All posts by Leah Tams

Marc L. Nerlove Papers Open for Research

Black and white headshot of a white man in his late 30s in a suit and tie.
Marc Nerlove, circa 1972-1974, photograph, 8 x 10 in., Box 91, Folder Requests for Publications, 1972-1974.

Post contributed by Zachary Tumlin, Project Archivist for the Economists’ Papers Archive.

The Marc L. Nerlove papers are now open for research as part of the Economists’ Papers Archive, a joint venture between the Rubenstein Library and the Center for the History of Political Economy. Marc Leon Nerlove is a white American agricultural economist and econometrician who was awarded the John Bates Clark Medal from the American Economic Association (AEA) in 1969 and held appointments at eight different universities from 1958-2016: Johns Hopkins (where he earned his PhD), Minnesota, Stanford, Yale, Chicago (where he earned his BA), Northwestern, Pennsylvania, and Maryland. The Clark Medal is awarded to an economist under the age of 40 who “is judged to have made the most significant contribution to economic thought and knowledge,” and when the AEA appointed him as a Distinguished Fellow in 2012, they cited his development of widely used econometric methods across a range of subjects, including supply and demand, time series analysis, production functions, panel analysis, and family demography.

Nerlove was born and raised in Chicago and credits his father, S. H. (Samuel Henry) Nerlove, for his interest in economics. In addition to being a business economist at Chicago and a founding member of the Econometric Society (of which Marc would become President in 1981), S. H. “inadvertently” became the trustee of a large, bankrupt midwestern life insurance company in 1933 during the Great Depression. This company “held mostly foreclosed farm mortgages,” with the farms now being “operated by their former owners as tenants.” S. H. would share stories around the dinner table of his visits to these farms, since the family did not have one of their own in Hyde Park.

Two-page spread of a black and white magazine article about the unveiling of a sculpture. Besides text, there are five photographs, including of the sculpture, the sculptor, and people speaking at the event.
“Hunt’s ‘Why’ Unveiled,” issues/ideas, 1974, 10-11. Located in Box 91, Folder Issues/Ideas, 1974. This is a sculpture on campus at Chicago that was commissioned by S. H.’s widow and Marc’s mother Evelyn in S. H.’s memory.

The Nerlove papers consist of 195 linear feet (137 boxes) of physical material and a little over 0.1 gigabytes of digital material that primarily document Nerlove’s professional life through his correspondence, writings, teaching, research, and professional service. Other economists who appear most frequently in the papers include Kenneth Arrow, José Carvalho (student), Carl Christ (dissertation supervisor), David Grether (student), Zvi Griliches, Lawrence Klein, Tjalling Koopmans, Ta-Chung Liu (teacher), Theodore Schultz (teacher), and Lester Telser. To a lesser extent, there is some correspondence, teaching material, and two writings from Milton Friedman (teacher) and one handwritten letter from John Nash.

First and second pages of handwritten letter on MIT letterhead. Directed to "Mr. Nerlove." Signed "yours truly, John Nash."
John Nash to Marc Nerlove, March 1953, Box 2, Folder Nash, John, 1953.

One unique aspect of the collection is how much of it comes from others besides Nerlove. There are 134 files of teaching material from others, 228 files of dissertations, and 343 files of writings by others, compared to 143 and 421 files of his own teaching material and writings, respectively. Although his own files are richer, the files from others give us a sense of what was happening around him and his professional interests and network.

The teaching material from others was acquired from coworkers and professional colleagues for reasons such as Nerlove teaching/researching a similar course/subject or sent in exchange for his own teaching material. The dissertations are not only ones that Nerlove supervised or sat on the committee for, but that he received from his department for review as a faculty member, received from the author due to citation/similar research interest, or personally requested. While it is not unusual for there to be writings by others/reprint files, what was unusual was the quantity of them—they were originally around a quarter of the collection/90 linear feet and occupied 20 filing cabinets in a separate room on campus at Maryland. These files were thoroughly weeded to focus only on items with correspondence, annotations, or that appeared to be unpublished (primarily pre-1990).

Lastly, 11 items from these papers will occupy a large case in an upcoming exhibit on administrative assistants scheduled to be installed in the Michael and Karen Stone Family Gallery. These items are from the early 1970s and related to three of Nerlove’s secretaries at Chicago and Northwestern: Elizabeth “Betty” Ann Percell (1936-2005), Gloria Feigenbaum (1922-2006), and Stina Leander Hirsch (1919-2008). Such staff members have job duties that include basic records management—maintaining working files while they are still held by their creator before they are donated—and it is important to name them when they appear in the archival record because they are essential workers. A “good” secretary gives professors the ability to focus more on their research, and they make it easier for archivists to prepare these papers for long-term preservation (which ultimately benefits the archival user).

Candid photo of two white people in an office in the early 1970s. A woman sits at a desk of papers with a typewriter to one side while a man is bent at the waist looking at the camera while they exchange a paper or envelope.
Gloria Feigenbaum and Marc Nerlove, circa 1972-1973, photograph, 3.5 x 5 in., Box 1, Folder Feigenbaum, Gloria, 1972-1973.

2022 HOPE Center Summer Institute Event

Post contributed by Zachary Tumlin (Project Archivist for the Economists’ Papers Archive), Andrew Armacost (Head of Collection Development), Laura Micham (Director of the Sallie Bingham Center for Women’s History and Culture), and Vincent Carret (2021-2022 HOPE Center Visiting Scholar and 2022 Summer in the Archives Fellow).

On Monday, June 27th, around two dozen participants in the Center for the History of Political Economy’s (HOPE Center) 2022 Summer Institute met with four staff members from the David M. Rubenstein Rare Book and Manuscript Library for a showing of items from the Economists’ Papers Archive (a joint venture between the HOPE Center and Rubenstein Library). The Summer Institute was started in 2010 with funding from the National Endowment for the Humanities (NEH) and is a two-week long annual event that brings together faculty and PhD students in economics to examine various topics in the history of the field. This year’s focus was on preparing participants to design and teach their own undergraduate-level course on the history of economic thought, along with showing how such concepts and ideas might be introduced into other classes. The instructors were Duke faculty members Bruce Caldwell (HOPE Center Director), Steven Medema, and Jason Brent.

Golden medallion and large certificate on a brown table.
Kenneth Arrow’s 1972 Nobel Prize medal and certificate.

What follows are contributions from Andrew Armacost (Head of Collection Development), Laura Micham (Director of the Sallie Bingham Center for Women’s History and Culture), Zachary Tumlin (Project Archivist for the Economists’ Papers Archive), and Vincent Carret (2021-2022 HOPE Center Visiting Scholar and 2022 Summer in the Archives Fellow) about what they displayed during this event.

Andrew Armacost

While many of the collections in the Economists’ Papers Archive relate to documenting the careers of individual economists, the archive also holds some related collections that offer a larger context for the history and range of work that encompasses this discipline.

Two open books, two gray document boxes, four open folders with papers inside, and one 8x10 inch black and white print on a brown table.

Starting at the bottom right and going clockwise, one goal of the Archive is to chronicle the historical development of the field, and a key early work in this narrative is Adam Smith’s An Inquiry into the Nature and Causes of the Wealth of Nations, published in 1776. This work explores the role of markets, international trade, and economic decision making. In it, Smith famously describes market forces acting as an “invisible hand” that guides economic decision making.

Close-up of text on a page.
Place in text where “invisible hand” appears.

The Archive also holds organizational papers, including those of the American Economic Association (AEA; founded in 1885) and its journal American Economic Review. These papers represent more than a century of economic thought and the participation of a broad range of economists, and include correspondence from international economists like John Maynard Keynes, who corresponded on behalf of the Royal Economic Society.

The Archive also holds the papers of economists working in government, such as Federal Reserve Chairman Arthur Burns, who served during the Nixon administration. This collection preserves correspondence between the President and Chairman and their discussions related to economic policy and decisions related to the administration’s ending of the gold standard for US currency.

Laura Micham

The Economists’ Papers Archive holds the papers of several prominent women economists, such as Anita Arrow Summers, Anna Schwartz, Juanita Morris Kreps, Charlotte Phelps, and Barbara Bergmann. Though these scholars emerged from a range of backgrounds and intellectual traditions, and each took different professional paths, they all seem to have been animated by an interest in living independent lives and a realization that financial independence was crucial to that goal.

One open record carton with many folders inside, one open gray document box with folders inside, and five open folders with papers inside on a brown table.

During this event, I shared materials from each of these collections that offer a window into these women’s contributions to the field of economics and to society:

  • Bottom left: Professor Arrow Summers’s graduate student work during the mid-1940s in the University of Chicago Economics Department.
  • Bottom right: Detailed correspondence between Professor Schwartz and Milton Friedman related to their groundbreaking work, A Monetary History of the United States, 1867-1960 (Princeton University Press, 1963).
  • Top right: Memos and other correspondence between Professor Kreps and President Jimmy Carter when she served as Secretary of Commerce in his administration.
  • Top left: Heavily annotated writings of Professor Phelps documenting her contributions to behavioral economics.
  • Top middle: Handwritten manuscripts detailing Professor Bergmann’s groundbreaking scholarship on women and children.
Handwriting in pencil on yellow lined paper.
Page 1 of “A ‘cost-sharing’ formula for child support payments,” n.d. by Barbara Bergmann from the Barbara Bergmann papers, 1942-2015.

Barbara Rose Bergmann (20 July 1927—5 April 2015) was a feminist economist. Her work covers many topics from childcare and gender issues to poverty and Social Security. She was a co-founder and President of the International Association for Feminist Economics, a trustee of the Economists for Peace and Security, and Professor Emerita of Economics at the University of Maryland and American University. During the Kennedy administration, she was a senior staff member at the Council of Economic Advisers and a Senior Economic Adviser at the Agency for International Development (USAID). She also served as an advisor to the Congressional Budget Office and the Bureau of the Census.

Bergmann’s archival collection consists of published writings, including congressional testimony, as well as research and project files, and a selection of career awards and books from her library. One of the manuscripts included in the display is “A ‘cost-sharing’ formula for child support payments.” This undated piece was written in pencil on sheets from a legal pad, copiously revised, meticulously calculated, and thoroughly argued. She published several scholarly and journalistic articles on the topic of child support, some likely emerging from this piece, including an article co-authored with Professor Sherry Wetchler in Family Law Quarterly, Fall 1995, Vol. 29, No. 3, “Child Support Awards: State Guidelines vs. Public Opinion” [Duke NetID required for access].

Zachary Tumlin

Starting at bottom right and going counterclockwise: Carl Menger papers, Kenneth J. Arrow papers, Vernon L. Smith papers, and Marc L. Nerlove papers.15 open folders with papers inside, one book with a red cover, four small pocket-size notebooks, and one 8x10 black and white print on a brown table.

Since I began in February, I have been processing a new acquisition: the Marc L. Nerlove papers. The papers primarily document the professional career of economist Marc Nerlove, who specializes in agricultural economics and econometrics (the use of economic theory, mathematics, and statistics to quantify economic phenomena). Upon his election to the AEA as a Distinguished Fellow in 2012, he was recognized for creating a widely used template having to do with the dynamics of agricultural supply, pioneering the development of modern time series methods and the analysis of panel data in econometrics, and being the first to apply duality theory to estimate production functions. During his 60-year career, he held appointments at Johns Hopkins, Minnesota, Stanford, Yale, Chicago, Northwestern, Pennsylvania, and Maryland; worked as a consultant at the World Bank, International Food Policy Research Institute, and RAND Corporation; and was awarded the 1969 John Bates Clark Medal from the AEA.

Like what Vincent will detail next about the highly influential economics department at Chicago, I chose material that showcases his own connections there:

  • Material related to his father, Samuel H. Nerlove, who came to the U. S. from Russia as a toddler in 1904 with his parents, who settled in Chicago; Samuel was a professor in business economics at Chicago from 1923-1965:
    • 1939 syllabus for Business Economics 1.
    • 1972 letter and eulogy from former student and then U. S. House Representative Sidney Yates.
    • Volume 22, number 2 of issues/ideas (Graduate School of Business magazine) from 1974, sent by Dean James Harper at the request of Nerlove’s mother Evelyn (with letter indicating this); includes article “Hunt’s ‘Why’ Unveiled” about unveiling of artist Richard’s Hunt sculpture “Why”, commissioned by the Samuel H. Nerlove Memorial Fund.
  • Material from his time as a student at Chicago and Johns Hopkins:
    • 1953 letter from economist John Nash (subject of the book and film A Beautiful Mind), apparently in response to a letter from Nerlove with a question about utility function.
    • Draft of introduction to Studies in the Quantity Theory of Money by Milton Friedman (published in 1956) and class notes for Friedman’s 1955 course on the same topic (including doddles of trains, a subject Nerlove would write about early in his career in the context of railroads).
  • Material from his time as a professor at Chicago from 1969-1974:
    • 8×10 inch black and white headshot.
    • Letter from his secretary Gloria Feigenbaum upon his departure for Northwestern (pictued right), as well as a candid print of the two of them. Such staff maintained his on-campus files, which are now part of this archival collection, but these people can become invisible without thoughtful description. In this letter, she expresses how he had occasionally forgotten his purpose (research), interfered in matters that were her responsibility (administrative), and prevented her from exercising the degree of initiative that she was used to and capable of, but that she chosen to remain quiet to preserve their good working relationship.
    • Folder of early 1970s material from the Political Economy Club at Chicago (graduate student group). It includes three issues of their Journal of Progressive Hedonists Against Rational Thought (JPHART), a caricature of Nerlove that has him beside the White Rabbit and someone as Alice from one of his favorite books—Alice in Wonderland (these sketches appeared at the end of each issue of JPHART), a script of a skit set in the department that mentions Nerlove, and a copy of Sir Dennis H. Robertson’s poem “The Non-Econometrician’s Lament.”

Vincent Carret

What brings together Leonid Hurwicz, Paul Samuelson, Don Patinkin, and Oskar Lange? Apart from the fact that they were all major economists by any standard (two of them received the Nobel Prize), they were also all affiliated with the University of Chicago at some point.

10 open folders with papers, notebooks, and one press binder inside on a brown table.

In the material I presented, this connection is the link between them. Starting at the bottom right and going counterclockwise are a few of Patinkin’s student notebooks, of which there are dozens. At Chicago, Patinkin attended classes taught by the likes of Jacob Viner, Frank Knight, Jacob Marschak, and Oskar Lange—in particular, Lange’s course on Mathematical Economics and Stability Analysis held during the first half of the 1940s.

It was on this very subject of economic stability that Lange corresponded with Samuelson, who earned his undergraduate degree from Chicago. Their letters on the stability of an economic model called general equilibrium were exchanged in 1942, before Lange published his 1944 Cowles Commission monograph on Price Flexibility and Full Employment. These letters, shown here next to Patinkin’s notes, were duly kept by Samuelson and are now available in his collection of papers, rich in hundreds of folders of correspondence with almost every economist of the 20th century.

At one point in their correspondence, Samuelson asks Lange if he could name a few outstanding graduate students at Chicago, as he was looking for a new assistant. The first name on Lange’s list was that of Leonid Hurwicz, a young Polish immigrant who had arrived in Chicago at the beginning of the 1940s after fleeing Europe. Hurwicz became the assistant of Samuelson, now an Assistant Professor at MIT, in 1941, before coming back to Chicago to work in the Meteorology Department during the war. His papers, which I am currently reprocessing, trace his distinguished career at the University of Minnesota, where he stayed at for more than a half century after being recruited in 1951. For his creation of the field of mechanism design theory (the study of efficient allocation of resources), Hurwicz was jointly awarded the 2007 Nobel Prize at age 90.

In addition to Hurwicz’s correspondence and early manuscripts of his publications, I found in his papers the dissertation of Patinkin, which he annotated [this finding aid will be updated in September after reprocessing is completed]. Among Hurwicz’s many notes taken at seminars and conferences, one often finds more or less elaborate doodles—although the word doodle does not do justice to the intricacies of the abstract geometrical forms that are peppered throughout sixty years of thinking about economics!

Elaborate, abstract doodle in pencil on lined paper with handwritten notes.
One of the more elaborate “doodles” by Hurwicz, drawn during a 1965 meeting of the National Science Foundation Commission on Weather Modification.

Welcome April Blevins!

We recently welcomed April Blevins as a new staff member in the Rubenstein Library’s Technical Services department! We asked April a few questions to help us—and you—get to know her a little better.

Tell us a little bit about your new job at the Rubenstein Library.

As a Technical Services Archivist for the University Archives, I primarily work on processing and arranging collections that a part of the University Archives. Part of my responsibilities include surveying the collection, rehousing and arranging the collection, and creating a finding aid and catalog record for the materials.

Do you have a favorite collection/material type to work with? Tell us why (or why not!).

I do not really have a favorite type of material to work with, but I often enjoy working with correspondence. As handwritten records, the content of these types of materials can be extremely valuable, making them great sources of information. I find it intriguing to read what someone considered important or worth writing about to others and how people communicate. Correspondence can also provide a view into the thoughts and life of the creator while also telling us about what is happening in the world in which the creator lives and, even, how they were impacted by these events.

Tell us about your PhD research.

My research focuses on the documentation strategies and collection origins of African American archives, particularly at HBCUs. The study aims to understand how the institutions documented the involvement of students and faculty in activism pertaining to the Black freedom movement.

What are you most looking forward to in your new job and in Durham?

In my position as Technical Services Archivist, I am most looking forward to working with the collections and learning more about the history of Duke University and the people that are a part of the Duke community. I have always had an interest in institutional memory and how institutions have developed their methods of collecting overtime, especially now with more institutions working towards inclusive collecting practices and reparative descriptions. Being back in Durham is quite interesting as so much has changed since I graduated from North Carolina Central University and moved to Tennessee several years ago. I am most looking forward to refamiliarizing myself with the city of Durham and exploring more of North Carolina.

Tell us something unique about yourself.

On a study abroad trip to Italy, I had the opportunity to go on an impromptu hike up the side of Mt. Vesuvius. Because it was an impulsive decision, I was not wearing the proper shoes and so the trek up was not the most comfortable. However, the gorgeous view from the top made it worth it!

“What, Me Worry?”: The Nick Meglin Papers at the Rubenstein Library

Post contributed by Elliot Mamet, Ph.D. Candidate in Political Science at Duke and Archival Processing Intern at the Rubenstein Library.

The papers of Nick Meglin, longtime editor of MAD Magazine, are now available and open for research at the Rubenstein Library.

Meglin was affiliated with MAD Magazine for decades. As a newly-minted graduate of the School of Visual Arts, Meglin was hired at MAD Magazine in 1956. Over the course of his life he held various titles at MAD, including Idea Man, War Correspondent, Associate Editor, Tennis Editor, Co-Editor, and, upon his retirement in 2004, Contributing Editor. Meglin played a central role in shaping MAD’s editorial voice and recruiting artists to join the “Usual Gang of Idiots.”

The Nick Meglin Papers include extensive material which convey how MAD Magazine was edited and produced, such as layout art, ideas for features, inside jokes between editors, parodies, celebrity correspondence, and detailed accounts of the yearly MAD staff trips. One folder, “Horrifying Cliches,” includes “a freak accident,” “a flaming passion,” “a blessing in disguise,” “a gross understatement,” and “a bloodless coup,” among others.[1] Another folder, Typewritoons, chronicles a 1965 reader contest to generate cartoons from the script of a typewriter.[2]

Meglin’s creative pursuits expanded far beyond MAD Magazine, and the Nick Meglin Papers gives a sense of his enormous output. The collection includes Meglin’s illustrations, many of his essays, song lyrics, and two musicals he wrote, Tim and Scrooge and Grumpy Old Men. It also includes Nick’s greeting card ideas, some of which he sold, including “See, I didn’t forget the occasion!… only the date! Sorry I’m late…” and “happy birthday to the best looking, brightest, and most talented person in the world…me!”[3]

The front of a greeting card created by Meglin. It features hand-drawn newspaper headlines such as "Candy is toxic," "Flowers found to contain DDT," "New cars...dangerous," and "Champagne bad for health!"
A greeting card designed by Meglin.
The inside of the greeting card designed by Meglin. Text reads "I love you too much to send anything but good wishes!"
The inside of Meglin’s greeting card.

Upon his 2004 retirement, Meglin moved to Durham. While living here, he volunteered for WCPE, creating 84 original sketches of composers and musicians, he taught illustration, and he formed a “usual suspects” lunch club of fellow illustrators and creatives. It is exciting for researchers to be able to access the papers of Nick Meglin at the Rubenstein Library, and to learn more about the colorful life and career of Nick Meglin, who was an illustrator, cartoonist, art instructor, essayist, lyricist, writer of musicals – and always a humorist, too.


[1] Horrifying Cliches, 1971. Box 1, MAD Magazine Series, Editorial and Administrative Files Subseries. In the Nick Meglin Papers, David M. Rubenstein Rare Book & Manuscript Library, Duke University.

[2] Typewritoons. Box 2, MAD Magazine Series, Editorial and Administrative Files Subseries. In the Nick Meglin Papers, David M. Rubenstein Rare Book & Manuscript Library, Duke University.

[3] Greeting Card Ideas. Box 8, Other Professional Materials Series, Other Projects Subseries. In the Nick Meglin Papers, David M. Rubenstein Rare Book & Manuscript Library, Duke University.

Welcome Zachary Tumlin!

White man in early 30s with brown hair, beard, and black framed glasses wearing bright blue suit with white shirt and yellow tie stands against brick wall.
Zachary Tumlin

We recently welcomed Zachary Tumlin as a new staff member in the Rubenstein Library’s Technical Services department! We asked Zachary a few questions to help us—and you—get to know him a little better.

Tell us a little bit about your new job at the Rubenstein Library.
I am the Project Archivist for the Economists’ Papers Archive, which is a collaboration between the Center for the History of Political Economy and the David M. Rubenstein Rare Book and Manuscript Library. It contains the papers of over 70 economists (mostly from the 20th century), including several Nobel prize winners. It is also the official repository for the records of the American Economic Association and History of Political Economy (which was founded at Duke in 1969 and is published by Duke University Press).

I am currently processing the papers of Dr. Marc Nerlove, who concentrated on agricultural economics and econometrics. His collection was originally 206 boxes because he was active for 60 years before retiring from the University of Maryland, which is where I earned my graduate degree from. It was not until after I started this job that I learned that he lives in the same neighborhood that I just left, literally only a few minutes’ walk from door to door.

What did your path to becoming an archivist look like?
I am originally from West Virginia and earned my Bachelor of Music in Music Education from West Virginia University (WVU). I was a middle school band director in the state for three years but had a poor experience, and that combined with an autism diagnosis led me to reconsider my career goal to be a high school or college director of bands. I came across librarianship and specifically music librarianship online while exploring my options, and this reminded me of times when I managed sheet music collections for performing ensembles that I was a member or leader of (something I had done since high school).

I have been fortunate to have a large personal library since childhood, and I have always naturally been drawn towards preservation and systemization (I can access born-digital files dating back to elementary school assignments). How autism manifests itself in me combined with my personal characteristics make me well-suited for this field and there are others like me, whether they are out and proud all the way to not even suspecting that they might meet the diagnostic criteria.

Lastly, I have conducted geological research on my family and am a member of the National Society Sons of the American Revolution under two ancestors with others possible. I understand the importance of being able to document and share your story through records.

Tell us about the advocacy work that you do.
My self-advocacy is grounded in the fact that I am an adult diagnosed Autistic, but I also identify as neurodivergent and Disabled because of the need to not silo myself among others who have received the exact same diagnosis. My areas of emphasis include employment, policy and law, history and culture, education, and representation in media.

I specify that I am a formal Disability self-advocate to indicate that I do this both personally and professionally. For example, as a founding Steering Committee member of the Society of American Archivists Accessibility and Disability Section, I have published on inclusive hiring, retention, and advancement, and as a member of the Music Library Association Diversity Committee, I have presented on accommodations for Autistics and training for both allies and other self-advocates.

My initial goal was to connect with anyone and everyone on campus who is doing anything significant related to accessibility and Disability and get involved, so if I have not met you yet, please reach out!

What are you most looking forward to in your new job and in Durham?
First, my most recent job search lasted from January 2019 to December 2022 and totaled 645 applications, 84 screening calls or first round interviews, and six offers, so while my current position is only grant-funded for one year, it is still nice to be able to rest, even if only temporarily.

Second, I eventually narrowed my search to the Washington, DC metropolitan area (where I was still living) and North Carolina (where someone very important to me had relocated to). I needed to secure full-time employment and move closer, so I am incredibly grateful for this opportunity to prove myself and the Triangle feels like the best place for me in NC if I had to leave DC. I am looking forward to seeing Australian, Autistic comedian Hannah Gadsby at the Performing Arts Center in April.

Tell us something unique about yourself.
My primary instrument is trombone and at WVU I studied under professor Dr. H. Keith Jackson (now Dean of the College of Creative Arts). In my first semester, I saw (and recorded) him perform a theatre piece (a piece of music that includes directions more commonly seen in theatre—for staging, costuming, lighting, dialogue, movement, etc.). A couple years later, a doctoral student performed a different one (this one included prerecorded audio). Both instances motivated me to ask Dr. Jackson if I could continue this pattern and we agreed on “General Speech” (watch my performance on my YouTube channel). Afterwards, I gave a companion lecture on theatre pieces to the trombone studio, which is a kind of public speaking/presenting I do much more often now.

Thanks Zachary, and welcome to the Rubenstein Library! We’re glad to have you here.

“Dearest Sabina”: Addition to the Carl V. Corley Papers

Post contributed by Leah Tams, Accessions Coordinator.

The Carl V. Corley papers at the Rubenstein document the career and artistic output of Carl Corley, a white novelist and illustrator, and notably include works of gay fiction and homoerotic art. Even more notable is the fact that Carl always signed his works with his real name. A recent addition to Corley’s papers, consisting largely of correspondence from Corley to a woman named Sabina Allred (later Sabina Allred Allen), greatly enhances and complicates our understanding of Corley, his life, and his work.

A letter handwritten in black ink that begins "Dearest Sabina." Small illustrations of flowers (red, green, and black) are at the top of the letter.
A World War II-era letter written to Sabina

The Sabina Allred Allen Collection of Carl Corley Papers, received in February 2022, contains World War II-era love letters from Carl to Sabina. In these letters, he frequently addresses how much he loves and misses Sabina, as well as their plans for the future (engagement, marriage, etc.). Carl wrote to Sabina almost every day until his transfer overseas, after which time he still wrote to her at least weekly. 

A pencil illustration on U.S. Marine Corps stationary. The illustration depicts a woman crying while holding a letter. A plantation-style house is in the background. A poem at the bottom reads: "The letter that told it burned my hand; for it broke my heart to see. You said you grieved with tears of love, for our dreams which could never be. But those dreams rise and live, in life, as I and you. They will be there just as we always dreamed--all coming true."
Illustration of Sabina drawn by Carl during World War II

Also included in this addition of material  are illustrations of Sabina that Carl created and gifted to her. The artwork originally accompanied the letters that he sent during World War II, but the drawings were separated from the letters at some point after receipt. Most of the artwork depicts Sabina wearing different outfits and hairstyles, sometimes illustrating a style that Carl mentioned in a letter, while other pieces depict Sabina and Carl together. Several of the illustrations also feature a Southern plantation house that appears to be inspired by Tara from Gone With the Wind, one of Carl’s favorite works.

The World War II-era correspondence between Corley and Sabina ends in early September 1946, after Corley has returned home. In this letter, Corley ends their relationship, citing (among other things) how different they are from each other, as well as issues of trust. A couple weeks later, Sabina married Bobby Arnold on September 21, 1946. Sabina and Bobby divorced in May 1949, and she then married Dempsey Allen on June 13, 1949. Sabina and Dempsey Allen remained together until their deaths in 2008 and 2016, respectively, but Corley did re-enter Sabina’s life in 1999.

Carl Corley and Sabina Allred Allen reconnected in 1999 while Corley was working on his autobiography, which he refers to as “The Art and Writings of Carl Corley.” From these later letters, it seems that Carl reached out to Sabina for her help in reconstructing his adolescence, as well as to see the artwork he created for her during World War II. Sabina was a great source of inspiration for Carl’s artwork, so he likely viewed her as an important figure to include in his autobiography. Carl and Sabina continued to correspond weekly through at least April 2002, discussing politics, family, daily routines, collecting habits, and their past. Many of these letters also contain racist diatribes against Black Americans.

While Sabina Allred is only a blip on the radar in original materials acquired from Corley—she is featured in two small photos in his World War II scrapbook—this new addition suggests that perhaps Sabina’s role in Corley’s life was more significant than the original collection lets on. The addition also suggests that Carl may have been struggling with his identity as a gay man, as well as giving us a window into the bisexual practices of gay men during this period. The Sabina Allred Allen Collection of Carl Corley Papers adds a significant dimension to our understanding of Carl, and we look forward to having faculty, students, and researchers engage with this new material.