INSIST! – Black activist voices in Music, pt.6

I was so pleased when Bill and Stephen began this series, and I especially enjoyed reading about one of my all-time favorite artists, Nina Simone. Music frequently serves as a source of inspiration for listeners. It can bring people together around a common cause. At times though, and sometimes more important than this call to action, music can serve as a much-needed source of comfort. Therefore, I asked if I could contribute a post focused not only on activism in the traditional, outwardly-directed sense, but also on what I think of as activism on a more personal level. To that end, when I think of music centered on knowing one’s worth and demanding respect from others, one artist inevitably comes to mind, and that artist is Lizzo.

Years before she garnered mainstream success, Lizzo released her debut Lizzobangers. Songs like “Be Still” and “T-Baby” (short for tar baby) reference the difficulties she faced in those early years trying to make it as an artist, namely her experiences with houselessness and food insecurity. Numerous tracks speak to the experience of living in a world that devalues blackness, women, and bodies that have never been and will never be a sample size. These themes continue in Lizzo’s second studio album, Big Grrrl Small World. From the opening song “Ain’t I,” a reference to a speech by the abolitionist Sojourner Truth, to the penultimate track “My Skin,” Lizzo reveals to us her confidence while also highlighting the long journey it takes for so many of us to overcome self-doubt. The world does not often know how to handle such brazen self-assuredness from a bigger-bodied black woman, and, luckily for her listeners, Lizzo could not care less.*

cover of Lizzo's Coconut Oil album The final album I want to address in this post is my personal favorite, her 2016 EP Coconut Oil. While her earlier and, tragically, lesser-known music spoke of struggle—both personal and more broadly—this six-track EP exudes joy in its reminder to take care of ourselves. In “Scuse Me” and “Coconut Oil,” we find self-love anthems. With lyrics like “I don’t need a crown to know that I’m a queen” in the former and “Don’t worry ’bout the small things, I know I can do all things” in the latter, Lizzo exudes a sort of self-assuredness toward which we all strive. Furthermore, she stresses that, if we can love ourselves, then we know just how deserving of others’ love we are, as illustrated in the lyrics of “Worship” and her first big single, “Good as Hell.” Activism, whether it entails fighting for the collective or for oneself, is exhausting. This EP provides us with that brief break necessary to avoid burnout and to practice a little self-care.

Of course, if you are completely unfamiliar with Lizzo, go ahead and start with her most recent album Cuz I Love You, which you can borrow from the Music Library here. Do yourself a favor though, and go back and stream all her earlier releases.

*I wanted to include an addendum after the online bullying that occurred in response to the release of Lizzo’s most recent music video. In stating that the singer “could not care less,” I am in no way implying that she is unfazed by the racist and fatphobic comments she receives online and in the media. The confidence that Lizzo displays in her lyrics and her media presence is something to which so many of us aspire, and I hope this post illustrates my gratitude to her for that.