Last month, Senior Conservator Erin Hammeke shared her treatment of a caoutchouc binding, which incorporated a clamshell enclosure with integrated cradle. There are many items in the collection that can benefit from an enclosure like this (henceforth referred to simply as a “cradle box”): books which require a restricted opening to reduce the risk of further damage, collection material that is used frequently, or items that are exhibited at library events outside the reading room. Our History of Medicine Collection has several items which meet these criteria and everyone in the lab was interested in learning how to make a cradle box. This week we dedicated a boxing day to this project, which served both as a training exercise and supports use of the collection.
While several variations on structure are described in publicly available resources (see the AIC Wiki), we decided to all just stick with Jeff Peachey’s design. The benefits to this design are that the cradle fits the book very well and is attached to the box, so you don’t have to worry about it being removed and getting lost. We could also rely on Erin’s previous experience and help each other through the more complicated steps!
Construction begins by measuring the book at the intended opening angles to determine the sizes of the individual parts of the cradle. As with measuring for exhibit cradles, it’s much easier to prop the boards up with cushioned weights before taking measurements.
Then those pieces are cut from Davey board…
… and covered in book cloth. The cradle is essentially constructed in two pieces, which are attached by a cloth spine piece. The image below shows the interior of one cradle side during covering (left), including the adhered ends of cloth tape that allow the user to lift up the cradle (right).
Once the cradle is complete, the book is placed inside and the entire sandwich is measured for the clamshell box. The box is constructed in the usual way, but the right side of the cradle is attached to the interior of the smaller tray near the spine.
It was a lot of fun to approach learning this enclosure design as a group. If one of us hit a roadblock or did not quite understand the next step in the instructions, we could all talk it through together. Over the course of the day, we developed new techniques for completing steps or learned from each other’s mistakes. And, more importantly, now six more books from the collection will have cradles with them wherever they go!
In the lab today are some beautiful maps that will be loaned to Duke University’s Nasher Museum for an exhibit in the fall.
While most of the maps are in good condition, some need conservation beforehand. Rachel has been doing some dry cleaning, and Grace is washing a few to remove old repairs and stains. Once the conservation is done, we will help to mount them so they can be matted and framed at the Nasher.
Audio-visual materials’ rapid deterioration (relative to print media), its wide adoption for commercial and personal use, and the range of formats and playback equipment that rose and fell around analog videotape, have profound implications for preserving those pieces of our 20th century history that were captured on videotape.
The exhibit is on Perkins Lower Level 1, outside the Digital Production Center, near room 023. Open during library hours.
This year marks the Preservation Department’s tenth year serving the Duke University Libraries. This exhibit celebrates the work of the conservation laboratory by displaying a variety of different treatments from the libraries collections. The department is planning several events to mark the occasion which includes this exhibit, an open house, and interviews with staff members; for more information visit Preservation Underground.
The Preservation Department’s new exhibit highlights work from the Triangle Research Libraries (TRLN) Master Bookbinders Group. Our group consists of staff members from the conservation labs of UNC-Chapel Hill, NC State and Duke University libraries. Its purpose is to research historic bookbindings to deepen our understanding of the history of the book, and develop knowledge and skills that help inform our daily conservation work.
10 Projects: Analog to Digital highlights some of our favorite digitization projects from the Digital Production Center. For the past five years the men and women in DPC have worked to bring our collections to new life in digital format. You can find these collections through Duke Digital Collections.
Our new exhibit highlights work from the Triangle Research Libraries (TRLN) Master Bookbinders Group. Our group consists of staff members from the conservation labs of UNC-Chapel Hill, NC State and Duke University libraries.
Its purpose is to research historic bookbindings so we can deepen our understanding of the history of the book, and develop knowledge and skills that help inform our daily conservation work.
Creating binding models is a traditional form of learning the craft of bookbinding and the history of the book. Each quarter we assign a binding style to one or two of our members. Our volunteer teachers research the history of the binding and how it was traditionally made, and demonstrate it to the rest of the group. We then make our models, sometimes recreating the binding exactly and sometimes interpreting them more artistically.
The exhibit will be up through January 2011, just outside the Conservation Lab in Perkins Library 023. It is open when the library is open.
Yesterday we installed our exhibit “Ten Years, Ten Treatments.” As part of our year-long celebration of our tenth anniversary, we wanted to highlight some of our favorite work.
The exhibit is outside the Biddle Reading Room on the first floor of Perkins. While there, you can also see our display in the wall cases (on the opposite wall from the exhibit) that gives ten tips you can use to save your personal collections.
Our exhibit will be up through mid-October. We are planning a companion exhibit of Ten Projects from the Digital Production Center to be installed in our exhibit space on the Lower Level of Perkins outside the Conservation Lab. Hopefully we will have that up next week, we’ll let you know when that happens.
“As it turns out, they’re made by a soft-spoken and thoughtfully philosophical student at Duke, who prefers anonymity. After picking up the skill at a young age, “bin Fuad” (a code name he specified upon our introduction) can now make each foil man in less than five minutes—and he makes, he said, sometimes a hundred at once to scatter across campus. At other times, he shapes just one based on a passing fancy and leaves it wherever it strikes him as a fitting location.”
Whoever “bin Fuad” is, we want to say thanks for brightening our world just a little bit.