All posts by Liz Milewicz, Ph.D.

When Art Makes the Man

Undergraduate course and exhibition, Rivalrous Masculinities, explores competing constructions of masculinity over time.

It’s one thing to tell a student that gender is constructed. It’s quite another to ask a student to collect and explain historical images of masculinity. Add to that the added challenges of communicating these insights in a foreign language with students in another country in order to develop an exhibition for the Nasher Museum of Art, and you have no ordinary undergraduate class.

In this case, the class is Rivalrous Masculinities, a seminar co-developed by Professor Anne Marie Rasmussen and Ph.D. candidates Steffen Kaupp and Christian Straubhaar of the German Languages department. They structured this course so that their students would meet and work regularly with students at German universities in order to construct an exhibition focusing on competing social and cultural constructions of masculinity over time.

RM-Exhibit-Poster
Click on the image to visit the online exhibition

With approval and funding from the Mellon Foundation-funded Humanities Writ Large project, this Rivalrous Masculinities project team was put in touch with Will Shaw (Duke University Libraries’ Digital Humanities Technology Consultant), who steered them in the direction of Omeka, a freely available and open source web-publishing platform especially useful in the organization and online presentation of image collections. Students in the fall 2012 Rivalrous Masculinities course used Omeka to collect, describe, and share images with their classmates and instructors.

This collective research can now be viewed as part of a virtual exhibition, launched in March 2013 and available through 2014. Students signed up for the fall 2013 Rivalrous Masculinities course will continue the project, this time in collaboration with students from Humboldt University of Berlin and the University of Hamberg, to prepare a physical exhibition of these works in the Nasher Museum of Art in 2014.

New Library Service: Digitize This Book

The Duke University Libraries are pleased to announce a new digitization-on-demand service that lets you have out-of-copyright books scanned and delivered to you digitally for free.

Internet Archive Scribe
From stacks to scanner to your inbox. We’re piloting a new service to digitize public domain books for Duke users on demand.

digitize_this_book2Starting this semester, Duke University faculty, students, and staff can request to have certain public domain books scanned on demand. If a book is published before 1923* and located in the Perkins, Bostock, Lilly, or Music Library or in the Library Service Center (LSC), a green “Digitize This Book” button (pictured here) will appear in its online catalog record. Clicking on this button starts the request.

Within two weeks (although likely sooner), you will get an email with a link to the digitized book in the Duke University Libraries collections on the Internet Archive. You—and the rest of the world—can now read this book online, download it to your Kindle, export it as a PDF, or get it as a fully searchable text-only file. And you never have to worry about late fees or recalls!

Throughout the spring semester, Duke University Libraries will be testing how this service works and tweaking the process. Pending the results of this pilot, we hope to expand this service to other library materials and users.

So give it a try, and let us know what you think! Email us directly at digitizebook@duke.edu. If you have questions, feel free as always to ask a librarian.

For answers to some Frequently Asked Questions about the “Digitize This Book” service, visit the Duke University Libraries + Digital Scholarship site.

*Because of copyright restrictions, only books published before 1923 that have entered the public domain are eligible for this service.

A New View of “Gitmo”

Revisiting the U.S. Naval Station, Guantánamo Bay, through the Duke University Libraries’ Caribbean Sea Migration Digital Collection

A “Mata de Navidad” (Christmas bush), constructed by Cuban detainees in a Guantánamo Bay tent city, 1994-1995.

When you hear the word “Guantánamo,” you probably don’t think of tent cities with families and children, religious festivals, and locally run newspapers.

But the Guantánamo Bay of the 1990s differed in many ways from the place Americans came to know after the September 11, 2001, terrorist attacks. Images of this earlier Guantánamo and its inhabitants, recently digitized by the Duke University Libraries, will soon be touring the country as part of an exhibit developed by the Guantánamo Public Memory Project, an initiative based at the Institute for the Study of Human Rights at Columbia University. The exhibit, opening in New York City on December 13 and touring the United States through 2014, explores the complex and controversial history of “Gitmo.”

Two Haitian boys are given a medical exam aboard the US Coast Guard cutter Chase by Chief Warrant Officer Paul Healey, in October 1981.

“We were fortunate to have advance access to the [Caribbean Sea Migration] collection, so that nearly 100 students at 11 universities across the country could use it extensively to prepare our traveling exhibit on the long history of the U.S. Naval Station at Guantánamo,” said Liz Ševčenko, Founding Director of the Guantánamo Public Memory Project and faculty member at the Institute. “It’s a tremendous resource for researchers and the general public.”

During the years 1991-1993 and again in 1994, tens of thousands of Haitians, fleeing political upheaval and repression, were interdicted by the U.S. Coast Guard and removed to the U.S. Naval Station at Guantánamo Bay, Cuba. While they awaited decisions on whether they would be repatriated to Haiti or allowed to apply for asylum in the U.S., the Haitians made a life in the tent cities established for them by the U.S. military.

In 1994 over 30,000 Cubans set out from Cuba by sea for the United States. Among them was Pavel Rodríguez, a nine-year-old boy who, along with his family, was interdicted by the U.S. Coast Guard and taken to Guantánamo. Pavel, who years later would enroll at Duke University Medical School, remembers both the anxiety arising from prolonged detention at GTMO and the sense of community among the refugees. Pavel recalls fellow Cubans at GTMO forming a newspaper at the camp and opening an art gallery, along with his own memories of “chasing iguanas and flying kites behind barbed wires and fences guarded by heavily armed soldiers.”

Draft of a news release for the camp publication Sa K’Pase, announcing an American-style summer camp for children in Guantánamo Camp IIA, 1992.

Stories like Pavel’s, and those of many others like him, make up the recently digitized Caribbean Sea Migration Collection, which documents the experiences of the more than 200,000 Haitians, Cubans and Dominicans who traversed the Caribbean Sea in the late 20th century, fleeing political instability in their home countries. Materials in this collection provide varying perspectives on Guantánamo in the late 20th century: from military personnel running the camps, to publishers of and contributors to community newspapers, to detainee-artists creating works reflective of their experience.

For more on the Guantánamo Public Memory Project traveling exhibit, visit their website and blog.

To learn more about the Caribbean Sea Migration and other collections digitized by the Duke University Libraries—which are made freely available for teaching, learning, and research—visit our digital collections website.

 

Why TEI? Text > Data Thursday

When you think of computer-enabled text analysis, do you think of TEI? Whether your answer is yes or no, there’s a reason. TEI (Text Encoding Initiative) mark-up language may be one of the oldest, most widely adopted, flexible and standardized approaches to analyzing text-based materials. It’s also labor-intensive, and difficult (if not impossible) to scale to really large sets of texts. Is it the anti-thesis of text-mining? What’s it’s value for researchers who need to read texts in different ways?

In the next installment of the Text > Data Digital Scholarship series, Will Shaw (UNC graduate student and Duke University Libraries/Humanities Writ Large digital humanities consultant) raises TEI to new prominence. He’ll highlight what TEI offers to text analysis and showcase projects — from multi-year, international DH projects to new endeavors at Duke — that are re-discovering its potential. Join us Thursday, September 27, 2:00-3:30 PM, in Perkins Library 217Register to attend: http://library.duke.edu/events/digital-scholarship/event.do?id=6331&occur=13791

Text Mining Talk > TODAY at 2:30

Ryan Shaw is an assistant professor in the School of Information and Library Science, UNC Chapel HIll.

Date: Thursday, September 20
Time: 2:30-4:00 p.m.
Location: Perkins Library, Room 217 (map)
Contact: Liz Milewicz, (919) 660-5911, liz.milewicz@duke.edu

Today Duke University Libraries launches its new Digital Scholarship Series, Text > Data, with a talk by UNC SILS faculty member Ryan Shaw – 2:30-4:00 PM in Perkins Library 217. All are welcome to attend.

Ryan will provide an overview and a critique of text-mining projects, and discuss project design, methodology, scope, integrity of data and analysis as well as preservation. This presentation will help scholars understand the research potential of text mining, and offer a summary of issues and concerns about technology and methods.

This presentation will be an excellent introduction to text mining as a methodological approach. And if you’re a PhD student, you can earn 2 RCR credits (GS712) for attending this talk — just be sure to register your attendance: http://library.duke.edu/events/digital-scholarship/event.do?id=6321.

Library Supplies “Meat” for NPR

If you’ve been following National Public Radio’s summer series on America’s love affair with meat, you’re sure to have noticed the meat marketing billboards recently featured in NPR’s food blog, with images provided courtesy of the Hartman Center for Sales, Advertising & Marketing History in Duke University LibrariesDavid M. Rubenstein Rare Book and Manuscript Library. Billboard advertising grew apace with the interstate highway system, begun in the 1950s. These images were collected by the companies who created them, as demonstration to clients of the roadside advertising they developed. Today, they’re a sign of their times and the technology and economics that drove beef consumption in the United States.

You can revisit and research more of America’s commercial culture through digitized collections from the Hartman Center. The ROAD 2.0 collection contains all the billboard advertisements featured on the NPR blog, and thousands more of these markers of America’s advertising history. Celebrate the birth of our nation and the birth of billboard advertising by searching for “meat” across this collection!

A billboard featuring Fischer's deli meats, circa 1983, from the ROAD 2.0 collection.