What to Read this Month: March

Her Body among Animals: Stories by Paola Ferrante. In this genre-bending debut collection merging horror, fairy tales, pop culture, and sci-fi, women challenge the boundaries placed on their bodies while living in a world “among animals,” where violence is intertwined with bizarre ecological disruptions. A sentient sex robot goes against her programming; a grad student living with depression is weighed down by an ever-present albatross; an unhappy wife turns into a spider; a boy with a dark secret is haunted by dolls; a couple bound for a colony on Mars take a road trip through Texas; a girl fights to save her sister from growing a mermaid tail like their absent mother. Magical yet human, haunted and haunting, these stories act as a surreal documentation of the mistakes in systems of the past that remain very much in the present. Ferrante investigates toxic masculinity and the devastation it enacts upon women and our planet, delving into the universal undercurrent of ecological anxiety in the face of such toxicity, and the personal experience of being a new mother concerned about the future her child will face. Through these confrontations of the complexity of living in a woman’s body, Her Body Among Animals moves us from hopelessness to a future of resilience and possibility. Learn more about this book in this review by PRISM Magazine!

The Cure for Women: Dr. Mary Putnam Jacobi and the Challenge to Victorian Medicine that Changed Women’s Lives Forever by Lydia Reeder.

How Victorian male doctors used false science to argue that women were unfit for anything but motherhood–and the brilliant doctor who defied them. After Elizabeth Blackwell became the first woman to graduate from medical school, more women demanded a chance to study medicine. Barred entrance to universities like Harvard, women built their own first-rate medical schools and hospitals. Their success spurred a chilling backlash from elite, white male physicians who were obsessed with eugenics and the propagation of the white race. Distorting Darwin’s evolution theory, these haughty physicians proclaimed in bestselling books that women should never be allowed to attend college or enter a profession because their menstrual cycles made them perpetually sick. Motherhood was their constitution and duty. Into the midst of this turmoil marched tiny, dynamic Mary Putnam Jacobi, daughter of New York publisher George Palmer Putnam and the first woman to be accepted into the world-renowned Sorbonne medical school in Paris. As one of the best-educated doctors in the world, she returned to New York for the fight of her life. Aided by other prominent women physicians and suffragists, Jacobi conducted the first-ever data-backed, scientific research on women’s reproductive biology. The results of her studies shook the foundations of medical science and higher education. Full of larger than life characters and cinematically written, The Cure for Women documents the birth of a sexist science still haunting us today as the fight for control of women’s bodies and lives continues.

You can read more about this book in this review by The New York Times!

Spill: Scenes of Black Feminist Fugitivity by Alexis Pauline Gumbs

In Spill, self-described queer Black troublemaker and Black feminist love evangelist Alexis Pauline Gumbs presents a commanding collection of scenes depicting fugitive Black women and girls seeking freedom from gendered violence and racism. In this poetic work inspired by Hortense Spillers, Gumbs offers an alternative approach to Black feminist literary criticism, historiography, and the interactive practice of relating to the words of Black feminist thinkers. Gumbs not only speaks to the spiritual, bodily, and otherworldly experience of Black women but also allows readers to imagine new possibilities for poetry as a portal for understanding and deepening feminist theory.

Read more in this review in Library Journal!

How to Say Babylon: A Memoir by Safiya Sinclair

Throughout her childhood, Safiya Sinclair’s father, a volatile reggae musician and militant adherent to a strict sect of Rastafari, became obsessed with her purity, in particular, with the threat of what Rastas call Babylon, the immoral and corrupting influences of the Western world outside their home. He worried that womanhood would make Safiya and her sisters morally weak and impure, and believed a woman’s highest virtue was her obedience. In an effort to keep Babylon outside the gate, he forbade almost everything. In place of pants, the women in her family were made to wear long skirts and dresses to cover their arms and legs, head wraps to cover their hair, no make-up, no jewelry, no opinions, no friends. Safiya’s mother, while loyal to her father, nonetheless gave Safiya and her siblings the gift of books, including poetry, to which Safiya latched on for dear life. And as Safiya watched her mother struggle voicelessly for years under housework and the rigidity of her father’s beliefs, she increasingly used her education as a sharp tool with which to find her voice and break free. Inevitably, with her rebellion comes clashes with her father, whose rage and paranoia explodes in increasing violence. As Safiya’s voice grows, lyrically and poetically, a collision course is set between them. How to Say Babylon is Sinclair’s reckoning with the culture that initially nourished but ultimately sought to silence her; it is her reckoning with patriarchy and tradition, and the legacy of colonialism in Jamaica. Rich in lyricism and language only a poet could evoke, How to Say Babylon is both a universal story of a woman finding her own power and a unique glimpse into a rarefied world we may know how to name, Rastafari, but one we know little about.

Find out more about this memoir in this review by The New York Time!

Love and Money, Sex and Death: A Memoir by McKenzie Wark

A transgender woman reflects on her late transition and coming out, trans politics and culture, motherhood and memory, in this provocative epistolary memoir for readers of Olivia Laing’s Everybody. A breathtaking memoir of transition, history, art, and memory. After a successful career, a twenty-year marriage, and two kids, McKenzie Wark has an acute midlife crisis: coming out as a trans woman. Changing both social role and bodily form recasts her relation to the world. Transition changes what, and how, she remembers. She makes fresh sense of her past and of history by writing to key figures in her life about the big themes that haunt us all–love and money, sex and death. In letters to her childhood self, her mother, sister, and past lovers, she writes a backstory that enables her to live in the present. The letters expand to address trans sisters lost and found, as well as Cybele, ancient goddess of trans women. She engages with the political, the aesthetic, and the numinous dimensions of trans life and how they refract her sense of who she is, who she has been, who she can still become. She confronts difficult memories that connect her mother’s early death to her compulsion to write, her communist convictions, her coming to New York, the bittersweet reality of her late transition, and the joy to be found in Brooklyn’s trans and raver communities.

You can read more about this book in this review by TheLambaLiteraryReview.org!