All posts by Aaron Welborn

Sailing the Andes

Deborah Jakubs

The backbone of South America, the magnificent Andes mountain range, dramatically separates Chile and Argentina. Flying over the Andes is a stunning experience that inevitably evokes thoughts of Alive, the book and film about the true story of the tragic 1972 crash of the plane carrying the Uruguayan rugby team.Sailing the Andes Crossing the range via water, or “sailing the Andes,” is equally memorable, from an entirely different perspective. In March 2007, a group of Duke alumni and friends, ranging in age from 18 to 82, did just that, as part of a trip sponsored by Duke Alumni Education and Travel, a division of the Alumni Association (DAA). I had the great pleasure and privilege of serving as the “Faculty Lecturer” for this twelve-day, four-stop adventure, Chile and Argentina, with an Andean Lake Crossing.

The colorful, inviting brochures from Duke Alumni Education and Travel arrive periodically in our mail, and my husband, Jim Roberts (MBA ’85, P ’05), and I have fantasized about those tempting trips to exotic locales. Friends on the faculty at Duke have shared their experiences as Duke ambassadors on such adventures. I have been curious. I have been envious. As a former “Navy brat,” raised in no one particular place, I suffer (gladly!) from wanderlust. So when Rachel Davies, director of Alumni Education and Travel, inquired about my interest and availability for this trip, I barely took a breath before signing on the dotted line.

One role of the Duke host is to offer scholarly presentations on relevant topics during the trip. My background in Latin American history, with a focus on Argentina, made this assignment particularly appealing. Sailing the AndesI developed a deep and abiding affection for Buenos Aires during the extended period I lived there while researching the social history of British immigrants and the development of their community during the 19th century for my Ph.D. dissertation. I try hard to return at least once a year to “BA,” one of the world’s greatest cities. Maybe it is nostalgia absorbed from all the tangos I have listened to over the years, but I feel reconnected with a part of my true self when I am in Buenos Aires.

While living in Argentina, I traveled to many parts of the country, but never to Patagonia, which made this Duke trip even more appealing. An added attraction was that “El Grupo Duke” (pronounced “DU-que”), as we came to be known, included several present and past members of the Library Advisory Board, our most loyal and generous supporters and advocates, as well as many new friends. We were a remarkably compatible group of eighteen, and by the end of our twelve days together we were genuinely sorry to have to go our separate ways.

Sailing the AndesOur adventure began in our respective departure cities as, two by two, we gradually met up with fellow travelers. Many of us became acquainted in the airport lounge in Miami, after spotting the tell-tale orange luggage tags supplied by the Duke Alumni Association and introducing ourselves before boarding the overnight flight to Santiago. There, at the airport in the early morning, we travelers converged as our flights arrived in close succession. We were met by Pedro Porqueras, our fantastic tour director, who would accompany us on the entire trip, taking care of every possible logistical detail, and Rodrigo, our local tour guide for the city of Santiago. The logistics for our trip were handled seamlessly, making it easy for us to relax and enjoy ourselves. The eight-hour overnight flight was long, but because it was north-to-south, with only one time-zone change, the jet lag was minimal and we spent a good part of the day sightseeing. At that evening’s welcome dinner at our hotel, we enjoyed superb Chilean seafood and began serious bonding as, in turn, we introduced ourselves and shared our reasons for being there. The conviviality of that evening characterized the rest of the trip.

We toured the lovely city of Santiago, visited La Moneda, the presidential palace where President Salvador Allende lost his life in the military coup of 1973 (the other September 11), the Palacio Cousiño, a 19th century mansion, the pre-Columbian museum, the Santa Rita Winery, and La Chascona, one of Nobel Prize-winning writer Pablo Neruda’s houses, with its unique design and whimsical touches. On our third day, we flew two hours south to the busy fishing port of Puerto Montt, where we met Marcel, our highly entertaining local guide for the south of Chile, an avid fan of Edgar Allan Poe!

He and Pedro took us to the local outdoor fish and produce market, where they spontaneously created a scavenger hunt: they assigned us to small groups, armed each with a five-peso note and a slip of paper bearing the name of a different item the group was to locate at the market, and gave us limited time in which to complete our quest, return to the group, and share our discoveries. One group’s “catch” was a very large piece of kelp; my partners and I found a choro maltén, a local clam; another group displayed its bag of merquén, a spice common to the region – and so on. The whole experience was both enlightening and entertaining. By the time we boarded the bus for Puerto Varas, our next stop, we were becoming fast friends.

My presentation to the group that evening, on the political, economic, and social history of Chile and Argentina, stimulated a lively discussion that created even more connections among group members. Sailing the AndesChile, one of the oldest democracies in America, has nevertheless experienced dark times, most recently the 1973-1989 period of military rule. Opinion is still sharply divided on the legacy of General Augusto Pinochet. Chile’s current president, Michele Bachelet, a pediatrician, epidemiologist, and torture survivor, is the first woman president of the country. She succeeded Ricardo Lagos, who earned his Ph.D. in economics at Duke University. Chile boasts two Nobel laureates in literature, Gabriela Mistral (the first woman to be given this honor, in 1945), and Pablo Neruda. Another well-known naturalized Chilean writer (born in Argentina) is Duke’s own Ariel Dorfman, author of Death and the Maiden and many works of poetry, prose, and essays, and a popular professor. Argentina, a country richly endowed with natural resources of all kinds and populated largely by European immigrants, has endured economic crises and political upheaval, due in part to the powerful legacy of peronismo. Juan Domingo Perón and his wife Evita, now a cult figure who is either beloved or deeply resented, set the country’s course in the mid-twentieth century. The “Dirty War” and tragic years of military dictatorship (1976-83), during which thousands of people were “disappeared,” was a dark chapter from which Argentina is now emerging.

Our two days and nights in Chile’s Lake District, on the shore of Lago Llanquihue (yan-KEE-way), were filled with fascinating sightseeing and breathtaking scenery, including snow-capped volcanoes Osorno and Calbuco just across the lake from our hotel. Sailing the AndesWe lunched at the German Club and visited Frutillar, site of the Museum of German Colonization, with its educational exhibits displaying the way of life of immigrants to the region in the 1800s. Marcel served up rich historical detail to us on the bus as we moved from place to place, passing a salmon farm, notable Bavarian-style architecture, and more stunning scenery. El Grupo Duke took advantage of the “photo ops” along the way.

We awoke on the fifth morning in Chile with great anticipation: it was the day we would “sail the Andes.” On the way we visited Petrohué Falls, with its unusual volcanic rock formations and emerald-green waterfalls. We crossed Lago Todos los Santos via catamaran and, after lunch in Peulla, boarded another ferry for the crossing of Lago Frias and Lago Nahuel Huapi. From the deck of the boat one of our Grupo fed the gulls as they swooped down to take pieces of bread from his hand. The weather was perfect, and we had striking views of the spectacular scenery. It is impossible to capture in words the lake region’s breathtaking beauty and peace, which became even more evident as we arrived at our next stop, the Hotel Llao Llao, on the Argentine side of the Andes, in San Carlos de Bariloche. There we met Elizabeth, also known as “Mausi” (a family nickname), our delightful and very knowledgeable local guide.

Sailing the Andes Bariloche, the gateway to Argentine Patagonia, is an elegant Swiss-style city, known for its fine chocolate, shopping, ski resorts, exceptional natural beauty and outdoor recreation. St. Bernard dogs are the city’s mascots, hanging out with their owners (and available for photos) on city plazas and at scenic spots. Mausi and Pedro accompanied us to the Cerro Campanario, where we rode the chair lifts up to the very top of the mountain for a spectacular view of the many lakes and fjords that characterize the region. The Hotel Llao Llao (pronounced “zhao-zhao”), which once served as the park lodge, overlooks the Nahuel Huapi National Park, the first national park in South America, created in 1934. The hotel’s name derives, as do many terms in the region, from the Mapuche language and translates roughly as “very good.” Because the language contains no word for “very,” repeating a word adds that emphasis. To El Grupo Duke, it was so lovely that it might have been “Llao Llao Llao,” a place to which we all plan to return. But Buenos Aires beckoned, so we bade farewell to Patagonia.

We made the most of our four days in Buenos Aires, thanks to Pedro, himself a porteño (as natives of the port city of BA are known). His encyclopedic knowledge of history, economics, sports, politics, flora and fauna enriched our experience tremendously. We stayed in the fashionable Recoleta neighborhood, and visited the Recoleta Cemetery, a veritable “city of the dead” with its ornate mausoleums, the resting place of Argentine elites, national heroes, writers and poets, as well as Evita Perón herself. Our city tour took us to the Casa Rosada, presidential palace, the National Cathedral, the San Telmo antiques market, and La Boca neighborhood, birthplace of tango and home during the 19th and early 20th centuries to the waves of Italian, French, and Spanish immigrants who populated the port, a time when three-quarters of the adult male population of the city was foreign-born. That stroll back in time, and my presentation on the evolution and social history of tango, along with musical illustrations, whetted our appetite for the tango show that had us riveted one evening. The dancers were superb, and the host, a Carlos Gardel impersonator, was uncanny in his resemblance to the late legendary tango singer.

Sailing the AndesOur all-day excursion to an estancia on the pampas, El Rosario de Areco, gave the group the chance to consume a multi-course, typical asado or barbecue as well as to see a demonstration of the skills on horseback of the gauchos who work on the ranch. In addition to its delectable beef and fine wines and, of course, tango, Argentina is well known for the superior quality of its polo players and polo ponies, a focus of El Rosario de Areco and our gracious hosts there, Pancho and Florencia Guevara. Three of their nine children are professional polo players, in England! That evening, back at our hotel in Buenos Aires, El Grupo Duke hosted a reception for alumni and friends of Duke, members of the Duke Club of Argentina. It was the first time a DAA trip and a local alumni event had been combined and seems to have been a great success, attended by 30-40 new Duke friends, many of whom had also been at an event hosted by Duke’s former president Nan Keohane on her 2001 trip to Argentina, Chile and Brazil to meet friends of Duke, a trip I was fortunate to have been on as well.

On our final evening in BA, before we all went out for the typical post-10 p.m. dinner of tender beef or exquisite pasta, my husband Jim gave a lecture on the history of the wine cultures of Chile and Argentina, illustrated with a wine tasting. Jim is Duke’s executive vice provost for finance and administration and, as an adjunct professor in the History Department, teaches about the social history of alcohol from a comparative perspective. The program was a fitting end to our gastronomic and oenophilic adventures, as we reluctantly anticipated our return to the United States.

A trip such as this, in which strangers come together for nearly two weeks of close companionship, united at first solely by their desire to visit and learn about another part of the world, can be a hit-or-miss experience. As our trip drew to a close, I felt very fortunate to have shared these good times with such warm, witty, smart and adventurous people, whom I now count among my friends. Because of our common Duke connection, I know there is a good chance I will see them again. In the meantime, we will carry our memories with us, and look forward to El Grupo Duke: The Sequel!

Jim Roberts and Deborah JakubsDeborah Jakubs is Rita DiGiallonardo Holloway University Librarian, Vice Provost for Library Affairs and Adjunct Associate Professor of History at Duke University. She is pictured with her husband, Jim Roberts.

Get More about Chile and Argentina

  • Bruce Chatwin. In Patagonia. New York: Summit Books, 1977.
  • Simon Collier and María Susana Azzi. Le Grand Tango: The Life and Music of Astor Piazzolla. Oxford, New York: Oxford University Press, 2000.
  • Simon Collier and William Sater. A History of Chile 1808-2002. Cambridge, New York: Cambridge University Press, 2004.
  • Simon Collier, Artemis Cooper, María Susana Azzi and Richard Martin. Tango! The Dance, the Song, the Story. New York: Thames and Hudson, 1995.
  • Pamela Constable and Arturo Valenzuela. A Nation of Enemies: Chile under Pinochet. New York: W. W. Norton, 1991.
  • Ariel Dorfman. Heading South, Looking North: A Bilingual Journey. New York: Farrar, Straus, and Giroux, 1998.
  • Adam Feinstein. Pablo Neruda: A Passion for Life. New York: Bloomsbury, 2004.
  • Nicholas Fraser and Marysa Navarro. Evita: The Real Life of Eva Perón. New York: W. W. Norton, 1980, with a new introduction, 1996.
  • Alma Guillermoprieto. Looking for History: Dispatches from Latin America. New York: Pantheon Books, c2001.
  • Tomás Eloy Martínez. Santa Evita. New York: Knopf, 1996.
  • Tomás Eloy Martínez. The Tango Singer: A Novel. New York: Bloomsbury, 2006.
  • Gabriela Nouzeilles and Graciela Montaldo, eds. The Argentina Reader: History, Culture, Politics. Durham, NC: Duke University Press, 2002.
  • Robert Farris Thompson. Tango: The Art History of Love. New York: Pantheon, 2005.

credit: Photos by Jim Roberts and Pedro Porqueras

Exhibits – Fall 2007

The Perkins Gallery remains closed for renovation until August 2008.

Special Collections Gallery

Picturing Home: Family Albums as Historical MemoirAugust/October
Picturing Home: Family Albums as Historical Memoir
This evocative exhibit documents the history of four generations of the Davis family of Hampton, Virginia. Chloe Tarrant Campbell created the first photography album in the 1870s prior to moving from Alabama to Mississippi. Her daughter, granddaughter, and great-granddaughters continued the photographic tradition, creating a rich record of African American life from Reconstruction to the civil rights movement. The exhibit, which traces the maternal line of Chapel Hill donor Louise Davis Stone, is drawn from the Davis Family Papers Collection.

Louise Davis Stone: Duke University Photography “I’m impressed by what collections can teach someone who has no knowledge of black middle class life. White people don’t know our aspirations, goals and gracious living. It’s about dispelling stereotypes. We had a life. We still have a life. We enjoyed the creature comforts despite segregation and racism.”

–Louise Davis Stone

Image from Driftless: Photographs from IowaNovember/December
Driftless: Photographs from Iowa
Black-and-white photographs by Danny Wilcox Frazier of a contemporary rural Iowa of vanishing towns and transformed landscapes. As viewers study these images, they will also see what is happening in many other parts of the United States. A version of this exhibit is available online.

Hours for the Special Collections Gallery: Monday-Saturday, 9am-9pm, and 10am-9pm on Sunday. Call 919.660.5968 or visit http://library.duke.edu/exhibits/ for more information.

Papyri Go Global

PapyrusThe Greek, Latin, and Egyptian papyri from ancient Egypt are our best window on daily life in antiquity. Surviving documents, which number in the tens of thousands, tell us about marriage and divorce, birth and death, livelihoods and taxes; about the place of law, religion, and economics in the lives the farmers, villagers, and townsmen who dwelled along the Nile two thousand years ago.

Bringing this important body of evidence to life for scholars and other interested readers is a huge undertaking, one at which papyrologists around the world have been hard at work since the late 1900s. And in recent years, international projects have begun to bring technology to bear on the endeavor. A team at Duke University has been entering the Greek and Latin texts of the ancient papyri in a single database (DDBDP, Duke Data Bank of Documentary Papyri); another at Universität Heidelberg has been massing critical meta-data, including dates, locations of published photographs, controlled descriptive keywords, and translations, for the same set of data (HGV, Heidelberger Gesamtverzeichnis der griechischen Papyrusurkunden Ägyptens). An international consortium of papyrus-holding institutions, APIS (Advanced Papyrological Information System), based at Columbia University, has been gathering high-resolution digital images, detailed catalog records, translations, of papyri in international collections, both literary and documentary, in Latin, Greek, Coptic, Demotic, Middle Egyptian, Aramaic, and more. Other projects are hard at work on Greek inscriptions from Egypt, Demotic, Coptic, and Arabic papyri, etc.

Thanks to a recent grant of $500,000 from The Andrew W. Mellon Foundation, Duke, Columbia, and Heidelberg are now leading the way in integrating the three principal digital resources for papyrology, the DDBDP, APIS, and HGV, taking a major step toward the day in which all of the notable resources of the field are fully digital, fully interoperable, fully accessible to anyone anywhere with a connection to the Web.

Project members are excited not just about what they are accomplishing, but also about how they are doing it. The team is global, with partners, in London, Heidelberg, New York City, Chapel Hill, Durham, and Huntsville. All tools created in the process will be open-source and fully documented, so that other projects will feel free to use and improve them, and in so doing widen the pool of interconnected papyrological resources. Moreover, the team is building its data model on one already in development for use by epigraphists, students of documents inscribed on stone and other hard surfaces. The total number of surviving inscriptions dwarfs that of the papyri. Use of a common standard will help to bring the two documentary sister disciplines closer together than they have ever been. Thus, the ultimate goal of this project, which is only an initial step in a long process, is not only to help to integrate papyrology itself, but to bring the field into tighter coordination with the other disciplines associated with Classics and ancient history.

– Joshua Sosin, Associate Professor of Classical Studies, Duke University

A Day for the Dead that Celebrates Life

Day of the DeadIf you were visiting a Latin American country on November 1 (All Saints’ Day) or November 2 (All Souls’ Day), you would probably find yourself caught up in Dia de los Muertos festivities. Dia de los Muertos, or Day of the Dead, is a holiday that honors the dead and celebrates the continuation of life. It is commemorated according to a wide range of customs and beliefs that are often unique to a region. In parts of Mexico, for example, families clean and decorate the graves of loved ones, leaving offerings (ofrenda) of flowers and trinkets and candies. Pan de muerto (bread of the dead) and sugar skulls are also holiday traditions as are altars or shrines that families may erect in their homes.

This year, Duke students will borrow the form of the traditional Latin American Dia De Los Muertos ofrenda to curate an exhibit of altars at Perkins Library. In creating the altars, the students will draw on the collections of the Duke Libraries’ Archive for Human Rights to explore the relationships linking memory, history, community, social action, and power.

SkullClasses participating in the Dia de Los Muertos project are considering a broad range of topics, including human rights in Latin America, contemporary humanitarian challenges, and educational and labor issues facing Latino immigrants here in Durham. In addition to using primary source material in the Libraries’ collections for their projects, students will also have the opportunity to work with groups such as Student Action with Farmworkers, whose records are part of the Libraries’ collections.

The altars the students create will be on display at Perkins Library from Tuesday, October 30 through Sunday, November 4.

The Social Life of Libraries

by Paolo Mangiafico

Students studying in Bostock Library: Mark ZupanA few months ago I decided to see for myself what all the fuss was about, so I signed up for an account on Facebook (facebook.com), the social networking site used by almost every college student in the country. I joined the Duke community on Facebook and began to set up my profile. Curious to see if any of my library colleagues were already in Facebook and would consent to being one of my Facebook “friends,” I typed “Bostock” into the search box and was surprised to find seventeen groups at Duke matching the name of one of Duke’s new library buildings. Would you believe Bostock Groupies R Us (9 members)? How about Bostock Is Better Than Home (22 members)? Bostock Study Group, the Bostock Bunch, even Club Bostizzel and Club Bostock (117 members!). I even found a student-sponsored library sleepover event called Bedstock (“because it’s not like we don’t spend enough time in the library,” 11 participants).

Club Bostock’s introductory page reads:

Honestly, it was only a matter of time. This is formal recognition of the resurgence that has taken place in studying interest. The opening of Bostock has either improved your grades or improved manners in which you can procrastinate. Club Bostock, your friendly campus club that has no cover charge, open later than the other spots, and you don’t have to worry about no damn A.L.E. [Alcohol Law Enforcement]

If you answer “yes” to the following questions, then you are probably a frequent clubber at Club Bostock.

1. Do you find yourself borderline excited to go to Bostock?

2. Can you run into half of your friends walking through the lobby?

3. Have you ever spent more time socializing then actually studying?

4. Can you spot finer females/males at Club Bostock than Club 9?

5. Have you had an evening where you don’t even have that much work to do, but you find some assignment worthy of a trip to Bostock?

If some of these questions have struck a cord [sic] with you, then you are clearly one who frequents Club Bostock.

The library has suddenly become cool? What’s going on here?

Club Bostizzel: FacebookBostock’s popularity among students indicates that the vision we’ve had in designing and renovating our library buildings—more inviting spaces for connecting people with people as well as connecting people and ideas — has been realized. OK, so maybe these Facebook groups are not exactly focused on academic pursuits, but amid all this socializing there must be some studying going on and some conversations and collaborations that are conducive to better scholarship.

A few years ago the former head of Xerox PARC (Palo Alto Research Center — the research and development arm of Xerox) and a colleague wrote a book called The Social Life of Information, in which they examined the importance of social networks between individuals and groups for the creation and effective use of knowledge. One of the anecdotes they include in the book is about a study of Xerox copier repair staff and how they learned and shared information about how best to do their work. An anthropologist, Julian Orr, followed the copier repair representatives around and noted patterns in their behavior. Most of the time these reps were working on their own at customer sites.

Yet Orr found that the reps were remarkably social, getting together on their own time for breakfast, lunch, coffee, or at the end of the day — sometimes for all of the above. This sociability wasn’t simply a retreat from the loneliness of an isolating job. At these meetings, while eating, playing cribbage, and engaging in what might seem like idle gossip, the reps talked work, and talked it continuously. They posed questions, raised problems, offered solutions, constructed answers, and discussed changes in their work, the machines, or customer relations. In this way, both directly and indirectly, they kept one another up to date with what they knew, what they learned, and what they did. [ 1 ]

It turned out that the social networks connecting these workers were an effective way for them to learn and improve themselves and each other and were satisfying and fun for them, too. Xerox had provided these workers with plenty of training and documentation and gave them procedures for using these resources when they were working by themselves away from the office. Yet Orr’s findings contradicted Xerox’s assumptions of how workers would acquire and use information most efficiently:

Time spent together would, from the process perspective, be non-value adding. … But, as Orr showed, the reps … were critical resources for each other. The informal and extracurricular group helped each member to reach beyond the limits of an individual’s knowledge and of the process documentation.[ 2 ]

Eventually, Xerox gave a two-way radio to each of its field workers so they could confer with their peers quickly and easily. The company also set up a database called Eureka, where the reps could write up tips they wanted to share with their colleagues and comment on tips posted by others. Through a rating and review system, tips deemed to be most useful rose to the top, and the people who submitted them built social capital and recognition among their peers, reinforcing a process that was both productive and socially rewarding.

LibraryThingXerox was ahead of its time. In the past few years almost every successful dot-com Web service has added social aspects to its information services. It’s been called Web 2.0 or the social web, and many online services now say they’re building an “architecture of participation.” While continuing to focus on satisfying the needs and motivations of individual users, these services also use individual contributions to build a communally-beneficial and socially-rewarding experience. The growing importance of this model led Time Magazine to declare in 2006 that the users of these systems — and the communities built around them — were the “person of the year.”

Let’s put aside for a moment sites like Facebook and MySpace, which are primarily social spaces, and look at sites like Amazon, Wikipedia, or my current favorite, LibraryThing. In each of these, the main focus of the site is not social networking or entertainment. For Amazon (amazon.com), it’s selling books and other merchandise; for Wikipedia (wikipedia.org), it’s sharing information on almost any topic imaginable; for LibraryThing (librarything.com), it’s keeping track of books you’ve read or want to read.

Yet underlying each of these services is a culture and set of functionality that encourages participation and fosters a sense of community. At Amazon, you can post reviews, create lists, engage in discussions, or just read what other users of the site have posted. Wikipedia, on its surface, is an encyclopedia, but underneath is a huge community bubbling with discussion and debate, where issues are getting hashed out and ideas and texts are being refined. At LibraryThing, you can organize your personal library, read or write reviews, find out about books liked or disliked by those who share your tastes, and even swap books when you’ve finished reading them.

ConnoteaAt the Duke Libraries, we’re starting to experiment with some services like this, too. In spring 2007 we’re conducting a pilot of Connotea (connotea.org), a “social bookmarking” tool similar to the popular del.icio.us service, but designed for academics. To use it, you sign up for an account to create your personal “library” of citations in the system and add a Connotea button to your Web browser. Then, when you find something on the Web you want to keep track of for future reference (a journal article, catalog record, or any web page), you click the button to add the citation to your Connotea library.

The system will pull in whatever information about the reference it can (for journal articles, for example, it usually is able to pull in the title, author, journal issue and a few other fields of metadata) and then allow you to add your own description (both keyword “tags” and descriptive prose, if you’d like) and comments on the resource. You can choose to keep your citations private and use them just to aid your own ability to find the resources again later, or you can share them with other users of the system. If you do share (and most users do), Connotea can then identify patterns in the kinds of things being cited and how they are described and use these to recommend other items you might want to look at.

When you’re browsing citations others have entered, you can use a “copy” link to add a citation to your own citation library in one click and then add your own description or comments if you wish. You can sort your library of citations by descriptive terms, the date you entered them, alphabetically, and so on, and you can export the citations in standard formats and to citation management software like EndNote.

In collaboration with Duke’s Office of Information Technology, Arts & Sciences Information Science and Technology, and the Center for Instructional Technology, the library is also exploring other “social software” tools that might provide a platform for online collaborations between Duke students and faculty. One system currently in a pilot phase is called Elgg (elgg.net), which its developers describe as “social networking for education,” a kind of MySpace or Facebook for academic purposes.

Students studying: Mark ZupanFaculty and students create accounts in the system and develop personal profiles in which they can describe themselves and their interests. They can add other users of the system as “friends” and create or join any number of groups (say, a project team for a course, a study group on a particular topic, or just a social group). In their personal or group spaces, users can set up blogs and discussion boards, deposit files to be shared (including multimedia files they want to podcast), and work on collaborative projects in these shared spaces. Any of the items in the system can be tagged with descriptive terms, and as with Connotea, Elgg will highlight similarly tagged items and lead readers in directions pointed out by their colleagues. Each user has a “dashboard” page where they can subscribe to syndicated feeds from any of their friends or shared groups (or external news sources or blogs) and be notified whenever there are updates.

The library is also launching a number of blogs written by library staff. The blogs will create new avenues for sharing information with the Duke community about library services and academic resources and, perhaps more importantly, offer the community new ways to engage us in conversations. Readers will be able to subscribe to the blogs via e-mail or RSS (a standard protocol for syndication of news and blogs) or just to read them on the Web. Each page will have a comment forum that invites discussion or suggestions from library users.

And it’s not too hard to imagine a day soon when the library catalog itself might be more like Amazon or LibraryThing, a place where you could add your own annotations, descriptions, reviews, and ratings of library resources both for your own use and to be shared with others in the community. The catalog could offer recommendations of books you might want to read, based on reviews or reading patterns of other scholars in the field, or allow you to search inside the book or read excerpts from it before you head to the stacks to find it.

We hope these services and others like them will help Duke scholars find resources and work with each other in more efficient, interdisciplinary, and collaborative ways. And let’s not forget fun. The developer of LibraryThing recently wrote in his blog about the philosophy behind the site:

Why not be fun? The library itself is fun. … The catalog is a condensed representation of that fun. It’s not the books, but it has a lot to say about them, and it can be the springboard for so much more. I enjoy reading and thinking about books. I want to remember what I read, much as I want to remember my vacations. I want help finding new ones. I want to put my books out there for all to see. I want to express myself about them. I want to find people to talk about our books. I might even want to date someone who reads the same things I do.[ 3 ]

The Bostock Facebook groups and library buildings full of students are evidence that the libraries at Duke are successful spaces for social as well as solitary learning. We’re now hard at work making sure that the online services we provide are as effective at supporting research and collaboration — and as fun — as our physical library spaces are.

Paolo Mangiafico is a digital project consultant in the Digital Projects Department at the Duke University Libraries.

Students on the Bostock patio: Mark Zupan

Notes

1. John Seely Brown and Paul Duguid, The Social Life of Information (Boston: Harvard Business School Press, 2000), 102.

2. Brown and Duguid, 103.

3. Tim Spalding, Is your OPAC fun? (a manifesto of sorts)

DukePlays: The Party

More than 2,000 guests—students, alumni, faculty and University staff—partied throughout the first floors of the Perkins and Bostock libraries and the von der Heyden Pavilion on Friday, 23 February, from 9-midnight.  Subdued lighting, pedestal tables swathed in colorful spandex linens, gourmet desserts, cash bars, and two jazz bands, one in the Pavilion and the other in Bostock, transformed the library complex into an elegant club-like setting.

Library party

The Party, with more than thirty campus sponsors and assistance from the Duke University Libraries, was proposed and planned by two Duke seniors, Rachel Weeks and Haley Hoffman, who are also the originators of the “Work Hard, Play Well” campaign on campus.  Weeks and Hoffman conceived the idea of having a party in the library as a way of encouraging the campus community to come to see a photographic display of campus student life that they created from reproductions of hundreds of images from the University Archives.

Library party

Duke Summer Reading: Mission Impossible?

Ryan Lombardi

Your task: pick a book that everyone at Duke will like.

Your timeline: three months.

Welcome to the Duke Summer Reading Book Selection Committee.

Started in 2001, the Duke Summer Reading Program offers a shared experience for incoming Duke undergraduates. From The Palace Thief, Ethan Canin’s collection of novellas, to Khaled Hosseini’s NY Times best-seller The Kite Runner, the selections have been varied to match the many interests of the students who will read and discuss them.

Students discussing summer readingFirst-year students discuss the selection during orientation, but the reading program also features a campus visit by the author and/or subject of the book for a public conversation. Other events related to the summer reading program have included panel debates on bioethics (My Sister’s Keeper) and visits to journalism seminars by Pulitzer Prize-winning author Tracy Kidder (Mountains Beyond Mountains). Faculty members who work specifically with first-year students in the focus, writing, or first-year seminar programs are invited to weave the selection into their syllabi and plans for the semester.

During the summer before freshmen take up residence on Duke’s East Campus, they receive a copy of the reading selection chosen for their class and information about participating in a discussion of the book during orientation. Although many of the students view this as their ‘first academic assignment,’ the program organizers have a very different perspective.

The selection committee and others involved in the program are thinking broadly about the intellectual growth and mental shifts that occur during an undergraduate’s four years at the university. And they’re keeping in mind that some of the most transformative experiences take place outside the classroom. Late night conversations in the dorms or dining hall or passionate arguments in a tent in K-ville create both meaningful memories and moments when students begin to examine their values and ideals. Fostering these informal, peer-to-peer exchanges is at the heart of the Duke summer reading program.

Summer readingTo further empower the first-year students to engage each other in conversations about significant issues, First-Year Advisory Counselors, themselves students, convene and lead the discussions of the summer reading selection. This differs from the practice at other institutions where faculty lead the discussions in similar programs. At Duke, sophomores, juniors or seniors, matched with 8-10 first-year students, find their own time and place.-Some groups talk over a bowl of queso in the ‘dillo, while others find a nice shade tree where they try to beat the late August North Carolina heat. The hope is that this is only the beginning of a college career filled with meaningful conversations, both during classes and also as they come throughout the day.

But these relaxed summertime book talks are only a glimmer in the eyes of the book selection committee members when they begin the search for the next book. The nomination process for Duke’s summer reading selection is open to any member of the campus or local community, although the program is really only marketed on campus. Anyone with a book to suggest can submit their title in the early fall at the summer reading program website. Nominators are asked to explain briefly why their book would be good for the program. The committee reviews every book that is recommended through this process, albeit some with more care than others. No title is discarded without some discussion, even those that are recommended every year!

“I’ll fall on my sword to ensure this is the assigned reading this year!,” declared a faculty member at the second meeting of the book selection committee this year. Members reviewed the initial list of approximately seventy nominations at their first meeting, which occurred between Thanksgiving and winter break. Although the next four weeks would be the prime reading time for committee members, this particular faculty member felt certain that she had already found the winner. Two weeks later, several students on the committee countered her passionate endorsement, arguing that, while the book had merit (after all, it had just been included on the NY Times list of required readings for 2007), it would not capture the interest of typical Duke freshmen. Don’t anoint it just yet, they cautioned; there may be better options.

Summer readingSo what makes a book the right choice? The committee considers points ranging from readability and story line to number of pages and topic. What is missing from the consideration, at least at the beginning of the process, is the theme that the committee is ‘hunting’ for. Every year the committee considers entering the process looking for a certain type of book with a theme that we might deem worthy of further exploration by our students. And, annually and unanimously, the committee members decide that they’d rather look for the best book. That’s not to say that theme and messaging don’t enter the selection conversation; they certainly do, but not until the list gets much shorter and the options become more clear.

This is when we start talking seriously about connections that could be made with the book during discussions and throughout the year. This year, more than any other, this conversation has seemed especially relevant. Following a media firestorm in which a gamut of social and campus culture issues have surfaced at Duke, we are asking ourselves how the summer reading program might engage students in conversations that could contribute to improving our campus culture. We have agreed to keep this question in mind as we go through the process. Subsequently, the word ‘opportunity’ has come into our conversation regarding several of the books we’re considering.

Speaking from experience, I can say that the process of selecting the book moves along beautifully. That doesn’t mean that we don’t occasionally have dueling books! The most hotly contested selection was The Kite Runner, which was a last-minute winner over Dead Man Walking. Last year’s selection of My Sister’s Keeper was fiercely debated, too. Mountains Beyond Mountains, on the other hand, was the easiest pick – no other titles came close that year.

The more we read, the more evident it becomes that some titles are rising to the top while others are falling quickly from the list of nominations. Each committee member volunteers to read several books (the number varies depending on the committee member’s regular responsibilities and work load between meetings) and then reports back to the larger group. Based on this report, a book is either removed from consideration or remains on the list for additional reading by other members of the committee. It is conceivable that a book could be removed from consideration after having been read by only one committee member, while those that emerge as contenders are eventually read by the entire group.

The thirteen members of the committee (3 students, 3 faculty members, 4 university staff, and 3 adjunct faculty) are trusted to keep the goals of the program at the forefront of their thinking as they prepare their comprehensive reviews. Some committee members have had to veto an all-time personal favorite because they realized that the book just wasn’t the right fit for the program. This is easy for some, harder for others, but in the end the group has always come together around the final selection.

While the list is being narrowed to the finalists, I am working behind the scenes to determine the availability of books, authors, and peripheral resources for hypothetical selections. One book we’re considering this year is out of print, so while there are still fourteen other options on the list, extensive conversations with press outlets and publishers are already taking place to determine the feasibility of a book that only has a one in fifteen chance of being chosen. It wouldn’t be very prudent of the committee to pick a book that wasn’t available for purchase on a mass scale, just as it wouldn’t be a good idea to pick a title that wouldn’t appeal to an 18-year-old college-bound student.

When the list has been narrowed to 3-5 finalists, these titles are publicized to the broader Duke community for feedback. Not to be mistaken for a vote, this is a chance for those not on the committee to offer their thoughts on the books still on the table. Last year when this step was added to the selection process, the committee received more than a thousand unique visits to its website in a one-week span and several hundred insightful comments about the books that were on the short list. It was a great barometer for the committee to make sure they were on track in thinking about the issues presented in the finalists and how these would resonate with the broader Duke community.

In our first year, The Palace Thief was an early reject, only to be resurrected later in the process and ultimately selected as the program’s inaugural pick. Other selections have been unanimous after a quick process, while some have been made only after multiple votes and even impassioned speeches of support from committee members. This year the selection process seems to be moving at a rapid pace, but it is likely that the committee will debate the final few titles thoroughly.

As the summer reading program has become more firmly established at Duke, campus interest in the books being considered has grown. In the first couple of years, no one cared (or knew) about the book selection process. Now, it’s a hot topic of conversation and is often scrutinized pretty closely. But one thing is certain: The process flows like a good book, with unexpected turns and twists, ups and downs, undeniable tension and joy, but ends, just as it should, in a way that everyone understands and ultimately accepts.

Ryan Lombardi is Associate Dean of Students and Chair, Duke Summer Reading Program.

Postscript –

On 8 March the Duke Summer Reading Selection Committee announced that it had chosen The Best of Enemies: Race and Redemption in the New South by Osha Gray Davidson as the “freshman read” book for the Class of 2011. The other finalists were The Omnivore’s Dilemma by Michael Pollan, What is the What by Dave Eggers and Three Cups of Tea by Greg Mortenson and David Oliver Relin.

Best of Enemies describes the history of the civil rights movement in Durham by focusing on the friendship between C.P. Ellis, a one-time KKK member, and Ann Atwater, a civil rights activist, and their work to bridge the racial divide during school desegregation. The book is currently out of print, but the publisher, the University of North Carolina Press, is doing a special reprinting of the paperback edition for Duke that will include an inset letter from President Brodhead. The reprint should be available by May.

Summer reading finalist books

Past Selections of the Duke Summer Reading Program

  • 2006 – My Sister’s Keeper by Jodi Picoult (2004)
  • 2005 – The Kite Runner by Khaled Hosseini (2003)
  • 2004 – Mountains Beyond Mountains by Tracy Kidder (2003)
  • 2003 – Savage Inequalities by Jonathan Kozol (1991)
  • 2002 – The Palace Thief by Ethan Canin (1994)

Where Did All the Evils Go?

Writer’s Page

Michael Allen Gillespie

From a fading photo on the title page of Ron Rosenbaum’s recent book, Hitler: The Search for the Origins of his Evil, [1] a small child peers out at us. Who is this child? A victim of the Holocaust? An image of all that was lost? Or perhaps a shattered survivor who lived on haunted by the ghosts of those who died? No, it is something worse, a photo of baby Adolf, as innocent as any child who has “not yet bitten of the apple.” There is no hair combed carefully into place, no steely glint in his eye, no narrow mustache above an unsmiling lip, no arm extended in salute, and no indication of future deeds so horrible as to beggar the imagination. Just a small child, filled with all the promise that youth has to offer. The question at the heart of the book is captured in this photo. It is a question posed not merely by the victims of the Holocaust or the millions killed in Hitler’s war, but by our very humanity. Is there a humanly comprehensible path from that small child to the gray and brooding figure searing his course across our history? And if there is, how can we ever use the word “humane” again? How can we look at ourselves in the mirror and not wonder if that unspeakable something that was in him is not also in us?

Rosenbaum’s personal search takes him not only to piles of crumbling newspapers and letters, to distant towns and lost places in all corners of Europe, Israel and North America, but also into the pages and the living rooms of nearly all the world’s most famous Hitler scholars. What he discovers there is quite disturbing. Although they are all ardent foes of Hitler and everything he stood for, they fundamentally disagree about his moral character. For some, such as Emile Fackenheim, Hitler is evil incarnate, utterly inhuman, the epitome of absolute evil. In stark contrast, others such as H.R. Trevor-Roper (author of The Last Days of Hitler), argue not only that he was not evil but that he was in fact an idealist, horribly misguided, to be sure, but an idealist nonetheless, who sought to do good. There was not evil will at work in Hitler, they maintain, only (terribly) faulty reasoning. There are some, such as Robert Waite, who try to steer a middle course between these two extremes, but this proves difficult, for while they describe a path from here to there, they are almost all forced to admit that at some point that path is profoundly ruptured, that it passes through an unfathomable abyss, an anomaly of such magnitude that it is difficult to say how the human being who entered it is related to the inhuman being who comes out the other side.

If we accept Rosenbaum’s account, we seem compelled to choose between one of two impossible alternatives: either Hitler was not evil or Hitler was not human. This dilemma is particularly troubling because for many years Hitler has been the only absolute in our relativistic moral universe, the one point on our moral map that always flashed “Forbidden! Do not enter here!” And our certainty of his evil has been just about the only thing that has given us the resolve to defend the cause of humanity. Apartheid, ethnic cleansing, and the like evoke not merely disapprobation but action because, at some level, we see in them the reappearance of that malignant spirit we imagine to have possessed Hitler. If we doubt that Hitler was evil, how can we sustain any notion of evil or find any ground for moral judgment or action? And if we are left with only silence in the face of this question, how can we not conclude that we are lost on an infinite moral sea, beyond good and evil?

Nietzsche believed that such a fate was inevitable, for the death of God and the collapse of everything built upon that God were already well underway, even if most Europeans had not yet recognized that fact. [2] He was equally convinced that the consequence of this “greatest event” would be the collapse of European morality, centuries of brutal war, and the advent of a world in which everything is permitted. Was he right? Is this the source of the difficulty we face when we consider the question of evil? Are we at heart already entertaining that “uncanniest of all guests,” nihilism? While it is tempting to leap to such a conclusion, it might behoove us to ask a preliminary question, not whether the absence of a point of absolute evil on our moral map is the result of a creeping atheism and nihilism, but how it came about that all the lesser points of evil were effaced. Might our difficulty in coming to terms with the possibility of “radical” or “ultimate” evil not be connected to our difficulty in believing in evil in all of its lesser forms?

The existence and variety of evil was certainly not a question for the High Middle Ages. Aquinas and Dante, for example, knew what evil was, described its forms and degrees, and laid out the appropriate punishments and remediations. Judas, the medieval moral equivalent of Hitler, was in this way clearly connected to the baby who, according to Augustine, concupiscently sucked at its mother’s breast. For these thinkers, there is no problem with how we get from the child to the monster. Medieval Christianity had a moral map that was complex, rooted in reason and revelation, reflected in civil and canon law, and embedded in creation. Yet by the middle of the seventeenth century, the points on this map had largely been erased. Indeed, Descartes and Hobbes, the two great pillars of modern thought, proclaimed that good is what pleases me and evil what causes me pain or opposes my will. Where, then, did all the evils go?

This is the question I address in this essay. I believe that the answer helps to explain the mysterious ambiguity of evil in modern times. In what follows, I argue that the answer to this question lies in the theological and philosophical transformations that mark the passage from the late medieval to the early modern world. Descartes and Hobbes are not the source of this change. They articulate a radically subjective, quasi-utilitarian view of morality. However, they do so not because they clearly prefer it but because the alternative they see in front of them is much worse. They turn away from a notion of evil so vast and a notion of good so compelling that it had become easy on moral grounds to justify not merely casuistic equivocation but the slaughter of whole populations. To understand how morality came to this pass and why our moral map has become so useless to us, we thus need to examine not Nietzsche, or even Descartes and Hobbes, but the tremendous theological and moral transformation of the fourteenth, fifteenth, and sixteenth centuries. In doing so, I believe we can see that our inability to sustain a notion of evil arises not from the death of God but from the proclamation of his omnipotence, thus not from atheism but from a particular kind of theism.

Michael Allen Gillespie

Michael Gillespie is Acting Chair of Political Science 2006-07; Jerry G. and Patricia Crawford Professor and Professor of Philosophy and Director, Gerst Program in Political, Economic, and Humanistic Studies at Duke.

This selection is excerpted from his essay, “Where Did All the Evils Go?,” which appears in Naming Evil/Judging Evil, edited by Ruth W. Grant and published by the University of Chicago Press, ©2006.

Notes

1. Ron Rosenbaum, Hitler: The Search for the Origins of His Evil (New York: HarperCollins, 1999).
2. Friedrich Nietzsche, The Gay Science with a Prelude in Rhymes and an Appendix of Songs, trans. Walter Kaufmann (New York: Random House, 1974), 343.

Seeing Japanese Popular Culture through Anime

Collections Highlight

After your first random fifteen minutes of any (non-dubbed) anime you’re bound to be overwhelmed by its otherworldliness. You will encounter a different gravity, an unlikely atmosphere, an unexpected moisture. Tangible one moment, it melts into a strange texture the next. Once caught by its ocular excess and sonic gestalt, your sense of the imaginable future is radically changed. The growth in Western audiences for anime over the past decade testifies to the addiction these worlds induce… Dive in-things become viscous, shiny, loud. This is the appeal, the fascination, the allure of anime.

– Philip Brophy from his introduction to 100 Anime, British Film Institute, 2005

Introducing Anime

Anime: Courtesy of AnimEigo, Inc. (c) Kitty Films. Licensed to AnimEigo by Fuji Creative, LTD.Anime, pronounced a˘n´-ma¯´, describes a Japanese animation style as well as the films created in that style. Unlike American animation, which is predominantly a children’s medium, anime, with richer and more challenging story lines, is the major form of visual entertainment in Japan. Anime also differs from Western animation in its use of sophisticated cinematic effects such as panning shots to create background motion and shifting the visual focus from background to foreground. The artistic rendering of anime characters-their large eyes, tiny mouths, and wildly colored hair, instantly recognizable-further distinguishes the style from Western animation. Another hallmark of anime is its relationship to other media, including video games and manga (Japanese comics and print cartoons). It’s quite common for anime to be based on a manga or even a video game – and vice versa.

The first anime to appear on U.S. television was Astro Boy, which aired in the 1980s on NBC at about the same time that anime broke into the U.S. film market with Akira (1989), directed by Katsuhiro Otomo.[1] Anime was firmly established in the U.S. by the 1990s when the television series, Sailor Moon, began airing. These early successful forays into American homes and theaters were followed by the arrival of blockbuster anime feature-length films like Hiyao Miyazaki’s Spirited Away (2001) and Howl’s Moving Castle (2005).

The Genesis of the Duke Libraries’ Anime Collection

In 2002 the Freeman Foundation made a four-year grant to the Libraries’ International Area Studies Department (IAS) to expand its support of undergraduate education and teaching in Japanese Studies. Professor Tomiko Yoda of Asian and African Languages and Literature (AALL), and Kristina Troost, the head of IAS and librarian for Japan and Korea, worked in collaboration to build a collection of manga and anime. Professor Yoda uses these resources in “Topics in Japanese Anime,” a course she teaches regularly to capacity enrollments. Professor Yoda recently related these observations about her class and its relationship to the Libraries’ collection:

Anime has offered me both opportunities and challenges as a teacher. It is the first cultural medium produced in Japan that has been almost instantaneously subtitled/dubbed and distributed in the U.S. The availability of diverse anime titles allows me to organize undergraduate courses, in which I teach students with no background in Japanese language, under a large range of specific themes. I have never taught a material that so many students express such powerful personal interest in.

In the Duke classrooms today, we have a generation of students who grew up in the U.S. and around the world-including China, Hong Kong, Taiwan, England, Brazil, Mexico-watching various anime series on television. Part of the challenge of teaching anime lies in the fact that my course has tried to treat not only anime films but also TV animes that can span 13 to 26 episodes per season, and some titles go on for multiple seasons. I assign selected episodes from these series. But without the library’s willingness to collect these long and expensive series (which also poses some cataloging and shelving challenges), I would not be able to handle TV anime series.”

Professor Yoda continues to recommend new anime titles for addition to the Libraries’ collection, which currently includes almost two hundred DVDs. And while anime are readily available for purchase, the Libraries still encounter various challenges in acquiring them. One is sorting out series and the titles belonging to each. Another is deciding whether to buy the Japanese DVD release of an anime, which will not play on North American DVD players, or to wait for several months, if not longer, for the U.S. release. If a title has been requested for use in a class, the Libraries may decide to import it from Japan and then purchase another copy when the anime becomes available in the U.S.

And then there is the question of language. Some fans prefer the original Japanese voice acting with subtitles because they feel they are experiencing the film more nearly as the creator envisioned it. However, in recent years serious fans in increasing numbers have begun to prefer English dubbing-especially as Western producers spend more money to add a high-quality English language track.[2] Most currently released anime DVDs come with both options: original Japanese language track with optional English subtitles and a dubbed English track.

So, delve into the marvelous, otherworldly realm of anime, at Duke or another library near you.

Danette Pachtner is the Film, Video & Digital Media Librarian at the Duke University Libraries

Finding Anime Titles at Duke’s Lilly Library

Go to the Duke Libraries’ online catalog. Choose “advanced search”-limit the format to “film/video”-use subject keywords “animated films japan” or “animated television programs japan”

Links to Anime Resources

Notes

1. BWI, Public Librarian’s Guide to Anime (Lexington, KY: , BWI, 2006), 6.
2. BWI, 11.