Tag Archives: Conservation

Conservation In The Movies

As the holidays approach you are probably wondering what to do with the family after the big meal is consumed and the football games are over. How about some entertainment featuring a conservator?

H.P. Lovecraft: Two Left Arms

H.P. Lovecraft “Two Left Arms” (2013)

“Carter, an art conservator, arrives in Italy to restore a fresco in an old church. He discovers that the strange locals are hiding something and a mystery relating to a nearby lake that legend says was created by a meteor.”  —IMBD

The cover leaves me wondering, are the locals octopuses who only have left arms? We will have to watch and see.

 

Behold the MonkeyBehold the Monkey (2016 TV Movie)

A “well-intentioned parishoner” tries their hand at fresco conservation. A reviewer on IMBD writes, “A story told in a very simple, cartoon-like way, without too many words or caracters. [sic]”

How bad could it be? Let us know if you watch.

 

 

Caged Poster

CSI: Caged

A “manuscript restorer” is dead and one of the prime suspects is…wait for it…THE CURATOR! The IMBD description says she was killed “during a crazy escalation of meanness.”

Most curators I know are pretty nice people and not prone to murderous deeds. Also, there’s something about a dog.

 

 

Holly Hunter in Home for the Holidays (1995)Home for the Holidays

Conservation Online has the best synopsis: “Holly Hunter plays a paintings conservator who goes home for Thanksgiving after being fired by her museum because they lost their NEA funding.” That all hits a little too close, you know?

 

Sigourney Weaver and Peter MacNicol in Ghostbusters II (1989)Ghostbusters II

Not the best Ghostbusters movie in my opinion, but watching Sigourney Weaver “make ends meet” as a conservator working on a possessed painting feels familiar.  We’ve all worked on some pretty creepy things, right?

And finally, no movie round up would be complete without National Treasure.

Next to enzymatic treatment (aka Spit), lemon juice on a swab is the bee’s knees. And ONLY someone trained to handle antique documents should do such a thing, especially while wearing white cotton gloves.

Wishing everyone a happy, healthy, and entertaining New Year! We’ll see you in 2020.

Intern Update: Doing All The Things

As you recall, our intern’s first few days were a little hectic. Since our last post Garrette has learned how to repair manuscript materials for digitization, learned how to humidify and flatten architectural drawings, and continues to refine her boxing skills.

This week Garrette helped re-install the two Audubon double elephant folios in the exhibits suite. These were removed earlier in the year to make way for the “500 Hundred Years of Women’s Work” exhibit. It took four of us about an hour to reinstall these two volumes. The birds were greatly missed but they are back on display with new page openings.

Strapping a double elephant folio Audubon.

We toured the Library Service Center this week with colleagues from the University Archives and the Rubenstein Library. Earl Alston, LSC Access and Delivery Coordinator, gave us a behind the scenes tour of the stacks. Every time we visit LSC we are impressed with the amount of work the LSC staff do every day. It’s hard, physical labor that is mostly invisible to patrons.

Really big stacks at the LSC.

In the lab today we hosted a tour for our colleagues in the Digital Collections and Curation Services department. Garrette gave a terrific presentation on the humidification and flattening work that she is doing for the Duke Gardens collection. These are rolled drawings depicting the Garden’s hardscapes and greenscapes that show the evolution of Duke Gardens.

Garrette (R) showing colleague how to humidify and flatten architectural drawings.

Later this week we will tour the UNC-Chapel Hill conservation labs. We also have Garrette working on some disaster recovery projects for the Triangle Research Library Network as well. She is getting a good picture of what collections conservators do on a daily basis from treatment to disaster preparation to  meetings to surveys.

Welcome Our New Staff Member: Sara Neel

Sara Neel
Sara Neel, Senior Conservation Technician

Please help us welcome our newest staff member, Sara Neel. Sara recently graduated from the University of Kansas with a degree in Art History and a minor in French (which has already come in very handy).  Sara worked in the KU Libraries Conservation Lab from 2015 until graduation this year. She has studied abroad in Italy and France;, and recently gave a paper at the Missouri Western State University & The Albrect-Kemper Museum of Art Second Annual Undergraduate Art History Symposium titled “The Assembly of the Tejaprabha Buddha: Removal, Restoration, and Religious Reduction.”

So far this week she has gotten her bench in order, helped edit some lab manual documents, learned to make corrugated “pizza-box” enclosures, and discovered that the Parking Office is really far away from our building. We are so happy she is here!

Last Minute Gifts for Your Conservator Friends

It’s that time of year. The time to rush around frantically looking for gifts for your friends and relations. If you need some last minute ideas, any of these would be a lovely gift for your conservator friends

What’s On Your Wall?

 

http://www.thamesandhudson.com/Bitten_By_Witch_Fever/9780500518380

“Bitten by Witch Fever” is a beautiful book about the history of arsenic in wallpaper. The book contains 275 facsimile samples of wallpapers that were tested and found to contain arsenic. The book explains the manufacture, uses and effects of arsenic. Arsenic, it’s not just for silking documents anymore.

Bitten by Witch Fever
by Lucinda Hawksley
Thames & Hudson (2016)

 

Can you see me now?

 

http://www.techconnect.com/article/3059271/computers-accessories/68-off-amir-3-in-1-cell-phone-camera-lens-kit-deal-alert.html

Conservators love their tools. These little clip-on lenses fit on your smart phone. The pack comes with three lenses: 180 degree fish eye, 0.36x wide angle, and a 25x macro lens.

We are starting to see some images by colleagues using the macro lenses in their work. Pretty impressive for $26.

Amir 3-in-1 clip on cell phone camera lens kit

 

 

 

What’s your favorite tool?

IMG_1325.jpgShanna Leino makes wonderful tools. This little steel micro chisel is a workhorse of a chisel. It can be used on paper, leather, binder’s board, and wood. Henry says, “I use it all of the time!” Can’t argue with that.

Steel micro chisel (the website says “sold out” but there’s always Ground Hog Day to shop for).

 

 

 

Beyond Words

 

https://www.amazon.com/Beyond-Words-Illuminated-Manuscripts-Collections/dp/1892850265/

“Beyond Words: Illuminated Manuscripts in Boston Collections” is a companion catalog to a multi-institutional exhibit of illuminated manuscripts that is taking place this fall. Gorgeous reproductions of over 260 manuscripts from the collections of Harvard University’s Houghton Library, the Isabella Stewart Gardener Museum, and more.

This is conservator eye candy!

Beyond Words: Illuminated Manuscripts in Boston Collections
Jeffrey F. Hamburger, editor, et al.
Mcmullen Museum Of Art, Boston College (October 15, 2016)

 

 

Got paste?

 

We all miss the classic Cook-N-Stir. So far, we haven’t found a good alternative. Is this it? Maybe not, but the video alone is fun to watch.

Not sold in stores! “Designed to stir every inch. The silicone feet & orbital turning action ensures no spot in un-stirred.” It’s only $16.99. If anyone tries it for paste, please report back.

Gem Sauce Blender
Your Wish Store

The Best Presents Are Those That Make You Feel Good

Image result for library book tree
https://jamesonlawlibrary.wordpress.com/2014/12/19/oh-christmas-tree/

If you want to do one simple thing to make all of your conservator friend happy, this is it. Stop making holiday trees out of library books! Just stop.

 

 

 

Seriously.

 

 

 

 

book, book tree, tree, portage library
http://www.mlive.com/news/kalamazoo/index.ssf/2010/12/christmas_tree_made_of_books_a.html

 

 

 

Please.

 

 

 

booktree
http://blogs.library.duke.edu/blog/2013/12/11/oh-christmas-tree-oh-christmas-tree/

 

Just stop.

 

 

 

 

Wishing everyone a very happy holiday and winter solstice. May you have a joyful and peaceful new year!

 

A Conservator’s Nightmare

I grew up in Dayton, Ohio. You don’t grow up in that city without knowing two things: the Wright Brothers invented the airplane there and thus Dayton was “first in flight”  (sorry North Carolina); and the city suffered a devastating flood in March of 1913. The Great Miami River flooded downtown Dayton killing almost 400 people and displacing tens of thousands. You can still see remnants of the high water mark if you look closely at the historic buildings that survived.

1913 Flood Damage at the Library

Damage to the main library in Dayton during the 1913 flood.
Image from Dayton Metro Library Local History Flickr page.

Floods and disasters are never far from a collection conservator’s mind. Just a couple weeks ago the entire American Institute for Conservation’s annual conference was on the topic of disasters. Even our own lab has been flooded during the Rubenstein Library renovation. All this is to say stuff happens, and we always seem to think about it.

Which brings me to my very true story. The other night I had a nightmare that seemed to combine just about every worst-case-scenario event that could happen to a conservator. The scene: the conservation lab. I am in my office and I hear a loud noise above my head. All of a sudden out of the ceiling comes a huge circular saw and it is cutting through my office walls sort of like how Bugs Bunny cut Florida off from the United States.

“No one told me we were under construction,” I said to myself.  At the same time, there is water coming from everywhere as if a live water pipe had been cut. It’s coming up fast and we are scrambling to get things out of the way. While all of this is happening, I am trying to conduct a tour through the lab. I said under my breath, “This is about three times the number of people Development told me would be here,” but I carried on because that is what we do, right?  I was trying to ignore what was happening around me and get the thirty or so people on the tour to focus on the amazing projects that my conservators were working on. Needless to say, it didn’t go very well. The last thing I remember is thinking, “How will I represent this on our statistics.” Then I woke up.

What does it all mean? Have you had conservation nightmares?

Let’s Experiment!

experiment day

Every now and then we take some time to practice new techniques we learn at conferences and workshops. At the 2015 AIC Annual Conference, Erin learned how to use an airbrush and how it could be applied to conservation. Last week she showed us what she learned, and gave us all time to practice with the airbrush. Erin has experimented with tide line removal and tissue toning with the airbrush. We brainstormed other ways we could use this method, too, including consolidation and perhaps spot washing on the suction platen. Have you used an airbrush in your lab? Let us know in the comments how and to what effect.

The ‘Largest Sheet of Paper Ever Made and Printed’

Written by Rachel Penniman, Senior Technician for Special Collections

When two copies of a newspaper arrived in the lab I didn’t expect then to be terribly exciting.

Sigh, another brittle newspaper.
Sigh, another brittle newspaper.

They were folded and as is typical with old, acidic newsprint it had become brittle and split along the folds. After discussion with curator Andy Armacost we decided to carefully unfold and repair the one copy that was in slightly better condition.

02 Copy 2 BT detail
Looks like I’ve got a lot of work ahead of me.

Unfolding the newspaper revealed something quite unexpected: the paper was gigantic! What I expected to be multiple issues folded together was in fact a single extremely large issue.

03 Unfolded BT
I had to use a step stool just to get the entire sheet in the photo.

The Constellation: Illuminated Quadruple Sheet claimed to perhaps be the largest sheet of paper ever made and printed when it was published in 1859 in New York. Created as a one-time, limited edition of 28,000 copies, it had taken ‘eight weeks of unceasing labor of nearly forty persons to produce this MASTODON PAPER!’ To generate one issue, a single sheet of 70X100” paper was printed and folded into four leaves of 35×50” each. In comparison, the massive double elephant folio Audubon Birds of America volumes currently on display in the Mary Duke Biddle room are a paltry 26×39”.

04 the great wonder croppedIn total each copy of The Constellation has 49 square feet of paper! It is made up of 8 pages with 13 columns of text per page, and 48” per column totaling 416 feet of printing. Along with historical articles, essays, stories, and poems, there are four pages with numerous portraits and illustrations. Originally sold for 50 cents an issue, this copy was marked down to only 15 cents. This seems like a really good deal for what adds up to a small book’s worth of reading material.

The title banner and red ink noting the price reduction
The title banner and red ink noting the price reduction

Unfolding the paper also revealed the full extent of the damage. The main folds separating one leaf from another had degraded so badly that each leaf was held to the next with only a few inches of weak paper.

The only thing holding these two leaves together are a few inches of paper, habit, and hope.
The only thing holding these two leaves together are a few inches of paper, habit, and hope.

In order to allow for safer handling and easier storage, I got approval to completely separate each leaf. Working with individual leaves of 35×50” was much more manageable; though I still had to work on two folding tables pushed together with board across the top in order to have a large enough flat work surface.

Feeling a bit like Lily Tomlin’s Edith Ann character
Feeling a bit like Lily Tomlin’s Edith Ann character

Very carefully, bit by bit, I flattened the creases and mended the tears using a very thin toned Japanese tissue paper and wheat starch paste making the repairs almost invisible. Wherever possible, I reattached loose fragments of paper that I found loose in the old folder. With 49 square feet of paper work on, I did mending on and off for many weeks.

Tears along the folds
Tears along the folds
Tools of the trade: a tile for brushing out paste, Remay and blotter, acrylic blocks, bean bag weights, brush, Teflon folder, tweezers, scissors, and toned Japanese paper
Tools of the trade: a tile for brushing out paste, Remay and blotter, acrylic blocks, bean bag weights, brush, Teflon folder, tweezers, scissors, and toned Japanese paper
Can you spot the mends? No? Good!
Can you spot the mends? No? Good!

After mending, each leaf was encapsulated between sheets of Mylar using our ultrasonic welder. See this previous blog post for a video of our encapsulator in action.

It’s so big I had to drape it off the edge of the encapsulator and weld it in sections.
It’s so big I had to drape it off the edge of the encapsulator and weld it in sections.

Now that it’s finally finished, this huge newspaper is the perfect candidate for storage in the Rubenstein Library’s new super oversize cabinet drawers. It actually looks tiny in comparison to this large flat file drawer.

The new super oversize cabinets in the Rubenstein Library are ready to handle the biggest items.
The new super oversize cabinets in the Rubenstein Library are ready to handle the biggest items.

Part of a description of the newspaper on the back page reads:

The Publisher does not wish to conceal the honorable pride which he feels in presenting this magnificent sheet to the public. It is the off-spring of Invention, Taste, Enterprise and Herculean Industry; it is without a compeer or rival; and he believes it will never be excelled. It cannot be surpassed in typographical beauty – in its artistic splendor – in its general imperialism of thought and design. It will be the pride of every true-hearted American, and the wonder of the world; and those who are so fortunate as to obtain a copy will obtain a curiosity which they will keep and treasure with the utmost care.

I am very proud to have been able to help provide this curiosity with the utmost care its publisher desired. Though to be honest I would be happy to take a break from such oversize items and work on miniatures for a while.

 

Link to catalog page:

 

Quick Pic: Work Comes In, Work Goes Out

When I first arrived at the library the repair unit was considered the place where “things went to and never came back.” That, of course, wasn’t true then and it certainly isn’t true now. Here are a few lovely repaired items going back to the general collections thanks to Mary and Tedd.

New cases and rebacks. Headed back to the shelf thanks to Conservation.
New cases and rebacks on their way back to the shelf thanks to Conservation.

Hosting a Contract Conservator On Site

Recently we contracted with object conservator Susanne Grieve Rawson to work on some objects from the History of Medicine Collection. These are being prepared for exhibit in the renovated Rubenstein Library.

Rather than sending her the objects as you normally do when you contract conservation services, Susanne came to the Verne and Tanya Roberts Conservation Lab to do the work.

Susanne started the first day evaluating the condition of the objects with Rachel Ingold, History of Medicine Collection curator,  and Meg Brown, Exhibits Coordinator. Her examination included looking at a few of the objects under UV light.

Photo Dec 01, 3 12 53 PM
(L to R) Meg Brown, Rachel Ingold, Susanne Grieve Rawson

Photo Dec 01, 3 09 31 PM
Susanne examines item under UV light.

She also met with Rachel and Andrew Armacost, Head of Collection Development in the Rubenstein Library, to discuss the condition of the items and potential treatment options.

Photo Feb 16, 2 59 00 PM
(L to R) Andrew Armacost, Rachel Ingold, and Sussane Grieve Rawson.

Photo Feb 20, 4 02 49 PM
Susanne working on a Civil War era bone saw.

Susanne brought an amazing kit of tools with her. We geeked out a little, asking her questions about the special tools and supplies she had. It was a fun and educational to have an outside contractor working in the lab. We learned a lot from each other. I hope we have this opportunity  again.

Happy 11th Equipment Day!

The Schimanek board shear (big box on left) and book presses (on right) arrive at the loading dock in 2003.
The Schimanek board shear (big crate on left) and book presses (on right) arrive at the loading dock in 2003.

Equipment Day is our lab’s official birthday. While the conservation lab as we know it began in July 2002, our large equipment didn’t land on the loading dock until spring 2003. It was then that the lab felt “real.”

We’ve come a long way since 2002. We’ve expanded our staff, purchased additional large equipment, and even spent some time in the old nurses’ dormitory during renovation.

Old lab in 2002.
Old conservation lab in 2002.
Verne and Tanya Roberts Conservation Lab 2014
Verne and Tanya Roberts Conservation Lab in 2014 (photo Mark Zupan).

Thanks to the Digital Production Center for scanning our historic photos. Check out what the lab looks like now on Flickr and on YouTube.