From Our Collections, Manuscripts, Students and Interns, Technical Stuff

Heschel Highlights, Part 6

Abraham Joshua Heschel: The Voice on the Back of the Page

1 HeschelAnyone familiar with Abraham Joshua Heschel’s English writings has encountered the distinctive cadence of his sentences. From the early book The Earth is the Lord’s (1949) to his final work A Passion for Truth (1973), one can hear and feel the rhythm that we now all find so familiar. Reliant on evocative words, on short phrases strung together mostly through suggestions, his sentences pile steadily one atop another, compelled from within as if by their own heartbeat.

2 HeschelHeschel saved nearly every scrap of paper on which he wrote. From napkins and hotel stationary to JTS announcements and publisher’s proofs, often what we record in the database is only the “front” of the page—what appears to us to be a paper’s final use. But the other side, the crossed out side, is often just as lively, covered in sentence fragments, Talmudic quotations, half-written letters of thanks or condolence. Often these backsides record, as if by sheer happenstance, a couple of seconds of Heschel’s mind, a brief instance when a thought, a turn of phrase, caught him amid other actions and was hastily scribbled down.

3 Heschel
“The Kotzker, on the other hand, was concerned with truth, being in distress {rather} that imagination being dormant. Somber and plaintive he had no patience with the playful or the rhapsodic.”

More often than not Heschel returned to these scraps, edited them, sounding after each change more rhythmically alike to the unhurried but morally tugging voice that characterize his finished prose.

4 Heschel
“We live on the verge of mystery and ignore it. Instead of facing the abyss marvel, we are involved in analyzing reminiscences of old formulations. We take the world for granted, and forget that being is unbelievable. Stand still and behold! Speech is an aftermath.”

5 Heschel
“There is {no} word in biblical Hebrew for doubt. Indeed just as the logic of science ; there are many words for wonder. Just as in dealing with judgment, our starting-point is doubt, {wonder is} our starting-point in dealing with reality. is wonder The biblical man never questions the reality of the world around him. He [unfinished].”
Though he wrote almost without ceasing, few of Heschel’s notes reveal autobiographical awareness. “I” was not a word he employed readily. Coming upon a personal reflection can feel momentous.

6 Heschel[“Prayer
Entering the shul
I first relinquish all I have know.
I start all over again.
And the words niggun comes —
my lips have known silence
stillness of awe
And my stillness awakes
The niggun is {a sphere} far off my mind,
and yet I am all there.
My pride fades to bit by bit.
The niggun never ends.
Abruptness is something
I have never known.
A moment never dies
A song is never is but
a beginning of {one} infinity
of echo.]

 

 

But sometimes, too, there are the pages punctuated by sadness, when the search for God recedes behind the dark memory of all that Heschel, and Judaism, has lost.

7 Heschel
“My people was burned to death in Poland. Almost all traces of its existence are thousand year history were wiped out. Since 1945 the country was rebuilt, the last remnants of its survivors driven out. No one misses mourns for us in Poland, no one seems to remember us in Poland.”

Post contributed by Samuel J. Kessler, intern for the Abraham Joshua Heschel processing project.

Bingham Center, From Our Collections, Technical Stuff

Clarissa Sligh: Jake in Transition

Sometimes in Technical Services, we get to work with the visual arts as they intersect with the Rubenstein Library’s mission of cultural documentation.  One such collection, acquired by the Sallie Bingham Center for Women’s History and Culture, is the Clarissa Sligh Papers. Sligh is a visual artist, writer, and lecturer. As a teenager, she was the lead plaintiff in a 1955 school desegregation case in Virginia which later inspired her book “It Wasn’t Little Rock”. After working in math and science with NASA and later in business, she began her career as an artist, using photographs, drawings, text, and personal stories to explore themes of transformation and social justice.

The Bingham Center began acquiring Sligh’s work in the 1990s as part of a collection of artists’ books by women. In 2011, we began the process of transferring her archive to Duke. One of the works represented in her papers is Jake in Transition, a series of 51 black and white photographs, some superimposed with text, documenting one man’s transition from female to male. The project explores issues of gender, identity, and physicality. Sligh revisited those themes in her book Wrongly Bodied Two, which juxtaposes Jake’s story with that of a female slave who escapes to the North by passing as a white man.

Jakeintransition

Sligh took the original “Jake” photographs between 1996 and 2000, a time when transgender issues were still largely ignored. Her work is particularly relevant now that the transgender rights movement has gone mainstream. This isn’t surprising for a woman who has been ahead of her time since at least 1955.

Post contributed by Megan Lewis, Technical Services Archivist for the Sallie Bingham Center for Women’s History and Culture.

Archive of Documentary Arts, Bingham Center, New at the Rubenstein Library

The Curious Case of Frances Benjamin Johnston

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FrancesBenjaminJohnstonBlogsizedThe Library recently acquired a small album of photographs taken in Virginia’s Tidewater region. It contains six cyanotypes depicting work at the freight docks of Newport News and other subjects.  Of particular interest is a laid-in cyanotype which appears to be a portrait of Frances Benjamin Johnston, a pioneering female American photographer.

Johnston was a remarkable photographer.  She took portraits of American presidents and the high society of the turn of the nineteenth century from her Washington, D.C. studio, but also participated in ambitious documentary projects, such as her architectural photographs of Southern states.  For one of her best-known commissions, she traveled to Virginia to document the students of the Hampton Normal and Agricultural Institute in 1899-1900.  Her photographs of this important education institution for African Americans and Native Americans are preserved in her collection at the Library of Congress.

Based on the probable identification of the woman in the photograph as Johnston and the photographs of the area around Hampton in the album, these photographs have been dated to the first decade of the 1900s.  However, no information about the photographer is yet known.  Were they a student or colleague of Johnston?  Is it possible that the photographs (or some of the photographs) are by Johnston herself?

African American women aboard a steamboat, from the Tidewater album, ca. 1900.
African American women aboard a steamboat, from the Tidewater album, ca. 1900.

TidewaterAlbumPyroDeveloperBlogsizeThe album is also accompanied by handwritten directions for making “Pyro Developer” and a “fixing bath for platinum prints,” which may provide further evidence that the creator may have been a student or novice photographer.  (The large initial “B” on the “Pyro Developer” formula bears some resemblance to Johnston’s handwriting, but the handwriting of the rest of the formula does not appear to be similar to hers.)

If anyone has clues or guesses to contribute to the mystery of the photographer’s identity, please share them in the comments section below!

Post contributed by Will Hansen, Assistant Curator of Collections.

Digital Collections, News and Features, University Archives

New Digital Collection: Duke Chapel Recordings

chapelservice001
Undated photograph of a service in Duke Chapel, from the University Archives Photograph Collection.

We are pleased to announce a new digital collection, The Duke Chapel Recordings. This collection of 168 recordings features inspiring sermons from a variety of theologians and preachers, including a number of notable African American and female preachers. The collection includes both audio, and where available, video of the services.

The project was a collaboration of the University Archives, the Libraries’ Digital Collections Department, and the Duke University Chapel. The original recordings are part of a large collection held in the University Archives. We hope the recordings are used for a variety of purposes: the study of homiletics, research into the spiritual response to social changes, musical study, and simple inspiration.

Dr. Luke A. Powery, Dean of Duke Chapel, says of the collection, “Duke University Chapel is distinguished in both its faithful preaching and its sacred music. The Sunday morning ‘Protestant hour’ captured within this archive has been the public face and voice of the Chapel for decades; this digital collection makes Duke Chapel’s liturgical history accessible for both those interested in scholarly research in the area of preaching, music, and worship, and those who desire spiritual inspiration. This collection is an interdisciplinary educational resource for teaching and learning, and demonstrates that eruditio et religio is still alive and well at Duke; may it be so for years to come.”

Learn more about how the video player feature was added to this collection on Bitstreams, the Digital Projects blog.

From Our Collections, In the Conservation Lab, News and Features

In the Lab: Boxing Challenges

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heschelrockblogSome of our recent interesting conservation projects have involved housing.  Not only do we repair damaged books and paper items in the conservation lab, but we also make many boxes and enclosures to house them, and occasionally our box-making expertise is called upon for rather unusual items.

For example, from the Abraham Joshua Heschel Papers: a rock.  Little is known about this small piece of rock except that it is a souvenir of a trip that Heschel made to Israel.  The rock was originally wrapped in a newspaper.  Tedd Anderson made a four-flap enclosure for the newspaper and a box to house both the rock and the newspaper enclosure.

Rachel Penniman has been working on a set of Charles Dickens’s publications, the original short segments of his novels that came out in serial form.  These serials had been housed in custom boxes that someone must have made for their personal collection.  Although the boxes were attractive with leather spines and stamped titles, they were not safe for the serials. The boxes caused creases and abrasions each time one of the pamphlets was removed or reinserted.  Rachel made individual enclosures for each serial issue, and the enclosures were housed together in larger boxes, one for each title.  Access to the serials is now much easier and safer.

dickensblog

The Digital Production Center (DPC) is in the process of scanning glass lantern slides of scenes of daily life in China made by Sidney Gamble in the early 20th century.  Many of the slides are hand-colored, some have existing cracks, and all are very fragile because of the glass support. Erin Hammeke has been working to stabilize their housings.  Each slide is housed in a labeled four-flap paper wrapper, and in the case of cracked slides, she adds a piece of mat board as an extra stiffener.

lanternslides crackedblog

The conservation department creates housings for circulating collections as well.  Mary Yordy has an upcoming housing project for the fascinating new book S by J.J. Abrams and Doug Dorst.  The book is beautifully made to look old and well used with notes in the margins and numerous loose paper inserts.  Mary is planning to make a box for the book that will prevent loose materials from falling out and getting lost, and the book will be kept in the locked stacks.  While we chose to leave the inserts untreated and as published, the Preservation Lab at the Public Library of Cincinnati/University of Cincinnati decided on another route with this title. 

s book comboblog

More images of these and other housing projects can be seen on Flickr.

Post contributed by Grace White, Conservator for Special Collections, as part of our ongoing “In the Conservation Lab” series.

News and Features, University Archives

Recently Published: Women at Duke Illustrated

women@dukecoverIn 2011, the Duke University Archives published Duke Illustrated: A Timeline of Duke University History, 1838-2011. This 80-page, full-color history of the events, traditions, and people that have made Duke one of the world’s leading research universities is the product of almost four decades of research by University Archives staff.

This year, we are happy to announce the publication of a companion volume focusing on the particular contributions of women at Duke, written and compiled by Bridget Booher ’82, A.M. ’92, associate editor of Duke Magazine. The new book, Women at Duke Illustrated, was published to coincide with the 2014 Duke Women’s Weekend, “Find Your Moxie: Duke Women Creating Change,” February 20-22, 2014.

Copies of Duke Illustrated and Women at Duke Illustrated are available for sale by the Gothic Bookshop for $27.50 each. Both books make perfect gifts for Duke men and women of all ages.

The book was published with support from all ten of Duke’s schools, as well as the Duke University Libraries and Duke Athletics.

Events, Hartman Center, News and Features, Readings and Talks

Trish Wheaton on Sustainability and the Socially Conscious Consumer

Date: Tuesday, March 4th
Time: 5:30 PM, reception to follow
Location: Perkins Library room 217
Contact: Jacqueline Reid Wachholz, j.reid(at)duke.edu

“From Niche to Mainstream: Planet Brands and the Rise of the Socially Conscious Consumer”

Trish WheatonTrish Wheaton is CMO of Wunderman and Managing Partner of Y&R Advertising, two global marketing giants. In her role for both companies, Wheaton identified the untapped marketing opportunity around sustainability and now leads a cross-disciplinary sustainability consulting practice that works with major brands to tell their sustainability story credibly and compellingly.

In this talk, Wheaton will share how many of the world’s leading brands are becoming more sustainable in their operations, their manufacturing, and in the products they make. These “Planet Brands” are leading the way to take sustainability from niche interest to a mainstream sentiment.

Wheaton will also introduce you to a rapidly growing global market of socially conscious consumers, “The Aspirationals,” who are demanding that companies be part of solving social and environment problems. And in an age of increasing transparency, The Aspirationals also want companies to talk about what they are doing: “If you do it, say it.” Wheaton’s talk will also include best case examples of companies who have told their sustainability story credibly and well.

The event is co-sponsored by the Nicholas School’s Environmental Innovation and Entrepreneurship Center, the Duke Marketing Club and the Markets & Management Studies program.

Post contributed by Jackie Reid Wachholz, director of the John W. Hartman Center for Sales, Advertising & Marketing History.

Audiovisual Materials, Digital Collections, Franklin Research Center, From Our Collections, University Archives

An Interview About a Duke University Pioneer

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Nathaniel White, Jr was among the first five black students to attend Duke University in 1963. He was not, however, the first person in his family to attend college. His father, Nathaniel White, Sr., had attended Hampton Institute prior to founding his own printing business in Durham. In a newly-digitized interview, White, Sr. discusses his life, his memories, and his experience as a black man living in Virginia and North Carolina during the 20th century.

White’s interview is part of the Behind the Veil digital project, which has just added over 300 new interviews with North Carolinians, including many from Durham. The interviews capture details of what life was like in the Jim Crow South for African Americans. In White’s interview, he shares the story of his childhood, the black business community in Durham, and the influence of scouting on his life. Of particular interest to local researchers, he describes individuals and businesses in the Durham black community in the mid-20th century, providing deep insight into Durham’s history.

Nathaniel White, Jr., center, was a native of Durham and one of the first three African-American students to graduate in 1967.
Nathaniel White, Jr., center, was a native of Durham and one of the first three African-American students to graduate in 1967.

He also briefly discusses his son’s pioneering role at Duke. He mentions that White, Jr., had considered Hampton Institute himself, but then had the opportunity to attend Duke. His father candidly remarks in the interview, “There’s one thing about a situation like that, it’s more like the real world than some other places that you might go and everything seems like it’s alright but it’s not training you for what you’re going to meet when you get outside. It’s a real struggle out there. The sooner you learn that, the better off you might be. . . . In other words, every day he had what it’s like to be an African American citizen in this country. So he didn’t have to learn that after he graduated. He learned it every day at Duke.”

Learn more about the fascinating Behind the Veil project on Bitstreams, the blog of the digital collections department of Duke University Libraries.

Post contributed by Val Gillispie, Duke University Archivist.

News and Features, University Archives

Calling All Duke Student Photographers!

Duke: 175 Years of Blue Devilish Images – Student Photography Contest

Duke students are invited to celebrate the 175th anniversary of Duke University’s origins and win cash prizes at the same time!  Explore and emulate the rich images of Duke’s past found in photos from the Duke University Archives and then reinterpret them with your own contemporary vision. Categories include Academics, Athletics, Campus Scenes and Social Life.

Duke: 175 Years of Blue Devilish Images

What you need to know:

  • Who may enter: Currently-enrolled Duke students.
  • When: Contest begins Monday, February 24th and ends Sunday, March 23rd at midnight.
  • Prizes: Winning photographs in each category will receive $200. First runners-up receive $50.
  • Official contest details and rules, including the entry form.

That’s not all!

All contestants are invited to the Awards Ceremony on April 8, 2014 in the Thomas Room in Lilly Library. Winners will be announced and their photographs will be displayed in Lilly Library this spring.

The contest is sponsored by Lilly Library and the Duke University Archives.

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University