Category Archives: Featured

In Memoriam: Terry Allan Murray, 1953-2025

Terry Murray

The Rubenstein Library mourns the loss of Terry Allan Murray, who passed away on August 7, 2025. Terry was born in Durham, where he would reside his entire life alongside his brother, Edwin. Terry was from a family with strong Duke connections. His father, Lee H. Murray, worked at Duke, and his uncle was famed football coach Wallace Wade. Terry and his brother Edwin both attended Duke in the 1970s.  

Terry and Edwin began collecting comic books as boys in the 1950s and eventually assembled one of the largest archival comics collections in the United States, including more than 57,000 comic books. In time this grew to include thousands of fanzines, comic strips, original comic art, pulp magazines, card sets, science fiction, as well as role-playing and board games. In 2002, they donated the major portion of their collection to the Rubenstein Rare Book & Manuscript Library, and they have continued to make additions in the years since. 

Terry was a dedicated collector and brought a methodological focus to his work. Armed with reference books, reviews, and annual top 10 lists, he was intentional about his collecting. At the same time, Terry never lost sight of why comics are fun. He was as much a reader interested in authors, characters, and stories, and would often collect related materials across different genres, from comics to games to fiction. In 1999, McFarland published Terry’s Science Fiction Magazine Story Index, 1926 – 1995, the result of many years of work. In the introduction, Terry writes about how this came out of his own interests in science fiction and how he hoped that this work would serve as a tool for readers, collectors, and scholars. 

Terry, at one of the mini-cons hosted at his home in Durham

In addition to being an avid reader of comic books and science fiction, Terry was also a dedicated fan. In 1968, he and Edwin began hosting the Durham mini-cons – likely the earliest fan conventions in North Carolina. Their personal papers in the Rubenstein Library include photographs of these events held at their Durham home, as well as issues of their fanzine Vertigo. Sharing collections and bringing fans together were part of Terry’s ongoing interests. 

At the Rubenstein Library, the Edwin and Terry Murray collections remain popular with researchers and students. Recent classes that have used parts of the collection have included: “Games and Culture,” “Cold War America,” “US History in Fact and Fiction,” and “Fantasy: The Borders of Genre, Medium, and Culture.” Some of their comics are currently on display as part of the library exhibit American Indians Go Graphic, exploring comic books and graphic novels by and about Native Americans. We are grateful for our long collaboration with Terry and for the legacy that he leaves. His collections will continue to be shared and bring people together. 

Terry Murray was a loving son and a devoted brother and friend. He is survived by his brother, Edwin. 

Podcast “Inside Kabul” Wins 2025 Rubenstein Library Human Rights Digital Storytelling Award

The 2025 Human Rights Digital Storytelling Award, presented by the Rubenstein Rare Book & Manuscript Library at Duke University, has been awarded to the podcast Inside Kabul.

Produced and originally broadcast by FRANCE INTER (French Public Radio) Inside Kabul was created and directed by Caroline Gillet in collaboration with Marwa and Raha. Inside Kabul tells the story of two young friends whose lives were upended when the Taliban returned to power in Afghanistan in the summer of 2021. As they faced an increasingly dangerous present and an uncertain future, Raha and Marwa exchanged and recorded hundreds of voice notes via WhatsApp with Gillet, a noted French journalist.

These recordings became the heart of the podcast, offering a raw, intimate, and immediate documentation of displacement. As the podcast describes:

“What emerges is a raw and incredibly intimate chronicle of two young women coming of age amidst the collapse of the world they had known. While Raha has chosen to stay in Kabul and is confronted with the violence of the new regime, Marwa has left and finds herself locked up in a refugee camp in Abu Dhabi.”

According to Caroline Gillet:

“Raha and Marwa showed immense courage when they accepted to document their lives under Taliban rule and leaving into exile. Their voice diaries are a powerful testimony of how life changed both for those who chose to leave and those who had to stay after the dramatic events of August 2021. New technologies can sometimes create unexpected proximity, and many people in Europe and in the States told me how close they felt to Raha and Marwa after hearing them. I’m very thankful that through this award, more people can get to know them and the terrible suffering of Afghan women under the terrorist rule of the Taliban.”

Patrick Stawski, Human Rights Archivist at Duke, said:

“Inside Kabul powerfully shows how audio technologies can serve to document, connect, and hope. We are intimately connected to Raha and Marwa’s stories through their voices and the sonic elements of their journey: falling rain at a refugee camp, the crinkle of a food ration wrapper, the sounds of a Taliban security checkpoint.”

Caitlin Margaret Kelly, Curator for the Archive of Documentary Arts, added:

“Being immersed in Raha and Marwa’s unedited audio diaries is to be invited into their lives in ways that bypass the usual narrative arc. In listening to the recordings, our pace is set by the two young women, and our view of unfolding events is powerfully constructed through their experiences.”

Image from Inside Kaboul animated short, by Luciano Lepinay based on works by Kubra Khademi.

In addition to the podcast, Caroline, Marwa, and Raha continue to use the audio diaries to tell their evolving story of displacement and rebuilding. A second season of the show, titled Outside Kabul, is now available in English on France Inter’s YouTube channel. In 2023, they partnered with Denis Walgenwitz to produce an animated short also titled Inside Kabul and are now working on an animated adaption of Outside Kabul.  In 2025, they collaborated with Afghan performance artist Kubra Khademi to produce One’s Own Room: Inside Kabul, an immersive installation presented at the 2025 Festival d’Avignon.

Marwa, one of the three collaborators behind Inside Kabul, said:

“I began exchanging with Caroline and recording sound notes with the hope of being a voice for the people of Afghanistan—especially for women like myself who were deprived of their freedom and rights after the Taliban took over the country in August 2021. Today, Inside Kabul is part of my identity as an advocate for our rights. It is our way of resisting—of standing against this regime and the erasure of Afghan women, and against the gender apartheid in Afghanistan. This award is deeply meaningful to me, as it ensures that our voices will be preserved and accessible to researchers who can shed light on the reality of women’s lives under the Taliban’s terrorist regime.”

The Rubenstein Library’s Human Rights Digital Storytelling Award is co-sponsored by the Human Rights Archive and the Archive of Documentary Arts. It supports outstanding documentary artists and activists exploring themes of human rights and social justice. The award aims to expand the library’s digital documentary holdings while ensuring long-term preservation and access.

The award honors projects that transcend simple information sharing. It celebrates digital storytellers who create deeply contextualized, multi-sensory works that may include still images, moving images, oral histories, soundscapes, and documentary writing.

Winners receive $3,500 and are invited to present their work at Duke University, where they collaborate with archivists to preserve their materials.

The David M. Rubenstein Rare Book & Manuscript Library has a longstanding commitment to human rights and the documentary arts. Its collections represent the work of global creators and document the power of documentary to inspire action and transform the world.

A Black August Booklist, But Make it SNCCY!

Submitted by Mattison H. Bond, Movement History Initiative Coordinator

February is traditionally associated as the month in which we focus on the history and achievements of African Americans within the United States. But as information becomes more accessible and widespread more people have realized that Black history cannot be contained within a single month, and August is just as important a month for the Black community as February is.

What is Black August?

The origins of Black August began during the later end of the Black liberation movement, during the 1960s and 70s. As the nonviolent, peaceful mobilizations of the Civil Rights Movement began to transform into the direct-action campaigns of the Black Power Movement (sparked by SNCC’s Stokely Carmichael one hot night in Greenwood, MS, nearing the end of the Meredith March for Freedom), the formation of the nascent Black Panther Party come to the forefront of the movement bringing with them renewed energies toward self-sustainability and revolutionary theories and practices.

George Jackson, revolutionary and member of the Black Panther Party became a symbol of resistance while in prison. Incarcerated at a young age in 1961, Jackson was exposed to radical liberation politics by fellow inmates. Emboldened by this philosophy , he and his comrades dedicated themselves to organizing within the prison system, leading study groups and even starting a chapter of the Black Panther Party within the San Quentin Prison.

It was in 1971, a year after the killing of his brother, Jonathan, and other political prisoners, that George Jackson was assassinated by a prison guard within Soledad Prison. The death of these two brothers, along with the death of other political prisoners sparked widespread organizing and advocacy within the prison system.

Black August was celebrated for the first time in 1979 within San Quentin prison, where George Jackson and his comrades breathed their last breath. In remembrance of their lives and the decade of the liberation struggle within prisons, a moment of connection to centuries of Black resistance that served as a precedent, Black August came to symbolize a broader struggle for liberation and justice, particularly in response to enduring racial and social inequities.

How Can You Participate?

When Black August was first celebrated within the walls of the California San Quentin prison, prisoners in solidarity wore black armbands on their left arms and dedicated time to study books about revolutions and liberation, specifically focusing on the writings of George Jackson. In that same spirit, Black August continues to be a month of remembrance, education, and meditation toward the fight for liberation. During the month, celebrators dedicate their time to “study, fast, train, [and] fight.”

A Black August Booklist, But Make it SNCCY!

With an emphasis on STUDY here are some books written by members of the Student Nonviolent Coordinating Committee of the 1960s. Dedicated to the liberation of all people by means of impowering local people and communities, with education and nonviolent/political training, there is much to be learned about the fight for liberation between the pages of these featured books.

“This Nonviolent Stuff will Get you Killed”
by Charlie Cobb
“The Making of Black Revolutionaries”
by James Forman
“Hands on the Freedom Plow”
Editor Judy Richardson
“Ready for Revolution”
by Stokely Carmichael
“I’ve Got the Light of Freedom: The Organizing Tradition and the Mississippi Freedom Struggle”
by Charles Payne
“The Courage to Hope: How I Stood Up to the Politics of Fear”
by Shirley Sherrod

 

 

Want to read more from the veterans of the Student Nonviolent Coordinating Committee? Check out the SNCC 60th Anniversary program agenda[SNCC-Agenda-v6.pdf] (start on p. 27) for more books by SNCC veterans.

And for a deeper context, check out the “Meet the Authors: A Legacy of Excellence in SNCC Literature – 19 Authors, 1 Movement” [Meet the Authors of the SNCC 60th Anniversary Conference – SNCC Legacy Project] videos, where 19 authors gather for one-on-one interviews to talk about their experiences within organizing that lead to their written materials.

In Memoriam: Sallie Bingham, 1937-2025

The Rubenstein Library experienced a deep loss on August 6, 2025, when author and activist Sallie Bingham passed. Enormously thoughtful and kind, Bingham was steadfastly dedicated to the groups and causes she cared about, especially women and girls, LGBTQIA communities, artists and writers, land conservation, and special collections and cultural heritage work. A renowned author, playwright, poet, teacher, and feminist activist, Bingham was deeply committed to the power of the written word and the importance of creating organizations that address social issues and promote well-being. Her death was marked by tributes in the New York Times, the Louisville Courier-Journal, and other news outlets.

Sallie Bingham giving a talk in 2009, in the Duke Libraries. Bingham visited the Libraries often to engage with our communities. Photo credit: Eleanor Mills.

Bingham published her first short story in The New Yorker in 1959 and went on to write numerous novels, short story collections, memoirs, and plays. Her fiction often explored the inner lives of women, the weight of family legacy, and the constraints of Southern tradition. With clarity and courage, she brought attention to the power dynamics of gender and class, always centering women’s experiences. Bingham has been praised by critics for her “beautiful language,” “poetic ear” and “precise and observant eye.” In addition to her work as a writer, Bingham worked as a book editor for The Courier-Journal in Louisville, Kentucky, a director of the National Book Critics Circle, and a longtime contributor to the Women’s Project & Productions theater company in New York.

In 1985, Bingham founded the Kentucky Foundation for Women, a groundbreaking organization that promotes positive social change by supporting varied feminist expression in the arts. Bingham’s commitment to preserving and uplifting women’s voices also led to the creation of a women’s history archive at Duke University. In 1988 she endowed a position in what is now known as the David M. Rubenstein Rare Book & Manuscript Library to coordinate acquisitions, cataloguing, reference, and outreach activities related to materials documenting women and gender. What started out as the work of a single archivist grew into a permanently endowed center within the library, which in 1999 was formally named the Sallie Bingham Center for Women’s History and Culture in her honor. Since then, the Bingham Center has grown into one of the foremost repositories of its kind, dedicated to acquiring, preserving, and providing access to published and unpublished materials that reflect the public and private lives of women throughout history.

We are deeply grateful for Sallie Bingham’s generous support and gracious care, and we offer our sincere condolences to her many friends and family. As we mourn her loss, we also celebrate her remarkable life spent in service of truth, community building, and the creative spirit. We are proud to bear her name and carry on the important work she started so many years ago. In one of her last social media posts Bingham declared that “Our wisdom outlasts kingdoms and democracies and tyrannies. It is for all places, all people, and all times.”

The Complicated Legacies of the North Carolina Mutual Life Insurance Company

Post contributed by Michael Ortiz-Castro, PhD, Lecturer, Department of History, Bentley University. Micheal was a recipient of the John Hope Franklin Research Center Travel Grant & Elon Clark History of Medicine Travel Grant. 

Life insurance seems, perhaps, like one of the duller aspects of adulthood. For late 19th century Americans, life insurance represented and marshalled a number of concerns and anxieties about value, life, and community. Coming to force in the mid to late 1800s, life insurance—acquiring it, maintaining it, using it, and its meaning—all intertwined with questions about race, nation, and community—not surprising given that life insurance dealt with some of the most intimate aspects of individuals’ lives—their health, the health of their families, and the economic and social wellbeing.

As a historian of citizenship, my research discusses the history of life insurance as part of a broader analysis of the transformation of ideas of citizenship in the wake of the civil war. My book project, presently titled Acts of Citizenship: Belonging and Biology in Post-Reconstruction America, discusses life insurance in the context of the language companies used to sell policies to Americans, how folks in and outside the industry discussed the business of calculating the value of human lives, and the industry’s associated practices. These practices had a vision of citizenship yoked to ideas of biology and racial purity and helped shape the culture of life insurance—which would come to center round keywords like race, family, and citizen. At its intellectual heart was a project of racial differentiation, materialized in Irving Hoffman’s “Race Traits and Tendencies of the American Negro”. Written in his capacity as Statistician for the Prudential Life Insurance Company, the tract used mortality rates to not only advocate for denying insurance policies to black Americans, but to popularize the “extinction thesis”, a theory that black Americans were simply biologically unfit for equality.

What did black Americans make of this evolving discourse? With the generous support of the History of Medicine Collections and the John Hope Franklin Research Center at the Rubenstein Library, I began to answer this question by consulting the records of the North Carolina Mutual Life Insurance Company, the largest black-owned life insurance company in the nation. Their records highlight the complicated place of black life insurance companies in the economic landscape; they highlight the complicated ways in which black Americans sought to both prove their fitness for citizenship and resist the terms that condemned death to permanent exclusion.

**

Black life insurance companies like North Carolina Mutual grew in a lacuna. The first black insurance companies came up to help black Americans cover funeral costs; North Carolina Mutual marketed itself as a life-oriented project; like other life insurance companies, the stated goal of North Carolina Mutual was to “help Negroes … accumulate … a fortune in life”, to make burial insurance unnecessary. Though life insurance companies faced significant headwinds in their early days due to the perceived sacrilege of putting a value to human life, they participated in and benefitted from a cultural transformation that saw it worthwhile to invest in one’s own life.

North Carolina Mutual’s insistence that black lives could yield value for the user was complicated for two reasons. The first reason was that, according to white insurers, black lives were too risky to include in the risk pool—better to keep them out, for no value or benefit could be generated for the community. In constructing their own risk pool, North Carolina Mutual posited a different vision of the community. However, the notion that black lives could yield value for their owner drew eerie parallels to the slave insurance policies of the antebellum era—it had been commonplace for owners to ensure the lives of their slaves and receive payment in the case of death. In attempting to both affirm and challenge the prevailing association between value, appreciation, and race, North Carolina Mutual affirmed that black lives were appreciable assets—and could be a boon when that wealth was owned by the individual themselves. This logic seems to have been a motivating factor for other black-owned business companies—for example, as seen below, the Atlanta Life Insurance Company similarly sold its mission as “a dream to develop economic independence” among black Americans.

North Carolina Mutual insisted on more than just that black lives could be considered appreciable assets. At the heart of their industry was the assumption that black lives were insurable to begin with—that is to say, a good risk. To do so, it had to assert that black lives were not, say, any riskier than white customers. One bulletin from Clyde Donnell, the Medical Director, makes the logic clear. An excerpt of the document, which discussed tuberculosis mortality rates among black Americans, can be seen below. Below that, you can see another piece, also written by Donnell, which discusses the issue of finding enough black Americans to ensure.

The doctor’s argument in both documents once more ambivalently positions black American’s health to that of their white counterparts. White insurance executives, like Hoffman, argued that high mortality rates across diseases between black and white Americans was indicative of innate biological inferiority. Black intellectuals like W.E.B. DuBois often tried to argue that these disparities were the result of racist measurements and biases; in his magisterial The Health and Physique of the Negro American, DuBois used modern sociological methods to prove that, in aggregate, mortality rates were consistent across race according to class. This was not the strategy of North Carolina Mutual—they affirmed the notion that black folks did in fact have higher mortality rates. However, rather than cast these higher mortality rates as evidence of biological inferiority, Dr. Donnell instead asserts that this means that white folk should become more invested in the uplift of black Americans—“the negro means much to the economic welfare of the southern white man”. In the latter, Donnell references the environmental factors DuBois preferred while maintaining the fact of disparate health outcomes according to race. In tying their destinies together, Donnell’s logic resisted the idea that a white America was the inevitable result.

As materially important as it was for black Americans to have access to life insurance and the financial means to support themselves through death and emergencies, like other life insurance companies, North Carolina Mutual understood that its project was not just about securing the financial wellness of its members—no, the goal was to secure the political and economic uplifting of the people

This can be seen below, where the writings double as political mission: “it is better not to have lived, than to have lived and not contributed anything to the success of any one else’s life”.

At the time of its founding, North Carolina Mutual found itself serving a community that had achieved massive cultural victories alongside the entrenchment of Jim Crow in the South. As a business that believed in racial uplift, it relied on the language of progress and assimilation evinced by leading intellectuals by Booker T Washington. However, as a business oriented towards the advancement of black Americans in the face of racism, it had to take a stand on discourses of racial inferiority. Life insurance singularly combined questions of individual health and the future of the community that animated many of the driving cultural transformations of the late 19th century—the records of NC Mutual prove useful in understanding how black Americans navigated their place in the nation, and how the fight for equality extended to the domain of health, wellness, and the everyday.

Remembering the Legacy of SNCC Veteran and Folklorist Worth Long. (Jan. 15th 1936- May 8, 2025)

Post contributed by Mattison Bond, Coordinator, Movement History Initiative

image of Worth Long with hat, glasses, goatee, and African print shirt
Photo of Worth Long taken from SNCClegacyproject.org

On May 8, 2025 Worth Westinghouse Long Jr., Folklorist and Student Nonviolent Coordinating Committee (also known as SNCC) Veteran passed away. The Franklin Research Center and Rubenstein Library mourns this lost and remembers his contributions as not only an activist, but also as a cultural archivist and true Durham native.

Black and white mugshot of Worth Long arrested
Worth Long’s Alabama State Police file, undated, Alabama Photographs and Pictures Collection, ADAH. Photo found at https://snccdigital.org/people/worth-long/

Long joined the Student Nonviolent Coordinating Committee (SNCC) in 1963, organizing in Selma, Alabama, during a pivotal time in the Civil Rights Movement. He would later become a nationally recognized folklorist, committed to preserving and celebrating Black cultural traditions. His work with the Smithsonian Institution, the National Endowment for the Arts, and the Library of Congress helped amplify the voices, music, and stories of Black communities across the South.

A proud son of Durham’s Hayti community, Long’s legacy bridges activism and cultural memory. We are grateful for his life and his enduring contributions to justice and history.

To learn more about Worth Long and his legacy:

Worth Long Profile on SNCC Digital Gateway https://snccdigital.org/people/worth-long/

In Memoriam: Worth Long by Charlie Cobb https://sncclegacyproject.org/in-memoriam-worth-long/

“Organizers Influence other Organizers: Being SNCCy with Worth Long” https://youtu.be/5duRa3LFumA?feature=shared

“Outsinging Trouble” By Worth Long and Emile Crosby https://sncclegacyproject.org/outsinging-trouble/

Interviews

Civil Rights History Project Interview completed by the Southern Oral History Program under contract to the Smithsonian Institution ’s National Museum of African American History & Culture and the Library of Congress, 2015 https://www.crmvet.org/nars/long_w.pdf

Molly McGehee, “You Do Not Own What You Cannot Control: An Interview with Activist and Folklorist Worth Long,” Mississippi Folklife (Fall 1998), 12-20. https://snccdigital.org/wp-content/uploads/2024/01/10_Worth-Long-Interview-with-Molly-McGhee.docx.pdf

John Hope Franklin Research Center

SNCC Legacy Project Critical Oral History Conference Interviews at Duke’ Center for Documentary Studies https://archives.lib.duke.edu/catalog/cdssncccriticaloh

The Charlie Cobb Interviews, 2012-2014 Collection

The SNCC Digital Gateway Project Files, 2002- 2018 (bulk 2010-2018) Collection:

Duke Faculty in the Civil Rights Movement: Peter Klopfer and Robert Osborn

Ah-ha! I haven’t been stopped yet as I continue my series on the Woolworth sit-ins (both in Greensboro and Durham) and Duke’s ties to civil rights movements in the early 1960s. I have finally moved forward in time, jumping from 1960 all the way to…1964.

In 1964, we see some Duke faculty get involved in the Civil Rights movement, this time, integrating a restaurant just a few miles down the road (near that…other university) in Chapel Hill. Professors Peter Klopfer, Robert Osborn, and Frederick Herzog, along with a young Black student, sat in the Watts Grill in Chapel Hill. In what started as a simple protest would later include Klan activity, and would even turn into a court case on trespassing, a case that would later go to the Supreme Court.

Peter Klopfer, professor of biology, in an oral history found in the Duke University Oral History Program collection, describes the significance of Watts Grill:

Paragraph 1 is the interviewer:

I’ll let Peter Klopfer describe the court case further, here:

And finally, highlighting some of the great finds from the archives, is a copy of the subpoena so graciously gifted to Robert Osborn, Harmon Smith, Frederick Herzog, and Peter Klopfer, found in the Robert Osborn papers.

“The Best, the Only, and the Unexpected” lives at the Rubenstein!

Cover of a summer 2002 Hammacher Schlemmer catalog, featuring a sonic insect trap.

The Hartman Center and the Rubenstein Library are pleased to announce the arrival of the records of Hammacher Schlemmer, the 177-year-old hardware merchants-turned-purveyors of unique, odd, and oddly practical items, sold through a variety of catalogs that themselves represent one of the historical high points of creativity in catalog design and direct-to-consumer merchandising. The company produced its first catalog in 1881 and is considered the oldest catalog-based retail company in the United States, pre-dating Sears and Montgomery Ward by several years.

Hammacher Schlemmer began as a supplier of tools and trade equipment in 1848 in the Bowery section of New York by Charles Tollner. In 1853 he hired a 12-year-old German immigrant, William Schlemmer, as an assistant. A few years later another German immigrant, Albert Hammacher, invested in the growing hardware store. Eventually Schlemmer bought Tollner’s stake in the company, and in 1883 the company was renamed Hammacher Schlemmer & Co., a name it maintained for a century and a half.

Cover of an 1884 catalog for Hammacher Schlemmer featuring tools.Originally Hammacher Schlemmer sold primarily tools, from files and saws to more complicated machinery like the Lougee hair picker (a cotton gin-like machine for combing horsehair used in upholstery stuffing). By the 1900s the company had expanded to offer specialized tools for automotive, piano-building, and other trades; in the 1930s the company began to transition from hardware to housewares and general retail merchandise.

Hammacher Schlemmer maintained a store in the Bowery (and later branched to Chicago and Los Angeles), but an increasing percentage of sales came from its catalog operation. In the early days the catalogs doubled as selling aids for sales agents. They developed a reputation for detailed, useful print and finely rendered line drawings, as seen in this catalog entry for the Lougee hair picker:

Advertisement for the Lougee Hair Picker featuring a line drawing of the machine and explanatory text.

With the transition to household goods (kitchen gadgets, furniture, cleaning implements and the like; a separate catalog for gourmet food products began in the 1930s) the catalog layouts shifted from line drawings to black-and-white (and later, color) photography. The catalogs for the centennial years 1947-1948 featured whimsical pastel drawings in color. By 1977 the catalogs would shift to an all-color layout.

Cover of the centennial Hammacher Schlemmer catalog featuring a pastel illustration of a woman in pink riding in a horse-drawn carriage.

The hardware line was dropped in the mid-1950s, and Hammacher Schlemmer turned to feature more high-end luxury goods, curated from other manufacturers’ items, as well as those developed by its own subsidiary, Invento, which was established in 1962. In 1983, the company established another subsidiary, Hammacher Schlemmer Institute, that focused on product testing and comparisons among competing products (similar to testing performed by groups such as Consumer Reports), later adding a Consumer Testing Panel for end-user testing and evaluation. In 1986, Hammacher Schlemmer began online sales in addition to its mail-order catalog operation. It joined SkyMall in 1991 as a charter member, advertising its products to airline passengers on U.S. domestic and selected international routes.

The catalogs featured a wild variety of products at every price point: slipper socks ($34.95); a walking stick with a built-in telescope ($89.95); a single-serving coffee maker ($199.95); a bamboo Tiki bar ($499.95); a leather chair in the shape of a baseball glove ($6,200); a full-scale working replica of the original 1966 Batmobile ($200,000); and a two-person fully functional electric submarine ($1.5 million). These products lived side-by-side in the page layouts of the catalog, a million-dollar submersible or a $65,000 robot next to entries for compression socks, garden hoses, and pens.

Two-page spread of a Hammacher Schlemmer catalog showing everyday items and luxury items advertised right next to each other.

Along the way, Hammacher Schlemmer was instrumental in introducing a number of household items that started out as novelties and moved into mainstream popularity: pop-up toasters (1931); electric shavers (1934); steam irons (1948); telephone answering machines (1968); Mr. Coffee (1973); and the Cuisinart (1977), to name a few. Hammacher Schlemmer’s status as an American cultural icon is evidenced through parodies of the company’s catalog offerings that appeared in places such as the pages of Readers Digest and on the Family Guy television cartoon.

The Hammacher Schlemmer records should be available for researchers in the Rubenstein Library by late 2025. The collection offers a rich resource for scholars interested in topics as varied as advertising history; direct marketing; catalog design; line art; and the evolution of a historically important American retail establishment.

Announcing “Defiant Bodies: Discourses on Intersex, 1573-2003”

Post contributed by Madeline Huh, Josiah Charles Trent History of Medicine Intern.

As this year’s Trent History of Medicine Intern, I was given the exciting opportunity to curate an exhibit for the Josiah Charles Trent History of Medicine Room. I’m pleased to say that my exhibit, entitled “Defiant Bodies: Discourses on Intersex, 1573-2003,” is now open to the public in the Rubenstein Library. The exhibit explores changing dialogues around nonbinary sex and intersex identity over six centuries, from early modern medicine to 21st-century activism and (some of) the many interdisciplinary representations in between. There is also an online version of the exhibit, which you can explore here.

Thank you to all who have helped me during the process of creating this exhibit, especially Rachel Ingold, Meg Brown, Yoon Kim, and Grace Zayobi–I am very grateful for all your feedback along the way and your consistent willingness to engage in discussion with me on this complicated and important topic with such sensitivity.

“Defiant Bodies” will be on view from May 13, 2025 to October 4, 2025 in the Josiah Charles Trent History of Medicine Room. I am so very excited for you to explore it in-person and online!

A UNC Student Gets a Duke Education

Post contributed by Will Clemmons, Duke Family Processing & Digitization Intern.

Figure 1: Arranging a subset of photographs donated to the Mary Duke Biddle Trent Semans family papers.

When I visited Duke in 2018 with my family, this time to give my younger brother the opportunity to explore the possibilities of life at a top university, I never imagined that I would end up being the one in my family to play a part in this university’s history. Tar Heel basketball has always had my family’s support, but we never disrespected Duke. At the time of the tour, I was trying my best to avoid going on the traditional college route myself, and I certainly was not envisioning a future where I would be pursuing a master’s degree as a Tar Heel. But our best laid plans do not always work out in the way we envision them, often leading to paths far greater than we could imagine. I thus found myself in the summer of 2023 moving to UNC Chapel Hill to pursue a master’s degree in library science, with an emphasis in archiving, pursuing goals I never dreamed were possible.

I knew going into this Duke internship that I would enjoy the job of a processing archivist, but I did not know just how specialized the position was, as the Duke Family Processing & Digitization Intern. My past archival internships/volunteer work had been at smaller institutions that often had a solo archivist. Working with such a small staff meant the hats my bosses would wear, and would pass on to me, spanned the breadth of jobs an archivist can perform, from accessioning to processing, digitizing to describing. At Duke, I was tasked with only processing collections in the fall with Rubenstein Technical Services and digitizing collections in the spring, both tasks I had done before, but not at the level of specialization and detail that was allowed by the Rubenstein Library’s large size. During the fall semester I was essentially doing the job that any full-time processing archivist would do, just as an apprentice, so to speak, under Zachary Tumlin’s tutelage. Tumlin, the Duke Family Papers Project Archivist, was tasked with processing the many additions from Mary Duke Biddle Trent Semans to her collection of family papers at Duke University, and I was hired to assist him. Our job was to establish physical and intellectual control of the donated materials and arrange, rehouse, and describe them for use by others. In the short term, we prepared a number of these objects for the digitization I would do at the Digital Production Center (DPC) in the Spring semester. Through this work I learned more than most about the Duke family, Mary Semans in particular, and her many children and grandchildren.

What makes Mary Semans’ donations so special are her ties to the founding Dukes. Being one of the last living Dukes to have known Benjamin Newton Duke, her maternal grandfather, Mary Semans had a wealth of Duke family history from Benjamin Duke to donate to the Rubenstein Library. For this reason, I was able to interact with objects with date ranges from the late 19th century up to the 2010s, specifically a large variety of photographic formats. Before working at Duke, I had never interacted with a tintype, one of the earliest democratic photography formats (meaning widely available to the public) that, while involving metals in photo processing, ironically tended to use metals other than tin. I was taught about the preservation of tintypes from talking with staff the Conservation Department, also learning how to keep them stored for long term preservation. The education I received through interacting hands-on with items that spanned such a broad period of history is a rare opportunity and will undoubtedly serve me well in my future archival endeavors.

Figure 2: Tintype featuring Benjamin Duke (upper left), Sarah Duke (upper right), Mary Duke Biddle (lower left), and Angier Buchanan Duke (bottom middle).

Learning about Mary Semans as a person would be sure to leave an impact on anyone. This heir to Benjamin Duke’s wealth did more than most with the wealth she was born into. As a philanthropist, she supported the university that bears her family’s name (with Duke being named after her great Grandfather) and the city in which it is situated. She did much to advocate for the people of NC nationally and internationally, earning the nickname “the unofficial First Lady of NC.” Her support for the arts, medicine, the disabled, and civil rights throughout her life is laudable. She was not unacquainted with grief, with her parents divorcing when she was around 10 years old and losing her first husband, with whom she had four children, at the young age of 28. Yet, she did not let this grief define her, marrying again, raising a total of seven children, and remaining vigorously invested in public life in Durham and NC until her death in 2012. I recall looking through numerous folders of photographs from trips to Europe in the 1990s that were not just sightseeing tours. Each trip was connected to the North Carolina School of the Arts’ International Music Program, designed to introduce students to the life of a touring musician while promoting North Carolina internationally. Even while traveling abroad, Mary Semans was committed to supporting the residents and the state of North Carolina.

Figure 3: Mary Semans, Duke alumna

The people in Duke Libraries who worked around me, and directly with me, imparted knowledge to me that will benefit me throughout my career. The team cohesion at the Digital Production Center (DPC) was evident from my first day this spring. Everyone in the DPC is dedicated to seeing their work reach maximum potential in efficiency and quality, utilizing the best in cultural heritage digitization processes. My work at the DPC saw me scanning artifacts from the Rubenstein Library’s collections, creating faithful digital surrogates for online teaching, learning, and research. In particular, I was able to work with courtship letters from 1935-1938 between Mary Semans and her first husband (Joe Trent), from processing in the Fall through to their digital existence with my work at the DPC. I felt very much at ease working at the DPC, knowing I had experts surrounding me that were eager to share their knowledge and ensure I had a successful internship. I could go on recognizing the talented individuals working in the DPC, but this is meant to be a relatively short blog post, so I will refrain for now.

Figure 4: Author at scanning station in the DPC.

I leave Duke University Libraries, more confident than ever in my abilities to enter the job market with the skills necessary to land me a full-time job in archiving. Duke has also left me with a stronger conviction that archiving is what I want to spend my career pursuing. I hope the reader understands the dedication of the Rubenstein Library’s staff and takes the time to browse their collections, many online (Duke Family Papers), perhaps in the process learning some about the founding family at Duke University and their significant contributions to the Durham area.