Category Archives: Featured

Profiles in Research: Tessel Veneboer on Women Against Sex

Post contributed by Tessel Veneboer, Ph.D. candidate, Department of Literary Studies, Ghent University.

Veneboer received a Mary Lily Research Travel Grant, 2023-2024. This piece is excerpted and adapted from Veneboer’s longer piece “Bad Sex,” published in Extra Intra Reader 3: Swallowed Like a Whole, which was edited by Rosie Haward, Clémence Lollia Hilaire and Harriet Foyster, (Gerrit Rietveld Academie & Sandberg Instituut, 2024).

As part of my doctoral research, I spent four weeks at Duke University studying the Kathy Acker Papers and other collections at the Sallie Bingham Center for Women’s History & Culture. I work on the relationship between sex and literary form. In particular, the question of the optimism-pessimism divide among feminists about the givenness of the sexual imagery under patriarchy: the pornographic imagination. After sharing my interests with Kelly Wooten, archivist at the Sallie Bingham Center, she suggested I look at the archives of several anti-pornography activists including Dorothy “Cookie” Teer. This diversion from the Acker papers went on to consume much of my research time as I became more and more absorbed in the anti-pornography materials.

Flipping through newspaper clippings, personal correspondence, logistics for conferences and teach-ins, drafts of lectures and manifestos in the Teer Papers, I began to see that disagreements among feminists over the role of pornography, sexual violence, and censorship are not only part of a dispute about what feminists want or should want from sex, but contain perhaps a more fundamental disagreement: the definition of “sex” itself. Is sexuality simply an activity that should and can be reimagined by feminists or should we analyse sex as part of human nature, that is: as subjectivity itself? And if the latter, can there be any authenticity of sexual desire for women in a patriarchal society?

Among the anti-porn materials in the archive, I found an extensively annotated draft of a paper titled ”Sex Resistance in Heterosexual Arrangements.” A manifesto of sorts, the paper was authored by the Southern Women’s Writing Collective, alternatively known as Women Against Sex (WAS). The WAS group was closely affiliated with Women Against Pornography (WAP) who were active in New York City, under the wings of Andrea Dworkin and Catherine McKinnon. The WAS group met WAP in 1987 at the “Sexual Liberals and the Attack on Feminism” conference at New York University, where WAS presented their manifesto for the first time.

Poster with speckled black background and “The Sexual Liberals and the Attack on Feminism” in slanted text at top. A list of questions asks: Who are the sexual liberals? What are they doing to feminism? The conference program includes Gloria Steinem, Kathleen Barry, Susan Brownmiller. Phyllis Chesler, Andrea Dworkin, Shere Hite, Catharine MacKinnon, Robin Morgan, and others.
“The Sexual Liberals and the Attack on Feminism: A Full Day Conference” poster (1987), Dorothy “Cookie” Teer Papers, Rubenstein Library.

The advertising poster of the conference asks: “Who are the sexual liberals? What are they doing to feminism? Why do they defend pornography? What do they mean by ‘freedom’?” In the manifesto, the WAS members make a case against the pro-sex attitude that aims to rethink and reclaim female sexuality by emphasising the multiplicity of pleasures. To simply change the representation of sexuality does not resolve the association of sex with subordination for the WAS group. For them, sex-positive feminism follows a patriarchial logic that naturalises sexuality as an animalistic force and thus can keep women “under the spell” of sexuality. Women Against Sex asks: what if we resist compulsory sexuality?

The conference materials in the archive contain many drafts and internal disagreements over the WAS manifesto, but the rationale is clear: the only function of sex is the subordination of women and therefore “the practice of sexuality” must be resisted. This “sex resistance” movement aligns with Valerie Solanas’s proposal in the S.C.U.M. manifesto to create an “unwork force” of women who will take on jobs in order not to work at the job, to work slowly, or to get fired. To engage in ‘”sex resistance” is to refuse the idea that woman is, before all else, a sexual being who must realise the potential to enjoy sex. In the manifesto WAS proposes two alternatives: feminist celibacy and “deconstructive lesbianism.” They emphasize the difference between religious celibacy–the “vow”–and celibacy as politicized by feminist thought:

She resists on three fronts: she resists all male-constructed sexual needs, she resists the misnaming of her act as prudery and she especially resists the patriarchy’s attempt to make its work of subordinating women easier by consensually constructing her desire in its own oppressive image.[i]

WAS adds that, historically, women have long been practising deconstructive lesbianism and radical celibacy. For example, when a woman temporarily abstains from sex after sexual assault or when women live together without being sexually involved. This sex resistance paper thus argues that feminist celibacy is not new but that this type of abstinence has not been politicised as sabotage.

In a letter to Women Against Pornography, a WAS member explains that the disturbing nature of sex–-what they call woman’s “self-annihilation” as the social paradigm of our sexuality–-is in fact the definition of sex: if it doesn’t subordinate women it’s not sex. This claim is strangely close to queer theorist Leo Bersani’s proposal in “Is the Rectum a Grave?” (1987) that sexuality destabilizes any coherent sense of self as the boundaries between self and other are disturbed. Both Dworkin and Bersani refuse to romanticise sex and, as such, denaturalise sex.

The argument for radical celibacy in the “Sex resistance in heterosexual arrangements” article was ambivalently received at the 1987 conference hosted by Women Against Pornography in New York City. WAP member Dorchen Leidholdt, for example, writes to WAS that she fears the sex resistance proposal would undermine the credibility of the anti-pornography movement as a whole. Andrea Dworkin, however, was intrigued by the politicized celibacy which she found “more radical” than her own proposal to ban all pornography. Only without compulsory heterosexuality, it would be possible to restore, make whole again, what Dworkin calls the ”compromised metaphysical privacy” of woman.

[i] Southern Women’s Writing Collective (Women Against Sex), ‘Sex Resistance in Heterosexual Arrangements’, Sexual Liberals and the Attack on Feminism, New York & London, Teachers College Press, 1990.

 

 

Research Travel Grant Applications Open for 2025-2026

The David M. Rubenstein Rare Book & Manuscript Library is now accepting applications for the 2025-2026 Research Travel Grant Program, offering awards of up to $1500 to support research projects associated with the following Centers, subject areas, and collection holdings:

  • Archive of Documentary Arts General Grants
  • Archive of Documentary Arts Sidney Gamble Travel Grants
  • Doris Duke Foundation Research Travel Grants
  • Eve Kosofsky Sedgwick Travel Grants
  • History of Medicine Collections
  • Human Rights Archive
  • John Hope Franklin Research Center for African and African American History and Culture
  • John W. Hartman Center for Sales, Advertising & Marketing History
  • Sallie Bingham Center for Women’s History and Culture (Mary Lily Research Grants)

Anyone whose research would be supported by sources from the Rubenstein Library’s research centers is eligible to apply. We encourage applications from students at any level of education; faculty and teachers; visual and performing artists; writers; filmmakers; public historians; and independent researchers.

For assistance determining the eligibility of your project, please contact AskRL@duke.edu with the subject line “Travel Grants.”

Eligibility

Applicants must reside beyond a 100-mile radius of Durham, N.C., and may not be current Duke students or employees.

Information Session

An online information session will be held Wednesday, January 15, 2025, 2-3 pm EST.  This program will review application requirements, offer tips for creating a successful application, and include an opportunity for attendees to ask questions. This program will be recorded and posted online afterwards. Register for the session here.

Timeline

The deadline for applications will be Friday, February 28, 2025, at 6:00 pm EST.

Decisions will be announced by the end of April 2025 for travel during May 2025-June 2026. Awards are paid as reimbursement after completion of the research visit(s).

 

150 Years of Thomas Hardy’s Far from the Madding Crowd

Post contributed by Lindsey Allison, Primary Sources Teaching Fellow and MSLS student at UNC-Chapel Hill.

Stop by the Hubbard Case in Perkins Library to see some of the items mentioned in this post on display.

An archive like that at Duke University can be approached from numerous angles. Professors might partner with the Rubenstein Library to encourage student engagement with materials that are relevant to their courses. Students might flock to the reading room to fulfill requirements for a paper. Researchers from across the world might visit the Rubenstein’s collections to identify sources that pertain to their independent studies. There is also the possibility that people might visit the reading room out of pure curiosity, stumbling in search of rare books, letters, and artifacts that are simply “cool” to them. I found myself in this category while perusing the catalog for a topic that could be reflected well in an exhibit, and I was pleased to see how a streak of curiosity can lead down a rabbit hole of literary exploration.

Beginning my quest by analyzing works celebrating an anniversary year, I found myself in the middle of a pastoral tale full of drama, love, and a surprising amount of sheep, as known as Thomas Hardy’s fourth novel, Far from the Madding Crowd.

Far from the Madding Crowd as it appeared in January 1874 for Cornhill readers.

 

In January 1874, Thomas Hardy obliged Sir Leslie Stephen, editor of Cornhill Magazine, by publishing his novel serially for Cornhill readers to enjoy. Describing his work as a story involving “a young woman-farmer, a shepherd, and a sergeant of cavalry,” Hardy set forth on a yearlong adventure of watching the public and critics receive his novel before him (Hardy 1928, 125). Later that year on November 23, 1874, Hardy saw the publication of his work in its entire form. While reading the novel, which is an experience in and of itself, is where some people end their journey down this Victorian English path, the Rubenstein’s holdings allow for a much deeper dive of Hardy’s process to and through publication, from an exploration of his title to the aftermath of the story in his wake.

While we can give Hardy credit for the storyline and characters that emerge in his novel, the title must be attributed to another prominent figure in English poetry, Thomas Gray. Hardy’s use of Far from the Madding Crowd is a direct reference to Gray’s 1751 poem, Elegy Written in a Country Churchyard, where Gray writes:

“Far from the madding crowd’s ignoble strife

Their sober wishes never learn’d to stray;

Along the cool sequester’d vale of life

They kept the noiseless tenor of their way.”

The Rubenstein is home to various versions of Gray’s poem, many of which include illustrations to accompany the famous line later used in Hardy’s title. An 1850 edition includes illustrations by R. S. Gilbert, depicting two adults and two children in their home, with one woman gazing into the distance while the other helps a child to read. An 1861 edition includes an image, created by E.V.B. and engraved by William Meason, depicting angels in their robes. An 1887 edition includes illustrations by Alfred Woodruff, centering the focus on a cemetery, with plants overtaking the emerging gravestones on the stanza’s partnering page. An 1899 edition pictures a cottage set off from a path, surrounded by the sky and vegetation. While Gray’s poem was published nearly a century before Hardy’s birth, the Rubenstein’s holdings create the space to imagine how Hardy may have seen the poem for the first time, and how its presentation led him to use one of Gray’s lines as the title for his work.

Illustrations from two editions of Thomas Gray’s Elegy Written in a Country Churchyard, 1899 (left) and 1861 (right).

 

Jumping further down the rabbit hole of this investigation, I then pulled two books by Florence Emily Hardy, Hardy’s second wife, with the hope of learning more about the historical context surrounding Hardy’s process of creating and publishing Far from the Madding Crowd. The first of the two books, The Early Life of Thomas Hardy, which covers his life from 1840 to 1891, is where the drama began to unfold. While published under Florence Hardy’s name with an understanding that Hardy himself contributed much of the work, the reception of this book has been contested by some scholars in the field. Some believe that Florence altered much of the text from its original form, a topic covered thoroughly by Michael Millgate in The Life and Work of Thomas Hardy, which was published with Hardy’s name after Millgate edited the work to resemble Hardy’s final version. Other scholars in the field have responded to this controversy, such as Tim Dolin in the 2007 article, “The Early Life and Later Years of Thomas Hardy: An Argument for a New Edition,” calling for Florence Hardy’s text to be reinstated as a credible account. Regardless of the criticism for Florence Hardy’s Early Life, the work presents additional information on Hardy’s writing practices as his novel continued to be published serially in Cornhill.

“So Hardy went on writing Far from the Madding Crowd—sometimes indoors, sometimes out—when he would occasionally find himself without a scrap of paper at the very moment that he felt volumes. In such circumstances he would use large dead leaves, white chips left by the wood-cutters, or pieces of stone or slate that came to hand. He used to say that when he carried a pocket-book his mind was barren as the Sahara” (Hardy 1928, 127).

Florence Emily Hardy’s 1928 publications on the life of her husband, Thomas Hardy.

 

Duke University is also home to additional texts that provide understanding to the world that Hardy lived in and how it was brought to life on the page. One book in particular, Hardy’s Wessex by Hermann Lea, showcases the real places that served as inspiration for Hardy’s setting, including images to better understand the farmland and lifestyle in Far from the Madding Crowd.

Hermann Lea’s descriptive work on Thomas Hardy’s Wessex,
published in 1913, reprinted in 1928.

 

The Rubenstein also houses a few of Hardy’s papers in their archive. While they do not speak directly to this novel’s anniversary, they include some of Hardy’s correspondence and an etching of him completed by William Strang, an artist and printmaker who worked with other notable figures like Samuel Taylor Coleridge.

Now 150 years old, Far from the Madding Crowd is a story that continues to see itself adapted and discussed. You may have read it in an English course, watched it unfold on-screen, or never heard of the sheep-filled tale before now. No matter the case, Duke Libraries has just enough copies for you to join the fun of guessing who Bathsheba Everdene will marry in the end!

Interested in reading more on the topic of Hardy’s Far from the Madding Crowd? “Far from the Madding Crowd at 150: Seven Reflections” includes writings from a group of Victorian scholars, all focusing on a different aspect of the text and bringing forth their unique perspectives on Hardy’s work.

Works Cited

Gray, Thomas. Elegy Written in a Country Churchyard. London: Printed for the Guild of Women-Binders, 61 Charing Cross Road, W.C., 1899. David M. Rubenstein Rare Book & Manuscript Library, Duke University.

Hardy, Florence E. The Early Life of Thomas Hardy, 1840-1891. New York, The Macmillan Company, 1928. David M. Rubenstein Rare Book & Manuscript Library, Duke University.

Digging Through the Tapes: Exploring the Behind the Veil Collection Pt. 9

Last month in October we observed both American Archives Month and Informational Literacy Awareness Month. Within the proclamation, President Obama acknowledges the challenges that everyday citizens face as the amount of information we receive and process on a regular basis has increased exponentially over the years. He encourages us to “recognize the important role information plays in our daily lives, and appreciate the need for a greater understanding of its impact.” 

 

Read President Obama’s National Information Literacy Awareness Month Proclamation Here [https://www.govinfo.gov/content/pkg/FR-2009-10-07/pdf/E9-24290.pdf] 

 

And who better to highlight in this blog post than those who continually care for the information literacy of others than the librarians within the Behind the Veil Collection.  

_____________ 

When using the occupation filter, you will find that there are a total of thirty-four librarians within the collection. One of them an archivist [link to the last blog post], others are also classified as teachers, a lawyer, and even a school librarian. Most of the oral histories belonging to these chief information officers can be found under the North Carolina location tag, with Louisiana coming in as a close second. You may find when searching through these librarians (as well as other parts of the collection) that some of these librarians cannot be accessed, such as Joan Coco’s interview and Carnell Clay, but don’t worry! You can always submit a request to receive a digital copy of the file and if you need some help submitting the request you can contact rlrepro@duke.edu. 

 

There is much to be learned from the librarians within the collection. Much like the archivists, there are not many people that know specifically what librarians do. We often imagine them within libraries, finding and placing books on a shelf, but the interviews within the collection tell us more. Listeners learn not only about the different task that librarians did a various job, the condition of public schools during the time of segregation, and their lives outside of librarianship.  

 

For example, Georgia Sutton who was born in New Bern, North Carolina in 1929 became what was known as a teacher librarian. She attended North Carolina College in Durham (later known as North Carolina Central) because it was one of the only Black colleges that offered a degree in Library Science. This was also the case for Arabelle Bryant who grew up in a small neighborhood not far from Rocky Mount, North Carolina. Bullock explains that when she attended the school in the early 40s, that the Library Science degree was only offered as a minor and thus those who wanted to graduate with it had to choose another major. 

 

Part 1 43:35 “…I majored in Mathematics and minored in Library Science, which was kind of an odd combination because usually it was English or Social Studies or something like that as a major, but I didn’t want either one of those. What I really wanted to do was—my sister was a Home Economics teacher and I wanted to major in Home Economics and minor Library Science, but you couldn’t do that. So, I had to choose. I chose Mathematics. So, my major was really in mathematics. And later they did eventually break up to a full library science program. So I had to go back summers and get my degree in Library Science” (Arabelle Bulluck Bryant) 

 

Condescendingly, after graduating Bryant went to New Bern to work within the school system and Sutton landed her first job in Quitman, Georgia. Instead of going back home, Sutton decided to go to Georgia because they paid year-round, versus in North Carolina where they only paid 9 months out of the year.  

 

Sutton and Bryant both speak about the conditions of public schools during their tenure as teacher librarians. Bryant in New Bern mentions that the newspapers were “all showing how bad the white schools were, old, run-down toilets and things… And so, you know if the whites were like that, imagine what the Black schools were like.” She began teaching at West Street, the only public school as a librarian and math teacher, teaching only math during her first year. She did not work in the library until the current librarian left the school a year later. This is because in North Carolina, as well as all over the south, many schools did not hire full time librarians. Sutton, who also taught math was working during the time of the Brown vs. Board of Education decision.  And while she could not remember her feelings toward the decision, she did look forward to Black students being “exposed to all the things that White children were exposed to because under segregation, especially in the South, there was a tremendous difference in how the schools were set up or the materials that were used or given.” Sutton would also teach world history and social studies, speaking to the challenges of being able to teach her children history that pertained to their own heritage. When Rhonda Mawhood, one of the interviewers asked Georgia Sutton whether she was able to teach her students Black history, Sutton answered bluntly: 

 

Part 38:54 “The only way you were going to would do that, you’d have to sneak that in Now. It was just never included in textbooks. Some teachers did it. It was a part of their curriculum but not of the schools… I do know something about my cultural heritage and whatever. But the children today know very little. I will tell you why. For one thing, the White teachers are not knowledgeable of African-American history and they don’t want to be. The majority of them could care less about a Black child’s heritage and he’s being cheated. I feel very strongly about that.” (Georgia Sutton) 

 

And while there are a lot of similarities between the two librarians, one component that sticks out from Sutton’s interview, that was not found in Bryant’s was her mentioning the reason she wanted to become a librarian.  

 

Part 2 34:24: “You must remember there were not many avenues open to us. Teaching was one of them. In fact, it was the main one. As I told you, it was prestigious to be a teacher in the community. You were looked up to. Then too, to tell you the truth, I really liked children. I always have liked to read, and that’s why I went into library science. It was that book thing that got me involved in that, and I still read a great deal” (Georgia Sutton) 

 

Similarly, Sandra Moye Wilson [Sandra Wilson interview record, 1994 June 09 / Behind the Veil / Duke Digital Repository, a Durham native born in 1945, spoke about her love for books and the joy that she found at the library. While she does not plainly state this is what led her into the librarianship, she does state that she knew she was an adult at the age of 10 because “I could take my other brothers and sister and walk them to the library by myself.” Wilson was listed as a librarian but does not talk much about her career. Yet, she does mention that she was active in the NAACP at an early age, helping with voter registration and protests.  

 

Anne McKay Ducan [Anne Duncan interview recording, 1993 June 02 / Behind the Veil / Duke Digital Repository] also has a shorter interview and mentions she too participated in organizations outside of her profession. She was a member of Delta Sigma Theta and a part of the Hampton Alumni Association. She graduated from Hampton University in 1934, double majoring in English, after attending a high school in Fayetteville, North Carolina where she was born.  

 

2:46 “Hampton was a beacon during that time. There seemed to be two choices among the young people who grew up in Fayetteville, Howard University and Hampton Institute. And if you didn’t make it to either one of those, then you were more than apt to remain at home and go Fayetteville State. It was called State Normal then. It’s now Fayetteville University.” (Anne Mackay Ducan) 

 

Ducan would attend college at the age of fifteen, graduating at the age of nineteen. She worked as a teacher for about ten years and then obtained another bachelor’s degree, this time in Library Science from Atlanta. Within her career she would serve as a librarian at the Avery Institute in Charleston, SC and then receive her Master’s in Library Science from Catholic University in Washington. She would work at North Carolina Central’s law library for 25 years, where she enjoyed her occupation the most.  

While Sadie Hugh was originally from Texarkana, TX she too was a librarian that worked in Durham, North Carolina, at not only North Carolina Central, but also at the Stanford Warren Library [The History of Stanford L. Warren Branch Library Exhibit (durhamcountylibrary.org)], which is currently located on Fayetteville St.  

Group photo of adults and children in front of library
Sadie Hughley slides: On the steps of Stanford Warren Library (segregated), Durham, N.C.: Mrs. Hughley, left rear, Mrs. Merrick, right rear, 1940s [https://repository.duke.edu/dc/behindtheveil/btvst007021001

She began working at the Standofrd Warren Library in the mid-40s and from her interview you can tell that she truly enjoyed her time there. She recalled that there was a public school that was down the block from library, but it was important that they as librarians reached the parents first in order to get to the children, a common sentiment within many of these interviews that involve education.  

 

Part 2 22:40 “But the children would come from school and the parents who were interested in helping their children, they knew that the library was the first stopping place. And we did a library, very, very wonderful things with the children…: I would take them in and develop programs for the children there— Then we decided that we should give the Children’s Library a name. And I put on a contest of the children to come up with things that they would like for their library to be. And one little girl came up with Key Corner, which was perfect. And she won first prize. So, it’s still the children’s library there for the children’s room. It’s called Key Corner.” 

Group of children standing in front of desk in library room with books on shelves in background
A group of children gather around a librarian at the desk in the Key Korner. [https://durhamcountylibrary.org/exhibits/slw/archive/sw252.php]

She would continue working at the Stanford Warren Library for eleven years and then transition over to North Carolina Central, gaining her master’s degree in Library Science at the institution and working there for twenty-one years. She would work at the library within administration but mentions that she really enjoyed working with the children at the public library.  

 

Part 2 19:57 “I enjoyed working with children very much. I really did. But I liked books and it meant that getting into more academic part of it was good for me.”  

 

Hughley would work at North Carolina Central for twenty-one years. In that time, she would serve as the President of the Durham Library Association, serve on the National Board of Women’s International, she was a member of the Democratic National Committee and an honorary board member of the United Nations board of directors for the Orange Counties.

 

These are just a few of the librarians whose impactful stories can be found within the Behind the Veil Collection. Their legacies have shaped the history of Black librarianship and also serve as inspiration for future and present-day librarians. Here at the John Hope Franklin Research Center, we encourage you to delve deeper into this rich collection, where each narrative reflects a journey of resilience and historical relevance!

Image of woman behind library desk assisting young boy with books
Sadie Hughley, seated at her desk, assists a young boy in checking out books. [https://durhamcountylibrary.org/exhibits/slw/archive/sw245.php]

 

An Invitation to the Parker Anderson Collection of Conspiracy Theory Research

Post contributed by  Will Runyan, Ph.D., Meyer Human Rights Archive Intern

Pamphlet supporting the 1992 presidential bid of Bo Gritz and containing conspiratorial claims related to the status of George H. W. Bush and Bill Clinton as members of Yale’s secret society, Skull and Bones

In the March 22, 1992 issue of the Detroit Free Press, political correspondent Hugh McDiarmid reported on “the biggest, most enthusiastic—and yes, wackiest—presidential rally that I have witnessed in Michigan this year,” which he went on to describe as “a passionately patriotic—if disconnected and, at times, historically inaccurate—journey through conspiracy land.” The candidate on stage was not Republican incumbent George H. W. Bush, Democratic challenger Bill Clinton, or even Ross Perot, the Texas businessman whose independent bid would attract 18.9% of the popular vote. Rather, it was Lt. Col. James “Bo” Gritz, a retired US Army Special Forces officer decorated for his service in Vietnam who ran as the 1992 presidential candidate for the right-wing Populist Party. As McDiarmid notes, Gritz’s candidacy represented a shift from the overtly racist and antisemitic rhetoric of the Populist Party’s 1988 presidential candidate, David Duke. Though Gritz’s two-and-a-half-hour speech in Michigan was not entirely free of slurs, his appeal to a packed community college auditorium rested on suspicions that the US government had been overrun by “unproved and unprovable plots (by international bankers, globalists, Tri-Lateral commission members, etc.) to take over the world,” as McDiarmid skeptically puts it.

 

Bo Gritz won just 0.1% of the 1992 popular vote, seemingly good evidence that his fringe campaign was precisely that. Yet in the context of the Parker Anderson collection of conspiracy theory research, Gritz’s campaign appears as one of many marginal forces driving the growth of a vibrant conspiratorial ecosystem. Throughout the 1990s, disparate figures, organizations, and fixations increasingly found alignment in a conspiracist worldview predicated on the rise of a tyrannical New World Order orchestrated by shadowy elites with the consent of top US officials. At the same time, this outlook gained increasing visibility and influence in the cultural and political discourse of the United States, spawning infinite variations in subsequent decades from 9/11 conspiracies to QAnon and falsehoods about the ongoing FEMA response to hurricanes Helene and Milton.

Originally published in 1992 by retired Pheonix police officer Jack McLamb, an affiliate of Bo Gritz, this document encourages police officers and members of the armed forces to resist the implementation of New World Order plots by the federal government. Its message is akin to that of today’s Oath Keepers and related militias.

The idea that emergent forms of international cooperation or global governance could endanger the rights and freedoms of average US citizens has circulated in many forms since the end of World War I, often linked to antisemitic tropes, Red Scare fears, or pervasive beliefs about secret societies. The Parker Anderson collection includes small amounts of material dating from the 1960s and 1970s that point to antecedents of the New World Order discourse that exploded in the 1990s, as well as a larger set of materials that offer glimpses of its further evolution in the past two decades—some as recent as May 2024. But the collection’s center of gravity is the period from 1987 to 2001.

To the extent that Parker Anderson, a lifelong Arizona resident and author of works on local history, was an engaged reader of local and state news from the late 1980s to the mid 1990s, exposure to conspiracist views may have been part and parcel of a morning routine—whether through reports on regional militia activity in The Arizona Republic or columns and letters to the editor expressing fears and suspicions about the New World Order in The Prescott Daily Courier. If the clippings from these and other newspapers included in the collection evoke the collector’s incidental brushes with conspiracism, a larger volume of newspaper articles obtained through electronic databases represents a concerted effort to document varied aspects of conspiracist discourse. These, in turn, provide essential context for the collection’s core, composed of conspiracist literature and promotional materials in varied formats: books, booklets, serials, pamphlets, audio and video recordings of speeches and interviews, documentary films, and mailers and catalogs from a variety of publishers and distributors of these materials.

Lecture on tape distributed by John Maffei’s Catholic Counterpoint, one of several extremist Catholic publishers represented in the Parker Anderson collection

Taken together, this body of publications represents a distinctive resource for thinking about conspiracy networks. In addition to highlighting an array of individuals and organizations involved in crafting and disseminating conspiracist content at varying scales, operating in over twenty states and Washington, DC, the collection calls attention to their variable deployment of shared vocabularies in the service of constitutionalist, libertarian, evangelical, Catholic, white supremacist, and antisemitic arguments. Clusters of materials focused on events that served as conspiracy catalysts (the Ruby Ridge standoff in 1992, the Waco siege in 1993, and the Oklahoma City bombing in 1995) and on the prolific genre of conspiracy theories about Bill and Hillary Clinton richly document the evolution and convergence of ideas across distinct sources.

Antisemitic booklet from the early 1980s. Later New World Order conspiracy literature inherited the ideas boldly announced on the cover, expressed both in explicitly antisemitic terms and indirectly with references to international financial institutions.

Documentation focused on a range of organizations and individuals offers another valuable means of navigating a cacophony of New World Order conspiracies. The organization best represented in the collection is the right-wing political advocacy group Liberty Lobby, which played an outsized role in bringing conspiracist views into the mainstream through publication of the populist and anti-establishment weekly newspaper The Spotlight, sponsorship of the radio talk show Radio Free America, and distribution of books in the same vein. Among the best represented individuals is Bo Gritz, whose conspiracist trajectory extends well beyond the 1992 presidential race. Each entity draws elements of the larger collection together in a distinct way. In the case of Liberty Lobby, materials produced and distributed by the organization seamlessly integrate the most disparate conspiratorial strands, among them stolen elections, miracle cures for cancer, Holocaust denial, the assassination of John F. Kennedy, and the idea of FEMA as vehicle of authoritarianism. In the case of Bo Gritz, strands of conspiracism seem to grow together through an idiosyncratic life path progressing from private missions into Vietnam and Laos in the 1980s, motivated by the belief that abandoned POWs were held there, to attempts to mediate between federal authorities and white supremacist militia figures in the 1990s.

While the Parker Anderson collection captures only the early evolution of conspiracist discourse in the internet age through a variety of web publications, and subsequent developments linked to social media are largely absent, those unfamiliar with the “conspiracy land” of the 1990s may be surprised to find its degree of continuity with claims and perceptions surrounding the 2016, 2020, and 2024 US presidential elections. Anyone seeking to understand the roots of the conspiratorial present will find that the collection offers a wealth of strange, often unpleasant, but essential reading.

Article discussing Bo Gritz’s efforts to mediate between federal law enforcement and the Montana Freemen which also includes a sketch of his biography.

Digging Through the Tapes: Exploring the Behind the Veil Collection Pt. 8

Post contributed by Mattison Bond, Outreach and Research Associate, John Hope Franklin Research Center

Behind the Veil: American Archives Month and the Celebration of Libraries

While the first thing that may come to people’s mind about the month of October is Halloween, pumpkin spice, and the beginning of the holiday season. But the month of October is also American Archives Month. Meant to remind and celebrate the importance of archives and those who protect them, American Archives Month is also the time to give a big thank you to those who work hard to protect, enhance, and make the archives accessible to everyone.

And since the Behind the Veil collection is considered a digital archive, its only right to highlight the only archivist within the collection. Florence Borders, born 1924 (in New Iberia, LA) is not just any oral history interview. Florence Edwards Borders was an influential black archivist that left a legacy not only through her papers but also through her recorded oral history which can be found here: https://repository.duke.edu/dc/behindtheveil/f0174cbd-e7f1-418d-89dc-1134add4debc

African American woman in pink suit jacket wearing glasses
Image of Florence Borders found at https://obits.nola.com/us/obituaries/nola/name/florence-borders-obituary?id=1741328

Born Florence Edwards, Borders oral history is rich with details about her family as they were living in New Orleans during a time of segregation.  Har father, a teacher instilled a love for education within all of his children, regardless of the discrimination going on around them. After striving to obtain his own education, he began to focus on making sure his children received a decent education while learning to navigate through the period of Jim Crow segregation.

 Part 1 8:30 “So, I had learned to read early. And as I would be going to Drive Street with my father…. I would spell out words. And one word that I kept seeing was C-O-L-O-R-E-D. And I was trying to sound out the word, and I said, “Colored. What is Colored?” He told me, “That’s Colored, and it means you.” And I was looking at things that were marked for my use that looked different from things that had W-H-I-T-E over them, and I always wanted to know why these things didn’t look as nice, why the lunch counter in the ten cent store that had Colored on it was at the back and were smaller and just less attractive in general…And so my father was trying to help me understand the kind of society in which I had to live. And he just told me that no matter what labels other people placed on me, I determined what I was. And so, I didn’t really fret a great deal about going to public schools that didn’t have enough textbooks and that did not want to let us have new ones at any rate. I got to think that the people who made these decisions were kind of stupid…”

Her love for reading and books would increase because of her father. He would collect books while he was in college and afterward begin to subscribe to Black papers and magazines. She mentions that while they did not have a library to hold all the materials, her father would continue to grow their collection. And while the materials and lessons that she received from the public school were not up to standard, her father would continue to make sure she had new books every school year. Perhaps it was during this time in her life that Borders was influenced the most to pursue a career in librarianship.

She would attend the historic McDonogh 35, the first and only four-year public high school for African Americans during that time, during her 10th and 11th grade years. After graduation she would start college at her father’s alma mater, Southern University in Baton Rouge. At the beginning of World War II, she would start her freshman year. She recalls listening to the radio to hear about the bombing of Pearl Harbor. This would affect the college experience for many students as many of the young men begin to start preparing to leave for war. “A lot of the girls cried, sometimes because the young men involved were tehri boyfriends… This was a goodbye, and our paths might never cross again. So instead of all the joy that I had expected for my freshman year of college, within a few more weeks, the country was at war.” (Part 3 1:34)

Another effect of the war was the marriage of many of the female college grads to their male classmates as they returned from the war and re-enrolled in school under the G.I. Bill. An increase of students on college campuses also meant that that were a need for more staff. And so, after finishing library school, with a slew of jobs that needed filling in front of her, Borders, decided to work at Bethune Cookman College. It was here that she met and married her husband, James. B. Borders III, a G.I. that was returning to gain his education as well.

But Borders was not concerned about the returning G.I.s when it came to picking where she would work.

Part 3 13:15 “So I could have had my pick of jobs just about because librarians were very much in demand. And so, I chose to go to Bethune Cookman College because of Mrs. Bethune. I looked forward to meeting her, and I hoped that I was going to meet Zora Neale Hurston, who had once been employed on the campus. And I did not know that she was no longer employed there, so about the first thing I wanted to know when dawn came—I arrived in the middle of the night—where is Zora Neale Hurston?”

This would only be one of the many institutions that Borders would share her expertise with. She would serve as a catalog librarian at Tennessee State University and then a move to Grambling State University after the sudden death of her husband. The longest part of her career was spent at the Amistad Research Center where she was first considered an archivist. It was here that Borders would leave a lasting impression by constantly championing and uncovering the lives of Black women within the collection. She would retire from the Amistad in 1989.

You can view her papers that are at the Amistad Research Center here: Collection: Florence Borders papers | ArchivesSpace Public Interface (tulane.edu)

Borders would publish papers and articles that would highlight the lives of Black women in Louisiana and their legacies. She would also create a group called the Chicory Society in 1983 that would continue to honor the contributions of African American in Louisiana. She would consult on documentaries and televisions programs. “She appeared in Liberty Street Blues, a documentary movie about the history of New Orleans jazz, and worked as a researcher for The Rise and Fall of Jim Crow. The late filmmaker Marlon Riggs drew on her expertise for his documentary, Black Is, Black Ain’t, and she was consulted for the film House Divided…” (Source)

And even as she continuously worked within her passion as a researcher, writer and archivist, she was still dedicated to the people around her, wanting to bring more young black professionals into her field.

Part 4 9:39“Now I’m hoping that I can influence some of out students to become archivist because there are not that many African American archivists. We have a little what we call third world archivist within the Society of American archivist and I’d like to see more of our young people come into the pression. I’m hoping that Ill influence a couple of kids from SUNO to choose that as profession”

You can listen to her interview here: Florence Borders interview recording, 1994 June 20 / Behind the Veil / Duke Digital Repository

And check out some of the other sources:

  • The Black Librarians Project [https://lhrt.news/honoring-black-women-librarians/]
  • “Florence E. Borders: Archivist, Librarian, and Scholar (1924-2018)” [https://lhrt.news/wp-content/uploads/2022/03/borders-florence-e.docx.pdf]
  • Neal, Kathryn M. “Borders on Excellence: Florence Borders Carves Out Career in Libraries and Archives.” Archives & Archivists of Color Newsletter 12, no. 1 (Spring 1998). [https://files.archivists.org/groups/aac/newsletter/AACv12n1.pdf]

Translating Ancient Medical Knowledge in a 16th-Century Gynecological Encyclopedia

Post contributed by Madeline Huh, Trent History of Medicine Intern, MSLS student at UNC Chapel Hill.

Page opening of Gynaeciorum, showing text in Latin and a small uncolored image of reproductive organs.

I’ve been working as the History of Medicine intern at the Rubenstein Library for a little over a month now, and in my short time working here, I’ve had the opportunity to look at some truly remarkable materials–from the gorgeous illustrations of Elizabeth Blackwell’s A curious herbal, to handwritten notebooks by nineteenth-century Japanese physicians, to an atlas of midwifery from 1926. And, of course, I’ve also had the chance to look at fascinating historical artifacts like the 16th century Scultetus bow saw, an 18th century trephination kit, and a very intriguing little box of pills labeled as “female pills.”

One of my favorite books I’ve encountered so far has been the Gynaeciorum, an encyclopedia of obstetrics and gynecology compiled in the 16th century by Conrad Gessner and Hans Kaspar Wolf. It is the first gynecological encyclopedia to be published, and I was surprised to discover that an entire book was dedicated to this topic in the 16th century. The Gynaeciorum combines the works of several different ancient and medieval medical authors who wrote about women’s health. A few of these include Trota, a twelfth-century female physician and medical writer; Abū al-Qāsim Khalaf ibn ʻAbbās al-Zahrāwī, one of the great surgeons of the Middle Ages; and Muscio, the author of a treatise on gynecology from ca. 500 CE.

The subject matter of the book often goes beyond what we generally think of as the realm of gynecology and obstetrics, exploring neonatal and pediatric inquiries as well. One section asks, “What should be the first food that we give to an infant?” The provided answer is, “Something like bread–that is, crumbs poured into honey-wine, preserved fruit, or milk, or perhaps a drink made of spelt, or porridge” (Gynaeciorum, 79–translation from Latin is my own). Other inquiries discuss menstruation, pregnancy, childbirth, and postpartum health.

I was also very intrigued to find the first printed edition of Muscio’s Gynaecia at the back of the book, printed in Greek no less, which struck me as unusual. In medieval Europe, it was more common for Greek works to be translated and disseminated in Latin, rather than the other way around. Literacy and interest in Greek in the west decreased during this period before a revival of interest in Hellenistic culture and language occurred during the Renaissance. I did a little research on the medieval manuscript transmission of Muscio, and what I discovered was a very convoluted story of translation, retranslation, and misattribution.

Title page of Muscio’s Gynaecia in Greek.

According to Monica Green, a historian of medieval medicine and women’s health, Muscio (who is also known as Mustio in some places–not to be confused with Moscion, who is another ancient medical writer entirely) originally wrote a treatise on gynecology in Latin around 500 CE known as the Gynaecia. This was probably a translation and paraphrase of the Greek Gynaikeia by the physician Soranus of Ephesus who was active around 100 CE. Muscio’s work was copied into several manuscripts in western Europe during the 9th, 10th, and 11th centuries, and his work was popularized later in the Middle Ages, eventually being translated into French, English, Dutch, and Spanish. But intriguingly, Muscio’s treatise on gynecology was also translated into Greek within the Byzantine Empire. Finally, in 1793, the Greek translation was retranslated back into Latin by Franz Oliver Dewez! I can only wonder how close (or far) Dewez was to Muscio’s original language and phrasing.

 

Sample of book page showing Greek text.

All of this was fascinating to learn. Looking at the edition of Muscio in the back of the Gynaeciorum, we see that Gessner and Wolf, who were working in the 16th century, have chosen to present it in its Greek form. I wonder, then, did Gessner and Wolf know about the manuscript transmission of this text and that it was originally written in Latin? I assume they did, based on the fact that we see a Latin preface to Muscio’s Gynaecia included at the very beginning of the Gynaeciorum. So did Gessner and Wolf include the Greek version in the book to appeal to contemporary interest in Greek language and literature, or for another reason? And what information about women’s health and childbirth has been lost or misinterpreted in the process of translation and retranslation? My deep dive into Gessner, Muscio, Soranus, and the transmission of gynecological texts has left me with even more questions than I started with.

Further Reading:

 

CHOPE 2024 Summer Institute

Post contributed by Andy Armacost (Head of Collection Development and Curator of Collections), Laura Micham (Director, Sallie Bingham Center for Women’s History and Culture and Curator, Gender and Sexuality History Collections), Zachary Tumlin (Project Archivist, Duke family papers), and Nestor Lovera Nieto (Part-time Research Scholar for the Economists’ Papers Archive and Visiting Scholar at the Center for the History of Political Economy).

Three months ago on Monday, June 10th, around two dozen participants in the Center for the History of Political Economy’s (CHOPE) 2024 Summer Institute met with four staff members from the David M. Rubenstein Rare Book and Manuscript Library for a showing of items in the Economists’ Papers Archive (a joint venture between CHOPE and the Rubenstein). The Summer Institute was started in 2010 with funding from the National Endowment for the Humanities and is an annual two-week long event that brings together faculty and PhD students in economics to examine various topics in the history of the field. This year’s focus was on preparing participants to design and teach their own undergraduate-level course on the history of economic thought, along with showing how such concepts and ideas might be introduced into other classes.

Andy Armacost

While many of the collections in the Economists’ Papers Archive relate to documenting the careers of individual economists, the archive also holds some related collections that offer a larger context for the history and range of work that encompasses this discipline.

A table with several archival boxes and documents laid out on top of it.
Andy Armacost’s CHOPE 2024 table

One goal of the Archive is to chronicle the historical development of the field, and a key early work in this narrative is Adam Smith’s An Inquiry into the Nature and Causes of the Wealth of Nations, published in 1776. This work explores the role of markets, international trade, and economic decision making. In it, Smith famously describes market forces acting as an “invisible hand” that guides economic decision making.

The Archive also holds organizational papers, including those of the American Economic Association (AEA; founded in 1885) and its journal American Economic Review. These papers represent more than a century of economic thought and the participation of a broad range of economists, and include correspondence from international economists like John Maynard Keynes, who corresponded on behalf of the Royal Economic Society.

The Archive also holds the papers of economists working in government, such as Federal Reserve Chairman Arthur Burns, who served during the Nixon administration. This collection preserves correspondence between the President and Chairman and their discussions related to economic policy and decisions related to the administration’s ending of the gold standard for US currency.

Laura Micham

The Economists’ Papers Archive holds the papers of several notable women economists, such as Anita Arrow Summers, Anna Schwartz, Juanita Morris Kreps, Charlotte DeMonte Phelps, Barbara Bergmann, and Mary Morgan. Though these scholars emerged from a range of backgrounds and intellectual traditions, and each took different professional paths, they all seem to have been animated by an interest in living independent lives and a realization that financial independence was crucial to that goal.

During this event, I shared materials from each of these collections that offer a window into these women’s contributions to the field of economics and to society:

  • Professor Anita Arrow Summers’s graduate student work in Professor Jacob Viner’s class during the mid-1940s in the University of Chicago Economics Department.
  • Memos and other correspondence between Professor Juanita Morris Kreps and President Jimmy Carter when she served as Secretary of Commerce in his administration.
  • A hand-written manuscript detailing Professor Barbara Bergmann’s groundbreaking scholarship on women and children, “A ‘Cost-Sharing’ Formula for Child Support Payments.”
  • Heavily annotated writings of Professor Charlotte DeMonte Phelps documenting her contributions to behavioral economics.
  • A colorful box of materials from the recently acquired Mary Morgan papers alongside annotated drafts of her 2017 book chapter, “Glass Ceilings and Sticky Floors: Drawing New Ontologies.”
An archival box with folders and papers of different colors, as well as a couple of documents, on a table.
The “colorful” box from the Mary Morgan papers.

Zachary Tumlin

My goal was to show different types of material to illustrate the ways in which a researcher might use our collections. Correspondence is typically the most sought-after material, but writing, teaching, and professional service files can also be valuable to researchers. We also hold electronic records and audiovisual material.

Marc L. Nerlove papers

  • Three folders of correspondence, ranging from a single handwritten letter from John Nash (1953) to one of five folders with Ta-Chung Liu (1959-1975). Liu was clearly not just one of Nerlove’s former professors, but also a close friend.
  • Lecture notes for “Introduction to Econometrics” (1948), taught by Jacob Marschak at the University of Buffalo. This collection includes a large amount of teaching material created by Nerlove over the course of his 60-year career, plus a smaller amount created by others.

Anthony B. Atkinson papers

  • Two of four folders for Atkinson’s article “On the Measurement of Inequality” (1970), which has been cited over 10,000 times. This file includes not only the published version but drafts and notes, which show how this notable writing came to be.
  • One of three folders related to Atkinson’s knighthood, including the initial offer letter (2000) asking if he would like to accept. This collection includes an atypical amount of personal material and offers insight into his hobbies and family relationships.
A table with folders and documents laid out on top of it.
Zachary Tumlin’s CHOPE 2024 table

Randall Hinshaw papers

A representative folder from the Bologna Claremont Monetary Conferences series that is full of correspondence. Hinshaw was the “primary driver” behind this conference series, which “brought together Nobel Prize winners and high-level diplomats, businessmen, and politicians to discuss current world developments.”

Raymond C. Battalio and John B. Van Huyck papers

A demo of a Bayesian learning experiment copied from a 3.5” floppy disk that can be played by a single individual against a simulated opponent using DOSBox. This experiment came from the Economic Science Laboratory at the University of Arizona and is copyrighted 1991-1993, when Vernon Smith was still there.

Paul A. Samuelson papers

A digitized copy of “The Economy Prize” (1970), which contains an interview with Samuelson, originally on 16mm film.

Nestor Lovera Nieto

“Correspondence can help researchers to better understand the development of economic thought, the public and private motives of individuals, and the process of interaction within and across intellectual communities” (Weintraub et al. 1998, 1498).

This citation was my inspiration for choosing most of the materials that I wanted to show to the participants of the Summer Institute. As a researcher in the history of economic thought, I believe that correspondence can contain valuable information that can be the starting point for not only writing a paper but also initiating a research project.

A table with several archival boxes and documents laid out on top of it.
Nestor Lovera Nieto’s CHOPE 2024 table

Jack L. Treynor papers

Treynor’s correspondence file on Fundamental Indexation, which contains debates between various individuals on the subject. This was unusual for him because he otherwise arranged correspondence by person or date.

Kenneth J. Arrow papers

  • Arrow’s correspondence file for Janet Yellen (the current US Treasury Secretary), which includes letters of recommendation from him.
  • One folder from Arrow’s file on ECON 200 at Stanford University, which was a course that he taught on the history of economic thought. This folder includes a syllabus and correspondence.
  • The certificate that accompanied Arrow’s Nobel Prize medal, which he was awarded in 1972 for his contributions to general equilibrium theory and the welfare economy.

Paul A. Samuelson papers

One folder from Samuelson’s correspondence file with Arrow, which includes exchanges that illustrate the disagreement between these two regarding the Bergson-Samuelson social welfare function.


Weintraub, E. Roy, Stephen J. Meardon, Ted Gayer, and H. Spencer Banzhaf. “Archiving the History of Economics.” Journal of Economic Literature 36, no. 3 (1998): 1496–1501.

Digging Through the Tapes: Exploring the Behind the Veil Collection Pt. 7

Welcome Back to Durham!

School is back in session and we at the John Hope Franklin Research Center would like to welcome back all the students! For September, we want to focus on the place that so many students, academics, and residents call home, Durham, North Carolina.

You cannot talk about the history of black business without mentioning the legacy of Black Wall Streets. The collective effort of African Americans through business ownership and the growth of communities through increased financial means was a product of Jim Crow and segregation throughout the South. After the Civil War, while still barred from opportunities of their white counterparts, African Americans took advantage of their new status as citizens by taking matters into their own hands and creating the American dream for themselves.

In the late 19th, early 20th century places like the Greenwood District in Tulsa, Oklahoma, the Auburn Historic district in Atlanta, Georgia, Farish Street in Jackson Mississippi, and West Ninth Street in Little Rock, Arkansas were filled with insurance agencies, banks, barber shops and other black owned businesses. More importantly they served as cultural hubs that fostered community collectiveness through churches, clubs and organizations, and schools.

And because we are located in the beautiful and historic city of Durham, it is only right to discuss the history of Black Wall Street that prospered in the Hayti District, once located between Pettigrew and Fayetteville Streets. This area was filled with black business and neighborhoods that were the homes of many prominent African Americans figures. Some of the people found within the Behind the Veil Collection were a part of this historic time, and speak in detail about their lives and the lives of others around them. This week, we learn about these people.

“When Harlem in New York City became the Mecca of the “New Negro” and the center of the Negro Renaissance, the capital of the black bourgeoisie was Durham, North Carolina,” Black Bourgeoisie by E. Franklin Frazier

After W.E.B. DuBois visited Durham in 1912 he wrote “Three men began the economic building of black Durham: a minister with college training, a physician with professional training, and a barber who saved his money.”( The Legacy of Durham’s Black Wall Street | Discover Durham) The three men that DuBois was referencing was Aaron M. Moore, John H. Merrick, and Charles C. Spaulding. Also known as “Triumvirate,” together they grew the first black business that would create the bridge for the creation of other businesses: the North Carolina Mutual Life Insurance Company. Started in 1898 (and moving to Parish Street in 1904) NC Mutual, as it is commonly known, would provide investment opportunities, small business loans, and life insurance. It was the first black owned insurance company in the state and the largest in the country, servicing African Americans in not only North Carolina, but later states throughout the south.

Sepia colored advertisement for North Carolina Mutual
An ad for the North Carolina Mutual and Provident Association, from the Seeman’s Durham North Carolina Directory, 1911-1912. Photo Source: https://lib.digitalnc.org/record/25144?ln=en

We learn this by listening to the oral history of William (Bill) Alexander Clement [William Clement interview recording, 1993 May 28 / Behind the Veil / Duke Digital Repository]. While Clement was born in South Carolina, his father, Arthur was a North Carolina native. And after Arthur graduated from Johnson C. Smith in 1905, he began working for NC Mutual, establishing an office in Charleston. While in college, Bill knew that he wanted to go into business, and as soon as he graduated, he began working at NC Mutual. He was invited by the agency director to come to Durham and after training for six weeks, he was sent to Memphis to start working for $12.50 a week.

Part 1 31:02 “Things were pretty rough. But $12.50 a week was more than what the teachers were getting. The teachers in South Carolina and Tennessee and mostly Georgia were earning about $37.50 a month. $37.50 a month. And to ger $12.50 a week, that was the equivalent of almost $50 a month.”

NC Mutual was the only job that Clement held in his entire life. Working in South Carolina, Georgia, Alabama, and Tennessee, Clement would get to know CC Spaulding, Ed Merrick (the son of John Merrick) and Mr. John Hervey Wheeler. He would serve as the region supervisor, assisting director and agency director before named executive vice president in 1975 and retiring in 1978.

Photo of African American man with glasses, white hair and suit
Photo of William Clement from his obituary. Photo Source: https://dlg.usg.edu/record/aarl_afpc_clementwilliamalexander20010401

Ernestine Bynum [Ernestine Bynum interview recording, 1993 May 27 / Behind the Veil / Duke Digital Repository] was born and raised in Durham. Bynum was the granddaughter of a business owner. The Hargrett Funeral Service [Who We Are | Hargett Funeral Service, Inc. of Greensboro (hargettfuneralserviceinc.com)] was created by Joseph C. Hargett in Kinston, NC in 1871. He was one of the first black businessmen in the area. Her father would follow in his father-in laws footsteps creating one of the oldest funeral homes still servicing in Durham today, the Scarborough and Hargett Funeral Home [History & Staff | Scarborough & Hargett Celebration of Life Center, Inc – Durham, NC (scarboroughhargettcelebration.com)].

Black and white photo of man standing with trench coat on next to a table with a derby hat
Joseph C. Hargett. https://www.hargettfuneralserviceinc.com/who-we-are

Bynum’s interview is filled with Durham’s black business history as she details businesses and their locations. And because of where she lived and her parent’s involvement within the community, she grew up knowing some of the most influential leaders of Black Wall Street like “Triumvirate”, because “Most of them lived right up Fayetteville Street.”

Part 1 11:36 “As I said, the library was on the corner of Pedigree Street and Fayetteville Street across from it was Mr. John Merrick’s house. Then you had another house next to that, then was the street where White Rock Baptist Church set on the corner. That was on the right-hand side of the street coming down on the other side of the street. Dr. Moore’s home. And then you had businesses, drug store, Pearson’s Drug Store. Ed Green’s grocery store…Then there was cafeteria. Then on the corner was St. Joseph’s Church and next to St. Joseph’s church was the parsonage. Next to that was WG Pearson…FK Watkins, who was your first Black movie house. And coming down on this side of the street from up there, [indistinct 00:15:52] library. Then there were homes until you got those section you called—That’s what’s what you call Haiti. When they talk about Hayti. And that in there was where you had a theater on this side the street, the Southern Fidelity started on that side the street and coming.”

Along with the history of Durham’s Black Wall Street, listeners also learn about Bynum’s strong opinions about working at the funeral home. She states multiple times that she did not want to have a career in funeral services, regardless of her family legacy. But her loyalty to her father was stronger and she became the first Black women embalmer in the state and the first women president for the Funeral Directors & Morticians Association of North Carolina. She would also end up working at North Carolina Mutual and then at the Merrick Moore School and Lincoln Hospital.

Drawn image of Scarborough family members, three men and one woman looking through phot album
Photo of Scarborough Family members https://www.scarboroughhargettcelebration.com/who-we-are/history-and-staff

These two oral histories are just a tip of the iceberg. Within the collection you can also learn about Nathaniel White [Nathaniel White interview recording, 1995 February 17 / Behind the Veil / Duke Digital Repository}, printing service owner whose business also sat on Parrish Street, Alexander Rivera [Alexander Rivera interview recording, 1995 June 02 / Behind the Veil / Duke Digital Repository ] a journalist approached by Dr. James E. Shepard to start and organize a news bureau at North Carolina College (later North Carolina Central) because his father was his dentist, and many others. With fifty oral histories categorized under the Durham location tag and over one hundred within North Carolina, who knows the stories that one may find that mention Durham’s Black Wall Street!

We hope you’ve enjoyed “Digging Through the Tapes: Welcome Back to Durham” and that you continue to take the time to learn more about the history and legacy of the city you can call home!

(re)Imaging Archives: Impact of Black Voices in Community Movement, Arts and Education – Sept. 25, 2024

Post contributed by Leah M. Kerr, Our Story, Our Terms Project Archivist

DATE: Wednesday, September 25, 2024

TIME: 11:30-1 ET, 1:30-3 ET, 3:30-5 ET

LOCATION: Zoom webinars (please register to receive links)

Please join Our Story, Our Terms (OSOT) Project Archivist, Leah M. Kerr and her colleagues explore the idea of “(re)Imaging” as the process of updating, recreating, and adding to the representation of Black activists and artists in the predominately white libraries and archives. As if a switch has been flipped, more artists are turning to primary source images for use in their expressions of their lives. More movement activists are recognizing the need to document themselves for their own records, and to provide truth to future historians. These changes also require archivists to accurately describe, arrange, and gather the materials of previously underrepresented communities.

In three conversations, Black activists, artists and archivists gather to discuss the thoughts behind capturing primary sources as art; the need to correctly document actions in movement work; and the steady change of recognizing the need for archives to reexamine traditionally white patriarchal and hierarchical practices that have limited the thoughts on the collection and availability of Blackness in special collections.

Image: (noun) a physical likeness or representation of a person, animal, or thing, photographed, painted, sculptured, or otherwise made visible.

Order of Conversations –

  • Conversation 1 (11:30am-1:00pm ET ): Say it Loud – Telling Our Stories ­­­- explores evolving methods of capturing, interpreting, and documenting Black stories.

REGISTER here.

jina valentine, artist

Charlie Cobb, SNCC, journalist/author

Alissa Rae Funderburk, oral historian

John Gartrell, archivist

  • Conversation 2 (1:30pm-3:00pm ET): Fight the Power – New Memory Keeping  – offers discussions around the recognition of Memory Work, its applications, and implications for strengthening Black representation.

REGISTER here.

Zakiya Collier, archivist and memory worker

Malu Brooks, organizer, archivist, PhD candidate

Judy Richardson, SNCC, filmmaker/educator

Michael Morris, museum director

  • Conversation 3 (3:30pm-5pm ET): Alright – Strengthening the Black involvement in Archives  – making Black memory work a movement rather than a moment requires community education, diversifying staff in libraries and archives, and simplifying methods of institutional documentation. But how do we make these things happen?

REGISTER here.

Leah M. Kerr, archivist

Ida Jones, archivist, historian

Holly Smith, College Archivist, Spelman College

*banner image credit – Aorist gris-gris: (Institutio Oratoria, anise, bearberry, mugwort) by jina valentine, 2012