It may seem silly to be so exuberant about a label, but conservators get excited about weird things (anyone want to talk paste recipes?). We have finally procured a Kwikprint so that we can make lovely, gold foil labels for our rebinds. Erin modified one of our taborets to use as a base and has set up the machine. She printed our first label last week, and it is truly something to celebrate.
Written by Erin Hammeke, Conservator for Special Collections
I just returned from two fantastic professional development opportunities. First, I attended the Ligatus Summer School class on the History of European Bookbinding 1500-1800, held this year at the Herzog August Bibliothek in Wolfenbüttel, Germany.
Drawing from the instructor Nicholas Pickwoad’s research and using examples from the library’s collection, the class examined how changes in the style and structure of book bindings produced during this period can illustrate the effects of changing pressures and developments in the book trade and in the printing and bookbinding industries at the time.
The class will allow me and my fellow conservators to better contextualize the bindings we comes across during the course of our work as conservators as well as enable us to identify, document, and preserve critical evidence during treatment.
I then went to a workshop taught by Renate Mesmer, Assistant Head of Conservation at the Folger Shakespeare Library in Washington, D.C. The workshop Tips & Tricks for Book and Paper Conservation was held in the bookbinding studio at North Bennet Street School in Boston.
It was packed full of practical techniques and handy tricks that Ms. Mesmer has amassed during her 30+ years as a bookbinder, conservator and educator. The tips ranged from pulp-filling paper losses, performing corner and leather repairs, and to creating a new flexible leather binding.
I am really looking forward to sharing these techniques with my colleagues in Conservation and to putting them to good use in my treatments.
Our next video in the 10 years, 10 People series is of Mary Yordy, Senior Conservation Technician. Mary celebrated 20 years working at Duke this year. We’ve been lucky to have her working in Conservation the past ten or so. More videos in this series can be found on Duke Libraries on You Tube.
httpv://www.youtube.com/watch?v=cBTUjdW6Jg4?fs=1
Clearly it’s seen better days, but it is remarkable nonetheless. It looks to be to have survived a fire, at least the middle of the text block survived. The front third or so was burned off, leaving stubs that are still attached to the binding, but the spine has curled in on itself. The remaining vellum pages range from really brittle to fairly OK, if a little warped.
Rachel Ingold, Senior Conservation Technician, shares her favorite conservation lab story. More videos from this series can be found on the Duke University Libraries You Tube channel.
This little devil came to the lab from the University Archives for an enclosure. I put up a photo essay over on Flickr about how the box is constructed, and we posted about it over on Devil’s Tale.
Erin came across these illustrations in one of the Blaeu atlases that she has been working on. These are filled with lovely, hand painted images.
We’ve been having a little fun trying to figure out what the bears were saying to each other, and whether this deer is from the lost herd of vampire deer from Transylvania. In all seriousness, look how it is ever so daintily standing on the frame whilst seemingly taking a nap. Very skillful (both the illustrator and the deer itself).
*Illustrations from: Willem Janszoon Blaeu, “Toonneel des aerdriicx, ofte nievwe atlas, dat is Beschryving van alle landen; nu nieulycx uytgegeven.” (E ff#91 dl.1 – 1649)
As part of our ten-year celebration we are highlighting everyone in the department. Erin Hammeke, Conservator for Special Collections has been with us for three years. Along with other conservators and staff from Special Collections, she selects items for conservation, designs treatment strategies and carries out those repairs. She works primarily on books from the Rare Book, Manuscript, and Special Collections Library. She documents each treatment using both photographic and written reports which we keep on file for future reference.
When asked about a favorite project, Erin replies:
“Currently I am working on a volume of De Bry’s account of the New World, and this has been an extremely fun and challenging treatment that has involved paper repair, resewing the text, and rebinding in full calf leather. I am also wrapping up treatment of the Blaeu Atlases, six large Dutch atlases that were printed in the mid-1600s and hand painted with an inspired and vibrant color palette.
Over the past three years that I have spent at Duke, my main focus has been on the conservation of the Jantz Collection of German Baroque materials and German Americana. I love working with this collection because it seems to have everything – both in terms of content (there are materials that pertain to history,
travel, the occult, women’s writings, and more) and in terms of different binding styles and materials. For the most part, I am drawn to the more mundane items and the stories they tell about how they were made, why they were collected, by whom, and how they were used and cared for. I have found the Jantz Collection to be particularly rich with these stories.”
*Top illustrations from: Willem Janszoon Blaeu, “Toonneel des aerdriicx, ofte nievwe atlas, dat is Beschryving van alle landen; nu nieulycx uytgegeven.” (E ff#91 dl.5 – 1654.) Lower illustration: books from the Jantz Collection of German Baroque materials.
Today I started a pilot project to re-house the papyrus collection. My goal is to create enclosures that can house these fragments efficiently and safely whilst providing better access to the collection. Of course, they also have to be cost-effective.
I am keen on giving each package a better enclosure. I want to make a sink mat for each item that will securely hold the glass/papyrus package in place, and allow us to house several in one box without them rubbing against each other. This should also allow individual fragments to be served to patrons in the reading room in a safe manner. Better Enclosures + Better Access = Preservation. Wish me luck!Yesterday we installed our exhibit “Ten Years, Ten Treatments.” As part of our year-long celebration of our tenth anniversary, we wanted to highlight some of our favorite work.
