Category Archives: Bingham Center

Re-installing The Trial of Sylvia Likens

The Trial of Sylvia Likens by Kate Millett, 1978. Photo by Mark Zupan.

For the first time since its initial exhibition in 1978, Kate Millett’s chilling installation, The Trial of Sylvia Likens, has been reassembled. On Monday, the staff of the Sallie Bingham Center for Women’s History and Culture and Art History instructor Laurel Fredrickson joined with filmmakers Sophie Keir-Thompson and Mary Beth Ross to film the piece for a documentary about Millett’s life. The installation forms part of the Kate Millett Papers, which are held by the Bingham Center.

The installation marks Millett’s response to the horrific 1965 torture and murder of sixteen-year-old Sylvia Likens by the Baniszewski family and their neighborhood friends. Called “the most terrible crime ever committed in the state of Indiana,” the story of the murder and subsequent trial transformed Millett, laying the groundwork for her revolutionary work, Sexual Politics. Fredrickson writes, “For Kate, the case of Sylvia Likens exemplified in a very potent way how women are taught to accept punishment for real and imagined digressions from the cultural and social roles imposed upon them by patriarchal societies.”

In the photo essay below, Kelly Wooten, the Bingham Center’s Research Services and Collection Development Librarian, narrates Monday’s recreation.

The first step in reconstructing The Trial of Sylvia Likens was locating all the various mannequin parts, clothing, and panels, and then loading everything onto book trucks to convey to Room 217 in Perkins Library.

Once we delivered all the materials to Room 217 and the filmmakers set up their equipment, it was time to assemble the five defendants and get them dressed for court. Technical Services Archivist Megan Lewis and Art History instructor Laurel Fredrickson are putting on Johnnie’s jacket.

After all of the characters were ready, filmmakers Mary Beth Ross and Sophie Keir took shots of each mannequin in front of a green screen. This is Gertrude Baniszewski.

Filmmaker Mary Beth Ross prepares to capture images of the mannequins seated at the table.

For the original installation, Kate Millett created a death mask of her own face and dressed a mannequin in her own clothing to be arranged on a mattress as an embodiment of empathy for the victim, Sylvia Likens, who was found on a mattress in the family’s basement.

The trickiest part of this re-creation was hanging the panels that formed the backdrop in the original courtroom scene without damaging the library walls. Fortunately, Laurel Fredickson’s partner, Brad Johnson, is the Chief Preparator at the Nasher Museum of Art and had the time and the tools to hang the large newspaper reproductions.

For more photos, visit the RBMSCL’s Flickr photostream!

Thanks to the Bingham Center staff and Laurel Fredrickson for helping with this post!

Women’s Education Symposium Redux: Pedagogy Panel

Date: Friday, 23 April 2010
Time: 12:00 PM
Location: Perkins Library Room 118
Contact Information: Kelly Wooten, 919-660-5967 or kelly.wooten(at)duke.edu


Next Friday, join the staff of the Sallie Bingham Center for Women’s History and Culture to watch videos from their 30 October 2009 symposium, “What Does It Mean to Be an Educated Woman?”

This month, we’ll be watching the “Pedagogy Panel.” The full list of speakers, which include RBMSCL Research Services Librarian Elizabeth Dunn, is available on the online symposium schedule. Desserts will be provided!

We’ll miss you if you can’t attend, but—just in case—videos for all three panels are also available online.

2010-2011 Mary Lily Research Grants Awarded

Duke University cheerleaderThe Sallie Bingham Center for Women’s History and Culture is pleased to announce the recipients of this year’s Mary Lily Research Grants. These grants allow scholars to travel to Durham to conduct research using the Bingham Center’s collections.

  • Katie Anania, Art History, University of Texas-Austin, for dissertation research on the rise of feminism as a framework for evaluating contemporary art.
  • Lori A. Brown, Architecture, Syracuse University, for research for a book examining the relationships between space, abortion, and issues of access.
  • Kate Eichhorn, Culture and Media Studies, The New School, for research comparing zines and scrapbooks as archival collections of ephemera.
  • Julie Enszer, Women’s Studies, University of Maryland, for an examination of lesbian-feminist print culture in Durham, NC, 1969-1989 as part of a historical narrative of lesbian-feminist publishing.
  • Karen Garner, Historical Studies, SUNY Empire State College, for an examination of U.S. global gender policy in the 1990s.
  • Rebecca N. Mitchell, English, University of Texas – Pan American, for research for an article examining the proto-feminist aspects and eroticism of Victorian mourning attire.
  • Michelle Moravec, History and Women’s Studies, Rosemont College, for research on feminist art activism as a U.S. social movement, 1967-1991.
  • Whitney Strub, Women’s Studies and American Studies, Temple University, for research for a book examining the relationships between queer sexuality, LGBT activism, and antigay activity in post-WWII United States.

Watch The Devil’s Tale for news about upcoming discussions with several of the travel grant recipients from the Bingham, Hartman, and Franklin Research Centers.

Solidarity with Incarcerated Women

Date: Monday, March 29, 2010
Time: 6:00 PM
Location: Duke Women’s Center (map and directions)
Contact Information: Kelly Wooten, 919-660-5967 or kelly.wooten(at)duke.edu

When we think of prisoners, we generally think of men. Yet according to the Bureau of Justice Statistics, over 114,000 women are currently incarcerated in the United States.

In Monday’s discussion, Victoria Law, author of the newly-released Resistance Behind Bars: The Struggles of Incarcerated Women and publisher of Tenacious: Art and Writings from Women in Prison, will examine the particular challenges facing incarcerated women and discuss their past and present strategies of resistance.

Alexis Pauline Gumbs, Duke graduate student and member of the organizing committee for Durham’s Harm Free Zone, will talk about the Harm Free Zone process and facilitate interactive writing exercises based on some of the writings in Tenacious.

This event is co-sponsored by Duke’s Women’s Center, the Sallie Bingham Center for Women’s History and Culture, and the Archive for Human Rights.

Women’s Education Symposium Redux: Scholarship Panel

Date: Friday, March 26, 2010
Time: 12:00 PM
Location: Perkins Library Room 118
Contact Information: Kelly Wooten, 919-660-5967 or kelly.wooten(at)duke.edu

Bring your bag lunch to the library and join the staff of the Sallie Bingham Center for Women’s History and Culture to watch videos from their 30 October 2009 symposium, “What Does It Mean to Be an Educated Woman?”

This month, the “Scholarship and Education” panel will be shown. The full list of speakers, which include University Librarian Deborah Jakubs, is available at the online symposium schedule. Desserts will be provided!

A viewing of the third panel has been scheduled for 23 April. Stop by The Devil’s Tale in the coming weeks for reminders and more information.

We’ll miss you if you can’t attend, but—just in case—the videos are also available online.

Women’s Education Symposium Redux: Activism Panel

Date: Friday, 26 February 2010
Time: 12:00 PM
Location: Perkins Library Room 118
Contact Information: Kelly Wooten, 919-660-5967 or kelly.wooten(at)duke.edu

Beginning this month, the Sallie Bingham Center for Women’s History and Culture invites you to grab your lunch and watch videos from their 30 October 2009 symposium, “What Does It Mean to Be an Educated Woman?”

This month, the “Activism and Education” panel will be shown. Visit the symposium schedule to see the list of speakers. Desserts will be provided!

Viewings of the second and third panels have been scheduled for 26 March and 23 April, respectively. Stop by The Devil’s Tale in the coming weeks for reminders and more information.

If you won’t be able to attend the viewings, the videos are also available online.

Remembering Susan Hill

With great sadness, the RBMSCL would like to recognize the passing of Susan Hill, who died Saturday, 30 January, 2010, from breast cancer. Hill gained national prominence as a champion for women’s rights. She was president of the National Women’s Health Organization, a group of abortion clinics in the eastern U.S.

In 2003, Hill donated her papers and the records of the NWHO to the Sallie Bingham Center for Women’s History and Culture (collection guide here).

“We are honored to preserve the papers of Susan Hill. Our thoughts are with her many friends and family members at this difficult time,” said Laura Micham, Director of the Bingham Center.

Her obituary was published in Raleigh’s News and Observer.

Behind the Scenes: Intern Angela DiVeglia

Most people associate Victorian women with high tea and corsets, not with struggles for justice and equality. However, Angela DiVeglia, graduate intern at the Sallie Bingham Center and co-curator of “I Take Up My Pen: 19th Century British Women Writers,” spends much of her days examining the relationships between current feminist thought and the work done by early feminists in the United States and Great Britain.

Angela DiVeglia gives this Frances Power Cobbe pamphlet a thumbs-up.

Several of the items in the library’s current exhibit, such as the pamphlet above (Our Policy: An Address to Women Concerning the Suffrage by Frances Power Cobbe), were produced by strong and outspoken feminists who wrote and lectured widely during a time when women were still expected to remain within the domestic sphere.

DiVeglia writes, “It’s really inspiring and grounding to work with these kinds of materials; it’s easy to think of our own struggles outside of their historical contexts, to feel like we’re the only people fighting these particular fights. Seeing pamphlets and books produced by people like Frances Cobbe and Annie Wood Besant—women who were often ostracized for their work, and who occupy marginal places in history—reminds us that we’re actually part of a huge, rich legacy of people who want to create a better world.”

If you haven’t had a chance to visit the exhibit yet, it will be on display in the Perkins Library Gallery until February 21!

“I Take Up My Pen: 19th Century British Women Writers”

Date: 15 December 2009-21 February 2010
Location and Time: Perkins Library Gallery during library hours
Contact Information: Meg Brown, meg.brown(at)duke.edu

An Amusing Story by T. Conti
“An Amusing Story” by T. Conti. From the Illustrated London News, 1 April, 1893

Tumultuous, changeable 19th century Britain was the era of the professional woman writer. Amid emerging controversies over women’s suffrage and a woman’s rights over her property, her children, and her own body, women demanded a place alongside men in the world of letters to contribute to cultural discourse, to make their opinions heard, and to tell their own stories.

“I Take Up My Pen: 19th Century British Women Writers” focuses on women’s use of writing as a powerful tool to alter their positions within a social order that traditionally confined them to the home. The women represented here—including Jane Austen, Elizabeth Barrett Browning, and the Brontë sisters—are lecturers, suffragists, publishers, world travelers, professional writers, poets, journalists, and labor reformers. The exhibit also highlights the fascinating array of literary publications available to 19th century readers and writers: everything from periodicals and the penny press to three-volume bound editions, gift books, pamphlets, letters, and diaries.

Curator Angela DiVeglia arranges exhibit materials
Curator Angela DiVeglia arranges exhibit materials

An online guide to the exhibit offers links to the digitized full-text versions of many rare 19th century works in the RBMSCL’s collections.

“I Take Up My Pen: 19th Century British Women Writers” is presented by the Duke University Libraries and curated by Sara Seten Berghausen, Angela DiVeglia, Anna Gibson, and William Hansen with co-sponsorship from the Sallie Bingham Center for Women’s History and Culture and the E. Rhodes and Leona B. Carpenter Foundation.

For more pictures of the curators installing this exhibit, visit the Duke University Libraries on Flickr!

A Holiday Recipe from Us to You

This season, as you begin to plan your holiday parties, the RBMSCL would like to offer this gem of a recipe, from 1929’s Electric Refrigerator Menus and Recipes.

Frozen Cheese

1/4 lb. American cheese
1 small cream cheese
1 cup mayonnaise
6 maraschino cherries
6 green mint cherries
1/2 pint cream

Grate the American cheese. Add cream cheese, and mayonnaise dressing and beat thoroughly. Fold in 6 maraschino cherries and 6 green mint cherries, chopped fine, and 1/2 pint cream, beaten stiff. Freeze until set. Remove to serving dish and sprinkle with 1/2 cup chopped nuts or paprika. Serve with salad course.

To those of you brave enough to make this, please send us photos. Yum?