Digging Through the Tapes: Exploring the Behind the Veil Collection Pt. 8

Post contributed by Mattison Bond, Outreach and Research Associate, John Hope Franklin Research Center

Behind the Veil: American Archives Month and the Celebration of Libraries

While the first thing that may come to people’s mind about the month of October is Halloween, pumpkin spice, and the beginning of the holiday season. But the month of October is also American Archives Month. Meant to remind and celebrate the importance of archives and those who protect them, American Archives Month is also the time to give a big thank you to those who work hard to protect, enhance, and make the archives accessible to everyone.

And since the Behind the Veil collection is considered a digital archive, its only right to highlight the only archivist within the collection. Florence Borders, born 1924 (in New Iberia, LA) is not just any oral history interview. Florence Edwards Borders was an influential black archivist that left a legacy not only through her papers but also through her recorded oral history which can be found here: https://repository.duke.edu/dc/behindtheveil/f0174cbd-e7f1-418d-89dc-1134add4debc

Image of Florence Borders found at https://obits.nola.com/us/obituaries/nola/name/florence-borders-obituary?id=1741328

Born Florence Edwards, Borders oral history is rich with details about her family as they were living in New Orleans during a time of segregation.  Har father, a teacher instilled a love for education within all of his children, regardless of the discrimination going on around them. After striving to obtain his own education, he began to focus on making sure his children received a decent education while learning to navigate through the period of Jim Crow segregation.

Part 1 8:30 “So, I had learned to read early. And as I would be going to Drive Street with my father…. I would spell out words. And one word that I kept seeing was C-O-L-O-R-E-D. And I was trying to sound out the word, and I said, “Colored. What is Colored?” He told me, “That’s Colored, and it means you.” And I was looking at things that were marked for my use that looked different from things that had W-H-I-T-E over them, and I always wanted to know why these things didn’t look as nice, why the lunch counter in the ten cent store that had Colored on it was at the back and were smaller and just less attractive in general…And so my father was trying to help me understand the kind of society in which I had to live. And he just told me that no matter what labels other people placed on me, I determined what I was. And so, I didn’t really fret a great deal about going to public schools that didn’t have enough textbooks and that did not want to let us have new ones at any rate. I got to think that the people who made these decisions were kind of stupid…”

Her love for reading and books would increase because of her father. He would collect books while he was in college and afterward begin to subscribe to Black papers and magazines. She mentions that while they did not have a library to hold all the materials, her father would continue to grow their collection. And while the materials and lessons that she received from the public school were not up to standard, her father would continue to make sure she had new books every school year. Perhaps it was during this time in her life that Borders was influenced the most to pursue a career in librarianship.

She would attend the historic McDonogh 35, the first and only four-year public high school for African Americans during that time, during her 10th and 11th grade years. After graduation she would start college at her father’s alma mater, Southern University in Baton Rouge. At the beginning of World War II, she would start her freshman year. She recalls listening to the radio to hear about the bombing of Pearl Harbor. This would affect the college experience for many students as many of the young men begin to start preparing to leave for war. “A lot of the girls cried, sometimes because the young men involved were tehri boyfriends… This was a goodbye, and our paths might never cross again. So instead of all the joy that I had expected for my freshman year of college, within a few more weeks, the country was at war.” (Part 3 1:34)

Another effect of the war was the marriage of many of the female college grads to their male classmates as they returned from the war and re-enrolled in school under the G.I. Bill. An increase of students on college campuses also meant that that were a need for more staff. And so, after finishing library school, with a slew of jobs that needed filling in front of her, Borders, decided to work at Bethune Cookman College. It was here that she met and married her husband, James. B. Borders III, a G.I. that was returning to gain his education as well.

But Borders was not concerned about the returning G.I.s when it came to picking where she would work.

Part 3 13:15 “So I could have had my pick of jobs just about because librarians were very much in demand. And so, I chose to go to Bethune Cookman College because of Mrs. Bethune. I looked forward to meeting her, and I hoped that I was going to meet Zora Neale Hurston, who had once been employed on the campus. And I did not know that she was no longer employed there, so about the first thing I wanted to know when dawn came—I arrived in the middle of the night—where is Zora Neale Hurston?”

This would only be one of the many institutions that Borders would share her expertise with. She would serve as a catalog librarian at Tennessee State University and then a move to Grambling State University after the sudden death of her husband. The longest part of her career was spent at the Amistad Research Center where she was first considered an archivist. It was here that Borders would leave a lasting impression by constantly championing and uncovering the lives of Black women within the collection. She would retire from the Amistad in 1989.

You can view her papers that are at the Amistad Research Center here: Collection: Florence Borders papers | ArchivesSpace Public Interface (tulane.edu)

Borders would publish papers and articles that would highlight the lives of Black women in Louisiana and their legacies. She would also create a group called the Chicory Society in 1983 that would continue to honor the contributions of African American in Louisiana. She would consult on documentaries and televisions programs. “She appeared in Liberty Street Blues, a documentary movie about the history of New Orleans jazz, and worked as a researcher for The Rise and Fall of Jim Crow. The late filmmaker Marlon Riggs drew on her expertise for his documentary, Black Is, Black Ain’t, and she was consulted for the film House Divided…” (Source)

And even as she continuously worked within her passion as a researcher, writer and archivist, she was still dedicated to the people around her, wanting to bring more young black professionals into her field.

Part 4 9:39“Now I’m hoping that I can influence some of out students to become archivist because there are not that many African American archivists. We have a little what we call third world archivist within the Society of American archivist and I’d like to see more of our young people come into the pression. I’m hoping that Ill influence a couple of kids from SUNO to choose that as profession”

You can listen to her interview here: Florence Borders interview recording, 1994 June 20 / Behind the Veil / Duke Digital Repository

And check out some of the other sources:

The Black Librarians Project [https://lhrt.news/honoring-black-women-librarians/]

“Florence E. Borders: Archivist, Librarian, and Scholar (1924-2018)” [https://lhrt.news/wp-content/uploads/2022/03/borders-florence-e.docx.pdf]

Neal, Kathryn M. “Borders on Excellence: Florence Borders Carves Out Career in Libraries and Archives.” Archives & Archivists of Color Newsletter 12, no. 1 (Spring 1998). [https://files.archivists.org/groups/aac/newsletter/AACv12n1.pdf]