Accidental Collections part 2

Previously I have written about what I termed an “accidental collection” that occurred with collections of print ads cut from magazines, whereby frequently interesting and equally historical ads appear on the back side of the ad that was intentionally collected. Accidental collections remain hidden unless there is some way to document their presence. Unfortunately, there are not many mechanisms in current archival description “best practices” to document them.

Recently I’ve encountered another and quite different kind of accidental collection. I’m currently working with the Cause Marketing Forum’s Halo Awards collection recently acquired by the Hartman Center.  This award is given to projects that utilize marketing and media to promote social causes via partnerships between businesses and nonprofit organizations such as Susan G. Komen Breast Cancer Foundation, Ronald McDonald House, Boys and Girls Clubs of America and the USO among many others. While “cause marketing” as a term may not be a familiar one, the campaigns form a significant part of businesses’ and nonprofits’ marketing efforts and many are probably well known to you: Race for the Cure; VH1 Save the Music; Cartoon Network’s Rescue Recess; Lee National Denim Day; and at holiday time your favorite department store has likely teamed up with the likes of Toys for Tots, the Salvation Army or a local food bank or rescue shelter. That’s cause marketing.

shoes

The Halo Awards collection contains over a decade’s worth of the award’s entry forms and accompanying documentation, the latter which arrives in a wide variety of formats. One really interesting format here is an amazing variety of promotional thumb drives. Many simply feature a corporate logo or slogan, perhaps a website URL, but others feature artwork or have designs that can range from the emblematic to the whimsical. Time Warner’s “Connect a Million Minds” drive forms a bracelet, while the National Association of Realtors’ Houselogic.com drive looks like a block of wood. A drive for New Balance imitates a running shoe where the heel pulls off to reveal the drive connection.  EMTec’s drive resembles a cartoon character whose head comes off, and a drive for Chevron is a toy car where the connection slides out from the rear.

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Together these promotional drives form a collection of their own, as artifacts and ephemera representing a form of media belonging to a very particular time (in this case, the past 6 or 7 years). One day the design and promotional nature of these drives may take on an historical importance of its own apart from the significance of the contents of the drives for the collection to which they originally belong. This kind of thing frequently poses a dilemma for archivists and conservators: the relative significance and archival value of the contents of a document or medium versus the form of the media itself. How does one evaluate and/or value the vessel? Is it possible to describe collections within collections, or do the conditions of possibility of one mode of description preclude others?

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Post contributed by Rick Collier; photographs by Katrina Martin

Thomas Jefferson to Benjamin Rush on the quality he values “more than all things”

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While processing the Benjamin Rush papers, which will soon be digitized and available online, Alice Poffinberger, Archivist/Original Cataloger, came across a letter from Thomas Jefferson to fellow Founding Father Dr. Benjamin Rush. The letter, dated January 3, 1808, requests that Rush grant Jefferson’s teenage grandson his “friendly attentions” when he moves to Philadelphia the coming autumn.  Though unnamed in the letter, the grandson in question is Thomas Jefferson Randolph, who attended the University of Pennsylvania from  1808 to 1809.

Stating that he is “without that bright fancy that captivates,” Jefferson hopes the fifteen-year-old “possesses sound judgment and much observation” in addition to the quality he values “more than all things, good humor.”  Jefferson goes on to list the qualities of the mind he appreciates as good humor, integrity, industry, and science. Following this list, he claims “The preference of the 1st to the 2nd quality may not at first be acquiesced in, but certainly we had all rather associate with a good humored light-principled man, than an ill-tempered rigorist in morality.”

tjbrlettercrop

 

Randolph would go on to serve six terms in the Virginia House of Delegates and manage his grandfather’s sizable debts as the sole executor of his estate.

Post contributed by Katrina Martin, Technical Services Assistant. 

Promising Cures for Hearing Loss in Early 20th Century America

Is there damage to be done from meddling with the ear or attempting any cure for deafness?

“Now, right here,” says T.Page, “stop and think a moment…If your stove smoked constantly, day after day, you would not place a poultice around the stove pipe, would you? You would clean out the flue or chimney, wouldn’t you?” Well, would you? Well, the same should go for fixing deafness, according to Page in his 1891 pamphlet: “Clean out the obstruction inside of your head, and you hear again as well as ever.” Why should one pay for a high-priced aurist (a specialist of the ear), when an easy remedy promises to do the same, at half the cost, and with minimal pain?

DeafnessCure_Header

Indeed, what motivated people with hearing loss to select amongst an abundance of deafness cures or make plans to visit the aurist? My monograph, tentatively titled Deafness Misery, Hearing Happiness: Fakes and Fads in Deafness Cures, 1850-1950, examines these motivations, exploring how the lines between reputable medical treatment and “quack cure” were frequently negotiated as newer surgical procedures and technologies redefined, if not reflected, cultural expectations of “normalcy.” As it was difficult to distinguish between the “quack with a scheme” and the “visionary with a theory” promising a permanent cure for hearing loss, deaf persons were portrayed as particularly vulnerable to the clutches of fraud, since once “cured,” they were no longer condemned to the “miserable,” “isolating” state of deafness.

In June, I visited the David M. Rubenstein Rare Books and Manuscript Library at Duke University, a trip made possible thanks to the library’s generous History of Medicine Travel Grant. My research had two aims. First, to examine through the advertising collection in both the History of Medicine collections and the John W. Hartman Center for Sales, Advertising & Marketing History to investigate the cultural history of American advertisements for deafness cures and hearing aids. This research, which will be incorporated into one of my book chapters, “Those Instinctive, Invisible, Improved Aids,” examines how these advertisements embodied the rhetoric of “curability” and what disability scholars refer as “passing”—the masking of disability or infirmity to appear as “normal”—as marketing and sales techniques. Advertisements not only reveal the kinds of technological options available for deafened persons, but enable us to investigate the ways in which deafness was constructed as a stigma and how goods for hearing loss was marketed and sold. Indeed, many adverts propagated the refrain “Deafness is Misery,” addressing the despair and desperation deaf people felt over failed medical therapeutics. They also justified the exorbitant price of goods by connecting to the marvels of electricity and communication.

Secondly, I hoped to uncover (hidden) stories of deaf persons or persons with (temporary) hearing loss, and whether they attempted any treatment(s) for deafness. This was a more challenging task, but a good place to start was the collection of recipe books/receipt books in the History of Medicine collection. Some of these books were written by physicians and surgeons, who kept tally of the treatments they advised to their patients. For instance, I came across the receipt book of John Kearsley Mitchell (1793-1858), which lists a treatment for deafness:

DeafnessCure
“If deficy [sic] of cerumen – use salt dropped into ear or place on coarse wool some of Rx __ terebinth [an aromatic used to interrupt condition by stimulating senses and dissolve wax] gtt 10. [10 drops]. Ol olio [to oil in Italian] [symbol for fluid ounce].”
By the way, I had a difficult time comprehending Mitchell’s writing—so I did what any historian fluent in social media would do: I asked my twitter followers to help me decipher the text!

Another receipt book, this time belonging to Dr. William R. Blakeslee, a civil war surgeon, contains a list of prescriptions the surgeon recommended while stationed at Camp Muhlenburg with the 48th Regiment of the Pennsylvania State Militia (near Scranton) during August 1863. Blakeslee provides details for various soldiers’ treatment(s) and his prescribed remedy, but in the case of Private William Workeizer (?) who suffered from otitis, there was no remedy listed. Does this mean that Blakeslee did not provide a treatment? Or that there was no remedy for otitis that would help the private?

There are also recipes for ear ailments written in home recipe and remedy books. One from 1896 copies a recipe from “Farmer’s Friend” for earache: “A remedy which never fails is a pinch of black pepper gathered up in a bit of cotton batting wet in sweet oil and inserted in the ear. It will give immediate relief.”

I came across many more examples, far too many for this blog post. I’d like to share one more, a letter that was out of place in the Eva Parris Letters (1892-1909) collection, written by a Virginia P. Dean of Montgomery, to G.H. Branaman of Kanas City, on July 10, 1909. In the short, carefully written letter, Dean thanks Branaman for his “cure,” which left her hearing “as good as it ever was,” and promises to recommend his method for anyone else afflicted with catarrhal deafness. This was a tremendous find for me: Branaman established the Branaman Medical Institute, which was notoriously exposed in the 1910s by the U.S. Post Office for its mail-order fraud and quackery in delivering deafness “cures.” His deafness treatment was a strange combination treatment, which made use of a special nostrum medicine and the use of his “electro-magnetic head cap.” Used properly, Branaman claimed his method could cure even the most incurable cases of deafness—or your money back! He was eventually charged with four counts of fraud and eventually put out of business.

Submitted by Jaipreet Virdi-Dhesi (Brock University), 2015-16 History of Medicine Collections Travel Grant Awardee

Move Diary: Week 6

Dear readers, take note: it’s now the end of Week Five of the move, and we’re pretty sure we’re all going to have massive and amazing biceps come Winter Break.

This is because our manuscript collections are taking up residence in our new compact shelving. This kind of shelving moves on rails, so the shelves can slide together (in a safe and controlled way) or be cranked apart to access the shelves’ contents.  Here’s a video of Kat Stefko, our Head of Technical Services, demonstrating how they work.

So we’ll be cranking these shelves, filled with boxes of manuscripts, open and closed several times each day, to retrieve materials for patrons, to find materials to answer reference questions, to reshelve things, to pull materials for class visits . . . .

We hereby promise that we will not challenge any visiting researchers to arm wrestle. Unless they want to.

Onto other things! We have—and we really can’t believe this—ONE WEEK until we reopen. Over the course of the week, several things have been checked off the reopening “to do” list, and many more are on their way to being completed.

Our talented exhibits staff worked on the installation of one of our opening exhibits, “Languages of Anatomy: From Vesalius to the Digital Age,” which will be on display in the Chappell Family Gallery and features materials from our History of Medicine Collections.

Photo by Amy McDonald.

Display case showing 3-D printed prosthetic hand made by DukeMakers.
Display case showing 3-D printed prosthetic hand made by DukeMakers. Photo by Amy McDonald.

Books were returned to the refurbished bookcases in the beloved Biddle Rare Book Room.

Books being shelved in the Biddle Rare Book Room.
Photo by Amy McDonald.

And we finished moving our flat files (an enormous amount of work) and started moving historical medical instruments from the History of Medicine Collections, as well as our early manuscripts.

Moving HOM's medical instruments.
Moving HOM’s medical instruments. Photo by Rachel Ingold.

 

Moving HOM's medical instruments.
Moving HOM’s medical instruments. Photo by Rachel Ingold.

In the photo above, the long box at the right holds HOM’s late 16th or 17th century amputating saw. Here’s what it looks like out of the box, in case you’re curious:

Amputating saw from the History of Medicine Collections.

What else did we do? We practiced our teamwork by forming a bucket brigade to shelve manuscript collections.

University Archives staff bucket brigade!
University Archives staff bucket brigade! Photo by Amy McDonald.

We discovered, to our dismay, that we are not the most interesting people in the Rubenstein.

The Most Interesting Man in the Rubenstein
He is SO INTERESTING. Photo by Tracy Jackson.

And we found new challenges to test our librarian skills. This one is called “can we get all of the foam book rests to the new reading room in one trip?” (We did.)

Moving book rests.
Photo by Amy McDonald.

Look at these empty stacks in our temporary 3rd floor space! August 24th, here we come!

Empty stacks YAY!
Photo by Meghan Lyon.

 

Duke Alumni Reception at NC Gay & Lesbian Film Festival

Date: Monday, August 17, 2015
Time: 6:00-8:00 PM
Location: The Carolina Theatre of Durham (309 West Morgan St., Durham, NC 27701)
Contact: Tori Crowley, 919-681-1940 or Laura Micham, laura.m@duke.edu

Logo for "Queering Duke History" exhibit.Attending the North Carolina Gay & Lesbian Film Festival? Please make plans to attend this inaugural reception hosted by the Duke Heritage Society and the Office of Gift Planning!

Gather with friends and learn about a few of the ways that Duke is active with and supportive of its LGBTQ student and alumni community:

  • Bernadette Brown, the new director of Duke’s Center for Sexual and Gender Diversity, will be introduced.
  • Kristen Brown Smalley of the Office of Gift Planning will share more about Duke’s activities in the LGBTQ community and our growing affinity network across the country.

 

Move Diary: Week 5

Week 5 feels  like it’s been a big one. The stacks are filling up with manuscript boxes and books and feel less cavernous and more cozy. By the numbers it’s been a big week too.  On Tuesday we hit an important milestone: 10,000 manuscript boxes landed in their new homes in the stacks.  It’s been a good week for our books too.  We’ve moved, Library of Congress-ified, and shelved nearly all 4,000 of our folios and all 20,000 duodecimos; octavos and quartos are next on our list.  Some new formats started moving this week as well: 100 drawers worth of oversize flat files moved and about half or our papyrus collection made the journey too.

We also want to invite everyone to our open house on September 10th!  You’ll have a chance to tour the new spaces and exhibits, meet and mingle with library staff, and learnhow the Rubenstein Library can support your research.  Check out the details here.

 

Archival collections back from offsite and awaiting their new homes. Photo by Tracy Jackson.
Photo by Meghan Lyon
Photo by Meghan Lyon
Sums up the Rubenstein move pretty well. Photo by Meghan Lyon.
Sums up the Rubenstein move pretty well. Photo by Meghan Lyon.
New exhibit on Duke University history!
New exhibit on Duke University history!
Exhibit cases have been installed in the Rare Book Room.
Exhibit cases have been installed in the Rare Book Room.
Henry's been on the job in Conservation Services for five days and he is already on Rubenstein Library move duty. Here is he helping move the papyri.
Henry’s been on the job in Conservation Services for five days and he is already on Rubenstein Library move duty. Here is he helping move the papyri.
gym 1 - kelly
From The Book of the Home. Photo by Kelly Wooten.
Some of those big flat files. Photo by Meghan Lyon.
Some of those big flat files. Photo by Meghan Lyon.
Inlaid leather cover on Slapstick and Dumbbell : a Casual Survey of Clowns and Clowning.
Inlaid leather cover on Slapstick and Dumbbell : A Casual Survey of Clowns and Clowning.

‘Til next week!

Profiles in Research: Dr. Jaime Cantrell on Southern Lesbian Literature

My current book project, Southern Sapphisms: Sexuality and Sociality in Literary Productions 1969-1997, considers how queer and feminist theories illuminate and complicate the intersections between canonical and obscure, queer and normative, and regional and national narratives in southern literary representations produced during a crucial but understudied period in the historical politicization of sexuality. The advent of New Southern Studies has focused almost exclusively on midcentury texts from the Southern Renascence, largely neglecting post-1970 queer literatures. At the same time, most scholarship in women’s and feminist studies continue to ignore the South, or worse, demonize the South as backward, parochial, and deeply homophobic. Southern Sapphisms argues that we cannot understand expressions of lesbianism and feminism in post-Stonewall era American literature without also understanding the explicitly southern dynamics of those writings—foregrounding the centrality of sexuality to the study of southern literature as well as the region’s defining role in the historiography of lesbian literature in the United States.

Vital archival work completed at the Sallie Bingham Center this past May strengthened my arguments about the formations of lesbian identity and community in the North Carolina lesbian-feminist journal Feminary (1969-1982). Feminary has been lauded by one scholar as “the source and backbone of contemporary Southern lesbian feminist theory,” due in part to the forum it provided for southern lesbians to voice their inimitable outlooks on race, regionality, and social justice[i]. At a local level, Feminary forged and grounded a community of Durham/Triangle feminists, lesbians, and women writing and printing as a collective. At a national level, I show how the women of this journal were actually inspired by the increasingly turbulent battles over civil rights in the South. This revelation upends prevailing notions that the Stonewall riots in New York were the watershed that changed lesbian and gay politics and culture in the nation. My work on Feminary recasts dominant national narratives about queer lives, histories, and activism in the region by illustrating how lesbian feminist politics gained their inspiration and momentum not only from Stonewall, but also from the assassination of Martin Luther King, Jr., and massive resistance against civil rights and gay and lesbian rights in the South. Access to rare archival documents—only available at Duke University’s Rubenstein Rare Book & Manuscript Library—prove that Second Wave feminism and modern lesbian politics have extensive southern roots. To ignore the distinctly regional dynamics of those roots is to misunderstand the complexity of those movements across the nation and beyond.

eminary collective (left to right, top to bottom row): Helen Langa, Minnie Bruce Pratt, Eleanor Holland, Cris South, and Mab Segrest. Photo by Elena Freedom, 1982. From the Minnie Bruce Pratt Papers.
Feminary collective (left to right, top to bottom row): Helen Langa, Minnie Bruce Pratt, Eleanor Holland, Cris South, and Mab Segrest. Photo by Elena Freedom, 1982. From the Minnie Bruce Pratt Papers.

I am grateful for the support of the Mary Lily Research Grant, which enabled my research at the Sallie Bingham Center for Women’s History and Culture. I was able to consult materials from the Minnie Bruce Pratt Papers and the Dorothy Allison Papers, and was honored and humbled to use the Mab Segrest Papers.

Continue reading Profiles in Research: Dr. Jaime Cantrell on Southern Lesbian Literature

Move Diary: Week 4

Today marks the end of week 4 of the move, which included us passing the move’s halfway point!

The Rubenstein staff and the team of movers we’ve contracted have been sorting print materials into LC order as they move to their new, permanent homes. From the tiniest 12vos to behemoth folios, thousands of books are now on the new shelves.

One of the highlights of the move is getting to see such a large swath of our collections at once. From books that carry history in their margins to those with covers that are just plain pretty, it’s stunning to see the range and depth of our print collection passed in front of us day in and day out.

Here are some highlights from team #movenstein this week:

photographic history - meghan
Photo by Meghan Lyon
chafing dish - meghan
A prize find- photo by Meghan Lyon
dragon cover - kelly
All the pretty dragons, photo by Kelly Wooten
woman man's equal - tracy
Photo by Tracy Jackson
plant history
Plant history from 1644, photo by Katrina Martin

 

Manuscripts from all of our collecting areas are making their way onto the shelves, too. The Aleph Dream Team has been busy sorting boxes and flipping call numbers as the boxes move.

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Katrina and The Boxes
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Tracy Jackson and Matthew Farrel troubleshoot some finicky shelves

The stacks aren’t the only place that saw some updates this week. The Gothic Reading Room is now outfitted with its tables and chairs. We can’t wait for August 24th when this place is full of researchers enjoying the new space. reading room

Until next week!

Onè! Respè! (Honor! Respect!)

The Radio Haiti archive project is underway! We’ve spent the first couple weeks creating a behemoth database…

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…assigning each and every tape a unique ID number, and putting the tapes in nice new comfortable bar-coded boxes. This means that an archive which arrived looking like this…

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Radio Haiti boxes arrive in North Carolina after a long voyage

… now, happily, looks like this.

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AV archivist Craig Breaden with some newly-boxed Radio Haiti tapes

 

We are incredibly fortunate that the former Radio Haiti staff and friends and family in Port-au-Prince (you know who you are!) sent the tapes with a detailed inventory — it makes our job so much easier.

We are also inspecting the tapes for mold (and we have found mold aplenty).

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¼ inch tape with mold on it
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¼ inch tape with mold on it

 

We are also keeping track of which tapes are going to require a little extra TLC.

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We’re creating rather sweeping controlled vocabulary — describing subjects, names, and places that appear in the archive. Once we’ve put in all this metadata, we can send the more than 3500 tapes off to be cleaned and digitized.

These tasks (organizing, typing in data, cross-referencing, labeling, bar-coding, describing, mold-noting), while arguably unglamorous, are necessary groundwork for eventually making the recordings publicly accessible, ensuring that these tapes can speak again, and that Radyo Ayiti pap peri (Radio Haiti will never perish).

We’ve only listened to a small sampling of the recordings so far, but the tapes themselves, as physical objects, tell a story. Even the mold is part of the story. That white mold on the tapes and the dusty dark mildew on the tape boxes tell of the  Radio Haiti journalists’ multiple exiles during which the tapes remained in the tropics and the future of the station was uncertain.

To glance over the titles of the recordings — the labels on their spines, lined up in order, row upon row — is to chart the outline of late 20th century Haitian political history — a chronology of presidencies, coups, interventions, massacres, disappearances, and impunity. The eighty-nine tapes chronicling the Raboteau trial of 2000, in which former junta leaders were tried for the 1994 torture and massacre of civilians, take up an entire shelf.

rh trial tapes

And then there is the long, long sequence of recordings after the April 3, 2000 assassination of Jean Dominique, when the center of the station’s orbit violently and irrevocably shifted.

rh labeled tapes
It is uncanny to look at the tapes with hindsight and see the patterns emerge. Here is the political landscape of Haiti, from the 1970s to the 2000s, from dictatorship to the democratic era: The same impunity, the same lies, the same corruption, the same suffering, the same mentalities, the same machinations. Chameleons change their color, oppressors repaint their faces, state-sanctioned killings become extrajudicial killings, and the poor generally come off the worst.

The journalists who did these reports and conducted these interviews experienced these events in real time. They could not yet know the whole story because, in each of these moments, they were in the middle of it. For them, the enthusiasm of 1986 (after Duvalier fell, and Radio Haiti’s staff returned from their first exile) and of 1994 (when Aristide was reinstated, and Radio Haiti’s staff returned from their second exile) was unfettered. Likewise, for them, the struggle against impunity and injustice was urgent.

There is a recording labeled “Justice Dossier Jando Blocage 4.9.01” — “Justice Jean Dominique case blocked investigation.” Those short words contain a saga: by September 2001, a year and a half after Jean Dominique and Jean-Claude Louissaint were murdered, Radio Haiti was already reporting on how the investigation had stalled. In 2001, perhaps, justice appeared attainable, just out of reach. Now, fourteen years later, the case remains unsolved.

rh tapes closeup

Back in 2011, I attended a talk by Haitian human rights activist Jean-Claude Bajeux in Port-au-Prince, where he said, “gen anpil fantòm kap sikile nan peyi a ki pa gen stati.” (“there are many ghosts wandering through this country that have no statue”). He was speaking of those who were disappeared under the Duvalier regime. But he could have been speaking, too, of innumerable others who have died and been erased – those who were killed by the earthquake, under the military regime, through direct political violence and through the structural violence of everyday oppression.

This archive is not a statue or a monument, but it is one place where the dead speak. Sometimes the controlled vocabulary feels like an inventory of ghosts.

Sometimes I think I am working on an archive that was never meant to be archived, something that was supposed to remain an active, living struggle. I think of how far these clean cardboard storage boxes and quiet temperature-controlled spaces are from the sting of tear gas, the stickiness of blood, the smell of burning tires, the crack of gunfire, the heat and noise, the laughter and fury of Haiti.

But salvaging and preserving are part of the struggle; remembering is, itself, a political act.

Post contributed by Laura Wagner, Radio Haiti Project Archivist.

Move Diary: Week 3

We’re 1/3 of the way through the move, huzzah! Here’s a look at what week 3 brought.

Books have been getting new labels to show off their new Library of Congress call numbers:

Cataloger Lauren Reno scans books from our History of Medicine Collections. Photo by Rachel Ingold.
Cataloger Lauren Reno scans books from our History of Medicine Collections. Photo by Rachel Ingold.

 

We’ve been finding lots of beautiful books during the process:

Photo by Kate Collins
Photo by Kate Collins
Photo by Kelly Wooten
Photo by Kelly Wooten
Photo by Kelly Wooten
Photo by Kelly Wooten
Photo by Meghan Lyon
Photo by Meghan Lyon

As well as fun doodles in the margins:

Photo by Amy McDonald

There were some more amusing finds as well:

Photo by Meghan Lyon
Reliving the early 2000s with an Abercrombie and Fitch catalog. Photo by Meghan Lyon
Photo by Kelly Wooten
The wrong kind of sports in The Mother’s Encyclopedia, 1942. Photo by Kelly Wooten
good girls and bad girlds
Bad Girl and Good Girl in juxtaposition. Photo by Kelly Wooten.
Photo by Tracy Jackson
True Blue Soda! Photo by Tracy Jackson

Archival collections continued to fill our new shelves:

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Collections from the Sallie Bingham Center for Women’s History & Culture. Photo by Kelly Wooten.
Photo by Liz Adams
Boxes of University Archives material. Photo by Liz Adams

Our collections weren’t the only thing moving this week. Portraits of Duke presidents and other figures in Duke History moved back to the Gothic Reading Room.

Photo by Amy McDonald
Portrait of Terry Sanford leaving our temporary space for the Gothic. Photo by Amy McDonald
Horace Trumbauer, Campus Architect for East and West campus. Photo by Beth Doyle.
Horace Trumbauer, Campus Architect for East and West campus. Photo by Beth Doyle.
Photo by Val Gillispie
The Duke Family is back in the Gothic Reading Room! Photo by Val Gillispie
Photo by Val Gillispie
Last portrait being hung in the Gothic Reading Room–President Douglas Knight. Photo by Val Gillispie

We also got to see others spaces in our new home come together:

Photo by Amy McDonald
Work area for Research Services Staff. Photo by Amy McDonald
bench-nook-amy
Cute little bench nook. Photo by Amy McDonald.

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University