All posts by Will Hansen

Acting Across Borders: Celebrating the Meredith Tax Papers

Date: Friday, April 13- Saturday, April 14, 2012
Location: Friday: White Lecture Hall, East Campus; Saturday: Gothic Reading Room, Perkins Library
Registration  and Schedule:  http://library.duke.edu/rubenstein/bingham/borders
Contact Information: Kelly Wooten, (919) 660-5967, kelly.wooten[at]duke.edu

Meredith Tax, writer and political activist since the late 1960s, has founded or co-founded a series of feminist and social justice organizations starting with Bread and Roses, an early socialist-feminist group in Boston. Her 1970 essay, “Woman and Her Mind: The Story of Everyday Life,” is considered a foundational text of the U.S. women’s liberation movement. “Acting Across Borders” will focus on the main questions Tax explored in this essay and throughout her work as a feminist: race, class, and internationalism.

This fifth symposium of the Sallie Bingham Center for Women’s History and Culture will feature notable feminist activists, writers, and scholars:

Meredith Tax, writer and political activist

Patricia McFadden, radical African feminist, sociologist, writer, educator, and publisher

Anissa Helie, John Jay College of Criminal Justice, CUNY

Ann Snitow, Director, Gender Studies Program, Eugene Lang College

Mandy Carter, National Coordinator, Bayard Rustin Centennial 2012 Project, National Black Justice Coalition

Amber Hollibaugh, Interim Director, Queers for Economic Justice

Mia Herndon, Executive Director, Third Wave Foundation

Gita Sahgal, Women’s and Human Rights Activist; former head of Amnesty International’s Gender Unit

Ynestra King, Writer and Eco-feminist

Jaclyn Friedman, Writer, Activist, Co-Founder & Executive Director, Women, Action & the Media

Free and open to the public.  Co-sponsored by the Office of the President, the Office of the Provost, the  Dean of Arts and Sciences, Duke University Libraries, African and African American Studies, Franklin Humanities Institute, the Program in Women’s Studies,  the Women’s Center, David M.  Rubenstein Rare Book & Manuscript Library, and the Sallie Bingham Center for Women’s History and Culture. Part of the Future of the Feminist 70s series hosted by the Program in Women’s Studies.

Edward Halperin on Slave Medicine

Date: Tuesday, April 10, 2012
Time: Light buffet supper at 5:30 PM; lecture begins at 6:00 PM
Location: Duke Medical Center Library, Room 102
Contact information:  Rachel Ingold, 919-684-8549 or rachel.ingold(at)duke.edu

Please join the Trent History of Medicine Society/Bullitt History of Medicine Club for its next speaker series event on Tuesday, April 10, 2012.  Edward C. Halperin, MD, MA, FACR, will be discussing “Slave Medicine and the Banality of Evil.”

Dr. Halperin received his undergraduate degree from The Wharton School of the University of Pennsylvania, his medical degree from the Yale University School of Medicine, and a masters’ degree in Liberal Studies from Duke University.  He served on the faculty at Duke University for 23 years where he held endowed chairs in radiation oncology and medical education, and served as chairman of the department of radiation oncology and vice dean of the School of Medicine. In 2006, he was named Dean of the Medical School at the University of Louisville in Kentucky and Vice Provost of the University. As of May 1 this year, Dr. Halperin will begin as Chief Executive Officer and Chancellor for Health Affairs, Professor of Radiation Oncology, Pediatrics, and History, at New York Medical College and Provost for Biomedical Affairs at Touro College and University.

New Day Films Events at Full Frame to Celebrate Rubenstein Library Acquisition

The founders of New Day Films. Back row:  Amalie R. Rothschild, Julia Reichert, Jim Klein.  Front: Liane Brandon
The founders of New Day Films. Back row: Amalie R. Rothschild, Julia Reichert, Jim Klein. Front: Liane Brandon

The Rubenstein Library is pleased to announce the recent acquisition of the New Day Films Collection. The collection includes the founding films and organizational records of New Day founders Liane Brandon, Jim Klein, Julia Reichert, and Amalie R. Rothschild. Documenting a pioneering film distribution company and collective, the first to distribute feminist films in the early 1970s, the New Day Films Collection is an important record of both New Day’s formation and the Feminist Movement.  New Day Films is a thriving organization, celebrating 40 years in 2012 as a participatory democratic filmmakers’ cooperative with 120 members and 250 titles. The Rubenstein is committed to preserving the New Day Films Collection for future generations to make this record of the evolution of progressive independent American filmmaking available for teaching and research.

In celebration of New Day coming to Duke, the Full Frame Documentary Film Festival will screen New Day’s founding films—Anything You Want to Be (Brandon), Betty Tells Her Story (Brandon), Growing Up Female (Klein, Reichert), and It Happens to Us (Rothschild)—on Friday, April 13, 2012 at 4:50pm.   There will be a panel conversation with all four founding members about New Day’s exceptional history on Saturday, April 14, 2012 at 9:30AM.

Film still from Growing Up Female, Jim Klein and Julia Reichert

For more information on the New Day Films Collection at the Rubenstein, see: http://library.duke.edu/rubenstein/documentaryarts/events/

For more information on the Full Frame Documentary Film Festival, including a complete schedule and ticket information, see:  http://www.fullframefest.org/

For more information on New Day Films, see:  http://www.newday.com/

 

Found in the Stacks: “On the Slave Trade,” Author Unknown

Volume of ca. 1700s manuscript poetry containing "On the Slave Trade"

On this date in 1807, “An Act for the Abolition of the Slave Trade” was passed by the Parliament of the United Kingdom.  This was a milestone in the struggle over the use of slaves in the British Empire’s colonies and a victory for the abolitionist coalition led by William Wilberforce.  The bill’s passage not only saved countless lives, changed the administration of empires around the world, and transformed nineteenth-century commerce: the research, propaganda, and theoretical efforts which led to its passage were key to developing the concept of human rights.   Many essential  resources for understanding the abolition effort are available in the Rubenstein Library, including correspondence and papers of abolitionists William Wilberforce, Thomas Clarkson, and William Smith.

In addition, a volume of manuscript poetry in a Rubenstein Library collection of British literary papers contains a poem entitled “On the Slave Trade.”  Very little is known about the poet or the poem: the poet is only known by his handwritten initials, “W. J.” or perhaps “W. G.,” and no trace of publication of the poem has yet been found by Rubenstein staff. The poem appears to have been composed before the slave trade’s abolition, probably in the eighteenth century. Study of other poems in the volume, and analysis of the poet’s idiosyncratic punctuation and contractions (such as the use of “fab’lous” for “fabulous”) may provide clues as to the poem’s date and the identity of its author.

The poem is satirical, presenting the intentionally outrageous situation of Satan commissioning his demons to find him slaves to do Hell’s dirty work. While it is unlikely that anyone will argue that it is a lost masterpiece, it does use vivid imagery and sly irony to convey the grotesque injustice of the slave trade and the unbridled greed that led to such abuse of fellow human beings.  A transcription of the poem appears below.  If you know anything about the author or the poem, please post a comment!

Opening page of "On the Slave Trade"

On the Slave Trade

Fab’lous — are storys — some will say
Yet I’ll tell one — if I’m able
That some odd tempers take it may
Either for truth — or a fable

A sort of wisper’s in the air
That Pandaemon’um Peers are met
But loud enough — some ears to hear
And now they do in council set

Satan — address’d his higher Pow’rs
My friends — what I’ll propose you’ll see
Will benifit both yours — and ours
And much improv’d our realm will be

We want more slaves for drudging work
Sewers and boghouses to clean
That well can labour in the murk
And clear away the soil — not seen

Our drains that to Cocytus run
Are choak’d — from whence such stench arise
That must affect us ev’ry one
Our healths endanger — and our eyes

Of women slaves we want a few
As nurses for our Devilkins
To keep them sweet — and wipe their queu[‘s]
So nothing fret their tender skins

The sex besure you don’t mistake
For I remember once before
As some for He’s you She’s did take
Which set our realm in an uproar

My good compatr’ots I advise
You hunt like those on Guinea coast
Use artifice — yourselves disguise
See who can lure — and trap the most

Here Satan — ended his harangue
Their wings they flap — and ape their jaws
With teeth they make a horrid clang
In gen’ral token of applause

A sudden rumbling now exist
Some change to Vultures — Apes — and Hogs
All Proteus like to what they list
Others to Serpents — Newts — and Frogs

Some Keener Devils than the rest
Direct — transform’d themselves to Gold
Well knowing it of snares the best
As nat’ons for it have been sold

The pond’rous gates now open fly
And all rush out their sev’ral roads
In full pursuit of slaves they hie
And swarms they bring to their abodes

The golden lumps had such success
More than the others double caught
Of all descript’ons more or less
Their baits they had so artful fraught

In thought among these tribes you see
Cozening Knaves — and Thieves — beside
The worst of wretches that can be
Envy — Avarice — Mischief — Pride

What horror must these beings feel
Down in the Sink — of mis’ry thrown
Condemn’d — shut out from all appeal
By evil — being downward prone

They like their masters lov’d to prowl
And aim’d to trick and bubble all
So now in Slavery let them growl
Themselves they'[v]e bubbled into thral

Be on your guard for to escape
These Semi Devils — here are out
For some assume a Cherub shape
And are perpet’al on the scout

Post contributed by Will Hansen, Assistant Curator of Collections.

Frank Espada’s Puerto Rican Diaspora

This month the Archive of Documentary Arts highlights the work of Frank Espada. The images were selected from Nation on the Move – the Puerto Rican Diaspora: Photographs by Frank Espada, 1963-1990, an exhibit currently on view in the Rubenstein Library. The exhibit presents images from Espada’s photographic survey of the Puerto Rican diaspora, with a focus on rural migration in Hawaii and Pennsylvania, and urban migration in New York City and Hartford, Connecticut.

The Rubenstein Library’s Archive of Documentary Arts acquired the Frank Espada Photographs and Papers Collection in 2011. Collection materials include exhibit prints, work prints, contact sheets, negatives, oral history interviews, transcripts, and papers.

 

Washington, D.C., 1973
Williamsburg, Brooklyn, NY, 1984
Pentecostal preacher, East New York, Brooklyn, NY, 1964
The cook's boy, mushroom farm, Kennett Square, PA, 1981

Another March Madness: The American Civil War at 150

Date: Friday, March 16, 2012
Time: 9:00 AM to 7:00 PM
Location: Gothic Reading Room
Contact information: Dr. Shauna Devine, shauna.devine[at]duke.edu

Prominent historians from Duke University, the University of North Carolina-Chapel Hill, North Carolina State University, and Ohio State University will gather at Duke for a one-day symposium marking the 150th anniversary of the American Civil War. It will feature talks and presentations on a wide range of topics related to the war and its ongoing impact a century and a half later.  This event is free and open to the public.  See the symposium’s website for additional information.

The symposium coincides with the Rubenstein Library’s acclaimed exhibit, “I Recall the Experience Sweet and Sad: Memories of the Civil War,” on display through March 30.  Additional materials focused on Civil War medicine from the Rubenstein Library’s History of Medicine Collections will also be displayed in the Gothic Reading Room on the day of the exhibit.

Mending: A Reading with Sallie Bingham

Date: Wednesday, March 14, 2012
Time: 4:00 PM
Location: Biddle Rare Book Room
Contact information: Kelly Wooten, 919-660-5967 or kelly.wooten[at]duke.edu

Sallie Bingham’s Mending: New & Selected Stories spans a career of 50 years, ranging from the fecund Kentucky of her youth to the starker landscapes of New Mexico.  In addition to reading selections from this volume, Sallie will discuss her current project, The Blue Box: Three Lives in Letters based on letters from her maternal forebears. Books will be available for purchase courtesy of the Gothic Bookshop.

Sponsored by the Sallie Bingham Center for Women’s History and Culture.

Happy Birthday, Oreo!

Oreo celebrates its 100th birthday today, marking the anniversary of its introduction on March 6, 1912, by the National Biscuit Company (Nabisco). It went on to become the best-selling cookie in the United States during the 20th century. To commemorate the occasion, Nabisco, now owned by Kraft, has launched a new birthday-cake flavored Oreo and a website where you can share Oreo moments or send Oreo-grams.

1952 advertisement for Oreos

A hundred years of twisting and dipping the black and white cookie also means a hundred years of advertising Oreos to potential consumers. The Hartman Center for Sales, Advertising & Marketing History has a number of historic Oreo advertisements in its collections. The earliest print ads show Oreos alongside other Nabisco products, such as the Uneeda Biscuit and Lorna Doone Shortbread. These advertisements typically featured a young boy in a yellow raincoat. This character was developed by Philadelphia-based advertising agency N.W. Ayer & Son to highlight the effectiveness of Nabisco’s innovative moisture-proof packaging (called In-er-seal) in an era when other biscuits were packed by grocers in paper bags. Ads urged consumers to “look for the red seal.”

1923 advertisement for Oreos

 

 

 

 

 

 

 

 

 

 

 

Oreo has had several name variations during its long life. It entered the world as “Oreo Biscuit,” changed to “Oreo Sandwich” in 1921 and then to “Oreo Creme Sandwich” in 1948. Now it’s just “Oreo” and billed as “Milk’s Favorite Cookie.” Nabisco introduced Double Stuf Oreos in 1975 and the Fudge Covered Oreos (pictured, below right) in 1987, just in time for the cookie’s 75thbirthday. Now the brand is sold worldwide – you can even get Green Tea Oreos in China and Japan!

Post contributed by Liz Shesko, Reference Intern, Hartman Center for Sales, Advertising, and Marketing History.

1988 advertisement for Fudge-Covered Oreos
Grocer's promotional display for Oreos, ca. 1900-1930

Rights! Camera! Action!: 12th & Delaware

Twelfth and Delaware posterDate: Tuesday, March 13, 2012
Time: 7:00 PM
Location: The FHI Garage, Smith Warehouse Bay 4, 114 S. Buchanan St. (map)
Contact information: Patrick Stawski, 919-660-5823 or patrick.stawski(at)duke.edu

Co-Director Heidi Ewing and Carey Pope (Executive Director of NARAL Pro-Choice North Carolina) will lead a discussion following the film.

12th and Delaware takes its name from an intersection in Fort Pierce, Florida, where an abortion clinic named A Woman’s World sits across the street from the pro-life Pregnancy Care Center. Pregnant teenagers and women often mistake the pro-life center for the abortion clinic, and are patiently and persuasively counseled by its staff, often with deceptive tactics, to keep their pregnancies. Meanwhile, the medical staff of the clinic try to counsel patients to make their own choices and to perform their work as pro-life protesters walk the sidewalk in front of the clinic day and night. Turning a non-judgmental lens on both camps, filmmakers Rachel Grady and Heidi Ewing use the extraordinary access they gained to practitioners, protestors, and patients to show us a conflict with seemingly no possible resolution.

The screening will be followed by a discussion panel. Heidi Ewing has been making critically acclaimed documentary films and television programs with co-director and -producer Rachel Grady for over ten years. Their film Jesus Camp, a candid look at Pentecostal children in America, was nominated for a 2007 Academy Award for best documentary feature. Two years earlier, The Boys of Baraka, about a group of “at-risk” pre-teens from Baltimore who attend an experimental boarding school in Kenya, was nominated for an Emmy. 12th and Delaware premiered at the 2010 Sundance Film Festival and, among other honors, won the Kathleen Bryan Edwards Award for Human Rights at the 2010 Full Frame Documentary Film Festival.

Carey Pope is the Executive Director of NARAL Pro-Choice North Carolina. She has worked in the fields of reproductive and sexual health education, research and advocacy for more than eight years in Houston, Washington, DC, and North Carolina. She holds a master’s degree in public policy and women’s studies from The George Washington University and a B.A. in English and women’s studies from North Carolina State University.

About Rights! Camera! Action!: Featuring award-winning documentaries about human rights themes from Durham’s annual Full Frame Documentary Film Festival, the series explores issues ranging from the immigration and refugee rights to the justice system and the environment. All films featured in the series are archived at the Duke Library and are part of a rich and expanding collection of human rights materials. Co-sponsors include The Human Rights Archive, the Duke Human Rights Center, the Archive of Documentary Arts, the Franklin Humanities Institute and the Program in Arts of the Moving Image (AMI).  Special co-sponsor for this screening: Sallie Bingham Center for Women’s History and Culture.

 

Lynn Saville’s Night Views

This month the Archive of Documentary Arts highlights the work of nocturnal photographer Lynn Saville. The images were selected from Night Vision: Photographs of William Gedney and Lynn Saville, exhibited in the Rubenstein Library in 2005.   The Lynn Saville Photograph collection contains over two hundred black and white and color prints, the majority photographed at night.

Smith and Ninth Street, Brooklyn, 2002

 

Lynn Saville photograph, Palais Royale, Paris, 1999
Palais Royale, Paris, 1999
Lynn Saville photograph of graffiti in Brooklyn
Dancer on Front Street, Brooklyn, 1997
Lynn Saville photograph of Brooklyn Bridge
Brooklyn Bridge Fog, 1999