We were charmed by this advice from educator Marcius Willson’s The School and Family Primer, published in 1860 as an introductory text to his series of four readers for children. It sounds very much like the advice we give to our researchers on a daily basis. (Click on the image to view a larger version.)
(We’re also agog at the two pictures chosen to illustrate the letter “B.” Confronted by such a gigantic bat, the boy’s nonchalance is decidedly impressive.)
Date: 3 August-10 October 2010
Location and Time: Perkins Library Gallery during library hours
Contact Information: Meg Brown, meg.brown(at)duke.edu
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| Arrows, Possibly from the Fiji Islands. From the Trinity College Historical Society Collection. Photo by Mark Zupan |
The Duke University Archives is home to scores of manuscripts, records, and publications documenting Duke University’s history—and a set of fierce arrows possibly from the Fiji Islands; a pair of wooden shoe soles bought by a former slave in 1865; and two cloth-covered buttons from the clothing of Louis XVI.
These and other artifacts—along with manuscripts and historically-significant publications—once belonged to the collection of the Trinity College Historical Society, a student organization established in 1892 to encourage original research in Southern history. Their collection, the precursor to the RBMSCL and the University Archives, forms the subject of our new exhibit, “‘As Far as Possible from Forgetfulness’: The Trinity College Historical Society.”
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| Pewter Wig Sprayer. From the Trinity College Historical Society Collection. Photo by Mark Zupan. |
Assuming the leadership of the Society in 1894, professor of history John Spencer Bassett renewed the Society’s charge to collect manuscripts, books, pamphlets, and objects of enduring historical value, including those artifacts mentioned above. He addressed his undergraduate collectors and historians in 1897, telling them that they would “be doing work for eternity . . . [and] centering the eyes of the centuries on this institution.” This exhibit is proof of their legacy.
For more information about the Trinity College Historical Society and its collections, or if you won’t be able to visit the exhibit in person, visit the exhibit website. Photos of the exhibit’s installation are available on the RBMSCL’s Flickr photostream.
And remember to mark your calendars for a gallery talk with the exhibit’s curators on Tuesday, September 28 at 3:30 PM in the Rare Book Room!
I love the sort of projects that start with a co-worker saying, “We have something special we want you to box,” because I always know it’ll be anything but a regular book. When I saw this little Blue Devil Doll, I knew a fun project lay ahead.
This doll was donated to the Duke University Archives this spring. It was purchased on campus in 1938 and is made of straw with a wax (I think) head and dressed in a smart blue felt outfit. The devil’s tail has floral wire wrapped around it to provide stiffness. The doll itself is in fair condition but, as you can see below, it has sustained some damage to the felt, most likely from insect activity.
Because of its condition, I wanted to make a sturdy box that had a cushioned interior to protect the fragile doll. The end result would be a drop-spine box, also called a cloth-covered clamshell. Before constructing the outer box, I would have to make an inner box with a cushioned interior.
The inner box is constructed of buffered corrugated board, lined with polyester quilt batting with a cotton fabric liner. The fun part was making the side bolsters to keep the doll from rolling around. These are made from rolled up polyester batting and then encased in a polyethylene pocket using our CoLibri book cover machine to make tubes. These provide enough structure to hold their shape but are still soft should the doll shift. Who knew that all my sewing experience would come in handy this way?
Once done with the inner tray, I constructed a clamshell box around it. The final enclosure is sturdy and keeps the doll firmly in place. The creative use of the CoLibri pockets worked really well. I’ll remember that should another devil cross my path.
For more photos of the Blue Devil Doll in his new home, visit the Conservation Lab’s “Boxing the Devil” set on Flickr!
Post contributed by Beth Doyle, Collections Conservator, as part of our ongoing “In the Conservation Lab” series.
For many members of the Church of Jesus Christ of Latter-Day Saints, the experience of holding and reading a first edition copy of the Book of Mormon—including one of the two held at the RBMSCL—elicits reverence and profound emotion.
According to the church, the Book of Mormon is the record of ancient Americans and their relationship to God, and includes a visit from Christ after his resurrection. Joseph Smith, under God’s direction, received and translated the work before its 1830 publication in Palmyra, New York, and reestablished the priesthood and Christ’s church.
While the information contained within the Book of Mormon can be found in any of the over one hundred million copies (in 108 different languages), a copy of the first edition represents a physical connection to a prophet, the church’s origins, and God. Indeed, it is among the most requested of our holdings.
From the start, the church suffered intense persecution, moving several times from New York to Kirtland, Ohio to Missouri to Nauvoo, Illinois. This persecution eventually resulted in the death of Joseph Smith and the start of a great western migration lead by religious leader Brigham Young (in time, Young would be sustained as a prophet and Joseph Smith’s successor as the president of the church).
Beginning in April of 1847, Young lead approximately 70,000 pioneers on a western migration from Illinois. On July 24th of that year, weary pioneers arrived in the Great Salt Lake Valley, their new home and the future capital city of Utah. This day is celebrated annually by the Latter-Day Saints as Pioneer Day.
Brigham Young prayed that God would grant the pioneers 10 years of peace, which they received almost to the day. In 1857, based on fictitious reports of a “Utah Rebellion,” President James Buchanan appointed Alfred Cumming to replace Young as governor of Utah Territory and sent 2,500 soldiers to quell the supposed uprising. Upon arrival, Cummings discovered a people fearful of attack but respectful of his new position as governor. This experience is documented in the correspondence between Young and Cumming found in the RBMSCL’s Alfred Cumming Papers. These letters, like the first edition copies of the Book of Mormon, represent a relationship to a prophet and a history and are available for you to come see.
Post contributed by Seth Shaw, Electronic Records Archivist. Thanks to Kelly Wooten, Research Services and Collection Development Librarian, for suggesting this post and to Beth Doyle, Collections Conservator, for the photograph.
Just in time for the premiere of the fourth season of Mad Men, the last batch of 3,200 newly digitized D’Arcy Masius Benton & Bowles (DMB&B) commercials has been uploaded to AdViews!
More commercials than ever! Now there are almost 8,800 commercials in AdViews.
Essential new products! New ads for Oreo, Continental Airlines, Raisin Bran, Mattel, Fresca, Pop Rocks, Legos, Clearasil, Volkswagen, Budweiser, Hardee’s and so much more!
Act now and see expert interviews! Professors Jason Chambers of the University of Illinois and Peggy Kreshel of the University of Georgia give context to advertising targeted towards African Americans and women.
But wait, there’s more! Highlighted content includes a 20-minute film about the creation of a 1970s Post Grape Nuts commercial featuring Euell Gibbons.
After you’ve checked out AdViews, stop back here and let us know your favorite commercials!
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| Joyeux Quatorze Juillet à nos amis français! |
(This wonderful 1918 postcard is one of approximately 65,000 postcards in our Postcard Collection.)
Is the heat wave getting to be too much to bear? Head on over to the RBMSCL and do some research in our cool reading room!
Full Frame Archive Film Collection, 1998-2010
The largest film festival in the United States entirely devoted to documentary film, the Full Frame Documentary Film Festival has been an annual highlight of Durham’s cultural scene since 1998.
In 2007, Duke University Libraries and Full Frame, with support from Eastman Kodak and Alpha Cine Labs in Seattle, announced the creation of the Full Frame Archive, to be housed at the RBMSCL, with the aim of acquiring, archiving, and preserving copies of all of the Festival’s award-winning films. The Full Frame Archive Film Collection comprises preservation masters of documentary films that won awards at the Full Frame Film Festival between 1998 and 2010. Each year’s festival will bring new additions to the collection!
Confederate States of America Collection, 1850-1876
One of our older collections has a brand new finding aid. This perennially-popular collection includes a wide variety of records from the administrative bodies within the Confederate States of America, including original and typed copies of acts and statutes of the C.S.A. Congress, Army soldiers’ correspondence and papers of several Army units, and records from the Treasury Department. There might even be a clue about the lost Confederate gold!
Date: Tuesday, 13 July 2010
Time: 7:00 PM
Location: Sarah P. Duke Gardens (map and directions)
Contact Information: Patrick Stawski, 919-660-5823 or patrick.stawski(at)duke.edu, or Kirston Johnson, 919-681-7963 or kirston.johnson(at)duke.edu
As Hurricane Katrina bore down on New Orleans, 9th Ward resident Kimberly Rivers Roberts, an aspiring rap artist, and her husband Scott, used their Hi 8 camera to film their experience of the storm, from the trepidation of the day before the storm’s landfall to the failing of the levees. Trouble the Water weaves this home movie footage with archival news segments and verite footage shot over the next two years to tell the story of a community struggling to rebuild itself.
The film screening will be preceded by a panel discussion with Wahneema Lubiano and Mark Anthony Neal, both of Duke’s Department of African and African American Studies.
The Rights! Camera! Action! film series, which is sponsored by the Archive for Human Rights, the Archive of Documentary Arts, the Duke Human Rights Center, the Franklin Humanities Institute, and Screen/Society at Duke’s Arts of the Moving Image Program, features documentaries on human rights themes that were award winners at the annual Full Frame Documentary Film Festival. The films are archived at the RBMSCL, where they form part of a rich and expanding collection of human rights materials.
As archivists, we know that we’re supposed to mark the Fourth of July with a remembrance of that most celebrated of documents, our Declaration of Independence. We think, though, that we’ll leave the remembering and celebrating to our fine colleagues at the National Archives, and give some attention to a document of a completely different sort—a pamphlet bearing one of the most wonderful titles we’ve ever come across:
Lest you think we’re joking, here’s a link to the catalog record. The pamphlet reprints an oration delivered by David Daggett to the citizens of New Haven, Connecticut on the Fourth of July, 1799.
Of course, at the risk of spoiling the fun, we have to note that the title is actually a reference to Jonathan Swift’s Gulliver’s Travels. Since Swift was a pretty funny guy himself, we’re hoping you’ll forgive us.
Happy Fourth of July from the RBMSCL!
Thanks to Beth Ann Koelsch, who brought this treasure to our attention many years ago.
The United Nations Conference on International Organization officially convened between April 25 and June 26, 1945 in San Francisco. On 26 June 1945, delegations from 50 countries signed the United Nations Charter, a constituent treaty by which all member nations are bound in an international body and in which organization’s mission and commitment to peaceful resolution are defined.
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| The Veil by Julie Chen, 2002. Photo courtesy of Vamp and Tramp Booksellers. |
Over fifty years later, book artist Julie Chen wove the text of the famously eloquent Preamble into her 2002 free-standing concertina, The Veil. This carousel book offers the artist’s reflections on the political conflicts in the Middle East through both words and abstract visual meditations which unfold over the text of the charter. The Veil will be featured in the Sallie Bingham Center for Women’s History and Culture’s Book + Arts Exhibit this October.
Post contributed by Christine Well, UNC SILS graduate student volunteer, Sallie Bingham Center for Women’s History and Culture.