Virginia Woolf’s writing desk has been an important fixture in the library’s exhibit suite since it opened after the renovation in 2015. The standing desk with an angled writing surface was designed and commissioned by Virginia Woolf in the early 1900s and resided first in Asheham, then in Monks House. In the 1920s the desk was painted by Woolf’s nephew, Quentin Bell, and the legs were later shortened by his wife, Olivier. The plinth on which the desk now rests restores the writing surface to its original height.
The desk has been a focal point of the Michael and Karen Stone Family Gallery, a smaller gallery space positioned at the back of the suite of three rooms. Recently, Woolf’s desk has been relocated to a more prominent home: the window alcove between Rubenstein Library’s Photography Gallery and Reading Room.
This space is the perfect size for the desk and will allow more visitors to safely experience and learn about this important object.
Prior to moving the desk, we spent a couple of months monitoring the environment inside the alcove. We have been carefully looking at the environmental conditions inside each of the exhibit galleries for a long time, so we have a good understanding of the intervals and degree of change in temperature and relative humidity in those spaces. The Stone gallery is very stable, being positioned behind doors and the other exhibit rooms. The photography gallery experiences more fluctuations due to its proximity to exterior doors. Longtime readers may recall our 2018 experiment to monitor the environment inside frames.
We have environmental data from the center of the reading room, but none from the alcove itself. It seemed best to position one of our Onset HOBO MX1101 data loggers right at the height of the desk, rather than on the floor and I didn’t want to cause any damage to the wood paneling on the walls. The MX loggers have magnets on the back, which are extremely useful for deploying them in the stacks, but no metal surfaces are available nearby. Luckily I was able to find some plastic hooks that could be used to attach the HOBO directly to the glass.
The hook pivots and, as you rotate it down into position, creates additional suction inside the cup. The manufacturer indicates these hooks can hold up to 5lbs, so they are strong enough to hold a data logger. The suction does diminish over time, however. I found that they failed after about 2 months, so I did have to reset the hook about half-way through the monitoring period.
The MX data loggers have built in mounting loops, but they weren’t big enough to fit the end of the hook – so I created a short chain with textile tapes to put them in the right orientation. Anticipating that photo gallery visitors or researchers inside the reading room might be curious about a small device hanging on the glass, I attached small labels on either side of the data logger to explain its purpose.
After collecting environmental data for the space for several months, we were assured that the alcove was a good space for the desk to live. We hope that more visitors to the library can enjoy this important piece of literary history.
Duke Libraries is not paid to advertise Onset products, we just really like them.
We all know how important a stable environment is for the long-term preservation of our collections. An environmental monitoring program is essential for collecting both short-term and long-trend data in critical areas of the library.
For many years now we have used Onset HOBO MX1101 dataloggers to monitor temperature and humidity conditions over long periods of time. These are bluetooth enabled, very accurate, and cost effective. We currently have about 30 of these monitors in a variety of locations around our library including our Exhibit Suite.
Last year we installed an Onset MX Gateway in the Exhibit Suite. This device allows us to look at data remotely from our desktop. It reads any HOBO within 100 feet of the Gateway, and uploads the data into the cloud. In fact, we get even more than 100 feet from our Gateway. It currently not only reads all the dataloggers in our exhibit suite, but three dataloggers outside the suite in the foyer, and three that are one level down in the Conservation and DPC labs.
Setting Up the Gateway and HOBO Dataloggers
The Gateway interface is fairly easy to use. If you set up your HOBOs correctly, assign them to groups, and are mindful of naming conventions, you can easily group related dataloggers together. This is helpful when you ask the Gateway to download reports.
Among the categories are Exhibit Cases (dataloggers inside the cases), Biddle Exhibit Suite (dataloggers in the various rooms in the suite), and the Labs (Conservation, Digital Production Center, and the Exhibits office). The Gateway allows you to set up dashboards to group similar dataloggers together.
Expanding the Monitoring Program
This summer we are expanding our exhibit monitoring to include the Onset MX2202 LUX/Temp meters. These are going inside a few exhibit cases to monitor light levels (LUX) and temperature (F). We have a couple cases near internal windows, and several outside in the library foyer. Before we got the MX2202 monitors we could only do spot readings with our Elsec light meter. We can now understand what sort of cumulative light exposure these cases get throughout the year.
Since the Gateway allows you to download the data into Excel, you can set up templates to do your data analysis. I’ve set up a template that includes the min/max/median/mode for both the LUX and temperature readings. The graph gives you a quick visual for the time period you requested in the Gateway report.
We have similar spreadsheets for the HOBOs in the Exhibit Suite that record temperature and relative humidity. We download the environmental data by month, and look to see if any trends or concerns arise. The Gateway also allows you to look at the data in real time so we can view it weekly to catch any problems.
Until we installed the Gateway we had to go upstairs and download each HOBO individually with our phone or iPad. This is so much easier and more efficient.
As part of the Rubenstein Library Renovation Project a few years ago, the Special Collections Hallway Gallery was enlarged and rebranded as the Rubenstein Photography Gallery. The 67′ by 25′ space features a different collection from the Archive of Documentary Arts every few months. Because it still functions as a primary route through the building, the gallery provides an inviting environment for visitors to experience the library’s photographic collections.
We have been monitoring the environmental conditions within the space continually since it reopened in 2015. Although the temperature stays very stable in the building throughout the year, we do see some fluctuation in the relative humidity (RH) for the gallery. In the coldest winter months, public spaces tend to become very dry because of the heating systems. The question has been lingering in our minds: what are the environmental conditions that the artwork is experiencing inside the frame? Last fall, a small working group from Conservation, Exhibitions, Preservation, and the Archive of Documentary Arts gathered to design a simple experiment to try and answer this question.
As part of this experiment, we wanted to not only measure the temperature and RH within our normal frames, but see if there was something simple we could do to buffer any changes to those conditions. While there are many options available to change the conditions inside a frame, we determined the easiest (and cheapest) option would be to seal frame contents in a relatively impermeable package.
Framed photographs in our galleries include several components inside each frame. The glazing of our frames is a UV-filtering acrylic. Beneath that is a window mat cut to the size of the artwork. The print is mounted to another piece of mat board underneath. At the back of the package is a piece of corrugated board made of white plastic (polypropylene). We hypothesized that by taping the outside edges of this “package” of material with polypropylene tape that the air exchange inside the frame could be significantly reduced and therefore reduce the change in RH. We decided to set up two identical frames for comparison, one with a sealed package and one without.
We acquired two HOBO MX2300 Temp/RH dataloggers with external sensors and I set to work fitting them into two of our standard gallery frames.
The datalogger sensor is much thicker than the art that usually goes inside one of these frames, so I had to build up the thickness of the package with several layers of mat board. I created a central stack of mat board with a window cut to fit the sensor. I chose not to use full sheets of mat board for a couple of reasons:
We have a lot of small scrap pieces already and I didn’t want to waste materials.
Frame packages typically only have one full mat board sheet and window mat inside. Adding five or more full sheets to the package seemed like a lot of additional material, which might act as added RH buffer.
The rate of change between the two frames was the important variable. As long as each package was constructed with the same quantity of material inside, we should be able to get a representative comparison.
An inkjet print with a cut mat and the glazing was placed on top of the sensor. The sensor cable was passed through a hole cut in the corrugated plastic, allowing me to mount the logger to the back of the frame. The contents were all stored in a stable 45% RH environment for several weeks before installation. With the package all together, I sealed up the outer edges as well as the hole in the plastic backing with clear tape. The sealed package was then placed inside the metal and wood frames.
We installed our sealed and unsealed experiment frames in the gallery in early December 2017, along with a new show. The frames were mounted on a small wall, next to the window to our reading room, so as to be less of a distraction from the rest of the exhibit and to be in close proximity to the data logger which monitors the gallery space.
The inkjet prints we included in each frame had a short description of the experiment so that curious patrons would understand the the purpose of their unusual positioning.
After five months, we took the frames down and compiled all the environmental data. In the graph below, the gallery conditions are marked in grey, the unsealed frame is marked in yellow, and the sealed frame is marked in blue. Temperature values are displayed on the left, while RH values are displayed on the right.
The data confirms that the space maintains temperature very well, staying right around 70 degrees Fahrenheit. The RH in the gallery space does bounce around quite a bit throughout the winter months, fluctuating between around 50% and 20%. Late January 2018 seems to have been particularly volatile.
We were very surprised at how well each frame responded to the conditions in the gallery. Even inside the unsealed frame, we see a significant smoothing out of the RH graph: the over 30 point spread of the gallery RH is reduced to around 12% change in the unsealed frame and the contents did not drop below 30% RH. The sealed frame package performed very well, with only about 6% overall RH change in 5 months.
While the methodology of this experiment does have flaws, it is an inexpensive and adaptable approach to measuring environmental conditions. We can be reassured that our normal framing practices protect prints from drastic changes, even in the most volatile months. We can also take the relatively simple and cost-effective step of sealing the frame package to provide additional protection for more sensitive materials. This experiment has raised questions of how other methods, such as sealing the frame package differently or adding pre-conditioned board, might compare. It is likely that our investigations will continue, so that we can make the best choices for our collections.
We had some torrential rain in Durham last night and early this morning staff at Lilly Library on East Campus reported water on the floor in the basement level. Facilities and Conservation Services quickly sprang into action to assess and respond to the needs of the affected collections.
Luckily no books were affected. Only some VHS tape cases and paperwork on a desk got wet, so we were able to set them out on tables with box fans and oscillating fans to dry.
A crew from AfterDisaster also quickly arrived and began removing water from the carpets, opening the bases of walls to allow the sheetrock to dry, and setting up dehumidifiers. One of the dangers to book and paper collections after flooding is elevated relative humidity (RH) for long periods of time. This can promote mold growth, so their efforts will ensure that the RH returns to normal levels quickly.
This is the second basement water event we have had in as many months, but in both cases we followed our disaster plan and our collections came through relatively unscathed. It’s great to work with such a great team!
We have two external book drops available to library patrons. The “Bostock” book drop is an aluminum box that sits under an archway between our two library buildings. It is somewhat protected from the elements by being under a stone archway and nestled against the library building. The “Drive By” book drop is a powder-coated steel box located at the back of the library near the parking lot. It sits in a sunny spot and is exposed to the elements. Last fall, a coworker in Circulation came to me with his concerns about the conditions of the books he retrieved from the external book drops. He said they often felt damp and even warm. I thought it would be interesting to put a HOBO datalogger in each of our external book drops to see what was happening inside.
Last August we put one HOBO in the Drive By book drop for a short test. I knew it was likely to be hot and humid in that box. I was eager to see the actual data. My advice? If you aren’t prepared for the truth, do not seek it. At its hottest, the Drive By box reached 131 degrees Fahrenheit. At its most humid it reached 99% rH.
That test brought up a lot of questions. Since we were moving into the cooler and drier fall and winter seasons, we decided to do a longer test during the spring semester. This January, we put a HOBO in each of the external book drops and set them to record at the same time and interval rate so we could compare them to each other.
This afternoon I downloaded the data for the past week. This week was a typical North Carolina winter week. We had low temps in the 30F’s and high temps close to 60F. There were rainy days and sunny days.
You can see that even in winter that steel box gets quite warm on sunny days. The humidity levels range from very wet to very arid. The aluminum box has its extremes, but they don’t spike as high as the steel box. It’s interesting to think about how the different metals, and the different locations, may be effecting the interior conditions.
I do not expect external book drops to have perfect preservation environments. I am, however, concerned about the extremes these environments present. I’m sharing this data with the Head of Access and Delivery Services so we can figure out what, if anything, we should recommend to the library in terms of these boxes.
I really love these HOBOs. They are easy to use and reasonably priced, and the data can be easily downloaded in a variety of ways. Henry wrote a review of these HOBOs recently if you are interested in learning more about them.
Today on the 1091 Project we bring you a weather reminder. Over the past several weeks we have had so much rain that we are out of a drought for the first time in three years. That’s a lot of rain. It didn’t come without a hitch.
You get to know your building pretty well and when it starts to rain you check the usual problem areas. During our recent downpours we had a few drips in the lab resulting, we think, from a clogged roof drain on the second floor. Of course, a few weeks ago a roof hatch was open when it rained, causing a leak on an upper floor.
Rain is just one element that we watch carefully. When the humidity levels are high in the summer or very low in winter, the air pulled into the HVAC system can affect the conditions in the stacks. We try to work with our Facilities department to mitigate the swings as much as possible within the system capabilities. Sun and wind are issues to keep an eye out for as well. We installed window shades in our exhibit space to reduce the sunlight entering the gallery. And this time of year we keep watch on hurricanes that come up the North Carolina coast that have the potential to drift inland bringing rain and damaging winds. The Duke Marine Lab Library on the eastern coast is especially vulnerable during hurricane season since it sits on a barrier island.
Of course, on a day as lovely as today you don’t think much about the problems the weather can cause for the library. Not that I’m complaining, but it is hard to return to the basement after your coffee break outside on such a glorious day.