drum ensembles, Afro-futuristic themed parties, and academic panel discussions sponsored by universities and churches popped up in many cities. Black Panther also benefitted from group ticket sales to schools and churches.
For some of these first-timers this was a one-off, whether it was for the political nature of the film in our current time and the hopeful agenda it could lead to, or just pure curiosity. For many, though, this could lead to a kinship to the MCU (especially since the Black Panther and company will return for future Marvel movies!). So one may ask, how can I catch up with the storyline? AMC Theaters are advertising a 31-hour epic Marvel marathon that will include 12 MCU films leading into the next venture: Avengers: Infinity War. The full list of movies that will be screened:
Why sit sleep-deprived in a dark theater paying high prices for concessions, when you can comfortably sit at home eating food you already paid for and watch at your own pace? GUESS WHAT? We own all of these movies listed above (except The Incredible Hulk), in addition to some notable absentees:
Black Panther: World of Wakanda by Roxane Gay and Ta-Nehisi Coates. The world building of Wakanda continues in a love story where tenderness is matched only by brutality! You know them now as the Midnight Angels, but in this story they are just Ayo and Aneka, young women recruited to become Dora Milaje, an elite task force trained to protect the crown of Wakanda at all costs. Their first assignment will be to protect Queen Shuri… but what happens when your nation needs your hearts and minds, but you already gave them to each other? Meanwhile, former king T’Challa lies with bedfellows so dark, disgrace is inevitable. Plus, explore the true origins of the People’s mysterious leader, Zenzi. Black Panther thinks he knows who Zenzi is and how she got her powers – but he only knows part of the story! COLLECTING: BLACK PANTHER: WORLD OF WAKANDA 1-6.
Algorithms of Oppression: How Search Engines Reinforce Racism by Safiya Umoja Noble. A revealing look at how negative biases against women of color are embedded in search engine results and algorithms Run a Google search for “black girls”–what will you find? “Big Booty” and other sexually explicit terms are likely to come up as top search terms. But, if you type in “white girls,” the results are radically different. Safiya Umoja Noble challenges the idea that search engines like Google offer an equal playing field for all forms of ideas, identities, and activities. Through an analysis of textual and media searches as well as extensive research on paid online advertising, Noble exposes a culture of racism and sexism in the way discoverability is created online. If you are interested in more information, here’s a review. You might also be interested in the author’s presentation at the Center for Science, Technology, Medicine, and Society at Berkeley.
The House of Impossible Beauties by Joseph Cassara. A gritty and gorgeous debut that follows a cast of gay and transgender club kids navigating the Harlem ball scene of the 1980s and ’90s, inspired by the real House of Xtravaganza made famous by the seminal documentary Paris Is Burning. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit. You can read reviews here and here. You might also like to read this interview with the author.
Peach by Emma Glass. Something has happened to Peach. Staggering around the town streets in the aftermath of an assault, Peach feels a trickle of blood down her legs, a lingering smell of her anonymous attacker on her skin. It hurts to walk, but she manages to make her way to her home, where she stumbles into another oddly nightmarish reality: Her parents can’t seem to comprehend that anything has happened to their daughter. The next morning, Peach tries to return to the routines of her ordinary life, going to classes, spending time with her boyfriend, Green, trying to find comfort in the thought of her upcoming departure for college. And yet, as Peach struggles through the next few days, she is stalked by the memories of her unacknowledged trauma. In this astonishing debut, Emma Glass articulates the unspeakable with breathtaking verve. Intensely physical, with rhythmic, visceral prose, Peach marks the arrival of a visionary new voice. You can read reviews here and here.
The Real Life of the Parthenon by Patricia Vigderman. Ownership battles over the marbles removed from the Parthenon by Lord Elgin have been rumbling into invective, pleading, and counterclaims for two centuries. The emotional temperature around them is high, and steering across the vast past to safe anchor in a brilliant heritage is tricky. The stories around antiquities become distorted by the pull of ownership, and it is these stories that urge Patricia Vigderman into her own exploration of their inspiring legacy in this compelling extended essay. You can read reviews here and here.
Exam season is coming. The nights are getting longer, the assignments bigger. Do you ever feel like you basically live in the library?
Now you can prove that you actually do! It’s National Library Week, and we’re celebrating with retro-looking postcards that you can mail to family and friends from your “home away from home” here at Duke.
Join us Monday (Apr. 9) and Wednesday (Apr. 11) in Perkins Library and Tuesday afternoon (Apr. 10) at Lilly Library on East Campus. Choose from one of four attractive postcard designs and let the outside world know you’re still alive!
Shoot your folks a quick hello from the “Browser’s Paradise” of Perkins Library, or let a friend or two know you’re “Living on the Edge” in Bostock. We provide the stamps (both domestic and international), so you can send your message anywhere in the world.
Choose from an assortment of old-fashioned fountain and feather pens to compose your lofty thoughts, then pop it in our mailbox—we’ll mail it for you that very day!
Also, don’t forget to check out our postcard-inspired Snapchat filters the next time you’re avoiding real work in Perkins, Bostock, Lilly, or Rubenstein.
So what do you say? Celebrate National Library Week with a postcard from your favorite semi-permanent address here at Duke. Somebody out there will be glad to hear from you!
… ’cause all I wanna do is go the distance – Rocky Balboa
Say what you will about Philadelphia (and a lot of people have), it looks a great sports season for the City of Brotherly Love – first the Eagles, then Villanova, and now The Italian Stallion! Rocky took down a worthy challenger, The Karate Kid to become the champion of Lilly’s inaugural March Movie Madness. Our brackets began with an interesting range of sports films, from the iconic to the obscure. There were a few upsets, but it is interesting to note that our final contenders classify as classics!
How about a stress free March Madness bracket and Final Game?
The results from the Final Four of March Movie Madness @ Lilly leave two classic films standing. It’s The Italian Stallion, Rocky, facing Daniel The Karate Kid, in the Championship!
Pick your favorite to win our sports movie brackets, and if you provide your netID, you’ll be entered into a drawing for a CRAZIE prize!
New voters are welcome – submit your pick for the Championship HERE and enjoy the final game!
Here is a look at the path our two title contenders took to reach the Finals:
Our original brackets featured a wide range of sports films, but Lilly Library has many more titles available. From the iconic to the obscure, check out On The Bench
Stay tuned: the Winner will be announced on Wednesday, April 4th!
There is No Crying in Baseball –
Three of the Elite Eight are Baseball movies!
A League of Their Own turned off the Friday Night Lights for good, and Moneyball and 42 continued to score on the field. Alas, local favorite Bull Durham discovered that it is all “sunshine” as Remember the Titans piled on. Rocky may have knocked out When We Were Kings, but he’ll soon to have face the GOAT Michael Jordan and teammates when it is game time in Space Jam! Can the youngsters Karate Kid and Creed prevail?
There was lots of action in the 1st Round of Lilly Library’s March Movie Madness brackets. Looks like “The Dude” was “Blind Side-d”, Caddyshack may have what it takes to be a Cinderella story, the Karate Kid “waxed off” Hoosiers, and Talladega Nights did a “Shake’n Bake” all over the Field of Dreams.
March Movie Madness @ Lilly begins Monday, March 19th.
Lilly Library has 100s of sports films – ranging from iconic classics such as Rocky to quirky films like Shaolin Soccer to searing dramas such as Creed. In fact, we have so many sports films, we decided to select just 64 (sound familiar?) for our very own Lilly Library version of March Madness. You may not agree with our title selections (does that also sound familiar?), but don’t let that stop you from joining in the fun and having a chance to win a Crazie great PRIZE!*
To vote, visit our 64-team Lilly Library March Movie Madness online field. Round two is now open for votinghere!
To record your selections, vote for your choice of Heavy Hitters in Bracket A versus films that Go the Distance in Bracket B to eventually face those films that are Down to the Wire in Bracket C opposite the Full Court Press of Bracket D. Voting dates are listed below and on the contest page.
Updates will be posted in Lilly Library’s lobby and on Lilly’s Facebook, Instagram and Twitter accounts in addition to our blog, Latest@Lilly.
There was lots of action in the 1st Round of Lilly Library’s March Movie Madness brackets. Looks like “The Dude” was “Blind Side-d”, Caddyshack may have what it takes to be a Cinderella story, the Karate Kid “waxed off” Hoosiers, and TalladegaNights did a “Shake’n Bake” all over the Field of Dreams.
Winner announced: Wednesday, April 4th!
Bonus: Extra Innings? Overtime? Want MORE sports movies?
Some movies are so iconic that they are more suitable for the Hall of Fame. If you are wondering what great movies (and maybe not so great) did NOT make the field, check out the bench-warmers here at March Madness – On the Bench.
At Lilly Library, now that it’s time for The Big Dance –
we hope you join in!
Brass: A Novel by Xhenet Aliu. Celeste Ng described this novel as “”a fierce, big-hearted, unflinching debut.” A waitress at the Betsy Ross Diner, Elsie hopes her nickel-and-dime tips will add up to a new life. Then she meets Bashkim, who is at once both worldly and naive, a married man who left Albania to chase his dreams–and wound up working as a line cook in Waterbury, Connecticut. Elsie, herself the granddaughter of Lithuanian immigrants, falls in love quickly, but when she learns that she’s pregnant, Elsie can’t help wondering where Bashkim’s heart really lies, and what he’ll do about the wife he left behind. Seventeen years later, headstrong and independent Luljeta receives a rejection letter from NYU and her first-ever suspension from school on the same day. Instead of striking out on her own in Manhattan, she’s stuck in Connecticut with her mother, Elsie–a fate she refuses to accept.
Capitalism without Capital: The Rise of the Intangible Economy by Jonathan Haskel and Stian Westlake is the first comprehensive account of the growing dominance of the intangible economy. For the first time, the major developed economies began to invest more in intangible assets, like design, branding, R&D, and software, than in tangible assets, like machinery, buildings, and computers. Haskel and Westlake bring together a decade of research on how to measure intangible investment and its impact on national accounts, showing the amount different countries invest in intangibles, how this has changed over time, and the latest thinking on how to assess this.
Gnomon: A Novel by Nick Harkaway is a virtuosic new novel set in a near-future, high-tech surveillance state, that is equal parts dark comedy, gripping detective story, and mind-bending philosophical puzzle. In the world of Gnomon, citizens are constantly observed and democracy has reached a pinnacle of ‘transparency.’ Every action is seen, every word is recorded, and the System has access to its citizens’ thoughts and memories–all in the name of providing the safest society in history. You can read reviews here, here, and here.
The Meaning of Birds by Simon Barnes offers a passionate and informative celebration of birds and their ability to help us understand the world we live in. As well as exploring how birds achieve the miracle of flight; why birds sing; what they tell us about the seasons of the year and what their presence tells us about the places they inhabit, The Meaning of Birds muses on the uses of feathers, the drama of raptors, the slaughter of pheasants, the infidelities of geese, and the strangeness of feeling sentimental about blue tits while enjoying a chicken sandwich. From the mocking-birds of the Galapagos who guided Charles Darwin toward his evolutionary theory, to the changing patterns of migration that alert us to the reality of contemporary climate change, Simon Barnes explores both the intrinsic wonder of what it is to be a bird–and the myriad ways in which birds can help us understand the meaning of life.
The Strange Order of Things: Life, Feeling, and the Making of Cultures by Antonio Damasio. The Strange Order of Things is a pathbreaking investigation into homeostasis, the condition of that regulates human physiology within the range that makes possible not only the survival but also the flourishing of life. Antonio Damasio makes clear that we descend biologically, psychologically, and even socially from a long lineage that begins with single living cells; that our minds and cultures are linked by an invisible thread to the ways and means of ancient unicellular life and other primitive life-forms; and that inherent in our very chemistry is a powerful force, a striving toward life maintenance that governs life in all its guises, including the development of genes that help regulate and transmit life. Read reviews here and here.
To celebrate Women’s History Month 2018, Lilly Library is shining a spotlight on Women in Sport. Books and movies that feature women athletes are “teeming” in our collections. Come to East Campus and check out this month’s Lilly Collection Spotlight. Click here for the complete line-up.
While you’re at Lilly, visit the exhibit in the foyer, On the Field, the Courts and Beyond: Women in Sports – TITLE IX, that complements our Lilly Collection Spotlight.
Based on the Instagram account @TheUnsungHeroines, a celebration of the pioneering, forgotten female athletes of the twentieth century that features rarely seen photos and new interviews with past and present game changers including Abby Wambach and Cari Champion.
There’s a battle being fought. It’s raging on the sports fields, in the newsrooms and behind the scenes at every major broadcaster. Women in sport are fighting for equality with more vigour than ever, but are they breaking down the barriers that stand in their way? Sarah Shephard looks behind the headlines to see whether progress is really being made and tells the stories that can no longer be ignored. It’s time for women to switch their focus from the battlefield to the sports field, once and for all.
Beginning with the Williams sisters, the authors examine the foundation of their development as tennis phenoms during the 1990s and the prophetic yet unabashed approach of their coach, father, and sports psychologist, Richard Williams, in crafting a world within which they would be groomed to be successful. a compelling examination of the impact of African Americans on the world of professional tennis and the various challenges and outcomes of that involvement.
An overview of films about women in sport and a timely critical analysis of their role in shaping perceptions of female athletic ability. It examines themes of aggression, beauty, class, ethnicity, physical feminism, sexuality, synaesthesia and technology in relation to mainstream and arthouse cinematic depictions of sportswomen from Pumping Iron 2 to Bend it Like Beckham.
50 years ago when Gibson and Buxton were two of the top women’s tennis players in the world. Coming from widely divergent backgrounds (Gibson from a poor black family in Harlem, Buxton from a well-to-do Jewish family in London), the two hooked up in the mid-1950s and became tennis partners and lifelong friends.
Offers a wide-reaching overview of current academic research on women’s participation in combat sports within a wide range of different national and trans-national contexts, detailing many of the struggles and opportunities experienced by women at various levels of engagement within sports such as boxing, wrestling and mixed martial arts.
During the 2006 Iran-Bahrain match, the Tehran soccer stadium roars with 100,000 cheering men and, officially, no women. According to Islamic custom, women are not permitted to watch or participate in men’s sports. Many of the ambitious young female fans who manage to sneak into the arena are caught and sent to a holding pen, guarded by male soldiers their own age. Duty makes these young men and women adversaries, but duty can’t overcome their shared dreams, their mutual attraction, and ultimately their overriding sense of national pride and humanity.
Examines the post Title IX media environment in terms of the representation of female athletes. It demonstrates that while men’s identities in sports are equated with deeply held values of courage, strength and endurance, the accomplishments of female athletes are framed very differently and in much more stereotypical ways.
A promising hurdler, played by Mariel Hemingway, finds needed emotional and athletic seasoning with a caring mentor. After the two fall in love, their relationship is threatened as both vie for a spot on the U.S. Olympic team.
Members of the Cuban National Women’s Baseball Team discuss their passion for the sport and hardships they faced in Cuba’s society filled with machismo, prejudice and daily hardships.
The story of the surviving members of the Viennese Hakoah sports club women’s swim team, a world-dominating competitor in the 1930s. The club was eventually shut down during Hitler’s reign, though all the women managed to escape capture. Combines historical footage and contemporary interviews to reconnect the women’s lives and memories.
The new man in town has just accepted a position as an English professor on a reservation in Utah. Finding it hard to fit in with the Native American community, he decides to take on the challenge of coaching the girls’ basketball team.
Bliss Cavender is a small-town teenager looking for her own path. Tired of following in her family’s footsteps, she discovers a way to put her life on the fast track–literally. She lands a spot on a roller derby team and becomes “Babe Ruthless.” Co-starring Drew Barrymore in her feature film directorial debut.
Last week, the staff of the Duke University Libraries were treated to a fascinating presentation by Durham County Library Director Tammy Baggett-Best, who offered an update on the renovation of Durham’s Main Library on N. Roxboro Street.
With our own major library renovation here at Duke just a few years behind us, it was exciting to see what our colleagues down the street have planned. As downtown Durham continues to grow more vibrant, the renovated Main Library promises to be yet another point of pride for those who live and work in the area.
The Main Library renovation started in early 2017 and is scheduled to be complete in late 2019. With over $44.3 million in funding and a planned addition of 19,804 square feet to the existing 65,000 square feet of library space, Baggett-Best explained that Main Library is undergoing some serious transformations.
“Pretty much the only thing that will be left is the foundation and the frames,” she said—joking that the library outreach program “Downtown Library Without Walls” was being taken rather literally by the renovation crew.
And it’s true: with the goals of creating greater openness and visibility throughout the building site, Main Library may be almost unrecognizable to many Durham residents by the time renovations are complete. New roof terraces, glass walls, and horizontally integrated staircases are all designed to create a heightened sense of freedom and connectivity, while new meeting spaces, public spaces, and a comprehensive literacy and technology center are intended to improve community outreach.