Filmmaker James Longley: Portraits from the Middle East

Date: Friday, 29 October 2010
Time: 6:30 PM
Location: Nasher Museum of Art at Duke University
Contact Information: Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

Join the Archive of Documentary Arts for an evening with documentary filmmaker James Longley. Known for his intimate and poetic portraits of individuals and families caught in the political turmoil of Iraq, the Gaza Strip, and Pakistan, Longley was awarded a MacArthur “Genius” Grant in 2009. His Oscar-nominated film, Iraq in Fragments, won the Full Frame Documentary Film Festival Grand Jury Prize in 2006. Arts advocate, author, and accomplished television interviewer Barbaralee Diamonstein-Spielvogel will facilitate the discussion.

This event inaugurates the Barbaralee Diamonstein-Spielvogel Visiting Filmmaker Series, established by Duke University with generous funding from the Diamonstein-Spielvogel endowment fund. The series will feature artists whose work addresses significant contemporary topics of social, political, economic, and cultural urgency. Filmmakers chosen to participate will have a recognized body of work and show promise of future contributions to documentary filmmaking. Visiting filmmakers will be invited to Duke for a two-day residency.

The Diamonstein-Spielvogel series is unique in its exclusive attention to documentary filmmakers with a global perspective. By giving Duke faculty and their students an opportunity to explore the films of socially-engaged filmmakers and discuss the work with them, this new series hopes to inspire and encourage the next generation of young documentarians.

The series is co-sponsored by the RBMSCL, the Program in the Arts of the Moving Image, and the Center for Documentary Studies.

Screen / Society will screen several of Mr. Longley’s films in the weeks leading up to his visit. Check the Screen/Society Fall 2010 schedule for additional details and contact information:

Iraq in Fragments **TONIGHT!**
Date: Wednesday, 13 October 2010
Time: 7:00 PM
Location: Griffith Film Theater, Bryan Center, Duke University

Sari’s Mother and Gaza Strip
Date: Wednesday, 20 October 2010
Time: 7:00 PM
Location: Griffith Film Theater, Bryan Center, Duke University

Having Our (Birthday) Cake….

The Devil’s Tale’s birthday (today!) happens to coincide with National Dessert Month. In honor of these two very important occasions, we’re going to be publishing dessert recipes from our collections every Friday this month. We’ll begin today, of course, with a birthday cake recipe from Gold Medal Flour’s 1931 New Party Cakes for All Occasions, part of the fine Nicole Di Bona Peterson Collection of Advertising Cookbooks.

It might be slightly more . . . normal than some of the recipes we’ve previously posted (frozen cheese, anyone?), but it sure is pretty.

Birthday Cake

3/4 cup shortening
2 cups sugar
3/4 tsp. salt
3 1/2 cups cake flour
5 tsp. baking powder
1 1/2 cups milk
1 1/2 tsp. flavoring
5 egg whites

Cream the shortening and add the sugar gradually. Sift the flour once before measuring. Mix and sift the flour, salt, and baking powder, and add alternately with the milk. Add the flavoring—vanilla and almond together are good. Fold in the stiffly beaten egg whites. Pour into well greased and floured pans and bake. Cool and frost with pink and white icing.

NOTE: Part of icing may be colored pink with vegetable coloring matter and used on sides of cake with white icing on top and between layers. Pink candles to match sides can be placed on top of cake for birthday party.

Happy birthday, Devil’s Tale!

Special thanks to Lynn Eaton, Hartman Center Reference Archivist, for helping us find this recipe.

The Devil’s Tale Turns One!

Virginia Dare Advertising Card. From the Advertising Ephemera Collection.

Today The Devil’s Tale turns one year old, and it seems only fitting to pause for a moment and celebrate. (It’s also National Dessert Month, so we will be celebrating with a cake here in the RBMSCL.)

Where else would you hear about extracting sunbeams from cucumbers or hear the real back story of the Duke-Alabama football rivalry? Blog followers were the first to hear that Duke had acquired the papers of South Carolina author Dorothy Allison, Nobel-laureate economist Paul Samuelson, and jazz master Frank Foster. Together we marked holidays large and small with selections from our collections, from Thanksgiving to Free Comic Book Day, proving that there’s something in our collections for every occasion (and almost every research interest).

Thank you to everyone who has posted a comment or passed on a post to a friend. We invite you to become a Devil’s Tale follower so we can keep you up-to-date on upcoming events and exhibits and all the latest news. Happy birthday, Devil’s Tale! (And three cheers for our intrepid blog editor Amy McDonald!)

Post contributed by Naomi Nelson, Director of the RBMSCL.

(Intrepid editor’s note: And thanks to everyone at the RBMSCL for their daily help with the care and feeding of The Devil’s Tale!)

Special Screening of The Ants

Date: Tuesday, 5 October 2010
Time: 8:00 PM
Location: White Lecture Hall, East Campus (map and directions)
Contact Information: Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

Cine-East: East Asian Cinema and Screen/Society present The Ants (Ari no Heitai), winner of the Humanitarian Award (Documentary) at the 2006 Hong Kong International Film Awards. Kaoru Ikeya’s documentary tells the story of Waichi Okumura, one of over one thousand Japanese soldiers (the “ants” of the title) to remain in China after the conclusion of World War II, ostensibly to “incubate new military cells” but really to be used by the Chinese Nationalists in the battle against Mao’s forces.

This special presentation is made possible by the Full Frame Archive, part of the RBMSCL’s Archive of Documentary Arts, and will be introduced by Tanya Lee, Full Frame Archive intern.

The Asian/Pacific Studies Institute, the Program in the Arts of the Moving Image, and the Department of Asian and Middle Eastern Studies are co-sponsors of the screening.

Founders’ Day Traditions

(click to enlarge)

The practice of honoring the benefactors of Trinity College and Duke University was formalized by the Board of Trustees on June 4, 1901, when October 3 was designated as Benefactors’ Day in honor of Washington Duke. The original intent “to honor Washington Duke forever” has been kept in spirit, but the name and date of the annual observance has changed over the years. It has been called Benefactors’ Day (1901-1924), Duke University Day (1926-1947), and, since 1948, Founders’ Day. The most elaborate celebrations occurred during the year-long Centennial Celebration of 1938-1939, and on the 100th anniversary of James B. Duke’s birth in 1956.

After the creation of Duke University in 1924, the date shifted to December 11 in honor of the signing of the Indenture of The Duke Endowment. For several decades, tree-planting ceremonies were a traditional part of the festivities. In 1997, the ceremonies were moved back to a date in the early fall, usually the weekend closest to October 3rd. Events include a memorial for members of the community deceased during the year passed, recognition of outstanding students, faculty, and staff, and the presentations of awards for teaching, the Distinguished Alumni Award, and the University Medal for Distinguished Meritorious Service at Duke.

Post contributed by Tim Pyatt, Duke University Archivist.

The RBMSCL Celebrates Banned Books Week

In honor of Banned Books Week, we’ve asked the staff of the RBMSCL to reflect upon their favorite banned or challenged book:

“To me, The Adventures of Huckleberry Finn is the quintessential banned book. Hilarious, heartfelt, and packed with classic scenes, it has also been seriously offensive in very many ways to very many people in the 125 years since its publication. And yet there has never been any consensus on what, exactly, makes it worth burning—its immorality, poor spelling and grammar, racism, homoeroticism, and encouragement of juvenile delinquency have all come under fire. The book itself remains as tricksy as its narrator, and as its native time and place.”

—Will Hansen, Assistant Curator of Collections

“One challenged book that I enjoyed reading and discussing in school was Their Eyes Were Watching God by Zora Neale Hurston. Not only does this book break away from many literary norms, but I think it also succeeds in charging its readers to think about aspects of community, identity, and survival.”

—Jennifer Thompson, Research Services and Collection Development Librarian for the Franklin Research Center

“Widespread celebrations have marked the 50th anniversary of the publication of Harper Lee’s To Kill a Mockingbird, one of the American Library Association’s Top 100 banned or challenged novels of the 20th century. As a girl in 1960s Alabama, I was deeply troubled by the pervasive racial inequity that was so much a part of the social fabric. I felt a powerful identification with Scout and her father, Atticus, gave me hope that, eventually, individuals might change that fabric.”

—Elizabeth B. Dunn, Research Services Librarian

“While not a banned book (banned broadside), Martin Luther’s 95 Theses which he nailed on the Wittenberg Church door on Oct. 31, 1517 greatly influenced me. As an undergraduate at Duke just after the period of social protests in the 1960s, the idea that a provocative list of concerns by an early 16th century monk could transform the establishment inspired me. I went on study Luther and wrote my senior theses on the use of hymnody for protest. Perhaps those protest songs of the 1960s were not so novel after all!”

—Tim Pyatt, Duke University Archivist

“Thomas Paine’s Rights of Man, a rejoinder to Edmund Burke’s 1790 denunciation, Reflections on the Revolution in France, was so popular that it was published multiple times in 1791 and caused a furor in England. Paine argued that human rights are natural (not given) rights and that government’s are a product of and always accountable to the people. Not unexpectedly, Rights of Man was banned by the British crown for supporting the French Revolution and led to the prosecution of Paine who wisely had left England prior to his conviction. In a time when our nation’s human rights record is questionable to say the least, I am heartened, encouraged, and inspired by Paine’s courage and conviction in arguing that human rights are the foundation of a just society and the publication of Rights of Man reminds me that human rights have been with us since the birth of this country.”

—Patrick Stawski, Human Rights Archivist

Take a look at the lists of Frequently Challenged Books available at the American Library Association’s website and tell us about your own favorite banned or challenged books!

Honoring Jean O’Barr

Date: Thursday, 30 September 2010
Time: 3:00 PM
Location: Duke Women’s Center (map and directions)
Contact Information: Kelly Wooten, 919-660-5967 or kelly.wooten(at)duke.edu

Professor Jean O’Barr. Photo by Eleanor Mills.

The Sallie Bingham Center for Women’s History and Culture and the Duke Women’s Center invite you to a gathering in celebration of Professor Jean O’Barr, founder of Duke’s Women’s Studies Program and co-founder of the Bingham Center.

Professor O’Barr will be honored with the University Medal for Distinguished Meritorious Service at this year’s Founder’s Day Convocation, which will follow this reception at 4:00 PM in Duke Chapel.

The First Homecoming

On November 11, 1924—exactly one month before James B. Duke would make the gift that would transform Trinity College into Duke University—Trinity held its first official homecoming. It was also Armistice Day, which commemorated the end of World War I, and was a holiday for most folks. Football was the centerpiece of the day and the largest crowd to ever see a Trinity athletics event gathered at Hanes field (site of today’s Williams Field on East Campus) as the Blue Devils lost to Wake Forest. Nearly 1,000 alumni attended the events that day, which included a gathering of alumni clubs as well as the screening of the film, “A Year at Trinity.”

Homecoming Parade, 1941.

Over the years parades, skits, and musical performances have been added to the homecoming festivities. One thing has not changed—the chance for alumni to return home to their alma mater and relive those glory days of college.

To see photographs of homecomings past, visit the University Archives’ “Homecoming Celebrations” set at Duke Yearlook, our Flickr photostream.

Post contributed by Tim Pyatt, Duke University Archivist.

Treasures of the TCHS

Date: Tuesday, 28 September 2010
Time: 3:30 PM
Location: Rare Book Room and Perkins Library Gallery
Contact Information: Amy McDonald, 919-681-7987 or amy.mcdonald(at)duke.edu

Piece of Wood, undated. From the Trinity College Historical Society Collection.

Ever wonder how the Rare Book, Manuscript, and Special Collections Library got its start? When faculty started using primary sources in their teaching? Why the University Archives keeps a seemingly random chunk of wood in its collections?

Find out all this and more as the co-curators of “‘As Far As Possible from Forgetfulness’: The Trinity College Historical Society” lead a gallery tour and talk about this popular exhibit, on display in the Perkins Library Gallery through October 10.

University Archivist Tim Pyatt will start the celebration with a brief history of the TCHS. Then co-curators Meghan Lyon, Amy McDonald, and Kim Sims will lead a tour of exhibit in the Perkins Library Gallery, sharing some of the stories behind the artifacts in the cases and the people who collected them. A reception in the Rare Book Room will follow their remarks.

Post contributed by Tim Pyatt, Duke University Archivist.

Duke Jazz Ensemble Celebrates Frank Foster

Date: Friday, 1 October 2010
Time: 8:00 PM
Location: Baldwin Auditorium (map and directions)
Contact Information: Jeremy Smith, 919-660-5839 or jas5(at)notes.duke.edu

Frank Foster, ca. 1970s. From the Frank Foster Papers.

The Duke University Jazz Ensemble, led by John Brown, presents a concert celebrating living jazz legend Frank Foster.

This concert will include Foster’s new arrangements of compositions by North Carolina musicians, completed to commemorate his association with Duke University. Duke Jazz Studies Program alums and past guest artists will join the performance with the Duke Jazz Ensemble.

Foster’s papers were recently acquired by the RBMSCL’s Jazz Archive. A Grammy Award-winning composer and saxophonist, Foster was a member of the Count Basie Orchestra,  and lead the group from 1986 to 1995. In 2002, he was presented with a Jazz Master Award from the National Endowment for the Arts.

For more details, including information about purchasing tickets, visit the Duke Department of Music’s event webpage.

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University