RIP, Andy Griffith

It’s a sad news day with the report that North Carolina-native Andy Griffith has died at age 86. Best known for his role as sheriff of the fictional Mayberry, Griffith is also a prominent figure in our AdViews Collection of vintage television commercials. Along with commercials for the Andy Griffith Show, Griffith advertised for a number of products, including Scope mouthwash, Post cereals, and Gaines dog food.

Video links available through the AdViews digital collection.

To watch Andy Griffith and his friends from Mayberry, visit the AdViews Collection portal on the Duke Library’s Digital Collections page. If you’re interested in researching Andy Griffith’s life and career, you should also visit the Southern Historical Collection at UNC, where his personal papers are housed.

Post contributed by Meghan Lyon, Technical Services Archivist in the Rubenstein Library.

The British Are Coming! The Printer is Leaving!

Among the many treasures of the Rubenstein Library is an impressive collection of nearly 3,000 historic American newspapers. As part of our major renovation project, these items along with all our collections are being physically prepared for their impending move. In the case of the newspapers, this is a particularly daunting task. Large in scale, centuries old, sometimes folded, and typically preceded, superseded, and sometimes paralleled with alternative titles, it is often difficult to know what goes together and in what order. While such changes in title and places of publication can befuddle those of us working on rehousing the collection in appropriate order, they sometimes offer remarkable clues about America’s history.

Take, for instance, the Massachusetts Spy. Begun by Isaiah Thomas in 1770, it was the first American newspaper geared toward the middle class.  While an average newspaper of the time might have 400 subscribers, Thomas grew the circulation of his paper to more than 3,500. An adamant patriot with close connections to John Hancock, Paul Revere, and other Sons of Liberty, Thomas used his paper to broadcast anti-British views and inflame the colonists to action. The British considered Thomas so dangerous that his name was on the list of twelve people to be summarily executed if captured.

The last edition we have of the Mass Spy published in Boston is issue number 217 published on March 30, 1775, less than a month before the Battle of Lexington.  Subtitled Thomas’s Boston Journal, Thomas included a version of Benjamin Franklin’s “Join or Die” cartoon in the paper’s masthead.

The paper next appears in Worchester, under a new title—The Massachusetts Spy, Or, American Oracle of Liberty—and with a new masthead—this one proclaiming in large letters “Americans!—Liberty or Death!—Join or Die!”

While changes in newspaper titles and places of publication are common, the significance of this one cannot be overstated.  With tensions rapidly escalating in Boston, and with Thomas on the British’s most wanted list, the printer waited until the last possible moment to smuggle his press and himself out of heart of the controversy and to the relative safety of Worchester, some forty miles west of Boston.  And, when he printed his first issue of the newly reconstituted paper on May 3, 1775 he deliberately changed the subtitle and masthead to reflect the nature and urgency of his message.

On the paper’s front page, Thomas gave his own account of the dramatic events that unfolded in prior weeks: “I accordingly removed my Printing Materials from Boston to this Place, and escaped myself from Boston on the memorable 19th of April, 1775, which will be remembered in future as the Anniversary of the Battle of Lexington!” He devotes much of the issue to firsthand accounts of the battle, the first published: “Americans!  Forever bear in mind the Battle of Lexington!—where British Troops, unmolested and unprovoked, wantonly, and in a most inhuman manner fired upon and killed a number of our countrymen, then robbed them of their provisions, ransacked, plundered and burnt their houses!  nor could the tears of defenceless women, some of whom were in the pains of childbirth, the cries of helpless babes, nor the prayers of old age, confined to beds of sickness, appease their thirst for blood!—or divert them from their DESIGN of MURDER and ROBBERY!”

Given the rarity of this issue with its firsthand accounts of the very first battle of the American Revolution, I was surprised to discover that there are two copies in the Rubenstein Library’s newspaper collection.  A further curiosity is that each is signed by Thomas in the lower left-hand corner.

Closer inspection reveals that the signature is photo-mechanically reproduced, a technology not available in 1775. Both our copies are in fact facsimiles reproduced from Thomas’s own copy which resides at the American Antiquarian Society in Worchester, the nation’s third oldest historical society which Thomas founded after he retired as a printer and editor. The facsimiles were most likely produced in 1876 in celebration of the country’s centennial.

The fact that our copies are facsimiles produced more than 125 years ago is fascinating in its own right, and tells us something about the history of how this country has celebrated anniversaries. I do not know yet how these two copies will be boxed and foldered with other original issues from the Mass Spy; but, I do know that our newspapers will be ready to move out of Perkins in time for the renovation — just like Thomas was ready to move out of Boston in time for the Revolution.

Post contributed by Kat Stefko, Head of the Technical Services Dept. in the Rubenstein Library.

A Fond Farewell in Photography

Karen Glynn, long-time Photography Archivist in the Archive for Documentary Arts, retires today to move to South Africa. In her honor, we present some images of travel and farewell from our digitized collections. Happy trails, Karen! We’ll miss you!

Sidney Gamble, Men in boxcar ("Travelling Fourth Class"), China, 1917-1919. From the Sidney D. Gamble Photographs.
William Gedney, South Dakota, 1966-1967. From the William Gedney Photographs and Writings.
ca. 1980s, from the Outdoor Advertising Association of America Archives.
Gary Monroe, Port-au-Prince, Haiti, 1994. From the Gary Monroe Photographs.

Haitian Children in Guantanamo

Boy with fish in Guantanamo Camp #9, ca. 1994-95. From the Americans for Immigrant Justice Records.

We recently completed processing the Americans for Immigrant Justice (AIJ) Records. Formerly the Florida Immigrant Advocacy Center (FIAC), AIJ is a not-for profit legal organization that advocates on behalf of immigrants and refugees, including those being held at various detention centers, such as Guantanamo, Krome and Turner Guilford Knight. The majority of the material in this collection deals with the Haitian refugee population in Florida. Two aspects of this collection struck me. First, while this collection contains material that addresses the Haitian refugee crises from a broader political and historical perspective, it is notable for the quantity of material it contains that focuses on the stories and testimonies of individual refugees, in their own words, in documents such as affidavits and correspondence.

The second aspect of this collection that struck me as particularly interesting is the amount of material it contains on children – child refugees and detainees, children seeking asylum, children stranded in Haiti, and especially unaccompanied minors. As I became more familiar with this collection, I became especially interested in the detained child as both a fact and an idea. Sifting through accounts both by and about children of their emotional, mental, and physical experiences in detention, I began to wonder how the search for asylum and subsequent detention is conceived of by children.

The reason why this subject fascinated me is because of the strong incongruity in the idea of the child, on the one hand, and the idea of imprisonment of any kind, on the other, an incongruity that suggested to me that accounts of children in detention might uniquely illuminate how we think about detention and refuge. We often associate children with places of refuge, with a powerful need for and unique faculty to find or construct places of refuge. One example of this faculty is play. As I looked through photographs of and read testimony by children detained at Guantanamo, I began to wonder what place “play” has in detention, in homelessness, and in lack of refuge.

Boy holding guitar in Guantanamo Camp #9, ca. 1994-95. From the Americans for Immigrant Justice Records.

The subset of documents about which I am writing are dated from around the early and mid-1990s, during and following the campaign of terror against Aristide supporters. One must bear in mind that the majority of Haitian refugees held at Guantanamo at this time were forcibly returned to Haiti where their lives were imperiled (5,000 Aristide supporters were estimated to be killed in 1993). In fact, many of the children detained at Guantanamo were unaccompanied for precisely this reason – their parents or caretakers had been killed in Haiti during this period. As the AIJ Records reveal, many of these children, upon repatriation, were thus compelled to eke out a living on the streets.

So, how does the child reconfigure the way we conceive of detention? Three photographs from the Photographic Materials Series caught my attention. After I selected them, I asked myself why I had been drawn to them, and I realized that in each, a child or children were holding some kind of object – a fish, makeshift drums, a guitar.

I considered these photographs against the written testimony about and by children detained at Guantanamo (information packets, emergency action requests related to medical conditions, correspondence, affidavits, reports, etc.). The written documentation described abuses, including rape, that were committed at Guantanamo against women and children. Child detainees, not surprisingly, wrote of their desperation and depression (their own words), and observers of these children offered similar accounts. Yet, these children not only subsist at Guantanamo but also, as the photographs above communicate, find ways to play. It is not difficult to perceive a form of resistance in their play, in their insistence upon occupying places that we cannot envision as inhabitable. I was likewise captivated by the photographs in which children are holding objects because they seem to me to manifest the construction of places of refuge within displacement and dispossession. The subjects in these photographs seek asylum in the objects themselves. There is something about gripping an object, possessing that object, that also solidifies the reality of oneself – and this in a place in which that very reality is relentlessly objected to – in abuse, obscurity, neglect, remaining unheard.

Boys playing drums in Guantanamo Camp #9, ca. 1994-95. From the Americans for Immigrant Justice Records.

Post contributed by Clare Callahan, graduate student assistant in Rubenstein Technical Services and the Human Rights Archive.

Digitizing the LCRM: Update #2

We’re going to start our second update on Duke’s participation in the CCC Project with exciting news: the first three CCC-digitized collections are now available online!  You can now find digitized content directly through each collection’s finding aid.  Take a minute and check out the digitized portions of the Basil Lee Whitener Papers, the Rencher Nicholas Harris Papers, and the Women-in-Action for the Prevention of Violence and Its Causes Records.

This month, we feature an item from the Basil Lee Whitener Papers. Whitener was a Democratic Congressman representing Mecklenburg County (N.C.) from 1957 through 1968. Like many other Democrats from the South (who collectively became known as “Dixiecrats”), Whitener was a vehement opponent of integration and any federal action intended to address civil rights issues.

His papers contain a great deal of correspondence, speeches, bills, and other materials that reflect both the views of constituents regarding civil rights and how he acted in the House of Representatives to try to derail reform-minded legislation.

Whitener’s opposition was firm, but such groups as the NAACP and the North Carolina Baptist Student Union sent telegrams and letters to the Congressman arguing for strong civil rights legislation. Knowing that these efforts fell on deaf ears, who then actually lobbied against civil rights legislation? The answer is the NRA . . . but not that NRA. The organization in question is the National Restaurant Association; the letter that their representative Ira Nunn sent to Whitener in opposition to what would become the Civil Rights Act of 1964 is presented below.

Letter, Ira H. Nunn of the National Restaurant Association to Basil Lee Whitener, November 1, 1963. From the Basil Lee Whitener Papers. (Click to enlarge.)

The given reason for the NRA’s opposition to H.R. 7152 was that its proposals “can only result in the diminution of free enterprise and of the rights and freedoms of all citizens.” Decode this political jargon and you will see that the NRA disapproved of the proposed ability of the federal government to mandate the integration of all public dining spaces.

Instead, the NRA offered the solution of voluntary integration. In his letter, Nunn claimed that voluntary integration had been a “widespread success.” While Nunn’s claim was literally true insofar as a certain percentage of restaurant owners had chosen to integrate their establishments voluntarily, the spirit of the argument is false. Restaurateurs were not en masse choosing to integrate their establishments, especially in the South. For example, only forty percent of businesses in Greensboro were integrated by the end of 1963. Nationally, out of a possible 60,000 districts where mandated integration could have existed, only 1,000 had integrated facilities. It is understandable that Nunn would like to present his industry as reform-minded while preserving laissez-faire standards, but the historical reality does not corroborate his argument.

Why would Nunn and restaurateurs more broadly oppose civil rights reform? While a culture of segregation may have contributed to the NRA’s opposition, it is much more likely that members of the NRA feared the potential loss of business that forced integration would entail, especially in the South. Therefore, at its core, the NRA’s argument against integration was primarily economic rather than cultural or social, making it stand out from most anti-integration documentation from the early 1960s. Furthermore, in an ironic twist given Whitener’s role as a representative of North Carolina, it is probable that the NRA’s economic argument was in part inspired by the events of the 1960 Greensboro Sit-In and subsequent protests across the South. In fact, such protests provided strong evidence of the social role of restaurants and the necessity for integrating their dining counters, even if the members NRA could only see the possibility of losing customers and profit.

The grant-funded CCC Project is designed to digitize selected manuscripts and photographs relating to the long civil rights movement. For more information on this project, including updates on the progress of digitization, please check out the CCC website. As part of the outreach efforts of the CCC Project, monthly blog posts to The Devil’s Tale will provide updates on the latest Rubenstein Library collections to be digitized for the project. Stay tuned!

Post contributed by Josh Hager, CCC Graduate Assistant.

Wooshes, Whistles, Crowd Roars, and Seal Screams

"Footage of Ocean" Reel from the Freewater Films CollectionThe name Freewater Films is perhaps best known for the film series it puts on in the Bryan Center. But in addition to these screenings, it is also responsible for providing workshops and support for amateur film-making by Duke students and community members.

The origins of Freewater Productions Films can be traced to 1969, when the Mary Duke Biddle Foundation gave funds for students from the Duke University Union Visual Arts Committee to make a 16mm film. In November 1970, several students produced an original film (called Dying), using a 16mm Bolex camera borrowed from the Union. Described by the maker as “a woman’s surrealistic encounter on an island,” Dying went on to win first prize at the Association of College Unions’ 1971 International Film Festival.

Over the years, Duke students produced a number of cutting-edge films under the auspices of Freewater, ranging from documentaries on urban Durham to science fiction and horror films set in the Duke Hospital. (The 1984 film A Medical Scutwolf in Durham tells the story of a doctor who becomes a werewolf.)

Sound Effects Reels from the Freewater Films CollectionSaved in a variety of formats—including DVDs, VHS, Betamax, and 16 mm film—the Freewater Productions Films archives are now housed at Duke University Archives. They have recently been arranged in order by date, format, and title. In some cases, “unofficial” titles had to suffice, as in the reel titled “Footage of Ocean,” pictured above. Those that arrived in rusty cans or unstable cardboard boxes were transferred to archival plastic “cans.”

Pictured at left is a group of 21 sound effects from the collection, labeled as: “wooshes, whistles, crowd roars, and seal screams.”

We’re looking forward to the day when these historic films may be screened again!

Post contributed by Jessica Wood, William E. King intern for the 2011-2012 academic year.

Feminism beyond Borders

Date: Thursday, June 21, 2012
Time: 12:00 PM
Location: Breedlove Room, Perkins Library
Contact Information: Kelly Wooten, 919-660-5967 or kelly.wooten(at)duke.edu

International Women's Day PosterPlease join the staff of the Sallie Bingham Center for Women’s History and Culture for a lunchtime talk by Jessica Lancia, Ph.D. candidate at the University of Florida (and Duke alum!).

She will speak about her research for her dissertation topic, Borderless Feminisms: A Transnational History of the U.S. Women’s Movement, 1967-1985, using a variety of collections from the Bingham Center. Lancia is a Mary Lily Research Grant recipient.

Please bring your own lunch. Drinks and cookies will be provided.

Post contributed by Kelly Wooten, Research Services and Collection Development Librarian for the Bingham Center.

Doodle-Bug-Dumplings

This weekend, many folks will celebrate Father’s Day.  I recently processed the personal papers of A. Hollis Edens, Duke President from 1949-1960, and was left teary-eyed by letters written between him and his only child, Mary Ann.  The letters demonstrate such a strong father-daughter bond and provide insight into a closeness that spanned into her adulthood.  So, in honor of the fathers out there and in memory of those who are no longer with us, please enjoy the following exchange between President Edens and his “Doodle-bug-dumplings.”

Click images to enlarge!

Mary Ann Eden’s letter (dated August 6, 1945)
“Since you’ve been gone I’ve prayed every night in the hopes that God will keep you safe and sound and bring you back soon.” Mary Ann Eden’s letter, page 1.
Mary Ann Eden’s letter (dated August 6, 1945)
Mary Ann Eden’s letter, page 2
Eden's letter
“Honey, I want to tell you it helps a lot to have my little girl pray for me.” President Eden’s Letter, page 1.
President Eden’s letter, page 2.
President Eden’s letter, page 2.

Post contributed by Kim Sims, Technical Services Archivist for the Duke University Archives.

Syriac Books and Manuscripts!

Lumodo suryoyo
Annotated catalog of exhibition for Sixth North American Syriac Symposium, held at Duke University, 26-29 June 2011

The Rubenstein Library is pleased to announce that we’ve digitized a wonderful publication written by  Duke’s very own Maria Doerfler, Emanuel Fiano, and Lucas Van Rompay. The publication features erudite bibliographic descriptions of several Syriac manuscripts and books from the Rubenstein collections, accompanied by photographic illustrations. The work is an annotated catalog from an exhibition assembled for the Sixth North American Syriac Symposium, held at Duke University, 26-29 June 2011.

We’re grateful to the authors for allowing the book to be published on the Internet Archive! It will surely be a treasure for scholars worldwide.

Fascinating Finds in the Stacks: Oversize Gems

Preparing our oversize manuscripts for the upcoming renovation means spending lots of time in a corner of the stacks, pulling folder after folder out of our oversize cabinets and trying to prepare these giant documents and photographs to be moved in a few months. “Oversize” is a term that archivists use to refer to things that are bigger than legal- or letter-sized paper. At Duke, our oversize documents range in dimensions from 11×14 all the way up to 40×50 inches in width and height. (We have things in our collections that are even bigger, but their move prep is a different process.)

The oversize cabinets have been used to house collections for decades, and there are hundreds of folders in each cabinet. It’s challenging work, but also fascinating to spend time with manuscripts and photographs that we’ve never had a chance to see in our years of working at Duke. (Usually, as Technical Services archivists, we work with new or unprocessed collections; most of the oversize cabinet collections are very old and were processed a long time ago.) There are so many wonderful collections in the Rubenstein, there’s no way that we would normally have the time to poke through them all — except now we get to, because we have to check them over for the renovation. Here are our favorite “new to us” discoveries from our oversize stack work. This project will be ongoing for the next several months, so more photos to come as we keep digging!

J.B. Duke and Directors of the Aluminum Company of America, 1925
This huge panoramic photo features J.B. Duke and his fellow directors of the Aluminum Company of America in July 1925. From the George Garland Allen Papers.
Here's a close-up of J.B. Duke, with his trademark cigar. This photograph was taken shortly before his death in October 1925.
Civil War vetaran Randall B. Williams poses with his memorabilia in 1924.
Civil War veteran Randall B. Williams, from Maine, poses with all his Civil War memorabilia for a 1924 reunion photograph. He was 80 years old at the time. From the John Mead Gould Papers.
Fred Chappell acrostic poem
Not everything we find is old: Students presented poet and author Fred Chappell with this acrostic poem after his visit to their classroom. From the Fred Chappell Papers.
There is a penciled caption at the top that reads, "This was dropped from an Airplane in Durham N.C. about June 11, 1919. The plane passed over my home, and it was the first one I ever saw! -- Mrs. Angier." From the John Cicero Angier Papers.

Post contributed by Mary Samouelian and Meghan Lyon, archivists in Rubenstein Technical Services.

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University