All posts by Kate Collins

Science Fiction and Fantasy Writers of America Southeast Reading Series

Date: Friday, April 24, 2015
Time: 7:00pm
Location: Edge Workshop Room, Bostock Library
Contact: Sara Seten Berghausen, sara@duke.edu

Mur Lafferty's Ghost Train to New Orleans
Mur Lafferty’s Ghost Train to New Orleans

Please join us and the Science Fiction and Fantasy Writers of America (SFWA) for a new regional reading series, SFWA Southeast Reading Series on Friday, April 24. This event is free and open to the public.

The SFWA Southeast Reading Series will present a panel on science fiction and technology with authors Mark Van Name, Mur Lafferty, Richard Dansky, Jay Posey, Justin Achilli, and (via Skype) Tiffany Trent. The panel will be moderated by Hillsborough author and editor M. David Blake.

The panel will be followed by a question and answer session, and a chance to mingle with the authors.

More information on Facebook.

Mad Men Monday – Season 7, Episode 9 “New Business”

Mad Men Mondays logo

Last night’s episode began and ended with scenes focusing on things that Don has lost in his life. At the Francis house, Don makes a milkshake for his sons. Betty and Henry come home and Don wistfully watches his family chatting together then leaves alone.

Megan calls to ask Don for $500 for the movers. She wants them to “just sign the papers and be done with this” and is tired of asking for an allowance.

Don tracks down Diana at a steakhouse. He wants to have dinner with her “even if it’s five minutes at a time.” Later she comes to his apartment in the middle of the night. They talk about their divorces and her past.

Peggy hires renowned photographer Pima Ryan for the Cinzano shoot. Stan scoffs at first, but then wants Pima to look at his work. Pima seduces him, and later makes a pass at Peggy. They both realize that Pima took advantage of them.

Megan’s mother, Marie, criticizes Megan for letting Don off so easy. Megan’s sister implies that Megan is a failure because of her divorce. Marie is left to supervise the movers at Don’s apartment and fills the whole moving truck with Don’s furniture. Marie calls Roger asking for cash to pay the mover. He arrives at Don’s apartment with the money and Marie rekindles their previous affair.

Harry and Megan meet for lunch to discuss her acting career. He flatters Megan, but then makes a pass at her. She leaves in disgust. She goes back to Don’s apartment, shocked to discover it empty except for Roger and Marie. Megan scolds them both and leaves.

Don and Megan meet in the attorney’s office. Megan accuses him of ruining her life. Don writes her a check for a million dollars. “I want you to have the life you deserve,” he says. She takes the check and gives Don her wedding ring.

Don arrives at Diana’s tiny apartment. He is ready for a new start and gives her a book about New York City. Diana insists that she can’t see him anymore because she forgot about the daughter she abandoned while with Don and she never wants to do that. Don goes home to find his apartment completely empty.

Last night’s episode featured references to blenders, Life Cereal, Cinzano vermouth, photography, Champagne, and Tab, among other things.  Enjoy our selection of highlighted ads that reflect the brands and themes that Mad Men characters interacted with last night.

A gallery of our selected images may also be found on Flickr.

1 blender

2 movers and guide book

3 Life cereal

4 Vermouth

5 camera

6 Champagne

7 Tab

8 Golf wear

9 white trench coat

Mad Men Mondays: Season 7, Episode 8 “Severence”

Mad Men Mondays logo

Mad Men is back!  This half-season premier felt like an extended dream sequence with Peggy Lee’s eerie hit “Is That All There Is?” bookending the episode.

The episode opens with Don holding a cup of vending machine coffee and a lit cigarette while posing a woman wearing nothing but a pricy fur coat—Don, the eternal misogynist.  The scene widens to reveal that he is in fact working a casting call at the office.

Mathis attempts to set up Peggy on a blind date with his brother-in-law.  After some initial resistance she eventually acquiesces.  While something of a milquetoast—he won’t even return an incorrect food order—the date goes well and, after some wine and a bottle of Galliano, the date nearly culminates in a spontaneous trip to Paris.  Instead, the couple settles for a phone call in two weeks.

Fearing the toll that the advertising industry is taking on his psyche, Ken Cosgrove’s wife tries to persuade him to get out of the advertising business and focus on his writing.  The following day, at the behest of a McCann-Erickson executive, Ken is fired by Roger.  While expressing some bitterness at Roger’s lack of loyalty, he chooses to interpret the moment as kismet, an opportunity.  Rather than focus on his writing he listens to his competitive instincts and accepts a position as director of advertising for Dow Chemical.  Rather than pulling Dow’s business from the SC&P he vows to be a difficult client to please in the future.

Peggy and Joan have an encounter of their own with the heavy-handed and none-to-subtle staff of McCann.  On behalf of SC&P’s client Topaz pantyhose, together they pitch the possibility of McCann introducing them to some of their department store clients.  After a few minutes of crude innuendo from the McCann reps, Peggy finally persuades them to take a look at the proposal.  Rather than a bonding experience the meeting results in an elevator argument between Peggy and Joan over the meeting’s takeaway lessons.

After a vision (dream?) of Rachel Katz, his brief fling from season 1, in Chinchilla fur, Don attempts to set-up a meeting with her under the auspices of a potential partnership between her department store and Topaz pantyhose only to learn that she has recently passed from an illness.  Perhaps it’s the memory of Rachel that informs his continued attraction to the mysterious waitress at the late-night diner.   With Rachel’s family sitting shiva, Don attempts to pay his respects only to be cast out.  Finding his way to the diner, he attempts to connect with the waitress only to be told that the tryst was merely just compensation for the large cash tip from a previous evening.

Last night’s episode featured references to toasters, L’eggs hosiery, wine stained carpet, veal, pop tarts, and Paris.

A gallery of our selected images may also be found on Flickr.

1-Topaz008
2 Carpet009
3-McGregor010
4-Pop-tart011
5-Fleischmans012
6-Veal013
7-Galliano014
8 Paris015

Medicine Cabinet of Curiosities Quiz

How well do you know your old medical instruments? Take our quiz and find out!

 

medicine cabinet of curiostiy

The History of Medicine Collections has over 850 unique medical instruments and artifacts. These items compliment our incredible book and manuscript collections. Along with the largest collection of ivory anatomical manikins in North America, we hold numerous surgical instruments and devices, microscopes, and an assortment of other unusual items.

Check out our collection guide for descriptions and thumbnail images of these items. And stay tuned – as our renovation nears completion, a number of these items will be on display in the Josiah Charles Trent History of Medicine Room.

Post contributed by Rachel Ingold, Curator of the History of Medicine Collections

Fall 2015 Archives Alive Courses

6258172244_c31f8f5955_oWe’re excited to announce the first series of Archives Alive courses for Duke Undergraduates. These courses will enable students to develop innovative and significant projects based on original materials held in the Rubenstein Library. These courses are open to first-year and upper-class undergraduate students and range from the arts and humanities to the socials sciences. Scholar-teachers guide students’ explorations, providing first-hand exposure to advanced research practices and immersive learning that goes beyond traditional coursework. Students produce signature products that demonstrate their capabilities for in-depth investigation, team collaboration and communicating the significance of their work to others.

Classes for the Fall 2015 semester are:

Modern & Contemporary African American Art
ARTHIST 283/AAAS 227.  Curriculum Codes: CCI, EI, ALP, CZ
WF 10:05-11:20
Instructor: Richard J. Powell

Gender and Philosophy
PHIL 222/WOMENST 222.  Curriculum codes: CZ, EI
Monday 3:20-5:50PM
Instructor: Andrew Janiak

Topics in Digital History & Humanities: NC Jukebox
HISTORY 390S-1/ISIS 390S/MUSIC 290S-1. Curriculum Codes: ALP, CZ,
Thursday 10:05-12:30
Instructors: Trudi Abel/Victoria Szabo

Read the full course descriptions at Trinity College Arts & Sciences

Shin of Beef Stewed with Wow Wow Sauce (1823) – Rubenstein Library Test Kitchen

“DINNER is the only act of the day, which cannot be put off without Impunity, for even FIVE MINUTES.”

William Kitchiner, The Cook’s Oracle, “Invitations to Dinner,” p. 39.

English cooking is a punch line. You don’t even need a joke to set it up. Just say, “English cooking,” and people start smirking, or chortling, even suppressing laughter. It hardly seems fair.

After all, Great Britain boasts its share of culinary scores. The Scotch egg is a triumph of human ingenuity, I’ll take a ploughman’s lunch any day of the week, and the standing rib roast with Yorkshire puddings rates as a time-proven classic. Really, America, with your pit-cooked barbeques and New York-style slices, don’t be so glib. Arthur Treacher would like a word.

When I volunteered to write a Rubenstein Test Kitchen post, I had no real ideas for it, but set out on a path of discovery, like Walter Raleigh sailing for Carolina.1 I can’t remember how I came across William Kitchiner’s proto-Victorian cookbook, The Cook’s Oracle, in our catalog, and learned that the History of Medicine Collection holds a copy of the Fifth Edition, published in 1823. But I can tell you that I was drawn to it by one word: Wow.

More particularly, it was that word, twice. I learned that Kitchiner is credited as the inventor of a thing called Wow Wow Sauce, an accompaniment for boiled meat dishes. Intriguingly, the recipe includes two English condiments I never knew existed: pickled walnuts, and mushroom catsup.

How – I asked myself – could I not cook something called Wow Wow Sauce? The answer is, I couldn’t. I couldn’t not cook Wow Wow Sauce.

Kitchiner was a physician by profession, but seems to have been stern and serious in his approach to cooking and socializing. His cause was to bring scholarly and scientific order to the chaotic affairs of households and kitchens. Wikipedia claims his name was a household word and the book a best-seller. Chambers’ Book of Days, a miscellany published in 1879, provides background on his life and habits.

So the two recipes I select from Kitchiner’s book are Shin of Beef Stewed (No. 493), and Wow Wow Sauce for Stewed or Bouilli Beef (No. 328). The first order of business is to secure the ingredients, and in this effort I turn to two eminent local suppliers. First, I head to Southern Season in Chapel Hill, on whose shelves I locate both Opie’s brand pickled walnuts and George Watkins brand mushroom catsup.

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Second, I need meat. Now, I happen to live in the town of Pittsboro, where I’m lucky to shop with Lilly Den Farm at the Chatham Mills farmers’ market each week. Tucker and Mackenzie’s place is out past Goldston, down in what’s called Deep Chatham. They hook me up with a nice-looking foreshank, a shin indeed, nearly two feet long and heavy with marbled meat. It’s covered in a tough membrane, which I skin off with a knife. Then I coat the whole thing in a generous amount of kosher salt, wrap it, and store it in the fridge overnight.

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The next day, just before noon, I set the shank in a pot, cover it with cold water, and bring it to a simmer.

Usually, one buys a beef shank this size cut crosswise into two or maybe three discs. The flat surfaces from these cuts are convenient for seasoning and placing in a hot, oiled pan for browning, which produces the Maillard reaction, enhancing the flavor of the meat and leading to a rich, brown broth.

But that’s not what I’m looking for here. Yes, Kitchiner himself recommends a shank cut into sections (and doesn’t mention browning), but I prefer the shin intact. No fancy Maillard crust for my Test Kitchen project. I honestly can’t describe my vision better than this Guardian author: “The grisly, gristly spectre of an ashen Victorian joint – a lump of cracked cement flanked by dismal sprigs” – Yes! That’s exactly what I’m going for, and by the way, I love your accent, please do continue – “speaks of cabbagey kitchens and bones poking out of stockpots, of puritan blandness and the unfashionably old-fashioned.” Swoon! You had me at “bones poking out.”

I’ll leave it to other Test Kitchen authors to write up dishes that are “delicious,” or “good.” I’m going for something else entirely – “English.”

Okay, that was a cheap shot. But let’s just say the target aesthetic here is more steampunk than “Top Chef.”

Kitchiner was a staunch pro-boiling partisan; he begins the “Rudiments of Cooking” section of his book with a chapter on it. His main points of advice are time-tested – skim the pot and keep it low and slow. He also shares data from his own experiments comparing the loss of mass for roasting (more) versus boiling (less, especially when the broth is reserved and used).

Kitchiner’s entry for Beef Bouilli (No. 5) is really more of a polemic in favor of boiling than it is a recipe. “Meat cooked in this manner,” he says

affords much more nourishment than it does dressed in the common way, is easy of digestion in proportion as it is tender, and an invigorating substantial diet, especially valuable to the Poor, whose laborious employments require support.

He continues in this vein, excoriating the poor for neglecting the “coarser cuts of meat” and choosing roasting over boiling, losing mass and nourishment in the process. Why, he wonders, can’t the miserable, hard-boiling, hard-drinking English be more like the French, who – despite having access to all the best booze – simmer and sip their way to perpetual good grace and humor?

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When the pot begins to simmer, per Kitchiner’s instructions, I skim the top with a ladle, then add a quartered onion, two stalks of celery, a dozen berries each of black pepper and allspice, and a few sprigs of thyme. About four hours later, I remove the shank. I would say that I pull the meat off the bone, but more accurately it slides off onto the platter. At this point, I figure the shin bone has a few more hours of good boiling left in it, so I return it to the pot and let it go at a rolling pace for a while. The result is three quarts of rich, heady broth.

IMG_0258

 

I’m sorry to report that I’ve completely failed in my efforts to turn the shin into a bland, dun-colored, flinty gnarl of meat. The beef I taste is flavorful, moist, and tender. Here’s my hot take on the Maillard reaction – it’s overrated.

Now it’s time to whip up the Wow Wow Sauce. I sample the mushroom catsup: liquid, salty, redolent of clove. It’s reminiscent of Worcestershire sauce, but in a different shape of bottle. The pickled walnuts are … unusual. The balsamic vinegar in which they’re packed dominates the initial touch on the palate, followed by traces of woodiness and tannin, like pine bark softened in mouthwash. Are they packed in the jars by smelly feet? I can’t say for sure. The texture is wet, crumbling clay.

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Kitchiner’s Wow Wow recipe is fairly specific:

Chop some Parsley leaves very finely, quarter two or three pickled Cucumbers, or Walnuts, and divide them into small squares, and set them by ready; put into a saucepan a bit of Butter as big as an egg; when it is melted, stir to it a tablespoonful of fine Flour, and about half a pint of the Broth in which the Beef was boiled; add tablespoonful of made Mustard; let it simmer together till it is as thick as you wish it, put in the Parsley and Pickles to get warm, and pour it over the Beef, or rather send it up in a Sauce-tureen.

He then describes a series of optional ingredients one could add to make it more “piquante.”

Here’s a summary of what I ended up doing:

2 T chopped parsley
3 pickled walnuts, diced
2 T butter
1 T flour
1 c beef broth at room temperature
1 T vinegar from walnuts
1 T mushroom ketchup
1 t horseradish
2 T beer

Melt the butter in a pan over medium heat. Whisk in the flour and cook for 2 minutes, stirring frequently. Add the broth all at once, whisk into the roux, and allow the mixture to come to a simmer. Add the remaining ingredients except for the parsley and simmer for several minutes, until the sauce is thick and blended through. Finish with the parsley.

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I spoon some of the sauce over the beef and serve it with mashed potatoes (No. 106) and green beans (No. 133, more or less). I’m usually someone who likes things, but to be honest, I’m not a fan of the Wow Wow Sauce. It’s essentially gravy with pickled walnuts, and since I don’t love the pickled walnuts, the gravy isn’t working for me. One Internet commenter refers to it as “basically adding all the strong stuff the Victorians might have found in their kitchen together,” and I think that sounds about right.

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In the end, I mince the leftover meat, combine it with the stock, some vegetables, a splash of the mushroom catsup, and a cup of pearled barley, to make a substantial soup that – in the spirit of economy attested by Kitchiner – provides for lunches all week. This quality, the versatility of the boiled beef, is my main takeaway from my Test Kitchen endeavor, and it echoes in this proverb – with which I’ll conclude – quoted by the ever class-conscious doctor:

“Of all the Fowls of the Air, commend to me the SHIN OF BEEF, for there’s Marrow for the master, Meat for the mistress, Gristles for the servants, and Bones for the dog.”

1. Raleigh never came to Carolina, and in the interest of full disclosure, I didn’t visit the Rubenstein reading room until after I’d made the dish and drafted half this post. I did lay hands on the Fifth Edition in Duke’s collection. I also pulled out the single folder of Kitchiner manuscripts in the Trent Collection, and perused the five handwritten notes on social and mundane matters. But for the cooking activities of this project, and the quotations and references in this post, I made use of an Internet Archive version of the Fourth Edition, published in 1822.

Post contributed by Will Sexton, Head, Digital Projects and Production Services

R!C!A! Film Screening: Escape Fire: The Fight to Rescue American Healthcare

Date: Thursday March 19, 2015
Time: 7:00pm-9:00pm
Location: Smith Warehouse, Bay 4, Franklin Garage
Contact: Patrick Stawski, patrick.stawski@duke.edu 919-660-5823.

Rights!Camera!Action presents Escape Fire: The Fight to Rescue American Healthcare , 2012 winner of the Full Frame Film Festival Human Rights Award.  Directed and produced by Matthew Heineman and Susan Froemke, Escape Fire tackles one of the most pressing issues of our time: how can we save our badly broken healthcare system?

escape-fire-poster

It’s not surprising that healthcare tops many Americans’ concerns and is at the center of a political firestorm in our nation’s Capitol. But the current battle over cost and access does not ultimately address the root of the problem: we have a disease-care system, not a healthcare system. Escape Fire examines the powerful forces maintaining the status quo, a medical industry designed for quick fixes rather than prevention, for profit-driven care rather than patient-driven care.  After decades of resistance, a movement to bring innovative high-touch, low-cost methods of prevention and healing into our high-tech, costly system is finally gaining ground.  A panel discussion will follow the screening.

Sponsored by the Human Rights Archive at the Rubenstein Library, and the Duke Human Rights Center @ FHI.

 

Trent History of Medicine lecture with Sabine Hildebrandt

Date: Monday, March 23, 2015
Time: 5:30 p.m.
Location: Room 217, Perkins Library
Contact: Rachel Ingold, rachel.ingold@duke.edu  or (919)684-8549

Dr. Sabine Hildebrandt
Dr. Sabine Hildebrandt

Please join us on Monday, March 23, at 5:30 p.m. for our next Trent History of Medicine lecture. Sabine Hildebrandt, M.D., will present “The role of anatomists in the destruction of victims of National Socialism.”

The history of anatomy during the National Socialist (NS) period from 1933 to 1945  has only recently come under systematic investigation. A majority of German anatomists became members of the NS party, while other anatomists were persecuted for so-called “racial” or political reasons. The traditional legal sources for body procurement included increasing numbers of bodies of victims of the NS system. Anatomists used these bodies for teaching and research purposes, and thus played a decisive role in the NS regime’s intended utter annihilation of its perceived enemies. Current research is focused on the reconstruction of the victims’ identities and their dignified memorialization.

Dr. Hildebrandt is an assistant professor in the department of general pediatrics at Boston Children’s Hospital and a lecturer on global health and social medicine at Harvard Medical School. After medical studies at the University of Marburg, Germany, and a professional start in experimental rheumatology, she became an anatomical educator. In this capacity she worked at the University of Michigan Medical School from 2002 to 2013, and since then at Harvard Medical School. Her research interests are the history and ethics of anatomy, and specifically the history of anatomy in National Socialist Germany, a field in which she is an internationally recognized expert. She continues to develop her educational work, which integrates anatomy, medical history and medical ethics.

Please note that Dr. Hildebrandt will be giving a related lecture, “From the Dead to the Living: Ethical Transgressions in Anatomical Research in National Socialism” on Tuesday, March 24, 2015, at noon in Duke Hospital Lecture Hall 2002.

Both events are sponsored by the History of Medicine Collections and the Trent Center for Bioethics, Medical Humanities & History of Medicine.

 

Thursday, March 19: Rachel Levitsky, Founder of Belladonna*Feminist Avant-Garde Collective: A Reading and Talk

Date: Thursday, March 19, 2015
Time: 12:00 p.m. (Bring your lunch. Coffee, tea, and sweets will be served.)
Location: The Edge Workshop Room, Bostock Library, First Floor
Contact: Kelly Wooten kelly.wooten@duke.edu

Levitsky, RachelJoin the Rubenstein Library for an lunchtime program with poet, scholar, and activist Rachel Levitsky. Levitsky, who founded Belladonna*, will share its history, mission, and aesthetics and read selections from both her writings and work published by the Belladonna* collective. Levitsky will also share the collaborative work she’s done within  Belladonna*, Pratt Institute, and the Office of Recuperative Strategies.

In 1999, Levitsky started Belladonna Series in order to investigate and promote feminist avant-garde poetics. Belladonna Series is now Belladonna* Collaborative, and Levitsky is a participating member. Levitsky is a faculty member at Pratt Institute in the MFA program in Writing, where she initiated the program of Creative Writing for Art and Design. With poet Christian Hawkey, Levitsky co-founded the Office of Recuperative Strategies (oors.net). Levitsky’s hybrid poetries and prose utilize politics, humor and abstraction to map the structural reality of everyday life. Her recent books are NEIGHBOR (UDP), The Story of My Accident is Ours (Futurepoem) and the chapbook Renoemos (Delete).

chaplets

Sponsored by the Sallie Bingham Center for Women’s History and Culture, the Program in Women’s Studies, the English Department, and the Forum for Scholars and Publics.

Apple Pudding Pie, or Pie Pudding, No. 2, Yankee Style (1896) – Rubenstein Library Test Kitchen

It’s the fourth Friday of the month, so it’s time for another trip to the Rubenstein Library Test Kitchen!

title pageThe History of Medicine Collections has a number of popular medicine guides, truly some of my favorite material in the Rubenstein Library’s holding. When I use such items in undergraduate instruction sessions, I refer to them as the Web MD of the late 19th/early 20th centuries. Then we all chuckle and talk about how Web MD is terrible because no matter what you type into the search box, it tells you you’re dying.

So it’s refreshing to consult 19th century popular medicine guides that don’t tell you you’re going to die and instead give you home health remedies, tips on teaching your children sex education, and recipes for healthy cooking. For my participation in the Rubenstein Library’s Test Kitchen, I chose one such popular medicine guide, Dr. Chase’s Third, Last, and Complete Receipt Book and Household Physician, or, Practical Knowledge for the People, as my source for culinary delight.

But what to choose? There were hundreds of recipes, including an entire chapter devoted to “Food for the Sick,” which includes recipes for “chicken water” and “corn coffee.” With another chapter devoted to “Culinary Recipes,” I opted to forego those targeting the sick, in an attempt to make something that my family might enjoy.

Having become totally obsessed with the Great British Baking Show, I wanted to try to make a pudding of some sort. Dr. Chase’s book has not one but six apple pudding recipes, and I thought surely I could make something work (even without a pudding bowl).  I opted for Apple Pudding-Pie, or Pie-Pudding, No. 2, Yankee Style. The ingredients seemed simple, the directions vague but not totally unclear, and honestly, it seemed like maybe it would be edible. I was also intrigued by this “plan that avoids the soggy and indigestible bottom crust.”

recipe - crop

The ingredients were bland enough: apples, flour, baking powder, an egg, butter, and sweet milk. I assumed that I could use evaporated milk for “sweet milk.”

I peeled, cored, and sliced three Granny Smith apples and sprinkled them with cinnamon. Not having a pudding bowl, I opted for a Bundt pan. I whisked the baking powder and flour together and separately melted the butter, then added the egg and evaporated milk to the butter and whisked these together. I added the wet to the dry trying not to over stir. I then had something that looked like Trader Joe’s pizza dough – not a cake batter at all. I spread this over my apples, even though it was hard to do, and put it into the oven at 375 degrees for 45 minutes. As my colleagues have noted, 19th century cookbooks aren’t known for giving tons of details, so I was winging it with the temperature and baking time.

before and after

At one point, I opened the oven, and the odor was reminiscent of mothballs. As I stood muttering about how long it should stay in, my husband (a Yankee, no less) quipped, “do you think if you leave it in there long enough it will turn into fudge brownies?” But I decided to wait, and after 45 minutes, took the pan out of the oven. I inverted the pan, and, I have to say, the hole created by the Bundt pan was aesthetically pleasing, and after tasting the pudding pie, this might have been a nice place to put loads of sugary, rich cream. Overall, the crust was indeed not soggy, nor did it have any flavor. And the apples were tasty when scraped off the digestible, spongey crust.

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So while I may not be able to recommend this particular recipe, I would recommend this book for a multitude of other reasons, including some great illustrations.

key to a happy home

Post Contributed by Rachel Ingold, Curator, History of Medicine Collections