Freedom Politics: From Jim Crow through Civil Rights and Black Power

Date: Wednesday, April 14, 2010
Time: 1:30 PM (please see schedule)
Location: Room 240, John Hope Franklin Center (directions)
Contact Information: fhi(at)duke.edu

"After a cross is burned in front of a freedom house, it is turned into a freedom sign." Photographed by Tamio Wakayama.

2009-2010 Mellon HBCU Fellows Rhonda Jones and Dirk Philipsen will bring together leading African American Studies scholars for the Franklin Humanities Institute‘s 2nd Annual HBCU Fellowship Program Symposium. The symposium will explore the relationship between education and democracy, from the history of student-led social movements like SNCC to the use of African American oral histories in civic education today.

The symposium is co-sponsored by John Hope Franklin Research Center for African and African American History and Culture and the Mary Lou Williams Center for Black Culture.

Please register by e-mailing fhi(at)duke.edu by Friday, 9 April. A light dinner will be provided for participants in the 5:30 PM workshop, so please indicate in your e-mail if you plan to attend that session. Registration is free.

“The Power of Refined Beauty: Photographing Society Women for Pond’s”

Date: 5 April-22 August 2010
Location and Time: Special Collections Gallery during library hours
Contact Information: Jackie Reid, 919-660 5836 or j.reid(at)duke.edu

Nadejda, Marchioness Milford Haven, n.d., by Edward Steichen. Photograph courtesy of the J. Walter Thompson Company Archives.

Nadejda Mikhailovna Romanov Mountbatten, Marchioness of Milford Haven, won a Charleston dance competition at Cannes in 1921 with the future King George VI.

Anne Tracy Morgan organized the American Fund for French Wounded, earning the Croix de Guerre and recognition from the French Legion of Honor.

Clare Josephine O’Brian Egerton, Duchess of Sutherland, lost $84,000 of jewels on the morning of Queen Elizabeth II’s coronation.

Along with other socialites, heiresses, and royalty from families such as the Vanderbilts and the Roosevelts, these women appeared in Pond’s socialite endorsement campaign, masterminded by the J. Walter Thompson Company. The Hartman Center‘s new exhibit,”The Power of Refined Beauty: Photographing Society Women for Pond’s, 1920s-1950s,” charts the course of this wildly-successful thirty-year campaign.

Adding to the prestige of the campaign, the women’s photographs were taken by distinguished fashion photographers such as Edward Steichen, Baron Adolph de Meyer, Louise Dahl-Wolfe, and Cecil Beaton.

A print catalog of these photographs will complement the exhibit. Please e-mail hartman-center(at)duke.edu to request a copy.

Sam Stephenson and The Jazz Loft Project

Date: Monday, 12 April 2010
Time: 12:00 PM
Location: Rare Book Room
Contact Information: Jeremy Smith, 919-660-5839 or jas5(at)notes.duke.edu

Join us as the Jazz Archive hosts Sam Stephenson, director of the Jazz Loft Project.

Sam will discuss the history of his work on this fascinating audio and photographic archive and will highlight some of the recent project results, including a new book, radio series, and traveling photography exhibition. The Gothic Bookshop will provide copies of The Jazz Loft Project at a 20% discount and Sam will be available to sign copies.

Guests are invited to bring their own lunches, but dessert and drinks will be provided.

Pharaoh Peepses II

Meghan Lyon, our technical services assistant, just came back from a week in the Land of the Pharaohs. Just for fun, she and her husband Vaughn took along a packet of Peeps. “The weirdest part,” she notes, “was that they never melted, despite it being over 100 degrees on most days.”

This photograph, taken at the Ramesseum, is included in National Geographic Traveler’s Peeps in Places contest. We hope she wins! (Go vote!)

And, lest you object that this post doesn’t relate to the RBMSCL’s collections, we offer this fragment of a literary text from our papyri collection. It dates from Ramesses II’s lifetime.

“The Library, The Archive, The Collection”: Research as Studio Practice in the Art of the Moving Image

Date: Tuesday, April 6, 2010
Time: 12:30 PM
Location: Rare Book Room
Contact Information: Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

A still from “The Great Art of Knowing” showing Byrd’s bookplate.

Award-winning filmmaker and Guggenheim Fellow David Gatten will present his 2004 film, “The Great Art of Knowing.”

The film belongs to a series exploring the extensive library of William Byrd II, a prominent 17th-century Virginian landowner and author. Taking as a point of departure Athanasius Kircher‘s Ars Magna Sciendi (often translated as The Great Art of Knowing), the film attempts a reconstruction of the lives of William Byrd and his daughter Evelyn, and underlines the centuries-old desire to build systems of total knowledge and complete understanding.

Gatten is the 2010 Distinguished Visiting Filmmaker for Duke’s Program in the Arts of the Moving Image. His residency is funded by the Provost’s Council for the Arts Visiting Artist Residency grant.

In addition to his 2005 Guggenheim Fellowship, Gatten has shown his films at the Whitney Biennial, the Toronto International Film Festival, the London Film Festival, and several other international film festivals. His work belongs to the permanent collections of the Art Institute of Chicago and the Whitney Museum of American Art, as well as those of numerous university and private collections.

Talking Toward Common Ground

Date: Thursday-Friday, March 25-26, 2010
Time: please see schedule
Location: Friedl Building, East Campus
Contact Information:


This timely conference will bring together the worlds of social sciences and humanities research for a conversation about how the two can mutually benefit in improving our knowledge of race, inequality, and social difference. Speakers include Duke professors Mark Anthony Neal, Wahneema Lubiano, Dante James, Michael Hardt, and Lee Baker.

The conference is free and open to the public, but attendees are asked to register in advance. Public parking information and directions are also available here.

Sponsored by the Center of African American Research in the Department of African and African American Studies. Co-sponsored by the Research Network on Racial and Ethnic Inequality, Sanford School of Public Policy, Mary Lou Williams Center, Department of Sociology, John Hope Franklin Research Center for African and African American History and Culture, John Hope Franklin Institute for the Humanities, and the Department of Cultural Anthropology.

Solidarity with Incarcerated Women

Date: Monday, March 29, 2010
Time: 6:00 PM
Location: Duke Women’s Center (map and directions)
Contact Information: Kelly Wooten, 919-660-5967 or kelly.wooten(at)duke.edu

When we think of prisoners, we generally think of men. Yet according to the Bureau of Justice Statistics, over 114,000 women are currently incarcerated in the United States.

In Monday’s discussion, Victoria Law, author of the newly-released Resistance Behind Bars: The Struggles of Incarcerated Women and publisher of Tenacious: Art and Writings from Women in Prison, will examine the particular challenges facing incarcerated women and discuss their past and present strategies of resistance.

Alexis Pauline Gumbs, Duke graduate student and member of the organizing committee for Durham’s Harm Free Zone, will talk about the Harm Free Zone process and facilitate interactive writing exercises based on some of the writings in Tenacious.

This event is co-sponsored by Duke’s Women’s Center, the Sallie Bingham Center for Women’s History and Culture, and the Archive for Human Rights.

Because Thomas Jefferson Said So

And now for a brief history lesson. George Walton was the governor of Georgia for two months in 1779 and then from 1789 to 1790. We found this letter (click image to enlarge) from then-Secretary of State Thomas Jefferson among the small collection of Walton’s papers housed at the RBMSCL. Jefferson writes that he is sending Walton “two copies duly authenticated of the Act providing for the enumeration of the inhabitants of the United States.” Jefferson is referring, of course, to the Census Act of 1790, which authorized the first census of the inhabitants of the new United States.

The census, you see, is very dear to the archivist’s heart. We often use census records, whether it’s to learn about families from long ago whose papers we’re processing or to help researchers discover information about their great-great-great grandparents. So we hope you won’t mind our appeal to you to carefully fill out and mail your census forms. After all, we have Thomas Jefferson’s authority behind us.

Women’s Education Symposium Redux: Scholarship Panel

Date: Friday, March 26, 2010
Time: 12:00 PM
Location: Perkins Library Room 118
Contact Information: Kelly Wooten, 919-660-5967 or kelly.wooten(at)duke.edu

Bring your bag lunch to the library and join the staff of the Sallie Bingham Center for Women’s History and Culture to watch videos from their 30 October 2009 symposium, “What Does It Mean to Be an Educated Woman?”

This month, the “Scholarship and Education” panel will be shown. The full list of speakers, which include University Librarian Deborah Jakubs, is available at the online symposium schedule. Desserts will be provided!

A viewing of the third panel has been scheduled for 23 April. Stop by The Devil’s Tale in the coming weeks for reminders and more information.

We’ll miss you if you can’t attend, but—just in case—the videos are also available online.

Q & A with Andrew Kahrl

Tomorrow, the Franklin Research Center will host Dr. Andrew Kahrl, who will present”Losing the Land: African American Ownership of Coastal Property.” We asked him a few questions in anticipation of his talk, which is based on his research in our Behind the Veil oral histories collection.

Q: Could you give us a preview of your talk?

Andrew: I’m going to trace the history of African American coastal land ownership from the late 19th century to the present in order to better understand the relationship between race and real estate development in the making of the modern Sunbelt South and the long civil rights movement.

I plan to discuss the rise of coastal black landownership in the post-emancipation era; African Americans’ economic and emotional investment in coastal property and leisure space under Jim Crow; and the impact of changes to the region’s political economy on black landownership and notions of land-based empowerment. I’ll highlight some of the more revealing interviews in the Behind the Veil collection that speak to the struggle of African Americans to acquire and defend coastal property under Jim Crow and the role of black-owned leisure spaces in shaping class and culture behind and along the color line, as well as the various strategies of expropriation black coastal landowners faced—and continue to face—at the hands of real estate developers, the courts, and public officials from the 1970s to the present.

Overall, I hope to use the story of African American beachfront property to offer new insights into the intertwined stories of Jim Crow, civil rights, and the making of the Sunbelt, and to stimulate discussions on the spatiality of race, wealth, and privilege in modern America.

Q: Tell us more about your research in the Behind the Veil oral histories. Have you made any surprising discoveries?

Andrew: I have made some fascinating discoveries in the Behind the Veil collection. Two years ago, I listened to a small sampling of interviews conducted with residents of coastal cities. Interviewees recounted stories of the places that are the subject of my research that I simply could not have found elsewhere, and offered clues to the hidden history of places and cases of land acquisition and expropriation that led me to pursue other records and, in the end, make fascinating discoveries. In particular, their personal stories of the different strategies real estate developers and their allies in public office employed to seize valuable, black-owned coastal property have helped me piece together a broader set of land-use practices and legal strategies that transformed America’s coastlines in the second half of the 20th century.

The Behind the Veil Collection offers rich and moving stories of African Americans’ struggles to carve out spaces for pleasure and relief under Jim Crow, and reinforces, in my mind, the importance of land ownership in the black freedom struggle and the impact of African Americans’ steady loss of land in recent decades on relations of political and economic power in the South and the nation.

Thanks, Andrew!

Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University