Category Archives: Exhibits

Woolf’s New Home

Virginia Woolf’s writing desk has been an important fixture in the library’s exhibit suite since it opened after the renovation in 2015. The standing desk with an angled writing surface was designed and commissioned by Virginia Woolf in the early 1900s and resided first in Asheham, then in Monks House. In the 1920s the desk was painted by Woolf’s nephew, Quentin Bell, and the legs were later shortened by his wife, Olivier. The plinth on which the desk now rests restores the writing surface to its original height.

Virginia Woolf writing desk positioned in the library exhibit suite

The desk has been a focal point of the Michael and Karen Stone Family Gallery, a smaller gallery space positioned at the back of the suite of three rooms. Recently, Woolf’s desk has been relocated to a more prominent home: the window alcove between Rubenstein Library’s Photography Gallery and Reading Room.

Woolf desk positioned in the reading room windowThis space is the perfect size for the desk and will allow more visitors to safely experience and learn about this important object.

Prior to moving the desk, we spent a couple of months monitoring the environment inside the alcove. We have been carefully looking at the environmental conditions inside each of the exhibit galleries for a long time, so we have a good understanding of the intervals and degree of change in temperature and relative humidity in those spaces. The Stone gallery is very stable, being positioned behind doors and the other exhibit rooms. The photography gallery experiences more fluctuations due to its proximity to exterior doors. Longtime readers may recall our 2018 experiment to monitor the environment inside frames.

We have environmental data from the center of the reading room, but none from the alcove itself. It seemed best to position one of our Onset HOBO MX1101 data loggers right at the height of the desk, rather than on the floor and I didn’t want to cause any damage to the wood paneling on the walls. The MX loggers have magnets on the back, which are extremely useful for deploying them in the stacks, but no metal surfaces are available nearby. Luckily I was able to find some plastic hooks that could be used to attach the HOBO directly to the glass.

plastic hooks with suction cups for attaching to glass

The hook pivots and, as you rotate it down into position, creates additional suction inside the cup. The manufacturer indicates these hooks can hold up to 5lbs, so they are strong enough to hold a data logger. The suction does diminish over time, however. I found that they failed after about 2 months, so I did have to reset the hook about half-way through the monitoring period.

Environmental monitors attached to glass with suction cup hooks

The MX data loggers have built in mounting loops, but they weren’t big enough to fit the end of the hook – so I created a short chain with textile tapes to put them in the right orientation. Anticipating that photo gallery visitors or researchers inside the reading room might be curious about a small device hanging on the glass, I attached small labels on either side of the data logger to explain its purpose.

After collecting environmental data for the space for several months, we were assured that the alcove was a good space for the desk to live. We hope that more visitors to the library can enjoy this important piece of literary history.

Welcome to Our New Intern Angela Nettles

We are delighted to welcome our sixth HBCU Library Alliance intern, Angela Nettles, to Duke Libraries. Angela is a rising senior at Bennett College where she is studying Africana Women’s Studies. She is also one of eight students studying preservation this summer through the University of Delware/HBCU-LA internship program. As a part of the program, she will spend four weeks with us learning everything from binding pamphlets to conducting condition surveys.

After two years of presenting this program online, it’s refreshing to have our intern onsite again. So far, this first week has been a busy one. In addition to her bi-weekly cohort meetings, Angela has dived right into work here at Perkins Library.

To start, she spent the first half of the week assisting the Exhibition Department to set up the “Mandy Carter, the Scientist of Activism” exhibit.

From left to right: Meg Brown (Head of Exhibition Services), Angela Nettles, and Yoon Kim (Senior Library Exhibition Technician) after working on the Mandy Carter exhibit
Placing case labels and adjusting exhibit lights.

As you can imagine, there was a lot to be done. Regardless, Angela was up to the many tasks at hand. From sanding the walls to setting up exhibit cases, she eagerly took part in every step of the process.

Left: Sanding the walls to prep them for the new Phototex graphics that were going up. Right: Meg Brown showing Angela how they measure light in exhibitions for preservation purposes.

Additionally, the second half of the week was spent introducing Angela to my work in the conservation lab. She learned about how we make treatment decisions for general collections, and has already started doing treatments herself.

Angela finishing her first pocket (left) and binding music scores into pamphlet binders (right).

So far she is a quick study and has already picked up how to do tip-ins, pockets, and pamphlet bindings.

Angela hit the ground running during the first week of her internship, and we have appreciated her enthusiasm to learn and try new things. We can’t wait to see what else she will accomplish during the rest of her time with us! You can read about the full cohort of interns on the HBCU-Library Alliance blog post.  You can find posts from our past interns here. 

The Banana Book Returns!

Longtime readers will remember the banana book, one of the best worst things that has come to the lab over the last 20 years. It has made its return to the Preservation Exhibit Case in our new exhibit, “SOS–Save Our Stuff: How you can help preserve library collections.” The exhibit is viewable during regular library hours on Lower Level 1, outside the Verne and Tanya Roberts Conservation Lab (Perkins 023).

The banana book is just one of several uniquely damaged items on display. Want to see what happens when you use sticky notes? Or attempt DIY book repairs? Come on down!

Our new exhibit is up!

 

This little case of horrors is a companion exhibit to “The Library Uncovered: Behind the Scenes with Collections Services in the Jerry and Bruce Chappell Family Gallery. This exhibit pulls back the curtain to show the hidden work that it takes to get library materials ready for the shelf or online.  To see more blog posts about this exhibit, please visit one of these posts.

A Tiny Press Calls for a Tiny Book

The Library Uncovered: Behind the Scenes with Collections Services

A Different Kind of Exhibit

The Library Uncovered: Behind the Scenes with Collections Services

As mentioned last week, staff in the Collections Services division have been creating a “behind the scenes” look at the work we do to get books to the shelf. The exhibit is now up! Come see a selection of the work we do to make sure the book you need is on the shelf when you need it.

The Library Uncovered: Behind the Scenes with Collections Services
Exhibit dates: December 19, 2022 – June 4, 2023
Location: The Jerry and Bruce Chappell Family Gallery
Opening reception: January 10, 2023, 3:00 pm EST (light refreshments served)

We captured a few in-process installation photos to pique your interest. The exhibit is open to the public during regular library hours.

Meg installing the wall graphics.

Archway graphics!

The animations are live!

Say hello to our little friend in the disaster case.

WHAT CAN YOU SEE IN THIS EXHIBIT? 

The cases in this exhibition highlight interesting items from the collection that represent some of the work we do:

  • Watch a slideshow to see how materials travel through Collections Services
  • Discover what languages are represented in our collections
  • See a map of where our resources come from

This exhibit is brought to you by Duke University Libraries Collections Services. The exhibit team includes:

  • Heather Baker, Metadata & Discovery Strategy
  • Sara Biondi, Monograph Acquisitions
  • Bethany Blankemeyer, Electronic Resources & Serials Acquisitions
  • Beth Doyle, Conservation Services
  • Jovana Ivezic, Conservation Services
  • Elena Feinstein, Collection Strategy & Development
  • Rich Murray, Resource Description
  • Jacquie Samples, Metadata & Discovery Strategy

The exhibit team wishes to thank:

  • Meg Brown, Exhibition Services
  • Michael Daul, Assessment and User Experience Strategy
  • Dracine Hodges, AUL for Collections Services
  • Janelle Hutchinson, Communications
  • Yoon Kim, Exhibition Services
  • Eric Monson, Center for Data and Visualization Sciences
  • Aaron Welborn, Director of Communications

A Tiny Press Calls for a Tiny Book

Over the past year, I’ve been working on an exhibit revolving around the work I do in Conservation Services and the Collection Services Division as a whole. As luck would have it, Beth has this wonderful miniature book press that fit perfectly into the display case I was in charge of designing.

But what is a book press without a book to press? With that in mind, I took this opportunity to make my first miniature book.

First, I made a tiny book block.

I left the paper longer than it needed to be so that I could weigh the pages down while I sewed it all together. Once that was done, I decided it would be nice to try and round the spine. This proved to be a bit difficult with the normal tools we use for rounding.

I felt I was more likely to just crush the entire spine with the hammer than actually round it. A Teflon folder made for a safer option for this tiny spine.

Next, I needed to trim the book block to a more appropriate size. I started to cut it with just a scalpel and a ruler, but as you can see that wasn’t really going well or looking particularly nice.

I decided instead to try to trim the book in a more traditional method. This meant placing the book block into a press and using a sharp, flat blade to cut across the pages evenly.

This was much more successful and I ended up with a nice and neat book block.

After that, I covered the spine with a Japanese tissue for strength. Then I added a textile spine lining as well as a paper lining for additional support.

Now I could make the covers, which ended up being the easiest part of this whole process.

The hardest part came next, which was casing the book block into the covers. Because the book is so tiny, it was difficult to make sure the book didn’t move out of place as I glued up the paper that would connect the book block to the covers.

I eventually managed to figure it out and put the book in a press to dry flat.

I have to say it looks a bit silly in the full-sized press.

But once it was dry, the book was done!

It certainly fits in much better with a press its own size.

You can check out this tiny press with its tiny book, along with the rest of the great displays my colleagues put together, in the exhibit The Library Uncovered: Behind the Scenes with Collection Services that is currently open to the public in the Jerry and Bruce Chappell Family Gallery in Perkins.

Quick Pic: Exhibits Incoming!

Despite the library (and campus in general) feeling very quiet and empty this past year, there has actually been a lot going on. Library exhibits are no exception and there are currently two really wonderful shows up and available by appointment in the building. Plans are already underway for bigger and more exciting events in the fall. This very large and sturdy crate containing a loan for an upcoming show just arrived this week.  Stay tuned for more details!

7th International Mountmakers Forum

One of the silver linings of business travel being suspended for the foreseeable future is that so many conferences have gone virtual this year. This has provided a number of opportunities to experience the meetings of professional groups outside my usual repertoire. This week I’ve been really enjoying the International Mountmakers Forum. The organization has been very generous to record and upload the talks to Youtube.

Mounting objects for exhibition can be very challenging, and I have learned about new materials and techniques this week that could be used in the gallery spaces in our library.

The success of virtual conferencing during that pandemic gives me hope that this kind of programming will remain available, even when the world has returned to normal. Conferences are an essential fundraising opportunity for many professional organizations, and there can be financial disincentives for the organization in making content too freely available. At the same time, there are many professionals working in cultural heritage institutions or in private practice who do not have access to funding for professional development and are cut off from the debates and interactions that happen at these meetings. I’ve been very impressed with the way our professional organizations have adapted in the last year and I look forward to continued innovation and greater inclusion using these same systems in years to come.

Loan Documentation Revisited

It’s a hard to believe, but over a year ago now I posted about our new method for documenting collection material going on loan. I’ve learned a lot about the technology in that time and would like to share some of those lessons, in case others are considering adopting the method. While the system I described back then did work well to document the necessary information on a compressed schedule, ultimately some of the tools present problems for reformatting and long-term digital storage of the reports.

In my previous post, I outlined some of the benefits of using Microsoft OneNote for generating reports:

  • Full access to the software is included in our institution’s Office 365 license.
  • It seamlessly works with other Microsoft products, like Excel, which we often use to manage collection metadata for projects.
  • Annotation of images can be done right inside the application. When off-site, it was very quick to photograph objects using the Surface Book’s camera and make drawings directly in the report.
  • Organization of pages and visually managing the workflow is easy. I applied a standard naming convention to each report and then organized them into sections based on their status within the project. Kind of like a Kanban board.

While creating and using documentation inside OneNote worked well, getting that same information out without disruption presents a bit of a problem. I think a lot of these issues stem from the way the application handles page layouts and images inside pages.

A new page defaults to an “auto” size, which is essentially a standard page width with infinite length. This allows you to create a document of whatever size you need and, at first, seems pretty great.

How finished reports look inside OneNote.

When the page is exported as a PDF or printed, the application inserts page breaks as needed. Sometimes this works out, but more often I found that the images are broken up.

That same report exported to PDF. Notice the page breaks and image shift under the annotations.

My first thought for resolving this was to set the page size as standard letter and carefully lay out the report to fit within the margins of each sheet. Surprisingly though, a “page” within OneNote can’t contain multiple “sheets”. When your report gets longer than the standard 11″  of page height, the content just starts to move off into a grey void.

A report inside a Letter-sized page, with content running off the page. Image shift also occurred when the sheet size was changed.

When you convert this page to a PDF, page breaks are inserted in the same way they would be for an “auto” sized page. I’m puzzled why the application was designed this way.

Another major problem I found was that the horizontal position of the image tends to shift slightly left when the the page is exported or printed (see examples above).  The is extremely frustrating, when you’ve taken great care to put your annotations in specific locations and I could not find a way to fix it. Unlike a lot of other Office products, the image and overlaid annotations can’t be grouped in OneNote. I have found two workarounds for this problem after the report is converted to a PDF:

  1. Luckily, the annotations remain in the same position to one another. If the image isn’t split by a page break, I was able to use Adobe Acrobat Pro DC to edit the PDF and just slide the underlying image back into place under the annotations.
  2. If the image was split by page breaks, I found it quicker to use the Snipping Tool in Windows to copy the image and annotations out of OneNote in the correct orientation and save them as a single JPG.  I would then delete the fragmented image and annotations out of the PDF report with Acrobat Pro and replace them with the snipped image.

Obviously, these workarounds come with the additional cost of an Adobe (or other PDF editor) license.

The fixed report PDF

In light of these issues, how will my approach to loan documentation change in the future? Some key aspects will remain the same. For example, the Surface Book 2 performs very well for writing the report and creating accurate image annotations. I also think the overall design of the form was good.

A major change will be to annotate images in a separate application and save them as a derivative image file. This will take some additional time to set up on the front end, but will create fewer issues further down the pipe. I have created a draft template in Adobe Photoshop, which contains my photo documentation of the item and a standard annotation key in separate layers. The automation tools within Photoshop could be used to create batches of these annotation-ready images for large numbers of loan items at once.

Photoshop template with photodoc and annotation key in separate layers.

For future loans, I will also retire Microsoft OneNote from the workflow. It is important that we be able to easily convert our documentation to PDF and print a hard copy for preservation purposes. OneNote’s export problems, particularly for annotated images, require a lot of time and effort to correct on the back end. The useful features, like check boxes and timestamps, are not an equal trade off. What software will replace it? I don’t know for certain yet, but it will definitely be a word processing application where content stays in position during printing and export! Microsoft Word will probably be fine, but we could also probably use Google Docs. I think the composing application matters less with the annotations saved in a single image file.

Behind the Scenes of “500 Years of Women’s Work”

Tomorrow is your last opportunity to visit an exhibition of select items from the Lisa Unger Baskin collection at the Grolier Club. This exhibition opened at the beginning of December 2019 and has received a great deal of attention from media outlets like The New York Times, The Washington Post, Smithsonian Magazine , and New England Public Radio (just to name a few). We have been so pleased to hear all the positive feedback and see images of the Grolier’s ground floor gallery packed with visitors.  Many of our staff put a great deal of work into making this exhibition happen, and, as we prepare to travel back to New York to pack up, I thought it would be fun to share some of the “behind the scenes” photos of installation.

The week after Thanksgiving, a team of Duke Library staff braved sleet and snow to begin our installation at the Grolier Club. We arrived to a brightly lit exhibit gallery and lot of carefully packed collection material on temporary work tables. We had five days to install five hundred years of women’s history – and it was going to be a busy week.

The Grolier Club exhibit space, filled with packed boxes.
Day 1: Head of Exhibition Services, Meg Brown, surveys the exhibit space… and the large pile of unpacked boxes.

After a short huddle and review of our work plan, we broke up into two teams and dove right in. The first team was assigned the task of unpacking all the signage and large reproduction images that would be hung at the tops of the case walls and in the gallery alcoves.

Open exhibit cases with reproduction images placed on shelves.
Senior Library Exhibition Technician, Yoon Kim, matches reproduction image panels with the proper exhibit case.

After locating each hanging piece and placing them in the appropriate exhibit case or location, the process of actually hanging began. Some objects, like the life-size reproduction suffrage banner (pictured below), required a special platform so that staff could safely access hanging hardware above the wide table case vitrines.

Grolier Club and Duke Library staff hanging a large reproduction banner
Grolier Exhibitions Assistant, Bee Hughes (left), Meg Brown (center-right), and Grolier Exhibitions Manager, Jennifer Sheehan (right) hang a large reproduction banner.

As the hanging continued, Lauren Reno, Head of Rare Materials Cataloging at Duke, and I began the process of unpacking and checking the condition of over 200 collection items that would be going on display. Each object needed to be accounted for, unwrapped, and reviewed for potential changes in condition. Last summer I wrote about our new method for documenting exhibit loans. I was able to run some small field tests last fall using the new method and computing hardware, but this was the first time it had been employed for such a large loan and with such a time crunch. The new documentation system performed very well and we were able to finish condition reporting ahead of schedule. I plan to share more about the documentation system in future blog posts.

Library materials spread out on a table.

With the hanging complete and each item unpacked and checked off, it was time to sort out the exhibit supports. Yoon Kim had spent many months fabricating the custom cradles, upright angles, or support boards needed to safely support the wide variety of collection materials. During packing, we affixed small labels printed with the item’s Aeon transaction number to the underside of each piece of the support. Using a wire frame diagram of each case layout, it was easy to assemble each book cradle and place it in the correct location inside the exhibit case.

Empty book cradles arranged in an exhibit case
Empty supports (with labels) placed inside the exhibit case.

At this point the teams converged to begin mounting each item to it’s support and installing them inside the correct exhibit case. Objects were secured to their mount using polyester or polyethylene strapping.

Books and photographs being strapped to their custom supports

While we were all working to ready the physical materials, Grolier staff were setting up the large digital display, which would rotate a gallery of images from the collection. Despite the crowd of tables and equipment on the floor of the gallery, you could really see the exhibition beginning to take shape.

Tables and equipment out in the space during installation.

Sometimes because of the weight distribution of an item, a cradle needed to be attached to the glass shelves or metal case decks. In those situations, we were able to use stacks of neodymium disc magnets to secure the cradle. The printed exhibit labels were also attached to the case backs and label rails with small magnets.

The same case after installation is complete and lighting has been adjusted. With all the items in place, we began the final step of lighting the space. Going case by case, we took light readings at each object and then added, removed, or adjusted LEDs to an appropriate level. It is such a challenge to achieve lighting that is bright enough for visitors to clearly see an object and is also appropriate for the light sensitivity media or photographic materials; however, after many rounds of review and tweaks, we were finally ready!

The Grolier Club exhibition space, ready for opening. Even though we had already exhibited this same collection of items at the Rubenstein Library in early 2019, this somehow felt like a totally different exhibit. It required a great deal of planning and preparation to travel and install a loan of this size at a partner institution and we all learned so much throughout the process. In the end, I think all that work really shows in the final product and I’m glad that we were able to contribute to the mission of our institution by sharing and bringing awareness to a small sample of the cultural heritage we look after.