Category Archives: News and Features

Week of Students: Rosemary K. J. Davis

We’re wrapping up our celebration of this first week of classes with a final look at one of the wonderful student (well, recent graduate) employees who help make this place run. We wouldn’t know what to do without them, and we’d have a lot less fun, too. Thanks, y’all!

Rosemary K. J. DavisAs Drill Intern in the University Archives, a lot of the work I do for the RBMSCL is behind the scenes. Since starting my position in June, my recent projects have included helping establish the University Archives social media presence and co-curating an exhibition of archival materials for the fall, but the bulk of my time has been spent processing archival collections.

And what does that even mean? Well, it means I’m the person who receives boxes full of sometimes completely jumbled records, papers, notes, journals, and ephemera. It then becomes my goal to take this mish-mosh and make it accessible through arrangement and description. I get to figure out what’s in a collection, why people want to use it, and how to make the organization logical so that researchers can actually find the items and objects they’re seeking. Or maybe even better, so that researchers can find items and objects they never expected to find in the first place.

Truth be told, I really enjoy this work. I get to play detective a little bit: researching subjects, poring over their collected history, picking out clues. Then, I get to make the collections available for others to use for scholarly research, creative projects, and simple personal edification. Plus, since the collections I’m working with pertain directly to the history of Duke University, I am getting to learn more about the buildings, traditions, and fascinating hidden stories surrounding me every day. Having just moved to Durham from Brooklyn, I feel lucky to be working in an environment where connecting with the past is part of my everyday experience.

Post contributed by Rosemary K. J. Davis, University Archives Drill Intern.

Week of Students: Mandy Lowell

After a brief pause to observe an important anniversary yesterday, we’re back to celebrating this first week of classes by taking a closer look at a few of the wonderful student (undergraduate and graduate, Duke and non-Duke) employees who help make this place run. We wouldn’t know what to do without them, and we’d have a lot less fun, too. Thanks, y’all!

Mandy LowellWhat’s the typical day for a student worker in the RBMSCL? That’s a tough question to answer, because almost every day is different. You could find me running around the stacks, pulling and reshelving items. I could also be making a shelf list, repacking a collection into new containers, cleaning and straightening bound manuscripts, or assisting patrons at the front desk. Most days, I spend a lot of time in the elevator.

I have worked as a student assistant in Special Collections since May of 2010. Before I began working here, I was a frequent visitor, using Duke’s collection of early English manuscript facsimiles. Coming to the reading room was always a treat, both because of the wonderful environment and the work that I was able to do there, and sometimes I wished I could get into the stacks, just once, and conduct my own little treasure hunt. Now that I work here, I do this on an almost daily basis, but the library has never really lost its mystique for me.

I love working here in part because I love being surrounded by history. I enjoy having regular access to a part of Duke of which so few students ever see the inside. Also, there are the wonderful people on the staff of the RBMSCL and University Archives. They have always made me feel like a vital part of the team, rather than that annoying kid who runs around underfoot.

Students, if you’re looking for a job on campus, I encourage you to check for openings at the RBMSCL. Tell them Mandy sent you.

Post contributed by Mandy Lowell, Research Services student employee.

Upheavals in Charleston

As part of our “RBMSCL Scholars” series, we’ve asked some of the wonderful researchers that the RBMSCL has hosted over the years to contribute a few words on their new books and research projects. Today, on the 125th anniversary of the Charleston Earthquake of 1886, we present an essay by Susan Millar Williams and Stephen G. Hoffius, authors of Upheaval in Charleston: Earthquake and Murder on the Eve of Jim Crow, released in June by The University of Georgia Press.

Helene Marie BurdayonA chubby-cheeked young woman in a ruffled cap gazed up at us from a sepia photograph labeled “Dawson’s French Maid.” There she was, the unlikely femme fatale who had triggered one of Charleston’s most notorious murders. We had been looking for such a photo for eight years.

The collection we were exploring, the Francis Warrington Dawson Family Papers, is a vast compendium best known for the six-volume diary kept by the precocious teenager Sarah Morgan, later Dawson’s wife, during the Civil War. But it also contains material that is crucial to understanding, among many other topics, the great Charleston earthquake of 1886, the political struggles of late nineteenth-century South Carolina, and the murder of Francis Dawson, editor of the Charleston News and Courier.

Frank Dawson is the central figure in our book, Upheaval in Charleston: Earthquake and Murder on the Eve of Jim Crow. After the earthquake, Dawson shaped public opinion around the country, rallied his fellow citizens to try to rebuild their city, received a major portion of the relief money that was sent, and spoke loudest at meetings of the Executive Relief Committee. Because Sarah was traveling in Europe with their two children when the earthquake hit, the couple wrote each other daily. Sarah’s letters did not survive, but she carefully preserved Frank’s, in which he updated her on earthquake damage and his fears about the changes that were happening in Charleston. “Had you been here,” he wrote to his nervous wife, “you would have been dead, or in a lunatic asylum.”

Cover of Upheaval in CharlestonHailed as a hero in the aftermath of the earthquake, Dawson was denounced by white supremacists and murdered on March 12, 1889, less than three years after the disaster. Sarah went to her grave convinced that her husband was the victim of a political conspiracy.

In fact, Dr. Thomas B. McDow shot Frank Dawson when the editor forbade him to talk to Hélène Burdayron, a voluptuous young Swiss woman who was taking care of the Dawson children. During McDow’s trial for murder, the world came to know Burdayron as “the French maid.” The photograph we discovered at Duke is the only known image of her.

In the 1940s, a graduate student named Frank Logan, who was writing his master’s thesis on Dawson, contacted the Dawsons’ son Warrington, who lived in Versailles. For several years he typed out lists of questions, and Warrington sent back long answers, sometimes slightly hysterical, but always packed full of telling personal detail. Did Frank Dawson prefer dogs or cats? How many cigars did he smoke a day? How did Hélène behave while living with the Dawson family after Frank’s death? Good graduate student that he was, Frank Logan passed over most of these homely tidbits and in his thesis he focused on Dawson’s role in some of the bloodiest and most terrifying episodes in southern history.

Luckily for us, Logan went on to serve on the Duke faculty, and he convinced Warrington to donate his mother and father’s papers to the RBMSCL, along with his own. Among them are scores of photographs, Sarah’s diaries and scrapbooks, family letters, and business correspondence. Together they reveal a rich tapestry of political and domestic life, including that amazing photo of the mousy-looking woman who possessed “a bust fit for a Venus” and enough sexual magnetism to provoke Charleston’s crime of the century.

Find out more about the book at www.upheavalincharleston.com!

Week of Students: Jenny Walters

Today is the first day of a new academic year! Here at the RBMSCL, we’re celebrating this week by taking a closer look at a few of the wonderful student (undergraduate and graduate, Duke and non-Duke) employees who help make this place run. We wouldn’t know what to do without them, and we’d have a lot less fun, too. Thanks, y’all!

Jenny WaltersMy name is Jenny Walters and I am a junior Music major here at Duke.  I have worked in the John W. Hartman Center for Sales,  Advertising, & Marketing History for the past two summers.  This year, in support of the RBMSCL’s upcoming renovation, I got to write up a lot of box lists—basically, inventories of what can be found in each box of an archival collection.  I found a lot of interesting material in these boxes! Some of the funniest things I discovered were job applications for advertisement agencies from the 1950s and 1960s. There were questions such as “Do you have initiative?” and I was surprised to see that many people had answered “no.”  While there is no way that these people would even be considered for a job in this day and age, they were obviously given jobs 50 to 60 years ago.

While I enjoyed discovering everything in all of the boxes, my favorite part of working with the Hartman Center is the advertisements.  I like visually seeing history through the years of advertisements. We even have advertisements from as early as the 1880s!

Two of the most fascinating ads that I worked with this summer were from the 1960s for Seven-Up. The two ads were exactly the same, but one consisted of white people, while the other had black people. The people were in the exact same poses, had the exact same hairstyles, and wore the exact same clothes. Seven-Up wanted to have a broader appeal, but chose to do two ads, reflecting the advertising standards of the day.

Overall, I really enjoy working in the RBMSCL! It’s fun to see all of the different projects people come in to work on and discover something new in the holdings every day.

Post contributed by Jenny Walters, Hartman Center student employee.

History of Medicine Open House

Date: Tuesday, August 23, 2011
Time: 3:00-4:00 PM
Location: Rare Book Room
Contact Information: Rachel Ingold, 919-684-8549 or rachel.ingold(at)duke.edu

This past July, over 20,000 rare books and journals, 4,500 manuscripts, and a variety of instruments and artifacts from the History of Medicine Collections were moved from the Medical Center Library to the RBMSCL. You may have followed the move via “Medical Move Mondays” here on The Devil’s Tale.

On Tuesday, you’ll have your chance to see (some of) the newest items in the RBMSCL’s collections. Join Rachel Ingold, Curator of the History of Medicine Collections, to learn more about the history behind the collections and view some of the unique and spectacular item—ranging from 16th century books that contain hand colored illustrations of amputations to actual amputating saws and more!

Amputating Instruments
No, you can't use these in the Rare Book Room.

Big News!

We have a new name!

David M. RubensteinDavid M. Rubenstein (T ’70) has pledged $13.6 million to the Duke Libraries in support of the RBMSCL—the largest gift in the Duke Libraries’ history. In recognition of this historic commitment, we are pleased to announce that we will become the David M. Rubenstein Rare Book & Manuscript Library, following approval by the Board of Trustees. (Here’s the official press release.)

Our director, Naomi Nelson, is excited about what this gift means for Duke. “David Rubenstein’s generous gift gives this world-class library a very distinguished name. We couldn’t be more thrilled. His support will allow us to move forward rapidly with renovation plans to transform Duke’s historic library buildings into a proper home for the Rubenstein Library. We will be able to welcome more classes, better serve local and international researchers, and host a greater number and variety of public programs. What makes this gift particularly special is that David Rubenstein once worked as a student in the very stacks we will be renovating. We are extremely grateful for his vision and for his continued commitment to Duke.”

David Rubenstein is the co-founder and managing director of the Carlyle Group, a private equity firm with 36 offices around the world. A native of Baltimore, he graduated magna cum laude from Duke and was elected Phi Beta Kappa. In 2003, he was elected to the Duke Board of Trustees, and he currently serves as the Board’s vice-chair. His gift to the Duke Libraries is part of his larger commitment to philanthropy. He serves on many boards, including those of the Lincoln Center, the Smithsonian, and the Kennedy Center for the Performing Arts. His largest previous gifts to Duke supported the growth of the Sanford School of Public Policy. Rubenstein and his wife, Alice Rogoff Rubenstein, have three grown children.

You may have seen the news stories covering Rubenstein’s purchase of the Magna Carta and his decision to loan this historic document to the National Archives so that it could be shared with the public. This was one of several seminal historical documents that he has purchased over the years to share with the American people. (See, for example, this profile in Duke Magazine. ).

Architect's Sketch of the Rubenstein Library Reading Room
Architect's Sketch of the Rubenstein Library Reading Room.

We look forward to welcoming you to the new David M. Rubenstein Rare Book & Manuscript Library. We’ll post updates about the renovation plans here on The Devil’s Tale, so watch this space. We have already started planning for the grand reopening in early 2015!

Sleep In on Wednesday

This Wednesday, August 17th, the Rare Book, Manuscript, and Special Collections Library will be opening promptly at 10:00 AM.

You know what this means for you, our researchers, right? One extra hour for this:

"Leaning on pillow, baby sleeps on carpeted floor." From William Gedney Photographs and Writings, 1940s-1989.

Doesn’t that baby look comfy?

So take an extra hour’s break on Wednesday. We’ll look forward to seeing your bright, shiny faces and helping you with your bright, shiny research at 10 AM. Of course, please call us at 919-660-5822 or e-mail us at special-collections(at)duke.edu with your questions or concerns.

An Artist’s Adventures with the Supernormal

Date: Thursday, August 18, 2011
Time: 3:30 PM
Location: Rare Book Room
Contact Information: Elizabeth Dunn, 919-660-5824 or elizabeth.dunn(at)duke.edu

"Artist as Medium," 2008Video and installation artist Susan MacWilliam will speak about her archivally-based art, which focuses on the world of the paranormal, the tradition of psychical research, the supersensory, and ideas about perceptual phenomenon.

This summer, she is studying the experimental and groundbreaking ESP and telepathy research of Dr. J. B. Rhine through materials in the RBMSCL (focusing on the Parapsychology Laboratory Records) and at the Rhine Research Center. Susan MacWilliam’s residency in Durham is supported through funding from the Arts Council of Northern Ireland.

For Thursday’s talk, she will show some of her video pieces and discuss the ways that she transforms her archival discoveries and interviews into artistic creations.

Light refreshments will be served.

For more background on Susan MacWilliam’s work, please visit her website.

Post contributed by Elizabeth Dunn, Research Services Librarian.

Decorating the RBMSCL

Along with print items, manuscripts, and artifacts, the History of Medicine Collections include works of art. On Friday, thanks to Peter Geoffrion, three pieces of artwork were hung in the RBMSCL.

In the RBMSCL’s reading room, we now have a portrait of Hans Horst Meyer, a German physician and pioneer in anesthesia. The portrait was a gift from his grandson, Professor J. Horst Meyer, Fritz London Professor Emeritus of Physics here at Duke University.

In the Trent Room (part of the Mary Duke Biddle Rare Book Room), a portrait of Valentine Mott and a framed ivory skeleton sculpture, or Memento Mori, were hung.

The Memento Mori piece is one of the most exquisite items in the History of Medicine Collections. A gift of Mrs. Mary D. B. T. Semans from the collection of her late husband, Dr. Josiah Charles Trent, this sculpture is carved from a single piece of ivory. Reminiscent of the illustrations from the famed Vesalius anatomical work, De Fabrica (1543), Memento Mori displays a variety of material goods splayed at the feet of the skeleton. Looking at this, one is reminded, that in the end, we’re all mere mortals.

Post contributed by Rachel Ingold, Curator for the History of Medicine Collections.