Today we hosted a delightful group of grad students from a class that Liz Milewicz, Head of Digital Scholarship Services, is working with. They declared Conservation to be “The Best Tour Ever.” We kind of agree. Here we are looking at Kenneth Arrow’s Nobel Prize medal. We recently had the preparators from the Nasher Museum here to fit the Nobel medal for a custom display mount. We know this medal will get a lot of use so we are having a special display mount made for it. The Nobel Prize is something almost everyone has heard about but rarely do you get a chance to see one up close. It’s a special object to have in the lab for show-and-tell.
Today, as I was examining some items from the Lisa Unger Baskin Collection, I came across one of the longest armed manicules I’ve ever seen. This mark, whose name derives from the Latin meaning literally “little hand”, is a common annotation meant to draw the readers attention, like a highlight. This one just looks like it belongs to Mister Fantastic. If you’d like to read more about this mark and see other examples, these recent articles from Slate and Atlas Obscura may be of interest.
Now that the clones have matured and finished their training, my productivity in the lab has tripled!
I’m always amazed at what our library collections hold. This absolute gem of a book came to the lab for repair from the general collections, Watermarks In Paper in Holland, England, France, etc., by William Algernon Churchill (reprint of 1st edition; 1967).
Aren’t these watermarks terrific? I love the elephants with their trunks coming out of the top of their heads.
Today is Good Friday and we happen to have our three-volume octavo edition of Audubon‘s Quadrupeds of North America in the lab to get some stabilizing repairs and enclosures. The first volume of the set is absolutely teeming with prints of hares and rabbits and this seems like an auspicious day to share them. Audubon’s Quadrupeds first appeared in three folio volumes (under the title “The Vivaparous Quadrupeds of North America”) between 1845 and 1848. The first octavo edition was published by John James Audubon’s sons (John W. and Victor) following his death in 1851. Initially both editions were issued in parts. You can view full a full digitized version of this book here.
Today was a busy day in the lab. We had 25 people come through on three tours, and we had to help set up for a tour in another department. Today is also the due-date for our performance evaluations. When life gives you a Friday like that, finding a beautiful illustration of cephalopods is a gift. I especially like the center illustration of the eyeballs.
This is one book in a serial on biodiversity. It is French, dated 1889, and beautifully illustrated. Some volumes in this series are available in Hathi Trust. I also found the page on mollusks, which was equally beautiful. This one is getting a custom box to keep it safe.
Sometimes I get a wonderful surprise when I’m doing the final quality check for items leaving the lab. This item that Mary recently finished is a good example of the value added that an in-house conservation lab provides. By repairing these in the lab, we can be much more thoughtful about saving unique and interesting bindings. The book is now headed back to the shelf and ready for its next reader.
Readers who celebrated Chinese New Year just a few weeks ago will know that 2017 is the Year of the Rooster. Fittingly, this wonderful painted scrapbook from the Charles Bailey Reed Collection recently came into the lab. Reed served as a radiologist in the U.S. Medical Reserve Corps in France during World War I. This scrapbook contains postcards, newspaper articles, photographs, and other ephemera from various cities in France, dated between 1914 and 1924. I just really love the image of the rooster crowing atop a discarded Pickelhaube, signalling the return to regular life after the war.
We are in the midst of preparing for an upcoming exhibit on the Haggadah, a text that describes the order of the Passover Seder. When examining a book, I really enjoy coming across signs that it was well used by previous owners. This Amsterdam Haggadah from 1695 was repaired several times and it is clear that was used at many Passover meals from the extensive staining from food or wine at specific page openings.