New Digital Collection: Duke Chapel Recordings

chapelservice001
Undated photograph of a service in Duke Chapel, from the University Archives Photograph Collection.

We are pleased to announce a new digital collection, The Duke Chapel Recordings. This collection of 168 recordings features inspiring sermons from a variety of theologians and preachers, including a number of notable African American and female preachers. The collection includes both audio, and where available, video of the services.

The project was a collaboration of the University Archives, the Libraries’ Digital Collections Department, and the Duke University Chapel. The original recordings are part of a large collection held in the University Archives. We hope the recordings are used for a variety of purposes: the study of homiletics, research into the spiritual response to social changes, musical study, and simple inspiration.

Dr. Luke A. Powery, Dean of Duke Chapel, says of the collection, “Duke University Chapel is distinguished in both its faithful preaching and its sacred music. The Sunday morning ‘Protestant hour’ captured within this archive has been the public face and voice of the Chapel for decades; this digital collection makes Duke Chapel’s liturgical history accessible for both those interested in scholarly research in the area of preaching, music, and worship, and those who desire spiritual inspiration. This collection is an interdisciplinary educational resource for teaching and learning, and demonstrates that eruditio et religio is still alive and well at Duke; may it be so for years to come.”

Learn more about how the video player feature was added to this collection on Bitstreams, the Digital Projects blog.

In the Lab: Boxing Challenges

heschelrockblogSome of our recent interesting conservation projects have involved housing.  Not only do we repair damaged books and paper items in the conservation lab, but we also make many boxes and enclosures to house them, and occasionally our box-making expertise is called upon for rather unusual items.

For example, from the Abraham Joshua Heschel Papers: a rock.  Little is known about this small piece of rock except that it is a souvenir of a trip that Heschel made to Israel.  The rock was originally wrapped in a newspaper.  Tedd Anderson made a four-flap enclosure for the newspaper and a box to house both the rock and the newspaper enclosure.

Rachel Penniman has been working on a set of Charles Dickens’s publications, the original short segments of his novels that came out in serial form.  These serials had been housed in custom boxes that someone must have made for their personal collection.  Although the boxes were attractive with leather spines and stamped titles, they were not safe for the serials. The boxes caused creases and abrasions each time one of the pamphlets was removed or reinserted.  Rachel made individual enclosures for each serial issue, and the enclosures were housed together in larger boxes, one for each title.  Access to the serials is now much easier and safer.

dickensblog

The Digital Production Center (DPC) is in the process of scanning glass lantern slides of scenes of daily life in China made by Sidney Gamble in the early 20th century.  Many of the slides are hand-colored, some have existing cracks, and all are very fragile because of the glass support. Erin Hammeke has been working to stabilize their housings.  Each slide is housed in a labeled four-flap paper wrapper, and in the case of cracked slides, she adds a piece of mat board as an extra stiffener.

lanternslides crackedblog

The conservation department creates housings for circulating collections as well.  Mary Yordy has an upcoming housing project for the fascinating new book S by J.J. Abrams and Doug Dorst.  The book is beautifully made to look old and well used with notes in the margins and numerous loose paper inserts.  Mary is planning to make a box for the book that will prevent loose materials from falling out and getting lost, and the book will be kept in the locked stacks.  While we chose to leave the inserts untreated and as published, the Preservation Lab at the Public Library of Cincinnati/University of Cincinnati decided on another route with this title. 

s book comboblog

More images of these and other housing projects can be seen on Flickr.

Post contributed by Grace White, Conservator for Special Collections, as part of our ongoing “In the Conservation Lab” series.

Recently Published: Women at Duke Illustrated

women@dukecoverIn 2011, the Duke University Archives published Duke Illustrated: A Timeline of Duke University History, 1838-2011. This 80-page, full-color history of the events, traditions, and people that have made Duke one of the world’s leading research universities is the product of almost four decades of research by University Archives staff.

This year, we are happy to announce the publication of a companion volume focusing on the particular contributions of women at Duke, written and compiled by Bridget Booher ’82, A.M. ’92, associate editor of Duke Magazine. The new book, Women at Duke Illustrated, was published to coincide with the 2014 Duke Women’s Weekend, “Find Your Moxie: Duke Women Creating Change,” February 20-22, 2014.

Copies of Duke Illustrated and Women at Duke Illustrated are available for sale by the Gothic Bookshop for $27.50 each. Both books make perfect gifts for Duke men and women of all ages.

The book was published with support from all ten of Duke’s schools, as well as the Duke University Libraries and Duke Athletics.

Trish Wheaton on Sustainability and the Socially Conscious Consumer

Date: Tuesday, March 4th
Time: 5:30 PM, reception to follow
Location: Perkins Library room 217
Contact: Jacqueline Reid Wachholz, j.reid(at)duke.edu

“From Niche to Mainstream: Planet Brands and the Rise of the Socially Conscious Consumer”

Trish WheatonTrish Wheaton is CMO of Wunderman and Managing Partner of Y&R Advertising, two global marketing giants. In her role for both companies, Wheaton identified the untapped marketing opportunity around sustainability and now leads a cross-disciplinary sustainability consulting practice that works with major brands to tell their sustainability story credibly and compellingly.

In this talk, Wheaton will share how many of the world’s leading brands are becoming more sustainable in their operations, their manufacturing, and in the products they make. These “Planet Brands” are leading the way to take sustainability from niche interest to a mainstream sentiment.

Wheaton will also introduce you to a rapidly growing global market of socially conscious consumers, “The Aspirationals,” who are demanding that companies be part of solving social and environment problems. And in an age of increasing transparency, The Aspirationals also want companies to talk about what they are doing: “If you do it, say it.” Wheaton’s talk will also include best case examples of companies who have told their sustainability story credibly and well.

The event is co-sponsored by the Nicholas School’s Environmental Innovation and Entrepreneurship Center, the Duke Marketing Club and the Markets & Management Studies program.

Post contributed by Jackie Reid Wachholz, director of the John W. Hartman Center for Sales, Advertising & Marketing History.

An Interview About a Duke University Pioneer

Nathaniel White, Jr was among the first five black students to attend Duke University in 1963. He was not, however, the first person in his family to attend college. His father, Nathaniel White, Sr., had attended Hampton Institute prior to founding his own printing business in Durham. In a newly-digitized interview, White, Sr. discusses his life, his memories, and his experience as a black man living in Virginia and North Carolina during the 20th century.

White’s interview is part of the Behind the Veil digital project, which has just added over 300 new interviews with North Carolinians, including many from Durham. The interviews capture details of what life was like in the Jim Crow South for African Americans. In White’s interview, he shares the story of his childhood, the black business community in Durham, and the influence of scouting on his life. Of particular interest to local researchers, he describes individuals and businesses in the Durham black community in the mid-20th century, providing deep insight into Durham’s history.

Nathaniel White, Jr., center, was a native of Durham and one of the first three African-American students to graduate in 1967.
Nathaniel White, Jr., center, was a native of Durham and one of the first three African-American students to graduate in 1967.

He also briefly discusses his son’s pioneering role at Duke. He mentions that White, Jr., had considered Hampton Institute himself, but then had the opportunity to attend Duke. His father candidly remarks in the interview, “There’s one thing about a situation like that, it’s more like the real world than some other places that you might go and everything seems like it’s alright but it’s not training you for what you’re going to meet when you get outside. It’s a real struggle out there. The sooner you learn that, the better off you might be. . . . In other words, every day he had what it’s like to be an African American citizen in this country. So he didn’t have to learn that after he graduated. He learned it every day at Duke.”

Learn more about the fascinating Behind the Veil project on Bitstreams, the blog of the digital collections department of Duke University Libraries.

Post contributed by Val Gillispie, Duke University Archivist.

Calling All Duke Student Photographers!

Duke: 175 Years of Blue Devilish Images – Student Photography Contest

Duke students are invited to celebrate the 175th anniversary of Duke University’s origins and win cash prizes at the same time!  Explore and emulate the rich images of Duke’s past found in photos from the Duke University Archives and then reinterpret them with your own contemporary vision. Categories include Academics, Athletics, Campus Scenes and Social Life.

Duke: 175 Years of Blue Devilish Images

What you need to know:

  • Who may enter: Currently-enrolled Duke students.
  • When: Contest begins Monday, February 24th and ends Sunday, March 23rd at midnight.
  • Prizes: Winning photographs in each category will receive $200. First runners-up receive $50.
  • Official contest details and rules, including the entry form.

That’s not all!

All contestants are invited to the Awards Ceremony on April 8, 2014 in the Thomas Room in Lilly Library. Winners will be announced and their photographs will be displayed in Lilly Library this spring.

The contest is sponsored by Lilly Library and the Duke University Archives.

Preserving a Cork-Covered Scrapbook

I’ll soon be meeting with Conservation staff to discuss the preservation issues surrounding a few collections I’ve cataloged recently, including this one, a scrapbook I felt I had to catalog before it absolutely fell to pieces.

rothholz cover
It is likely that Marianne “Nan” Rothholz created this unique cork cover for her scrapbook that contains 69 letters, 22 V-mails, 6 postcards, and 37 black-and-white photographs.

Nan Rothholz began this scrapbook during World War II, when she served as a member of the National Jewish Welfare Board and the Baltimore United Service Organizations (USO). She and her family hosted servicemen, generally medical professionals stationed at Fort Meade, in their Baltimore home. She became especially close to and followed 5 of the men during the final years of the war in Europe, and to me this scrapbook represents her “filing cabinet” for their V-mail, letters, photographs, postcards, and clippings, rather than a traditional scrapbook.

rothholz page
Rothholz recorded personal details about each serviceman in ink, then pasted in their related material around it. The paper in the scrapbook is of astoundingly poor quality, and breaks into pieces as the pages are turned.

Our challenge here will be how to keep related material together yet preserve the individual items, all before these brittle pages crumble to bits. Conservation staff will advise me on this, and perhaps digitization will be considered to help preserve the relationships in material that Rothholz initiated. Both the National Jewish Welfare Board and the USO commended her on her work, and our work will honor her as well.

Post contributed by Alice Poffinberger, Original Cataloger.

Fortunes Told at the Rubenstein

Did Valentine’s Day leave you with more questions than answers? Wondering who sent you that sweet Valentine? Want to know when you’ll meet your own Rapturous Codfish? Perhaps Mother Shipton’s Gipsy Fortune Teller and Dream Book can be of help.

Shipton - Cover

 

Not which of your many admirers sent you that “love token?” Get your crow quill ready and try this spell on Friday:

Valentine

 

You’ll have to wait until June to try this one – plenty of time to find a tobacco pipe full of pewter so you can augur your future husband’s career:
 
know your husband's trade

 

Did two pigeons fly around your and your darling’s heads this weekend? Or maybe a rabbit crossed your path on Saturday morning? Both good signs:
 
speedy marriage

But Mother Shipton thinks you should be careful if your love is the quiet mysterious type “given to musing and melancholy.”
 

signs to choose

Happy Valentine’s Day, My Rapturous Codfish!

Image of Leon Simon, taken from London's National Portrait Gallery.
Image of Leon Simon, taken from London’s National Portrait Gallery.

As my student assistant, Sophia Durand, began the physical processing of the 131 letters in the Leon Simon collection (1915-1916, 1918), she noticed something intriguing. Leon Simon addressed each letter to his future wife, Esther Ellen Umanski, differently. Until they made official plans to marry, she was “My Dear Nellie.” But once the date was set, Simon became creative and effusive, his word choices sometimes questionable as endearments.

Romantics everywhere tend to be sugary in their pet phrases. Simon was no different, perhaps just more over-the-top. He addressed his letters to: My essence of honeycomb, My exquisite Peach Melba, My lump of sweetness, My peachiest apricot, My succulent meringue, My belovedest mimosa, My jujubious confection, My sweet Sugar plum(p).

As you can already tell, Simon was quite fond of food and cooking. Other highlights in the letters include My stewed apricot, My eversweet parsnip, My most succulent kipper, My pickled herring (You know how I love them!), My pickledest onion (=on’y ‘n  =only one), My own dumpling, My coo (k) ing dove, My rapturous codfish, My toasted crumpet, and–my personal favorite–My incandescent soup-tureen.

Simon
Simon wrote Nellie at least once a week. On October 12, 1915, he called her “My protoplasmic cherub.”

Occasionally, Simon sought to be reassuring about his odd turns of phrase. On October 20, 1915, he wrote to Nellie, who was studying German, “My most exquisite Stumpfenbach, (Don’t worry about the meaning of this; it is a term of endearment invented for the occasion & means nothing at all except that all recognized terms of endearment are hopelessly inadequate)…” A Duke German professor says that he was unwittingly referring to a city in Bavaria.

So, if on this Valentine’s Day your terms of affection seem stale, why not borrow one coined by Simon: My adorable whelk, My kitchy-kooish boo-woo, My jokaceous blue bottle, My bilingual Scaramouche, My unique joy, My tender flamingo, My early paradise, My copious ink-pot, My imperative necessity, My darlingpetangelanddelightallrolledintoone. Perhaps you and your loved one will then share in one of his closings, a “Quintessence of hugs & kisses ad lib.”

Sheesh.

Post contributed by Alice Poffinberger, Original Cataloger.

Jefferson Davis’s Hair Revisited

One of my favorite Rubenstein collections is the C.C. Clay Papers, which document the life and times of Clement Claiborne Clay and his family. The Clays lived in Alabama in the nineteenth century, and sided with the Confederacy during the Civil War. In the war’s early years, C.C. Clay served as a Confederate States senator. His opposition to raising soldiers’ pay (it would have been too expensive!) led to his being voted out of office in 1863. Clay and Confederate States President Jefferson Davis were good friends, however — Clay was godfather to Davis’s son Joseph — and rather than send Clay back to his plantation, Davis sent him on a secret mission to Canada to spy, bribe, and generally foment rebellion. (Clay’s mission did not end up helping the C.S.A.)

Clay was in Canada from mid-1864 through early 1865. He returned to the South just in time for the Confederacy to surrender. President Lincoln was assassinated shortly after his return, and both Davis and Clay were arrested by the Federal government on suspicions of treason relating to Lincoln’s assassination. (Clay’s time in Canada looked extremely suspicious.) The men were imprisoned in Fortress Monroe, Virginia. Clay was held for about a year without being charged until finally his wife, Virginia Clay, convinced President Andrew Johnson to pardon him. (She was a cool lady. You can read her 1905 memoir here.) Davis was imprisoned until 1867 before finally being released on bail.

jefferson_davis_hair-blog
This is only a selected portion of the Davis hairball held in the Clay Papers.

What does all this backstory have to do with Jefferson Davis’s hair? Well, there are giant clumps of it in the Clay Papers, and for years we did not know why. The mystery behind the hair did not stop us from displaying it in a Perkins Library exhibit three years ago. The only clue was from an envelope, where Virginia Clay had written, “Hair of Jefferson Davis cut off in Fortress Monroe, given me by Mrs. Dr. Elva Cooper.”

Recently, in reading through the Clay Papers correspondence, I came across the letter that explains it all. Virginia Clay wrote to Elva Cooper in April 1866, days before receiving Johnson’s pardon for C.C. Clay, asking her to “do send the hair if possible as directed.” Later on in the letter, Virginia recounted the number of donations received toward Jefferson Davis’s bail, adding that “the hair will sell like wildfire + will be my contribution.”

davisCollageIt appears that the plan was for the clumps of hair to be sold to Davis supporters as souvenirs, raising money for his aid. This explanation makes a lot more sense than the various reasons we had thought up over the years. Hair tokens are not rare in manuscript collections, but the fact that the Clays had so much of it struck us as a little odd. Fortunately, the story doesn’t end there. An annotation from Ada Sterling, the editor for Virginia’s memoir, offers this extra gem:

davis3Even Davis’s contemporaries were not interested in purchasing locks of his hair! Sterling explained that as she helped write the memoir in the early 1900s, the hair was still lying in “‘mussy’ bundles, among Mrs. C’s things.”And so it now remains forever in the Rubenstein. Mystery solved!

Post contributed by Meghan Lyon, Technical Services Archivist.

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University