In Memoriam: Allan Kirkpatrick Troxler 1947-2025

It is with profound sadness that we share that graphic artist, mask-puppet-and-banner maker, violinist, country dance teacher, and community activist Allan Troxler passed away on October 26, 2025.

Born and raised in Greensboro, Troxler became a conscientious objector to the Vietnam War and participated in civil rights organizing and campaigns. He also worked in Boston to preserve neighborhoods threatened by urban development. Later, Troxler moved to a communal farm in rural Oregon with his partner, noted gay activist Carl Wittman. While in Oregon, Allan and Carl helped to publish RFD, a magazine for gay men living in rural America.

Returning to North Carolina in 1979, Troxler and Wittman were actively involved in arts, dance, and cultural programs throughout the region. Both devotees of English Country Dance and leaders in a national dance movement, they started Sun Assembly, its weekly dances and New Year’s celebrations in Durham weaving an egalitarian community beyond gender binaries.

Troxler and Wittman were early members of the North Carolina Gay and Lesbian Health Project, which sought to improve access to medical care and information for the gay community, particularly as it endured the spread of HIV/AIDs in the early 1980s. They were vocal activists against homophobia and the criminalization of homosexuality. Over the years they helped organize a range of community projects and protests. Wittman died of AIDS in early 1986.

Papercut broadside by Allan Troxler. Allan Troxler Papers, 1800s-2024.

Troxler’s writings, dance, artwork, and activism continued through his life. His work appeared in Southern Exposure, RFD, and local features and press. He created Camas Swale, a series of “occasional pamphlets,” along with other zines and artwork by pseudonym E. Bunny. Troxler’s work frequently expressed political views, opposing anti-gay legislation, and promoting peace and inclusivity. Much of this artwork was distributed to local friends in his community network.

Troxler was honored as an LGBT Pioneer at the Executive Mansion by Governor Roy Cooper in June 2024 along with Mandy Carter as Carolinians who “for decades led the charge for acceptance and equality.”  Troxler’s artwork and papers, along with Wittman’s, reside in the Rubenstein Library.

From Troxler’s writings: “Here we be, ears ringing as some of us grieve ancient companions just gone; others meting out pills; potions in portions! Through the window cicadas rattle their ancient benedictions: Life, death. Through the curtain Sister Heavenly Light blesses us all.”

 

Header Image: Allan Troxler. Portrait by Annie Segrest. 

Celebrating the Dr. Thomas Bashore Collection

Date: Wednesday, October 29, 2025
Time: 4:30 p.m. – 5:30 p.m.
Location: Rubenstein Library Room 153, Holsti-Anderson Family Assembly Room
Contact: Rachel Ingold (rachel.ingold@duke.edu)

The History of Medicine Collections recently received the Thomas Bashore, M.D., Collection of Artifacts. Dr. Bashore is Professor Emeritus of Medicine at the Duke University Medical School, where he specialized in treatment of cardiovascular conditions and congenital heart disease. He first began collecting historic medical artifacts, such as mechanical devices relating to electrotherapy and cardiology, and expanded his collection to include fringe medical instruments and treatments.

Please join us on Wednesday, October 29, at 4:30 p.m. to celebrate the Thomas Bashore Collection. Dr. Bashore will provide remarks.

Items from the Thomas Bashore, M.D. Collection are currently on display in the Josiah Charles Trent History of Medicine Room and the Hubbard Case.

Defending Intellectual Freedom

Join us for a panel considering the current state of intellectual freedom in higher education.

Date: Friday, November 7, 2025
Time: 1:30 p.m. – 3:30 p.m.
Location:
Reception: 1:30 p.m.-2:30 p.m. in the Janie Long Study Space (Perkins 4th floor)
Program: 2:30 p.m.-3:30 p.m. in the Holsti-Anderson Family Assembly Room (Rubenstein Library Room 153)
RSVP: https://duke.is/intellectual-freedom

The United Nations considers intellectual freedom to be a basic human right through Article 19 of the Universal Declaration of Human Rights which asserts: “Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers.”

Libraries in particular value intellectual freedom as part of their mission to provide and protect access to information and ideas. According to the American Library Association intellectual freedom is an integral component of a democratic society, protecting an individual’s right to access, explore, consider, and express ideas and information as the basis for a self-governing, well-informed citizenry. Yet there is an intensification of threats to intellectual freedom across the United States, with pressure on curriculum and research, book and program challenges, and censorship attempts continuing to reach unprecedented levels.

This year’s Janie K. Long Speaker Series program will focus on the impact of challenges to intellectual freedom on higher education and the steps we can take to support students, faculty, staff, and other members of our community. We will also honor Duke Alumnus Harry H. Harkins Jr, T’73 longtime supporter of LGBTQ+ library collections, scholars, and this event series.

Speakers: Robin Koshelev, Duke undergraduate researcher, Dr. Janie K. Long, Duke faculty emerita, Dr. Joseph Salem, University Librarian, Dr. Pete Sigal, Department of History; moderated by author, journalist, and Duke alumnus Steven Petrow.

Sponsored by: Duke University Libraries, David M. Rubenstein Rare Book & Manuscript Library, Duke Department of History, and the Duke Program for Scholars and Publics.

Psycho-Phone: 100 Years of Unlocking Unconscious Powers

Post contributed by Jennifer Dai, Josiah Charles Trent History of Medicine Intern.

Image of Psycho-Phone printed on wax cylinder case.

The History of Medicine Collection has recently acquired a fringe medical device, known as the Psycho-Phone, as a part of the Thomas Bashore Collection. Little is written about this item; upon immediate inspection it looks like every other wax cylinder phonograph, however, when you dive deeper you learn the interesting history of this hypnotic device.

In June 1927 the popular psychology magazine titled “Psychology: Health, Happiness, Success” advertised an instrument that claimed it would “enable you to use your vast unconscious powers to get more out of life.”  This instrument, called the Psycho-Phone, would allow users to listen to recorded messages of affirmation while sleeping.  Created by Alois Benjamin Saliger, this device utilized a clock which would be set to the time when an individual would be at their “most receptive cycle of sleep”. At that time, the device would turn on and play recordings of Mr. Saliger himself reading affirmations such as “you are being rejuvenated in perfect health.” “Your weight is normal.” “Your hair is growing in luxurious abundance.” and “I am now having a wonderful rest.” Once the affirmation was completed the device would automatically turn off and the listener would continue to sleep as a better version of themselves.

Recorder for the wax cylinder psycho-phone.

There were two variations of this device, either utilizing a disc or a wax cylinder to play these recordings. One major difference, aside from price, is that the wax cylinder version would allow users to record their own affirmations. In our collection we have a wax cylinder Psycho-Phone surrounded by numerous empty wax cylinders just waiting to hold affirmations. Enclosed in the travel case which holds the Psycho-Phone is a letter from Mr. Salinger himself from October 1927. He states that they had also sent “some information regarding affirmations which we think you will find useful as it has been prepared in the light of much expertise.” Unfortunately, we do not have the materials Mr. Saliger spoke of in his letter, leaving us to wonder what affirmations he personally recommended to buyers of his device. After allegedly selling 2,500 devices by 1933, the company disappeared, as did many of those devices.

Nearly 100 years later, we have apps and television shows that promote mental health in similar ways to Mr. Saliger’s device. A quick Google search will show numerous videos and podcasts promoting sleep affirmations. With this in mind, I see the Psycho-Phone as more than a heavy device that once resided on a few bedside tables, it’s the physical proof that no matter when in history you happen to live, we’re always striving for betterment any way we can.

Psycho-Phone without horn.

 

Sources and Further Reading:

Technogalerie Post for a Psycho-Phone for sale.

Cumming’s Center blog post by Dr. Ludy T. Benjamin Jr.

Archived post from Antique Phonograph News about the Psycho-Phone

PBS History Detectives Special Investigation episode about the Psycho-Phone

 

In Memoriam: Terry Allan Murray, 1953-2025

Terry Murray

The Rubenstein Library mourns the loss of Terry Allan Murray, who passed away on August 7, 2025. Terry was born in Durham, where he would reside his entire life alongside his brother, Edwin. Terry was from a family with strong Duke connections. His father, Lee H. Murray, worked at Duke, and his uncle was famed football coach Wallace Wade. Terry and his brother Edwin both attended Duke in the 1970s.  

Terry and Edwin began collecting comic books as boys in the 1950s and eventually assembled one of the largest archival comics collections in the United States, including more than 57,000 comic books. In time this grew to include thousands of fanzines, comic strips, original comic art, pulp magazines, card sets, science fiction, as well as role-playing and board games. In 2002, they donated the major portion of their collection to the Rubenstein Rare Book & Manuscript Library, and they have continued to make additions in the years since. 

Terry was a dedicated collector and brought a methodological focus to his work. Armed with reference books, reviews, and annual top 10 lists, he was intentional about his collecting. At the same time, Terry never lost sight of why comics are fun. He was as much a reader interested in authors, characters, and stories, and would often collect related materials across different genres, from comics to games to fiction. In 1999, McFarland published Terry’s Science Fiction Magazine Story Index, 1926 – 1995, the result of many years of work. In the introduction, Terry writes about how this came out of his own interests in science fiction and how he hoped that this work would serve as a tool for readers, collectors, and scholars. 

Terry, at one of the mini-cons hosted at his home in Durham

In addition to being an avid reader of comic books and science fiction, Terry was also a dedicated fan. In 1968, he and Edwin began hosting the Durham mini-cons – likely the earliest fan conventions in North Carolina. Their personal papers in the Rubenstein Library include photographs of these events held at their Durham home, as well as issues of their fanzine Vertigo. Sharing collections and bringing fans together were part of Terry’s ongoing interests. 

At the Rubenstein Library, the Edwin and Terry Murray collections remain popular with researchers and students. Recent classes that have used parts of the collection have included: “Games and Culture,” “Cold War America,” “US History in Fact and Fiction,” and “Fantasy: The Borders of Genre, Medium, and Culture.” Some of their comics are currently on display as part of the library exhibit American Indians Go Graphic, exploring comic books and graphic novels by and about Native Americans. We are grateful for our long collaboration with Terry and for the legacy that he leaves. His collections will continue to be shared and bring people together. 

Terry Murray was a loving son and a devoted brother and friend. He is survived by his brother, Edwin. 

Podcast “Inside Kabul” Wins 2025 Rubenstein Library Human Rights Digital Storytelling Award

The 2025 Human Rights Digital Storytelling Award, presented by the Rubenstein Rare Book & Manuscript Library at Duke University, has been awarded to the podcast Inside Kabul.

Produced and originally broadcast by FRANCE INTER (French Public Radio) Inside Kabul was created and directed by Caroline Gillet in collaboration with Marwa and Raha. Inside Kabul tells the story of two young friends whose lives were upended when the Taliban returned to power in Afghanistan in the summer of 2021. As they faced an increasingly dangerous present and an uncertain future, Raha and Marwa exchanged and recorded hundreds of voice notes via WhatsApp with Gillet, a noted French journalist.

These recordings became the heart of the podcast, offering a raw, intimate, and immediate documentation of displacement. As the podcast describes:

“What emerges is a raw and incredibly intimate chronicle of two young women coming of age amidst the collapse of the world they had known. While Raha has chosen to stay in Kabul and is confronted with the violence of the new regime, Marwa has left and finds herself locked up in a refugee camp in Abu Dhabi.”

According to Caroline Gillet:

“Raha and Marwa showed immense courage when they accepted to document their lives under Taliban rule and leaving into exile. Their voice diaries are a powerful testimony of how life changed both for those who chose to leave and those who had to stay after the dramatic events of August 2021. New technologies can sometimes create unexpected proximity, and many people in Europe and in the States told me how close they felt to Raha and Marwa after hearing them. I’m very thankful that through this award, more people can get to know them and the terrible suffering of Afghan women under the terrorist rule of the Taliban.”

Patrick Stawski, Human Rights Archivist at Duke, said:

“Inside Kabul powerfully shows how audio technologies can serve to document, connect, and hope. We are intimately connected to Raha and Marwa’s stories through their voices and the sonic elements of their journey: falling rain at a refugee camp, the crinkle of a food ration wrapper, the sounds of a Taliban security checkpoint.”

Caitlin Margaret Kelly, Curator for the Archive of Documentary Arts, added:

“Being immersed in Raha and Marwa’s unedited audio diaries is to be invited into their lives in ways that bypass the usual narrative arc. In listening to the recordings, our pace is set by the two young women, and our view of unfolding events is powerfully constructed through their experiences.”

Image from Inside Kaboul animated short, by Luciano Lepinay based on works by Kubra Khademi.

In addition to the podcast, Caroline, Marwa, and Raha continue to use the audio diaries to tell their evolving story of displacement and rebuilding. A second season of the show, titled Outside Kabul, is now available in English on France Inter’s YouTube channel. In 2023, they partnered with Denis Walgenwitz to produce an animated short also titled Inside Kabul and are now working on an animated adaption of Outside Kabul.  In 2025, they collaborated with Afghan performance artist Kubra Khademi to produce One’s Own Room: Inside Kabul, an immersive installation presented at the 2025 Festival d’Avignon.

Marwa, one of the three collaborators behind Inside Kabul, said:

“I began exchanging with Caroline and recording sound notes with the hope of being a voice for the people of Afghanistan—especially for women like myself who were deprived of their freedom and rights after the Taliban took over the country in August 2021. Today, Inside Kabul is part of my identity as an advocate for our rights. It is our way of resisting—of standing against this regime and the erasure of Afghan women, and against the gender apartheid in Afghanistan. This award is deeply meaningful to me, as it ensures that our voices will be preserved and accessible to researchers who can shed light on the reality of women’s lives under the Taliban’s terrorist regime.”

The Rubenstein Library’s Human Rights Digital Storytelling Award is co-sponsored by the Human Rights Archive and the Archive of Documentary Arts. It supports outstanding documentary artists and activists exploring themes of human rights and social justice. The award aims to expand the library’s digital documentary holdings while ensuring long-term preservation and access.

The award honors projects that transcend simple information sharing. It celebrates digital storytellers who create deeply contextualized, multi-sensory works that may include still images, moving images, oral histories, soundscapes, and documentary writing.

Winners receive $3,500 and are invited to present their work at Duke University, where they collaborate with archivists to preserve their materials.

The David M. Rubenstein Rare Book & Manuscript Library has a longstanding commitment to human rights and the documentary arts. Its collections represent the work of global creators and document the power of documentary to inspire action and transform the world.

A Black August Booklist, But Make it SNCCY!

Submitted by Mattison H. Bond, Movement History Initiative Coordinator

February is traditionally associated as the month in which we focus on the history and achievements of African Americans within the United States. But as information becomes more accessible and widespread more people have realized that Black history cannot be contained within a single month, and August is just as important a month for the Black community as February is.

What is Black August?

The origins of Black August began during the later end of the Black liberation movement, during the 1960s and 70s. As the nonviolent, peaceful mobilizations of the Civil Rights Movement began to transform into the direct-action campaigns of the Black Power Movement (sparked by SNCC’s Stokely Carmichael one hot night in Greenwood, MS, nearing the end of the Meredith March for Freedom), the formation of the nascent Black Panther Party come to the forefront of the movement bringing with them renewed energies toward self-sustainability and revolutionary theories and practices.

George Jackson, revolutionary and member of the Black Panther Party became a symbol of resistance while in prison. Incarcerated at a young age in 1961, Jackson was exposed to radical liberation politics by fellow inmates. Emboldened by this philosophy , he and his comrades dedicated themselves to organizing within the prison system, leading study groups and even starting a chapter of the Black Panther Party within the San Quentin Prison.

It was in 1971, a year after the killing of his brother, Jonathan, and other political prisoners, that George Jackson was assassinated by a prison guard within Soledad Prison. The death of these two brothers, along with the death of other political prisoners sparked widespread organizing and advocacy within the prison system.

Black August was celebrated for the first time in 1979 within San Quentin prison, where George Jackson and his comrades breathed their last breath. In remembrance of their lives and the decade of the liberation struggle within prisons, a moment of connection to centuries of Black resistance that served as a precedent, Black August came to symbolize a broader struggle for liberation and justice, particularly in response to enduring racial and social inequities.

How Can You Participate?

When Black August was first celebrated within the walls of the California San Quentin prison, prisoners in solidarity wore black armbands on their left arms and dedicated time to study books about revolutions and liberation, specifically focusing on the writings of George Jackson. In that same spirit, Black August continues to be a month of remembrance, education, and meditation toward the fight for liberation. During the month, celebrators dedicate their time to “study, fast, train, [and] fight.”

A Black August Booklist, But Make it SNCCY!

With an emphasis on STUDY here are some books written by members of the Student Nonviolent Coordinating Committee of the 1960s. Dedicated to the liberation of all people by means of impowering local people and communities, with education and nonviolent/political training, there is much to be learned about the fight for liberation between the pages of these featured books.

“This Nonviolent Stuff will Get you Killed”
by Charlie Cobb
“The Making of Black Revolutionaries”
by James Forman
“Hands on the Freedom Plow”
Editor Judy Richardson
“Ready for Revolution”
by Stokely Carmichael
“I’ve Got the Light of Freedom: The Organizing Tradition and the Mississippi Freedom Struggle”
by Charles Payne
“The Courage to Hope: How I Stood Up to the Politics of Fear”
by Shirley Sherrod

 

 

Want to read more from the veterans of the Student Nonviolent Coordinating Committee? Check out the SNCC 60th Anniversary program agenda[SNCC-Agenda-v6.pdf] (start on p. 27) for more books by SNCC veterans.

And for a deeper context, check out the “Meet the Authors: A Legacy of Excellence in SNCC Literature – 19 Authors, 1 Movement” [Meet the Authors of the SNCC 60th Anniversary Conference – SNCC Legacy Project] videos, where 19 authors gather for one-on-one interviews to talk about their experiences within organizing that lead to their written materials.

In Memoriam: Sallie Bingham, 1937-2025

The Rubenstein Library experienced a deep loss on August 6, 2025, when author and activist Sallie Bingham passed. Enormously thoughtful and kind, Bingham was steadfastly dedicated to the groups and causes she cared about, especially women and girls, LGBTQIA communities, artists and writers, land conservation, and special collections and cultural heritage work. A renowned author, playwright, poet, teacher, and feminist activist, Bingham was deeply committed to the power of the written word and the importance of creating organizations that address social issues and promote well-being. Her death was marked by tributes in the New York Times, the Louisville Courier-Journal, and other news outlets.

Sallie Bingham giving a talk in 2009, in the Duke Libraries. Bingham visited the Libraries often to engage with our communities. Photo credit: Eleanor Mills.

Bingham published her first short story in The New Yorker in 1959 and went on to write numerous novels, short story collections, memoirs, and plays. Her fiction often explored the inner lives of women, the weight of family legacy, and the constraints of Southern tradition. With clarity and courage, she brought attention to the power dynamics of gender and class, always centering women’s experiences. Bingham has been praised by critics for her “beautiful language,” “poetic ear” and “precise and observant eye.” In addition to her work as a writer, Bingham worked as a book editor for The Courier-Journal in Louisville, Kentucky, a director of the National Book Critics Circle, and a longtime contributor to the Women’s Project & Productions theater company in New York.

In 1985, Bingham founded the Kentucky Foundation for Women, a groundbreaking organization that promotes positive social change by supporting varied feminist expression in the arts. Bingham’s commitment to preserving and uplifting women’s voices also led to the creation of a women’s history archive at Duke University. In 1988 she endowed a position in what is now known as the David M. Rubenstein Rare Book & Manuscript Library to coordinate acquisitions, cataloguing, reference, and outreach activities related to materials documenting women and gender. What started out as the work of a single archivist grew into a permanently endowed center within the library, which in 1999 was formally named the Sallie Bingham Center for Women’s History and Culture in her honor. Since then, the Bingham Center has grown into one of the foremost repositories of its kind, dedicated to acquiring, preserving, and providing access to published and unpublished materials that reflect the public and private lives of women throughout history.

We are deeply grateful for Sallie Bingham’s generous support and gracious care, and we offer our sincere condolences to her many friends and family. As we mourn her loss, we also celebrate her remarkable life spent in service of truth, community building, and the creative spirit. We are proud to bear her name and carry on the important work she started so many years ago. In one of her last social media posts Bingham declared that “Our wisdom outlasts kingdoms and democracies and tyrannies. It is for all places, all people, and all times.”

The Complicated Legacies of the North Carolina Mutual Life Insurance Company

Post contributed by Michael Ortiz-Castro, PhD, Lecturer, Department of History, Bentley University. Micheal was a recipient of the John Hope Franklin Research Center Travel Grant & Elon Clark History of Medicine Travel Grant. 

Life insurance seems, perhaps, like one of the duller aspects of adulthood. For late 19th century Americans, life insurance represented and marshalled a number of concerns and anxieties about value, life, and community. Coming to force in the mid to late 1800s, life insurance—acquiring it, maintaining it, using it, and its meaning—all intertwined with questions about race, nation, and community—not surprising given that life insurance dealt with some of the most intimate aspects of individuals’ lives—their health, the health of their families, and the economic and social wellbeing.

As a historian of citizenship, my research discusses the history of life insurance as part of a broader analysis of the transformation of ideas of citizenship in the wake of the civil war. My book project, presently titled Acts of Citizenship: Belonging and Biology in Post-Reconstruction America, discusses life insurance in the context of the language companies used to sell policies to Americans, how folks in and outside the industry discussed the business of calculating the value of human lives, and the industry’s associated practices. These practices had a vision of citizenship yoked to ideas of biology and racial purity and helped shape the culture of life insurance—which would come to center round keywords like race, family, and citizen. At its intellectual heart was a project of racial differentiation, materialized in Irving Hoffman’s “Race Traits and Tendencies of the American Negro”. Written in his capacity as Statistician for the Prudential Life Insurance Company, the tract used mortality rates to not only advocate for denying insurance policies to black Americans, but to popularize the “extinction thesis”, a theory that black Americans were simply biologically unfit for equality.

What did black Americans make of this evolving discourse? With the generous support of the History of Medicine Collections and the John Hope Franklin Research Center at the Rubenstein Library, I began to answer this question by consulting the records of the North Carolina Mutual Life Insurance Company, the largest black-owned life insurance company in the nation. Their records highlight the complicated place of black life insurance companies in the economic landscape; they highlight the complicated ways in which black Americans sought to both prove their fitness for citizenship and resist the terms that condemned death to permanent exclusion.

**

Black life insurance companies like North Carolina Mutual grew in a lacuna. The first black insurance companies came up to help black Americans cover funeral costs; North Carolina Mutual marketed itself as a life-oriented project; like other life insurance companies, the stated goal of North Carolina Mutual was to “help Negroes … accumulate … a fortune in life”, to make burial insurance unnecessary. Though life insurance companies faced significant headwinds in their early days due to the perceived sacrilege of putting a value to human life, they participated in and benefitted from a cultural transformation that saw it worthwhile to invest in one’s own life.

North Carolina Mutual’s insistence that black lives could yield value for the user was complicated for two reasons. The first reason was that, according to white insurers, black lives were too risky to include in the risk pool—better to keep them out, for no value or benefit could be generated for the community. In constructing their own risk pool, North Carolina Mutual posited a different vision of the community. However, the notion that black lives could yield value for their owner drew eerie parallels to the slave insurance policies of the antebellum era—it had been commonplace for owners to ensure the lives of their slaves and receive payment in the case of death. In attempting to both affirm and challenge the prevailing association between value, appreciation, and race, North Carolina Mutual affirmed that black lives were appreciable assets—and could be a boon when that wealth was owned by the individual themselves. This logic seems to have been a motivating factor for other black-owned business companies—for example, as seen below, the Atlanta Life Insurance Company similarly sold its mission as “a dream to develop economic independence” among black Americans.

North Carolina Mutual insisted on more than just that black lives could be considered appreciable assets. At the heart of their industry was the assumption that black lives were insurable to begin with—that is to say, a good risk. To do so, it had to assert that black lives were not, say, any riskier than white customers. One bulletin from Clyde Donnell, the Medical Director, makes the logic clear. An excerpt of the document, which discussed tuberculosis mortality rates among black Americans, can be seen below. Below that, you can see another piece, also written by Donnell, which discusses the issue of finding enough black Americans to ensure.

The doctor’s argument in both documents once more ambivalently positions black American’s health to that of their white counterparts. White insurance executives, like Hoffman, argued that high mortality rates across diseases between black and white Americans was indicative of innate biological inferiority. Black intellectuals like W.E.B. DuBois often tried to argue that these disparities were the result of racist measurements and biases; in his magisterial The Health and Physique of the Negro American, DuBois used modern sociological methods to prove that, in aggregate, mortality rates were consistent across race according to class. This was not the strategy of North Carolina Mutual—they affirmed the notion that black folks did in fact have higher mortality rates. However, rather than cast these higher mortality rates as evidence of biological inferiority, Dr. Donnell instead asserts that this means that white folk should become more invested in the uplift of black Americans—“the negro means much to the economic welfare of the southern white man”. In the latter, Donnell references the environmental factors DuBois preferred while maintaining the fact of disparate health outcomes according to race. In tying their destinies together, Donnell’s logic resisted the idea that a white America was the inevitable result.

As materially important as it was for black Americans to have access to life insurance and the financial means to support themselves through death and emergencies, like other life insurance companies, North Carolina Mutual understood that its project was not just about securing the financial wellness of its members—no, the goal was to secure the political and economic uplifting of the people

This can be seen below, where the writings double as political mission: “it is better not to have lived, than to have lived and not contributed anything to the success of any one else’s life”.

At the time of its founding, North Carolina Mutual found itself serving a community that had achieved massive cultural victories alongside the entrenchment of Jim Crow in the South. As a business that believed in racial uplift, it relied on the language of progress and assimilation evinced by leading intellectuals by Booker T Washington. However, as a business oriented towards the advancement of black Americans in the face of racism, it had to take a stand on discourses of racial inferiority. Life insurance singularly combined questions of individual health and the future of the community that animated many of the driving cultural transformations of the late 19th century—the records of NC Mutual prove useful in understanding how black Americans navigated their place in the nation, and how the fight for equality extended to the domain of health, wellness, and the everyday.

Remembering the Legacy of SNCC Veteran and Folklorist Worth Long. (Jan. 15th 1936- May 8, 2025)

Post contributed by Mattison Bond, Coordinator, Movement History Initiative

image of Worth Long with hat, glasses, goatee, and African print shirt
Photo of Worth Long taken from SNCClegacyproject.org

On May 8, 2025 Worth Westinghouse Long Jr., Folklorist and Student Nonviolent Coordinating Committee (also known as SNCC) Veteran passed away. The Franklin Research Center and Rubenstein Library mourns this lost and remembers his contributions as not only an activist, but also as a cultural archivist and true Durham native.

Black and white mugshot of Worth Long arrested
Worth Long’s Alabama State Police file, undated, Alabama Photographs and Pictures Collection, ADAH. Photo found at https://snccdigital.org/people/worth-long/

Long joined the Student Nonviolent Coordinating Committee (SNCC) in 1963, organizing in Selma, Alabama, during a pivotal time in the Civil Rights Movement. He would later become a nationally recognized folklorist, committed to preserving and celebrating Black cultural traditions. His work with the Smithsonian Institution, the National Endowment for the Arts, and the Library of Congress helped amplify the voices, music, and stories of Black communities across the South.

A proud son of Durham’s Hayti community, Long’s legacy bridges activism and cultural memory. We are grateful for his life and his enduring contributions to justice and history.

To learn more about Worth Long and his legacy:

Worth Long Profile on SNCC Digital Gateway https://snccdigital.org/people/worth-long/

In Memoriam: Worth Long by Charlie Cobb https://sncclegacyproject.org/in-memoriam-worth-long/

“Organizers Influence other Organizers: Being SNCCy with Worth Long” https://youtu.be/5duRa3LFumA?feature=shared

“Outsinging Trouble” By Worth Long and Emile Crosby https://sncclegacyproject.org/outsinging-trouble/

Interviews

Civil Rights History Project Interview completed by the Southern Oral History Program under contract to the Smithsonian Institution ’s National Museum of African American History & Culture and the Library of Congress, 2015 https://www.crmvet.org/nars/long_w.pdf

Molly McGehee, “You Do Not Own What You Cannot Control: An Interview with Activist and Folklorist Worth Long,” Mississippi Folklife (Fall 1998), 12-20. https://snccdigital.org/wp-content/uploads/2024/01/10_Worth-Long-Interview-with-Molly-McGhee.docx.pdf

John Hope Franklin Research Center

SNCC Legacy Project Critical Oral History Conference Interviews at Duke’ Center for Documentary Studies https://archives.lib.duke.edu/catalog/cdssncccriticaloh

The Charlie Cobb Interviews, 2012-2014 Collection

The SNCC Digital Gateway Project Files, 2002- 2018 (bulk 2010-2018) Collection:

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University