Date: 18 January-28 March 2010 Location and Time: Special Collections Gallery during library hours Contact Information: Karen Glynn, 919-660-5968 or karen.glynn(at)duke.edu
David “Honeyboy” Edwards at home on South Wells near 43rd Street, Chicago, Illinois, winter, 1994.
In this series of black and white photographs, photographer Cedric Chatterley traces the life of blues musician David “Honeyboy” Edwards, beginning at his birth place in Shaw, Mississippi and continuing through the Mississippi Delta to New Orleans, Memphis, and Chicago. Chatterley drove thousands of miles—often with Honeyboy himself—photographing important people and places in Honeyboy’s long career, as well as his performances at blues festivals, concerts, and recording sessions.
Reflecting on the photographs, Chatterley writes, “Touring with Honeyboy in the 1990s, and also traveling alone with his life’s story in hand, were formative times for me as an image maker. . . . From him I learned that there is a rhythm, a cadence, and a particular way in which time and sight and sound and memory—expressed and unexpressed—are inseparable when they come together to shape an image, whether that image is delivered in the form of a song, photograph, or any other form of expression.”
If you’re unable to visit the libraries, you can still see the photographs in the online exhibit.
On 28 January, two additional exhibits of Chatterley’s work—including his handmade cameras—will open at the Center for Documentary Studies. The CDS will also host a public reception for Chatterley that evening at 6 PM. More information is available here.
For all you fans of the RBMSCL (and who isn’t, really?), we now have our very own Facebook page. If you’re on Facebook, stop by and become our fan! We’ll be posting interesting tidbits and photos, so we promise it’ll be worth your while.
P.S. Details about the secret handshake will be revealed soon.
This past Saturday was the deadline for applications to Duke University’s undergraduate class of 2014. We thought we’d mark the occasion with a look back at a time before Scantrons and SAT prep courses, when students seeking admission to Trinity College (the forerunner of Duke University) might be asked to take a rather perilous entrance examination.
Administered to students without records of study from approved schools, the results of the examination determined which curriculum and class the student would join. The Annual Catalogue of Trinity College for the 1900-1901 school year presented prospective students with “Specimen Entrance Examination Questions” to help them prepare for the July examinations. Here they are, slightly edited for length.
Let us know how you do. We’ll be in the stacks, reading up on Silas Marner and the Battle of Buena Vista. History.
1. Describe the English explorations in North America.
2. Say what you can about the career of Capt. John Smith in America.
3. Compare the life of the Southern and the Northern Colonies.
4. Discuss the Navigation Laws.
5. What were the policies of Hamilton, Jefferson, and Calhoun?
6. Describe the battles of Saratoga, New Orleans, Buena Vista, and Gettysburg.
7. Who were Lycurgus, Plato, Cicero, and Solon?
8. Give outline of the Persian wars against Greece.
9. Say what you can about the Reformation.
10. What part did England take in the Wars against Napoleon?
I. Decline it, who, goose, man-servant, heir-at-law.
II. Indicate possession in the following expressions by means of the possessive case instead of the phrase:
1. The armies of Lee and Grant.
2. The army of neither Lee nor Grant.
3. The property of Mr. Brown, book-seller and publisher.
III. Discuss all errors in the following:
1. This is his most favorite expression.
2. He is wiser than all men of his age.
3. He walked as if he was flying.
4. I wish I was in New York.
5. He promises to earnestly try and do better.
6. You feared you would miss the train.
V. Questions on the Required Reading:
1. What part do the Witches play in Macbeth?
2. Give an account of the Banquet scene.
3. Write a paragraph on the character of Macduff.
4. Comment on the following words in Macbeth: Obscene bird, benison, addition, seeling night, speculation, surcease, a modern ecstacy.
5. Give the story of Comus.
6. What authors are mentioned in L’Allegro and Il Penseroso? What landscapes are described?
7. Comment on the following expressions in Milton’s Minor Poems:
Yet once more, O ye laurels.
Sisters of the sacred well.
In Heaven yclep’ d Euphrosyne.
How faery Mab the junkets eat.
All in a robe of darkest grain.
Ennobled hath the buskined stage.
8. What does Macaulay say of the Puritans in his essay on Milton?
9. What reasons does Burke give for the love of liberty in America?
VI. Devote an hour to writing a paper on one of the following subjects, making special effort to give the story accurately, and to express it correctly as to spelling, punctuation, use of capital letters, and division into paragraphs:
1. The Tournament Scene in Ivanhoe.
2. The Story of Silas Marner.
3. The Spectator Club.
4. The Woman’s College in the Princess.
State what books in Mathematics you have studied and the amount of work done in each.
1. State the Latin authors you have read and the amount from each.
2. Translate—Cæsar, De Bell. Gall. iv, 15.
Construe fully each word in section I.
3. Cicero In Cat. iii, 4, ll 1-11. (Do not translate).
Select and decline one noun from each declension represented in the section.
Locate the verb forms, explaining the subjunctives.
4. Translate Vergil, Aen., v, 13-25.
5. Write the Latin for the following: The Belgians, who inhabit one of the three parts of Gaul, are the bravest of all the Gauls, because they do not import wine.
(The following sentences are taken from Woodruff’s Greek Prose Composition).
Translate into Greek:
69. 5. Tarsus is a large and prosperous city, at which the Cilician queen arrived five days before Cyrus. When the inhabitants of this city heard that Cyrus was coming, they fled to the mountains.
125. 2. Clearchus first spoke of the oaths which they had taken in the name of the gods, and said he would not count the man happy who was conscious that he had violated them. He said the Greeks would be insane, if they should kill Tissaphernes, for he was their greatest blessing.
1. Translate into good English: One page selected from the texts the student may have read.
2. Give the disjunctive pronouns in full.
3. Explain the partitive constructions in full.
4. Give the principal parts of: Etre, dire, aller, pouvoir, faire, tenir.
5. Translate the following phrases:
Ces chevaux-la sont a Paul.
Je me mets a lire.
Nous en serons-nous alles.
Il vient d’apparaitre dans la rue.
6. Translate into French: I see a book on the table; whose is it? It is your brother’s. Take it to him, if you please. I will give it to him when I see him this evening. At what o’clock do you think he will come? I think he will not come before eight or nine. My house is larger than yours, but yours is finer than mine. Have you read the paper this morning? No, I have not yet read it; I am going to read it immediately.
1. Translate into good English:
One page selected from the texts the student may have read.
2. Inflect in full:
Der kleine Bruder.
Diese schoene Frau.
Kein kaltes Wasser.
3. Inflect in full:
4. Give the principal parts of: Entlassen, befehlen, geschehen, ausbringen, kennen, denken, studieren.
5. Translate the following phrases:
Es wurde viel getanzt.
Er soll sehr reich sein.
Das kind kam gelaufen.
Wie lange sind Sie in Berlin gewesen?
6. Translate into German:
In the room we found three little girls who had beautiful flowers in their hands.
When will you go to Paris? I wanted to go to-day, but now I shall be obliged to wait till (bis) to-morrow.
If he had taken the book with him, he would have told me so.
He looks (aussehen) as if lie were sick.
His younger brother said that he had arrived (ankommen) in town.
He claims to have read the book.
I did this in order to see if he could speak German.
The letter has not yet been written, but it will be carried (tragen) to the city this afternoon.
Come at half-past six and drink a cup of tea with us.
Tell him he is to go and get (holen) me some bread.
The papers of preeminent American economist Paul A. Samuelson (1914-2009), the first American recipient of the Nobel Memorial Prize in economics, will be added to the Economists Papers Project in the Rare Book, Manuscript, and Special Collections Library at Duke. Before his death on December 13th, Samuelson had decided to donate his papers to Duke, where they will join the collections of his MIT Nobel Prize-winning colleagues Robert Solow and Franco Modigliani, as well as those of Nobelists Kenneth Arrow, Lawrence Klein (Samuelson’s first Ph.D. student), Robert E. Lucas, Douglass North, Vernon Smith, and Leonid Hurwicz (all links lead to collection inventories). The Economists Papers Project, developed jointly by Duke’s History of Political Economy group and the RBMSCL, is the most significant archival collection of economists’ papers in the world.
Samuelson was the singular force leading to the post-World War II reconceptualization of economics as a scientific discipline. His “neoclassical synthesis” wedded modern microeconomics to Keynesian macroeconomics, both of which were stabilized through his landmark Foundations of Economic Analysis (1947). His textbook, Principles of Economics, grounded the vocabulary and teaching practices of the economics profession in the second half of the twentieth century, and his career in MIT’s economics department made it the world leader in scientific economics.
Post contributed by E. Roy Weintraub, Professor of Economics, Duke University.
NB: The Paul Samuelson Papers will be transferred to Duke in stages over the next several months. If you are interested in conducting research in the Samuelson Papers once they are made available, please contact Will Hansen at william.hansen(at)duke.edu.
“An Amusing Story” by T. Conti. From the Illustrated London News, 1 April, 1893
Tumultuous, changeable 19th century Britain was the era of the professional woman writer. Amid emerging controversies over women’s suffrage and a woman’s rights over her property, her children, and her own body, women demanded a place alongside men in the world of letters to contribute to cultural discourse, to make their opinions heard, and to tell their own stories.
“I Take Up My Pen: 19th Century British Women Writers” focuses on women’s use of writing as a powerful tool to alter their positions within a social order that traditionally confined them to the home. The women represented here—including Jane Austen, Elizabeth Barrett Browning, and the Brontë sisters—are lecturers, suffragists, publishers, world travelers, professional writers, poets, journalists, and labor reformers. The exhibit also highlights the fascinating array of literary publications available to 19th century readers and writers: everything from periodicals and the penny press to three-volume bound editions, gift books, pamphlets, letters, and diaries.
A few new finding aids to make your season merry and bright. All of the following collections are open for research. Please contact the Special Collections Library at special-collections(at)duke.edu with any questions.
This collection contains the archives of the Durham Savoyards, a Durham production company of Gilbert and Sullivan operettas. Dating from 1898 to 1989, the materials consist of minutes, correspondence, programs, financial records, posters, director’s notes, stage design, photographs, videocassettes, color slides, and clippings. The collection also includes “The Savoyards, Durham Savoyards Limited, 1989” and “Mindful of the Whys and Wherefores; a Savoyard Producer’s Journal” by James L. Parmentier. Photographs predating the 1963 founding of the Savoyards depict comic operas said to have been performed at Durham’s Southern Conservatory of Music.
The records of the American Association of University Women’s Durham chapter span the years from its founding in 1913 through the 1970s. The central organizational records are almost complete for this period, including minutes of Executive Board meetings, Presidents’ files, financial records, membership information, and national and state convention files.
Baher Azmy Papers, 1986-2007 and undated
Azmy, an Egyptian-American lawyer and Professor of Law at Seton Hall University Law School Center for Social Justice, was the attorney for Murat Kurnaz, a citizen of Turkey and permanent resident of Germany, who was held in extra-judicial detention by the U.S. military at Guantánamo Bay Naval Base, Cuba. The material documents Professor Azmy’s legal motions and public efforts for writ of habeas corpus and the release and repatriation of Mr. Kurnaz.
When they’re not busy discovering moldy bananas in books, building storage boxes for pink dragons, or digitizing somewhere around 5,000 broadsides, the Preservation Department here at the Duke University Libraries is going to be keeping us up-to-date on their work through their new blog, Preservation Underground. We hope they have as much fun with theirs as we have with The Devil’s Tale—and we really hope the bananas keep to the produce section from now on.
And yes, they’ll still be writing the occasional guest post for us about RBMSCL materials in the conservation lab. Take a look at their fine work on the Theatrum Orbis Terrarum.
Are you confounded by collection guides? Can you not find your way through a finding aid? Do descriptive inventories make you dizzy? Do we have the solution for you!
Today, the RBMSCL’s Research Services department is flipping the switch on a new widget that will allow you to chat with one of the RBMSCL’s reference librarians as you pore over box lists and biographical notes. The icon above will now be located at the top of the left-hand menu column for each of our finding aids. During RBMSCL hours, click it and you’ll instantly be connected with a reference librarian ready to help you with your questions.
Browsing through finding aids at 2 AM? The “online” icon will be replaced with the icon on the right, which will take you to our “Ask a Question” e-mail form, so you’ll never be more than a click away from getting the reference help you need.
This six-volume world atlas was created and published between 1648 and 1655 by Willem Janszoon Blaeu and his son, Joan Blaeu, two of the finest map makers of the 17th century.
Dutch cartographer and publisher Willem Blaeu (1571-1638) studied astronomy and cartography under the well-known astronomer and alchemist Tycho Brahe. In 1633, he was appointed the official cartographer of the Dutch East India Company. Joan Blaeu (1596-1673), himself an accomplished cartographer, took over the press after his father’s death in 1638. Under his supervision, they became the largest publisher of their kind in 17th century Europe.
These folio volumes are full of engraved maps and vignettes that were hand-colored with a strikingly vibrant palette. They are bound in gold-tooled stiff-board vellum bindings.
The atlases arrived in the lab in fairly good condition considering their age. Still, due to their size, it will take Erin Hammeke, Special Collections Conservator, many hours to complete the necessary repairs.
The texts and maps are printed on a good quality rag paper that is still quite strong. There are minor paper tears, badly folded maps, and some insect holes in all of the volumes which make safe handling difficult. The vellum bindings also exhibit small tears that need to be mended.
Each atlas requires surface cleaning to remove dirt and debris from the covers and individual pages. Erin will use soft brushes, special erasers, and a museum vacuum, all of which are designed to remove debris while reducing potential damage to the paper’s surface. Wheat starch paste and strong but thin Japanese and Korean tissues are used for the paper repairs. When the conservation is complete, Erin will construct a custom fitted enclosure for each volume.
Post contributed by Beth Doyle, Collections Conservator, and Erin Hammeke, Conservator for Special Collections
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Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke University