Every visitor to Technical Services likes to peek down the accessioning shelves and see what new collection materials have recently arrived. One of the most unusual accessions we’ve ever received is a birdhouse, which arrived this spring as part of an addition to the Evans Family Papers. It is a nearly identical miniature of the family’s Durham house, which is still standing (and occupied) on Dacian Avenue. According to the family, the original house was modeled on the style of Le Corbusier. It was built in 1938, making it one of the first examples of “modern architecture” in Durham.

birdhouse

The Evans Family Birdhouse, with a photograph of the original house for comparison.

The family moved away from Durham in 1950, and kept the birdhouse as a fond token of their former home. We were relieved to learn upon intake that no birds ever took up residence. (That would have made for some interesting conservation concerns!)

Post contributed by Meghan Lyon, Technical Services Archivist.

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The unique collections held in special collections libraries attract researchers from all over the map, no matter if the map is local, national, or global. Those of us who work in special collections have always known this, and we frequently jabber about it to anyone who will listen. But we can’t often show it.

Recently, library staff at Duke’s Rubenstein Library, UNC Chapel Hill’s Wilson Library, and NCSU’s Special Collections Research Center combined the data we’ve collected in order to create some maps showing the home cities, states, and countries of our users from calendar year 2013. Special collections staff gathered this data, but it was Duke’s terrific data visualization coordinator Angela Zoss who used Tableau to create these excellent maps for us. Thanks Angela!

The data we gathered shows onsite users of the Duke and UNC Chapel Hill special collections libraries. That is, the blue and green shown on the maps represent researchers who visited our reading rooms to use our collections in-house. The red shown on the maps shows something slightly different – both onsite users and users who made use of NCSU collections remotely (through email reference, etc.).

Among other interesting points, the North Carolina map shows that – outside of the Triangle – the majority of North Carolina researchers are using UNC Chapel Hill’s Wilson Library. This makes sense, since they have the North Carolina Collection! [Note: the pie charts sit over zipcodes.]

 

NC_map

Click to enlarge

The US map makes clear what we all probably suspected – that most of our researchers come from east of the Mississippi and are clustered in the Northeast. Only Duke shows researchers from Utah, and this doesn’t surprise us. Duke holds two copies of the first edition of the Book of Mormon, and many visitors come to Duke each year to see them (the two copies were used a total of 33 times this past year).

 

US_map

Click to enlarge

The global map shows that each of us – NCSU, UNC Chapel Hill, and Duke – had researchers from Canada, the UK, and Japan. UNC Chapel Hill welcomed visitors from China and Japan. Many international researchers came to Duke to use collections such as our economists’ papers. But only NCSU had a user from Bosnia-Herzegovinia!

 

Internation_map

Click to enlarge

While we’ve only just begun to share our data with each other, this mapping project demonstrates that, taken together, the special collections libraries at NCSU, UNC Chapel Hill, and Duke have truly global reach and impact. Our collections are diverse and exciting, and the world knows it!

Post contributed by David Pavelich, Head of Research Services

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I was looking through the May 1944 issue of Duke’s Divinity School Bulletin when I came across a brief article about a Bo tree (Ficus religiosa) presented to the Divinity School in honor of then-Ivey Professor of the History of Religion and Missions James Cannon III. (He’d later serve as the Divinity School’s dean from 1951 to 1958.)

You’ve possibly heard the tradition that Gautama Buddha was sitting beneath a tree when he attained Enlightenment. That tree was a Bo, or Bodhi, tree, and it is, as a result, sacred to Buddhists.

Professor Cannon’s Bo tree had its own august history, as the article relates:

The Cannon Bo-tree is descended from the Bo-tree planted at the ruined city of Anuradhapura, near Kandy, in Ceylon. In the year 288 B.C., King Asoka of India sent a shoot from the parent tree to Ceylon. To this day the tree is worshiped by throngs of pilgrims. In 1929 an American tourist obtained a shoot from the Ceylon Bo-tree, planted it on his Florida estate, and several months ago presented a shoot to Duke.

We found snapshots of Professor Cannon with his Bo tree in his papers. He looks very serene, doesn’t he? A note from the back of one of the snapshot states that his “topcoat is supposed to represent Buddha’s ‘yellow robe.’”

Professor James Cannon beneath the Bo tree, March 6, 1951.

Professor James Cannon beneath the Bo tree, March 6, 1951.

We’re not certain of the current whereabouts of Duke’s Bo tree. Do you have any information about it?

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Portrait photos by Hugh Mangum. From the Hugh Mangum Photographs, #N258.

Portrait photos by Hugh Mangum. From the Hugh Mangum Photographs, #N258.

The portraits of Durham photographer Hugh Mangum are the subject of a new exhibit, opening July 22nd at the Museum of Durham History’s History Hub. “Hugh Mangum on Main Street: Portraits from the Early 20th Century” shows Mangum’s largely unknown portraits of Southern society after Reconstruction.

Mangum was born in Durham in 1877 and began establishing studios and working as an itinerant photographer in the early 1890s. During his career, Mangum attracted and cultivated a clientele that drew heavily from both black and white communities, a rarity for his time. Mangum’s photographs are now part of the Rubenstein Library’s Archive of Documentary Arts.

“Although the late-19th-century American South in which he worked was marked by disenfranchisement, segregation and inequality — between black and white, men and women, rich and poor — Mangum portrayed all of his sitters with candor, humor, and spirit. Each client appears as valuable as the next, no story less significant,” said curator Sarah Stacke. “His portraits reveal personalities as immediate as if the photos were taken yesterday.”

Stacke, a photographer and a 2014-2015 Lewis Hine Fellow at Duke’s Center for Documentary Studies, and Margaret Sartor, who teaches at CDS, are working together on a book about Mangum’s life and work. This new exhibit expands on “Keep All You Wish,” an exhibit of Mangum’s work that Stacke curated for CDS in 2012.

“Hugh Mangum on Main Street: Portraits from the Early 20th Century” opens at the History Hub, 500 W. Main St., on Tuesday, July 22 and runs through August. The exhibition will be in the Our Bull City area.

The public is invited to a launch party for the exhibition on Wednesday, July 23, from 5:30pm to 7pm, and a program on Mangum and his work at 3pm on Sunday, August 10.There is no charge for the exhibit, program, or party. The Hub is open Tuesday-Saturday, 10am to 5pm.

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