New Exhibit: Caricature and the Dreyfus Affair

Detail from “Le Traître” (The Traitor), a lithograph depicting Alfred Dreyfus that is part of a new exhibit on caricature and the Dreyfus Affair in the Rubenstein Library.

Exhibit Reception—Please Join Us!
Date: Wednesday, January 30
Time: 4:00 p.m.
Location: Rubenstein Library Photography Gallery, Rubenstein Library, Duke West Campus (Map)
Contact: Meg Brown, meg.brown@duke.edu, 919-681-2071

Few legal cases in French history have been so decisive, and so divisive, as the twelve-year trial, re-trial and eventual acquittal of Captain Alfred Dreyfus. Dreyfus, a Jewish military officer, was falsely accused in 1894 of selling military secrets to the German army. The trial sparked a flurry of anti-Semitism in the popular press and inspired Émile Zola’s famous open letter of outrage, “J’Accuse!”

A new exhibition in the David M. Rubenstein Rare Book & Manuscript Library at Duke examines how the Dreyfus Affair was depicted in the French popular press, with a particular focus on visual illustrations in newspapers and periodicals that covered the trial. A Mockery of Justice: Caricature and the Dreyfus Affair encourages viewers to reconsider the significance of this historical episode that continues to resonate in the present day. As Zola pointed out, the Dreyfus Affair was about more than one man’s guilt or innocence. Also at stake were the very principles upon which the French Republic rested: liberté, égalité, fraternité. More than one hundred years later, the Dreyfus Affair offers a vivid lesson on the dangers of racial prejudice, blind loyalty to the military, and unthinking nationalism.

Cover illustration from “Le Petit Journal” (1895) showing Alfred Dreyfus being stripped of his military honors and titles.

Drawing on the Rubenstein Library’s extensive collection of  late-19th and early 20th-century French periodicals, the exhibit also features a rare series of colorful and attention-grabbing posters that were disseminated throughout Paris at the time. The posters, collectively known as the Musée des Horreurs, were published pseudo-anonymously and feature unflattering caricatures of prominent Jews, Dreyfus supporters, and other individuals involved in the Dreyfus Affair. Another set of posters, known as Musée des Patriotes, glorifies the so-called anti-Dreyfusards, who publicly condemned Dreyfus and sought to undermine his defense.

A complete original set of the Musée des Horreurs and the Musée des Patriotes was recently acquired by the Rubenstein Library and has been digitized in conjunction with the exhibit.

A Mockery of Justice: Caricature and the Dreyfus Affair was sponsored by the Duke Center for Jewish Studies and curated by Alexis Clark, Kathryn Desplanque, and Emilie Anne-Yvonne Luse, doctoral students in the Department of Art, Art History & Visual Studies.

For more information, visit the online exhibit website. To see the complete set of images from the Musée des Horreurs and Musée des Patriotes, visit our digital collections website.

 

Exhibit Details
A Mockery of Justice: Caricature and the Dreyfus Affair
December 12, 2012 – March 9, 2013
Rubenstein Library Photography Gallery
David M. Rubenstein Rare Book & Manuscript Library (Click here for map)
Duke University West Campus
Public Hours: Monday-Friday, 8am–7pm; Saturday, 9am–7pm; Sunday, 10am–7pm
Hours may vary during the holidays. Please check our posted library hours for more information.

A New View of “Gitmo”

Revisiting the U.S. Naval Station, Guantánamo Bay, through the Duke University Libraries’ Caribbean Sea Migration Digital Collection

A “Mata de Navidad” (Christmas bush), constructed by Cuban detainees in a Guantánamo Bay tent city, 1994-1995.

When you hear the word “Guantánamo,” you probably don’t think of tent cities with families and children, religious festivals, and locally run newspapers.

But the Guantánamo Bay of the 1990s differed in many ways from the place Americans came to know after the September 11, 2001, terrorist attacks. Images of this earlier Guantánamo and its inhabitants, recently digitized by the Duke University Libraries, will soon be touring the country as part of an exhibit developed by the Guantánamo Public Memory Project, an initiative based at the Institute for the Study of Human Rights at Columbia University. The exhibit, opening in New York City on December 13 and touring the United States through 2014, explores the complex and controversial history of “Gitmo.”

Two Haitian boys are given a medical exam aboard the US Coast Guard cutter Chase by Chief Warrant Officer Paul Healey, in October 1981.

“We were fortunate to have advance access to the [Caribbean Sea Migration] collection, so that nearly 100 students at 11 universities across the country could use it extensively to prepare our traveling exhibit on the long history of the U.S. Naval Station at Guantánamo,” said Liz Ševčenko, Founding Director of the Guantánamo Public Memory Project and faculty member at the Institute. “It’s a tremendous resource for researchers and the general public.”

During the years 1991-1993 and again in 1994, tens of thousands of Haitians, fleeing political upheaval and repression, were interdicted by the U.S. Coast Guard and removed to the U.S. Naval Station at Guantánamo Bay, Cuba. While they awaited decisions on whether they would be repatriated to Haiti or allowed to apply for asylum in the U.S., the Haitians made a life in the tent cities established for them by the U.S. military.

In 1994 over 30,000 Cubans set out from Cuba by sea for the United States. Among them was Pavel Rodríguez, a nine-year-old boy who, along with his family, was interdicted by the U.S. Coast Guard and taken to Guantánamo. Pavel, who years later would enroll at Duke University Medical School, remembers both the anxiety arising from prolonged detention at GTMO and the sense of community among the refugees. Pavel recalls fellow Cubans at GTMO forming a newspaper at the camp and opening an art gallery, along with his own memories of “chasing iguanas and flying kites behind barbed wires and fences guarded by heavily armed soldiers.”

Draft of a news release for the camp publication Sa K’Pase, announcing an American-style summer camp for children in Guantánamo Camp IIA, 1992.

Stories like Pavel’s, and those of many others like him, make up the recently digitized Caribbean Sea Migration Collection, which documents the experiences of the more than 200,000 Haitians, Cubans and Dominicans who traversed the Caribbean Sea in the late 20th century, fleeing political instability in their home countries. Materials in this collection provide varying perspectives on Guantánamo in the late 20th century: from military personnel running the camps, to publishers of and contributors to community newspapers, to detainee-artists creating works reflective of their experience.

For more on the Guantánamo Public Memory Project traveling exhibit, visit their website and blog.

To learn more about the Caribbean Sea Migration and other collections digitized by the Duke University Libraries—which are made freely available for teaching, learning, and research—visit our digital collections website.

 

2013 Andrew T. Nadell Book Collectors Contest

The Friends of the Duke University Libraries are proud to present the 2013 Andrew T. Nadell Book Collectors Contest.  Since 1947, the Friends have presented the contest in alternate years to promote reading for enjoyment and the development of students’ personal libraries. The 2013 contest is named for Dr. Andrew T. Nadell M’74, an avid collector in the areas of Gothic Revival, Doctors of Medicine, and Learned Professions and Occupations.

The contest includes an undergraduate and a graduate division. Cash prizes for each division are as follows:

 First Prize                                 Second Prize
Undergraduate                                                    $500                                             $250

Graduate                                                                 $750                                             $500

The contest is open to all undergraduate, graduate, and professional students who are regularly enrolled at Duke University.  Students do not have to be “book collectors” to enter the contest.  Collections may be in any area of interest, and they do not have to be academic in nature.  Collections will be judged for the extent to which its books and materials represent a well-defined field of interest.  Monetary value of a collection will not be a factor in judging.

Students who are interested in entering can visit the Book Collectors Contest homepage for more information on the contest.  Students may also contact Megan Lawson (megan.lawson@duke.edu) with any questions.  Entries must be received by February 11, 2013. 

 

 

A Night of 1,000 Cookies

Date: Tuesday, December 11, 2012
Time: 8:00 PM
Location: Perkins Lobby

The weather is growing colder and the Libraries are filled with students busy with work. To the Friends of the Libraries, this can only mean one thing: it’s time for a study break! Once a semester during finals the Friends unleash “A Night of 1,000 Cookies” for students who are ready for a break from studying and in need of a baked treat and a hot drink.  The Friends will fill the Perkins Lobby with homemade goodies, hot coffee, and bottled water to show our support for Duke’s great students.  Be sure to stop by to grab a snack and say hello–before it’s all gone!

The Reading Blue Devil says, “It’s time for a study break!”

The Perkins Study Break is sponsored by: the Friends of the Duke University Libraries, Saladelia, Pepsi, Campus Club, and Student Health Nutrition Services.