Category Archives: Archive of Documentary Arts

Instruction is Sweet!

Bill Fick's "Art of the Comic Book and Zines" Class
Photo by Bill Fick.

85 classes! The RBMSCL had another packed semester of instruction, as our librarians welcomed a group of fledgling Walt Whitman scholars from North Carolina State University, two classes from the Trinity School, and even a local Girl Scout troop—in addition to scores of Duke undergraduate and graduate students. We couldn’t have been more pleased when a student from Bill Fick’s “Art of the Comic Book and Zines” class (pictured at right) observed, “this place is like a candy shop—only it’s free!”

Here’s a goodie grab bag of some of the classes we taught this past semester:

  • Architectural Theory from Antiquity to the Renaissance
  • Art of the Comic Book and Zines
  • Cannibalism to Anorexia:  Embodying Social Meaning (Writing 20)
  • Digital Durham
  • Documenting the South
  • The Family in Documentary Photography
  • From Huck Finn to Miley Cyrus: Children’s History Through Popular Culture (Writing 20)
  • History of Punk
  • Introduction to Contemporary Latin America
  • Introduction to Oral History
  • Language in Immigrant America
  • Legal Documents: Yesterday & Today (Writing 20)
  • Looking In, Looking Out: The Language of Photographic Texts (Writing 20)
  • Major Italian Authors
  • Maps, Exploration, and Empire
  • Martin Luther King, Jr.
  • Photographing South Africa
  • Play, Games, and Culture (Writing 20)
  • Reading the Qur’an
  • Religion and Politics
  • Russian Art and Politics
  • Staging Sexualities
  • Suburbs, Malls, Office Buildings
  • Weimar and Nazi Germany
  • Women as Leaders

Wondering if the RBMSCL could support your Fall 2011 course? Send us an e-mail at special-collections(at)duke.edu!

Filmmaker and Projectionist

Filmmaker David Gatten threads 16mm prints of his films for a screening in the Rare Book Room this past Thursday.

These photos were taken by guest Michael Graziano, and we thank him for letting us share them here. (For more information about the event and the films shown, visit this earlier blog post.)

You’ll find more photos from the screening at the “RBMSCL Events” set on the RBMSCL’s Flickr photostream!

Photographing South Africa

Date: Thursday, 31 March 2011
Time: 3:30 PM
Location: Rare Book Room
Contact Information: Karen Glynn, 919-660-5968 or karen.glynn(at)duke.edu

Graeme Williams, Cape Town, 2005.
Graeme Williams, Cape Town, 2005.

Karen Glynn, the RBMSCL’s Visual Materials Archivist, will give an historical overview of the South African Documentary Photography collections in the Archive of Documentary Arts from 1986 until today. Paul Weinberg, photographer and Senior Curator of Visual Archives in the Manuscripts and Archives Library at the University of Cape Town, will pick up the thread and describe the process of building a documentary photography archive in South Africa today.

Twenty of Weinberg’s photos are available online at the website for Then and Now, an exhibit on South African documentary photography that he curated for the Archive of Documentary Arts in 2008.

Weinberg’s photographs are archived at the RBMSCL. You can view the finding aid for his collection here.

Working with Words: Historical Documents, Systems of Knowledge, and Text-as-Moving Image Art in the Films of David Gatten

Date: Thursday, 7 April 2011
Time: 7:00 PM
Location: Rare Book Room
Contact Information: Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

Still from Still from "Film for Invisible Ink, case no. 323: ONCE UPON A TIME IN THE WEST"
Still from “Film for Invisible Ink, case no. 323: ONCE UPON A TIME IN THE WEST”

Next Thursday, award-winning filmmaker and Guggenheim Fellow David Gatten returns to the RBMSCL to present three of his films. Gatten will introduce each film and discuss his use of historical documents, “out-dated” instructional texts and rare books as both inspiration and image in his filmmaking practice.

Over the last fifteen years, David Gatten’s films have explored the intersection of the printed word and the moving image, while investigating the shifting vocabularies of experience and representation within intimate spaces and historical documents. His films trace the contours of both private lives and public histories, combining elements of philosophy, biography and poetry with experiments in cinematic forms and narrative structures.

“Secret History of the Dividing Line” (2002) is one of the nine parts in Gatten’s ongoing investigation of the life and library of William Byrd. Torn fragments of Byrd’s official history of the 1728 dividing line expedition commingle with the privately circulated ‘secret history’ of the surveying party.

“The Matter Propounded, of its possibility or impossibility, treated in four Parts” (2011) makes use of an early 19th century system for telling one’s future. Divided into four sections—Instructions, Questions, Answers and Conclusions—the film invites viewers to draw their own conclusions about the questions we ask of the world and the answers we find for ourselves.

“Film for Invisible Ink, case no. 323: ONCE UPON A TIME IN THE WEST” (2010) is the latest in Gatten’s austerely beautiful “Invisible Ink” series.  Incorporating writings by Sir Francis Bacon, lists from Western Union telegraphic codes, and phrases from wedding vows in The Book of Common Prayer, the film also includes images made using pine pollen and tiny flowering plants in extreme, swirling macro-close-ups. This moving and very personal film actually served as Gatten’s wedding vows at his July 2010 marriage.

Gatten is a Visiting Associate Professor and Distinguished Filmmaker in Residence in the Program in the Arts of the Moving Image at Duke University. His films premiere annually in the New York Film Festival and have been included twice in the Whitney Biennial. His work resides in the permanent collections of the British Film Institute, the Whitney Museum of American Art, and the Art Institute of Chicago, as well as in numerous university and private collections. Since 1997, his films have won more than twenty awards at festivals around the world. In 2005, Gatten was awarded a Guggenheim Fellowship to continue his film series investigating the library of William Byrd.

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Opening Reception for “al margen”

Date: 24 Feburary 2011
Time: 4:00 PM
Location: Frederic Jameson Gallery, Friedl Building
Contact Information: Karen Glynn, 919-660-5968 or karen.glynn(at)duke.edu, or Patrick Stawski, 919-660-5823 or patrick.stawski(at)duke.edu

Patagonia, Argentina, April 2010
Patagonia, Argentina, April 2010

Join photographer Petra Barth, the Archive of Documentary Arts, and the Archive for Human Rights for an opening reception celebrating “al margen.”

The reception will include a panel discussion on issues of poverty, marginalization, environmental degradation, and responses to disaster and crisis in Latin America and the Caribbean. Panelists will include Dennis Clements, Erika Weinthal, and Sandy Smith-Nonini.

Following the discussion, Barth will lead a gallery tour.

“al margen” was organized by the Archive of Documentary Arts and the Archive for Human Rights. The exhibit is sponsored by the Center for Latin American and Caribbean Studies, the Program in Latino/a Studies in the Global South, the Department of Cultural Anthropology, International Comparative Studies, and the Duke Human Rights Center.

“al margen: Photographs from Latin America and the Caribbean, 2004-2010”

Date: 17 January-1 May 2011
Location and Time: Special Collections Gallery during library hours and Frederic Jameson Gallery, Friedl Building
Contact Information: Karen Glynn, 919-660-5968 or karen.glynn(at)duke.edu, or Patrick Stawski, 919-660-5823 or patrick.stawski(at)duke.edu

al margen (“living on the margin”) is the result of seven years of photography by Petra Barth in fourteen countries of South America, Central America, and the Caribbean. 70 gelatin silver prints are on display in two campus venues: 40 prints at the Frederic Jameson Gallery in Friedl Building on East Campus and 30 prints in the Special Collections Gallery.

Patagonia, Argentina, April 2010
Patagonia, Argentina, April 2010

Barth’s photography aims “to tell stories about the everyday lives of people living on the margin—their struggles and their dreams.” In her own words,

I use a spontaneous, intimate approach to photograph the daily life of individuals. I look for quiet, reflective moments when people are unaware of the camera and my presence, and genuine feeling is conveyed. Pieced together, these moments describe, with extraordinary clarity, the living conditions all across Latin America and the Caribbean, from Haiti’s streets to the suburbs of Nicaragua and El Salvador, and from the favelas of Rio to the victims of the recent tsunami in Concepcíon, Chile.

My photographs reveal moments that are not often depicted because they happen every day. My camera simultaneously captures the unusual in the ordinary and the ordinariness of the unusual. We often see images of devastated landscapes and human suffering in the wake of disastrous events, but that is only one part of life. What happens before, after, and in between these times? Despite struggle, there is also happiness and the ability to move on and create new narratives every day.

al margen is a candid photographic work that attempts to establish documentary photography as an art form as well as a method of communication. I would like to raise awareness about the living conditions of those who are marginalized, but I am also interested in people and the beauty of ordinary life.

Petra Barth’s photographs are part of the Archive of Documentary Arts.

al margen was organized by the Archive of Documentary Arts and the Archive for Human Rights. The exhibit is sponsored by the Center for Latin American and Caribbean Studies, the Program in Latino/a Studies in the Global South, the Department of Cultural Anthropology, International Comparative Studies, and the Duke Human Rights Center.

Join us for an opening reception and panel discussion, as well as a gallery tour led by Petra Barth, on Thursday, Feburary 24th from 4:00-6:00 PM in the Frederic Jameson Gallery. Stay tuned to The Devil’s Tale for more details about this event!

Rights! Camera! Action! Spring 2011 Season

The third season of the popular Rights! Camera! Action! film series begins tomorrow evening with Citizen King, which traces the final five years of Dr. Martin Luther King, Jr’s life, starting with his momentous 1963 “I Have a Dream” speech.

Citizen King

We’ll provide free drinks and popcorn, as well as a panel discussion following the film!

The Rights! Camera! Action! film series, which is sponsored by the Archive for Human Rights, the Archive of Documentary Arts, the Duke Human Rights Center, the Franklin Humanities Institute, and Screen/Society at Duke’s Arts of the Moving Image Program, features documentaries on human rights themes that were award winners at the annual Full Frame Documentary Film Festival. The films are archived at the RBMSCL, where they form part of a rich and expanding collection of human rights materials.

For more about Rights! Camera! Action!’s Spring 2011 season, as well as details about tomorrow’s screening, click below.

Continue reading Rights! Camera! Action! Spring 2011 Season

Instruction-a-Go-Go

Instruction Session in the Rare Book RoomThis past semester, RBMSCL librarians led over 90 instruction sessions with students from Duke University and beyond—including students taking courses on advertising history at Elon University and Johnson & Wales University. We’ve pulled together a mere sampling of the courses we’ve supported over the past few months. We think you’ll see that the RBMSCL has something for every research interest!

  • Advertising in Society
  • The Age of Jim Crow: Racial Segregation from Plessy to Brown
  • African American Women and History
  • American Business History
  • Animals and Ethics: Welfare, Rights, Utilitarianism, and Beyond
  • Book Art: Text as Image (videos produced by students in the class)
  • Citizen Organizing, 1776-Present
  • Classics of American Literature, 1860 to1915
  • Consumerism in Great Britain and the U.S.
  • Documenting Race, Class, and Gender (Writing 20)
  • Enlightenment Orientalism
  • Globalization in Writing (Writing 20)
  • Hidden Children: Children and Childhood in U.S. History and Across Cultures Cultures (Writing 20)
  • History of Photography, 1839 to the Present
  • Human Rights Activism
  • Intermediate German Conversation
  • Introduction to German Literature
  • Introduction to Old English
  • Methods of Social Research
  • Native American History through Autobiography
  • New Media, Memory, and the Visual Archive
  • New Testament Greek Reading
  • Photography in Context: Photographic Meaning and the Archive of Documentary Arts
  • The Politics and Obligations of Memory
  • Reading Gender, Writing Technoscience (Writing 20)
  • Southern History
  • Witchcraft in Comparative Perspective
  • Writing Sound and Sound Writing: Hearing Race (Writing 20)
  • Writing the Self (Writing 20)

Wondering if the RBMSCL could support your Spring 2011 course? Send us an e-mail at special-collections(at)duke.edu!

Rights! Camera! Action!: Rain in a Dry Land

Date: Tuesday, 16 November 2010
Time: 7:00 PM
Location: Rare Book Room
Contact Information: Patrick Stawski, 919-660-5823 or patrick.stawski(at)duke.edu, or Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

Rain in a Dry Land (82 min.) chronicles the first 18 months of the new American lives of two families finally allowed to immigrate to the United States after over a decade in a Kenyan refugee camp. Beginning with “cultural orientation” classes in Kenya, where they are introduced to such novelties as electric appliances and the prospect of living in high-rise apartment buildings, the film follows the families as they learn that the streets in America are definitely not paved with gold. The families’ sponsors—Jewish Family Services in Springfield, Massachusetts, and World Relief in Atlanta—have pledged six months of support, which makes for a daunting learning curve as the families settle into their new homes.

A discussion with director Anne Makepeace and Suzanne Shanahan, Associate Director of Duke’s Kenan Institute for Ethics, will follow.

The Rights! Camera! Action! film series, which is sponsored by the Archive for Human Rights, the Archive of Documentary Arts, the Duke Human Rights Center, the Franklin Humanities Institute, and Screen/Society at Duke’s Arts of the Moving Image Program, features documentaries on human rights themes that were award winners at the annual Full Frame Documentary Film Festival. The films are archived at the RBMSCL, where they form part of a rich and expanding collection of human rights materials.

Final Papers, Meet New Finding Aids

Time to get cracking on those final papers? Start your research with one of the collections described in these brand-new finding aids!

African American Miscellany, 1757-1983

This collection of approximately 400 print and manuscript items relating to African and African American history was assembled over a number of decades by the staff of the RBMSCL. These documents—largely from the southern United States—speak to the sales, escapes, and emancipations of slaves from colonial times through the Civil War, the civil rights era from 1950-1970, and to a lesser extent, the period in between the 1870s and the 1950s.

South Africa Documentary Photographs Collection, 1940s-2007 and undated

Metal artist Titus Moteyane, Atteridgeville, Pretoria, 1984. Gisele Wulfsohn. From the South Africa Documentary Photographs Collection.

Acquired as part of the Archive of Documentary Arts, the South Africa Documentary Photographs Collection consists of four series of photographs documenting South African social conditions under and after apartheid, dating from approximately the 1940s-2007: Beyond the Barricades, The Cordoned Heart, Then and Now, and Underexposed. Each series originated in an exhibition, book, or project developed jointly by Duke University and South African institutions. The collection represents work by 45 South African photographers, many of whom were members of Afrapix, a collective photography agency that was politically active in the 1980s, or were otherwise active in documenting anti-apartheid struggle.

Louanne Watley Photographs, 2002-2010

The photographs and supporting materials created by Louanne Watley depict communities of Catholic nuns in Indiana, Kentucky, North Carolina, and Virginia, and images of their religious life in those communities. She typically focuses on the women’s individual faces, hands, and feet. There are also a few images of monks and their communities as well. The formats are primarily black-and-white prints with some color prints, contact prints, Polaroids (diffusion transfer process), large color inkjet prints, and negatives. As with many Archive of Documentary Arts collections acquired in recent years, digital scans of Watley’s work are also included.

Walter McGowan Upchurch Papers, 1841-1977

Walter McGowan Upchurch, Jr. served as a member of Duke’s Board of Trustees and was senior vice-president of Shell Companies Foundation, Inc. This collection contains personal correspondence among members of the Upchurch family, including correspondence between Upchurch and his brother during World War II, when they were both serving in the U.S. Navy; professional correspondence concerning Duke University administrative affairs; and genealogical materials for the Upchurch, Daniel, and Meadows families of North Carolina. Additional materials include Shell Development Company records on personnel issues such as labor relations and salary administration at the progressive Emeryville Laboratories; and Shell Companies Foundation records from 1963 to 1974, chiefly relating to the foundation’s endowments, scholarships, grants, and donations. The Duke University Archives also holds a smaller collection of Upchurch’s papers.

Please remember that many RBMSCL collections are stored off-site in our wonderful Library Service Center and need to be requested by RBMSCL staff members at least 24 hours before your research visit. We encourage you to e-mail special-collections(at)duke.edu for assistance.