Remembering the Tulsa Race Massacre, 100 Years Later

Post Contributed by John B. Gartrell, Director, John Hope Franklin Research Center 

From May 31-June 1, 1921, the Tulsa Race Massacre took place in the Greenwood District of Tulsa, OK. Greenwood was one of the most economically prosperous African American communities in the country and earned the name “Black Wall Street.” The events of that day were said to have been sparked by the actions of a mob comprised of White Tulsa citizens that wanted to exact “justice” on a young black teen who had allegedly assaulted a White woman; which at the time was considered an affront to the Jim Crow power structure designed to keep African Americans in Tulsa, and throughout the country, in a subservient social class. The actions of that mob resulted in the looting and burning of businesses, churches, and homes, and the death of anywhere between 100 and 300 African American residents of Tulsa. 

Among the victims during those tumultuous days was Buck Colbert Franklin, father of Dr. John Hope Franklin. Buck Franklin had relocated to Tulsa a few months prior to the massacre to grow his law practice. When the violence occurred, his offices, like so many other buildings in the Greenwood District, were burned and also delayed the arrival of his wife and children to join him in Tulsa for four years. As one the few practicing African American lawyers in the state of Oklahoma, Buck Franklin took up the lawsuits of the African American citizens as they attempted to seek insurance payments, civil and criminal settlements for the events that took place. 

Buck C. Franklin working in a tent after the Tulsa Massacre

Some of the archival legacy of the Tulsa Race Massacre can be located in the collections of the Rubenstein Library and the John Hope Franklin Research Center. The following materials document what took place and the history of community members seeking justice, reparation, and reconciliation for two of the darkest days in our country’s history:

John Hope Franklin Papers – https://archives.lib.duke.edu/catalog/franklinjohnhope 

  • Writings Series, contains a number of writings by John Hope Franklin and others on the race riots
  • Personal Series, Franklin family photographs including images of Buck Franklin
  • Service Series, contains article clippings of news stories on the riots, also materials related to a 2003 Tulsa Race Riot lawsuit, Franklin’s participation in the Tulsa Race Riots Reconciliation Committee
  • Audiovisual Series, VHS, The Greenwood Blues: The Tulsa Race War of 1921 (1983)

Thomas Dixon Jr Papers – https://archives.lib.duke.edu/catalog/dixonthomas

  • Includes a letter from Jerome Dowd reflecting on the Tulsa Race Riot

Duke Oral History Program collection – https://archives.lib.duke.edu/catalog/duohp

  • 13 interviews conducted in 1978 by Scott Ellworth for his study Death in the Promised Land: The Tulsa Race Riot, 1921 
  • Interviews with: B.E. Caruthers, Nathaniel Duckery, Robert Fairchild, Victor H. Hodge, Mozella Franklin Jones, Mr. and Mrs. I.S. Pittman, Henry Whitlow, N.C. Williams, Seymour Williams, William D. Williams

Events of the Tulsa Disaster by Mary E. Jones Parrish, 1922

Panorama of ruined Greenwood District printed in the Events of the Tulsa Disaster by Mary E. Jones Parrish

Before they Die: survivors of the Tulsa Race Riot 1921, 2008

Magic City by Jewell Parker Rhodes, 1997 [fiction]

Intergenerational Collaboration Makes History

Post contributed by John B. Gartrell, director, John Hope Franklin Research Center for African and African American History & Culture

A new initiative developed by the Student Nonviolent Coordinating Committee (SNCC) Legacy Project (SLP), the Center for Documentary Studies at Duke University, the Duke Libraries, the New Georgia Project, BYP 100, and the Ohio Voice and made possible by a $630,000 grant from The Andrew W. Mellon Foundation, aims to document how today’s activists built their social and political movements.  An understanding of the present day mobilizing of protest and political organizing will allow future generations to learn from the experience of today’s movements, their development, and how their achievements offer practical lessons in the struggle for human and civil rights.

The multi-generational project team based in the Duke University Libraries will convene and record conversations among three generations of activists—SNCC veterans of the Emmett Till generation, young people of the Trayvon Martin generation now leading the Movement for Black Lives, and the new generation of organizers mobilizing in the wake of George Floyd’s murder.

“Over the past sixty years, the idea and ideal of American Democracy has been shaped by the three groups that will participate in the intergenerational discussions,” Courtland Cox, Chair, SNCC Legacy Project. A key goal of these conversations is to pass on informational wealth, knowledge and practical guidance between and among the generations. The dialogues will also allow contemporary activists to tell the story of their movements from their own perspective. Hence the project’s name—Our Story. Our Terms: Documenting Movement Building from the Inside Out.

Group photo of SNCC and Movement Veterans
Group photo of SNCC and Movement Veterans at the SNCC Digital Gateway closing events, 2018

“We at the Center for Documentary Studies are excited to nurture this essential sharing-of-work among people who are bringing us closest to the aspirations of self-determination and democracy. It’s a privilege to take part in this project with our partners — we’re paving the way for coming generations to build without fear of losing, forgetting, or ignoring their hard-won knowledge and what Courtland so aptly calls ‘informational wealth.’” Wesley Hogan, Director, Center for Documentary Studies at Duke University

The three-year project will also partner today’s activist organizations with early career archivists who have experience working with groups underrepresented in the archives. The idea is to bring movement organizers and archivists together to use practical and digital tools so that today’s organizers can tell their own stories on their own terms and ensure that their records endure. It will also provide training for those archivists to center ethical practices rooted in respect for community driven archives and learn from movement organizers. Documenting movements that are in-progress today will also serve to inform and encourage future activists and archivists alike.

Group photo at SDG closing events
Movement veterans and young activists converse at the SNCC Digital Gateway closing events in 2018

At the conclusion of the project, a digital collection of pivotal historical materials documenting contemporary organizing efforts will be made available online. In addition, all materials generated by the Our Story Project, including the recorded conversations among activists, will be preserved and housed in the John Hope Franklin Research Center for African and African American History and Culture, part of Duke’s David M. Rubenstein Rare Book & Manuscript Library.

This isn’t the first collaboration between Duke and SNCC veterans. The Our Story Project will build on the example of the SNCC Digital Gateway, a widely used documentary website hosted by Duke that allows visitors to explore the history of the 1960s voting rights organization in detail. That groundbreaking initiative —also funded by The Mellon Foundation—brought together activists, academics, students, and archivists to create a digital history of SNCC that places the voices of SNCC veterans at its center.

Group photo of MHI
Selected members of the SNCC Digital Gateway and Our Stories, Our Terms project planning group

“The Our Story Project is an outstanding example of how libraries and archives are learning from and sharing space with communities long underrepresented at elite universities, as well as advocating for increased representation of marginalized stories in our nation’s historical record,” said Deborah Jakubs, Rita DiGiallonardo Holloway University Librarian and Vice Provost for Library Affairs at Duke, one of the project’s principal investigators. “We are grateful for The Mellon Foundation’s generous support of this important work.”

To see examples of other collaborations between Duke, the SNCC Legacy Project, the Center for Documentary Studies, and other project partners, visit our webpage.

Carl Spielvogel, 1928-2021

Post submitted by Jacqueline Reid Wachholz, Director, John W. Hartman Center for Sales, Advertising, & Marketing History

The Rubenstein Library mourns the loss of Carl Spielvogel, advertising executive, diplomat, and donor, who died April 21st.  He started his long career at the NY Times and was their six day a week advertising columnist from 1957-60.  His successful column caught the eye of many folks on Madison Avenue, but Marion Harper hired him for public relations at the ad agency McCann-Erickson in 1960, which led to a long career with that agency and its future parent company,

Interpublic, where he ultimately became vice-chairman.  He left Interpublic in 1979 and soon after partnered with Bill Backer to found a new ad agency, Backer Spielvogel.  Against all odds the startup agency quickly took off with several big clients, including Miller beer, for whom the agency coined the slogan “It’s Miller Time,” and “everything you ever wanted in a beer … and less” for its product Miller Lite.  The new agency succeeded in taking large accounts away from other agencies, but maintained its small agency advantages of flexibility and personal service.  He retired from the agency he helped found in 1994 and undertook other ventures as chairman and chief executive of United Auto Group, and later found Carl Spielvogel Enterprises, a global investment and marketing company. President Bill Clinton appointed him ambassador to Slovakia from 2000 to 2001.  A lifelong New Yorker, Spielvogel also served as board member for many corporate, civic and cultural institutions.

The Rubenstein Library’s Hartman Center for Sales, Advertising & Marketing History has the papers of Carl Spielvogel, including an oral history conducted with him in 2013.

Library Internship Open House – April 7

Date: April 7, 2021
Time: 3:00 pm ET
Location: Zoom
Register Here

Interested in archival and library work? Come learn about the internships being offered at the Rubenstein Library in Fall of 2021!

On April 7th at 3:00pm Rubenstein Library staff will be hosting an information session and open house where you can learn about the Rubenstein Library, meet the intern supervisors, get details on the internship projects, and ask questions.

The following internships available at the Rubenstein Library in the coming academic year:

  • Consumer Reports Processing Intern: The Consumer Reports Processing Intern will primarily arrange and describe archival materials held in the Consumer Reports Archives collections, part of the John W. Hartman Center for Sales, Advertising, and Marketing in the Rubenstein Library. The intern may also participate in outreach, programming, and instruction activities, depending on opportunities and the intern’s abilities and interests.
  • Josiah Charles Trent Internship: Working closely with the History of Medicine Collections, this position will provide support for public services and collection development activities of the History of Medicine.
  • Human Rights Archive, Marshall T. Meyer Intern: Working with RL Technical Services and Research Services staff, you will primarily provide support for research services, technical services, and collection development activities of the Human Rights Archive.
  • John Hope Franklin Research Center Internship: The John Hope Franklin Research Center for African and African American History and Culture seeks a reliable candidate to fill the position of Franklin Research Center intern. Working closely with the center’s director, you will provide support for public services and collection development activities. This internship provides an opportunity to work closely with the center’s collections which include rare books, personal papers and manuscripts, oral histories, audiovisual, and ephemeral materials that document the African and African Diaspora experience from the 16th century to present day.

New Collections Spotlight: The Attica Prison Uprising: “If we cannot live as people, then we will at least try to die like men”.

Post Submitted by Patrick Stawski, Human Rights Archivist

The Human Rights Archive recently purchased two historical publications documenting the Attica Prison Uprising of 1971.  The Rubenstein Library’s Technical Services/Print Materials Cataloging Section has expertly cataloged these items and they are now available for consultation in the Rubenstein reading room.

In September of 1971 inmates at Attica Correctional Facility in Attica, New York, rebelled against prison authorities and took control of the facility.  After four days of attempted negotiations the state police violently suppressed the rebellion leading to the death of 43 staff and inmates.  The Attica Uprising was a watershed moment in the on-going fight to establish respect for human rights within the penitentiary system and to recognize and reform the racist practices and policies of the criminal justice system which feed the carceral machine.  We can thus understand that Attica is a direct ancestor of social movements such as Black Lives Matter that continue this fight today. Attica: slaughter at Attica: the complete inside story is written by journalist James A. Hudson and published in 1971, soon after the uprising.  The publication begins with a quote from Attica inmate Charles Horatio Crowley who was also known as Brother Flip, “If we cannot live as people, then we will at least try to die like men.”

Attica, it is a right to rebel, Cover

Hudson then sets out to provide the details of the actual events of the uprising and oppression, including first-hand accounts from those who were there, a map of the prison grounds with key locations noted, and photographs of the rebellion, the negotiations, and the state’s attack on the inmates and the horrifying aftermath. Hudson also explores what led up to the riot, investigates if the living conditions at Attica were as inhumane as the inmates claimed, and asks readers to consider what role racism played in the state’s deadly response to the rebellion.

Attica: slaughter at Attica: the complete inside story, view of destruction inside the prison

Another newly available item is Attica, it is a right to rebel authored by the Revolutionary Student Brigade, circa 1972.  Printed in stark black and red, the pamphlet is a collaboration between the RSB, some of the Attica brothers, as well as their supporters.  The pamphlet proclaims that “ATTICA IS NOT A TRAGEDY, but a symbol of militant resistance of oppressed people against a system that tries to crush them.”  In contrast to Hudson’s journalistic tone, The RBG invokes a clear call to solidarity and action with the Attica inmates by all people involved in resisting a racist system that terrorizes Black people.  The back sheet of the pamphlet includes the 33 demands of the Attica rebels, many of which we today recognize as basic human rights, “provide adequate food and water and shelter for this group”, “allow true religious freedom”, “Apply the New York State minimum wage law to all work done by inmates. STOP SLAVE LABOR.”

Cover image, book
Attica: slaughter at Attica: the complete inside story, Cover

These new items join the Human Rights Archives extensive collections on the experiences of the incarcerated, and the impact detention and incarceration have on their families and communities.  These include the papers of Jomo Joka Omowale, one of the Attica Brothers who went on trial in the wake of the uprising, and the papers of Elizabeth Fink, a human rights lawyer who represented prisoners killed and injured during the Attica uprising.  To learn more about these collections and how to access them please visit our research guide.

Attica, it is a right to rebel, 33 Demands of the inmates

Exploring The Brown Papers

Post contributed by Amelia Verkerk, Graduate Intern, Sallie Bingham Center for Women’s History and Culture

cover of the first issue of the brown papers. Titled "moving mountains past, present and future."The Brown Papers were a series of publications written and produced by the National Institute for Women of Color (NIWC) as a platform to raise awareness and examine issues and concerns of women of color including lack of representation in politics, harmful and derogatory stereotypes, and systemic silencing of their experiences and voices. NIWC was founded as a non-profit institute in 1981 to create a national network for women of African, Alaska Native, American Indian, Asian, Hispanic, Latina, and Pacific Island heritage. NIWC started organizing annual conferences around the United States in 1982 and began publishing The Brown Papers in 1984 along with another periodical called Fact Sheets on Women of Color.

The mission of NIWC’s Brown Papers and its other projects was to create a “cross-racial/ethnic communication vehicle to identify or define issues, educate and raise awareness about those issues, and encourage coalitions and alliances to address the common concerns of mutual issues” (The Brown Papers, 23). While the NIWC organized and published The Brown Papers, the periodical was written and funded by individual contributors and outside grant organizations. The Sallie Bingham Center holds a copy of the first issue of The Brown Papers which was written by Suzanne Brooks, Aileen Hernandez, Marta Cotera, and Victoria Siu. This issue focuses on the importance of women of color in local, state, and federal offices, such as district court judges, mayors, and ambassadors. Additionally, the authors examine the significance of women holding traditionally male positions (i.e., tribal leaders, professors, business owners, etc.) because “the twin legacies of racism and sexism in the United States have had double the impact on women of color.” (The Brown Papers, 11)

The Brown Papers explores the impact of historical experiences of women of color. Contributor Marta Cotera analyzes the ways in which many matriarchal tribes were further harmed by the American white, patriarchal laws passed in the 20th century, after already facing hundreds of years of legal discrimination. These laws undermine the importance of women in these cultures which has led to the disenfranchisement of indigenous women and the Federal government refusing to recognize matriarchal tribes, both of which perpetuate the lack of proper representation of Native women. The Brown Papers provide a unique insight to these types of discussions women of color were having in the 1980s and continue to have in 2021.  Here are a few particular trenchant examples:

“Few women of color have been able to reach the pinnacle of national elective office; no woman of color has sat in the sanctum of the United States Senate; a total of six have left their mark on the House of Representatives… Their life histories are a chronicle of risk-taking, commitment, and involvement.” (The Brown Papers, 4).

“Therefore, this paper would not be complete without a look at American governmental policies that have restricted the political participation of people of color. While this effort is only a preliminary look at the tapestry of American politics in which women of color are woven, it is a look long overdue.” (The Brown Papers, 11).

“But institutionalized racism in society postponed the opportunity for women of color to reap the benefits of this victory [the passage of the Nineteenth Amendment]. Jeanette Rankin of Montana was the first woman elected to Congress (1916); but it took nearly an additional half a century for a woman of color (Patsy Mink) to achieve this goal.” (The Brown Papers, 17)

pages from first issue of The Brown Pages, discussing "The Black Experience"

Developing a Historical Biography and The Vital Importance of Black History Archives

On February 23, 2021 author Blake Hill-Saya and sponsor C. Eileen Watts-Welch discuss “Aaron McDuffie Moore, An African American Physician, Educator, and Founder of Durham’s Black Wall Street” (2020). Hill-Saya is a classical musician and creative writer. Watts-Welch was former Associate Dean of External Affairs in the School of Nursing at Duke University. The conversation was moderated by John B. Gartrell, director of the John Hope Franklin Research Center at Duke University.

Aaron McDuffie Moore was one of the nation’s most influential African American leaders in the early 20th century and a co-founder of the North Carolina Mutual Life Insurance Company and Lincoln Hospital in Durham, NC. Hill-Saya and Watts-Welch are both descendants of Moore and this project had deep personal connections. They share how their research in the NC Mutual archive (jointly held by Duke and North Carolina Central University) and the collections at Shaw University’s archives aided in illuminating his life and legacy.

This event was co-sponsored by the John Hope Franklin Research Center for African and African American History & Culture and the History of Medicine Collections in the David M. Rubenstein Rare Book & Manuscript Library at Duke University.

 

 

2020 Juan E. Méndez Book Award for Human Rights in Latin America

Post Contributed by Patrick Stawski, Archivist, Human Rights Archives 

Reagan’s Gun-Toting Nuns: The Catholic Conflict over Cold War Human Rights Policy in Central America wins 2020 Juan E. Méndez Book Award for Human Rights in Latin America

Theresa Keeley’s important and wonderfully detailed book, Reagan’s Gun-Toting Nuns: The Catholic Conflict over Cold War Human Rights Policy in Central America (Cornell University Press, 2020), is the winner of the 2020 Juan E. Méndez Book Award for Human Rights in Latin America.

This is the twelfth year of this prestigious award. The award is supported by the Duke Human Rights Center@the Franklin Humanities Institute, Duke’s Center for Latin American and Caribbean Studies, and the Human Rights Archives at the Rubenstein Rare Books and Manuscripts Library.

Reagan’s Gun-Toting Nuns is a deep dive into a formative period in human rights, Central American history, and the role of the faith community, in particular the Maryknoll order, on US policy. Keeley will accept the award via a Zoom event that is open to the public. The event will take place on March 16 from 5:30-7 pm.

The judges were unanimous in their praise. Prof. James Chappel, Hunt Assistant Professor of History at Duke University, noted that the book “tells a great story that most people, myself included, know little about. Catholicism, like human rights, is both global and local, and it takes a special kind of historian to explore it with humanity, moral passion, and archival rigor. By integrating geopolitics, theology, and gender into one beautiful narrative, Keeley does all of us a great service.”

Maria McFarland Sánchez-Moreno, currently a senior legal adviser to Human Rights Watch and a former Méndez award winner, commented that the book “covers a history about which I’ve long been curious and that has been central to US human rights policy toward Central America. It does so comprehensively, seriously, and with great care. The author did an impressive amount of research.”

Robin Kirk, chair of the judging committee and the co-director of the Duke Human Rights Center@the Franklin Humanities Institute, commented, “I learned so much from this book: about Central America, US policy, the Maryknolls, and continuing repercussions of divides within Christianity and their links to human rights. Even as an advocate in Latin America, I was unfamiliar with much of this history. So much of this framed the early development of human rights as US policy and a generation of American and European rights activists.”

When notified of the award, Keeley stated, “I am humbled to have my work recognized. At times, I struggled to find ways to convey Central Americans’ and missionaries’ experiences during the 1970s and 1980s. But it was nothing compared to what the people who lived through these difficult, and often violent, times endured. I am thankful to all of the human rights advocates, in the United States and Central America and especially the women religious, who trusted me with their stories. I hope the Méndez Award will bring recognition to them and to the greater need for the U.S. government to consider how its foreign policies affect the human rights of others.”

The judges would also like to extend congratulations to Dan Werb and his excellent City of Omens: A search for the missing women of the borderlands (Bloomsbury Publishing, 2019), our runner-up. The judges praised the book’s epidemiological approach and the richly detailed research paired with the stories of the women Werb worked with on the US-Mexico border. Werb’s text was “very compelling and human,” wrote one, “and I loved that it shed light on worlds that most readers do not know about or care to know.”

First awarded in 2008, the Méndez Human Rights Book Award honors the best current non-fiction book published in English on human rights, democracy, and social justice in contemporary Latin America. The books are evaluated by a panel of expert judges drawn from academia, journalism, human rights, and public policy circles.

For more information on the award and previous winners, see https://humanrights.fhi.duke.edu/programs/wola-duke-human-rights-award/.

What a WONDERful World

Post contributed by Josh Rubin, a first-year student at Duke University from Gaithersburg, Maryland. Rubin is majoring in biology with potential minors in chemistry and linguistics.

As a part of the MedRen Focus program this fall, I was able to participate in the Cabinet of Curiosity activity. This activity, along with Lorraine Daston’s chapter on “Marvelous Particulars” in Wonders and the order of nature, exposed me to, what I believe to be, one of the most interesting Renaissance concepts: wonder.

Heron standing by pond
Object of wonder

For this Cabinet of Curiosity activity, I was required to find an item in nature, describe it using only sensory vocabulary, and attempt to classify it based on categories I would create myself. These categories were not intended to reflect the knowledge we possess today. I was supposed to embody a Renaissance naturalist and organize what I found in nature based on characteristics from direct observation. I ended up taking a stroll through Duke Gardens with another member of my focus cluster to begin my search. It didn’t take long for us to pass the Koi pond and walk by the most elegant type of bird. We ended up staying about half an hour just to watch its behavior and actions. I decided to take a picture of it and, inevitably, it became my object for the activity. I described it as being a blueish gray color, having expandable appendages, and as something which possessed the marvelous ability to fly. If I were to have a cabinet of curiosities of my own, it would be centered around exotic creatures, with this creature in particular being classified as an aviation animal, one with the occult ability to lift itself off of earth’s bounds.

student photos of objects found in nature
Examples that students in the MedRen Focus program chose for the “Create Your Own Cabinet of Curiosity” activity.

For several interrelated reasons during the Renaissance, the distinct discipline of wonder–the careful examinations of natural marvels–provided a means of elaborating on the inquiries which developed about the unknown. The studies by Renaissance naturalists and physicians like Giovanni Dondi and Michele Savonarola explained the reasons natural marvels were able to satisfy such queries. First, it was speculated that “most marvels… derived their wonderful properties from occult properties… Second, their intrinsic fascination and charisma set them apart from mundane phenomena,” and third, the mere expansion into the New World further broadened the heterogeneity of marvels simply given their novelty (Daston 136). Thus, a “marvel” or “natural wonder” was a label for an entity with captivating, inexplicable, and unfamiliar physical and functional properties. Such a determination relied on that fact that the emergent study of wonder was empirical and collaborative. To the former, a marvel’s intrinsic properties could not have been recognized from their superficial features but had to be deduced from the senses which were viewed as infallible. To the latter, many of the mysterious properties of marvels had to be described for the first time by Europeans, requiring diverse expert knowledge to generate complex associations as a way to classify such unusual phenomena. In light of the unknown, wonder differed from traditional natural philosophy because it embraced “the emotion of wonder itself” (Daston 144). Characterized by the sense of awe, studying the marvel provided a way to comfort the limitations of the human mind and satisfy the need to regain human control of the unknown. Some additional aspects of wonder worth mentioning include its focus on diversity as opposed to universality and the notion that the people who studied the marvelous were deemed wonders themselves.

The Center for Death Penalty Litigation records: the Practical and Intellectual Lessons of Archival Processing

Post contributed by Hannah Ontiveros, Marshall T. Meyer Human Rights Archive Intern

Fall semester 2020 was an odd one, with new challenges, global uncertainty, and everyone stepping out of their comfort zones to find a way to continue learning and working. For me the semester brought unfamiliar work and novel scholarly considerations. As intern for the Human Rights Archive, I spent the semester processing an addition to the Center for Death Penalty Litigation collection. The CDPL is a Durham-based organization that handles post-conviction appeals for indigent people on Death Row in North Carolina. Their ultimate goal is death penalty abolition. Processing this collection raised productive challenges and questions, creating for me a fresh vantage point from which to consider archival practices and the study of human rights.

 

Archive Boxes on a Shelf
Center for Death Penalty Litigation Archive Boxes

The process of rehousing documents, seemingly a simple task of moving papers to a fresh, neatly labeled folder in a fresh, neatly labeled box, comes with unexpected challenges and questions. If the documents weren’t organized and separated into folders to begin with, where do they go now? How do we label folders to be succinct and descriptive for future researchers while reflecting the documents’ original use by the CDPL? What does one do when they come across, as I did, a folder containing one single piece of paper, with nothing on it but letterhead? (I kept the document alone in its folder—some future researcher might come across it and glean meaning that I can’t see.)

And then there are the photographs. Photographs need to be placed in protective Mylar coverings. This preserves the paper and ink and protects the photos from librarians’ and researchers’ hands when handling them. Again, a seemingly standard task with unexpected challenges. In the CDPL collection, the Human Rights Archives house the organization’s case files, which are expansive. CDPL keeps records from clients’ entire legal history, including their original trial and subsequent appeals, even those not argued by CDPL attorneys. The case files for George Goode, for example, include discovery from his original trial, including crime scene photos. This raised two problems: how do I process these photographs while watching out for my own mental well-being, and how do I describe these photographs for future researchers?

Some of the crime scene photos in the Goode subseries and in others (most notably, David Junior Brown) contain really graphic imagery, including substantial gore. It was very difficult to place the photos in Mylar protectors and rehouse them without looking at them. But I determined that, for the sake of my mental health I couldn’t look at them too much. So I devised for myself a simple and makeshift system of keeping photos faced away from me as much as possible, and keeping them covered with a piece of scrap paper. Having needed to glance at these images in order to process them, I knew the collection required careful description so researchers won’t come across these images without proper warning and preparation.

Center for Death Penalty Litigation File

This raised questions for me of how to describe files with sensitive information in them. We need content warnings that adequately prepare people for the content they’re about to see, but that don’t editorialize too much. Personally, I would describe some of the crime scene photos in this collection as “horrifying,” but that may not be particularly helpful to researchers. Moreover, such description may color researchers’ understanding of the case in a way that’s not productive to grasping the legal stakes at play. With advice from Tracy Jackson in the Rubenstein Library’s Technical Services Department, I opted for describing the images as graphic, and containing gore and deceased persons—at the very least, researchers will know what’s in these folders before opening them. I also opted to place the content warnings in the file and box description in the collection guide, as well as on the physical folder. My hope is that no researcher comes across the photos unaware. It is important that these images, along with the other documents in the collection, are preserved and available for use for productive research on the death penalty and human rights. But it’s also important that researchers are prepared so that their work isn’t hindered by coming across shocking imagery in the archive.

 

This processing project was also surprising to me on an intellectual level. The study of human rights is important to my own work. But the driving questions about human rights in my dissertation surround issues of global responsibility for refugees, citizenship, and discourses of deservingness. Prior to processing CDPL documents, I had not given much scholarly thought to death penalty abolition, or to criminal litigation as a method for human rights goals. But this processing project made me think about these things. It made me think about how human rights goals are strived for in criminal courts, and the boundaries and possibilities of the law as an avenue for human rights. Through CDPL documents I could see how attorneys understand their clients as whole and deserving people. I can also see how they utilize legal strategies to make whatever gains they can toward their overarching goal of stopping all executions. This is the value of this internship—it broadens my theoretical and methodological understanding of human rights as a field; and it challenges me to think outside of my existing scholarly and political human rights commitments. Ultimately this will make me a better scholar, with a greater appreciation for how documents are created and preserved, and with a more expansive understanding of the field of human rights.

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University