New Acquisitions: Unique Depictions of the Human Body

In June and July we’re celebrating the beginning of a new fiscal year by highlighting new acquisitions from the past year. All of these amazing resources will be available for today’s scholars, and for future generations of researchers in the Rubenstein Library! Today’s post features a new collection in the Library’s History of Medicine Collections. Check out additional posts in the series here.

fugitive sheet female

The History of Medicine Collections has acquired two anatomical fugitive sheets, elevating our holdings to now include ten of these magnificent items. Anatomical fugitive sheets are single sheets, similar to broadsides, that are printed on one side. Illustrations of the human body accompany text that was written in Latin, and later in the vernacular. Dating from the sixteenth century, this pair of fugitive sheets, titled Viscerum hoc Est Interiorum Corporis Humani Partium Descriptio and published in Antwerp in the sixteenth century, includes hand colored illustrations with accompanying text in Latin.

Besides being incredibly rare—these are the only known copies of these sheets—the sheets are noteworthy for many reasons, including the depiction of the human body using three-dimensional flaps that lift to reveal internal organs, as the title suggests.  This particular pair of fugitive sheets has lost most of its flaps. While the male figure only retains a fragment of one flap, the female figure retains one full flap of the inner organs in entirety. Such loss is common since most of these fugitive sheets date to the sixteenth and seventeenth centuries and were printed as single sheets.

Theories abound as to who would own such items. Were they created for physicians, barber surgeons, or the lay person wanting to know more about the human body? Were they hung in apothecaries, medical university classrooms, or the gentleman’s library? Any sheets that remain today are incredibly rare and worthy of study and analysis. These appeal not only to the medical student who wants to see what inaccuracies exist, but to those interested in the history of science, printing history, and art history.

Post contributed by Rachel Ingold, Curator, History of Medicine Collections.

New Acquisitions: Advertising Aucas

Auca for a Barcelona bookstore, 1937.
Auca for a Barcelona bookstore, 1937.

In June and July we’re celebrating the beginning of a new fiscal year by highlighting new acquisitions from the past year. All of these amazing resources will be available for today’s scholars, and for future generations of researchers in the Rubenstein Library! Today’s post features a new collection in the Library’s Hartman Center for Sales, Advertising, and Marketing History. Check out additional posts in the series here.

Since being banned as a tool for gambling in the seventeenth and eighteenth centuries, the auca has become one of the cultural touchstones of the Catalonia region of Spain.  Aucas are a kind of comic strip with a standardized format of panels (often 48, or another multiple of four) accompanied by rhyming verse.  The Hartman Center recently acquired a collection of more than fifty of these original broadsides, all produced and distributed for the purposes of advertising products or communicating a service. Aucas were traditionally used for communication of religious, literary, or civic information, but advertisers saw the value in taking the broadside format and using it for commercial purposes.

Auca for an insecticide containing D.D.T., Tarragona, ca. 1960.
Auca for an insecticide containing D.D.T., Tarragona, ca. 1960.

The numerous examples here of aucas published in Barcelona or nearby cities in the Catalan language during the 1940s and 1950s, run counter to the accepted belief that the Franco regime had completely suppressed the Catalan language. As these aucas show, the language still had a public presence (and perhaps the Regime tolerated its use in this particular fashion because the aucas were intended to generate commerce, which Spain desperately needed).

In the Lab: Conservators Don’t Like Tape!

My latest conservation project has been one involving chemicals and special equipment, doing something that we conservators face far too often—tape removal. But fortunately, our lab is well equipped with tools and materials specifically for that purpose.

Adhesive Removal in Progress

In September there will be a new exhibit at the Nasher Museum of Art on empire and cartography, organized by the BorderWork(s) Lab here at Duke. Seventeen maps and books from the Rubenstein Library were selected for the exhibit, but many of them required treatment first. Rachel Penniman, Erin Hammeke, and I have been working to make sure the items will be in safe condition before they make the short journey across campus to the museum.

TI_front-back-blog

One item that has required the most work for me is an early 19th century hand-colored manuscript map from South America labeled “Terrenos Incognito” (above, front and back). Although on good quality, strong paper, the map was previously folded so many times that it began to break along the folds, and so some well-intentioned person in the past reinforced the folds with strips of tape on the back. Over time, the adhesive turned yellow and seeped through the paper, leaving stains along all of those fold lines. And not only is the staining unsightly, but the adhesive is also chemically destructive to the paper, making it brittle and more liable to break. So now, as is often the case, I am spending many hours undoing someone’s quick fix that turned out to do more harm than good.

Tape Removal

 Before using any chemicals I tried mechanical means to remove the tape. First I had to remove the carrier, the plastic part of the tape that the adhesive is attached to. For that I used a hot air tool to soften the adhesive and an unsharpened dissection scalpel (my favorite tool) to lift the carrier off. But there was a lot of residual adhesive left on (and in) the paper.

Fume Hood and Suction Platen

After testing the adhesive’s solubility in various chemicals, I selected the most appropriate solvent. In conjunction with the use of chemicals I have been using our excellent vacuum pump and manuscript suction device, also officially known as a Stealth Sucker. I work in the fume hood to avoid breathing solvent fumes. I lay my map on the suction platen and use solvent to dissolve the adhesive, then the vacuum action draws it out of the paper. I can only treat an inch at a time and the work is very slow, but the effect is rewarding . Although there will always be some staining visible, the map’s appearance is beginning to improve dramatically. Soon I hope to have it finished, and visitors at the Nasher will be able to appreciate its beauty without the distraction of adhesive stains.

Adhesive Removal, Before and After #1
Detail of “Terrenos Incognito,” Before and After Treatment
Detail of "Terrenos Incognito," Before and After Treatment
Detail of “Terrenos Incognito,” Before and After Treatment

Post contributed by Grace White, Conservator for Special Collections, as part of our ongoing “In the Conservation Lab” series.

The Henkel Physicians Exhibit at the Medical Center Library & Archives

Dates: July 15, 2013-August 24, 2013 (NLM exhibit); July 15, 2013-October 31, 2013 (MCLA/Rubenstein exhibit)
Location: Medical Center Library & Archives (see below for details)
Online Exhibit Companion: http://www.nlm.nih.gov/hmd/digicolls/henkel/
Contact Information: Jolie Braun, jolie.braun[at]duke.edu; Beverly Murphy, beverly.murphy[at]duke.edu

Advertisement for products sold by the Henkel physicians, from the Shenandoah Valley newspaper, 7 September 1877.
Advertisement for products sold by the Henkel physicians, from the Shenandoah Valley newspaper, 7 September 1877.

The Medical Center Library & Archives is excited to announce its new exhibit, “The Henkel Physicians: A Family’s Life in Letters.” Produced by the National Library of Medicine (NLM), the exhibit traces the daily lives of a family of physicians in the Shenandoah Valley during the nineteenth century, serving in their community, on the battleground, and in the nation’s courts of law. 

The Medical Center Library also collaborated with the Rubenstein Library on an exhibit to complement the NLM display. “From the Rubenstein Collections: The Henkel Family Physicians” features rare books and manuscripts along with materials from the History of Medicine Collections.  It includes letters written by the Henkels, books and broadsides published by the Henkel Press, and nineteenth-century medical instruments and artifacts.

The NLM Exhibit will be on display through August 24th on Level 3 of the Medical Center Library & Archives. The Medical Center Library and Rubenstein collaboration will available through October on Level 1. To learn more about the Henkel family and nineteenth-century medicine, visit the NLM’s digital companion to the display.

What’s that sound?

Workers are removing shelving and hazardous building materials from the rear entrance of Rubenstein Library.
Workers are removing shelving and hazardous building materials from the rear entrance of Rubenstein Library.

 

Visitors to the Rubenstein Library may notice things are a little noisy in the library as renovation work begins. In the next few weeks interior demolition of our former space will continue and  the tower crane for the renovation project will be installed.   Since we’re on the other side of the building now, it shouldn’t be too loud in our reading room, but, as always, we’ll have foam earplugs available for researchers.  Further details and updates are available on the Rubenstein Library Renovation blog.

The 1960s, One Page at a Time

One of the most frequently used items in the Duke University Archives is The Chronicle, particularly the 1960s issues. Many students are interested in the decade—which was one of great change in the student body, the curriculum, and in social life—and alumni and other researchers use it to find out details about particular events. This year, as Duke commemorates 50 years of desegregation among the undergraduate class, The Chronicle is especially helpful as a source of information about desegregation and later student protests like the Vigil and the Allen Building Takeover.

Thanks to the work of the Duke University Libraries’ Conservation Department, Digital Production Center, and Digital Projects Services, we now have eleven complete years (fall 1959-spring 1970) of The Chronicle digitized at http://library.duke.edu/digitalcollections/dukechronicle/. The issues are browsable by year and date and keyword searchable.

Although it will be extremely helpful for research on desegregation and student protest, it will also be helpful for researching topics ranging from the Duke-UNC rivalry to women on campus to ads for local restaurants. Through even small stories and announcements, we learn a lot about campus.

For example, on November 22, 1968, we read that a memorial mass was held to commemorate the 5th anniversary of the passing of John F. Kennedy, Jr.:

Notice of memorial mass at the 5th anniversary of President Kennedy's assassination, The Chronicle, November 22, 1968.

On March 1, 1963, we learn of the mysterious origins of the name of Towerview Road:

Article about Towerview Road, The Chronicle, March 1, 1963.

And on November 7, 1969, we find 1969 at Duke, perfectly preserved:

Chronicle Classifieds, November 7, 1969

There are 868 issues of editorials, news stories, sports writing, advertisements, and much more. Let us know what you think, and how you will use the digitized decade of The Chronicle!

Post contributed by Valerie Gillispie, Duke University Archivist.

Mad Men Monday – The “Outtakes” Blog, Take 2

Mad Men Mondays logo

Mad Men brought us many great moments this season, and so did our weekly search for vintage ads to accompany the episodes each Monday morning.  In the process, we discovered more interesting ads than we could post.  We decided to share some of those in two final blogs that were calling our Mad Men Monday Outtakes.

This week we give you ads that almost made the cut for our earlier blogs.  For instance, on April 22, we chose a more traditional picture of Avon than we offer here in an ad we really liked for bath products.  Others we chose in anticipation of possible themes or references on future episodes, but as always, Mad Men kept us guessing. If the season had extended to December, 1968, we were certain there would be some reference to the Elvis comeback concert.  And we found Seagram’s warning about hunting accidents one week too late.

We hope you’ve enjoyed Mad Men Mondays as much as we have.  Don’t forget that you can still find all of our Mad Men Mondays picks on Pinterest and Flickr.

 

Avon Beauty Bath

 

ZaleJewlery

 

Whirlpool

 

Suzy Homemaker

 

Seagrams

 

Elvis

 

Election Option

 

ClubAluminum

 

Mad Men Monday Friday: The “Outtakes” Blog

Mad Men Mondays logo

Mad Men brought us many great moments this season, and so did our weekly search for vintage ads to accompany the episode each Monday morning. In the process, we discovered many visually and thematically interesting advertisements in the 1968 archives that did not fit with the current episode’s themes. We decided to share some of those in two final blogs that were calling our Mad Men Monday Outtakes.

This week’s themes: Fashion and Food! The late 1960s had a distinctive style. We’ve included men’s formal wear and outer wear, women’s fashion and work-a-day outfits, and neon hued slips and bras. The food photography was almost as distinctive, showing processed convenience foods, frozen vegetable, party nibbles, and, of course, the ubiquitous gelatin mold.

After Six no black tie - Flickr

Breast o chicken tuna - Flickr

Cling Peaches, Blue Diamond Almonds - Flickr

Country Cousins - Flickr

Dacron - Flickr

Great Great Coat - Flickr

Lotte - Flickr

Maidenform - Flickr

Miracle Whip - Flickr

Spam bake - Flickr

Stouffers spinach - Flickr

Swift - Flickr

Happy 4th of July!

Nothing says Fourth of July like friends and family, outdoor barbeques and, for the adults of course, a cooler of refreshing canned beer.

Check out these examples of vintage beer cans found in the corporate archive of the JWT Advertising Agency in the John W. Hartman Center for Sales, Marketing and Advertising History in the Rubenstein Library. The Hamm Brewing Co. was a client of the agency in the 1960s and early 1970s.  The agency collected the beer cans of their competitor’s accounts as part of their market research. And just like clothing and automobiles, there’s something here for everyone.

For the conscientious buyer that appreciates brute honesty in advertising, there’s Gablinger’s Beer, “Not Diatetic or Theraputic.” If an element of regal refinement is more your speed why not try a Duke Beer, “The Prince of Pilsner,” or perhaps a Stite, “Pale and Dry as Champagne.”

Beer Collage

If you’re not easily wooed by fanciful slogans and colorful graphics then there’s the subtle simplicity of “Cold-Aged!” Genese. If you like a beer can that looks like it’s constructed of wood paneling  (and who doesn’t?), then Meister Brau is the beer for you.

PicMonkey Collage1

For all of you classicists, there’s the iconic Leinenkugel’s of Chippewa Falls, WI, and the “Original” Pabst Blue Ribbon.”

PicMonkey Collage3Whatever your choice, we at the Rubenstein wish you a wonderful holiday!

Post contributed by Joshua Larkin Rowley, Research Services Dept.

A Journey’s End

A couple of weeks ago the finding aid for the Doris Duke Audiovisual Collection was posted on the Rubenstein Library website. The audiovisual collection, which is now opened for research, has a fascinating variety of materials, including film reels, vinyl records, and audio cassettes reflecting Doris’ interests in travel, music, the performing arts, and historical events. It’s chock-full of surprises for those willing to delve into the detailed and intricate collection. Homemade recordings of Doris practicing the piano and singing, four original nitrate film reels of the Nazi Supreme Court Trial of the Anti-Hitler Plot from 1944-45 (which we’re presuming Doris obtained while working for the Office of Strategic Services [OSS] during World War II), and a somewhat sketchy telephone interview with Howard Hughes from the 1970s are just a few of the treasures awaiting discovery in this collection.

ddpph011600130

The Doris Duke Audiovisual Collection also marks a significant milestone for the Doris Duke Charitable Foundation Historical Archives. It is the final collection in the historical archives to be processed, described, and opened for research, thus ending my three year processing journey.

Working so intimately with the materials has been quite a remarkable experience, and not surprisingly I’ve grown quite attached to both Doris Duke and the materials over the past three years! The nineteen collections comprising the historical archives are filled with artifacts and clues that leave evidence of a woman who did big things, yet they also give insight to unexpected and hidden facets of Doris’ life. Collectively they paint a picture of Doris that challenges the general perception of her as an eccentric and tragic figure.

While I am sincerely grateful for having had the opportunity to process and promote the materials in the historical archives, I am equally thankful for having had the chance to meet researchers and patrons interested in both Doris Duke and the historical archives. Their enthusiasm for learning more about her spurred several of the events, exhibits, and digital initiatives developed during the course of the processing project.

And so a journey for me ends, but the journey for the materials in the historical archives continues!

Post contributed by Mary Samouelian, the former Doris Duke Collection Archivist. Mary will continue in the Technical Services Dept. as the Processing Archivist for the Abraham Joshua Heschel Papers.

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University