What with all of the cold and the snow, RBMSCL folks have been craving warming beverages. Luckily, the Nicole Di Bona Peterson Collection of Advertising Cookbooks (which contains over 1800 cookbooks!) has come to our rescue. We thought we’d share this Hot Toddy recipe from Fine Cocktails Made Easy:
The harsh and beautiful landscape of Afghanistan has been the site of many conflicts, including the Anglo-Afghan Wars of the early 20th century. The RBMSCL’s Archive of Documentary Arts has recently acquired a collection of 34 black-and-white prints of the 1919 war taken by British photographer Randolph Bezzant (R. B.) Holmes, who owned a photography studio in Peshawar, Pakistan. The majority of these well-preserved, highly detailed, and skillfully composed images depict large British military camps and vast landscapes, sometimes with camel caravans or military convoys. Some scenes show the remains of villages, military features such as towers, and religious structures. The landscape views include the Khyber Pass, Tanai Gorge, Kabul River, and Khargali Ridge. Military camp views, many in grand panoramic scale with fine detail, include Landi Khana, Dakka Plain, and Landi Kotal.
Early in Gloriana; or The Revolution of 1900, a rare 1890 novel recently acquired by the RBMSCL, the heroine, twelve-year-old Gloria de Lara, stands on the seashore, plotting:
“I was imagining the foam flakelets to be girls . . . and I looked upon them as my audience. I told them . . . of all the wrongs that girls and women have to suffer, and then I bade them rise as one to right these wrongs. I told them all I could think of to show them how to do so, and then I told them that I would be their leader, and lead them to victory or die. And the wavelets shouted. . . . I seemed to hear them cheer me on, I seemed to see them rising into storm, the wind uprose them, and their white foam rushed towards me, and I seemed to see in this sudden change the elements of a great revolution.”
Years later, posing as a man named Hector l’Estrange, Gloria wins a seat in Britain’s Parliament . . . and you’ll just have to visit the RBMSCL and read the book to find out the rest.
Lady Florence Dixie. From the Illustrated London News, March 1883.
The novel’s author, Lady Florence Dixie, was a prominent travel writer and advocate for women’s rights. At her death in 1905, British women were denied the right to vote. 92 years ago today, the Representation of the People Act, which granted voting rights to women over 30, received Royal Assent.
These cheerful and warmly dressed children, enrolled in Durham’s Scarborough Nursery School, were posed on the front steps for a class photograph on a chilly day in 1932. But this was 1932, during the depths of the Great Depression. Durham was in the heart of the Jim Crow South.
The significance of this progressive school is tremendous. Founded by Mrs. Clydie Fullwood Scarborough, it provided effective and healthy daycare for African American children. With a safe place for their children, mothers could confidently work and help provide the family with necessities, including these little coats and hats.
The detailed inventory of the Clydie F. Scarborough Papers, 1818-1984, which documents her work, is available here. For more information on using this collection, contact the RBMSCL staff at special-collections(at)duke.edu.
Post contributed by Elizabeth Dunn, Research Services Librarian
Dates and Times: Wednesday, 27 January 2010, 1:00-5:00 PM and Thursday, 28 January 2010, 9:00 AM-5:00 PM Location: Rare Book Room Contact Information: Karen Glynn, 919-660-5968 or karen.glynn(at)duke.edu
The Archive of Documentary Arts‘ annual display showcases the numerous formats that document the evolution of the photographic process from early daguerreotypes to modern digital prints. The display will include photographs by Mathew Brady, Timothy O’Sullivan, Edward Curtis, Doris Ulmann, Eudora Welty, Lewis Hine, Manual Alvarez Bravo, Minor White, and Walker Evans.
Please note that the display is open by appointment only during the hours noted above. Contact Karen Glynn (919-660-5968 or karen.glynn(at)duke.edu) to schedule your appointment.
Unable to visit the display? Over 100 images from the archive’s collection have been reproduced in Beyond Beauty: The Archive of Documentary Arts at Duke University. This full-color, 128-page publication is our gift to you with a $50 minimum donation to the archive (donation form here).
Alice Mary Baldwin’s 95-page memoir, “The Woman’s College as I Remember It,” is now online! As the first dean of the Woman’s College at Duke University, Dean Baldwin had a unique opportunity to work for the equality of women and men students. She came to Trinity College in 1923 as the first woman to have full faculty status, and her efforts on behalf of equality allowed Duke to be very progressive. Her memoir illustrates her beliefs and efforts to mold the Woman’s College into an elite institution and shows her effect on Duke University as a whole.
Alice Mary Baldwin’s memoir is an essential resource for understanding the history of Duke University or the history of women in higher education. For more about Dean Baldwin, take a look at this brief biography on the University Archives’ website.
Post contributed by Crystal Reinhardt, University Archives Graduate Student Assistant
Rights! Camera! Action! is starting off the spring semester with a screening of Hannah Weyer’s 2002 documentary, Escuela. This film centers on Liliana Luis, the daughter of Mexican American farm workers, as she begins her first year of high school.
Sit-In Songs LP, 1962. From the Frederick Herzog Papers
The recent passing of historian, author, teacher, and activist John Hope Franklin has prompted all of us at the RBMSCL to consider the role of historical research and education in ending injustice, fear, and hatred. As Dr. Franklin wrote in a 3 June 2002 letter to fellow historian Nell Irvin Painter (on display in this exhibit), history’s responsibility is “to illuminate and interpret the past in order to ‘map’ what we think the future should be.”
Inspired by Dr. Franklin’s powerful words, this exhibit is a tribute to his legacy. The exhibit uses materials from the RBMSCL’s collections to explore four themes crucial to understanding the history of African Americans in the United States: African American enslavement, segregation and the Jim Crow era, the Civil Rights Movement, and the contributions of African American historians.