Category Archives: Archive of Documentary Arts

Archive of Documentary Arts, Events, Films, Human Rights Archive

Rights! Camera! Action!: The Undocumented (Director’s Cut)

October 7, 2013 Amy McDonald

Date: Tuesday, October 8, 2013
Time: 7:00 p.m.
Location: Full Frame Theater on the American Tobacco Campus (directions & parking information)
Contact: Patrick Stawski, patrick.stawski(at)duke.edu

Marcos Hernandez lives and works in Chicago. He came to the United States from Mexico, after a life-threatening border crossing through the Sonora Desert in southern Arizona. Each month, he sends money to his mother in Mexico City to buy medicine for his brother, Gustavo, who needs a kidney transplant. The Undocumented, by acclaimed filmmaker Marco Williams, is Marcos’s story—as well as the story of countless other migrants.

Chronicling Arizona’s deadliest summer months, award-winning documentary and fiction film director Marco Williams (Banished, Two Towns of Jasper, In Search of Our Fathers) weaves Marcos’s search with the efforts of humanitarians and Border Patrol agents who are fighting to prevent migrant deaths, the medical investigators and Mexican Consulate workers who are trying to identify dead border crossers, and Mexican families who are struggling to accept the loss of a loved one.

In true cinéma vérité style, The Undocumented (91:00 TRT; 2013 Full Frame Honorable Mention for Kathleen Bryan Edwards Award for Human Rights) reveals the ongoing impact of immigration laws and economic policies on the very people who continue to be affected by them. By going beyond politics, the film also tells a story that is deeply personal.

The screening, which is free and open to the public, will be followed by a panel discussion featuring director Marco Williams and Duke University professor Charlie Thompson.

Rights!Camera!Action! is sponsored by the Archive of Documentary Arts and the Human Rights Archive in the Rubenstein Library, the Duke Human Rights Center @ FHI, and the Program in the Arts of the Moving Image.

Archive of Documentary Arts, Events, Films, From Our Collections, Human Rights Archive

Rights! Camera! Action!: We Still Live Here / Âs Nutayuneân

September 12, 2013 Amy McDonald

Date: Thursday, September 19, 2013
Time: 7:00 p.m.
Location: FHI Garage, Bay 4, Smith Warehouse (directions & parking information)
Contact: Patrick Stawski, patrick.stawski(at)duke.edu

Winner of the Full Frame Inspiration Award, We Still Live Here/ Âs Nutayuneân (TRT 56:00) tells the story of the revival of the language of the Wampanoag people of New England. All speakers of the language had died out when in 1994 Jessie Little Doe, a Wampanoag social worker, began to wonder if it could be recovered.

With M.I.T. linguist Ken Hale, with whom she earned a Master’s degree, she and other linguists pieced the language together from old documents and related Native American languages. Through community-wide efforts among the Aquinnah and Mashpee Wampanoag, the language is being spoken again, and Jessie’s young daughter is the first native speaker of Wampanoag in more than a hundred years.

The screening will be followed by a panel discussion featuring Dr. Liliana Paredes and Dr. Benjamin Frey.

Dr. Liliana Paredes is Associate Professor of the Practice of Spanish and Director of the Duke Spanish Language Program. She holds expertise in the areas of sociolinguistics, minority languages, and Amerindian languages.

Dr. Benjamin Frey is a Fellow in the Carolina Postdoctoral Program for Faculty Diversity at UNC. He completed his Ph.D. in Germanic linguistics at the University of Wisconsin – Madison in August 2013. His research examines language shift among minority communities in the United States from their traditional languages to English, with specific focus on German in Wisconsin and Cherokee in North Carolina. Frey is a member of the Eastern Band of Cherokee Indians.

Rights!Camera!Action is sponsored by the Archive of Documentary Arts and the Human Rights Archive in the Rubenstein Library, the Duke Human Rights Center @ FHI, and the Program in the Arts of the Moving Image.

Post contributed by Patrick Stawski, Human Rights Archivist.

Archive of Documentary Arts, From Our Collections, New at the Rubenstein Library

New Acquisitions: Icons of Civil War Photography

June 27, 2013 Will Hansen 1 Comment

In June and July we’ll celebrate the beginning of a new fiscal year by highlighting new acquisitions from the past year. All of these amazing resources will be available for today’s scholars, and for future generations of researchers in the Rubenstein Library! Check out additional posts in the series here.

Some of the most celebrated, recognizable, and graphic images of the American Civil War come from Alexander Gardner’s Photographic Sketch Book of the Civil War and George N. Barnard’s Photographic Views of Sherman’s Campaign, both published in 1866. Among the most important pictorial records of the conflict, together they shed a stark light on the destruction witnessed during the war and its aftermath. As legendary examples of early American photography these albums also help us to understand the history of documentary photography and the emergence of the widespread documentation of war. Look for a feature on these important new additions to the Library’s Archive of Documentary Arts in the next issue of RL Magazine!

Alexander Gardner, "President Lincoln on Battle-Field of Antietam," 1862. — Alexander Gardner, “President Lincoln on Battle-Field of Antietam,” 1862, from Gardner’s *Photographic Sketch Book of the Civil War*.

George Barnard, "City of Atlanta no. 2," from — George Barnard, “City of Atlanta no. 2,” from Barnard’s *Photographic Views of Sherman’s Campaign*.

The Rubenstein Library is grateful to the B. H. Breslauer Foundation for their generous support of the acquisition of Gardner’s Sketch Book.

Post contributed by Kirston Johnson, Curator of the Archive of Documentary Arts.

Archive of Documentary Arts, Events, Readings and Talks

Vacancy: The Disquieting Beauty of Emptiness – A Conversation with Photographer Lynn Saville

May 17, 2013 Kate Collins 2 Comments

Date: Thursday, May 23, 2013
Time: 1:00 PM
Location: Perkins Library, Room 217 (Click for Map)
Contact Information: Kirston Johnson, 919-681-7963, kirston.johnson@duke.edu

Please join us for a conversation with internationally renowned photographer Lynn Saville on Thursday, May 23rd from 1:00 until 2:00pm in Perkins Library Room 217. Lynn will discuss her latest project, “Vacancy: The Disquieting Beauty of Emptiness,” which focuses on New York City and the strikingly beautiful visual effects of economic turmoil.

Fine-art and documentary photographer Lynn Saville was educated at Duke University and Pratt Institute. Saville specializes in photographing both cities and rural settings at twilight and dawn, or as she describes it, “the boundary times between night and day.”

Lynn Savile, Dyckman Street, C-Print, 2011 — Lynn Savile, Dyckman Street, C-Print, 2012

Lynn Saville has received numerous awards and grants and her photographs are published in two monographs: Acquainted With the Night (Rizzoli, 1997) and Night/Shift (Random House/Moncelli, 2009). Her work is represented by the Yancey Richardson Gallery in New York and her prints are included in numerous permanent collections, including the Los Angeles County Museum of Art, the George Eastman House, the Museum of Fine Arts in Houston, the International Museum of Photography, the Archive of Documentary Arts at Duke University, and many others. She lives in New York City with her husband, the poet Philip Fried.

This event is free and open to the public.

Archive of Documentary Arts, Events, Readings and Talks

A Conversation with Photographer Edward Ranney

May 1, 2013 Will Hansen 3 Comments

Moray, 1975. Toned gelatin silver print by Edward Ranney.

Date: Tuesday, May 7
Time: 1:00 p.m.
Location: Perkins Library, Room 217 (Click for map)
Contact information: Kirston Johnson, 919-681-7963, kirston.johnson@duke.edu

Edward Ranney is an internationally recognized photographer who has photographed the natural and man-altered landscape for over forty years. His work of the 1970s in the southern Andes of Peru resulted in the book Monuments of the Incas (1982), which was reprinted in an expanded edition in 2010.

Since 1985, Ranney has dedicated himself to a comprehensive photographic survey of pre-Columbian sites along the Andean Desert Coast. His recent work with Lucy R. Lippard in the Galisteo Basin, near Sante Fe, was published in Down Country in 2010.

Edward Ranney has received numerous awards, including two Fulbright fellowships for his work in Peru, a John Simon Guggenheim Memorial Fellowship, and a National Endowment for the Arts Photography Fellowship. His work has been presented in individual exhibitions at the Princeton University Art Museum, the Museum of Modern Art in New York, the Art Institute of Chicago, the University of New Mexico Art Museum, and the Centro Cultural of Miraflores in Lima, Peru. His other books include Stonework of the Maya, Prairie Passage, and Pablo Neruda’s Heights of Macchu Picchu.

This event is free and open to the public.

Archive of Documentary Arts, Events, Films

The Extravagant Shadows Screening

November 26, 2012 Kate Collins

Date: Friday, November 30th, 2012
Time: 3:00 PM
Location: Biddle Rare Book Room, Perkins Library, Duke University
Contact Information: Kirston Johnson, kirston.johnson(at)duke.edu

Please join us this Friday at 3:00pm for a screening of The Extravagant Shadows, David Gatten’s new work of digital cinema. Gatten is an award-winning filmmaker and Guggenheim fellow, and is currently a Lecturing Fellow and Artist in Residence with Duke University’s Program in Arts of the Moving Image. Earlier this year he was named one of the fifty best filmmakers under fifty by Cinema Scope magazine.

Fourteen years in the making, The Extravagant Shadows is a film concerned with libraries, reading, letters, and lovers. It premiered at the 50^th annual New York Film Festival and has received widespread acclaim.

“David Gatten’s first digital work, The Extravagant Shadows, undertakes the head-scratching question of what it would mean for a film to be of its textual sources. A historical narrative of love separated across space and time is embedded in various codes and correspondences, all of it pocked by ellipsis and obscurity, never unfolding so much as digressing, disclosing, doubling back.” – Max Goldberg, Fandor

“Gatten […] lays long excerpts, condensations, and re-writings of text upon the image itself, so that looking at the image is as much about seeing as it is reading—if these two activities can even be separated. The text tells a looping, broken and elliptical tale of love across distances, love missed and time passed, of communicating via letter, manuscript, telegraph, […] notes, novelization, monologues and memories across and within these spaces. Of the lost meanings, allusive facts and fixtures, of the supreme ambiguity of purposes, of a sense of time, of narrative to be found between, around and inside text and its transmissions to the reader.” – Daniel Kasman, “Love in the Painted Image,” MUBI

This event is sponsored by the Archive of Documentary Arts, David M. Rubenstein Rare Book & Manuscript Library, and the “Thinking Cinematics Working Group” with support from the Franklin Humanities Institute and the Program in the Arts of the Moving Image at Duke University.

Archive of Documentary Arts, Events, News and Features, Readings and Talks

Gary Monroe on The Highwaymen

November 12, 2012 Amy McDonald

Date: Thursday, November 15, 2012
Time: 6:00 PM, reception to follow
Location: Biddle Rare Book Room
Contact Information: Kirston Johnson, kirston.johnson(at)duke.edu

Please join the staff of the Archive of Documentary Arts next Thursday, November 15 for a talk with documentary photographer Gary Monroe.

In the late 1950s in rural Florida, a group of young, self-taught African-American artists began to paint optimistic and colorful Florida landscapes. They periodically left their backyard studios and took to the highway to sell their works to white customers, earning the name The Highwaymen. Their glowing images represented the American dream. Photographer Gary Monroe got to know these artists and will speak about their work and their legacy.

About Gary Monroe: Gary Monroe is a professor of art at the Southeast Center for Photographic Studies in Daytona Beach and author of The Highwaymen: Florida’s African-American Landscape Painters.

Post contributed by Kirston Johnson, Curator of the Archive of Documentary Arts.

Archive of Documentary Arts, Events, Films, Readings and Talks

A Conversation with 2012 MacArthur Fellow Laura Poitras

October 15, 2012 Will Hansen

Date: Wednesday, October 24, 2012
Time: 6:00 PM talk, 7:00 PM reception
Location: Nasher Museum of Art at Duke University
Contact information: Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

Join us for an evening with documentary filmmaker and MacArthur “Genius Award” recipient Laura Poitras at Duke’s Nasher Museum. Known for her incisive and nuanced portraits of individuals that emerge in and from wartime in the Middle East and New York City, Poitras is an Emmy and Academy award nominated filmmaker. Her films, My Country, My Country and The Oath won numerous awards including the Inspiration Award and the Special Jury Award at the Full Frame Documentary Film Festival respectively.

Arts advocate, historic preservationist, author and accomplished television interviewer Barbaralee Diamonstein-Spielvogel will facilitate the discussion.

Duke University has established the Barbaralee Diamonstein-Spielvogel Visiting Filmmaker Series to feature artists whose work addresses significant contemporary topics of social, political, economic, and cultural urgency. Filmmakers chosen to participate have a recognized body of work and show promise of future contributions to documentary filmmaking. Visiting filmmakers are invited to Duke for a two-day residency.

The Diamonstein-Spielvogel series is unique in its exclusive attention to documentary filmmakers with a global perspective. By giving Duke faculty and their students an opportunity to explore the films of socially engaged filmmakers and discuss the work with them, this new series hopes to inspire and encourage the next generation of young documentarians.

Co-sponsored by the Rubenstein Library, the Program in the Arts of the Moving Image, Screen Society and the Center for Documentary Studies.

Archive of Documentary Arts, New at the Rubenstein Library, Rare Books

New Acquisitions Week, Day Four: The British, in India and Cast Away

July 26, 2012 Will Hansen 1 Comment

We’re celebrating the beginning of a new fiscal year with a week’s worth of new acquisitions from the first half of 2012. Two newly acquired selections will be featured in a post every day this week. All of these amazing resources are available for today’s scholars, and for future generations of researchers in the Rubenstein Library!

Samuel Bourne Photographs: Samuel Bourne is the best-known photographer of India under British rule, capturing landscapes, architectural studies, and genre scenes from 1863 to 1870. He co-founded the studio Bourne and Shepherd, still active today in Kolkata as the world’s oldest operating photographic studio. The Library has acquired over 300 of Bourne’s photographs, prized for their technical quality, their documentation of Indian sights, and the insight they can provide into British views of Indian life. The Bourne photographs are a valuable addition to a growing body of photographs of India in the Archive of Documentary Arts.

bourne1076 — Samuel Bourne, “The Taj, from the Garden, Agra,” 1860s.

Daniel Defoe, The Life and Surprizing Adventures of Robinson Crusoe; The Farther Adventures of Robinson Crusoe; Serious Reflections Upon the Life and Surprising Adventures of Robinson Crusoe: One of the most groundbreaking and influential narratives in literary history, Defoe’s tale of a castaway on an uncharted island has been endlessly reprinted, adapted, updated, copied, and critiqued since its first appearance in 1719. Thanks to a generous donation by Alfred and Elizabeth Brand, the Library now holds the second edition of The Life and Surprizing Adventures of Robinson Crusoe, printed days after the first edition in 1719, as well as first editions of the two continuations of the story, including the famous map of Crusoe’s “Island of Despair.” This invaluable set will be a jewel in the Library’s large collection of works by Defoe, and is also a key complement to the Negley Collection of Utopian Literature.

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Archive of Documentary Arts, Digital Collections

A Fond Farewell in Photography

June 29, 2012 Will Hansen 1 Comment

Karen Glynn, long-time Photography Archivist in the Archive for Documentary Arts, retires today to move to South Africa. In her honor, we present some images of travel and farewell from our digitized collections. Happy trails, Karen! We’ll miss you!

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University