Date: Tuesday, November 6, 2018 Time: 12:00-1:00 PM Location: Holsti-Anderson Family Assembly Room, Rubenstein Library 153 Contact: Elizabeth Dunn, firstname.lastname@example.org Register here!
Join the Duke University Libraries for a lunchtime talk with Professor Adriane Lentz-Smith and take a tour of the new exhibit marking the centennial of the end of World War I, “Views of the Great War: Highlights from the Duke University Libraries.” A light lunch will be provided.
Adriane Lentz-Smith is Associate Professor of History, African & African-American Studies, and Gender, Sexuality & Feminist Studies at Duke. Her book, “Freedom Struggles: African Americans and World War I” (Harvard, 2009), won the Honor Book Award from the Black Caucus of the American Library Association. Her current book project, “The Slow Death of Sagon Penn,” examines state violence and the remaking of white supremacy in Reagan-Era southern California. A Ford Foundation fellow, Professor Lentz-Smith holds a B.A. in History from Harvard-Radcliffe and a Ph.D. in History from Yale University.
Following the talk, attendees will be invited to enjoy the exhibit in the Mary Duke Biddle Room.
Join the staff of the Bingham Center as we celebrate the newly acquired Sarah Westphal Collection and the opening of an exhibition of works from the collection.
The attention to recovering traces of women’s voices and women’s agency that motivates all of Sarah’s research and work in the field of medieval gender studies also underwrites her approach to building her collection.
—Ann Marie Rasmussen, Professor and Diefenbaker Memorial Chair in German Literary Studies, University of Waterloo
Date: Wednesday, July 25, 2018 Time: 2:00pm to 3:00pm Location: Holsti-Anderson Family Assembly Room, Rubenstein Library 153 RSVP on Facebook (optional)
Jean Fox O’Barr, Duke University Distinguished Service Professor
Ann Marie Rasmussen, Professor and Diefenbaker Memorial Chair in German Literary Studies, University of Waterloo
Thomas Robisheaux, Duke University History Department
Sarah Westphal, who received her PhD from Yale in 1983, was a member of the Department of Germanic Languages and Literature and an affiliate of the Program in Women’s Studies at Duke from 1983-1986. In addition to her long academic career as a scholar of medieval German literature, Westphal has spent thirty-five years amassing a collection of over six hundred books written, printed, illustrated, or published by women from the seventeenth to the twentieth century. Westphal’s particular interest is women in Britain and continental Europe in the eighteenth century. The collection includes monumental works such as a beautifully-bound first edition of Mary Wollstonecraft’s A Vindication of the Rights of Women (1792) as well as previously unrecorded works and unique manuscript collections.
In Sarah Westphal’s own words the collection is “anything and all things that women published or were interested in, especially in the eighteenth century.” The collection ranges from literature for children and adults to science, cookery, travel writing, prescriptive literature, political and philosophical treatises, biographies of women by women, and works by women printers and artists. This exhibition presents eighteen items selected by Westphal, each with its own complex story.
When: Wednesday, November 30, 2016 Time: 3:00 – 5:00 p.m., reception to follow Where: Holsti-Anderson Family Assembly Room (room 153) of the Rubenstein Library
This semester, Global Health Professor Kearsley Stewart’s HIV/AIDS Narratives class is tackling a new project using Rubenstein Library collections. Working with poet and writer Kelley Swain, students are exploring the Maria de Bruyn Papers, a rich collection of global health materials related to de Bruyn’s work as a medical anthropologist globally addressing HIV/AIDS.
Students are delving into the de Bruyn papers as they work with Kelley Swain and learn more about the Humement project, based on the work of artist Tom Phillips, and apply this to their class. You can find details about their work in a recent DGHI newsletter. (A very important note: Original materials were not altered. Students spent an afternoon selecting original documents to scan and reproduce for their projects.)
In conjunction with the work of Professor Stewart’s class, the History of Medicine Collections is co-sponsoring an event with the Franklin Humanities Institute, the Health Humanities Lab, and the Trent Center for Bioethics, Humanities & the History of Medicine to recognize World AIDS Day. The event will be held on Wednesday, November 30, from 3:00 – 5:00 p.m. with a reception to follow, held in Room 153, the Holsti-Anderson Family Assembly Room of the Rubenstein Library. The event is free and open to the public.
Speakers will include Maria de Bruyn, Alicia Diggs of North Carolina AIDS Action Network (NCAAN), poet and writer Kelley Swain, and students from Professor Stewart’s HIV/AIDS Narratives class.
An exhibit in the Josiah Charles Trent History of Medicine Room will highlight a small sample of what can be found in the Maria de Bruyn papers. In addition, students in Professor Stewart’s class will be showcasing their work on the Student Wall in Perkins Library in December and January.
Date: Tuesday, November 15th Time: 6:15 PM Location: Holsti-Anderson Family Assembly Room (room 153) of the Rubenstein Library
Join the Hartman Center in celebrating its 25th Anniversary with its second event in the anniversary lecture series focusing on Women in Advertising. Helayne Spivak, Director of the Brandcenter at Virginia Commonwealth University, will speak about the status, achievements, and challenges women face in the advertising industry today as well as reflect on her own career and women mentors she has had.
Across the hall in the Mary Duke Biddle Rare Book Room, the Hartman Center will unveil its new exhibit, “Agencies Prefer Men!”: The Women of Madison Avenue. This exhibit uses material from the Hartman Center’s collection to share the long and sometimes hidden history of women in advertising, tracing the career opportunities open to women as they progress from clerical staff to copywriting, art and market research and on to the highest positions in ad agencies as creative directors and CEOs. The exhibit will run through March 10, 2017.
From the first entomologist to capture the stages of metamorphosis of the butterfly (1705) to the author who published the first comprehensive volume on contraception (1923), the women in this exhibit were pioneers in science and medicine. Whether self-trained or classically educated, they not only made groundbreaking contributions to their fields, but also helped open the way for future generations to follow in their footsteps. Despite their accomplishments, most of these women remain overlooked or under-recognized.
This exhibition highlights the stories of seven revolutionary women in science and medicine and celebrates the arrival of the Lisa Unger Baskin Collection, from which these materials were selected.
Culture Clash is a series of exhibits, created by the Center for Multicultural Affairs (CMA), traditionally hosted in the Alcove outside of the CMA Lounge. Culture Clash aims to provide multicultural and social justice education to build and/or strengthen bridges between different communities at Duke and beyond. The exhibit provides members of the Duke community and guests of the CMA the opportunity to explore the intricacies of the human experience with the focus on building sustainable, authentic, and healthy relationships and communities.
This year’s culture clash, which is on display through February 1st, 2016 at Perkins Library’s Campus Club Wall, is entitled “From Sit-Ins to Hashtags”. The exhibit explores the patterns of student social justice work and activism both at Duke and beyond throughout history. The photos depict different trends and styles of activism in the different decades.
Curating Culture Clash has been a wonderful learning experience. I have a new appreciation for museums and exhibits; until now I never really realized how much thought and effort goes into a project of this nature. From beginning to end, this project has been about learning. The research aspect of the project was fairly intuitive because here at Duke we are always doing research. Finding movements to document and represent wasn’t overly challenging. Even finding an equal representation of photos from each decade was a fairly smooth process due to the help of the University Archives.
The challenge in this project came with deciding on how to visually present all of the photos. Juggling some 70 odd photos and 19 photo frames and 126 square feet of wall space was an experience. For me especially, I struggle with visualizing; I need something concrete to look at. The later part of the curation process involved a lot of cutting paper models and trying to learn how to visualize the small picture within the big picture. However, teamwork makes the dream work here at the Center. As a team, we made all the pieces come together in the end. We are very happy with the final outcome of the project.
We hope that from this exhibit students can understand how student social justice work has transpired in the past, and perhaps find inspiration to be an advocate for a cause that moves them.
We would like to give a special thanks to Margaret Brown, E. Rhodes and Leona B. Carpenter Foundation Exhibits Coordinator, and Amy McDonald, Assistant University Archivist, for all of their help throughout the curation process.
The portraits of Durham photographer Hugh Mangum are the subject of a new exhibit, opening July 22nd at the Museum of Durham History’s History Hub. “Hugh Mangum on Main Street: Portraits from the Early 20th Century” shows Mangum’s largely unknown portraits of Southern society after Reconstruction.
Mangum was born in Durham in 1877 and began establishing studios and working as an itinerant photographer in the early 1890s. During his career, Mangum attracted and cultivated a clientele that drew heavily from both black and white communities, a rarity for his time. Mangum’s photographs are now part of the Rubenstein Library’s Archive of Documentary Arts.
“Although the late-19th-century American South in which he worked was marked by disenfranchisement, segregation and inequality — between black and white, men and women, rich and poor — Mangum portrayed all of his sitters with candor, humor, and spirit. Each client appears as valuable as the next, no story less significant,” said curator Sarah Stacke. “His portraits reveal personalities as immediate as if the photos were taken yesterday.”
“Hugh Mangum on Main Street: Portraits from the Early 20th Century” opens at the History Hub, 500 W. Main St., on Tuesday, July 22 and runs through August. The exhibition will be in the Our Bull City area.
The public is invited to a launch party for the exhibition on Wednesday, July 23, from 5:30pm to 7pm, and a program on Mangum and his work at 3pm on Sunday, August 10.There is no charge for the exhibit, program, or party. The Hub is open Tuesday-Saturday, 10am to 5pm.
Join the staff of the Duke University Archives for a reception celebrating the exhibit, “Outrageous Ambitions: How a One-Room Schoolhouse Became a Research University,” currently on display in the Perkins Gallery.
Enjoy light refreshments while you trace Duke University’s 175-year history through fascinating artifacts, photographs, architectural drawings, and other historical materials. The reception will also be an excellent chance to get a look at some of the University Archives’ recent acquisitions, which will be on display for the first time.
The exhibit will be on display through February 16, 2014 and was curated by Maureen McCormick Harlow, 175th Anniversary Intern in University Archives, and Valerie Gillispie, University Archivist.
“Memories of the Civil War” shares personal reflections and memoirs of Civil War participants from a variety of backgrounds: an escaped slave, a Union volunteer, a Southern woman, and an army field nurse. Also featured is the memoir of poet Walt Whitman, whose poem, “The Wound Dresser,” is quoted in the exhibit’s title. Despite the different backgrounds of their authors, the memoirs have remarkably common themes of triumph, tragedy, hope, and pain. Though the Civil War lives on in American memory and legend, this exhibit seeks to ground that legend in the experiences of those who lived it.
Accompanying the memoirs are supplementary manuscripts, photographs, and memorabilia from the Civil War itself, including maps, scrapbooks, and artifacts such as this amputation kit from the Rubenstein’s History of Medicine Collection. Original Whitman letters, flag remnants from the Battle of Fort Sumter, and handmade playing cards are other exhibit highlights.
During your next visit to Perkins-Bostock Library, please swing by the library gallery to see the new exhibit on display now! If you can’t visit in person, be sure to check out the online exhibit, which includes additional letters and photographs that didn’t quite fit in the Perkins cases.
Also, please plan to join curators Jessica Janecki, Meghan Lyon, and Kim Sims for a gallery talk on Monday, January 23, from 3-4 p.m. The Devil’s Tale will have more information about this event posted soon!
Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University