Category Archives: Films

Triangle Home Movie Day

Date: Saturday, October 15, 2011
Time: 1:00-4:00 PM
Location: First floor auditorium, North Carolina State Archives (maps and parking information)
Contact Information: Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

What hidden treasures lie in those old home movies that you have in the closet? Come to the Triangle Home Movie Day and find out the value of these unique cultural and historical documents and how to save them for future generations. Spend the day watching old films and playing Home Movie Day bingo. Go home with prizes and a free DVD transfer of your film!

WHAT IS HOME MOVIE DAY?

Home Movie Day was started in 2002 as a worldwide celebration of amateur home movies, during which people in cities and towns all over would get to meet local film archivists, find out about the long-term benefits of film versus video and digital media, and—most importantly—get to watch those old family films! Because they will happen in communities across the globe, Home Movie Day events and screenings can focus on local and family histories, taking us back to a time when Main Street was bustling and the beehive hair-do was all the rage, with images of people we may know or resemble. Home movies are an essential record of our past, and they are among the most authoritative documents of times gone by.

HOW CAN I PARTICIPATE?

film projectorIt’s simple: rifle through your attics, dig through your closets, call up Grandma, and search out your family’s home movies (8mm, Super8mm, or 16mm) and bring them to the Triangle Home Movie Day event to see them projected.  Or just show up and watch the films of others. It’s not just historically significant—it’s fun!

The Triangle Home Movie Day is co-sponsored by A/V Geeks, North Carolina State University’s Film Studies Program, Duke’s Archive of Documentary Arts, and the North Carolina State Archives.

Rights! Camera! Action!: The Betrayal

Date: Tuesday, September 13, 2011
Time: 7:00 PM
Location: Franklin Humanities Institute Garage, Bay 4, Smith Warehouse (map)
Contact Information: Patrick Stawski, 919-660-5823 or patrick.stawski(at)duke.edu, or Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

The fourth season of the popular Rights! Camera! Action! film series begins with The Betrayal (Nerakhoon), winner of the Spectrum Award at the 2008 Full Frame Documentary Film Festival.

Filmed over the course of 23 years,  this is the epic story of a Lao soldier family’s journey from war-torn Laos to the mean streets of New York. Thavisouk Phrasavath describes his own life as a young man struggling to survive a war and survive the hardships of immigrant life, counterpointed by his mother’s astonishing tale of perseverance. Renowned cinematographer Ellen Kuras’ directorial debut is a remarkable collaboration with Phrasavath—a poetic, cinematically-resonant film about the hidden, human face of war’s “collateral damage.”

A discussion with co-director Thavisouk Phrasavath will follow the film. The screening is co-sponsored by the Kenan Institute for Ethics and Duke’s 2012 Winter Forum.

The Rights! Camera! Action! film series, which is sponsored by the Archive for Human Rights, the Archive of Documentary Arts, the Duke Human Rights Center, the Franklin Humanities Institute, and Screen/Society at Duke’s Arts of the Moving Image Program, features documentaries on human rights themes that were award winners at the annual Full Frame Documentary Film Festival. The films are archived at the RBMSCL, where they form part of a rich and expanding collection of human rights materials.

Filmmaker and Projectionist

Filmmaker David Gatten threads 16mm prints of his films for a screening in the Rare Book Room this past Thursday.

These photos were taken by guest Michael Graziano, and we thank him for letting us share them here. (For more information about the event and the films shown, visit this earlier blog post.)

You’ll find more photos from the screening at the “RBMSCL Events” set on the RBMSCL’s Flickr photostream!

Working with Words: Historical Documents, Systems of Knowledge, and Text-as-Moving Image Art in the Films of David Gatten

Date: Thursday, 7 April 2011
Time: 7:00 PM
Location: Rare Book Room
Contact Information: Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

Still from Still from "Film for Invisible Ink, case no. 323: ONCE UPON A TIME IN THE WEST"
Still from “Film for Invisible Ink, case no. 323: ONCE UPON A TIME IN THE WEST”

Next Thursday, award-winning filmmaker and Guggenheim Fellow David Gatten returns to the RBMSCL to present three of his films. Gatten will introduce each film and discuss his use of historical documents, “out-dated” instructional texts and rare books as both inspiration and image in his filmmaking practice.

Over the last fifteen years, David Gatten’s films have explored the intersection of the printed word and the moving image, while investigating the shifting vocabularies of experience and representation within intimate spaces and historical documents. His films trace the contours of both private lives and public histories, combining elements of philosophy, biography and poetry with experiments in cinematic forms and narrative structures.

“Secret History of the Dividing Line” (2002) is one of the nine parts in Gatten’s ongoing investigation of the life and library of William Byrd. Torn fragments of Byrd’s official history of the 1728 dividing line expedition commingle with the privately circulated ‘secret history’ of the surveying party.

“The Matter Propounded, of its possibility or impossibility, treated in four Parts” (2011) makes use of an early 19th century system for telling one’s future. Divided into four sections—Instructions, Questions, Answers and Conclusions—the film invites viewers to draw their own conclusions about the questions we ask of the world and the answers we find for ourselves.

“Film for Invisible Ink, case no. 323: ONCE UPON A TIME IN THE WEST” (2010) is the latest in Gatten’s austerely beautiful “Invisible Ink” series.  Incorporating writings by Sir Francis Bacon, lists from Western Union telegraphic codes, and phrases from wedding vows in The Book of Common Prayer, the film also includes images made using pine pollen and tiny flowering plants in extreme, swirling macro-close-ups. This moving and very personal film actually served as Gatten’s wedding vows at his July 2010 marriage.

Gatten is a Visiting Associate Professor and Distinguished Filmmaker in Residence in the Program in the Arts of the Moving Image at Duke University. His films premiere annually in the New York Film Festival and have been included twice in the Whitney Biennial. His work resides in the permanent collections of the British Film Institute, the Whitney Museum of American Art, and the Art Institute of Chicago, as well as in numerous university and private collections. Since 1997, his films have won more than twenty awards at festivals around the world. In 2005, Gatten was awarded a Guggenheim Fellowship to continue his film series investigating the library of William Byrd.

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Rights! Camera! Action! Spring 2011 Season

The third season of the popular Rights! Camera! Action! film series begins tomorrow evening with Citizen King, which traces the final five years of Dr. Martin Luther King, Jr’s life, starting with his momentous 1963 “I Have a Dream” speech.

Citizen King

We’ll provide free drinks and popcorn, as well as a panel discussion following the film!

The Rights! Camera! Action! film series, which is sponsored by the Archive for Human Rights, the Archive of Documentary Arts, the Duke Human Rights Center, the Franklin Humanities Institute, and Screen/Society at Duke’s Arts of the Moving Image Program, features documentaries on human rights themes that were award winners at the annual Full Frame Documentary Film Festival. The films are archived at the RBMSCL, where they form part of a rich and expanding collection of human rights materials.

For more about Rights! Camera! Action!’s Spring 2011 season, as well as details about tomorrow’s screening, click below.

Continue reading Rights! Camera! Action! Spring 2011 Season

Rights! Camera! Action!: Rain in a Dry Land

Date: Tuesday, 16 November 2010
Time: 7:00 PM
Location: Rare Book Room
Contact Information: Patrick Stawski, 919-660-5823 or patrick.stawski(at)duke.edu, or Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

Rain in a Dry Land (82 min.) chronicles the first 18 months of the new American lives of two families finally allowed to immigrate to the United States after over a decade in a Kenyan refugee camp. Beginning with “cultural orientation” classes in Kenya, where they are introduced to such novelties as electric appliances and the prospect of living in high-rise apartment buildings, the film follows the families as they learn that the streets in America are definitely not paved with gold. The families’ sponsors—Jewish Family Services in Springfield, Massachusetts, and World Relief in Atlanta—have pledged six months of support, which makes for a daunting learning curve as the families settle into their new homes.

A discussion with director Anne Makepeace and Suzanne Shanahan, Associate Director of Duke’s Kenan Institute for Ethics, will follow.

The Rights! Camera! Action! film series, which is sponsored by the Archive for Human Rights, the Archive of Documentary Arts, the Duke Human Rights Center, the Franklin Humanities Institute, and Screen/Society at Duke’s Arts of the Moving Image Program, features documentaries on human rights themes that were award winners at the annual Full Frame Documentary Film Festival. The films are archived at the RBMSCL, where they form part of a rich and expanding collection of human rights materials.

Rights! Camera! Action!: Brother Towns

Date: Monday, 1 November 2010
Time: 7:00 PM
Location: Carolina Theatre
Contact Information: Patrick Stawski, 919-660-5823 or patrick.stawski(at)duke.edu, or Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

Brother Towns / Pueblos Hermanos (59 min.) is a story of two towns linked by immigration, family, and work: Jacaltenango, Guatemala, a highland Maya town, and Jupiter, Florida, a coastal resort town where many Jacaltecos have settled. The docunmentary film chronicles how and why people migrate across borders, how people make and remake their communities when they travel thousands of miles from home, and how people maintain families despite their travel. To learn more, visit the film’s website.

This screening is part of the Latin American Film Festival sponsored by the Consortium in Latin American and Caribbean Studies at UNC-Chapel Hill and Duke University, the Center for Documentary Studies, and the Carolina Theater and will be followed by a panel discussion (panelists TBD).

The Rights! Camera! Action! film series, which is sponsored by the Archive for Human Rights, the Archive of Documentary Arts, the Duke Human Rights Center, the Franklin Humanities Institute, and Screen/Society at Duke’s Arts of the Moving Image Program, features documentaries on human rights themes that were award winners at the annual Full Frame Documentary Film Festival. The films are archived at the RBMSCL, where they form part of a rich and expanding collection of human rights materials.

Filmmaker James Longley: Portraits from the Middle East

Date: Friday, 29 October 2010
Time: 6:30 PM
Location: Nasher Museum of Art at Duke University
Contact Information: Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

Join the Archive of Documentary Arts for an evening with documentary filmmaker James Longley. Known for his intimate and poetic portraits of individuals and families caught in the political turmoil of Iraq, the Gaza Strip, and Pakistan, Longley was awarded a MacArthur “Genius” Grant in 2009. His Oscar-nominated film, Iraq in Fragments, won the Full Frame Documentary Film Festival Grand Jury Prize in 2006. Arts advocate, author, and accomplished television interviewer Barbaralee Diamonstein-Spielvogel will facilitate the discussion.

This event inaugurates the Barbaralee Diamonstein-Spielvogel Visiting Filmmaker Series, established by Duke University with generous funding from the Diamonstein-Spielvogel endowment fund. The series will feature artists whose work addresses significant contemporary topics of social, political, economic, and cultural urgency. Filmmakers chosen to participate will have a recognized body of work and show promise of future contributions to documentary filmmaking. Visiting filmmakers will be invited to Duke for a two-day residency.

The Diamonstein-Spielvogel series is unique in its exclusive attention to documentary filmmakers with a global perspective. By giving Duke faculty and their students an opportunity to explore the films of socially-engaged filmmakers and discuss the work with them, this new series hopes to inspire and encourage the next generation of young documentarians.

The series is co-sponsored by the RBMSCL, the Program in the Arts of the Moving Image, and the Center for Documentary Studies.

Screen / Society will screen several of Mr. Longley’s films in the weeks leading up to his visit. Check the Screen/Society Fall 2010 schedule for additional details and contact information:

Iraq in Fragments **TONIGHT!**
Date: Wednesday, 13 October 2010
Time: 7:00 PM
Location: Griffith Film Theater, Bryan Center, Duke University

Sari’s Mother and Gaza Strip
Date: Wednesday, 20 October 2010
Time: 7:00 PM
Location: Griffith Film Theater, Bryan Center, Duke University

Special Screening of The Ants

Date: Tuesday, 5 October 2010
Time: 8:00 PM
Location: White Lecture Hall, East Campus (map and directions)
Contact Information: Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

Cine-East: East Asian Cinema and Screen/Society present The Ants (Ari no Heitai), winner of the Humanitarian Award (Documentary) at the 2006 Hong Kong International Film Awards. Kaoru Ikeya’s documentary tells the story of Waichi Okumura, one of over one thousand Japanese soldiers (the “ants” of the title) to remain in China after the conclusion of World War II, ostensibly to “incubate new military cells” but really to be used by the Chinese Nationalists in the battle against Mao’s forces.

This special presentation is made possible by the Full Frame Archive, part of the RBMSCL’s Archive of Documentary Arts, and will be introduced by Tanya Lee, Full Frame Archive intern.

The Asian/Pacific Studies Institute, the Program in the Arts of the Moving Image, and the Department of Asian and Middle Eastern Studies are co-sponsors of the screening.

Rights! Camera! Action!: After Innocence

Date: Thursday, 23 September 2010
Time: 7:00 PM
Location: Rare Book Room
Contact Information: Patrick Stawski, 919-660-5823 or patrick.stawski(at)duke.edu, or Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu

The Rights! Camera! Action! film series begins its fall season with this screening of After Innocence, the compelling story of seven men wrongfully imprisoned for decades and finally exonerated after DNA evidence proved their innocence. The men—including a police officer, an army sergeant, and a young father—are thrust back into society with little or no support from the system that put them behind bars. After Innocence shows that the human toll of wrongful imprisonment can last far longer than the sentences served.

The film will be followed by a panel discussion featuring recently-exonerated Shawn Massey and Theresa Newman, co-chair of Duke School of Law’s Wrongful Convictions Clinic.

The Rights! Camera! Action! film series, which is sponsored by the Archive for Human Rights, the Archive of Documentary Arts, the Duke Human Rights Center, the Franklin Humanities Institute, and Screen/Society at Duke’s Arts of the Moving Image Program, features documentaries on human rights themes that were award winners at the annual Full Frame Documentary Film Festival. The films are archived at the RBMSCL, where they form part of a rich and expanding collection of human rights materials.