A Taboo Subject

Removed pages
A found stash of removed pages.

Pages sliced from a binding. Whole text blocks removed. Maps stolen. We don’t like to talk about the seedy side of what happens in libraries, but the fact is that theft and mutilation is an occasional thing that we have to deal with. No one likes to talk about it, and some feel we shouldn’t go public when it happens, but I think this is important information to share so that others can learn from our experience.

Several years ago we discovered a problem with a certain section of the collection. We found that a serial set was being mutilated, sometimes a few pages were taken, sometimes whole chapters. I looked through that section of the stacks and found a few more books that were also missing material. Clearly this person was interested in a particular subject and rather than checking the books out, s/he decided to just take the parts they wanted. Through Interlibrary Loan we were able to borrow copies to make replacement pages, then we moved the items off site in hopes that it would deter the problem.

A couple of weeks ago while preparing the newspapers for the renovation, one of my staff members found a few envelopes stuffed into a newspaper box. Obviously the materials weren’t related to the newspapers so she brought them to my attention. I immediately knew what they were based on my previous experience. We had accidentally found the perpetrator’s stash. I went back to the stack area where this subject matter is located and found several more books that were missing pages. While we have some clues we won’t ever know beyond a shadow of a doubt who did this or when it happened, but we can learn from the experience and talk about how to identify and prevent this sort of thing from happening again.

Books with missing pages.
Identifying missing materials

It can be difficult to notice when a book has had a single page or image removed, these are normally found later when the next person checks the book out. But when whole chapters or textblocks are taken, there are tell-tale signs. Notice the gaps in the top two books in the image on the left? Those are missing whole chapters. The bottom book is missing its entire textblock and the boards have taken on a “floppy” feeling and trapezoidal shape.

Paying attention is the best thing anyone who works with the collection can do to identify missing materials. Reading room staff can watch patrons use the collections and check for completeness when items are returned to the desk. Circulation Desk staff can quickly and easily look for obvious gaps in a text block as they check items in or out. Re-shelving staff often know the collections better than most of us and can watch for unusual activity such as thread or bits of paper on the floor, or oddly shelved books or books stashed in places they shouldn’t be. We rely on staff members to be vigilant and bring these problems to our attention and truly appreciate it when they do.

Preventive measures

We do a lot in the library to prepare materials for the stacks. We implement policies and procedures to both deter theft and alert the proper authorities when it happens; and when it does happen we work with local and sometimes national used-book dealers who may be the first to encounter them outside the library. Loose materials are identified in the item records and a note to “check for materials in pocket” alerts desk staff to check that the item is present; security strips and RFID tags are applied to books and a/v materials and will set off an alarm if not deactivated at the Circulation desk; loose-sheet publications are bound to keep the pages together and to deter theft, etc. There are additional methods we employ that are designed to go unnoticed by the layperson. All of these methods help keep books on the shelf and available to researchers.

For the items we found recently, I continue to work on reuniting the missing parts. Hopefully some of these books can be made whole again and be put back into circulation.

 

1091 Project: Portrait of the Student Technician

1091 graphicThis month on the 1091 Project we discuss an essential part of almost every conservation department, student technicians. Without our students we could not keep up with the sheer amount of materials that come to the lab. This week is spring break, so I can’t show you pictures of our wonderful students, KellyNoel, Kaiti and Jessica (on loan from ERSM for a project), but I can tell you about the work they do and what we look for in a good student assistant.

Students in the lab do a lot of boxing, pamphlet binding and CoLibri covers.
Student work, finished and in-process.
Student Workflows

Our students start out learning how to bind pamphlets, make simple enclosures, create CoLibri book jackets, make pockets and do simple repairs such as tip ins, cut pages, and binding musical scores. They also help with the tracking and physical moving of materials.

If the students have the abilities and interest they can  learn more complicated repairs and enclosures. These might include recasing or rebacking books, or making four-flap or corrugated clamshell boxes for fragile materials. We have had a couple students who stayed for several semesters and because they had the skills and interest, they were able to learn multiple conservation rebinding techniques and cloth-covered clamshell boxes.

Newspaper project
Newspapers ready for boxing.

We currently have students helping specifically with renovation projects. These students are primarily getting the newspapers ready to go to the Library Service Center. This involves jogging brittle paper into place, fitting the bindings into pre-made boxes, and making spacers in the boxes so the brittle papers don’t shift around during transit. This is a very labor intensive, dirty and repetitive project but all of our students are working hard to meet our fast approaching deadline.

What We Look When Hiring Student Technicians

Most of our students are undergraduates, but every now and then we hire a graduate student. We of course like it if they have state or federal work study, but that isn’t a requirement. We prefer to get the right student with the right skills regardless of their funding. Occasionally we will get a UNC-SILS student who wants to intern with the department and we will work with them to develop a project that fulfills their school requirements but also helps us move our department forward.

There are basic job requirements that are listed in all of our positions including being able to use sharp instruments and large binding equipment safely, lifting heavy boxes and moving full book trucks, and being able to work in a potentially dusty or moldy environment.

Beyond that, what I look for when I interview students is the ability to learn quickly and be productive, to work independently but to know when to ask questions, and to have a good attitude and work well with a diverse staff. It is rare that we find students who have bookbinding experience, so I look for interests or past work history that involve eye-hand coordination and attention to detail. It might surprise you that gamers have very good eye-hand coordination, students with musical backgrounds are excellent at following instructions, and research science students are amazingly skilled at detail-oriented work. If you are a student, you don’t need to be a crafty person or an art major to work here. We can teach you the skills you need to be successful if you have the ability to learn the craft.

Let’s head over to Parks Library Preservation to read about their students.

30 Days and Counting! Edible Book Festival Is Almost Here

Girl With A Pearl Onion
Girl With Pearl Onion

The Eighth Annual Edible Book Festival is a month away. We will be convening on April 1st (Monday), 2013 in the Gothic Reading Room.

For more information or to participate in this year’s festival please contact Beth Doyle, Head of Conservation Services Dept., or call the Conservation Lab at 919-660-5906. Entries must be delivered to the Gothic Reading Room at 1:30 p.m. on April 1, 2013.

Images from past festivals can be found on our Flickr site. Bon Appetit and Happy Binding!

 

 

 

1091 Project: The Good, The Bad, the Past Repairs

1091 graphic

This month on the 1091 Project we discuss old repairs, when to remove them and when to leave them alone. Sometimes the decision to undo an old repair is an easy one, sometimes not, and sometimes it really is a conundrum because there are valid arguments to be made on both sides. Let’s look at some recent items that have been brought to our attention, and be sure to check out Parks Library Preservation’s post.

Old Repairs: The Good

A “good” repair is one that is sympathetic to the original object in both form and function. It may not be immediately obvious that something has been fixed, but it shouldn’t be so transparent that it hides the fact that damage occurred. In a perfect world, a trained eye would catch it upon close inspection, but the lay-person might not realize it unless you pointed it out.

prior repair
Fugitive Sheet: Prior repair on lower right corner of sheet. Note the in-painting of the printed border.

bleau atlas
Bleau Atlas, prior fill also has new media applied to fill in the map.

The repair on the lower right corner of one of our Fugitive Sheets (top left) is a prime example of a good repair. The color of the newly incorporated paper matches the existing paper very well, and the border was even simulated to provided as to not disturb the eye with a break in the printing.

You can see a similar repair in one of our Bleau Atlas volumes (top right). Here you can see a well-crafted fill that includes the application of new media to fill in the illustration where that information was lost. We may not do that level of infilling today, but you cannot deny it is an effective repair that if removed may effect the way the object is interpreted.

Old Repairs: The Bad

Taped binding
A DIY repair that does more harm than good.

I think nothing says “bad repair” like packing tape. We’ve talked about this before, but it is good to reiterate that self-adhesive tape of almost any kind is very damaging to books and can be difficult to remove.

Because of the damage these sorts of tapes cause, it easy to decide to remove the tape and give the book a more sympathetic and reversible repair.

 

 

 

spine repair
An old library repair done with “book tape” with infilled title.

“The Open Polar Sea” is the sort of prior repair that makes it a little more difficult to decide what to do. This repair was clearly done with care and it is still holding. It is not reversible and will likely result in some scarfing when/if we remove it.

The real issue is how much time do we spend undoing these repairs? There are so many in our stacks. If the repair is holding up and not causing further damage, is it better to spend our limited time and resources on these knowing that they ultimately will do damage to the book, or do we work on items that are in more immediate danger of losing materials if they are not repaired? I tend to lean towards the latter, but the argument is worth having, and the decision changes based on a lot of factors (ye olde “value, use, risk, resources” discussion).

 

 

Old Repairs: The Past (With Provenance)

The four pictures below represent prior repairs that we would likely not choose to remove because they are

  • well executed
  • not significantly harming the original
  • still functioning as repairs
  • traditional to a time or type of material
  • tell a significant story about the life of the object

If one of these repairs were to fail, then we would address the problem in a more modern way, that is by using stable methods and materials that would not harm the original materials either physically or chemically, that would be visually sympathetic to the original structure and components, and would be reversible later if the repair failed.

Ethiopic MS 5_3
Ethiopic codex with damaged board, repaired by sewing the two halves together.

ethiopic scroll
Ethiopic scroll, repaired traditionally by stitching the two sides of the tear together with heavy sewing thread.

leather book repair
Leather patches carefully stitched to the binding to repair a damaged spine.

Ethiopic MS 30_2
Tear in the leather is carefully sewn back together. This may have been done at the time of binding to make a usable piece of leather, rather than repaired later as a result of damage.

Deciding on removing an old repair is both objective and subjective. The decision is based on your knowledge of the physical and chemical nature of the original materials as well as the repair materials. It also helps to know the collection and the provenance of the item. Luckily we have great working relationships with all our curators and together can make sound treatment decisions when we come across these sorts of quandaries.

It’s Been A Busy Week!

papyrus
Is it just me or does this papyrus look like Bart Simpson?

It has been a very busy week in Conservation. We are neck-deep in helping with the move of the special collections to swing space. The flat files moved this week, which was a very big job indeed. Everyone in the lab has been helping either with the physical move, preparing materials for transport, or providing security as the materials are shifted to swing space.

The last complicated portion of the move project for us is to finish preparing the newspapers in both the special collections stacks as well as the older Perkins stacks. Erin is the project manager for the Rubenstein newspapers and has been working closely with Tedd, our student assistant Kelly Noel, and with Rubenstein staff to get the fragile volumes ready to move. Tedd just surpassed his 3,200th box! Considering how big some of these newspaper boxes are it is a testament to his ability to “get it done!”

The papyri project is moving forward. We have almost finished boxing the “regular sized” items. This week we pulled the oversized papyri. Everyone in the lab has been helping to create new enclosures for this collection. It is hard to believe this project started one year ago this month. We have already received very positive feedback on our housing strategy, and that always feels good.

tape removal
Meg works on tape removal in the fume hood.

Meg has been working on getting the next batch of items ready for exhibit. Her projects involve a lot of tape removal and subsequent stain removal. This is a fairly laborious process. Not only will these materials be more aesthetically pleasing for the exhibit, they will be repaired in a much more sympathetic and stable manner.

Grace has been working on a lot of scrapbooks lately. The one she finished this week had a lot of fold-outs that were mis-folded and damaged. It took a lot of patience to get through it, but it is now ready for its binding to be repaired. She finished several projects last week, so this week she is starting on new ones. One is particularly fabulous, but we will save that for future post.

Jennifer has been working double time pulling materials for Tedd and keeping track of all the work we are doing for the renovation project. As our registrar she keeps our lab log accurate, and for that we are all eternally grateful. We also got a batch of materials in from the Digital Production Center (DPC) that needed attention, so she has been doing a lot of paper repair this week. Erin has also been repairing items and getting them ready for digitization. She has been working closely with Josh Hager, who works on the Content, Context and Capacity project, to repair some manuscripts that were stuck together. They now look great and are ready for imaging.

French serial
Want to read a play in French?

Mary completed this really interesting serial set of circa 1830-40’s French plays. They were in terrible shape when they came in. She rebound them using the Princeton 305 technique, which is fantastic option for tight-joint bindings. Mary also presented two Care and Handling training sessions to student assistants in Circulation. She trained about two dozen students on proper handling methods and what materials they should set aside for Conservation.

Me? I’ve been helping move the flat files, I finished prepping the Gothic Reading Room materials, I’ve worked on all sorts of “management-y” things (emails, paperwork, receipts, etc.). I did some mold removal on one box of J.B. Matthews papers and have four more to go (in this batch…there are dozens to do). Basically I tried to keep the wheels on the conservation bus turning for one more week as my staff gets all this amazing work done. I am very lucky to be surrounded by such talented and dedicated people.

Happy Friday everyone!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Why I Hate Mr. Clippy

paperclips
Rusted paperclips after removal.

Maybe “hate” is too strong of a word. A better title might be “Mr. Clippy provides conservators with job security.” Paperclips, staples, and rubber bands all damage archival materials either mechanically (i.e. creasing, wrinkling) or chemically (i.e. rusting, leaching acidic compounds) resulting in brittle paper, tears, accretions, staining and losses.

While there is an art to removing rusty fasteners, the results are often disappointing and require additional treatment to reattach pieces, fill losses and stabilize weakened paper. Of course, all of this can be avoided by using better processing protocols. But in this age of “More Product, Less Process,” I fear we are creating a monster that future conservators will have to slay.

Manuscript Processing Best Practices (from a conservator’s point of view)

As a library conservator I understand the complicated nature of processing collections and the resources needed to do so. I can’t say “never use paperclips” because, let’s face it, we process hundreds of collections every year containing thousands of pieces of paper and sometimes those pieces of paper need to stay together. We also have to do this processing on a tight budget, and often with student or volunteer labor who may not be well versed in handling fragile materials. So, we need a continuum of options and best practice guidelines to help minimize damage while maintaining efficient workflows.

Remove original fasteners
NEDCC has a great tutorial on how to carefully remove all kinds of fasteners. Yes, it takes time and practice but it saves more time and effort in the future.

Use non-invasive methods to keep papers together
Instead of clipping multi-page manuscripts together, put the loose sheets into a separate file folder. If the papers must be with other items within a file folder, use a buffered-bond paper folder or a polyester sleeve (trade names Melinex and Mylar) to keep them separate from other papers.

Use better paperclips and avoid text
Paperclips should only be used on modern, flexible, non-brittle paper. If the materials are at all damaged or brittle, put them into a paper or polyester sleeve.

If your organization can afford stainless steel paperclips, use them since they have a smooth surface and will not rust. Plastic paperclips are an alternative to metal. These plastic clips are made of polystyrene, which will become brittle and break over time but they won’t rust. White ones are best if you can find them.

When clipping papers together, try to avoid clipping over any informational content. If in the future you try to remove the clip and it takes a chunk of manuscript with it, at least you will have avoided a loss of information.

paperclip rulesProtect paper with paper (or polyester)
Whatever paperclip you use, create a barrier between the clip and the manuscript. An easy and affordable way to do this is with a strip of buffered-bond paper or a piece of polyester. Simply cut a strip about 1-2 inches wide by about 4 inches long. Fold it in half lengthwise and place it over the manuscript pages so that one “leg” is on each side of the stack of paper. Then put the paper clip over the strip. This creates a barrier between the clip and the object.

These are my suggestions. If you have any tips or paperclip policies to share, please add them in the comments section. I always like to hear what other institutions do to solve problems like Mr. Clippy.

 

1091 Project: From Art To Eyeballs

1091 graphicThis month on the 1091 Project we are highlighting the non-book, non-paper items that come to the conservation lab for evaluation and rehousing. In our collections we have the usual amounts of prints, drawings, paintings and various other kinds of artwork. But we also have hanks of famous-people’s hair, pink felt dragons, christening gowns, weather vanes, plaster death masks, roll-playing figurines, shaving mugs, poison arrows…you name it, we likely have it. We have several items in the lab right now that fall into this category.

In The Lab For Enclosures

Our History of Medicine Collection provides endless challenges including these hand-blown glass eyeballs. They are so lovely and delicate, and a little creepy (the eyes seem to follow you like the Picture of Dorian Grey).

glass eyes
Glass eyes from the History of Medicine Collection.

Also from HOM is this 18th Century screw-barrel microscope in a shagreen (skate skin) case. We just started making these nifty picture-labels for objects that we put in boxes. It is a quick way to identify what should be in the box, and if the item isn’t in the box, you know what to look for.

microscope
Screw barrel microscope in shagreen case from the History of Medicine Collection.

Also in the lab is this Memento Mori, a lovely and delicate ivory carving of a contemplative skeleton who we have nicknamed “Jack.”

memento mori
Ivory memento mori.

HOM isn’t the only collection with fascinating non-book items. Check out this wonderful U.S. patent model of a continuous cigarette rolling machine dating from 1876. It is about two feet long and one foot high, and all the moving parts work.

cigarette rolling machine
Continuous cigarette rolling machine patent model.

If you are interested in seeing previous boxing projects, you can check out our Flickr page. Be sure to head over to Parks Library Preservation to see what amazing things they have in their lab.

What’s In The Lab: A Magical And Foreboding Book

Written by Erin Hammeke, Special Collections Conservator

I was sorry to see this item go back to the stacks last week! A German book of magical secrets, Clandestine Hausvaterliteratur (Jacob Biernauer; 1818) is a recent acquisition to the History of Medicine Collection. It contains information on astrology, superstitions, ghosts, spells, and recipes for poisons, gunpowder, and blond hair dye, amongst others.

The vellum cover was likely added by a previous owner of the text who may have inscribed the cover with a foreboding skull image. The cover was quite animated when it first came to us and, reacting to a dry climate, the skin contracted and became wildly distorted. Additionally, its corners had been chewed, likely by rodents. Here it is, before and after treatment.

Before Treatment

After Treatment

   

1091 Project: Let’s Celebrate!

1091 graphic This month on the 1091 Project we are celebrating the end of the year and all of our accomplishments. Each lab celebrates in a different way. Parks Library Preservation has an in-house training session. We…eat.

Our lab’s tradition this time of year is to have a departmental lunch at the Nasher Museum of Art, our beautiful campus museum. They have a wonderful, sunny building and great exhibits. It is a real treat to stop repairing things for a while and share a meal, catch up with each other, and look at some wonderful exhibits.

I would like to take this time to express my unending gratitude to the staff, students and volunteers in Conservation for working so hard over the past year, as they always do. I am impressed and amazed at the amount of work we have done this year in support of the renovation project. Thanks everyone. I am very lucky to work with such a wonderful, talented group of people.

lab lunch
Left to right: Mary, Tedd, Grace, Beth, Martha, Erin, Meg and Jennifer. Thanks team for a productive and fun 2012!

To all of our readers, thank you for reading our blog this year, we look forward to sharing more of our work with you in 2013. Have a happy, healthy and prosperous holiday and new year. Be sure to read what Parks Library Preservation is doing to celebrate the season.

 

Duke University Libraries Preservation