This month, we published a small collection of Bloomsbury Group-related materials in Manuscripts and Woodcuts: Visions and Designs from Bloomsbury. It features a handwritten, manuscript draft of Elizabeth and Essex by Lytton Strachey and a collection of woodcut illustrations by Roger Fry, as well as letters and book covers. This collection accompanies a Duke University Libraries exhibit on the Bloomsbury Group entitled “‘How Full of Life Those Days Seemed’: New Approaches to Art, Literature, Sexuality, and Society in Bloomsbury” that is part of a year-long celebration at Duke, Vision and Design: A Year of Bloomsbury,
Also published in the October 2008 build, the William Emerson Strong Photo Album contains 200 cartes-de-visite (card photographs) mostly published in the mid-1860s. Subjects include officers in the Confederate Army and Navy, officials in the Confederate government, famous Confederate wives, and other notable figures of the Confederacy. Sixty-four photographs can be attributed to noted Civil War photographer Mathew Brady, with nine photographs issued by Brady himself and 55 issued by E. & H. T. Anthony & Co., a photograph marketing firm that acquired the Brady negatives in 1865.
As of December 2008, the digital collection includes the cartes-de-visite images; we plan to add images of the photo album pages in 2009.
American Song Sheets, another new digital collection we published in October, includes approximately 1,800 broadsides and song sheets from nineteenth-century America. For this collection, we provide the song sheet images, as well as the searchable full text of the song lyrics. Will processed the full text to generate a collection-level “term cloud” based on commonly occurring words within the lyrics. This technique has proven useful for other collections, such as the Sidney Gamble Photographs of China term clouds (in two languages!) and the Americans in the Land of Lenin collection term cloud.
For the Song Sheets, Will also used full-text processing to enhance the metadata for each item with “more frequent words” and “less frequent words.” These approaches allow us to support additional browsing pathways for our users without the costs of hand-crafted metadata.
One of the five collections we published in our October build was the Michael Francis Blake Photographs digital collection. The collection features 117 photographs of men, women, and children taken between 1912-1934 by Michael Francis Blake, who opened one of the first African-American photography studios in Charleston, S.C. The images come from photographic album entitled “Portraits of Members,” which might have been used by clients in the studio to select the backdrop and props they wanted in their photographs.
Duke University Libraries has posted a video highlighting photographs from one of our newer digital collections, Americans in the Land of Lenin: Documentary Photographs of Early Soviet Russia, 1919-1930
Watch the video on YouTube
Special thanks to Joaquin Bueno and Eric Zitser for their work on the video.
We recently posted a slideshow providing sample images highlighting what the Sidney Gamble Photograph collection looked like before we turned it into a digital collection.
The slideshow is included on a page (About the Photographs and the Project) that provides background information describing how the collection came to Duke.
We’re excited to announce the publication of the digital collection, Americans in the Land of Lenin: Documentary Photographs of Early Soviet Russia, 1919-1930. This collection of photographs of daily life in the Union of Soviet Socialist Republics is drawn from the personal papers of Robert L. Eichelberger and Frank Whitson Fetter, two ordinary Americans who found themselves in an extraordinary place and time. Both men left unique photos of their encounter with ordinary individuals of the self-proclaimed first socialist country in the world. Their images of life in the Soviet provinces between the World Wars reveal an agrarian, multi-ethnic country, still reeling under the impact of the revolutionary forces unleashed at the beginning of the 20th-century. This collection complements the resources in the University of Michigan’s Polar Bear Expedition Digital Collections.
Erik Zitser, the sponsor of this digitization project, published a longer description of the Eichelberger photos in his article: Images of the Russian Civil War in Siberia in the Robert L. Eichelberger Collection at Duke University Libraries.
Please feel free to leave feedback and suggestions for this collection in the comments.
The Vica Nazi Propaganda Comics is one of the collections we published in our October build. According to WorldCat.org, Duke University’s Rare Book, Manuscript, and Special Collections Library holds the only copies of this comic in the United States. The Nazi-controlled government in France produced the Vica comic during World War II as a propaganda tool against the Allied forces. The digital collection features the three published issues of the comic: Vica au Paradis de l’U.R.S.S, Vica contre le service secret anglais, and Vica défie l’Oncle Sam (representing the Allied forces: USSR, England, and US). The comics could support research in multiple disciplines, such as World War II history, French language and culture, popular media, comic arts, and propaganda.
We’d love to get feedback on this collection in the comments.