Category Archives: New at the Rubenstein Library

Paul Samuelson Papers Coming to Duke

Paul A. Samuelson, 1950.

The papers of preeminent American economist Paul A. Samuelson (1914-2009), the first American recipient of the Nobel Memorial Prize in economics, will be added to the Economists Papers Project in the Rare Book, Manuscript, and Special Collections Library at Duke. Before his death on December 13th, Samuelson had decided to donate his papers to Duke, where they will join the collections of his MIT Nobel Prize-winning colleagues Robert Solow and Franco Modigliani, as well as those of Nobelists Kenneth Arrow, Lawrence Klein (Samuelson’s first Ph.D. student), Robert E. Lucas, Douglass North, Vernon Smith, and Leonid Hurwicz (all links lead to collection inventories). The Economists Papers Project, developed jointly by Duke’s History of Political Economy group and the RBMSCL, is the most significant archival collection of economists’ papers in the world.

Samuelson was the singular force leading to the post-World War II reconceptualization of economics as a scientific discipline. His “neoclassical synthesis” wedded modern microeconomics to Keynesian macroeconomics, both of which were stabilized through his landmark Foundations of Economic Analysis (1947). His textbook, Principles of Economics, grounded the vocabulary and teaching practices of the economics profession in the second half of the twentieth century, and his career in MIT’s economics department made it the world leader in scientific economics.

Post contributed by E. Roy Weintraub, Professor of Economics, Duke University.

NB: The Paul Samuelson Papers will be transferred to Duke in stages over the next several months. If you are interested in conducting research in the Samuelson Papers once they are made available, please contact Will Hansen at william.hansen(at)duke.edu.

North Carolina Mutual Transfers Collections to Duke and NCCU

Duke University’s John Hope Franklin Research Center for African and African American History and Culture and North Carolina Central University’s University Archives, Records and History Department are the joint recipients of the historical archives of the North Carolina Mutual Life Insurance Company, the nation’s largest and oldest African American life insurance company.

North Carolina Mutual founders John Merrick, C.C. Spaulding, and Aaron Moore
North Carolina Mutual past presidents (l to r) John Merrick, C.C. Spaulding, and Aaron Moore

 

The company’s archives includes thousands of business documents, newsletters, commercials, photography and books which chronicle the vitality of Durham’s “Black Wall Street” in the early 20th century. During the Jim Crow era, North Carolina Mutual allowed the black middle class access to home mortgages, small business loans, and insurance. The archives may be the largest assemblage of African American corporate material in the nation.

 

For more information on using this collection, contact the Franklin Research Center staff at franklin-collection(at)duke.edu.

Franklin Research Center Acquires John Wesley Blassingame Papers

The John Hope Franklin Research Center for African and African American History and Culture is pleased to announce its recent acquisition of the papers of John Wesley Blassingame, the nationally-renowned scholar of American history and author of such influential works as The Slave Community: Plantation Life in the Antebellum South and Frederick Douglass: The Clarion Voice.

Blassingame’s path-breaking scholarship has had a profound impact on the American understanding of slavery and the African American experience. The collection includes correspondence, personal manuscripts and research files from Blassingame’s long academic career, and is particularly rich in materials drawn from his work on the Frederick Douglass Papers.

For more information on using this collection, contact the Franklin Research Center staff at franklin-collection(at)duke.edu.

An Artist Responds to Hurricane Katrina

The artistic response to societal tragedy is always a difficult balance: how can art contribute to understanding and interpreting, without aestheticizing suffering? In the past decade, films, novels, and other creative approaches to events such as the Holocaust, 9/11, and the conflict in Darfur have provoked controversy and debate about art’s place in the discussion of international politics and personal suffering.

Shortly after the fourth anniversary of Hurricane Katrina’s 2005 landing on the Gulf Coast, the RBMSCL acquired a unique artist’s book, Katrina by Beth Thielen, made in 2007. An opening supported by waves of paper reveals tiny human figures trapped in a whirlpool, begging for help. The text asks, “How do we make a just society when there is an underlying contempt for helplessness?”


In correspondence with this post’s author, the artist explained: “I made the work because the moment was such a clear and rare reveal of the darker undercurrents of our country…. During Katrina we all watched the images of people with outstretched arms pleading towards the sky. Is there any image more archetypal of helplessness? It is a crying baby’s pose. Reproachful disdain to helplessness… is as primitive as a school yard bully calling someone a crybaby after taking their candy.” She continues, “To feel with is to feel for. A civilized response.”

Thielen’s work joins another artist’s book in the RBMSCL’s collections, Habitat by Jessica Peterson, which explores Katrina’s destruction of Biloxi, Mississippi. Both works add to our collections of Southern Americana and artists’ books by women. Nearly 300 more works of fiction, films, essays, and scholarly works on Hurricane Katrina can also be found in the Duke Libraries’ online catalog (see these catalog records here).

Post contributed by Will Hansen, Assistant Curator of Collections

Doris Duke Collection Comes “Home” to Duke

The press dubbed Doris Duke “the richest girl in the world” when she inherited a fortune from her father, Duke University founder James B. Duke, in 1925 at the age of twelve. Upon her death in 1993, Duke left the majority of her estate to the Doris Duke Charitable Foundation. The Foundation recently gave its historical archives to the RBMSCL. The Foundation’s historical archives, 800 linear feet of materials (an amount that, stacked vertically, would be four times taller than the Duke Chapel), includes photographs, architectural drawings, and motion picture footage of Doris Duke and the Duke family.

Artist’s rendering of a proposed Duke mansion.
Artist’s rendering of a proposed Duke mansion.

Records of Duke’s Foundation for Southeast Asian Art and Culture, the Newport Restoration Foundation, and the Duke Gardens Foundation are in the archives as are documents related to the operation of her properties: Duke Farms, a 2,700-acre estate in Hillsborough, New Jersey, that her father created at the turn of the 20th century; Rough Point, the Duke family mansion in Newport, Rhode Island; and Shangri La, her home in Honolulu, Hawaii, where she exhibited her extensive collection of Islamic art.

All of the materials in the Doris Duke Charitable Foundation historical archives will be open for research in about two years when processing of the materials has been completed.

More information about the collection may be found here. Or, contact the RBMSCL at special-collections(at)duke.edu.

Post contributed by Tim Pyatt, University Archivist and Associate Director of the RBMSCL.