{"id":16249,"date":"2022-03-09T15:05:06","date_gmt":"2022-03-09T19:05:06","guid":{"rendered":"https:\/\/blogs.library.duke.edu\/rubenstein\/?p=16249"},"modified":"2022-03-09T15:05:06","modified_gmt":"2022-03-09T19:05:06","slug":"dearest-sabina-addition-to-the-carl-v-corley-papers","status":"publish","type":"post","link":"https:\/\/blogs.library.duke.edu\/rubenstein\/2022\/03\/09\/dearest-sabina-addition-to-the-carl-v-corley-papers\/","title":{"rendered":"\u201cDearest Sabina\u201d: Addition to the Carl V. Corley Papers"},"content":{"rendered":"<p><em>Post contributed by Leah Tams, Accessions Coordinator.<\/em><\/p>\n<p><span style=\"font-weight: 400;\">The <\/span><a href=\"https:\/\/archives.lib.duke.edu\/catalog\/corley\"><span style=\"font-weight: 400;\">Carl V. Corley papers<\/span><\/a><span style=\"font-weight: 400;\"> at the Rubenstein document the career and artistic output of Carl Corley, a white novelist and illustrator, and notably include works of gay fiction and homoerotic art. Even more notable is the fact that Carl always signed his works with his real name. A recent addition to Corley\u2019s papers, consisting largely of correspondence from Corley to a woman named Sabina Allred (later Sabina Allred Allen), greatly enhances and complicates our understanding of Corley, his life, and his work.<\/span><\/p>\n<figure id=\"attachment_16250\" aria-describedby=\"caption-attachment-16250\" style=\"width: 474px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-16250\" src=\"http:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image1-1024x1024.jpg\" alt=\"A letter handwritten in black ink that begins &quot;Dearest Sabina.&quot; Small illustrations of flowers (red, green, and black) are at the top of the letter.\" width=\"474\" height=\"474\" srcset=\"https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image1-1024x1024.jpg 1024w, https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image1-300x300.jpg 300w, https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image1-150x150.jpg 150w, https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image1-768x768.jpg 768w, https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image1-1536x1536.jpg 1536w, https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image1.jpg 2048w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-16250\" class=\"wp-caption-text\">A World War II-era letter written to Sabina<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">The <\/span><a href=\"https:\/\/archives.lib.duke.edu\/catalog\/corley_aspace_d4c1687d1a32d0ff1e4bbb3959673506\"><span style=\"font-weight: 400;\">Sabina Allred Allen Collection of Carl Corley Papers<\/span><\/a><span style=\"font-weight: 400;\">, received in February 2022, contains World War II-era love letters from Carl to Sabina. In these letters, he frequently addresses how much he loves and misses Sabina, as well as their plans for the future (engagement, marriage, etc.). Carl wrote to Sabina almost every day until his transfer overseas, after which time he still wrote to her at least weekly.\u00a0<\/span><\/p>\n<figure id=\"attachment_16251\" aria-describedby=\"caption-attachment-16251\" style=\"width: 474px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-16251 size-large\" src=\"http:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image2-729x1024.jpg\" alt=\"A pencil illustration on U.S. Marine Corps stationary. The illustration depicts a woman crying while holding a letter. A plantation-style house is in the background. A poem at the bottom reads: &quot;The letter that told it burned my hand; for it broke my heart to see. You said you grieved with tears of love, for our dreams which could never be. But those dreams rise and live, in life, as I and you. They will be there just as we always dreamed--all coming true.&quot; \" width=\"474\" height=\"666\" srcset=\"https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image2-729x1024.jpg 729w, https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image2-214x300.jpg 214w, https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image2-768x1079.jpg 768w, https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image2-1094x1536.jpg 1094w, https:\/\/blogs.library.duke.edu\/rubenstein\/files\/2022\/03\/Corley_image2.jpg 1458w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-16251\" class=\"wp-caption-text\">Illustration of Sabina drawn by Carl during World War II<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Also included in this addition of material\u00a0 are illustrations of Sabina that Carl created and gifted to her. The artwork originally accompanied the letters that he sent during World War II, but the drawings were separated from the letters at some point after receipt. Most of the artwork depicts Sabina wearing different outfits and hairstyles, sometimes illustrating a style that Carl mentioned in a letter, while other pieces depict Sabina and Carl together. Several of the illustrations also feature a Southern plantation house that appears to be inspired by Tara from <\/span><i><span style=\"font-weight: 400;\">Gone With the Wind<\/span><\/i><span style=\"font-weight: 400;\">, one of Carl\u2019s favorite works.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The World War II-era correspondence between Corley and Sabina ends in early September 1946, after Corley has returned home. In this letter, Corley ends their relationship, citing (among other things) how different they are from each other, as well as issues of trust. A couple weeks later, Sabina married Bobby Arnold on September 21, 1946. Sabina and Bobby divorced in May 1949, and she then married Dempsey Allen on June 13, 1949. Sabina and Dempsey Allen remained together until their deaths in 2008 and 2016, respectively, but Corley did re-enter Sabina\u2019s life in 1999.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Carl Corley and Sabina Allred Allen reconnected in 1999 while Corley was working on his autobiography, which he refers to as \u201cThe Art and Writings of Carl Corley.\u201d From these later letters, it seems that Carl reached out to Sabina for her help in reconstructing his adolescence, as well as to see the artwork he created for her during World War II. Sabina was a great source of inspiration for Carl\u2019s artwork, so he likely viewed her as an important figure to include in his autobiography. Carl and Sabina continued to correspond weekly through at least April 2002, discussing politics, family, daily routines, collecting habits, and their past. Many of these letters also contain racist diatribes against Black Americans.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">While Sabina Allred is only a blip on the radar in original materials acquired from Corley\u2014she is featured in two small photos in his World War II scrapbook\u2014this new addition suggests that perhaps Sabina\u2019s role in Corley\u2019s life was more significant than the original collection lets on. The addition also suggests that Carl may have been struggling with his identity as a gay man, as well as giving us a window into the bisexual practices of gay men during this period. The Sabina Allred Allen Collection of Carl Corley Papers adds a significant dimension to our understanding of Carl, and we look forward to having faculty, students, and researchers engage with this new material.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Post contributed by Leah Tams, Accessions Coordinator. The Carl V. Corley papers at the Rubenstein document the career and artistic output of Carl Corley, a white novelist and illustrator, and notably include works of gay fiction and homoerotic art. Even more notable is the fact that Carl always signed his works with his real name. &hellip; <a href=\"https:\/\/blogs.library.duke.edu\/rubenstein\/2022\/03\/09\/dearest-sabina-addition-to-the-carl-v-corley-papers\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">\u201cDearest Sabina\u201d: Addition to the Carl V. Corley Papers<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":316,"featured_media":16250,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[551,11,885,47],"tags":[206,826,142],"coauthors":[884],"class_list":["post-16249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured","category-from-our-collections","category-gender-and-sexuality-history-collections","category-new-rl","tag-artwork","tag-correspondence","tag-world-war-ii"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cDearest Sabina\u201d: Addition to the Carl V. 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