North Carolina Interviews added to Behind the Veil Digital Collections

The John Hope Franklin Research Center for African and African American History and Culture is pleased to announce the addition of 310 oral history interviews to the Behind the Veil Digital Collection. The addition to the collection documents the lives of African Americans from the state of North Carolina who lived through the era of Jim Crow in the Charlotte, Durham, Endfield, New Bern and Wilmington areas. The digitization efforts were made possible by the Triangle Research Libraries Network’s Content, Context and Capacity grant project to document the Long Civil Rights Movement in the state. Researchers now have access over 400 digitized interviews from the collection from states throughout the American South.

behindtheveil

To listen to the digitized interviews please visit – http://library.duke.edu/digitalcollections/behindtheveil/

To view the entire collection, please visit – http://library.duke.edu/rubenstein/findingaids/btv/

To learn more about the making of digital collection, please visit the Digital Collections blog: http://blogs.library.duke.edu/bitstreams/2014/02/07/announcing-310-new-behind-the-veil-interviews-and-a-new-blog/

For more information, contact, John B. Gartrell, Director, Franklin Research Center.

Laura Micham to Receive Career Achievement Award

Laura MichamLaura Micham, Merle Hoffmann Director of the Sallie Bingham Center for Women’s History and Culture and curator of gender and sexuality history collections in the Rubenstein Library, has been selected as the 2014 winner of the Association of College and Research Libraries (ACRL) Women and Gender Studies Section (WGSS) Career Achievement Award. The award honors significant long-standing contributions to women’s studies in the field of librarianship over the course of a career.  Laura will receive the award at 8:30 a.m. on June 30, 2014, at the WGSS program during the American Libraries Association’s Annual Conference in Las Vegas.

Here at the Rubenstein Library we’re thrilled for Laura, but not surprised by this recognition of her achievements.  Of the many possible testimonials to her efforts by donors, students, scholars, colleagues, and other Bingham Center  patrons, a few will suffice here.  Victoria Hesford, Assistant Professor of Women’s and Gender Studies at Stony Brook University and a researcher in the Bingham Center’s collections, writes, “To say that Laura is an archival dynamo whose energy and enterprise constantly brings new people, new collections, and new ideas to the Bingham Center, would be an understatement! She has ideas, she works collaboratively, and she is not easily put off by the inevitable complexities and difficulties of bringing a project to life.”

Jeanette Stokes, Executive Director of the Resource Center for Women and Ministry in the South, whose records are held in the Bingham Center, adds, “Laura’s work has made the Sallie Bingham Center a vibrant presence on the campus of Duke University, in the community of Durham, North Carolina, and in the wider academic community nationally and internationally. The center has become a hub for information, resources, and programming on women’s history and culture. It makes creative use of its collection while cooperating with campus and community groups to provide outstanding educational programs.”

Naomi Nelson, Director of the Rubenstein Library, writes, “The award announcement cites Laura’s expertise, advocacy for archives, leadership, and vision, and it notes her collaborations across the university and her proactive work with students. Under Laura’s leadership, the Bingham Center has grown in important and dynamic ways and, at the same time, she has made significant contributions to the larger profession.”

Please join us in congratulating Laura!

Fear and Loathing in Page Auditorium

Hunter S. Thompson at Page AuditoriumHunter S. Thompson took the stage at Page Auditorium on October 22nd, 1974 at 8:50 PM. He was thirty five minutes late, visibly inebriated, and apparently quite unhappy to be there. He began his remarks to the packed auditorium of 1,500 saying, “I have no speech, nothing to say; I feel like a piece of meat.”

According to newspaper articles and editorials following the event, throughout the forty minutes Thompson remained onstage he dipped in and out of comprehensibility, exchanged insults and invectives with the audience, wrestled with a microphone, and bemoaned the lack of substance apparent in the questions written by the audience on 3×5 index cards. He read off one of the questions, “What is the happiest experience you’ve had in the past two weeks?” “That’s crap,” was the reply as he tossed the cards to the floor.

“Are you serious? The level of questions from this audience makes any sort of exchange completely impossible.”

As Thompson’s behavior appeared to become increasingly erratic, including asking himself questions and mumbling incomprehensible answers, worried administrators were having frantic discussions backstage attempting to decide how to handle the situation. At 9:05 they decided to let the speech continue and reevaluate the situation at 9:30. As 9:30 approached, Thompson began attempting to remove a fixed microphone from the podium in an effort to give it to an audience member asking a largely inaudible question about the rise of consumer politics. In failing to separate the microphone, he began wrestling with it, kicking the podium and the chairs onstage, and flung his bourbon onto the stage curtain. The bourbon was the final straw, and Linda Simmons, the Union program director, came on stage and asked him to leave. Although a third of the students attending had already left the auditorium, those remaining booed as Thompson left the stage, accusing the administration of curtailing free speech.

Hunter S. Thompson at Page AuditoriumOut on the lawn behind the auditorium after the event, Thompson sat with over a hundred students for an hour and a half in a more informal setting before leaving the campus.

Over the next few days, several newspaper articles were written on the event, and many students sent letters to the editor both praising and decrying the appearance. The University refused to pay the speaking fee, claiming that Thompson had violated the terms of his contract. The decision was not contested by the marketing firm who had contracted Thompson for the event.

One letter to the editor, however, never saw the light of day: Thompson’s himself. Thompson’s side of the story, in all of its gonzo glory, is part of the records of the Major Speakers committee.

He starts with a description of his state of intoxication while writing the letter, and discloses his state of intoxication while getting onstage at Page. Settling down, he states he wants to set the record straight as to exactly what happened at “J.B. Duke’s carcinogenic citadel. . . . [his] Southern Sanctuary for wayward New Jersey lads.”

Surveying the audience, I found 3,000 youthful, transvestite politicos, clutching their law boards and caressing their left legs. I decided to hallucinate them into 3,000 animated (and horny) Okra plants so I could begin my speech, speaking Okraese (Too-Maa-Too) in my best drawl. . . . Suddenly I realized the microphone was a local cottonmouth with heparin-filled fangs. While wrestling with the snake, I sensed danger from the rear and quickly lit my handy glass of Bacardi 151 and ether and launched it at the curtain, ran outdoors and evacuated the Nicotinic city.

If you want to see Thompson’s full letter, the newspaper articles and editorials the appearance sparked, or any of the other Major Speakers records, they, and much more, are accessible at the Duke University Archives.

Post contributed by Matt Schaefer, Drill Intern for the Duke University Archives.

Researching Black Health in the South

It was a great pleasure to conduct research at the Rubenstein Rare Book & Manuscript Library at Duke. As a recipient of the John Hope Franklin Research Center for African and African American History and Culture travel grant, I looked forward to exploring the Library’s holdings that would advance my understanding of black women’s history.

National Negro Health News. From the Alliance for Guidance of Rural Youth Records.
National Negro Health News, Vol. 6, no. 3. From the Alliance for Guidance of Rural Youth Records.

My dissertation project, “Mind, Soul, Body, and Race: Black Women’s Physical Culture, 1900-1939,” investigates the structural barriers to health and fitness for black women and the ways in which they circumvented those barriers and engaged in the physical culture movement. I examine how black women used purposeful exercise to create a new, fit vision of black womanhood that had implications for public health, recreation, and ideas of beauty, citizenship, and racial uplift. As a national project, I want to capture how Southern women, who had even less resources and access to physical culture, participated in the movement.

A significant portion of my dissertation discusses the state of black health and the Library proved to be a valuable repository for exploring the public health aspects of black southern history. The archivists were informed and genuinely interested in assisting researchers and with their help; I consulted about a half a dozen collections in all including the African American Photo Collection, the Alliance for Guidance of Rural Youth records, and the North Carolina Mutual Life Insurance Company archives.

One of the most useful collections was the Alliance for Guidance of Rural Youth. Although the Alliance was primarily a vocational guidance service organization, it sought to address several issues affecting poor, rural young people in the first half of the twentieth century including health issues. I found several documents from the collection related to health campaigns and the barriers to health for black people in the South. For example, a note in the 1934 National Conference on Negro Education proceedings indicated that “environmental rather than racial factors” compromised black health including low income, insufficient housing, and limited access to hospitals, preventive care, and recreational facilities. As it relates to black women’s health, the collection describes some of the difficulties black women had in accessing health information and clinics for their obstetric needs. The collection also contains sources on black unemployment, the black nursing profession, diet and malnutrition, and leisure during the New Deal era.

Additional records at the Library on black health in the twentieth century include William J. Covington’s physician account books and the thesis, Black Health in Segregated Durham.

Post contributed by Ava Purkiss, PhD candidate, University of Texas at Austin and 2012-2013 Franklin Travel Grant recipient.

Bound Images: Maps in Books, 1500-1850

events_bound images map2Date: Thursday, January 30, 2014
Time: 3:00-5:00 PM
Location: Rubenstein Library instruction room (Perkins 318)

A BorderWork(s) Lab event.

When most people think of maps and books they immediately imagine maps, or atlases. Yet maps illustrate and contribute to a larger argument in books of all kinds, including histories, geographies, travel accounts, and novels.  Beyond atlases, maps are often studied or collected as individual items, or “sovereign” maps, in the words of French scholar Christian Jacob.  This discussion dethrones the sovereign map, asking what changes theoretically and curatorially when we think about maps as “bound images” and a graphic part of the story told by authors and printers in book form.

Panelists:
Carla Lois, CONICET, Universidad de Buenos Aires
Matthew Edney, University of Southern Maine, History of Cartography Project
Ricardo Padron, University of Virginia
Susan Danforth, John Carter Brown Library
Jordana Dym, Humanities Writ Large/BorderWork(s) Lab, Duke; Skidmore College

A range of bound cartographic materials from the Rubenstein Library’s collections will be on display.  For more information, see here on the BorderWork(s) Lab website.

Sponsored by the BorderWork(s) Lab at the Franklin Humanities Institute and Humanities Writ Large.

Heschel Highlights, Part 5

The Wow! Factor

Welcome to the fifth post in a series documenting the processing of the Abraham Joshua Heschel Papers.

It’s no secret I have an affinity for oversize materials (see here).  And while the Abraham Joshua Heschel Collection only contains a modest number of oversize materials, those that are in the collection are proving to be quite extraordinary. Here are just a few of my favorites:

MaimonidesDust jacket from first edition of Maimonides eine Biographie, 1935.

Completed in only 7 months, the book was Heschel’s first major work. He was 28 years old.

InstitutePoster, Opening of the Term at the Institute for Jewish Learning, London, 1940.

In 1939 Heschel received official confirmation from Julian Morgenstern, president of Hebrew Union College in Cincinnati, OH, of a position of a research fellow in Bible and Jewish Philosophy. Heschel left Warsaw for London, England to obtain an American visa for emigration to the United States. While in London, he founded the Institute for Jewish Learning to “introduce all ages and classes of Jew to the history and tradition of their forbears.”

Antwort“Antwort an Einstein” in Aufbau, 1940

Heschel’s article “Answer to Einstein” in the newspaper Aufbau (Reconstruction) which was a rebuttal to Albert Einstein’s paper “Science and Religion.” As a recent immigrant, this was an audacious and surprising move for Heschel.

Post contributed by Mary Samouelian, Heschel Processing Archivist in Rubenstein Technical Services.

“No car, no money, no food…just me.”

In the mid 1980s, Duke history student Joseph Sinsheimer interviewed veterans of the fight for voting rights in early-1960s Mississippi. The generational distance between the interviews and the subject worked in Sinsheimer’s favor: his narrators had gained the perspective of years but many still had their youth, with memory intact, and were ready to talk at length of their experiences. The collection guide to these remarkable interviews is a roll call of Civil Rights Movement leadership in the deep South:  C.C. Bryant, Robert Moses, Lawrence Guyot, Willie Peacock, Hollis Watkins and others detail Mississippi’s struggle through stories of their involvement.

Andrew Young in Mississippi, 1963
Andrew Young during Mississippi’s Freedom Summer, 1963. From the Joseph Sinsheimer Papers.

As we digitize the audiocassettes that Sinsheimer used to record the interviews, one story immediately stands out. Activist Sam Block’s retelling of how he came to be involved in the movement is a coming-of-age story informed by the death of Emmett Till and galvanized by a confrontation with a white customer at his uncle’s service station. His subsequent recruitment into the Movement via the Student Nonviolent Coordinating Committee, and his training at Highlander Folk School, were prologue to the courage Block demonstrated when he asked Robert Moses to drop him in Greenwood, Mississippi, with “no car, no money, no food…just me.”

Listen here: Sam Block interviewed by Joseph Sinsheimer

BlockTape_Sinsheimer

Post contributed by Craig Breaden, Audiovisual Archivist in the Technical Services Dept.

Unveiling the Haitian Declaration of Independence

HaitiDeclaration1blog
The first page of the manuscript copy of the Haitian Declaration of Independence now at the Rubenstein Library.

Date: Tuesday, January 21, 2014
Time: 5:00-7:00 PM
Location: John Hope Franklin Center for International and Interdisciplinary Studies, 2204 Erwin Road, Room 240
Contact Information: Will Hansen, william.hansen(at)duke.edu

The Rubenstein Library has acquired a very rare manuscript copy of the Haitian Declaration of Independence.  This declaration by the army of black Haitians, of liberty from French colonial rule or death, made on 1 January 1804, carries strong echoes of the rhetoric of the American Revolution some thirty years earlier.  It established the first black republic in the world, and is the first declaration of independence written after the American version of 1776.

The scribal copy of the Declaration now at the Rubenstein was found in the papers of Jean Baptiste Pierre Aime Colheux de Longpré, a French colonizer of Saint-Domingue (Haiti) who fled the country during its revolution and settled in New Orleans.  The copy was very likely made shortly after the Declaration took effect on 1 January, 1804. It is one of only a few contemporary or near-contemporary manuscript copies known to scholars, joining copies at the British Library, the French National Archives, and the National Library of Jamaica.

HaitianDeclarationLiberte

A celebration of the Haitian Declaration of Independence will be held on 21 January at the John Hope Franklin Center for International and Interdisciplinary Studies, in collaboration with faculty and staff from Duke’s Haiti Lab.  A round table of scholars of the Haitian Declaration, including Duke Professors Laurent Dubois and Deborah Jenson, Assistant Prof. (and Duke PhD) Julia Gaffield of Georgia State University, and Prof. Richard Rabinowitz and Lynda Kaplan of the American History Workshop, will discuss its history and creation.  The Rubenstein Library’s manuscript copy of the Declaration will be on display in the Center’s gallery. Haitian specialties will be served.

Rights!Camera!Action! presents “Enemies of the People”

Join R!C!A! for a screening of Enemies of the People, 2009 (TRT: 94 minutes)

When: Thursday, January 23, 7:00pm
Location: FHI Garage, Bay 4, Smith Warehouse
Free and open to the public.

enemiesofthepeopleCambodian investigative reporter Thet Sambath exposes the reasons for the 1975-1979 Khmer Rouge genocide in which almost two million people were executed. Thet conducted interviews throughout the countryside with men who actually carried out the killings. Courageously, they tell the truth and show where the bodies are buried. But many still do not understand why they were ordered to kill. A crucial piece in Cambodia’s national process of reconciliation, these testimonies trace the transformation of abstract political principles into mass murder. In English and Cambodian, with English subtitles.

Directors: Rob Lemkin and Thet Sambath

Awards: Anne Dellinger Grand Jury Award 2010 and Charles E. Guggenheim Emerging Filmmaker Award 2010

Directions & parking information.

Contact: Patrick Stawski, Duke University Libraries: 919-660-5823 or patrick.stawski [at] duke.edu

Fantastical Characters for Twelfth Night

Tonight is Twelfth Night, with the conclusion of the twelve days of Christmas (and coming of the Epiphany celebration) on tomorrow, 6 January.  In England, Twelfth Night is a time of celebration with rich food and drink; traditionally, and especially in the Tudor era, it was also a festival of fantasy and role-reversal presided over by a Lord of Misrule.  Shakespeare’s Twelfth Night was written as a fitting performance for the night.

By the nineteenth century, these associations were inspiring many commercial endeavors as well.  A recently acquired sheet of advertisements for a lottery to be held in January 1820 features a menagerie of 24 Twelfth Night characters, mostly anthropomorphic edibles, from “Tabby Turnip” to “Solomon Sirloin.”

Uncut sheet of lottery puffs featuring Twelfth Night characters by George Cruikshank, 1820.
Uncut sheet of lottery puffs featuring Twelfth Night characters by George Cruikshank, 1820.

These advertisements, known as “puffs,” were made to be cut apart and handed out on the street to encourage the Lottery Puffs Tunbellypurchase of lottery tickets.  The characters were engraved by George Cruikshank, and this sheet is a rare, early example of his work, before he became famous as a caricaturist and illustrator of the works of Charles Dickens and others.

Twelfth Night, with its sudden elevation of commoner to (mock)  royalty, was a logical association to cultivate for a lottery.  The eight-line poems beneath each character all promote the lottery.  For instance, the poem for Timothy Tun-Belly reads:

With a bottle and glass, and a favorite Lass,
For old Daddy Care, what care I?
Supporters like mine — fill’d with generous wine,
Blue Devils and Care may defy.
By the drop in my eye, — a scheme I espy;
My cellars with liquor to store,
This Month, Sirs, the Twelfth, gives us Lottery wealth,
And Fortune I mean to implore.

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University