Heschel Highlights, Part 1

Welcome to the first post in a series documenting the processing of the Abraham Joshua Heschel Papers.

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Photographs and documents from the Abraham Joshua Heschel Papers.

In 1965, Rabbi Abraham Joshua Heschel, professor of Jewish Ethics and Mysticism at the Jewish Theological Seminary of America, accepted as position as the Harry Emerson Fosdick Visiting Professor at Union Theological Seminary (UTS). Newspapers reported this occasion with headlines that proclaimed “Rabbi to Teach Christians” and “Seminary Gives Post to Heschel.” The prestigious visiting position speaks to Heschel’s influence in Christian-Jewish relations at the time. As we begin processing the Abraham Joshua Heschel Papers, there is evidence that Heschel’s dedication to interfaith work also made him a controversial figure in some Jewish circles. I recently processed a large folder of materials that Heschel collected during his tenure at UTS and discovered that Heschel preserved the views of his dissenters, tucked in alongside his lecture notes and grade records.

In a folder that contains programs from events honoring Heschel at UTS and Eden Theological Seminary and an excerpt from Reinhold Niebuhr’s Pious and Secular America, I found a fascinating newspaper clipping. The article, “Scholar Delimits Interfaith Talks,” discusses another rabbi’s view on interfaith relations. The article explains that Rabbi Joseph B. Soloveitchik, professor of Talmud at Yeshiva University, argued that Jews should avoid discussing theological issues in their relations with Christians. This article provides an intriguing counterpoint to the documents promoting Heschel’s theological lectures at Christian Seminaries.

In another folder, which Heschel labeled “Interfaith,” he included an excerpt from a letter written by the Lubavitcher Rebbe, Rabbi Menachem M. Schneerson. In the letter, Schneerson writes, “there is no need for us whatever to have any religious dialogues with non-Jews, nor any interfaith activities in the form of religious discussions, interchange of pulpits, and the like” (2). Schneerson concludes, “religious dialogue with non-Jews has no place in Jewish life, least of all here and now” (4). This letter rests alongside an article written by UTS President John C. Bennett and Heschel’s itinerary for the Spring Semester of 1966 which included lectures at the Indiana Pastors’ Conference and eleven different Christian seminaries.

Adrienne and the Heschel Papers.
Adrienne and the Heschel Papers.

These dissenting opinions preserved by Heschel and included in folders that highlight his interfaith work provide an intriguing glimpse into Heschel’s world. We will leave it up to future researchers to discover the meaning behind Heschel’s inclusion of these opposition opinions in these particular folders!

Post contributed by Adrienne Krone, Heschel Project Assistant in Rubenstein Technical Services.

Faux Duke Stone

Last week, we watched “Duke Stone” panels going up on the construction fence surrounding the Rubenstein Library and the West Campus Union.  So we thought we’d take a few moments to write about the real Duke Stone!

Duke Stone panels being applied. Photo by Aaron Welborn.
Duke Stone panels being applied. Photo by Aaron Welborn.

Did you know that Duke Stone comes from a quarry in Hillsborough, North Carolina, just about 10 miles away from campus?  Or that there are 24 distinct colors in the stone: 7 primary colors with 17 distinct variants of the primary colors?  Or that, before choosing the Hillsborough stone, there were several other stone contenders?

Before the Hillsborough stone was chosen to construct West Campus, and before it was known simply as “Duke Stone,” the architects, designers, builders, and James B. Duke himself looked at many different stone samples.  They even constructed test walls of stone from other quarries on the East Coast to determine which one they liked the best.  Here’s one of the test walls constructed during that phase:

Test Wall on East Campus

And in this October 15, 1925 photo of construction on East Campus, the test walls are visible off in the distance.

An arrow points out the location of the test walls on East Campus.

It’s safe to say that we all know and love Duke Stone today—so much so that the panels are going up on the construction wall so that we don’t have to be without the look of it for too long.  Next time you’re on campus, see how many primary and variant colors you can find in the stone. Let us know how you do!

Post contributed by Maureen McCormick Harlow, 175th Anniversary Intern for the Duke University Archives.

New Acquisitions: Scenes from the Life of St. Catherine

In June and July we’re celebrating the beginning of a new fiscal year by highlighting new acquisitions from the past year. All of these amazing resources will be available for today’s scholars, and for future generations of researchers in the Rubenstein Library!  Today’s post features a remarkable addition to the Sallie Bingham Center for Women’s History and Culture. Check out additional posts in the series here.

The Library has acquired a rare incunable (item printed from moveable type in Europe before 1501), the Legenda de Vita S. Catharinae by Frater Petrus, published in Strasbourg on April 6, 1500.  It tells the story of St. Catherine of Binding of Legenda Vita de s. Catharinae, Strasbourg, 1500Alexandria, one of the most popular and important saints in late medieval Europe, and an enduring icon of women’s learning.  She was said to have won a debate with the Roman emperor’s elite philosophers over the value of Christianity, leading to her imprisonment and torture on the breaking wheel, now often called the Catherine wheel.

This edition includes seventeen beautiful woodcuts attributed to the artist known as the “Master of Terence,” who worked frequently for the book’s publisher, Johann Grüninger. The copy now in the Rubenstein Library, just the third known copy in an American institution, also features a contemporary binding with elaborate tooling and a brass clasp, and extensive rubrication both in the text and bordering the woodcuts.  It will reward a variety of research approaches, from literary scholars interested in book history and the popular medieval genre of saints’ lives to those working in women’s history, religious history, and art history.

New Acquisitions: Tarzan, Batman, and Alien Invaders, En Français

CorreaWarWorlds1In June and July we’re celebrating the beginning of a new fiscal year by highlighting new acquisitions from the past year. All of these amazing resources will be available for today’s scholars, and for future generations of researchers in the Rubenstein Library! Today’s post features new items in the Library’s Negley Collection of Utopian Literature and its comic book collections. Check out additional posts in the series here.

One of the most influential books in science fiction history, H. G. Wells’s The War of the Worlds, was an immediate sensation upon its publication in 1898.  Famously adapted for radio, film, and television, the work received perhaps its most beautiful visual interpretation in the limited edition of Henry Davray’s French translation, La Guerre des Mondes, published in Brussels in 1906 with stunning illustrations by Henrique Alvim Corrêa.

The book features 32 plates as well as over 100 illustrations within the text.  Corrêa, a Brazilian painter and illustrator who lived in Belgium for most of his life, captured the intensity, grand scope, and wonder of Wells’s vision of interplanetary invasion in his atmospheric, energetic compositions.

CorreaWarWorlds2

tarzan1Another new acquisition demonstrates, in a different format, the burgeoning global appeal of genre fiction adapted to visual form in the twentieth century.  A complete run of 293 issues of Tarzan, a comics series published in Paris between 1946 and 1952, features the adventures of Edgar Rice Burroughs’s famous creation in vivid color.

The first 71 issues also feature a French adaptation of the newspaper comic strip featuring Batman, La Chauve-Souris (The Bat), by the famous French science fiction illustrator, René Brantonne.   These American adaptations ran alongside comics adaptations of French classics such as Les Miserables.

The Rubenstein Library now holds the only known copy of this periodical in the United States, which appears to be very rare in institutional holdings even in France.

A French adventure of Batman and Robin. dressed as Louis XIV and Marie Antoinette.
A French adventure of Batman and Robin. dressed as Louis XIV and Marie Antoinette.

 

New Acquisitions: Unique Depictions of the Human Body

In June and July we’re celebrating the beginning of a new fiscal year by highlighting new acquisitions from the past year. All of these amazing resources will be available for today’s scholars, and for future generations of researchers in the Rubenstein Library! Today’s post features a new collection in the Library’s History of Medicine Collections. Check out additional posts in the series here.

fugitive sheet female

The History of Medicine Collections has acquired two anatomical fugitive sheets, elevating our holdings to now include ten of these magnificent items. Anatomical fugitive sheets are single sheets, similar to broadsides, that are printed on one side. Illustrations of the human body accompany text that was written in Latin, and later in the vernacular. Dating from the sixteenth century, this pair of fugitive sheets, titled Viscerum hoc Est Interiorum Corporis Humani Partium Descriptio and published in Antwerp in the sixteenth century, includes hand colored illustrations with accompanying text in Latin.

Besides being incredibly rare—these are the only known copies of these sheets—the sheets are noteworthy for many reasons, including the depiction of the human body using three-dimensional flaps that lift to reveal internal organs, as the title suggests.  This particular pair of fugitive sheets has lost most of its flaps. While the male figure only retains a fragment of one flap, the female figure retains one full flap of the inner organs in entirety. Such loss is common since most of these fugitive sheets date to the sixteenth and seventeenth centuries and were printed as single sheets.

Theories abound as to who would own such items. Were they created for physicians, barber surgeons, or the lay person wanting to know more about the human body? Were they hung in apothecaries, medical university classrooms, or the gentleman’s library? Any sheets that remain today are incredibly rare and worthy of study and analysis. These appeal not only to the medical student who wants to see what inaccuracies exist, but to those interested in the history of science, printing history, and art history.

Post contributed by Rachel Ingold, Curator, History of Medicine Collections.

New Acquisitions: Advertising Aucas

Auca for a Barcelona bookstore, 1937.
Auca for a Barcelona bookstore, 1937.

In June and July we’re celebrating the beginning of a new fiscal year by highlighting new acquisitions from the past year. All of these amazing resources will be available for today’s scholars, and for future generations of researchers in the Rubenstein Library! Today’s post features a new collection in the Library’s Hartman Center for Sales, Advertising, and Marketing History. Check out additional posts in the series here.

Since being banned as a tool for gambling in the seventeenth and eighteenth centuries, the auca has become one of the cultural touchstones of the Catalonia region of Spain.  Aucas are a kind of comic strip with a standardized format of panels (often 48, or another multiple of four) accompanied by rhyming verse.  The Hartman Center recently acquired a collection of more than fifty of these original broadsides, all produced and distributed for the purposes of advertising products or communicating a service. Aucas were traditionally used for communication of religious, literary, or civic information, but advertisers saw the value in taking the broadside format and using it for commercial purposes.

Auca for an insecticide containing D.D.T., Tarragona, ca. 1960.
Auca for an insecticide containing D.D.T., Tarragona, ca. 1960.

The numerous examples here of aucas published in Barcelona or nearby cities in the Catalan language during the 1940s and 1950s, run counter to the accepted belief that the Franco regime had completely suppressed the Catalan language. As these aucas show, the language still had a public presence (and perhaps the Regime tolerated its use in this particular fashion because the aucas were intended to generate commerce, which Spain desperately needed).

In the Lab: Conservators Don’t Like Tape!

My latest conservation project has been one involving chemicals and special equipment, doing something that we conservators face far too often—tape removal. But fortunately, our lab is well equipped with tools and materials specifically for that purpose.

Adhesive Removal in Progress

In September there will be a new exhibit at the Nasher Museum of Art on empire and cartography, organized by the BorderWork(s) Lab here at Duke. Seventeen maps and books from the Rubenstein Library were selected for the exhibit, but many of them required treatment first. Rachel Penniman, Erin Hammeke, and I have been working to make sure the items will be in safe condition before they make the short journey across campus to the museum.

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One item that has required the most work for me is an early 19th century hand-colored manuscript map from South America labeled “Terrenos Incognito” (above, front and back). Although on good quality, strong paper, the map was previously folded so many times that it began to break along the folds, and so some well-intentioned person in the past reinforced the folds with strips of tape on the back. Over time, the adhesive turned yellow and seeped through the paper, leaving stains along all of those fold lines. And not only is the staining unsightly, but the adhesive is also chemically destructive to the paper, making it brittle and more liable to break. So now, as is often the case, I am spending many hours undoing someone’s quick fix that turned out to do more harm than good.

Tape Removal

 Before using any chemicals I tried mechanical means to remove the tape. First I had to remove the carrier, the plastic part of the tape that the adhesive is attached to. For that I used a hot air tool to soften the adhesive and an unsharpened dissection scalpel (my favorite tool) to lift the carrier off. But there was a lot of residual adhesive left on (and in) the paper.

Fume Hood and Suction Platen

After testing the adhesive’s solubility in various chemicals, I selected the most appropriate solvent. In conjunction with the use of chemicals I have been using our excellent vacuum pump and manuscript suction device, also officially known as a Stealth Sucker. I work in the fume hood to avoid breathing solvent fumes. I lay my map on the suction platen and use solvent to dissolve the adhesive, then the vacuum action draws it out of the paper. I can only treat an inch at a time and the work is very slow, but the effect is rewarding . Although there will always be some staining visible, the map’s appearance is beginning to improve dramatically. Soon I hope to have it finished, and visitors at the Nasher will be able to appreciate its beauty without the distraction of adhesive stains.

Adhesive Removal, Before and After #1
Detail of “Terrenos Incognito,” Before and After Treatment
Detail of "Terrenos Incognito," Before and After Treatment
Detail of “Terrenos Incognito,” Before and After Treatment

Post contributed by Grace White, Conservator for Special Collections, as part of our ongoing “In the Conservation Lab” series.

The Henkel Physicians Exhibit at the Medical Center Library & Archives

Dates: July 15, 2013-August 24, 2013 (NLM exhibit); July 15, 2013-October 31, 2013 (MCLA/Rubenstein exhibit)
Location: Medical Center Library & Archives (see below for details)
Online Exhibit Companion: http://www.nlm.nih.gov/hmd/digicolls/henkel/
Contact Information: Jolie Braun, jolie.braun[at]duke.edu; Beverly Murphy, beverly.murphy[at]duke.edu

Advertisement for products sold by the Henkel physicians, from the Shenandoah Valley newspaper, 7 September 1877.
Advertisement for products sold by the Henkel physicians, from the Shenandoah Valley newspaper, 7 September 1877.

The Medical Center Library & Archives is excited to announce its new exhibit, “The Henkel Physicians: A Family’s Life in Letters.” Produced by the National Library of Medicine (NLM), the exhibit traces the daily lives of a family of physicians in the Shenandoah Valley during the nineteenth century, serving in their community, on the battleground, and in the nation’s courts of law. 

The Medical Center Library also collaborated with the Rubenstein Library on an exhibit to complement the NLM display. “From the Rubenstein Collections: The Henkel Family Physicians” features rare books and manuscripts along with materials from the History of Medicine Collections.  It includes letters written by the Henkels, books and broadsides published by the Henkel Press, and nineteenth-century medical instruments and artifacts.

The NLM Exhibit will be on display through August 24th on Level 3 of the Medical Center Library & Archives. The Medical Center Library and Rubenstein collaboration will available through October on Level 1. To learn more about the Henkel family and nineteenth-century medicine, visit the NLM’s digital companion to the display.

What’s that sound?

Workers are removing shelving and hazardous building materials from the rear entrance of Rubenstein Library.
Workers are removing shelving and hazardous building materials from the rear entrance of Rubenstein Library.

 

Visitors to the Rubenstein Library may notice things are a little noisy in the library as renovation work begins. In the next few weeks interior demolition of our former space will continue and  the tower crane for the renovation project will be installed.   Since we’re on the other side of the building now, it shouldn’t be too loud in our reading room, but, as always, we’ll have foam earplugs available for researchers.  Further details and updates are available on the Rubenstein Library Renovation blog.

The 1960s, One Page at a Time

One of the most frequently used items in the Duke University Archives is The Chronicle, particularly the 1960s issues. Many students are interested in the decade—which was one of great change in the student body, the curriculum, and in social life—and alumni and other researchers use it to find out details about particular events. This year, as Duke commemorates 50 years of desegregation among the undergraduate class, The Chronicle is especially helpful as a source of information about desegregation and later student protests like the Vigil and the Allen Building Takeover.

Thanks to the work of the Duke University Libraries’ Conservation Department, Digital Production Center, and Digital Projects Services, we now have eleven complete years (fall 1959-spring 1970) of The Chronicle digitized at http://library.duke.edu/digitalcollections/dukechronicle/. The issues are browsable by year and date and keyword searchable.

Although it will be extremely helpful for research on desegregation and student protest, it will also be helpful for researching topics ranging from the Duke-UNC rivalry to women on campus to ads for local restaurants. Through even small stories and announcements, we learn a lot about campus.

For example, on November 22, 1968, we read that a memorial mass was held to commemorate the 5th anniversary of the passing of John F. Kennedy, Jr.:

Notice of memorial mass at the 5th anniversary of President Kennedy's assassination, The Chronicle, November 22, 1968.

On March 1, 1963, we learn of the mysterious origins of the name of Towerview Road:

Article about Towerview Road, The Chronicle, March 1, 1963.

And on November 7, 1969, we find 1969 at Duke, perfectly preserved:

Chronicle Classifieds, November 7, 1969

There are 868 issues of editorials, news stories, sports writing, advertisements, and much more. Let us know what you think, and how you will use the digitized decade of The Chronicle!

Post contributed by Valerie Gillispie, Duke University Archivist.

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University