Rights! Camera! Action! is starting off the spring semester with a screening of Hannah Weyer’s 2002 documentary, Escuela. This film centers on Liliana Luis, the daughter of Mexican American farm workers, as she begins her first year of high school.
Date: 18 January-28 March 2010 Location and Time: Special Collections Gallery during library hours Contact Information: Karen Glynn, 919-660-5968 or karen.glynn(at)duke.edu
David “Honeyboy” Edwards at home on South Wells near 43rd Street, Chicago, Illinois, winter, 1994.
In this series of black and white photographs, photographer Cedric Chatterley traces the life of blues musician David “Honeyboy” Edwards, beginning at his birth place in Shaw, Mississippi and continuing through the Mississippi Delta to New Orleans, Memphis, and Chicago. Chatterley drove thousands of miles—often with Honeyboy himself—photographing important people and places in Honeyboy’s long career, as well as his performances at blues festivals, concerts, and recording sessions.
Reflecting on the photographs, Chatterley writes, “Touring with Honeyboy in the 1990s, and also traveling alone with his life’s story in hand, were formative times for me as an image maker. . . . From him I learned that there is a rhythm, a cadence, and a particular way in which time and sight and sound and memory—expressed and unexpressed—are inseparable when they come together to shape an image, whether that image is delivered in the form of a song, photograph, or any other form of expression.”
If you’re unable to visit the libraries, you can still see the photographs in the online exhibit.
On 28 January, two additional exhibits of Chatterley’s work—including his handmade cameras—will open at the Center for Documentary Studies. The CDS will also host a public reception for Chatterley that evening at 6 PM. More information is available here.
Date: Thursday, 12 November 2009 Time: 5:30 PM Location: Rare Book Room Contact Information: Karen Glynn, 919-660-5968 or karen.glynn(at)duke.edu
Photographer Jennette Williams, winner of the 2008 Center for Documentary Studies/Honickman First Book Prize in Photography, will speak about her recent work, which centers on women in the ancient communal bathhouses of Budapest and Istanbul. A selection of these photographs have been gathered for “The Bathers: Photographs by Jennette Williams,” currently on view in the Special Collections Gallery through 13 December, 2009. Her book, The Bathers, will be published this month by Duke University Press in association with the Center for Documentary Studies.
These stunning platinum prints of women bathers—which draw on gestures and poses found in iconic paintings of nude women, such as those of Cézanne and Ingres—take us inside spaces intimate and public, austere and sensuous. Over a period of eight years, Williams photographed, without sentimentality or objectification, women daring enough to stand naked before her camera. Young and old, these women inhabit and display their bodies with comfort and ease.
Williams is a photography instructor at the School of Visual Arts in New York City. She has a master’s degree from Yale University and has been awarded a Guggenheim fellowship and grants from the New York Foundation for the Arts.
Copies of The Bathers will be available for purchase and signing at the event. The quad in front of Duke Chapel has been reserved for parking. Additional parking is available in the parking deck behind the Bryan Center (view campus map).
No Umbrella (26 minutes) shows Fannie Lewis in action on November 2, 2004 as she struggles to manage a polling station in a predominantly African American precinct in Cleveland, Ohio. Facing record numbers at the polls, Ms. Lewis spends her day on a cell phone begging for the machines and the technical support Ward 7 needs to handle the throngs of frustrated voters. This documentary won the Jury Award for Best Short at the 2006 Full Frame Documentary Film Festival.
Please Vote for Me (58 minutes) is a portrait of a society and a town in through a school, its children and its families. In Wuhan, China, a 3rd grade class at Evergreen Primary School has their first encounter with democracy by holding an election to select a Class Monitor. Eight-year-olds compete against each other for the coveted position, abetted and egged on by teachers and doting parents.